Once In A Lifetime

Transcription

Once In A Lifetime
THE LITTLE THEATRE
OF DALLAS
MAGAZ INE
.----- *
. *·- ----·*
ONCE IN A LIFETIME
By GEORGES. KAUFMAN AND Moss HART
111
VOL. 5
111
NO. 6
WEEK OF APRIL 11, 1932
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you were the houseguest of an aristocratic
English family and discovered you had been
robbed of $10,000.0 0-
LITTLE THEATRE OF DALLAS
MAGAZINE
WEEK OF APRIL 11, 1932
Concerning Mr. Galswo rthy and His Drama, Loyalties
you were married to a beaiitiful woman and
found y01melf compromised by an all1tring
mistress-
you were host to a houseparty of charming
ladies and gentlemen supposedly of impeccable character and suddenly realized that one
among them was a thief-
Wher e Woul d Your Loya lties Lie?
JOHN GALSWORTHY
answers these questions and many more in his fine melodrama, LOYALT IES, which the Little Theatre of Dallas
is happy to announce as its next productio n of the season.
The play will be the first Galswort hy work to be presented
by this theatre.
(This page generousl y tlonatetl by a Dallas business fir•)
IN the next production of the Little
Theatre, Dallas will have its premier
glance at the work of John Galsworthy
as a playwright . For some inexplicable
reason this playwright , as well known in
the dramatic world as George Bernard
Shaw, has been neglected by dramatic
circles of this community . But with
Loyalties, Dallas will be given its first
opportunit y to compare Galsworthy 's
dramatic power with his locally better
known narrative gift.
Galsworthy , eminent expert on English tradition, uses as a plot theme for
Loyalties a conflict in the hearts of a
group of people. They are forced to be
loyal as a class to the intricacies of the
English social code or loyal to abstract
justice as portrayed in the figure of a
wronged Jew.
In a plot, exciting from its psychological detective story angle, a miniature Dreyfus case, with circumstan ces
considerably altered, with the torture
confined to social ostracism, bitter in
its intensity, but lacking the harrowing details of a cause celebre, the play
is developed.
Moral duty as it is variously applied
to phases of social law has always intrigued Galsworthy , the playwright , to
a greater extent than any other idea,
while Galsworthy , the novelist, has
been more interested in drawing accurately English life with its undeviating, Mede-like rules of custom, of
things "done" and "not done" by
gentlemen. In Loyalties, the best of each
of Galsworthy 's dual talents is presented arrayed against the other. The observant onlooker unconsciously fights
out the difficult problem by the side of
Galsworthy . The spectator becomes a
detective to his own emotions and may
be surprised to find, along with Galsworthy's characters, where and in what
strange places his own loyalties may lie.
After viewing the play in New York
Dr. David Leftkowitz , rabbi of Temple Emanuel, said of Loyalties, "John
Galsworthy is the latest of the playwrights to put the Jew in the center of
drama. He has named it Loyalties and
Broadway is flocking to see it. Two
problems are aired at once and the same
time in Loyalties, a Jewish problem, or
rather one of the many angles of the
Jewish problem, and a very serious and
perplexing generally human question.
We are interested I take it, both in the
minor Jewish problem and also in the
major human question.
·
" . . . The latter question is that of
loyalty, which Professor Josiah Royce
called the greatest of all virtues. Well,
is not that very simple? Does it not
mean to keep allegiance to the men or
causes we espouse? It would be very
simple if there were but one loyalty;
there are many and often clashing loyalties. There is first loyalty to God and
good, then to our country, to the spirit
of justice, to class, to profession, to
family, to friends, to social and racial
groups, to single churches and sects
rather than to the spirit of religion. ·
" . . . Galsworthy shows' the clash
of such loyalties and how differently
men meet it.
". . . The c.lash of loyalties is ever
near and we are constantly called upon
to choose oni; over the other. -The lowfr
(Continued on page 13 )
.,
THE LITTLE THEATRE
Lounge Exhibit
In New York
ADELE BRUNET, who is exhibitin the lounge of the theatre during
the engagement of Once in a Lifeti~,
was born in Austin, Texas, of French
parents. She started out in 1914 with
her sister, to study art in Europe but
the European war prevented the completion of their journey. They halted in
New York and made their home there
for thirteen years. ·
Miss Brunet undaunted by the setback of her original plan studied at the
Art Students' League where her talent
for costume and design won her a position in one of New York's largest theatrical studios. She continued with her
art work unspecialized in ':l private class
of Henry Rittenberg's, where she was
encouraged to take up portraiture. Soon
she opened her own studio on lower
Fifth A venue. Later she moved to the
famous old Van Dyck Studio building
on Eighth Avenue, where she lived until she returned to Texas in 1927.
Europe and New Mexico also have
claimed Miss Brunet's time and interest.
The Santa Fe group of artists invited
Miss Brunet to exhibit her work at the
Santa Fe Museum. Miss Brunet has exhibited in numerous of the Southwestern shows as well as in New York Galleries. Her work has recently been acclaimed internationally. La Revued' Art
et la Vie, published in France, had an
You Look for the Best
i~g
In DALLAS
You Find It at
MELROSE COURT
HOTEL
HARPER METHOD
SHOP
OF DALLAS MAGAZINE
article on Miss Brunet this spring commending her work.
Although Miss Brunet does not confine herself to one form of art, portraiture has been her happiest :field.
Among her latest portraits are those of
Miss Zelva Compton of Dallas, Mr. and
Mrs. Robert Massie of San Angelo; J.
William Johnson, banker of San Angelo, young Charles Allen, son of Dr.
Homer Allen, and Mis Martha Holland
of Dallas.
This summer Miss Brunet is to be an
instructor in the Texas Artists' Camp
to be held at San Angelo.
•• and all other lines of
beauty work.
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THE LITTLE THEATRE
Holrywood Happenings
(Not by Helen Hobart)
HoLLYWOOD is bounded on the
North by Jim Jeffries' ranch, on the
South by Jess Willard's real estate office, on the East by Jack Dempsey's
hotel and on the West by Jim Tully's
critics.
The word in widest use in Hollywood is me. Running close behind are
the words marvelous, gag and ginger .
ale.
Dallas is represented in the movie
colony by Bebe Daniels, Mary Brian,
Joan Blondell, Nancy Dover (formerly
Lucille Kelly), Adrienne Ames, James
Hall, and "Spanky" McFarland.
Neither the Fatty Arbuckle incident
nor the William Desmond Taylor
murder occurred within the borders of
Hollywood.
The experience of P. G. Wodehouse
in Hollywood parallels almost identically the anguish suffered in Once in a
Lifetime by Lawrence Vail.
Chic Sale's The Specialist, is said to
hold the best-seller record of Hollywood.
· The Hollywood Chamber of Commerce is reported to be resentful of
propaganda to the effect that the community owes its prosperity to the
growth of the motion picture industry.
On a recent vacation we found
Hollywood a delightful little village
and recommend it unreservedly to you,
and you and you.
OF DALLAS MAGAZINE
Nichols-Cole-Richter
Marcelle Rousseau
PERRY NICHOLS, William Cole and
William Richter are a trio of young
Dallas artists who contributed their
talents to various phases of this production of Once in a Li/ etime.
Settings for Once in a Li/ etime were
designed by Mr. Nichols, who also
supervised and assisted in the painting
and decoration of them. In starting his
job Mr. Nichols' orders from Director
Meredith were that the sets "must be
in attractive bad taste."
Mr. Nichols is a painter of Southwest
landscape and is a former pupil of
Alexandre Hogue. This is his first experience in stagecraft.
Once in a Li/etime is the third production of this season in which the costumes have been designed by Mr. Cole.
His Saint Joan and Green Grow the
Lilacs wardrobes won much praise from
those who saw the production. Mr. Cole
recently opened his own studio on
Cedar Springs Road.
Mr. Richter, who designed the production poster, is an artist-architect
associated with the firm of Ralph Bryan
and Walter Sharp. He is a graduate of
Rice Institute and took post graduate
work in architecture at Harvard University. In addition to his work in technical designing, Mr. Richter is keenly
interested in linoleum blocks designs.
His poster for Once in a Lifetime was
carved in linoleum.
1807 Main
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Designers of
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TWO STORES:
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THE LITTLE THEATRE
of DALLAS
A Nutritious Food
Simply delicious when made of
ALL CREAM ... as all our Ice
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TELEPHONE 8-5103
Uses
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Delivered by
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721 Brazos
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P11ge seven
THE LITTLE THEATRE OF DALLAS
PRESENTS
REBBIE STEGER
PRESS SHOP
3418 Oak Lawn Avenue
,,
Featuring
Women's and Misses' Dresses
Sports Wear and Hosiery
ttSmart ClOthes for Less"
•
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Associated with
DeLENER GRIGSBY
•
Phone 5-4918
Once in a Lifetime
A Comedy by Moss HAR~knd GEORGE S. KAUFMAN
Directed by C~RLES MEREDITH
CAST (in ord~ of appearance)
J . W. M. Crocker
George Lewis
Gerry Swinsky
May Daniels
Dan Chandler
Jerry Hyland
Joe Bradley
The Porter
Short
Violet
Helen Hobart
Olive Tullis
Sman Walker
Aileen Covington
Cigarette Girl
Christina Forrester
Coat Check Girl Sarett Rude
Phyllis Fontaine
Lylla Walker
Miss Fontaine's Maid
Dave Cahn
Miss Fontaine's Chauffeur
Rose Berr
Florabel Leigh Elizabeth Lemly
Miss Leigh's Maid
J. T. Groves
Miss Leigh's Chauffeur Robert Roth
Bellboy
Elizabeth Bertucci
Mrs. Walker
Lucius Lamar
Ernest
Ted Solomon
Herman Gloga11er
Sam Roback
Moe Schlepkin
Margaret Muse
Miss Leighton
Louis J. Hexter
Lawrence Vail Bernard Bernbaum
Weisskopf Seymour Margules
Meterstein Wallace Chappell
First Page
Robert Campion
Second Page L. Vance Duke
{ Sam Simonson
Three Scenario Writers
Leslie Urbach
Roland Roggenbrotl
Rudolph Kammerling
Stanley Probst
First Electrician
Virgil Potts
Second Electrician
Dorothy Parks
A Voice Pupil ;
Edgar Hartsfield
Mr. Flick
Marjorie Simmons
Miss Chasen
Dick Neal
First Cameraman
Jack Collins
Second Cameraman
Ollin B. Hamilton
First Lightman
E.G. Luter
Third Cameram11n
Gladys Mowbray, Christina Forrester, Virginia
Bridesmaids Holland, Elizabeth Lemly, Rose Berr, Sarett Rude
William Cole
Painter
Lylla Walker
Biographer Virgil Potts
TieM..m .
Leslie Urbach
Re parter
''N ew''
Wardrobes
• • •
do not always
mean new clothes
... but clothes scientifically dry
cleaned . . . the original ·shape
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THE LITTLE THEATRE
'.The .,(ittle '.Theatre of
'.Dallas Magazine
Producing Staff
OXYLAIR!
.. the radio-active cosmetics
your skin will appreciate.
Week of
APRIL 11,
1932
VoL. V
No.6
A complimentary facial for
test purposes is given you lf
you will call 2-5500.
Published with each production at the
LITTLE THEATRE
of
DALLAS
3104 Maple Avenue
Dallas, Texas
Editor and Business Manager
Oxylair's beautiful and exclusive
Cosmetique Salon is located 204
Petroleum Towers Building.
FRANK HARTING
Advertising - Mas
LEONORA CHILTON
SYNOPSIS OF SCENES
PAULINE TENNEY
AcT ONE
Scene 1-A Room in the West Forties,
New York.
Scene 2-A Pullman Car.
Scene J-The Stilton Hotel, Los Angeles..
Eight-Minute Intermission
211 Petroleum Towers
French dressmaking and English
tailoring for the women who appreciate workmanship and "high
fashion."
Phone 2-6663
AcTTwo
Reception Room of the Glogauer
Studios.
Fi/ teen-Minttte Intermission
Henri's Studio
AcTTHREE
Second Floor
Scene 1-0n the Set.
Scene 2-The Pullman Car.
Scene J-The Reception Room.
(Coffee will be served in the lounge
during the intermission between Acts
Two and Three. White Swan Coffee
courtesy Waples-Platter Co. Cream
courtesy Tennessee Dairies, Inc.)
I
213
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~================~==;;;io=====~====~ ­
Page ten
OF DALLAS MAGAZINE
For Fashionable Hart Schaffner & Marx Clothes "correct-
Technical Supervisor Charles Meredith
Art Director Gerry Swinsky
Settings designed and painted by
·
Perry Nichols
Assisted by Mrs. W. P. Bentley, Mrs.
James Landers, Marjorie Simmons,
and Leslie Urbach.
Settings constructed by Stanley Probst and Edd Sweatt
Stage Manager - Leslie Urbach
Electrical effects and studio equipment by
- Roy C. Lee
Properties - Mable Marquitz, Clarence
Pittman, Hazen French, Lillie Dell
Masters, and Navarra Turner.
Makeup
Marion Pollard, Elizabeth
Bertucci, Louise Finley
Coiffures by
- James
(Peacock Beauty Salon)
"Once in a Lifetime" Poster by
William Richter
The Little Theatre of Dallas wishes
to thank the following firms and individuals for assistance in making this
production possible:
D. L. Whittle Music Co.
Anderson Furniture Co.
Dallas Power and Light Co.
A. Harris Co.
Lang Floral Co.
Dallas Speciality Shop.
Adolphus Hotel.
Palace Theatre.
The Dorsey Co.
Jamieson Film Co.
James (Peacock Beauty Salon).
W. A. Anderson Cleaners.
FINEs-r ====== =-·
TABLE
SQUABS
(Delivered)
ly clothed" men wear-"not
Once in a Lifetime"-b ut
every .day of their lives.
HoovER-LEH MAN
Plant Now!
Roses, Shrubs, Evergreens
LANG'S
Phone 2-2484
'
The Southwest's Foremost Florist
I
Cut Flowers
The South's Largest
Book Store
offers you:
The largest and most complete
selection of books on ALL SUBJECTS. A special order department for items not in stock.
Free Delivery
Methodist Publishing House
Lamar & Whitmore, Agents
13 0 8 Commerce
2-2241
-
JOllPH
IARToR
GALLERlll
Hand
Made
Frames
Paintings and Prints .
Paintings and F,rames Restored
Phone S-4956
5-7148
3007 Knox Street
Page elev_e n
THE LITTLE THEATRE
Junior League Play
(Continued from page 3)
ON
April 22 and 23 the Ju'nior
League of Dallas will present The Wizard of Oz, a play for children, at the
Little Theatre of Dallas. Performances
will be given Friday and Saturday
afternoons at three thirty o'clock and
Saturday morning at ten o'clock. Admission to all performances will be fifty
cents.
The cast of the play will be made up
of members of the Junior League. Sets
for the production are being designed
by Roland Wilkinson and will be executed by Edd Sweatt and Stanley
Probst.
The Wizard of Oz is one of the most
delightful and most widely read of children's books. The fascinating characters
of the story have been dramatized into
a colorful and appealing play. It is entertainment for grownups as well as
younger members of the family.
Proceeds from the play will be given
to the Dallas Art Institute of which
Olin Travis is Dean.
Glen McDaniel, Curly McClain of
Green Grow the Lilacs, is in California
with the varsity debate team of Southern Methodist University. A picture
postcard from Hollywood informs us
that the Oklahoma cowpuncher has
visited with Oliver Hinsdell and with
True Thompson and Alex Courtney,
former actors with this theatre. Mr.
Courtney, incidentally, has just finished
an engagement with the Pasadena Community Playhouse. He played the juvenile lead in Noel Coward's The Young
Idea.
Mrs. Wesley Porter
Mason
School of Music
and
Creative Education
4409 Gaston Avenue
Phone 8-5980
Hunger Place Studio
8-5980
'409 Gllliton
Oak Clift Studio
6-5721
211Y, S. Tyler
WE HAVE IT
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for what you need?
( 10 years in present location)
L.
J.
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Page twelve ·
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loyalties hold us in the stronger grip,
because with them we came but yesterday, as it were, out of savagery. We are
held close in leash by tribal, family,
racial, group, class and church loyalties, and it is only with the greatest
effort that our attention and regard can
be turned toward the higher loyalties
to humanity, to international obligations, to God and right and justice and
truth.
". . . The poet sang of the coming
of mein besseres ich, my better self; it
shall not come until men heed the
higher loyalty over every lower one,
when men shall stand by right, even
though class and friendship call on the
other side. It will not come until men
forget the church loyalty when it is at
odds with loyalty to truth. It will remain unrealized as long as race and sect
and class and group solidarity shuts out
from us the vision of an unmitigated
loyalty to the best that is within us, to
the noblest dreams and highest strivings
of humanity.
". . . Galsworthy has shown the
clash of loyalties; that destruction goes
with the lower choice and a new life
with the higher.
" . . . Shakespeare said; 'To thine
own self be true and it must follow as
the night the day thou canst not be
false to any man,' which I would
amend, with apology, 'To thy best self
be true. That is the highest loyalty.'"
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THE LITTLE THEATRE
"
M ade to perfection.
0 utstanding values.
D allas made.
E very garment guaranteed.
L a test spring ·and summer
fabrics.
$27.50
f
Larges~
$3 5.00
f
$40.00
in th~ Southwe.st
2308 Elm Stre~
THE LITTLE THEATRE
Patron Memoers
Officers and Directors
Ma. LEWIS
Mas. W.
G.
President
First Vice-President
Second Vice-President
Treasurer
Recording Secretary
Assistant Treasurer
Auditor
Business Manager
SPENCE
P. BENTLEY
-
Ma. Orro HEROLD
MR. Loum BaoMBERG
Mas. CuRT BEc1t
Miss NELL McELROY
MR. ELMEa Scorr
Ma. FRANit HARTING
MRS. HAROLD J. ABRAMS
MR. WILLIAM LIPSCOMB
Mas. BALLARD BURGHER
MR. HARRY I. MAXSON
Ma. HUGO DIXON
MRS. WILLIAM McCRAW
Mas. EUGENE DUGGAN
MR. B. A. McKINNEY
MR. EDGAR FLIPPEN
MRS. PETER O'DONNELL
Ma. Louu J. HEXTER
MR. Eu SANGER
MR. LEVEN JESTER
Mas. MANNING SHANNON
Ma. ARTHUR KRAMER
MRS. ALBERT Sw1NS1tY, Ja.
MR. CHARLES L. KRIBS, Ja.
Ma.
E. WOOLLEY
Ex-Officio, Mas. FRED FLORENCE, President Women's Guild
w.
Committee Chairmen
Membership
MRS.
Play-Reading
Finance - -
Executive
- Bttdget
Ma. OTTO HEROLD
H<mse
EUGENE DUGGAN
Ma. J. W. ROGERS, Ja.
-
-
MRS. W.
-
P. BENT;LEY
Ma. ELMER ScoTT
MRs. A:LBERT SWINSitY, Ja.
Life Members
Mr. and Mrs. Harold J. Abrams
Mr. and Mrs. W. P. Bentley
Mr. Louie Bromberg
Mr. and Mrs. Alex Camp
Mrs. Margaret Scruggs Carruth
Mr. and Mrs. W. R. Coe
Mr. L. 0. Daniel, Jr.
Mr. and Mrs. Hugo N. Dixon
Mr. and Mrs. H •. L. Edwards
Mr. and ?.:!'.rs. Edgar Flippen
Mr. and Mrs. Fred F. Florence
Dr. and Mrs. R. B. Giles
Mr. and Mrs. Otto Herold
Mr. and Mrs. Karl Hoblitzelle
Mr. and Mrs. Arthur Kramer
Mr. and Mrs. Sam Leake
Page f <>11rteen
OF DALLAS MAGAZINE
Mr. William Lipscomb
Mrs. Rose Lloyd
Mr. and Mrs. Herbert Mallinson
Mr. and Mrs. Herbert Marcus
Mr. and Mrs. Harry Maxson
Mr. and Mrs. B. A. McKinney
Mr. and Mrs. Albert Mittenthal
Mr. and Mrs. J. W. Pat Murphy
Mr. and Mrs. W. C. Proctor
Mr. and Mrs. Eli Sanger
Mr. and Mrs. Henry .Sedigson
Mr. and. Mrs. Manning B. Shannon
Mr. and Mrs. Charles B. Shaw
Captain and Mrs. Dick Slaughter
Mr. and Mrs. Lewis G. Spence
Mr. and Mrs. T. W. Vardell
Mr. and Mrs. Frank E. Austin
Mr. and Mrs. H. R. Aldredge
Mr. and Mrs. William Bacon
Mr. and Mrs. Fenton J. Baker
Mr. and Mrs. Wm. Howard Beasley
Mr. and Mrs. Curt Beck
Mr. and Mrs. Henry C. Beck
Mr. and Mrs. A. C. Bigger
Mr. and Mrs. H. L. Bromberg
Mr. and Mrs. E. R. Brown
Mr. and Mrs. Jos. Ramsey Brown
Miss Ona Brown
Mr. and Mrs. William J. Brown
Mr. and Mrs. R. H . Buell
Mr. and Mrs. Freeman Burford
Mr. and Mrs. Ballard Burgher
Mr. and Mrs. Dave Cahn
Mr. and Mrs. E. R. Callier
Mr. and Mrs. John W. Carpenter
Mr. and Mrs. F. L. Chase
Mr. and Mrs. A. L. Chilton
Mr. Harry R. Clancey
Mr. Sam P. Cochran
Mr. and Mrs. Henry C. Coke
Mr. and Mrs. Rosser J. Coke
Mr. and Mrs. Pio Crespi
Mr. and Mrs. Price Cross
Mr. and Mrs. Frank Cullinan
Mr. and Mrs. Arch M. Culmore
Mrs. Lewis M. Dabney, Sr.
Mr. and Mrs. G. B. Dealey
Mr. and Mrs. Ira P. DeLoache
Mr. and Mrs. L. B. Denning
Mr. and Mrs. Roger L. Dixon
Mr. and Mrs. William Doran
Mr. and Mrs. Sol Dreyfuss
Mr. and Mrs. Arthur A. Everts
Mrs. Henry Exall, Sr.
Mr. and Mrs. Theodore J. Fitch
Mr. and Mrs. W. D. Felder
Mrs. Walter L. Fleming
Mr. and Mrs. R. K. Gaston
Mr. and Mrs. Anthony Gevers
Mr. and Mrs. G. W. Gibbs
Mr. R. B. George
Mr. and Mrs. W. A. Green, Jr.
Mr. and Mrs. Karl Griflith
Mr. and Mrs. K. N. Hapgood
Dr. and Mrs. Whitfield Harral
Mr. and Mrs. Leon A. Harris
Mr. John R. Haven
Mr. and Mrs. Franklin E. Hodgkins
I
Mr. and Mrs. W. M. Irish
Mr. Albert Sidney Johnson
Mr. and Mrs. J. Warren Jones
Mr. Laurence S. Kahn
Mr. and Mrs. T. H. Kerr
Dr. and Mrs. W. Mood Knowles
Mr. and Mrs. Horace H . Landauer
Mr. and Mrs. Clarence E.Linz
Mr. and Mrs. Simon Linz
Mr. James L. Lipscomb
?-.~ s Florence A. Lynes
Mr. Edward Marcus
Mrs. Theo Marcus
Mr. Stanley Marcus
Mr. and Mrs. William McCraw
Mr. and Mrs. Angus McLeod
Dr. and Mrs. Tohn O. McReynolds
Mr. and Mrs. Homer R.Mitchell
Dr. and Mrs. S. E. M \liken
Mr. and Mrs. Charles R. Moore
Dr. and Mrs. I. J. Morris
Mr. and Mrs. Robert Nicholson
Mr. and Mr•. Edgar Padgitt
Mr. Hugi. E. Prather
Mr. and Mrs. Archie N. Rodgers
Mrs. A. M. Samuell
Mr. and Mrs. George Schepps
Mrs. Jules P. Schneider, Sr.
Mr. and Mrs. Hugo W. Schoellkopf
Mr. and Mrs. J. Fred Schoellkopf
Mr. and Mrs. Paul Scott
Mr. and Mrs. Otto Schubert, Jr.
Mr. and Mrs. Harry L. Seay
Mr. and Mrs. Herbert Blake Seay
Mr. and Mrs. Edward P. Simmons
Dr. and Mrs. W. E. Sistrunk
Mr. and Mrs. B. H . Stephens
Mr. and Mrs. Albert Swinsky, Jr.
Mr. and Mrs. A. Starke Taylor
Mr. Ernest R. Tennant
Mr. and Mrs. E. Rowse Thompson
Mr. Edward Titche
Mrs. Orville Thorp
Mr. and Mrs. Louis Tobian
Mr. S. Tsukaguchi
Mr. and Mrs. Leslie Waggener
Mr. and Mrs. Lindsley Waters
Mr. Christian C. Weichsel
Mr. and Mrs. Lang Wharton
Dr..rnd Mrs. William T. White
The Very Reverend George R. Wood
(Incomplete)
Page fifteen
Will You Be A
Member Next Season?
Drama and
Civilization
Are
Inseparable
e
The Little Theatre of Dallas
represents the best in drama
in Dallas and in the
Southwest.
Your Constant
Support and
Interest Is
Solicited-