FMA Informative Issue No #79
Transcription
FMA Informative Issue No #79
Latigo Gareth Rodgers Grandmaster Canete Bill Lowery Informative Issue No. 79 2013 Grandmaster Pableo The Momoy Canete San Miguel Eskrima System Techniques Laban Baston Eskrima Club The FMA Informative knows there are a few pratitioners tha practice the Latigo. At the present time only two people in Europe are qualified to teach the Grandmaster Andres T. Canete lineage San Miguel Latigo subsystem - Bill Lowery, European Representative of the San Miguel International Latigo Association, and Gareth Rodgers; both men are 1st Degree Black Belts, trained and certified in the Philippines by Grandmaster Andres T. Canete himself. The FMA Informative was fortunate to have Mr. Bill Lowery share with us a little about his knowledge of the latigo. Bill S. Lowery Bill began training in Eskrima in 1993 under Ian Andrews in Sunderland whilst studying Applied Physiology at Sunderland University. He also studied under Jimi McAvoy (Founder of Blind Princess Escrima, a Serrada based system). Bill met and trained under Danny Guba and Percival Pableo in Luton in 1997, one year after starting his own club (The Laban Baston Eskrima Club). Converting to a Guba Doce Pares club, Bill trained and taught under Grandmaster Danny Guba for 14 years, reaching the grade of 5th Degree Black Belt. During this time he travelled to the Philippines twice, both times training under Grandmaster Andres Canete in the San Miguel Eskrima System. Workshops covering the three basic strikes, and a course covering the three in one go, are available to any school wishing to gain experience in this most fascinating of weapons. Plans are afoot to connect to Tom Meadows system of Latigo y Daga in order to expand the use and experience of the whip in both general training as well as combat usage. I would recommend the purchasing of Tom Meadows book Advanced Filipino Bull Whip - an excellent book which covers the Filipino whip in some depth. For more information about the purchase of the only certified Latigos as handmade by Grandmaster Canete, training in the Latigo or training holidays in the Philippines under a selection of Doce Pares Grandmasters, as well as Doce Pares Eskrima Multistyle system training in County Durham Contact: Bill Lowery at: (0783) 446-5817 Email: labanb@excite.com Website: labanb.moonfruit.com Each issue features practitioners of martial arts and other internal arts, other features include historical, theoretical and technical articles; reflections, Filipino martial arts, healing arts, the culture of the Philippines and other related subjects. The authors, publisher and owner of this online magazine are not responsible for any injury, which may result from the instructions contained in this online magazine. Before embarking on any of the physical activates described in the magazine, the reader should consult his or her physician for advice regarding their individual suitability for performing such activity. The ideas and opinions expressed in the FMA Informative online magazine are those of the authors or instructors being interviewed and are not necessarily the views of the publisher, editor or owner of the FMA Informative. The articles are the property of the author’s that wrote them and cannot be used without the permission of the author. The FMA Informative is for the promulgation and promotion of the Filipino martial arts and the Culture of the Philippines. NO issue can be printed and Sold for Monies, without the express permission of the Owner and Publisher of the FMA Informative. labanb.moonfruit.com Latigo: The Momoy Canete San Miguel Eskrima System Filimon “Momoy” Canete, the legendary Eskrimadore who’s name appears in the lists of most of the top Filipino martial arts Masters, taught few the Latigo (Cebuano for Bull Whip), but believed it was a very important part of his system due to the many benefits it bestowed the student. A first trip to the Philippines in 2007 led us to train with some of the top Doce Pares instructors, including Grandmaster Andres T Canete (Cano). Training under “Cano” Canete (Momoys son and sole heir to the San Miguel system) has been enlightening and a joy, whether covering the Latigo, the San Miguel Form, or the Espada y Daga (stick and knife) sections of the system. Cano is a man who can obviously take care of himself; when first meeting the man, even when his martial arts back ground is unknown, it is clear you are dealing with a fighter; a man who has used his skills to survive on the street of Cebu. Solidly built, Cano moves smoothly due to his training in his fathers’ system which is known for its elegant and flowing strikes. Despite the belief in some quarters, San Miguel is not just a beer; it’s a whole fighting system. Knife, single and double stick, devastating empty hand, espada y daga and Latigo are all components of the San Miguel system. This article looks at the last of those elements, one which enhances the others with its focus on body mechanics. The Latigo we’ve trained with is approximately eight feet long (including the wooden handle), and has been made either of sisal rope or carabao leather. The The difference between Momoys Latigo and the more familiar California Bull whip (see Indiana Jones) is the way in which the whip material is attached to the handle. The California whip is braided directly onto the handle: Momoy attached the whip material to the wooden handle with a piece of nylon rope. This allows the Latigo to be manipulated in a wider variety of angles than the California whip. Momoys Latigo L-R: Gareth Rodgers, Grandmaster Canete, Bill Lowery, Grandmaster Pableo whip is made up of two or three braids intertwined; which is used is dependent on the physical size of the proponent. Being of the smaller size, I found that the two braid was more than enough for me to handle. Gareth was more comfortable with the three braid, thanks to his larger frame and his solid stance due to years of Karate training. The difference between Momoys Latigo and the more familiar California Bull whip (see Indiana Jones) is the way in which the whip material is attached to the handle. The California whip is braided directly onto the handle: Momoy attached the whip material to the wooden handle with a piece of nylon rope. This allows the Latigo to be manipulated in a wider variety of angles than the California whip. Forward, circle and reverse circle are the three basic strikes taught to beginners, each involves the correct stance (left leg forward if the whip is held in the right hand), the whip is then swung around the head, the hips turn sharply to bring the weapon forwards and the wrist turns in the prescribed manner to generate the “pop” - actually the tip of the whip California Bull whip (Indiana Jones type) becoming supersonic, it does, when manipulated correctly break the sound barrier! A full matrix of strikes has been developed covering the three above strikes in combinations. A Forward strike which turns into a Circle Reverse takes a little time to perfect; when the two strikes are then required to be performed at differing heights the skill and dedication of the student comes to the fore. Not only the tip is used in the system; the body of the whip can be used to block strikes and tie the opponent up. The handle can, likewise, be used to block strikes, as well as being used as a short stick and a projectile weapon - although one which can be hurled repeatedly! Getting the whip to pop, or crack - you choose the description Grandmaster Pableo Grandmaster Andres T Canete (Cano) demonstrating striking of the noise! - is relatively easy. Getting it to do it repeatedly when you want it to takes time, training and an element of pain. Safety glasses and upper body clothing are recommended – speaking from personal experience hitting yourself with a whip which you’ve failed to crack correctly... Hurts! Once trained in the whip, the other elements of the Eskrima system you train in clearly improve. Your strikes with a stick become more powerful, your techniques with the empty hand become more effective due to the increased power and shorter range needed to deploy the strikes. The speed at which your opponent attacks seems to decrease – when you have a whip returning at high speed, whether the strike has cracked successfully or not, your reaction time improves. As does your ability Early whip training without shirt Techniques Techniques are very difficult to discribe in stationary photographs, the explanations below are Bill S. Lowery first attempt to describe the two most basic techniques. He suggests you find yourself a certified instructor in any of the Latigo systems out there and have fun. Forward This is just as the name implies – a straight forward strike to a target directly ahead. Basic stance – left leg lead, whip held in right hand. The whip is laid out straight ahead, then drawn towards the rear in a smooth movement, turning the right hip to the rear as you do so. The whip hand is raised to head height and punched forward, turning the right hip to the front, and snapping the fist palm downwards so as to accelerate the tip of the whip. to squeal like an eight year old girl the first time you realize you are NOT going to get out of the way! The training is highly addictive - getting the whip to crack is a joy, then you just have to do it again, and again and again! You find out quite quickly that to get the Latigo to pop involves relaxing and channeling the power into the end of the whip. This improves other areas of training; indeed anything which helps you to relax will enhance the rest of your training, including the self defense element. Staying calm during an aggressive situation increases your chances of coming out the other end relatively unscathed. Circle A circling strike aimed at the side of the target. Basic stance – left leg lead, whip held in right hand. The whip is circled to the left, overhead, three times, turning the hips to follow the circling of the whip. Then the left hip snaps to the right as the whip hand snaps back to the right in a tight circular motion (a small “C” shape should be imagined). basic techniques and is aimed at street self defence. Empty Hands - Boxing, Kickboxing, Trapping, Locking, Grappling Single Weapons - Stick, Knife, Sword Double Weapons - Sticks, Knives, Swords, Sword and Knife (Espada Y Daga) Flexible Weapons - Latigo (Bullwhip), Sarong Laban Baston Eskrima Club Founded in 1996 by Bill Lowery, The Laban Baston Eskrima club teaches Doce Pares Eskrima and Blind Princess Escrima. Bill is also the European Representative for the San Miguel Latigo (Bullwhip) sub-system under GM Andres Canete. Doce Pares Eskrima: Founded in 1932 by a group of Eskrima Masters headed by Eulogio Cañete, Lorenzo Saavedra and Teodoro Saavedra. The name Doce Pares means “Twelve pairs” in Spanish, and was meant to honour the twelve people who originally formed the organization. Doce Pares is an umbrella organisation, involving systems which cover Corto (close range); Medio (medium range) and Largo Mano (long range) fighting systems. The system covers Forms and two person drills; sparring in armour as well as sensitvity drills. Jimi McAvoys Blind Princess Escrima is a close range system based on Cabales Serrada Escrima, a system often likened to Wing Chun as it is cut back to The empty hand section of Eskrima relates closely to the weapons art. Most of the drills performed with weapons translate directly to empty hands applications. There are three areas of empty hand work: 1) Panuntukan (Pangamut): this is known as Filipino (or dirty) boxing. Within this art headbutting, arm wrenching, the knees and elbows are used along with both the closed fist and the open hand. The use of the elbow for destruction of the opponents weapons (either fist or leg) replaces the knife which would be held in the hand. Strikes which are considered unfair or ‘dirty’ in Western Boxing, ie kidney shots,rabbit punches etc, are held to be reasonable in Panuntukan. A recognisable technique is the Gununting, or scissor motion. This involves striking a target, such as the biceps, whilst parrying the incoming strike. Trapping is an integral part of this section. The close range, or Corto range, is the most dangerous as there is the least time to react to an assault. The trapping art is often taught using knives to give an added incentive to get the technique right!! 2) Pananjakman (Sikaran): this is the kicking art within Eskrima. It uses ballistic stomps and low line strikes to distract and disable the opponent whilst giving them less time to register, and therefore react to, an attack. Pananjakman is also considered a separate art and is sometimes called Sikaran. There are many games played around this art, all of which are aimed at improving the students balance, timing and accuracy. Students will recognise some of the kicks as the South East Asian continent has very similar terrain and so the resulting arts tend to display similar attributes. As an example, some systems of Eskrima and Silat (an Indonesian martial art) have the practitioner drop to the ground the moment combat begins. In our concrete floored cities this may appear foolhardy, however when the nature of the ground in the areas where such systems develop, a strategy for dealing with muddy, and therefore slippery, land makes a lot of sense. Bill S. Lowery 3) Dumog (Buno): this is the grappling art within Eskrima. Dumog has only attacking manoeuvres, no defensive ones. Most of the dumog techniques are based around a standing fight, based on the idea that going to the ground when being attacked by more than one person is not a good strategy. Techniques involve taking the opponent off balance so as to leave them in a poor position to counter the follow-up (a headbutt, punch, kick, throw). The Filipino Fighting Whip: Advanced Training Methods and Combat Applications [Paperback] By Tom Meadows Bill began training in Eskrima in 1993 under Ian Andrews in Sunderland whilst studying Applied Physiology at Sunderland University. He also studied under Jimi McAvoy (founder of Blind Princess Escrima, a Serrada based system) Bill met and trained under Danny Guba and Percival Pableo in Luton in 1997, one year after starting his own club (The Laban Baston Eskrima Club). Converting to a Guba Doce Pares club, Bill trained and taught under Grandmaster Danny Guba for 14 years, reaching the grade of 5th Degree Black Belt. During this time he travelled to the Philippines twice, both times training under Grandmaster Andres Canete in the San Miguel Eskrima System. At present he is teaching at The Chester le Street Community Centre, Newcastle Road, DH33TS, building up the latest generation of Eskrima enthusiast and making connection with people around the UK, Europe and the World who are truly dedicated to the promotion of the Filipino martial arts. Gareth D. Roberts Gareth has trained in Karete before discovering the Filipino martial arts. His grounding in Karate showed through in the strength of his stances and power generation which helped him pick up the whip techniques quickly. At present: Gareth is no longer training in martial arts, his life going through one of the many changes we have all experienced. We wish him well in all his future endeavours. This is a comprehensive guide for advanced whip training methods and combat applications as practiced and taught by the best fighters and whip practitioners in the world. It features chapters on the evolution of whips and their fighting techniques; the various types of whips, including the Western bullwhip, The Doce Pares rope whip and custom self-defense whips; manipulation skills and range-control techniques; self-defense theories and sparring drills; cracking and slashing with the whip; safe handling techniques; and construction, care, maintenance and repair of whips. labanb.moonfruit.com Order: www.amazon.com/Filipino-Fighting-Whip-Advanced-Applications/dp/1581604777 School Submission The schools listed teach Filipino martial arts, either as the main curriculum or an added curriculum. If you have a school that teaches Filipino martial arts, or you are an instructor that teaches, but does not have a school, list the school or style so individuals who wish to experience, learn and gain knowledge have the opportunity. 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