Cat. - John Benjamins Antiquariat Catalog

 

 

“ ”
Catalogue No.  ()
   ..

CONDITIONS OF SALE
. Prices in this catalogue are indicated in EUR. Payment and billing in US-dollars to the Euro equivalent is
possible.
. All prices are strictly net.
For sales and delivery within the European Union, VAT will be charged unless a VAT number is supplied
with the order.
Libraries within the European Community are therefore requested to supply their VAT-ID number when
ordering, in which case we can issue the invoice at zero-rate.
For sales outside the European Community the sales-tax (VAT) will not be applicable (zero-rate).
. The cost of shipment and insurance is additional.
. Delivery according to the Trade Conditions of the NVvA (Antiquarian Booksellers Association of The
Netherlands), Amsterdam, depot nr. /.
All goods supplied will remain our property until full payment has been received.
At our sole discretion we may require pre-payment on any order.
. If items are already sold we shall always notify our customers. Unsuccesful orders will be kept on file for
the titles requested and we shall requote without obligation if found again.
. Orders should be addressed to (Please mention the article-identifier [#in brackets]):
John Benjamins Antiquariat B.V.
P.O. Box .
Klaprozenweg G
 ME AMSTERDAM
The Netherlands
Phone: +--
e-mail: antiq@benjamins.nl
website: antiq.benjamins.com
Cat. :
Counterculture, Alternative Lifestyles, Psychedelics
“Politically Incorrect”
[#] AA NACHRICHTEN.
Zeitschrift der Therapiekommune/ Nachrichten Kommune
[#] ACTUEL. Nouvelle série, mensuel.
Nos - (all published). Paris,
octobre  - octobre . All in
original pictorial wrappers, to.
(Nos. /, /, /, /, /
were double numbers; also included
is the supplement to No.  (Special
élections)and  special issues “hors
série”:  bis,  bis,  bis and an
unnumbered issue dated 
décembre  . The collection thus
consisting of  physical issues, all
in good to excellent state.
( of a total of  issues published)
Zeitschrift der Therapiekommune.
(as of nr.  AA Nachrichten
Kommune.) Nos. -  / and
No. /. Rheydt: Self published,
(with another copy of No.  in the
rd edition).Occasional pencil
underlinings and clean perforation
holes, clean and in good condition.
 ,.
The first issues of the Viennese AA
Kommune,founded by the Aktionist
Otto Muehl. First editions; Summary
of the first issue: (No , ): “Kommunemanifest; Freie Sexualität; Die
Panzerung des menschlichen Körpers; Theorie und Praxis der Aktionsanalyse; Analyse Otmar; Claudias Vater; Kindererziehung; Aus Sclomos Tagebuch; Meine Entwicklung in der Kommune; Wie sie mich fertig machten;
Filmprojekt; Die Entwicklung der Kommune; Zwei fotoseiten.” Detailed
contents of the other issues on request.
 ,.
Directed by Jean-François Bizot with Michel-Antoine Burnier, Patrick
Rambaud, Bernard Kouchner, Jean-Pierre Lentin, etc. First French “Free
Press” publication, member of the Underground Press Syndicate. Actuel
was inspired on the British magazine OZ and is similar in approach and
content, advocating alternative lifestyles, drugs and psychedelic-rock.
Homosexuality, womens liberation, sexual freedom, abortion, pornography,
ecological issues, etc. Robert Crumb made here his first appearance for a
French readership. In  Actuel is ended but after the publication of two
Almanachs, it revives under a different formula in  to continue till .
These two almanacs are added to the collection, as well as a few of the later
numbers: Supplément de ; Le trip ; Best-of de la revue Actuel , as well as an hors serie number of NOVA which succeeded Actuel:
Où est passée la libération sexuelle ? (Published in March ). Very rare
collection.
[#] ALICE D-DAY
The Dutch Underground Rises. Utrecht, n.d. (ca. ); tabloid size,
newsprint,  pages; with illustrations, (Clean copy with only slight
wear on the edges). Complete with the mimeographed insert with
the chemical formula for LSD. Rare.
 .
John Benjamins Antiquariat B.V. 
Italian Hippy journal from
the Commune FronzolaPoppi (in Arezzo). From
the articles and features:
“Centro di Televisione
alternativa”, “Contro le
centrali nucleari”, “La cassa
peota”, speciale “La conciatura della pelle”,”A Proposito della Nostra Comune”,
speciale “Contro-cucina”,
“La pagina dell’urgenza”
One of the earliest Dutch publications on psychedelics and drugs
(Werkgroep Bewustzijns Verruiming), edited by Humphrey Bennet,
Mario Tymosz, Bert Streumer, Gert
Mochèl, with contribs. by Woud van
den Eerenbeemt, Peter ten Hopen
(publishing a pharmacology of psychedelics) Richard Huebner, Arpad
Schimandl (fotomontage Mother of
Invention), Johnny the Selfkicker.
Foreign contribs.: Timothy Leary &
George Harrison.
[#] ANKH. Elysium Institute Quarterly Bulletin.
[#] AMAZING RAYDAY. Secret Comic
Number . Poster,  x  cm., distributed by Future City Press,
Brighton. Printed in black, with colour applied manually. No date (ca.
), signed by Jeff Keen. Folded.
Offset lithographed poster printed
in b/w with colour added, by the
movie-make Jeff Keen.
Nos - (=Vol,, complete). Elysium Inc., Los Angeles, -Spring
. x, cm., stapled, each issue  pages in coloured wrappers.
Offset B&W and color. (small imperfection to top of spine no ,
otherwise in excellent condition).
 .
Magazine edited by the early nudist Elysium Institute founder Ed Lange’s
(named for the ancient Egyptian symbol for life), his attempt to blend
naturism, sexual freedom and the burgeoning hippie movement: “Fed on a
scientific diet of psilocybin and lysergic acid, it now thrives to the conster-
TOGETHER WITH:
Number . Poster,  x  cm.,
distributed by Future City Press,
Brighton. Printed in black, with
colour applied manually. March
, signed by Jeff Keen. Folded.
Special Motion Picture Issue,
Thrills Unlimited. (Ref.: p. 
Aktual Art International. Dept. Of
Art and Architecture, Stanford
University,Ca., Dec. -, ).
 .
[#]
ANIMALI DA CORTILE
Nos. - (all publ.). Arezzo, La
Comune di Fronzola - Poppi,   - No. . (), x cm., 
unnumbered pages;illustrated. No. 
(maggio ), x cm., 
unnumbered pages, illustrated,
printed on pink stock..
 .

John Benjamins Antiquariat B.V.
nation of the generation which gave it life. From San Franciso’s HaightAshbury to New York’s East Village...the Love Generation is in full swing”
(from the editorial in the first issue, which contains numerous photos of
nudists enjoying the nudist lifestyle, indoors and out, and the first part of an
interview with Barry McGuire and his wife at their Topanga Canyon home).
The journal includes features like Wonders of the Body; Who’s your sex authority; The Return to Paganism; Absurdities of Censorship; To Court with
Love, The day love went on trial, etc. Very free nude photography a.o. by
Ed Lange, ( -  May ) an American author of several classic nudist
pictorial books. Vice-President of the International Naturist Federation. His
free love ideals placed him in the sexual revolution movement of the s
and s. The second issue of this “educational, scientific, sociological and
cultural publication which illustrates the conviction that the human body
is clean and wholesome” includes pp. on the “The Love Book” obscenity
trial; a history of censorship; the second part of the Barry McGuire interview; more. The third issue features articles on communal living in Big Sur;
experiments in nude psychotherapy near Escondido, California (pp.) and
hydropsychotherapy. The fourth issue includes “What Hath LSD/God/LSD
Wrought?”, a pp. colour and b/w photo-feature on the hippie countercul-
ture and acid use, including a visit to the Drop City commune; “Thoreau”
The First Hippie” (pp.); “The Utopian Dream: Can The Modern Communes Succeed?” (pp.); “Youth Rebellion” (pp.), a feature on the Hippies
and Diggers in the Haight, Freaks in LA, Provos in Amsterdam; “Love in the
Haight” (pp.); and more.
[#] THE ASTRAL PROJECTION
Volume , Number .
Augustus-September . La
Asociación Flor de Mayo,
Albuquerque, Nuevo México.
Newsprint.  pages.
 .
Underground newspaper. Psychedelic
artwork. Contribs: Felipe Galdón,
Chip Lewis, John Stearns, Aaron
Howard, David Locke, Sherry Lewis,
Sue Tucker, Reynoldo Ayala, W.A.
Goodman, Manuel Gutiérrez, Bob
Blackjack, Joe Sálazar, Babs.
[#] ANN ARBOR SUN / THE SUN / SUN
Group of  issues published between April-May  (issue ) and
October  (volume , number ) by the Rainbow People’s Party
with John Sinclair as Chairman / Editor-in-Chief. Newspaper print,
folded.Light soilage and edgewear.
 .
[#] AVATAR. Magazine
Nos., , , , - . Boston, United Free Press (Eastcoast), Jan
,-. Tabloïd (later full newspaper format, folded in half as
originally sold). Printed on newsprint, numerous colourful
illustration, photographs. Very good condition.
 .
An alternative newspaper featuring editorial and cultural coverage “not
generally found in the regular media” . No.  is the First Anniversary Issue,
containing the First Anniversary Statement by the Central Committee of
the Rainbow Peoples Party.
Group of  numbers (no.  in poor condition) of this Hippie journal
from Boston. Editor
Brian Keating, with Wayne
M.Hansen, and art-staff:
Eben Given, Edward Fox,
Edward Beardsley: Hippies,
Radicals, Alternative Rock
Music, Vietnam etc. Some
headlines: “America Hurrah”, “The Army Infiltrates
Marches: In Search of
Freedom at Harvard.”
[#] ANONYM QUARTERLY
Number  (all publ.) . Buffalo, NY, Anonym Magazine . x,
mm., side- stapled, pp.
 .
Editor Mark Kirkpatrick Robison,
Fiction: Lana Kaiser;Poetry: Ronni
Goldfarb. Contribs.: Michael Fiedler,
Max Wickert, John Wiener, Lana
Kaiser, a.o.
This magazine from Buffalo includes the first periodical printing
of Timothy Leary”s “Declaration of
Evolution.“
[#] BANANAS. The Literary Newspaper.
Nos. - (all publ.). London, Jan/
Feb.-Apr.. Folio; later to;
original illustrated wrappers.
 ,.
Ed. by Emma Tennant, from no. 
onw. by Abigail Mozley. Includes
special issues (Russia, South America,
Spain, Germany). Contribs. inc. Sylvia
Plath (previously unpubl.), William Burroughs, Harold Pinter, Ted
Hughes, Alan Sillitoe, J.G. Ballard, Angela Carter, Williams, Bruce Chatwin,
Claud Cockburn, Jon Silkin, Michael
Horovitz, Thomas Disch, Brian Patten,
Elaine Feinstein, Frances Horovitz,
Marilyn Hacker. Rare complete set.
John Benjamins Antiquariat B.V. 
[#] BARB ON STRIKE
Vol.  no , Berkeley, July , 
(only issue published under this
title). Tabloïd,  pages, newsprint,
some browning, but otherwise a
very good copy.
 .
Legendary issue in the history of the
underground press, published by a
break-away group of collaborators of
the Berkeley Barb opposing the general
editor Scheer who was running the
journal for his personal gain rather than
for the original principles. It featured as
its logo an adapted version of the Barbs
Don Quixotte with Scheer spurring his horse forward with a spear in the
buttock, dollar bills trailing off the galloping editor (Cf James Lews, Protest
and Survive). The group of journalists in fact founded with this issue what
became the Berkeley Tribe.
[#] BAZOOKA. PERVERS.
Pervers n°, all published.
Paris, Bazooka Production,
, x cm, sheet, folded
to pp, equal to the size of a
gramophone record, x
cm. Together with the actual
gramophone record, « La
Perversita », Invisible
Records, , in the original
decorated sleeve, designed by
Kiki Picasso.
by Max Scherr. It spawned hundreds of
imitators around the country during the
‘s when the underground press was
the voice of the counterculture. In ,
the staff went on strike against Scherr,
and they started another paper, the
‘Berkeley Tribe’, an even more radical
paper. This set is in very good condition
and all issues intact and complete, except
for merely one clipping in no . A
collection as extensive as this one is now
hardly ever offered.
[#] BERKELEY TRIBE
Group of  issues from the first year of publication: Vol.  no , , , ,
 to , , , . Berkeley, Red
Mountain Tribe, July -Dec. ,
. Tabloïd. Generallyg good clean
copies ( nos. have mailing labels; all
have small markings in right upper
corner).
 .
Contributions by Jim X., Jan Jacobson,
Stew Albert, Lenny Lipton, Linda Morse,
Art Goldbert, Steve Haines, and many
more; one ad clipped from the last page
of no. , otherwise all issues make a
complete impression.
 .
Text and designs by Loulou Picasso, Olivia Clavel, T, Larsen. This is actually the last Bazooka Production « mort » in .
[#] BERKELEY BARB
Nos. - (vol. -). Bay Area,
August ,  - Oct. /, .
Tabloïd size, newsprint, unbound;
illustrated.
 ,.
Large collection comprising as many as
 issues,starting right from the beginning (only nos. , , -,  &  are
lacking). One of the foremost underground papers in the USA, founded
[#] BIG VENUS.
(Big Big Venus, Big Big Big Venus,
Queen Camel Sister To Big Venus).
Nos. - (all publ.). London, Big
Venus (Printed by Roy and Erica
Eden), -.(no.  quarto,
nos.- small quarto, mimeographed
(varying from  - pages), stapled
in the original wrappers (nos. -
illustrated, nos. - with lettering in
the front-page); apart from a little
wear a good set.
 .
Edited by Nick Kimberley, Underground magazine, with important poetry.
Contributors include Richard Brautigam, Clayton Eshleman, Bill Butler, Andrew Crozier, Carl Weissner, Claude Pelieu, Bob Cobbing, Charles Plymell,
Allen Fisher , George Brecht, John Ashbery, Peter Straub, Gerard Malanga
(in no. , conversation with Andy Warhol,and others during the filming of
‘Empire’, Paul Buck (in no  included text ‘a cunt not fit for the queen’ , Fred
Buck, and others.
Volume four is titled “Queen Camel sister to BIG VENUS.”

John Benjamins Antiquariat B.V.
[#] BLACK DWARF
[#] BLACK POLITICS.
Number : (published as vol.  no. ,  June  (In fact the first
number published). London, .  x  cm.  pages.with photos
and drawings. Printed in black and red. In excellent condition.
Together with Number : Vol. no ,  July . London,, x
cm.  pages with photos and drawings. Printed in b/w. (This number
folded, with some damage on the fold of the frontpage, and soiled and
browned over the folds).
Togteher with Volume  no . May ,. Tabloid, newsprint, 
pages. With photos and drawings; folded twice; light edgewear.
“Special Youth Issue”. New Scotland Yard: What a bloody nerve. Five
free papers have been threatened by the police (OZ, IT, Rolling Stone,
Black Dimensions, Black Dwarf),
 .
A Journal of Liberation.
Vol.  no  and  (Special
Issue--Huey P.Newton). Berkeley,
Cal., April/May . Stencilled, 
pages, x , cm; stapled (back
cover possibly missing; front cover
edges damaged and browned,
otherwise in good condition).
 .
Editorial Board: Richard Assegai, Tom
Sanders, Ed Turner. “..independent
journal whose purpose is to provide a
forum for vanguard theories…We oppose the war in Vietnam…We are part
of the Black Liberation movement,…”; contribs. : Charles William, Huey
P.Newton, Brother Dynamite, Eldridge Cleaver; Black Panther Ministry of
Information Bulletins nos. I-III.
[#] BLACK THEATRE.
A periodical of the Black Theatre Movement
The Black Dwarf was a political and cultural newspaper published between
May  and  by a collective of socialists in the United Kingdom. It
is often identified with Tariq Ali who edited and published this newspaper
until , Editorial group: Clive Goodwin, Tariq Ali, Ropbin Fior, David
Mercer, Adrian Mitchell, Mo Teitelbaum. First number on the May 
student revolt in Paris. Frontpage with fullpage photomontage of text “We
shall fight, we will win. Paris, London, Rome, Berlin” (printed in black
and red) on photo of students waving banners during their occupation of
university - buildings of the Sorbonne in Paris, May . Contributions
by Jean-Jacques Lebel, , Patrick Procktor,, a.o. Number : On front page
REVOLUCION SI !. Articles by John Berger, Ray Challinor, Tony Southall,
Peter Weiss (Havana ), Che’s last two years of struggle. CUBA SI !. Arab
Revolution, David Mercer (Czechs mated), Malcolm Caldwell (On from
Sukarno), etc.
Nos. - (all publ.). New York, Ed.
New Lafayette Theatre, New York,
-. Orig. pictorial (self-)
wrappers,(x, cm). (Tiny tears
to frontcover of the first number,
one page in no  torn without
textual damage and neatly laid in,
but otherwise fine).
 .
Editor: Ed Bullins, with Roscoe
Orman, Marvin X, Georg Ford (illustrations, covers), Maxine Raysor
(ills.),Ademola, Ed Sherman (cover
art). Issues varying from  to 
pages (incl.wrappers). Contributors
(in addition to the editors) Ben Caldwell, Leroi Jones, Woodie Kong, John
O’Neal, Obamola Oyedele, Bob McBeth, Wanda Coleman, Sonia Sanchez,
and several others.
[#] BLACK MASK
Nos. - (all publ.). New York, Nov.
 - April/May . Original
issues; folio; illustrated. Set lacks no 
& ; cover of the first issue stained;
no : marginal tear.
 ,.
Edited by Benn Morea and Ron Hahne.
One of the publications that formed
the prelude to the ‘World wide revolution of youth’ and the student revolts,
linked with the Situationist International
in Paris, Heatwave in London, Rebel
Worker in Chicago. Contributions by L.
Moholy-Nagy, Dennis Mora, Benn Morea (‘Art and Revolution’), Ed Clark,
a.o. Texts by André Breton, Bertrand Russell, H. Arp, Camus (interview), a.o.
No.  incl. article ‘Berlin Dada’ by David & Stuart Wise
[#]
BROADSIDE & THE FREE PRESS
A group of  random issues
published between June  (Volume
VIII, Number ) and September 
(Volume IX, Number ). Published
by Broadside Publications. Cambridge
/Mass.Tabloïd. (Folded, light wear
over foldings and margins. Occasional
clippings & missing pages; covers
clipped, otherwise in good condition).
Colourful front and back-covers, rest
John Benjamins Antiquariat B.V. 
b/w. Details upon request.
 .
Two magazines published back to back:
Broadside Volume VIII, number  is also
The Free Press Volume II, Number  etc.
Edited by Dave Wilson. Photographes
Peter Simon.
[#] BUZUKO / THE TRIBES
Vol. No.. (in english and japanese)
Tokyo: Emerald Breeze Press, Dec.
‘. Newspaper size,  pages,
illustrated throughout. Illustrated
wrappers with on the rear wrapper a
full page advertisement of the
Meditation Center of Harijan.
 .
[#] BUCO
Nos. -  (probably all published). Putignano (Bari),  - ;
printed in offset, Nos. and  with colour added, rest b/w; in
illustrated wrappers.
 ,.
Underground periodical, close to the Situationists, edited by Jimi, Pasquale
and Max Cap. Number  gives a historical survey of the publication, from
which can be concluded that no more was published and that a zero-number (to which reference is made in Number ) did in fact not appear.
- No.  (marzo ): x cm.,  pp. in black and red: «San Paolo: Festival
della vita», «Difendersi dai fascisti non è reato. Compagno Marini sarai
liberato», «Coordinamento Centro-Sud», «Contro il fermo di droga», «Paperorock», «Considerazioni sulle riforme e i sindacati», «L’impero Chiesa e
i suoi derivati», «Strutture alternative. La comune», «Controinformazione
droga», «Gangsters o rivoluzionari?»;
- No.  (ottobre ): ,x, cm., 
pp., printed b/w.: «La fine dello spettacolo è la festa della fine», «Il problema
non è che il PCI sia o meno comunista, ma che è capitalista», «Notizie dalla
caserma di Sassari», «Carabinieri,
droga e avv. Polignano»;
Includes: a double page illustration (of
the four-armed Shadakshari) with the
mantra ‘Om mani padme hum’: a double
page ‘from the banyan dream tribe in
suwanose island including a poem by
alan watts: ‘to moist earth peace’; an
article by Nanao Sakaki : Report of the
Miyazaka Festival (in english); reproduced photographs of the Thunderbolt Red Crow Tribe; an article by Gary Schnyder ‘The tribe’  X, .(in
English as well as in Japanese)
-The Tribe was the best known name of a loose-knit countercultural group
in Japan in the s and s. Central figures of the group’s beginnings in
Shinjuku and leadership included Nanao Sakaki, Tetsuo Nagasawa, Sansei
Yamao, Mamoru Kato, and Kenji Akiba, who shared an interest in an alternative community, free from materialism. This group initially called itself
the Bum Academy or sometimes Harijan.
[#] LES CAHIERS NOIRS DU SOLEIL
Nos. ,  &  (all publ.) . Paris, Le Soleil Noir, -. Original
wrappers. (first and second numbers are one of  printed on alfa, in
original slipcase. All in very good condition, the fragile no  in mint
condition, as new.
- No.  (maggio ), pp. Colour
printing. : «La non opposizione»,
«La riappropriazione della soggettività», «L’opulenza mercantile», «State
calmi», «I pendolari non pendolano
più», «Lo spettacolo della politica»,
«Critica della musica»;
- No.  (aprile ): ,x, cm.,
 pp. printed b/w. «Cenni per la
preistoria del Buco», «Per una critica
dei nuclei radicali in Italia», «Della lotta armata o Come lo spettacolo assorbe le ambizioni frustrate seguito da Possibilità di affermare il ludico»,
«Appunti per una critica radicale dell’ambiente medico», «Il comunismo
e il partito della sopravivenza pianificata». On the last page protest against
the condemnation of Marcello Baraghini for an obscene drawing: «Noi
protestiamo contro l’ipocrita condanna del compagno Marcello Baraghini.
Essa costituisce un attentato alla libertà, un atto terroristico di repressione.
(...). Marcello Baraghini è stato condannato per un disegno osceno:…. «la
solidarità non si discute, si dà»”.

John Benjamins Antiquariat B.V.
-Together with: - Handbill (in no ) announcing the first number,
with photocollage and text by Jean-Jacques Lebel, on verso: Des dieux
dansent sur leurs propres corps etc., text by Ginsberg Commandez,
dès aujourd’hui, chez votre libraire, ce numéro spécial sur le LSD. Il a
étyé conçu et réalisé,sous la direction de Pierre Bernard, par les
jeunes écrivains et artistes de MANDALA: Jean-Claude Bailly,
Dominique Boistel, J.-J.Lebel, Lacques Le Nadan, Bernard Nexon,
Gérard Rutten; printed recto/verso in b/w, size  x  cm.
[#]
Together with:
- POSTER: (, x , cm, printed in black on white paper) .
MANDALA Light Show at the Thalamus, ,,th of June.
NOUVEAU! Experience Hallucinogene.
CANADIAN FREE PRESS
 ,.
 .
Number , December (?)
Newsprint, pp.
No. : Dossier L.S.D.Mandala, directed by Pierre Bernard (Mandala, Organe
int.d’échanges hallucinatoires), contribs. Jean-Claude Bailly, Dominique
Boistel, J.Le Nadan, Bernard Nexon, Gerard Rutten; correspondents abroad:
Simon Vinkenoog, Miles, Linn House, Lawrence Ferlinghetti.; No. : La
Mort sans Phrase.  fev.. Cover and ills. by Jacques Monory, including
an accordeon-folded original serigraphy by Jacques Monory.; No. : Internationale Hallucinex. Revue, tract a detruire. Collection of manifestos, folded
separate sheets. Manifeste de la generation grise et invisible (William Burroughs, Claude Pelieu, Carl Weisner, with collab. Of Jeff Nuttal, Ed Sanders).
[#] CANADIAN WHOLE EARTH ALAMANAC
[#] CAMION. Rivista internazionale di Nuova Poesia.
Anno  nos. - (all publ.). Torino, gennaio-aprile .  pp (incl.
selfwrappers);  pp (incl.selfwrappers). x cm. Fully illustrated.
Vol. no -Vol.  no ;  issues. (all published). Toronto, -.
Original pictorial wrappers. Nice clean set.
 .
 .
Initiated and directed by Giulio Tedeschi, publishes international underground poetry. Editors in Torino, Milano and Amsterdam (Aldo Piromalli).
Poetry (original or in Italian translation) by Roberto Aversa, Antonio Meo,
Francesco Paolo Tanzi, Walter Tarello, Federico Ballarin, Pier Castrale, Franco Beltrametti, Meo Cataldo Dino, Paolo Cerrato, Walter Ferrari, Gianni
Milano, Vincenzo Parrella, Giancarlo Pavanello, Aldo Piromalli, Antonio
Rodriguez, Roberto Sanesi, Piero Verni, Simonka Toncy Violi, Giulio Tedeschi, Christian Cannstadt, Simon Winkenhoog (sic!), Lee Van der Zalm, Alex
Holst, etc. Photography by Italo Bertolasi
and Pietro Borsi.
Published by The Canadian Whole Earth Foundation. Illustrated throughout, numerous articles and advertisements related to ecological issues;
an iconic publication. Food issue ( Fall ), Shelter issue (Winter ),
Industry issue ( Vol.  no. , Spring ), Healing Almanac ( Vol.  no. , Fall
), Fifth issue (Vol.  no. , ). Laid-in is a letter from Carolym Coupland of the Almanac explaining to a subscriber that there was no Volume ,
Number .
John Benjamins Antiquariat B.V. 
[#] CARTA STAMPATA.
Periodico bimestrale di Cultura Alternativa, Informazioni,
Undergroud, Musica d’Avanguarda e Arte Varia.
Set of  issues (of  published in
total, lacking the zero-number and
Anno  no. ). Anno () no. 
(giugno/agosto ) - No. /
(agosto/settembre , last issue
published). La Spezia, -.
Sizes differ from  x , cm -  x
 cm.
[#] Guy CHALON
Mai . Extraits sonores d’un film réalisé par un collectif de travail,
animé par Guy Chalon.  vinyl record.
 .
 ,.
In the original sleeve, photo illustration Elie Kagan, text Claude Roy.
Italian underground magazine, directed
by Carlo Burrini. Heavily illustrated,
with texts and drawings, some psychedelic art, cartoons etc. by S. Alberti, V.
Baroni, C. Burrini, M. Marino, M. Scatizzi, Pino Tarantino, M. Felluga, Max
Capa a.o. Printed on various coloured
stock (red, pink & green). Subtitle
varies. Also numbered as Anno  no. 
(Anno  no.  omitted in numbering),
then New Series Nos.  (= whole series
no. )-/.
[#] CHEMICAL OF THE MONTH CLUB. Bulletin.
A collection (complete ?) of  Issues w/ Ephemera and The Rubber
City Chemcorp Special News Bulletin (Number  ?). Kent, Ohio: Kent
Chemical Group, -. Offset
printed with hand-coloring and sticker
elements. Most issues consists of a
single leaf printed on recto and verso
and folded three times for mailing; one
issue saddle-stapled at wraps.
Addressed and mailed. With some
added ephemera.
 ,.
[#] CAW! Magazine of
Students for a Democratic Society.
Nos. ,  & . (probably all
published). New York, . Original
illustrated wrappers; ,  & pp.
(Wrapper of no  with edgewear and
small chips),
 .
Publication of the SDS, edited by Jerry
Badanes. In the first issue o.a. ‘A tribute
to the work of Che Guevara’ with
texts by Pablo Neruda, Fidel Castro
Javier Heraud, Margaret Randall, Cesar
Vallejo. Second issue: cover- VietCong
Flag at Sit-In Columbia University.
Contributors include Victor Hernandez
Cruz, Julius Lester, Todd Gitlin, Robin
Morgan. The third issue with coverage
of the Paris Student strike and other
international student protests.

John Benjamins Antiquariat B.V.
Edited by Dana A. Beezley. Seven issues
of this hardly known conceptual artists’
periodical. Each issue of the bulletin took a
different class of drug as its subject, such as
fertilizers, cleaning products, and romantic
aids, and furthered the aims of the society,
which were to warn against the evils of nature, and embrace the promise of
chemicals. The figurehead of the organization was Chemical Girl, represented by a drawing of a smiling brunette holding up a glass beaker. This
run includes assorted ephemera, including a flyer for a  Chemical Girl
Party, a couple of small one sheets (Key to the perfect body; The Nitrogen
Ciycle; Personal Cleaning tips), and a postcard (Have you seen me?), mailed
in , inquiring as to the whereabouts of Chemical Girl, who had gone
missing. The final item is a special hand-colored news bulletin from The
Rubber City Chemcorp, the association which the Kent Chemical Group
had morphed into, announcing the death of Chemical Girl and her subsequent resurrection.
[#] THE CHEVRON.
[#] COMPAGNI.
Giornale per l’Organizzazione dell’Autonomia di Classe
A group of  issues published
between December  (Volume 
Number ) and March  (volume
, number ). Tabloïds. (Light
soilage and edgewear).
(Number ) [Only issue published], Trento,  (gennaio/febbraio),
x cm, , pages,  photographs. Printed b/w. Minor damage to
right margin, otherwise fine.
Waterloo, Ontario
 .
Countercultural periodical.
 .
Selected articles: “Libertà
per tutti i compagni detenuti”; “Alla Marzotto di Cles e
Mezzacorona dopo la serrata
padronale, sindacati e politici
si fanno garanti della pace
sociale e dell’ordine”; “Una lettera di un compagno detenuto
sul carcere speciale di Novara”;
“Una lettera di Albino Bonomi
e dei compagni imprigionati a
Bologna, per i fatti di Marzo”.
[Bibliographically not found]
Published by the publications board of
the federation of students, University of
Waterloo. Editor-in-chief: Bob Verdun.
Detail on request.
[#] CIA COOK BOOK.
Contatti Informazioni dell’Arcana.
Numero  (dicembre ) Roma,
Arcana Editrice:  pages, to; printed
in colour ; together with:
Numero  (maggio ):  pages,
to; printed in colour.
 .
The first number contains: G.E. Simonetti, Soggettività della cultura
alternativa giovanile e movimento reale
del proletariato; unsigned: Agaragar e il
gauchisme; Dario Salvatori: Eventi rock;
Ricardo Bertoncelli :Dalla presentazione della biografia di Bob Dylan di
Anthony Scaduto; interview of Fernanda Pivano ( ottobre ) by Gianni
Rosati. Number : In omaggio da Hella. Joanna Leary’s press conference 
jan. in Rome; Timothy Leary ‘Fuga’; Piero Verni ‘Il libro della visione; Vivere
insieme.Il libro delle commune. Dennis Altman Omosessuale; article on
macrobiotic medicine; a comic by Gilbert Shelton on the last page, etc. -
[#] COMMUNE 2 - GRUPPO STUDIO P 66 TERRA DI
LAVORO
Gruppo Studio P Terra di Lavoro : Comune  Il triangulo, centro
studi d’arte, Caserta. Exposition d’oeuvres murales et de
photomontages en noir et blanc de : Attilio del Giudice ( oeuvres),
Luca ( oeuvre), Livio Marino (oeuvres), Andrea Sparaco ( oeuvres)
et Paolo Ventiglia ( oeuvres)
 ,.
Présentation d’Antonio del Guercio, Roma le  mai . Textes de Enrico
Baj, Gianni Bertini, Luigi Castellano (Luca), Umberto Eco, Antonio Forez,
Renato Guttuso et Luigi Nono. Catalogue in plano tiré à  exempl. signés
par les artistes. Les tirages sont de belle qualité sur papier fort brun. La
couverture est fragilisée sur les bords et les agrafes rouillées ont désolidarisé
quelques pages. Le Gruppo Studio D rassemble un groupe de peintres
napolitains qui propose une rupture complète avec les schémas établis et
qui veut mettre l’artiste au milieu des initiatives et des luttes. Ils voulaient impliquer tous les artistes du Sud du débutant au plus expérimenté. Ils
ont choisi le nom Comune  en référence avec la Commune de Paris qui
pour eux était la “Comune ”. Comune  rappelle le langage formel et les
techniques du Pop Art américain mais avec des implications nettement plus
sociologiques et politiques. De la plus grande rareté.
[#] CONTRACULTURA
Nos. - (all publ.). Buenos Aires: Contracultura, . All issues
mo, saddle-stapled in pictorial wraps.
 ,.
Edited by Miguel Grinberg. Argentinean review focused on counterculture,
leftist and anarchist writings, which printed translations from English and
French alongside original articles in Spanish. Grinberg was an important
figure in the Argentinean counterculture. He was schooled in America,
where he came into contact with figures such as Ginsberg and Gary Snyder.
Although in his career he was an activist for a variety of causes, in the ’s
and ’s he became heavily concerned with environmental activities, partially informed by the writings of Murray Bookchin.
Contents include interviews with John Lennon
and Herbert Marcuse; Jean
Genet on the Black Panthers; manifestos from The
Living Theatre, Eldridge
Cleaver, Gary Snyder, the
Situationist International,
and various Argentine student groups; and features
on “Antipsychiatry,” student
power, ecology, and other
movements. All issues very
good, with slight toning
and wear to wraps. Scarce
complete.
John Benjamins Antiquariat B.V. 
[#] COUNTDOWN. A subterranean magazine.
Numbers - (all publ ). New York, NY, The New American Library
 (A Signet Book).x cm, softcovers, pp each. All three have
a touch of wear to edges, minor reading creases.
 .
Countercultural
paperback magazine.
Editor: Mel Howard.
Associate member
of the Underground
Press Syndicate. Contents reprinted from a
wide range of underground papers, including: John Sinclair and
the MC; Eldridge
Cleaver and the Black Panthers; Jud Yalkut (USCO commune); Jerry Rubin;
John Wilcock; Herbert Marcuse; George Metesky (‘Fuck the System’); Hugh
Romney (the Hog Farm); Allen Ginsberg; Timothy Leary; Jane Alpert; S.
Clay Wilson; R. Crumb, a.o. With numerous illustrations and photographs.
[#] DING. Onderwater krant.
Nos. - (all publ.). Merchtem/
Mechelen (Belgium). Sept. -Aug.
. Tabloid size, on newsprint,
(some issues with price-stickers on
the covers).
 .
Belgian pop and underground magazine
in the style of Hitweek/Aloha, edited by
Jos Vanhamme, with contribs. on Jim
Morrison, The Band, Elton John, Rolling
Stones and articles like: Pop-Art in het
Casino?, Zwerven door Azië, Fuck the
Army, Green Revolution. Contribs. by
Leopold M. van den Brande, Herwig
Verleyen, Stefan v.d. Langenberg, Luc
Vereyck, Samuel Clemens, a.o.
[#] DO-IT !
[#] DEFIANCE. A Radical Review.
Nos. - (all publ.). New York,
-. Original illustrated
wrappers (no  with library-stamp on
cover); sm.vo.
 .
Counterculture magazine issued in
paperback format by Paperback Library,
edited by Dotson Rader. Contributions by
Bernadette Devlin, Frank Michel, William
Burroughs, Jr., Abbie Hoffman, Andy
Stapp, Eric Mann, Sid Bernard, Marge
Piercy, Julius Lester, a.o.; ‘Revolutionary
Poetry’ by Joachim Neugroschel, Frank
Michel,Paul Mariah, Heathcote Williams,
Tom Seligson, a.o. The first issue incl. a
directory of movement organizations.
Number  (of  published). Omaha:
Do-It!, []. Quarto (cm);
variously-colored sheets,
mimeographed on rectos only and
side-stapled; [pp]; illus. Faint
stamp of New Mexico State
University library to front wrapper,
with some light wear and creasing
to extremities.
 .
First issue of this mimeographed poetry magazine, published alternately in
Omaha, NE and Cleveland, OH between -. Edited by Matthew Shulman. This issue with a poem and cover art by d.a. levy, and contributions by
Allen Ginsberg, John Giorno, Hugh Grayson, Randy Rhody, Clarence Major,
and Freda Norton,and others. Shulman claimed this issue was produced in
a run of , copies, though evidence dictates otherwise;  copy for sale in
the trade (), and fewer than  in OCLC. The magazine ceased publication after the fourth issue.
[#] THE DIGGER
Group of  issues out of 
published between August - May
. Published by Hightimes Pty Ltd,
Middle Park, (later High Times Pty.
Ltd., North Melbourne) Australia.
Tabloid newspaper print. Folded.
Condition generally good, with mild
soilage and edgewear, some clippings
(issues , , ,  and ) and a front
page missing (June ).
[#] EARWIG
 .
 .
Australian underground. Editors: Bruce
Hanford, Phillip Frazer. With editorial addresses in Melbourne and Sydney;

John Benjamins Antiquariat B.V.
Two issues:
- No. . n.d. Auckland, New
Zealand. Orig. Wrapper.,  pages.
Light soilage and front cover a bit
damaged/shaven.
- No. . . Auckland, New
Zealand.  pages, pictorial
wrappers. Includes Insert
Underground magazine from
New Zeland. Banned in Australia.
[#] HET EI
Number . Mei , Amsterdam, P.
Renard. Mimeographed,  pages,
to, sidestapled.
Number , (EGG int.)Augustus
. Same format,  pp
(all published)
 .
Produced by Earwig Graphics, prnited by Morringsville Star. Photographs
(nudes), , comix, drawings, No. : Graffiti of the Revolution. Drawings by
Kevin Drumm, and by Earwig Graphics. Contributions by (poems) Ginny
Price, Bruce Jackson No. : Writings under a shadow. Issue with the help of
Heather McInnes, Stephen Chan, John Milne,Denis Cooney, Fritz, Barry, a.o.
Psychedelic magazine, printed in b/w.
Made by Carla Bont, Peter Renard,
Frank Reijn, Ruudjaspers. “Zo’n krantje
als dit is niet anders dan een poging
om een taal te vinden om uit e spreken
wat nog stilte was.”. Connected to Gene
Carrlsed, Oracle of So. California. Texts
and drawings,” cosmic content”.
[#] THE EAST VILLAGE OTHER
Group of  issues published
between January  and June
. (Not collated in full, some
issues are frayed and lack pages).
Detail on request.
 ,.
Probably the most famous Underground newspaper from New York,
reflecting the issues of that time:
Hippies, Vietnam, Drugs, Music,
Politics, Classifieds, etc. etc. Some
cover stories: “Friendly Family” drug
dealers, American Outlaws, Maharishi’s Original Magical Mystery, Girls
say Yes to Men who Say No.
[#] L’ECCEZIONE E LA REGOLA.
[#] L’ENRAGÉ. Hebdomadaire.
Nos. - (all publ.). Paris, Mai Novembre . to; With
colour-illustrations: the original first
edition, unbound, untrimmed.
Added: supplement/traduction to
No.  and the rare supplement to
No. : Grand Concours de l
‘Enragé.
 .
Original first edition, loose in issues
as published. The notorious subversive
satirical journal published during the
student rebellion of May  in Paris,
with contributions by Siné, Wolinski,
Malsen, Topor, Eugène Pottier, a.o.; directeur Jean-Jacques Pauvert.
Uno strumento di discussione e di lotta per gli studenti pisani
Number  (only published?) , Pisa,
[stampa: G. Cursi Pisa],Supplement to No.  of ‘Unitá
Operaia’.  ( ottobre), x,
cm,  pages,  vignet (“Decreti
delegati: la scuola si rinnova” and 
b/w photographs in the text. Some
stains and small damage. Not found
in the bibliographies.
 .
From the articles:: “Pacinotti occupato
e autogestito. La lotta degli studenti
dalla scuola alla città”. Alcune macchie
e smarginature.
[#] LA FABBRICA
DELLA REPRESSIONE
La fabbrica della repressione / La
fabbrica. Socialismo e barbarie.
Only issue published (?), Milano,
Edizioni di Puzz,  (settembre),
x, cm,  pages stapled in the
spine, mimeographed in black and
red, illustrations and cartoons.
 .
Situationist periodical, published by
PUZZ. “La fabbrica della repressione”
reconstructs the history of repression
John Benjamins Antiquariat B.V. 
in Italy after  July, facts in chronological order: “Puntualizzazione...
lungo le linee di forza...”, “Creatività critica - Controinformazione critica Critica radicale”, “Autonomia, radicalizzazione, aggregazione informale...”
The second part “La fabbrica. Socialismo e barbarie”, is a story in cartoons
followed by two texts: “Tutte le ore feriscono, l’ultima uccide. Il “suicidio” di
Giorgio Cesarano” by J. Camatte and G. Collu, and “A proposito dell’articolo
“Estetica e teppismo. I situazionisti davanti all’altare del Dio Nulla” by Valerio Riva. [see Mangano, “Le riviste degli anni Settanta”, pp. -].
[#] THE FANATIC
No. : Special Low Mindedness
Issue. Amsterdam, . Tabloid
format,  pp. (including covers). A
very good copy with some minor
foxing to extremities of cover, and
slight fading along spine. Scarce.
 .
The second issue of this underground
magazine under the editorship of
William Levy a.ka. the Talmudic
Wizard of Amsterdam (and author of
The Virgin Sperm Dancer). The issue
features the impressive design work
of Willem de Ridder as well as Levy’s
humorous and controversial article
on Ian Sommerville’s sex habits.
[#] FAPTO. Alternative Revolting Fun.
No. . . Fapto Printing and
Publishing, Margate, Kent.
Newsprint, pp. (,x, cm).
Light marginakl wear.
 .
Hippy and pop magazine from the Alternative Society edited by N. Spratling,
R. Fisher a.o. Associate member of the
Underground Press Syndicate. Many
illustrations, cartoons and drawings.
There were  numbers published.
This number: “Revolution for Real !
“. Contributions by Rod Fisher, Nigel
Spratling, Digger Action Movement,
Riod Dexter, John Wilkes, Alan Bibby,
a.o.
rial committee: Noel Cobb, Paul Zeal,
G. Spencer Brown, Patrick Schofield,
David Jay.
- Number : x cm.,silkscreen (?) on
different color pages. Contributions by
F. Horne/J. Werner (drawings), K. Stewards, N. Cobb, H. Trevor, R.D. Laing,
G. Snyder, J. Quinones, a.o. (frontcover
with a few small imperfections, else
very good). editorial committee: Noel
Cobb, Paul Zeal, G. Spencer Brown,
Patrick Schofield, David Jay. Contr.
incl.: ‘Revolution Che Guevara’; Kilton
Stewart (‘Dream Theory in Malaya’);
Gary Snyder (‘Buddhism and the
Coming Revolution’, ‘Passage to more
than India’); Lawrence Ferlinghetti
(‘Fuclock’); Julian Beck (‘Dialects of
Liberation on the Theatre’); Joseph
Berke (‘The Anti University: Founding
of the Free University of New York’);
R.D. Laing (‘the terror of security and
the security of terror’); and poetry
by Noel Cobb, Roberta Elzey, Jose
Quinones, Georg Johannesen, Spike
Hawkins, Calvin Hernton, John Keys.
Typography, layout, covers by Jutta
Werner; ills. (incl. double-page-ills.) by
Dodo von Greiff, Harry Trevor, Hans
Broeg, Frances Horne
-Number : x, cm., unbound,
pp. silkscreen (?) on different color
pages. Contributions by J. Werner, D.V.
Greiff, C. Guevara, H. Trevor, G. Snyder,
G. Johannesen, S. Hawkins, H. Broog, L. Ferlinghetti, J. Beck, C. Hernton, F.
Horne, J. Berke and J. Keys.
-Numbers -: Counter Culture: The Creation of Alternative Society. (Published in association with Peter Owen Ltd.). x cm., hard covers, original
dust jacket, very good., pp. Offset. Contributions by John Gerassi, Tuli
Kupferberg, Julian Beck, Allen Ginsberg, Stokely Carmichael Simon Vinkenoog, plus many underground manifestos, all amply illustrated. A core
reference work for the period.
- Number : xcm., stapled, pp. Color offset, letterset on different color pages. Paintings by Minnie Evans: front and back covers; Spine
Hawkins poem; Drawings by Pip Benveniste, Calvin Hernton ‘In Gandi’s
Room’; ‘Paranois and Persecution’ by Morton Schatzman; ‘Drawing’ by Peter
Schmidt; drawing by Harry Trevor; ‘Avalon’ by James McCann; ‘I Can Hear
the Buggas No More’ by Joseph Berke; Mary Barnes ‘Flection: Reflection’;
‘May Blossom’ Vo Van Ai; ‘Prophecy: round ’ by George Montgomery; ‘The
Real Questions’ Susan Sherman.
- Numbers -: Sphere of Light by Roberta Elzey Berke. (Published in
association with Trigram Press Ltd.). ,xcm., hard covers (cloth), dust
jacket, unpaginated (light sunning of frontcover).
[#] FIZZ
[#] FIRE
Numbers - (all published). London, /. Complete set, various
sizes and formats, as below. Added: Letter by Joseph Berke (signed
Joe) with an explanatory sheet. List of previous issues on a red flyer.
 ,.
Nicely laid-out, printed on heavy stock, edited by Joseph H. Berke; edito-

John Benjamins Antiquariat B.V.
Nos. - (=last publ.). Berlin, April Dec. . Folio; newsprint; illustrated.
Lacks no. .
 ,.
Radical left oriented journal of which most
issues were forbidden and confiscated (note
in no : ‘.. Von  Fizz-Ausgaben wurden
bislang  verboten’). The journal was part of the International Undergroud
Press Syndicate (UPS),and had strong ties to Agit . Responsible editors:
Johannes Most (Politics), E. Mühsam (Serials), H. Wehner (Sport & Porno),
graphic and design: M. Ernst, stellvertr. A. Dürer. With full-page illustrated
front-pages, caricatures, photocompositions, double-page posters (of Leila
Khaled, RAF, Bakuni, Abbie & Anita Hoffmann (Y.I.P. Family), etc., mostly
printed in colour, or on colored stock. Contribs. incl.: ‘Der Mahler-Prozess’,
‘The murder of Fred Hampton’, ‘Stadtguerilla hier und jetzt’, the IRA, etc.
Also articles on pop-music.
[#] Flug/fluxBLATTzeitung
Number. . Art workers coalition
New York (guerilla art action
group) manifeste comminiques
statements flugblatter und andere
materialen. (Albrecht D. ed.).
Stuttgart: reflection press, n.d.
Quarto, un paginated,  pages
printed on right hand side.
illustrated wrappers. Held together
with black plastic spine clip.
 .
[#] FLASH
Nos. -. Los Angeles, -.
Large to; in the original
pictorial covers.
Completely mimeographed issue of
the Flug/fluxBLATTzeitung. With
manuscript of the ‘guerrilla art action
group’ signed (in print) jon hendricks,
poppy johnson and jean toche.
 .
Publisher: Steven Alexander. Glossy
magazine,  pp. per issue, fully
illustrated, on soft and hard drugs.
Contributing editors: Chester Anderson, John Scott, Arth R. David,
Jim Esposio, Jackson Irving, Steven
Pollock, Juan Saibot, Arthr Stickgold, etc.; contributing artists: John
Aulkenta,Keith Caron, Sean Riley,
Larry Todd, Robert Williams, etc.
[#] FLOW
Number . Kathmandu: Flow,
Sangam Press, . to.  pp.
Rare first issue of this magazine
published out of Nepal in
February  (probably all
published). Printed on delicate
paper stock. With multi-colored
painting by Leddin tipped on to
the front cover. Very lightly
damages, but overall in very
good condition. Loosely laid in 
pages of The Crest, and  loose
page of Chuck Haridas, probably
meant for promotional purposes.
 ,.
Very rare early publication on LSD, edited by Michael Hollingshead, Timothy Leary and others. This issue features several articles and letters related
to LSD by Michael Hollingshead and includes a two pageletter from Timothy Leary to Hollingshead. Other features include translations of Nepalese
poetry (M.B.B.Shah) and a proposal for the establishment in Kathmandu
of a Centre for the Scientific Study of Religion to be known as The Himal
Centre. Six pages of additional texts laid in (mostly poetry). OCLC shows
no copies of this issue. Not found in the Harvard papers either.
[#] FOOD. Settimanale di alternativa.
Numbers  -  (all published). Taranto, IT, ;  numbers,
mimeographed, colour & b/w, side-stapled. x, cm. (Alternative
Press Syndicate member).
 ,.
Italian Underground. Interestingly
designed magazine for experimental
poetry, psychedelic art, rock music,
new life styles, womens liberation, etc.
Directed by Marcello Baraghini and
edited by Zenlo, Cor, Aryes. Design,
make-up and illustrations by Aryes.
(Mangano : pag. ). - n.  (
marzo );  pages. Cor, «Viaggio
nel feudo», Zenlo, «Da dove vengo.
Fantapuzzle musicale» (visual poetry
contribution with words in typewriterscript inserted over music notation
lines). Interview with Keith Tippett,
and a text «Pop indiscrezioni... e
altre realtà» by Napo Kamassa; Joe
il Magro, «Da Brindisi a Kabul». - n.
 ( marzo ):  pages (incl.
cover). Napo Kamassa, «Small Faces» ,
«Ritratti di eroine: Rosa Luxemburg»;
Cor, «Viaggio nel feudo»; Zenlo, «Da
dove vengo. Fanta puzzle musicale»;
Cor, «Uno dei problemi più scottanti
del reame. La liberazione della donna»; Bob Dylan, «Visions of Johanna.
Dedicata a Nico», text in English
with Italian translation; George Yark,
«Senza titolo»,Poetry Workshop. Cor,
«Lettera aperta».
John Benjamins Antiquariat B.V. 
[#] FREE POEMS among friends.
Volume  (September/December
). Edited with an introduction
by John Sinclair, for the WSU
Artist’s Society. Detroit, The Artists’
Workshop Press, . Pictorial
wrappers, stapled. Together with:
Vol.  (April, ). Detroit: Artists’
Workshop Press. Limited ed, of 
copies. Soft cover.Small creases at
corners else very good. to stapled
photo-illustrated wrappers.
 .
Vol.  Contains Nos. -. Printed in
 copies. Vol. :
Unpaginated Poems by: Robin Eichele, John Sinclair, Ron Caplan, Henry
Malone, Allen Van Newkirk, Jerry Younkins, George Tysh, John Wieners &
J.D. Whitney. As Magdalene Sinclair wrote: Among Friends-movement, was
the inspiration and encouragment it gave to young poets to keep on writing,
as well as giving some people the push they needed to write their first poem.
[#] FREEDOM NEWS.
advocating peace and human dignity - in our time
A group of  issues published
between October  (Volume III,
Number ) and August, 
(Volume VIII, Number ). Published
monthly in Richmond, California.
Tabloïds; folded, light soilage.
Printed in b/w. Details upon request.
 .
This publication focussed on the environment and alternative living in California. Editor: M.H. Segal. Issues of ab.
 pages, photographically iullustrated.
[#] FRIENDS
Nos. - (all publ.). London,
-, continued as: FRENDZ.
Nos. - (all publ.). London, May
-Sept. . Tabloid, except no
 which is to; newsprint; unbd.
(also numbered :FRIENDS Nos.
- (London: December
-May , ) / FRENDZ No. 
(ie. No. of Friends) - No. all
published). Printed in b./w with
occasional colouring. ( issues).
Condition generally good to very
good, only occasional light
staining and discoloration of the
paper.

 ,.
John Benjamins Antiquariat B.V.
Underground paper which started
off as the British edition of Rolling
Stone; No.  of ‘Frendz’ is identical
to no.  of the precursor. Edited
by Alan Marcuson, later by Jerome
Burn and John May (includes the
Great British Catalogue, which is
equivalent to the U.S. Whole Earth
Catalogue).
Frendz was formed when Friends
went into liquidation, and under
Jerome Burne and John May it became known for its in-depth coverage of all aspects of the alternative
society. It was a rival to IT and OZ.
Extensive coverage of music (especially local heroes Hawkwind and
the Pink Fairies, and the newly-burgeoning rock festivals they and others
like them played at - Bath, Isle of Wight, Phun City, Glastonbury, Bickershaw, etc.), as well as all aspects of the drug culture; the Oz trial; the occult;
ecology (including Whole Earth catalogue supplements); the Notting Hill
scene (of which the paper formed an intrinsic part); the White Panthers; etc.
Main contributors include David May, Barney Bubbles, Jonathon Green,
Rosie Boycott, Pennie Smith, Heathcote Williams, Nick Kent, Stanislaw
Demidjuk, Charles Radcliffe, David Widgery, Felix de Mendelssohn, Charles
Bukowski, Michael Moorcock, Robert Calvert. Interviews with JG Ballard,
William Burroughs, Wavy Gravy, John & Yoko, the MC, AJ Weberman, Mo
Tucker & Doug Yule, and Kate Millet.
[#] GANDALF
Nos. - (all publ.). Amsterdam,
-. Original pictorial
wrappers; only the first issue in
fine reproduction. Added the
booklet Zeg Jofele Pik, letters to
and from Gandalf. Illustrated, sq.
vo (cover a bit worn). .Also
added: the small poster (same size
as the journal) depicting the cover
of no  (in b/w and added colour
red). Complete quite rare.
 ,.
Dutch countercultural magazine,
inspired by the Hippies, the sexual
revolution and the Provo movement,
published monthly, issues of ab. /
pp. each, with numerous (provo-cative)
photographs and ills., very typical
for the sixties’ , edited by and with
contribs. of: Peter Hamelink, Guus
Dijkhuizen, S. Carmiggelt, J. v. Hattum,
Jef Last, Heere Heeresma, D.H. van
Proosdey (Dichterskring), J.W. Holsbergen, Ch.B. Timmer, R. Campert,
Guus Vleugel, Bibeb, Willem, Michiel
de Ruyter, J. Waasdorp, K. Soudijn, J.
Wolkers, W. Noordhoek, Bertrand.
Photos by F. Laufer, P. Boersma, E.
v. Moerkerken, D. v.d. Klei, Peter
Dicampo, Arn. Steenkamp. Erotic and
prvocative photography, Ills. by Wolinski, Barbieri, Bertrand (erotic drawings) and many others.
[#] GANDALF’S GARDEN
Nos. - (all published). Citadelle
Press, London, May  - .
Printed on various coloured stock,
- pages per number, stapled into
colourful pictorial wrappers;
numerous ills. Mystical Scene
Magazine. (Nos. -: Fear Not- You
are now entering Gandalf ’s Garden;
No.: A New World grows beneath
the snows; No. : the inner zodiac
wheels between the leaves; No. :
beyond the brain& blown mind lies
Gandal’s Garden). Except for some
very light soilage to covers in fine
condition. Very rare. Added: CD: The
complete Gandalf ’s Garden (signed
by Muz Murray).
 ,.
Editors (Gandalf ’s Gardeners): Muz Murray. Field editor: Alex Lowsiewkee;
Head Gardener: Gerry Snelling; Graphics: Pip Bassett, Francois Vasseur,
June Cramer, Sue Soar, Ken Hayes, Geoffrey Carton, John Hurford, Carol
Blain, Jay Amler, Pat Kyle, Steven Ridgeway, John Power, etc. ; Photography:
Chris Ridley, Robin Chapman, Colin Bord, Andy Coventry, Selene, etc. Contributors include Peter Finch, John Mitchell, John Peel, Marc Bolan, Nicki
Wood, Geoffrey Ashe, Barney Bubbles, Dave Cumliffe, Viv Broughton, etc.
A monthly venture; later: Published
as often as possible for people with
love. And will appear again when
the weather is right. It is the lifestyle
of those who produce it. We hope it
is yours. (The Voice of the Overground; Overground Free Press).
[#] GATTI SELVAGGI
Nos.- (all publ.), Milano, Edizioni
Puzz,  as follows: No.
(dicembre  / gennaio ):
x cm.  pages,printed in b/w,
side-stapled; No.  (marzo/aprile
): x cm., pages,printed in
green, side-stapled. No.  (aprile /
maggio ): x cm.,  pages;
printed in violet, side stapled, with 
small stains on the frontpage. This
issue comes out as number  of
«Puzz», special edition in protest to
the arrest in Milano of  persons,
“ultra radicali e negazionisti”
accused of setting fire to the
quarters of the PSDI (Partito Social Democratico); No.  (novembre/
dicembre ): «Poesia metropolitana», x cm.,  pages.
 ,.
Situationist and Countercultural journal directed by Meo Cataldo e Max
Capa. All issues with numerous illustrations and Situationist comic strips
(fumetti) and illustrations (Situazione: si è formato a Milano un ‘Nucleo
musicale’denominato ‘Situazione creativa’; Subversive and provocative texts
and features, e.g: “Non siamo marxisti, tanto meno leninisti o stalinisti.
Siamo della coscienze revoluzionarie. …Seppeliamo I cadaveri delle vecchie
iedeologie”; “Avviso ai colonizzati: non lavorate mai!”, “La musica-merce e
la sua alienazione”, poetry by Meo Cataldo and Antonio Meo. Reproduction of a handbill of the N.A.P. (Nuclei Armati Proletari, Un comunicato del
Nucleo Armato  Ottobre. -”Introduzione alla critica pratica della merce
della divisione del lavoro e dell’esproprio nei grandi magazzini”, “La tortura
dell’isolamento nella Germania Federale”, an artticle on the emprisoned
members of the RAF of September : “Dichiarazione del terzo sciopero
della fame. Chi ha conosciuto la propria situazione come può essere fermato?”, “Contributo all’aggiornamento della critica dell’ambiente giovanile
e studentesco”; “Creatività della critica e critica della creatività. Note”. No.
 contains: Nucleo Autonomo di Verbania “Contributo all’aggiornamento
della critica dell’ambiente giovanile e studentesco”; “Creatività della critica e
critica della creatività. Note”; “Il Nodo della decomposizione”. “Comunicato
del Nucleo Armato  Ottobre”.
John Benjamins Antiquariat B.V. 
[#] GAY
Issues  and . New York, Four
Swords, . Tabloïds. Newsprint.
No. : December , x cm, 
pages. No. : December , x
cm,  pages.
 .
Editors: Lige Clark and Jack Nichols.
Related to Screw, wizards: Jim Buckley
and Al Goldtstein. Opening article on
the Anti-War march, including the Gay
Liberation Front. The Editors Speak:
GAY is pleased to welcome you to a
new experience in the field of publishing: a newspaper which is interesting,
entertaining and informative on its own account, and not simply because
it deals with the tabooed world of the homosexually-inclined. In fact GAY
believes that there is only one world, and that labels and categories such as
homosexual and heterosexual will some day pas away leaving human beings who, like this publication, will be liked and appreciated not because of
sexual orientation, but because they are themselves interesting.
[#] GAY SUNSHINE. A Newspaper of Gay Liberation.
[later: A Journal of Gay Liberation].
Nos. , , , , , , /, , ,
/, /, /,, . San
Francisco, April  - Winter
/. Small folio tabloid,
newsprint. Illustrations and
photographs. (Group of  numbers,
some are double-issues)
 .
Edited by Winston Leyland. One of the
earliest gay journals of arts and letters,
first bi-monthly, then quarterly. With
features and commentaries regarding the gay community, including the
important sequence of interviews with
authors and artists (Gerard Malanga,
William Burroughs, Lou Harrison,John
Rechy, several of which enjoyed separate
publication) . Issue  was the last
number published in tabloid format beginning with # publication was as
a trade paperback. No. / is special
on Brazil.
[#] GAY POWER.
New York’s First Homosexual Newspaper.
Volume , issues , , , , , . New
York, n.d. (ca. August) - n.d. (ca.
December). . Newsprint.
Tabloïds; in excellent condition
very light soilage to frontcover of
no , a closed tear on page / of
no  and light wear to spine of no.
. Very rare group of these
revoltionary period.
 ,.
“A tradition for over , years’.
Edited by John Heys. Publisher:
Joel Fabricant. Issues of  pages,
usually with cover in colour, rest
in b/w, with numerous illustrations
and photographs. Contribs. Include
John Heys, John Vogel, Virgil Peden,
Taylor Mead, Frank Calogi, Raeanne Rubinstein, Bob Hard, Lordan
Kimbrell, Rockty, etc. STATEMENT:
For the straight, uptight politicians,
bourgeois, and the naïve and maybe
a pioneer here and there and yes, for
you power freaks who adore exalting
in the good of any cause, add to the
list that of ‘GAY POWER’. Watch it
take to the road in the likes never
seen before.

John Benjamins Antiquariat B.V.
[#] GEORGIA STRAIGHT
A group of about  random issues
published between end  - . (
from /;  from  and the
remainder from later years). Tabloid
(from vol.  onward tabloïds were
folded to xcm.). Generally in
good condition,light soilage and
edgewear.Details upon request.
 ,.
Founded as an anti-establishment alternative newspaper in May  by Pierre
Coupey, Milton Acorn, Dan McLeod,
Stan Persky, and others, and originally it
operated as a collective. Issues are mostly  pages, with colourful (psychedelic) artwork on frontpages and in the middlespread and numerous illustrations and photographs. The paper was raided and fined by the Vancouver
Police for publishing obscenities, and was often banned from distribution
for its criticism of the local police and politicians, especially Mayor Tom
Campbell. Those controversies ended in the s, as the paper moved to
become a more conventional news and entertainment weekly, albeit with a
progressive editorial slant. The collection not collated in full detail, but the
issues make the impression of being intact and complete.
[#] GERMANIA
Nr.  (of  published) Frankfurt:
Germania Verlag, Oktober .
Newspaper format (DIN A), 
pages, illustrated throughout with
drawings + cartoons Cromb, Reese,
Giger, Cartier, Finlay, Cobb, and
others. Illustrated self wrappers.
Fine.
 .
Counter culture periodical, published irregularly. A fourth number
of Germania was co-produced with
the magazine Päng Nr./. Musik,
Literature, Politics, Drugs and Comics. Contributions by Thomas Bayrle, Dr.
Hip, Gil Funcius, Rudiger Nuchtern, Ingeborg Schober Curtis and others.
contributors were Simon Vinkenoog
(Amsterdams Dichter Circus), Steef
Davidson, Aat Veldhoen, Max
Reneman.
 ,.
Complete set of this Dutch language
progressive (semi-underground) monthly
literary magazine, starting with the zero
number. Edited by Bert Jansen, with
contribs. by Willem van Malsen, Remco
Campert, Wim Noorthoek, Martin
Schouten, Freek de Jonge, Jan Siebelink,
H.J.A. Hofland, Mensje van Keulen,
Hans Dulfer (avant-garde Jazz in the Netherlands), Jan Jansen van Galen,
Bernhard Holtrop, Maarten Biesheuvel, Wim Noordhoek, Interview with
Herman Brood, Egbert Zuiderveld. Monochrome illustrations, cartoons
and comics by Bernhard Holtrop , Aldo Crush a.o. Edited by Bert Jansen,
with contribs. by Willem Malsen, Remco Campert, Wim Noorthoek, Martin
Schouten, Freek de Jonge, Jan Siebelink, H.J.A. Hofland, a.o.
[#]
GERMANY. STUDENTS MOVEMENTS IN THE SIXTIES
A collection of ca.  issues of
periodicals, unbound, with pictorial
covers.
 .
This small but representative collection
contains: - Berliner Studentenzeitung. 
nos. (/) - Frontal.  number,
- Colloquium. Eine deutsche Studentenzeitschrift. Berlin.  numbers, between
-. - Student im Bild. Koeln.
 numbers. between - - FUSpiegel.  numbers, between -.
- Agit pop  - Direkte Aktion.Antiquatoritaire Sozialisten hein Main, , Heft - Aug./Nov. -Aachener Studentenzeitung. // - and some others.
[#] HET GEWICHT. Maandelijks verschijnend.
Jg.  no. , - (cplt.). Aug.  zomer ; Jg.  nos - (cplt.) Dec/
Jan /; Jg.  no. - (cplt.). Herfst
 - Zomer , last publ;
(Amsterdam, -; large folio and
tabloid, on newsprint; with numerous
illustrations, photographs.
Together with: (very rare) Extra editie.
No date. Xerox-sheets, plastic strip on
spine.  sheets. to. (light soilage) No
place, no date, mostly unsigned
contributions, most are drawings or
caricatures (sex), identified
[#] GIMMICK.
(Zoveelste belgiese poging om een
‘goed’ tijdschrift op poten te zetten).
Nos. -()probably all). Antwerp, nov.
 - jan. . Unbd.,  x  cm.;
illustrated. Tabloïd.
 .
Belgian underground newspaper with
an important section on drugs and
psychedelics..Probably continuation of
“Paddestoel”. Uitgever: Ludo Debruyn.
Contribs. Mostly anonymous. (No. 
numbered as Vol.  no , dated January
, printed in purple).
[#] GLF OCCASIONAL
Nos. - (all publ.) Hoboken,NY. Four Walls Eight Windows
Publication . xcm., stapled, pp, pp and pp. B&W and
color.
 .
Edited by Gene Felner, with
Marcy Kass and Howard Zinn.
“Art and text should offer you a
magazine that is both beautiful
and confrontational.””The war on
terrorism must begin at home”.
No. : On Nicaragua; No.: John
Brown and the issue of Terrorism; No. : Emma Goldman and
Alexander Berkman.
John Benjamins Antiquariat B.V. 
[#] GOD NEDERLAND EN ORANJE. (Halfmaandelijks).
Nos. - (all publ.). Amsterdam, () - maart . Sizes differ (vo,
to, tabloid). Illustrated self-wrappers. No.  in both the censored
and uncensored edition. Light soilage
 ,.
A biting satirical anarchist magazine published in direct relationship with
[#]
HAIGHT ASHBURY FREE PRESS
Vol.  No.  (?) San Francisco
Graphic Arts Society. Newsprint, 
pages. (Light edgewear).
 .
Countercultural journal; Director:
Al Rinker. Minority Report by Harry
Happnin’; some psychedlic artwork,
feature on Jimi Hendrix (by Jane de
Mendelssohn),
[#] THE HAIGHT ASHBURY NEWSPAPER.
Monthly by and for residents of
The Haight
Volume  Number  March . The
Newspaper, San Fransisco.
Newsprint, .xcm,  pp.
 .
First issue of this neighbourhood
newspaper. Editorial Committee:
Dean Anderson, Laurie Armetta, Dave
Brigode, Pablo Heising, Gloria Judd,
Richard Ross, Ken Ward, Rob Waters,
Keith Weiss, Calvin Welch, David Wills.
Harvey Milk Interview.
Provo. Drawings by Willem, Topor, Malsen, etc., strong anti-monarchist and
opposing the marriage of princess Beatrix and Claus von Amsberg; strongly
opposing the Vietnam war (slogan ‘Johnson murderer’ was censored in no
; offered here are the uncensored original edition and the censored one; in
the first number Queen Juliana was depicted as a public woman, this issue
was confiscated but is included in the set).
[#] HAPT
Nos. , , , , . London,
Bournemouth, April
,-December .
Large-folio, mimeographed sheets,
with silkscreened covers. With
drawings and comic illustrations.
 .
[#] GRONK
No.  d.a. levy issue. Toronto: Fleye
Press (). First edition. to. [
pp]. Fine in side-stapled wrappers,
laid-into a bright yellow cover,
printed on both sides.
 .
This issue features an excerpt from
levy’s “Unmailed Letters to Ed Pederson
and (the mysterious) Annburgers” and
“to t.l.k. and John S.” Contributions also
by bp nichol, David W. Harris, David
McFadden, Ivro Vroom, bill bissett, Rah
Smith, and Ernst Jandl.

John Benjamins Antiquariat B.V.
Well executed alternative and
counter-culture paper for free circulation. Contains summaries and articles
on a broad range of subjects (i.a. on
drugs, Amsterdam (“People say that
Holland is such a low country the
underground can live here in the open
air”), women’s liberation, sex, Dutch
underground movements (Orange
Free state, Kabouters). Most is unsigned, some names we found: George
Dowden, John Gerassi, Desmond Banks, Charles Marshall, Jan Swagerman,
Maricu Moisa, from Argentina(Graphic design)
[#] THE HASTY PAPERS
[#] HELLUP
A One-Shot Review. New York, .
Folio. Very fragile due to paper
quality, loosening in the spine, in
original wrappers.
Nos. , , , . Helmond, 
Augustus-  April .
 .
Underground journal inspired by Provo. Edited by Willum Fillum (Willem
Thijssen) and Thom Ummels at the
Carolus Borromeus College, rebelling
against the Roman Catholic education
system. Ton van Eijk (drawings). Stood
at the origin of the club “Revolver” in
Helmond, which was related to Paradiso, Fantasio etc.
 .
Important early Beat anthology, edited
and published by Alfred Leslie, including contributions by Kerouac, Ginsberg, Corso, Frank O’Hara, Ashbery,
Orlovsky, photographs by Robert Frank,
a.o. Includes a facsimile edition of Fitz
Hugh Ludlow’s ‘The Hasheesh Eater’, the
first full-length work of American drug
literature. Good copy of this very fragile publication, slight wear, somewhat
soiled and darkened from age.
[#] HIGH TIMES. The
Magazine of High Society.
[#] HEATWAVE
Number  (of only two issues
published). London, October .
 pages plus pictorial wrappers,
stapled, ,x, cm; fine. With
numerous illustrations; stencilled.
 .
Edited by Christopher Gray and
Charles Radcliffe. Close to the Amsterdam Provo movement (Roel van
Duyn) and situationists. Contains
contributions by Gray & Radcliffe:
The Provo Riots; Uel Cameron: The
almost complete works of Marcel Duchamp; Attalis Kotanyi and Raoul
Vaneigem: Unitary Urbanism; The Rersurgence Yourth Movement: The
Guerilla Manifesto; Hausmann and Hueklsenbeck: What is Dadaism and
what does it want in Germany?; The Totality for Kids (The Kids)Cartoons
and artwork by Norrie MacLue and Paz.
[#] HELIX
Vol  no  (Oct. ); Vol.  no 
(Nov. ,); Vol.  no  ( Dec. ,
).Vol.  no . ( Feb. , ),
Vol.  no  (March ). Seattle,
/. Tabloïds, with
multi-colour wrappers, b/w inside.
(Wear at the edges,and some tears
in the spines, but generally well
preserved).
 .
Group of  issues of this Underground
paper from Seattle, with much attentiont to drugs, the Vietnam war the Seattle resistance, psychedelic art, music.
Features on The Fugs, Tom Robbins on Jimmy Hendrix, Seattle is a Summer
Festival, a sneak preview; Jack Leahy, Dr.Bearman (The Fix), Jack Delay
(column on Dope), Numerous illustrations, photoocompositions etc.
Numbers -. Summer  December . In the original
coloured wrappers, overall
condition is excellent with some
issues “like new” and others with
only minor reading wear. Front
and back covers all intact and fine
(except for a rubberstamp on no.
and an old mailing label on no
;small ink mark on no ; one
spine split). The first in the
premiere edition, First state with
. price and “premiere issue” on
the cover (grey and blue-green colored pictorial wrappers) A very
rare ongoing set of the earliest period.
 ,.
Editor: Ed Dwyer. From the announcementletter (May , ): “The Trans-High
Corporation of New York announced today
the publication of a new magazine.... It offers
extensive and sophisticated coverage of the
pleasure and psychochemical culture.... articles
ranging from the ecology of cannabis paper
to an investigative report on a nine-ton pot
bust. ...A regular feature of High Times is a
comprehensive Wall Street Journal-type listing
of psychochemical prices around the world
(=in fact ‘High Witness News’). ..Also featured
are medical and legal columns written by leading experts as well as eclectic reviews of films,
records and books. ... psychochemicals have become the cause of psychological and sociological problems; to alleviate
these problems, the first step is to take a more
thorough look. This is the purpose of High
Times.” Contribs. by Richard Ashley, Bruce
Eisner, Albert Goldman, Michael Horowitz,
Ron Rosenbaum, John Wilcock, Deanne Stillman, a.o. Also interviews with (o.a.) the Dalai
Lama, Albert Hofmann, Dr. Norman Zinberg,
Andy Warhol, Peter Beard, Fran Lebowitz,
Keith Richard, Marianne Faithfull, etc. In
addition to the controversial drug coverage
and in-depth countercultural articles, there is
a sizeable amount of early punk rock coverage
John Benjamins Antiquariat B.V. 
thanks to Tom Forcade’s early interest in the Sex Pistols and punk music as
the “next big thing”. Forcade even provided funding for John Holmstrom’s
Punk magazine at one point. While High Times continues to this day, the
focus here was on music related coverage and therefore this particular run
ends in  where the musical interest also begins to taper off.
[#] HOME GROWN. Europe’s First Dope Magazine.
Nos. -. London, -.
Original illustrated wrappers; to.
Set lacks no.  only.
 .
[#] HITWEEK (and ALOHA). HIHA HI.T.WEEK
Years - (all publ.). Amsterdam, 
Sept. - April , continued
as: ALOHA. Years - (all and last
publ.). Amsterdam,  Mei -
April . Unbound, original issues
as published, tabloïd size, on
newsprint. Numerous illustrations
and photographs. Lacks only 
issues of the first year of Hitweek ,
otherwise complete and in good
condition (with the inevitable
occasional browning and edgewear)
- ADDED: POSTER: Hiha Hitweek,
Vakblad voor Twieners. Koop ‘m
hier even,  ct.; [ X , CM],
PRINTED IN BLACK AND RED
ON WHITE PAPER. Nice clean
copy, only a faint fold in right upper
and left lower corner.
 ,.
The foremost pop- and underground
magazine of the ‘s and ‘s in The
Netherlands, organ of the ‘youth rebellion’, founded by Willem de Ridder and
Peter Muller. An excellent collection of
 (out of ) issues - lacking only 
numbers in the first year. Tabloids. With
strong ties to the Provo-movement
and Kabouters / Orange Free State, of
which it was the State’s Official Paper.
Contributions a.o by Anthon Beeke,
André van der Louw, Cor Jaring, Evert
Geradts, Ewald Vanvught, Ed van der
Elsken, Harry Buckinx, Hans Plomp,
Herman Pieter de Boer, Hans Verhagen,
Jan Cremer, Jan Donkers, Josje Leeger,
Koos Zwart, Laurie Langenbach, Lennaert Nijgh, Luud Schimmelpennink,
Marijke Koger, Nico Haasbroek, Peter
Schröder, Pim Oets, Robert Crumb,
Richter Roegholt, Rogier Proper, Frits
Boer, Bernard Holtrop, Willem, Simon
Vinkenoog, Thom Jaspers, Theo van
den Boogaard, Wim de Bie, Wim
Noordhoek, Wouter van Oorschot,
Yoko Ono and many others. Much about Dutch pop music (labelled here
“Nederbiet”) with groups like Les Baroques, Motions, Golden Earrings,
Outsiders, Q ’, Cuby and the Blizzards ct. The issues lacking to year  are
nos. ,,

John Benjamins Antiquariat B.V.
Publisher and Editor: Lee Harris. ‘...
Home Grown will aim at presenting
an enlightened and informative, as
well as entertaining attitude to dope
and related subjects..’. With illustrations. Contribs. incl.: C.I.A. Drug
Experiments; New Wave and Speed;
Mama Coca; Prison Letters of Danny
de Souza; ‘Peter Tosh: Rasta, Reggea
and Ganja’; Drugs and Magic; High in
Amsterdam; Laurence Cherniak: The
Great Book of Hashish; Patti Smith:
‘Alien to Alien’, etc. Also book-reviews, letters, cartoons. Covers by: Hamish,
John Higgins, Johnny Reno, Bryan Talbot, Don Irving, a.o.
[#] HORSESHIT. The Offensive Review.
Nos. - (all publ.). Hermosa
Beach (Calif.), Gauntlet Press,
later Scum Publishing Company,
-. Original pictorial
wrappers.x, cm., stapled.
Together with subscription form
and promotional leaflet.
 .
Founded and edited by the brothers Robert M. And Thomas W.
Dunker, who made all the (some
full-page and sometimes rather
shocking) drawings, and Thomas
W. Dunker, who wrote the articles. Issues of - pp., inclusive the covers.
A typical specimen of a magazine from the sixties, that aims to offend the
American establishment. Rare complete.
[#] HOTCHA !. Ein Organ.
Fun Embryo Informationen.
Nos. , , , , /, , , . (Mitglied
des Underground Press Syndicate).
Postfach , Zuerich, (? ) October . Various sizes, mostly
to. Together with: HOTCHA!.
Ausgabe  (vom .- März , and
with HOTCHA! New Morning . .
to;  pages, partly on coloured
stock, fully illustrated. (Possibly last
number, on the inside front-cover we
find: Finale ! . (Dated ). Added:
. Flugblatt der antiautoritären
Menschen.
 ,.
“Einzige Deutsch-sprachige Underground Zeitung. Handkoloriert”. Mitglied des Underground
Press Syndicate. Redaktion Urban Gwerder (ed.)
unter Mitwirkung der Hotcha!-Sippe.
Underground paper published in The Hague. Innovative lay-out; and lots
of psychedlic art. Articles on sex, drugs and anti-Vietnam.Member of U.P.S.
And connected with IT (International Times). No.  confiscated (article
Provoliquidation Kommittee Amsterdam signed by Hans Tuynman, as well
as Miss Vietnam, full page (Vostell).
[#] IMAGE. (Witte Pers Zondagsblad).
Nos. - (all publ.; of which No.  in
 versions, black and red) June-Sept.
. to; mimeographed and
stapled.
 ,.
Complete set of this very rare parallel
[#] HUNDRED FLOWERS. North Country Weekly.
publication of the Amsterdam Provo’s.
Includes : Speciaal Mannen Nummer; and : Special Vrouwennnummer.
(Special All-Male number and Special
all-Female number). This issue in a
version in black and a version in red.
No. : special Rook-nummer (smoke
issue).
Group of  issues published in
Minneapolis between July, 
(Volume  Number ) and January
 (Volume  Number ). Details
upon request. Tabloïds, mostly with
colourful artwork on the front/back
covers, occasionally also inside,
otherwise printed in b/w. (Folded,
and most issues have been through
the mail, and have address labels or
stamps, some wear over folds and on
margins).
 .
“Let a hundred flowers blossom, let a
hundred Avatars contend’; alternated
with other motto’s such as “A Free Press, A Free People”; “Let a Hundred
Schools of Thought contend”. Member of the Underground Syndicate;
[#] IETS
Nos. , , , ,  (Noodnummer).
(The Hague), -. Tabloid: with
illustrations (lightly stained, but a good
set).
 .
[#] INK. The Other Newspaper.
Nos. - (all publ.). London, May
 - Feb. . Tabloïd, unbound. On
newsprint, with colour added;
numerous photographs and
illustrations (some small marginal
tears and endemic browning, No. 
has front cover damage, a small piece
is missing).
 ,.
British Underground paper, at first
weekly, then becoming irregular. With
attacks on the government, police and
society in general, with much avantgarde artwork. Supposedly financed by
John Lennon, Yoko Ono and Germaine
Greer. Published by Paul Bream. Critical against domestic politics, as well as
foreign politics, particularly the war in Vietnam. Also pop music, film, sex,
books, etc. Contributions by Alex. Trocchi, Richard Neville, Alex Mitchell, Felic Dennis, Andrew Fisher, Ed Victor, etc.; interviews with Eldridge
Cleaver, James Baldwin, etc. No.  misnumbered as No.  (which appears
twice in the numbering).
John Benjamins Antiquariat B.V. 
Features including David Cooper on
the family; Tim Souster on Stockhausen; “Ralph Nader for President?” by
JG Ballard; Alexander Trocchi on the
junkie scapegoat; the first appearance
of “The Writer” by William Burroughs; Felix Dennis on John Lennon;
interviews with Eldridge Cleaver,
James Baldwin, and others; and news
coverage of the Stoke Newington ; the
Prescott/Purdie, Angela Davis, Mangrove, and Oz trials; Gay Liberation;
censorship etc.
[#] INNERSPACE.
The magazine of the psychedelic community.
Vol. , nos. , ,  and  (out of 
published). New York, -.
Size (h/w): , x , cm. Stapled
in original illustrated wrappers. No.
 ihas small repair to front cover;
back cover of number  soiled with
a closed tear. Illustrated in red and
blue.
 .
Edited by Linn House, managing
editor: Peter Weinberg. Contributing
ediotrs: Peter Stafford, Ira Einhorn.
Staff artist: Linda Jarvis.I ssues of  pages, printed in offset in vartious
colours, fully illustrated. Part of the Underground Press Syndicate.
Number  is the “American Indian Issue” and contains a letter referring to
issue no. . Contains articles and reports on drugs, be-ins, etc. with correspondents in San Francisco, Los Angeles, Beirut, Berkeley, Nashville, later
also Bombay, Amsterdam, Cleveland, etc.
[#] INSEKTEN SEKTE.
giornale murale, rivista underground clandestina stampata in
eliografia, creata da Matteo Guarnaccia e priva di autorizzazione del
tribunale.
The last two published numbers , as follows: - No.  (): x
cm., folded into  pages. «Viaggio in India». - No. (): x
cm., , folded into  pages. «La città». (=end of publication). Both
issues in very good condition, folded as issued.
 ,.
Underground mural with wonderful psychedelic illustrations, clandestinely
published and printed in heliogravure, by Matteo Guarnaccia. In total
 numbers were published (between  and ) with extraordinary
artwork. No : Insekten-sektesedici. Foglio di libidinogastyrikottika!!. Dir.
resp. Utrille Frillobite. No. , Anno . No. : Unumero diciasette farcito
[#] INSURREZIONE
Numero unico [number ], (Milano),
 (ottobre), x cm, ,  pages, 
photographs.
 .
Situationist journal, although it says
Numero Unico probably  numbers published. Prints a text by Raoul Vaneigem
(Il ghetto di Varsavia) and by Giorgio
Cesarano (Insurrezione). [Bibliografia:
AA.VV,, “Passare il segno, Milano, Biblioteca di via Senato, : pag. ].
[#] INS AND OUTS. A
Magazine of Awareness.
Nos. -/ (all publ.). Amsterdam,
June  - July . Original
pictorial wrappers; illustrations &
photographs.
 .
Journal of the “Magic Amsterdam”
‘avant-garde’, edited. by Edward Woods,
with assistance of, and guest-editorships
by Ira Cohen, Mel Clay, Neeli Cherkovski, Hans Plomp, William Levy, a.o. Articles & photographs by Steef Davidson
(on the Nieuwmarkt: Subway Culture in
Amsterdam), Mel Clay (The Myth of the Male Orgasm. Window Shopping
in Amsterdam Red Light District), Hans Plomp, Rachel Pollack, Ira Cohen,
Simon Vinkenoog (on Magic Amsterdam). Marijke Mooy,, Steve Weiss,
Jessie Gordon, Bruce Carpenter & Charlz Baba, Rachel Pollack, Magic Mike
Taylor.Bert Schierbeek, Tajiri, Marpa, a.o.
 John Benjamins Antiquariat B.V.
[#] INTEGRATION. journal for mind-moving plants and
culture/ zeitschrift für geistbewegende pflanzen und kultur
Nos. - in  volumes (all published).
Eschenau (D), Bilwis Verlag
-. Orig. wrappers, x cm/,
 +  +  +  +  pp.
 .
More or less the continuation of Revue
Integration, the journal by Herman de
Vries. Edited by Wolgang Bauer, Herman
de Vries, Martin Hanslmeier, and others.
Contributions in English and German,
book-reviews, information bulletin etc.
[#] INTERIM PAD
[#] IT (THE INTERNATIONAL TIMES)
Number  (all publ.). San Francisco
(City Lights Bookstore), .
Roneotyped on yellow
stock,one-sided, stapled.
 .
Beat journal, edited by Lawrence
Ferlighetti, with contibutions by Allen
Ginsberg (“Two Entries One Day’s
Journals” and “Henri Michaux “), Bob
Kaufman, Spyros Meimarias, JeanJacques Lebel, Carl Salomon, Claude
Pelieu, Mendes Monsanto, etc. Editorial policy is “Fuck for Peace, Legalize Marijuana, Rock Folk, Demystify Human Violence, Super-Impose Images of Ecstasy. ‘What is here is Elsewhere,
what is not here is Nowhere”.
Nos. - (all). London,  Oct. -Oct. .
TOGETHER WITH FIRST REVIVAL: Vol.  nos. - (all published
under the original editors). London, May/June-August .
Unbound, folio, tabloïd, some issues to; illustrated.
TOGETHER WITH SECOND REVIVAL: Vol.  () till Vol.  no 
(= final issue, published February ; the complete period lacking
vol. no  only).
[#] INTERNATIONAL FREE PRESS. present A Cosmis
ALSO PRESENT ARE SPECIAL ISSUES:
Caper. Weekly.
- No. , Emergency Issue (on yellow paper, margins torn and soiled),
Nov st . Published by
RAHBAS, London. Newsprint,
x. cm,  pages.
- No. , Summer Sadness for John Hopkins (=large folding poster in
colour)
(light edgewear, light waterstaining).
 .
Underground newspaper. Contains:
Exclusive Abbie Hoffman Interview. The
TRUTH about the October th Thing.
Contributions: Pete Sanders, John
Shane, Leo Rising, George Andrews, a.o.
[#] ISSUE NUMBER ONE
Number  (all publ.). New York,NY,.x, cm., stapled,
unpaginated. Mimeograph. (light wear to the spine, back cover
sunned).
 .
Editor,publisher Charles Rotenberg. Contributions by Jackson
Mc Low (poetry), H.Denis Dunn,
Clayton Eshleman, Paris Flamonde,
Alex Silberman, Drawings by
Franklin Drake, Charles Ross,Julie
Wagner.
- No. ,  Instant Information Poster. Happy New Life  (=large
folding poster, b/w,
- ‘Frivolous Summer Issue’  (Tabloïd) and - undated (smaller
size) ‘Festival Issue-Official Guide to what’s next’.
The issues in this set are Tabloïd, and a few to, all are in generally
good to very good condition, with inevitable slight damage to
margins and over foldings of some of the issues, and some
discoloration due to the newsprint- paper.
 ,.
The major underground paper of Britain, wellknown also abroad, edited by
Barry Miles, later TomMcGrath and Bill Levy. Published as nos. -, 
Oct.  -  Oct. ; vol.  nos. -, May/June - Aug. ; vol.  nos. -,
July-November ;  no.  (Sep.) -, Aug. ; vol.  nos. -, (Jan.)
- Dec. ; vol.  nos. -, March  - Jan./Feb.  and some additional
‘half ’-numbers.
The emphasis of the paper changed markedly over the years according to
who was on the editorial collective,either predominantly artistic, political and literary, or predominantly sexual at times. Several important legal
actions have been brought against it. IT’s impact on design, style and
writing techniques has remained till this day. It was financed in periods
by The Beatles and was central to the development of ’s culture. No. 
publishes an obituary of Andre Breton by Jean-Jacques Lebel, Yoko Ono’s
Indica Gallery show, Bob Cobbings’s Group H exhibition, Simon Vinkenoog
on Provo Amsterdam, report on Timothy Leary’s show from Bubu in New
John Benjamins Antiquariat B.V. 
[#] J’ACCUSE. Journal
populaire. Mensuel.
York, LSD; Dope prices, Pink Floyd Mix
Media Show, etc. No.  brings the report
on the IT launch party. Further issues have
features on practically all important aspects
of the period, the drug scene, anti-Vietnam
demonstrations, happenings in Amsterdam,
Alexander Trocchi, and so on. Contribs.
include: William Burroughs, Allen Ginsberg,
Alexander Trocchi, Bertrand Russell, Bob
Dylan, Ezra Pound, Gary Snyder, Adrian
Mitchell, Buckminster Fuller, Fritz Teufel,
Norman Mailer, Claes Oldenburg, Abbie
Hoffmann, Dick Gregory, Jeff Nuttall, Timothy Leary, Michael Abdul Malik, Jim Haynes,
Miles, Bob Cobbing, Simon Vinkenoog, Yoko
Ono, but mostly staff journalists. The revival period (after Barry Miles) is
extremely scarce.
No.  (all publ.?). Paris,  janvier .
Tabloïd on newsprint (with slight
soilage).  pages, fully illustrated
 .
Directed by: Charlotte Sendyk. Texts by
André Glucks-mann, Jean-Luc Godard
and J.P. Sartre (unpubl.: La justice vient
du peuple. Pierre Jacquin, Jean Pierre
Barou, Cathérine Humblot, etc. .
[#]
[#] IX. Hebdomadaire.
Nos. - (all publ.). Paris, vendredi  mai -  juin .
Large-folio; Unbound, fine.
 ,.
JOURNAL FOR THE PROTECTION OF ALL BEINGS.
A Visionary & Revolutionary Review.
Number : Love-Shot Issue. San
Francisco, City Lights Books, ;
Number : On the barricades.
Revolution and Repression ();
Number : Green Flag ();
Number : () A
commemorative issue published by
The CoEvolution quarterly, issue no
. (all published). San Francisco,
City Lights Books, - ().
 issues, (No.  & : x ,cm,No.
: x, cm; No. : ,x , cm).;
original wrappers (light foxing and
staining, but altogether very good).
 ,.
Students rebellion, flower power, sexual
revolution in France: this shortlived weekly (of  pp./issue) was directed by Alain
Valtat, with contribs. by Jean Streff, Alain
de la Haute-Maison, André Laude, Yves
Lancelot, François Pagery, etc.; illustrations and satirical drawings by Vasco, Willem (Chez les métèque nos.-), Wolinski,
Pétillon, etc.; numerous photographic
ills.; articles featuring Johnny Halliday,
Wilhelm Reich, Les Lycéens: La révolution
ou la fesse, etc.

John Benjamins Antiquariat B.V.
No.  Love Shot Issue. Editors: Michael
McClure, Lawrence Ferlinghetti, David
Meltzer. Other contribs. by Bertrand
Russell (Statement of July ), Gary
Snyder, Antonin Artaud, Gregory Corso (Interview with Allen Ginsberg),
Albert Camus, Michael McClure, Allen Ginsberg, Norman Mailer, etc.;
A Photo Essay (“Death”) by James Mitchell. - No.  is entirely devoted to
the May  uprisings in France, with an excellent photo documentation
of Paris May. Photos by Caron, posters by students of the Ex-Beaux Arts,
texts by Marcuse, etc. -No.  (Green Flag) is edited by Corrie, Sandra and
Stine, Laura. People’s Park Poetry. No. : (). Rebirth of City Lights’ “A
Visionary & Revolutionary Review” disguised as a CoEvolution Quarterly.
Included: Artaud, Brecht, Creeley, Ginsberg, Kerouac, Ishmael Reed, Vachel
Lindsay, Walt Whitman, Thoreau, Ben Shahn, Herbert Read, many others.
Pages uniformly tanned, as expected, a hint of age-toning to the covers, else
a fine, unread copy in illustrated cardstock covers.
[#]
JOURNAL MURAL
Number , May  La lutte
continue. (with blue stamp of
the ‘atelier populaire’).
Silkscreened folded poster,
printed in green ( x  cm).
Folded but in fine condition,
just a few minor tears in the
margin.
 .
With information in the following sections and on the following
dates: Marins-Pecheurs  juin;
Fascisation  juin; Peugeot - Sochaux  juin; Citroën  juin; La
[#] KARUNA
No number, no date. H/orsholm,
Denmark. (Ca. ). Glossy
magazine, fully illustrated, also
many photomontages. Very
attractively designed.  pages,
folio.
 .
Ansvar Redaktor: Johs.Olsem.
Editor: Yeal Solomon brothers and
sisters everywhere. H/orsholm,
Danmark.
Zen, HarekRishna, Sufi, etc.; nice
photomontages. Texts in Danish and
in English.
greve continue (province)  juin.
[#] KISS, DON’T KILL
[#] JOURNAL OF PSYCHEDELIC DRUGS
Vol.  no. . Winter -. San
Francisco. The Haight-Ashbury
Medical Clinic. “Psycehdelic
Drugs and Religion”.  pages,
Orig. Wrappers (very light
soilage).
 .
Edited by David E. Smith. Articles
by Timothy Leary (The religious
experience), John Luce (Hippies
and the Media),Meher Baba (LSD),
the psychedelic experience and
psychotherapy, Hippies and Early
Christianity, etc.
GENERAL HERSHEYBAR. Den
Haag (NL), Handicap Publications
(). Only published issue:
x, cm., stapled, pp.
 .
General Hersheybar (aka Calypso
Joe) is a satirical character of the
Vietnam War-era protest movement,
who parodied U.S. General Lewis B.
Hershey, then Director of the Selective Service. He was usually seen
partnered with General Waste More
Land (aka Tom Dunphy), a parody of
General William Westmoreland. The
characters were common at street theater performances and demonstrations
against U.S. military involvement in Vietnam. General Hersheybar would
appear in a comical military uniform complete with a plastic toy fighterjet attached to his “officer’s cap” and hand out fliers promoting his satirical
diatribe. In addition he self-published several monographs and booklets.
A one shot underground magazine from the sixties from the eccentric antiwar hero. Profusely illustrated by collage, including clipping from other underground press magazines of the era. Scarce; oclc locates but three copies.
[#] KALEIDOSCOPE
Group of ca.  random issues
(published between Oct.,
and Jan. ,) from the
editions Madison (ca.),
Milwaukee (ca. ) and
Chicago(ca.). Tabloïd size
(Madison edition on smaller
size); mostly b/w,
photographically illustrated.
Detail on request.
artwork. (Not collated in detail).
[#]
KNIJP. Maandboek voor iedereen.
Nos. - (all). Sept.-Dec. . Oblong
folio; unbd., in pictorial wrappers;
with numerous illustrations and
photographs.
 .
 .
Member of the Underground Press
Syndicate and Liberation News
Service; anti-war, drugs, music,
occasional colourful (psychedelic)
Glossy underground magazine.with
important photography. Issues of  pp.
covers each; art-direction: Jan Mulder,
Niek Hiemstra; contribs. of Duco van
Weerlee, Bert Vuijsje. Ch. Vlek (pho-
John Benjamins Antiquariat B.V. 
togr.), Ed. Visser, S. Vinkenoog, Ewald Vanvugt, Joop Slagter, Wim Noordhoek, Eva Mulder, Cor Jaring, P. Dicampos, Ph. Mechanicus, J.Vrijman
(photogr.), Jojanneke Claassen, Frits Boer, Robert Ebell etc.
[#] KROSTA
Nunero unico [only number published], Torino, Edizioni Tarzan,
; x cm.
 .
[#] KONKRET.
Unabhängige Zeitschrift für Kultur und Politik.
Published every fourteen days
in Hamburg (Germany).
Tabloid size. Collection
comprising the years 
through  inclusive, as
follows: Year :  numbers
present: Nos. -, -, -/
(out of  nos published).
Occasional waterdamage and
staining to some issues, in
particular no  and the last ;
the last page of no / is
missing); Year : Nos.
-/ (complete) in generally
good condition; Year : Nos.
-/ (lacking no.  and , to
be complete) in generally good
condition except no , which is in poor condition with some
waterdamage. Then publication becomes monthly, reducing to a
slightly smaller size.; Year  Nos. - (complete); Year Nos. 
and -, and Year  Nos. -/. Hamburg: Klaus Röhl, -.
Tabloid size magazine with each between  and  pages, many
illustrations in black and white and color. All in good condition
except for  no  of which the rear wrapper is wrinkled.
Mural journal for the
rock-music scene in
Italy, printed on one
side in heliogravure
(with light discoloration), photomontages,
and photographs: all
concerning Rock and
Punk music groups.
[#] THE LAST TIMES
Nos. - (All published). San
Francisco: Vortex Printers / The
Last Times, -. Two tabloid
issues; Illustrated wrappers,; [],
[]pp; illus. Issue  with light dust
soil to front wrapper and a few
small creases, near fine. Issue  is
the orange and red variant; faint
horizontal fold at center, with a few
small stains to lower front wrapper;
very good copies.
 ,.
An important and quite rare, early collection of one of the most controversial papers in Germany. Originally a students paper it became more important when, from number  in , Ulrike Marie Meinhof -who later played
a role in the terrorist mouvement ’Baader-Meinhof Gruppe’- becomes
the verantwortliche Redakteur, a sort of chief editor. Before that time her
husband, Claus Rainer Röhl, had that function. The magazine usually publishes: Titelgeschichte; Ausland; Studenten; Karikatur; Film; Kunst; Konkret
gesehen; Leitartikel. It has a varied content, all focussing on the great controversies of the period,with articles on Contraception; Abortion; Fascisme;
Cuba; The Auschwitz process; Prostitution in Chicago; Sartre; Pandit Nehru;
Martin Luther King; Henri Miller; Kennedy; Ulbricht; Langston Hughes.
Ulrike Meinhof was chief editor
from -. and the issues
offered include many of her articles
and columns (See Jutta Ditfurth,
Ulrike Meinhof:Bibliographie).
Covers have interesting designs, satirical drawings and/or photocompositions, signed by Siko, Jutta &
Jürgen Corleis, W. Grässe, Hermann
Landefeld, United Artists, Karl
Weisgärber a.o. The first number of
 has on the front cover the text
of Günther Anders: An den Studentenkongress gegen Atomrüstung.
Articles and contributions by (a.o.)
H.M. Enzensberger, and several
other important names from the
period.

John Benjamins Antiquariat B.V.
 ,.
Edited by Charles Plymel, Claude
Pelieu, Doug Blazei, Dennis Mazer.
Complete run of one of the most beautiful magazines of the sixties. Contributions by Doug Blazek, Bob Kaufman,
Carl Solomon, Herbert Huncke,
Charles Plymell, Claude Pelieu, Carl
Weissner. d.a. levy, Charles Bukowski
(Notes of a Dirty Old Man), William
S. Burroughs (Day the Records Went
Up), and Allen Ginsberg (Television
Baby Crawling Toward That Death
Chamber). No. contains an early piece
by R. Crumb.
[#] LOGOS
Number : Peace
issue;
Volume  no  ( May ), 
(n.d.) ,  (November ), 
(April ) . Montreal, .
Newsprint, tabloïds. In b/w and
colour. (Moderate wear on
foldings) Clean copies.
Number  (LSD) is
Psychedlic Issue; with
a cellophane insert
with white powder
(LSD?) preserved.
Numerous cartoons.
Number  “Sick Art”.
Kommunuikatie
bericht aan De Jong.
Complete with the
insert.
 .
Part of the Underground Press
Syndicate. Editors: Paul Kirby and
Rob Kelder, published by Polis
Communications Unlimited, Montreal. Spectacularly laid-out and
illustrated with psychedelic illustrations. Contributions by Paul Babby,
KennethPatchen a.o.; Photographs
by Fletcher a.o.
[#] LOS ANGELES FREE PRESS
A group of  random issues
from -. Well preserved
(light soilage, paperdiscoloration
and mild edgewear, as this was
printed on newsprint, folded.)
 ,.
Rare examples of this famous
radical newspaper founded by Art
Kunkin in . Seminal Underground journalism that went well
beyond the boundaries of Los
Angeles. Present are: Volume 
() nos. , ,  - , , ,
 - , ; volume  () nos.
 - , , ,  - , , , ; volume
 () nos. , ,  ().
Some headlines: “What is’s like in
Vietnam”, “Mystery man sought in JFK murder”, “Police stage another riot”,
“What’s happening on Fairfax”, “Use guns against hippies?”, “Abortion Act
Abortion”, “Can the police break in?”, “Lebel: Diary of the French Revolt”,
“Will Johnson cancel the elections?”, “Will Nixon raid Cuba?”, “Reagan was
a student rioter”.
[#] LYNX ( Maastricht). Tijdschrift voor provocerend
denken.
Issues  -  (out of  issues published). Maastricht, -.  x 
cm (except # : , x  cm) ,  -  pp. Stencilled. Good condition,.
 .
Provo journal for Maastricht, (identical size and layout as Provo itself),
edited by Wim van Beers, Roelof Bos, Yves van Kempen, Jaap J. Rosier, etc.;
published for Maastricht, it had an editorial office in Amsterdam.
[#]
MAGIK TAMPAX ORACOLO
[Only issue published] Postersize
sheet, folded into  pages, printed
in purple on one side: Numero
Unico in attesa di autorizzazione,
Torino,  (febbraio/maggio);
x cm.
 .
Poster printed in heliogravure, texts
by Gianni Milano «a proposito di tutti
questi posti sacri» and Giulio Tedeschi. Psychedelic illustrations
[#] MAINMISE. Organe québécois de la pensée magique,
du rock international, et du gay sçavoir.
No.  [octobre ] thru No.  [Eté
]. Quebec, Mainmise, -.
Nos  à  and number ‘Best of La
dope’”, [],  numbers in- [,
X , cm] ab./
pages,illustsrated, Nos  à , 
numbers [ X , cm.] comprising
 pages each, illustrated,stapled;
Nos.  à ,  numbers [ X 
cm]. Each  pages, illustrated. All
numbers with a different illustrated
over. Added: Le petit supplément
illustré” Nos - . . [Complete ?]
 numbers [X cm.]  pp of
comics with coninuing pagination.
 ,.
John Benjamins Antiquariat B.V. 
Founded by Jean Basile and Georges Khalm, member of the Underground
Press Syndicate (publié par Pénélope, distribué par les Messageries du Jour).
Complete collection of this periodical of the counter-culture movement
of Quebec, advocating and reporting on alternative lifestyles and utopian
ideology. Abundantly illustrated a.o.
by Robert Crumb, R. Cobb, Guynard,
M. Pouliot, Baloune etc, Articles and
contributions by Pénélope & Linda
Gaboriau, Christian Allegre, Jean Basile
Bezroudnoff, Kenneth Chalk, Georges
Kahl, Denis Vanier, Raymon Lavallée,
Buckminster Fuller, Marshall McLuhan,
L. Clark Steven, Timothy Leary, Alan
Watts, a manifest of homosexual liberation (Carl Wittman), etc. Special issues
on all the topics of the time: drugs, free
sex, free schools, ecological issues, the
media, womens liberation, etc. All in
good condition except for some flaws
to the covers of numbers ---- and  and ballpen mark on
number . Number  has the folding
Quebec-Marijuana-banner which was a
supplement.
[#] MARIJUANA REVIEW.
A Magazine to Coordinate Marijuana Information.
Vol.  no . Oct.-De .. Light
damage to right lower corner,
otherwise in excellent condition.
 .
Published by LEMAR International,
edited by Michael Aldrich and Ed Sanders. Consultants: Allen Ginsberg, Leslie
Fiedler, Joseph Oteri, Maria Juanita, and
others.
[#] MINESTRONE (HOT MINESTRONE)
Number  ( All published), (Roma), Stampalternativa Editrice, 
(no date, but dicembre ), ,x cm,  pages in illustrated pink
wrrapper printed in red and black.
 ,.
[#] MANDALA. Tijdschrift voor internationale avantgarde
en etno-literatuur
(later subtitle changes to: Grenzenloos literair tijdschrift).
Nos. -, then changing its numbering to Vol.  (comprising  issues)
and  (comprising  issues). All published. Amsterdam, Lente
-. Original wrappers. ( front covers of nos. / and / with
stamps, otherwise a good clean set). .
 .
Edited by Jos Knipscheer. Contribs. by
Fr. Beltrametti, O.R. Castillo, Gr. Corso,
Ch.Bukowski, Lawrence Ferlinghetti
(transl.Vinkenoog), Diane di Prima,
Piero Heliczer,Gary Snyder, Steef Davidson, H. Hoogstraten, Jos Knipscheer,
Sj. Kuyper, P.H. van Lieshout, Beno
Lubini, Lapok Manau, P. Nijmeijer, P.
Schuddeboom, a.o. No.  of  devoted to ‘One World Poetry ’.No.  is
Poetry International No.  is Montagna
Rossa (a cura di Franco Beltrametti,
incl. a.o. Spatola, Blaine, Padin),  no
 signed by and with  corrections by
Simon Vinkenoog.

John Benjamins Antiquariat B.V.
Italian underground periodical,close to
INSEKTEN SEKTE, entirely illustrated
by Matteo Guarnaccia, cartoons and text
illustrations. An”editorial” on page :
“Peggio dei pidokki! Nonostante cinque
anni di grattamenti micidiali e di
nebulizzazione di ogni skifezza kimika
e ideologika non sono riusciti a skacciarci dalla cute sociale. In Minestrone
confluiscono gli adepti della Setta degli
Insetti [Insekten Sekte], le mamme realizzate, i depravati cultori delle mollezze
orientali, gli spettri dei caduti sulla strada del Nirvana, l’F.L.N.P. (Fronte di
Liberazione Nonne e Pensionati), il collettivo auonomo Il Mondo è Bello
perché è Vario, nonké i compagni di Lotta Libera Amore Continuo. (...) Noi
(...) siamo i depositari del grande segreto planetario di questo mondo, ke
riveleremo all’istante: vive nel ghetto ki accetta il modello proposto dalla
classe dominante, che vuole privarci dela gioia di esistere! Oggi, come sempre, è il primo giorno del resto della nostra vita! Csikké (?) mentre i porci
con o senza ali vengono abbattuti dalle kontraeree karmike, noi pidokki
continuiamo a ingrassare!!! E rikordate! La realtà è dalla nostra! (Ovvero:
“la spazzatura di un uomo è la torta di un altro”). F.to Collettivo Editoriale
Bakko Tabakko & Venere”.
[#] MOKSHA. Psychedelisch bulletin (en tijdschrift voor
bewustzijnsverandering en drugs. Cosmic Circuit).
Nos. - (all publ.). Amsterdam,
-. to; mimeographed;
(Nos.  and following have
illustrated front covers; , nos.  and
 handcoloured; No.  with a
duplicate, with additional artwork
and a dried marihuana leaf
attached). No.  is a contemporary
photocopy. Number  is Speciaal
Surrealistisch Nummer. Set in good
condition except for some toning
and light staining.
 ,.
The first Dutch publication to deal
with psychedelics and drugs in an
informative way, which laid without
doubt the basis for this countries’ later
liberal and tolerant attitudes in this
respect. Editor was Hans Geluk, with
contribs. by Hans Plomp, Alexander
Koppenol, Richard Huebner, Herman
Cohen, Rik Lina, etc. articles about
effects provoked by drugs, history of
drugs, translations of articles from
the foreign specialised, medical and
psychiatric press, etc.with psychedelics and drugs in an informative way,
which laid without doubt the basis
for this countries’ later liberal and
tolerant attitudes in this respect. Close to the Provo movement. Editor was
Hans Geluk, with contribs. by Hans Plomp, Alexander Koppenol, Richard
Huebner, Herman Cohen, Rik Lina, etc. articles about effects provoked by
drugs, history of drugs, translations of articles from the foreign specialised,
medical and psychiatric press, etc .
Number  is Cosmic Circuit: Zwart zon/Bloem in opstand. Surrealistische
manifestatie in Scheveningen,oktober .
[#] MONTAGNA ROSSA.
News from this Other World, an Inventory in Nine Languages.
Riva San Vitale: Edizioni Geiger,
.  pp. Hint of sunning along
spine, else fine in stapled wrappers.
 .
Edited by Franco Beltrametti and
Judith Danciger, Texts by Beltrametti,
Lew Welch, Cid Corman, Han Shan,
Gary Snyder, Allen Ginsberg, Philip
Whalen, Liliane Lijn, Jaime de Angulo,
and others in the original languages.
There is record of another periodical
published in The Netherlands) in ,
also edited by Beltrametti, only this
time in  languages. So possibly this is
one of two issues published.
[#] NASTY TALES
Nos.  -  (all publ.) plus a supplement: “The Trials of N.T. “. London,
Bloom Publications Ltd. April -Winter . xcm., stapled in
colourful wrappers, pp each.
 ,.
Underground comic produced by Mick Farren and Paul Lewis. The first
issue reproduced Robert Crumb’s centrespread drawing from his own
comic Snatch #, and was busted for obscenity. Further contributions by
Rob Crumb, Gilbert Shelton, Skip Williamson, Edward, V. Bodé and others.
“The Trials of Nasty Tales” was drawn by Ed Barker. The notorious trial
lasted for nine days and included George Perry and Germaine Greer as
defence witnesses, Nasty Tales and its staff were found not guilty. The Trials
of Nasty Tales reprinted Crumb’s orgy scene including the Judges, drawn
by Ed Barker. “It was the first obscenity trial of a comic book in British history, and the only trial that the underground press can remember winning”
(International Times).
[#] NEW YORK FREE PRESS
Group of  issues, comprising:
(Vol.) Nos. , , , , -, ,
-, , , -, , ,  and
. New York.  Feb. -  Dec.
. Small folio. Tabloid format,
pictorial self-wrappers, ( one
back-cover damaged, with loss of
text, others in good condition).
 .
Edited by Jack Banning and others.
With commentary and reportage on
things cultural, political and artistic,
local, national, international and
cosmic.
[#] NEXOS. Sociedad-ciencia-literatura.
Ano  (= nos. -). Mexico .
Comprising  nos., tabloïd size.
(Added: nos. ,  and ).
 .
Dir.: Enrique Florescano. Edited
by Héctor Aguilar Camín, Adolfo
Castanón, Julio Frenk. (Centro de
Investigacion Cultural y Cientifica).
Progressive monthly, richly illustrated,
Contributions by Carlos Montsivais,
Jean Franco, José Warman, Adolfo
Gilly, Susana Chaurand (photographs), Adolfo Born (drawings), No.
 devoted to a retrospect of the year
)
John Benjamins Antiquariat B.V. 
[#] NO MAGAZINE
(No Mag)
No.  - [/] unnumbered double
issue. Los Angeles: NO, -.
Complete run. [Title change as of
fourth issue: “No Mag”]. In 
physical issues, ca. - pp. each,
two including flexi-disc sound
recordings: no.  featuring Wild
Kingdom; no.  featuring Geza X.
Small folio. Newsprint. Very good.
Illus. self wraps.
 ,.
Tabloid-style fanzine (later issues ,x
cm) which chronicled the L.A. underground,
with a particular emphasis on some of the
more morbid aspects of the Hollywood punk/
underground scene, featuring the punk-rock
bands and artists, as well as fashion and design.
Published and edited by Bruce Kalberg. in
homage to its predecessor in the LA punk scene,
Slash. Kalberg says he intended to make his title
somewhat edgier. NO MAG sought to be “the
most evil, nihilistic magazine ever”. Photo Editor: Frank Gargani. Contributors: Photography:
Ed Colver, Bob Seidemann, Jules Bates, Will Shatter, Melanie Nissen, Rooh
Steif, David Arnoff, Alison Brown, Ed Colver, Karen Filter, Peggy Photo, etc.;
-- Graphics: Fred Tomaselli, Raymond Pettibon, May Zone, Mark Vallen,
Bruce Kalberg, etc. ; -- Articles: Penelope Spheeris, Jill Young, Robert Lloyd,
Mark Wheaton, Michael St.Pierre etc.
Rare complete set in excellent condition.
[#] NOLA EXPRESS
No. . December . New
Orleans, . Folio, tabloid format,
newsprint, covers in colour. 
pages. (Light wear to extremities,
still very good copy). . Added: Vol. 
no ,  (printed in b/w, folded
once; ( with a collage by d a levy).
 .
Edited by Darlene Fife and Robert
Head. Covers reproduce psychedelic
work by Juanita. Underground newspaper from New Orleans, featuring
the columns ‘Notes of a Dirty Old Man’ by Charles Bukowski, arrticles on
poisoned water, swingers etc.
[#] NORMALITA’ DELLA BARBARIE
Only issue published: Numero
unico, Milano, Edizioni di Puzz,
 (gennaio), x, cm, 
pages stapled in spine (cover in
purple,rest b/w).Cartoons and
drawings in the text..
 .
Situationist and countercultural
periodical, all published. Sommario:
“Normalità della barbarie” di Dario
Varini, “Contributi ad una puntualizzazione in processo” di Max Capa,
“Negazione dell’abnegazione” di Claudio D’Ettorre e Pietro Carnelutti, “B(r)
aci ardenti e cuo(r)i puri”, “Historia di
Dolcino Tornielli” di Sergio Ghirardi,
“A proposito del capitale, dei nostri incontri e delle nostre emozioni” di
Stoltenberg, “Mi rifiuto di essere un uomo” di Mario Mieli e Francesco
Santini, “Violenza e omosessualità” di Meo Cataldo, Max Capa, Giovanna
Sanna. [see: Attilio Mangano, “Le riviste degli anni Settanta”, pp. -].
[#] NOTES FROM UNDERGROUND
Nos. - (all publ.). San Francisco: Underground Press (-). In
the original illustrated wrappers,
with original tape in the spine,
light soiled; No. in illustrated
wrappers, stapled in the spine,
light soilage internally (comic
book format).
 .
One of the most interesting little
press magazines,, edited by John
Bryan. No : An anthology, including first appearance of Jack Kerouac’s Cassady’s First Third, a letter
from Jack to Neal,and contributions

John Benjamins Antiquariat B.V.
by Bukowski, Ginsberg, Patchen, Bob Kaufman, Meltzer, etc.; Kamasutra
statue on the cover (reportedly confiscated by police), also Burroughs,
Wantling, Whalen, Snyder, Sinclair, No.  Bukowski, Artaud, Gary Snyder,
etc., incl. The Psychedelic Cookbook, etc. No  published like a comic book
with cover by Grimshaw.
Norse, Wantling, d.a.levy, Jeff Nuttall, Lee Harwood, Willam Burroughs,
W.C.Williams, Anais Nin, James Baldwin etc. No. : “Dedicated to the cause
of making poetry dangerous”; No. : “A magazine for all those unacknowledged legislators of the world, especially those who are really unacknowledged” … OLE as in hole, not bulls … ; No. : “The original ConsciousnessExpanding magazine”; No : The poetfood for champions; No. : Harold
Norse special; No. : The weird harvest special; No. : review issue; No. :
last issue before move to the West coast.
[#] OASK?!
[only issue published],
(Roma),  ( marzo );
x, folding to a poster
“Diffidate della realtà?!”
(x cm.).
[#] OM
Holy Alarm Press (Amsterdam)
 ,.
- Number .  x  cm,  pp.  copies: one white, one green paper.
Folded, edge and spine damaged
Illustrations by Pablo Echaurren.
Editors: Maurizio Gabbianelli,
Pablo Echaurren, Oliviero Turchet, Massimo Terracini, Carlo
Infante, Massimo Pasquini,
Fiamma Lolli (“Foglio degli
indiani metropolitani romani”).
- Number .  x  cm,  pp. Folded.
- Number .  x  cm,  pp. Glossy paper, printed in colour. Folded
in  - (Number  ?,unnumbered). OM IS EEN GEDICHT OM. , x
, cm,  pp. With an
embroidery of a butterfly pasted
on the cover. Handcoloured.
- Number . Tabloid, unpaginated.
(light damage right upper corner).
Contributions by Willem, H.
Giger, T. Niermeijer, R. Crumb,
Diggers
[#] OEUF. “Qualité suisse”.
No./ bound together with HOTCHA! No. : Geneve/Zürich,
.x cm., stapled,
unpaginated. Offset in black, red,
blue and green ink;
continued as:
Nos. ,  and // (last issue):
Geneve, . xcm., stapled,
unpaginated. Offset (last issue in
red ink).
 .
Countercultural magazine from
Switzerland. . Edited by Jean Monod,
Hotcha edited by Urban Gwerder.
Contributions include Claude Pelieu,
Frank Zappa,
- Number .  x , cm,  pp.
- Number .  x , cm,  pp.
- Number  . Uitgegeven door
Arcanum, Daley News. Homeade
comics (R.Crumb), transl. By
Steve Davidson.  pages in
wrapper, to.
Added -OM BULLETIN number .  x
 cm,  pp.
 ,.
Dutch Psychedelic Underground
paper closely connected to Provo;
contributions by Hans Vlek, Hans
Tuynman, Steve Davidson, Jan Hofstra, Simon Vinkenoog, Thom Jaspers,
Hans Wisseling, Hans Schuts, van
Apol, R.Brautigam, Theo Niemeyer
(Hexagrammen van de I-tjing) and
many interesting full-page psychedelic illustrations.
[#] OLE
Nos. - (all publ.). Bensenville/
Ill., -. Various sizes,
mimeographed, folded and
stapled. (Front cover of no.  with
slight staining, oherwise fine).
 ,.
Rare complete. Edited by Douglas
Blazek (Open Skull Press), with
contributions by Bukowski, Al Purdy,
John Benjamins Antiquariat B.V. 
[#] OPEN CITY
(PRESS). Weekly Review of the
Los Angeles Renaissance.
Almost complete collection,
comprising a total of  issues:
-  (out of  published) are
OPEN CITY PRESS appeared in
San Francisco -  (out of 
published) appeared in Los
Angeles as OPEN CITY. The set
includes  issues with Bukowski
contributions ( of which are
his column, “Notes of a Dirty
Old Man”). San Francisco and
Los Angeles, -. Printed
on newsprint. All issues folded at
least once, as issued, in generally
good condition (normal endemic browning, a few issues with ragged
edges, light damage or light dampstaining). Sizes: at first tabloid,
printed in b/w with only occasionally colour added, after issue ,May
, the size doubles to x cm., and most front and last pages are
in colour.
 ,.
A substantial, nearly-complete, run
of “Open City,” (at first published as
“Open City Press” in San Francisco).
Underground weekly noted for its
coverage of radical politics, rock music,
psychedelic culture and the “Notes of
a Dirty Old Man” column by Charles
Bukowski, first published here. Editor
and founder: John Bryan (whose signature is on  copies) with art director
Joan Barr, and contributing editors
Alex Apostolides, Bob Garcia, Robert
Igriega, Bill Margolis, John Wilcock
etc. Member of the Underground Press
Syndicate. Many issues have spectacular lay-out, artwork and photocompositions. “John Charles Bryan (November
,  - February , ), was a
journalist who quit the San Francisco
Chronicle in  to found the brieflived San Francisco bohemian tabloid
weekly Open City Press, publishing
 issues from Nov. ,  to March
-, . Open City Press was a
local forerunner of the Berkeley Barb,
providing coverage of the Free Speech
Movement. It was a one-man operation. In the beginning Bryan bought a
case of metal monotype and hand-set
his own copy, pulling proofs to paste
up for cheap offset reproduction.” (cf:
Wikipedia). Bukowski’s contributions
started in Vol.  no  with the story “If
I could only be asleep”. After closure
of Open City Press Bryan relocated
to Southern California. After a stint
working for Art Kunkin as managing
editor of the Los Angeles Free Press,
he launched Open City in Los Angeles,
starting the volume numbering with
vol. , no.  (May -, ). In March
 he was prosecuted on an obscenity charge for printing an image of
a nude woman in a record company

John Benjamins Antiquariat B.V.
advertisement for Leon Russell. Six
months later, in September , there
was a second obscenity bust over the
short story “Skinny Dynamite” by Jack
Micheline, about the sexual antics of
an underage girl, in a literary supplement to Open City edited by Charles
Bukowski. The cost of Bryan’s legal
defense and a  fine on the first
charge eventually put the shoestring
operation out of business. Issues present in this collection are: “Open City
Press.” [San Francisco, -, numbered as Volume  ]: The announcement for issue , and Vol.  issues -, 
and (published from November Feb.., out of the total number of
 issues published). Then continued as
“Open City”. [Los Angeles,  - :
Volume  ]: Issues -, -, -, ,
, -, -, , , -, -,
- [ is mis-numbered  on cover;
 is mis-numbered ]. All (except
no. ) have Bukowski contributions.
Number , First National Edition.
The Pot Scene. Number , May ,
is the “First Anniversary Issue”, with
Renaissance, first issue,included, (this
copy signed by John Bryan), with contributions by Allen Ginsberg, William
Burroughs, Charles Bukowski, Lenore
Kandel, Anais Nin, Carol Berge, Anselm Hollow, Bob Kaufman, a.o. Other
contributors were (a.o.): Simon Vinkenoog (on Provo), Phil Proctor, Liza
Williams, Derek Taylor, R. Crumb, Robert Barrows (The Beard). Bill Spater,
James Howell, etc.
[#] ORACLE. (Changing title: City of Los Angeles Oracle; -
Countercultural journal, edited by
Gerard van der Leun, published by
Christopher Weills.
So. Calif. Oracle).
Vol.  no.  -  (possibly all), Los Angeles, (March )- (January
). Los Angeles. Size (h/w): , x  cm. Tabloid. Newsprint, very
good copies. Added: - Oracle Anthology I. A cronicle of the Aquarian
Age. Collectors edition.Copyright . Los Angeles. Gryphon House.
 pages. & -Aquarian Oracle. Vol.  no , . Spiritual Symposium
of Awareness. Los Angeles, Big Sur ,San Francisco.  pages,
colourprint.
The contents of this hip paper include
interviews with Allen Ginsberg (+
his “Police State Blues”), Jerry Garcia,
Melvin Peebles, B.B. King, Jerry Lee
Lewis, Divine, and Country Joe; comic
strips by S. Clay Wilson and Robert
Crumb; artwork by Satty, Greg Irons,
and David Singer; camp troupe The
Cockettes; communes in Taos, Mexico;
Tom Clark; Kenneth Anger; Ed Sand-
 ,.
Nice collection of the Los Angeles
counterpart of the San Francisco
Oracle. Edited by Joe Dana, Rick
Strauss a.o. Wonderfully produced
with coloured covers and coloured
art-work inside, all very psychedelic,
hippie, flowerpower. Contributions by Nick Kaaren, Ray Fragosa,
Clarence Lake, Liz Greene, John
Vicente, Sri Narad, George Harrison, Wm.Margolis, Tim Leary,
a.o. The Nov. ‘ issue contains a
long feature: Birth of a Tribe. No. 
(December ) contains  blacklite posters.
[#] THE ORGAN
Numbers - (all publ.). Berkeley, CA, July - July . Tabloid
newspaper format, pp each. Offset B&W and color. In good clean
condition.
 ,.
ers; “Trash”, “Performance”, “Gimme Shelter” reviewed; Kathmandu; Gary
Snyder (“Spel Against Demons”); the rise of the New Right; Scientology;
The Process Church; Krishna Consciousness; Synanon; Ayn Rand; John
Lennon and Primal Scream; the JFK assassination; H.P. Lovecraft; drug
addiction; Robert Anton Wilson and Robert J. Shea on LBJ; William Burroughs and others.
Complete runs are scarce,in particular the first issue which had been
banned in several US cities, including Los Angeles, Seattle, Chicago, and
New York.
[#] ORPHEUS.
The Underground Press. A (bimonthly) collection.
Vol.  no ; vol.  no ; vol.  no 
(On the cover: “This Magazine has
been shot with a Colt.
Automatic”. The issue has
effectively a hole in the middle
going right through it). Phoenix,
Ariz., n.d. ( ca / ); pictorial
wrappers; to.
 .
Underground Press Digest, published
in Phoenix, Part of the Underground
Press Syndicate. The offices and staff
of Orpheus are located in a roving
 Chevrolet school bus. Location and itinerary varies greatly. Edited by (a.o.) Jill Anderson, Jim Bailey,
Ross Favidson, Les De-Facio, etc.; nicely produced on coloured stock and
multicolour printing. Issues of - pages within coloured wrappers. A
selection of articles from various underground papers (SF Oracle, Provo,
Crawdaddy, Washington Free Press etc.) including work by Ginsberg, John
Sinclair, Allen Young, Timothy Leary, Tuli Kupferberg, etc.
John Benjamins Antiquariat B.V. 
[#] OTHER SCENES
(JOHN WILCOCK’S OTHER
SCENES).
The International Newspaper
-A major collection of  issues,
from the start in  till  [Years
-] with erratic and often false or
misleading numbering. Our
description follows the publication
dates and we offer as follows:
- [First year]: Vol.  no , Vol.  no 
(frayed along the edges), Vol.  no 
(frayed along the edges), Vol.  no 
, Vol.  no  , Followed by an
undated issue: “Free issue June
”,( this copy repaired with
tape)] Vol.  no  (bad condition)
Vol.  no , Vol. no , OZ ISSUE ,
Vol.  no  (paperspotted), Vol.  no
, Vol.  no  (this entitled
“Shinjuku Sutra”, in  versions, also
Shinjuku Sutra # ); ; - Followed by
an unnumbered issue dated January
 (published in Los Angeles).
- [Second year]: First issue (of Other
Scenes & The New York Seer), March
; Second issue, May ; (Vol. 
no. ), June , (Vol.  no.  =
VENICE BIENNALE), July ;
(Vol.  no. ) August ; - Followed
by two unnumbered issues, both
dated September  with different
content;
-Then continued as: (Vol., error
should be) Vol.  no. , September
; (Vol., error should be) Vol. 
no. , October ; (Vol., error
should be) Vol.  no. , November
; (Vol., error should be) Vol. 
no. , December ; Special Digest
Issue Oct-Dec ; (Vol. , error
should be Vol.  no. , January .
- [Third year]: rd year no. ,
February ; rd year no. , April  incplt; Special Digest Issue,
May ; rd year no. , June -,  (cover damaged); Vol.  no. ,
June -, ; Vol.  no. , July -, ; Vol.  no. , August ,
; Vol.  no. , August ,  (including the Summer Rerun
Section); Vol.  no. , September ,  (pencil on the cover); Vol. 
no. , Sept.; Vol.  no. , October ; Vol.  no.  (misnumbered,
=), December  (spine damage); Vol.  no. , Christmas 
(light damage);
- [Fourth year]: th year no. , February ; th year no. , April
;. th year no , May  Vol.  no , October ;
founders of the Underground press and closely connected to Andy Warhol.
He was also the first printer of Andy Warhol’s Interview. Other Scenes
was his own publication. It emerged from a column by that name (which
Wilcock wrote for the East Village Other) to a full-scale paper about the
international underground scene. Amongst the very numerous and varied
contributions (a mix of original work and contributions by the network of
correspondents quoting from the international underground press) we find
Ed Ruscha (logo’s for nos.  and Newsletter ). J.J. Lebel, Claes Oldenburg
(Juxtapositions, no ), Simon Vinkenoog (Amsterdam City on the Make),
Simon Watson Taylor, Geldzaher (a.o. on Warhol), Bill Beckman, David
Widgery, Nad Freedland, Robert Wolf, Alan Kaprow, Rosemary and Tim
Leary, Billy Name, Shunk-Kender (photography), Tuli Kupferberg, Pete
Young, Les Levine, Ania Steckel (Photography). Pictorials by Norman Rubington (drawings reminiscent to Max Ernst), Tony Azuth, Gerard Malanga,
Mazaro Nahoki, Gilbert Skelton, Denis-Lebois-Quarez, Chis Pelletier, Sine,
John Bruce Walker, John Webster, Allen Katzman, Neil Phillips, Bill Hughes,
Ray Johnson, John Byan, John Lennon and the Peace Campaign, Cathe
Cozzi (collages), Billy Name, Irwin Goldstein, etc. ;  no : Poem for
Warner Stringfellow by John Sinclair; nice photocomposition on frontpage;  no.  with compositions of photographs of beat bands,by Derek
Taylor; letter from jail;  Newsletter: Love-In Inventory; L.A. Weekend
with Andy Warhol;  no. Underground Press Syndicate Members First
Meeting; photographs of Tuli Kupferbarg, Art Kunkin (selling prototype
of L.A.Free Press).  no : Jean Jacques Lebel, Claes Oldenburg, Simon
Vinkenoog.  no. is printed in green, on larger size; unfolded it has a
poster “Tanea”on the backside; deals with the regime in Greece and censorship.  no.  was published in Tokyo, December, produced in conjunction with SHINJUKU-SUTRA, Japan’s first underground paper (printed
on better paper,  pages). Martin Cohen on “Vinyl” (first Andy Warhol
film shown in Japan; New Face of Buddha by Schecter; poem by Mikhai
Kashmarin, Haneda Riot, Karmiol with photographs of Nichigeki, and other
Japanese underground issues).  no  is Venice Biennale Edition (Wallace
Berman,Yoko Ono, Kaprow, Nam June Paik, Christo, Ruscha),  no  has
supplement Underground Cinema Eroticism and Visual Poetry Supplement
(Warhol, Brakhage), etc.
[#] OZ.
Ed. by Richard Neville, later by
Felix Dennis and Jim Anderson.
Nos.  -  (= last issue).
Complete collection. London,
February -. - All first
editions, various formats and
sizes in the original stapled
wrappers. Condition varies but is
generally very good to near fine,
making a clean and near fine set,
excellent for exhibition purposes.
Complete with the following:
- An Oz subscription slip in #
and folding small poster from the
back cover;
- [Fifth year]: Vol.  no. , Spring ; Vol.  no , Fall  With: Special issue dated June - (?), most of which consists of
blank pages; details in Centerfold (= The Do It Yourself Newspaper
Contest); - A Nation of Gamblers issue [not dated] (bad condition) ;
-An unnumbered issue published in the UK dated Sept. .
- A folding poster from the
back-cover (x, cm)in black and gold;
 ,.
- Small folding poster from the cover # (small price in pencil on
front-cover);
John Wilcock’s Other Scenes, ostensibly a fortnightly gazette, appears 
times a year (but appearance is not necessarily always in the same format
or can be in another manifestation). “ Wilcock was one of the pioneer-
- The Outcry! People’s Park poster and Running Man Book News
booklet (#);
 John Benjamins Antiquariat B.V.
- The Che Geuvara (sic) folded poster insert (#);
- Two colour variants # (green and yellow);
- Oz goes big, poster in centerspread#;
- The Honeybunch Kaminski poster (#);
oval portrait in blue and red, on orange cotton. N.p. (London, Oz
Publications, n.d.,). A very rare example of this famous T-shirt.
Hole in front part of collar and a bit faded. The imprint depicts
Scotland Yard’s Detective Inspector Luff, described by Oz-defender
Geoffrey Robertson as “a policeman not motivated by money. He was
religiously committed to the closure of Oz” (Robertson ‘The Justice
Game’, ).
- PAMPHLET, PROGRAM: SOUNDS FOR OZ. Presented by the
Norh American Student’s Association. A festival of Pop, Poetry, Films,
Songs, Mime and Dance, at the Institute of Contemporary Arts, Nash
House, The Mall, Wednesday August  and Thursday August .
(). All proceeds to Oz. Two folded handouts of  pages each (vo
bifolium), with identical front page, but different contants, one the
Announcements of the program and the participating performers,
the other the Programme itself. ParticipantsAnthony Howell,John
Welsh,Marianne Faithful, Spike Milligan,Frank McConnell, Eggs
Over Easy (American Rock Group). -PROMOTIONAL POSTER:
THE LAST ISSUE OF OZ. announcing the last issue of Oz magazine
(November ), designed by Ed Barker, promising “Sex, Drugs,
Violence and Bolshevism (ho, ho) from - Richard Neville, Timothy
Leary, Adolph Hitler [sic], Martin Sharp, Heathcote Williams and
other OZ favourites.” Offset litho, printed in red and black on thin
buff-coloured paper. .x.cm. (tiny nicks to top edge,
OTHERWISE FINE) Illustrated with a cartoon by Rand H. Holmes
(reproduced from The Georgia Straight) and a version of the
magazine’s front cover featuring contact sheet images of Richard
Nixon and a group photograph of naked Oz staff by Phil Franks. The
photograph, a different shot from the one chosen for the magazine’s
cover, features, on the back row from left: Don Atyeo (assistant
editor); Marva Rees;
Felix Dennis (editor);
bottom row from left:
Pat Woolley (of Wild &
Woolley, the Australian
alternative magazine and
book distributor); Jim
Maguire (advertising
manager); and Maria
Lexton (ex-Time Out
poetry editor).
AN EXCEPTIONAL
SET with the additions
and in this condition.
 ,.
- The Jimi Hendrix/Oz News poster (#);
- Two colour variants #  (brown and red);
- The Janis Joplin/Oz Old Bailey Trial poster (#);
- Poster for the Sex-issue (girl held by Gorilla with hasj-plants
around. ca. - cm., two colours.
- Subscription form, advert for Wembley Rock’nRoll show (#);
- Subscription form/advert for Cozmic Comics (#):
TOGETHER WITH THE FOLLOWING RARE OZ- Ephemera: - AN
ORIGINAL T-SHIRT for the OZ Obscenity Trial Old Bailey London
, designed by Richard Adams. Size Small, titles in blue around an
Landmark underground paper (at the same time one of the most important
subversive and revolutionary papers of the world), pioneering in modern
avant garde art and counterculture of the sixties, lavishly illustrated with
much colour and spectacular designs on the wrappers. Edited by Richard
Neville and others. Artwork and contributions by: Martin Sharp, Rick
Cuff, R. Crumb, Michael English, Larry Smart, Vytas Serelis, John Hurford,
Willem (= Bernard Holtrop). Other contributors include: Andy Warhol,
Germaine Greer, Edward de Bono, Colin MacInnes, Peter Porter, Alan
Watts, Dave Dellinger, Auberon Waugh, Raymond Durgnat, Pete Townsend,
a.o. - Number  “Special Surprise Issue” was issued as a yellow poster “Plant
a Flower Child” ( x  cm) folded to , x  cm). Oz Magazine, along
with International Times was the underground magazine of the late Sixties
in England. The magazine originated in Australia where it was founded by
Richard Neville and Martin Sharp, who had moved to the UK in early .
The lavish and admirable illustrations are by Martin Sharp (the Bob Dylan
cover of no.  is widely known), Rick Cuff, R. Crumb, Michael English,
Larry Smart, Vytas Serelis, John Hurford, Willem (= Bernard Holtrop).
Contributors included Germaine Greer, artist and filmmaker Philippe Mora,
photographer Robert Whitaker, journalist Lillian Roxon, cartoonist Michael
Leunig, Angelo Quattrocchi and David Widgery. We also find Andy Warhol,
Edward de Bono, Colin MacInnes, Peter Porter, Alan Watts, Dave Dellinger,
John Benjamins Antiquariat B.V. 
Auberon Waugh, Raymond Durgnat,
Pete Townsend, a.o. With the emergence of new printing techniques
and fluorescent inks and the use of
new stock (also metallic foils). Oz
quickly won renown as one of the
most visually exciting publications of
its time. Several issues of Oz include
psychedelic wrap-around or pull-out
posters by Sharp, London design duo
Hapshash and the Coloured Coat
and others. The all-graphic “Magic
Theatre” edition (Oz no. ), overseen by Sharp and Mora, has been
described by British author Jonathon
Green as “arguably the greatest
achievement of the entire British
underground press.” The magazine
regularly enraged the British Establishment with a range of left-field stories
including heavy critical coverage of the Vietnam War (cover of no. ) and
the anti-war movement, discussions of drugs, sex and alternative lifestyles,
and contentious political stories, such as the magazine’s revelations about
the torture of citizens under the rule of the military junta in Greece. In ,
the editors put a notice in the magazine inviting “school kids” to edit an issue. The opportunity was taken up by around  secondary school students
who produced “SCHOOLKIDS OZ”. This term was widely misunderstood
to mean that it was intended for school children, whereas it was a statement
that it had been created by them. Oz was one of several ‘underground’ publications targeted by the Obscene Publications Squad, and their offices had
already been raided on several occasions, but the conjunction of schoolchildren and arguably obscene material set the scene for the infamous Oz
obscenity trial of .This brought the magazine to the attention of the
wider public. John Lennon and Yoko Ono joined the protest march against
the prosecution and organised the recording of “God Save Oz” by the
Elastic Oz Band to raise funds and gain publicity. The T-Shirt included with
the set was meant to raise funds for the defense. On the condition, which
is generally very good to near fine, the following needs mention: #  the
Special Surprise issue which unfolds to a large poster, has has a very small
closed tear. This is the Pink version (there also exists a yellow version). # is
present in  (of ) colour variants, i.e. yellow and green; # has light spine
damag;# in orange and on larger size,has a faint vertial fold; # has own
and red variants (red a bit shaven); # has covers loose,but intact; # has
a faint dog ear on right upper corner.
[#] PADDESTOEL. Sub kultureel ondergronds tijdfschrift
 issue n.d. (?). Tabloid,
newsprint (Brussel, Leuven). 
pages, colour print.
 .
“Mushroom”. Underground magazine
published in Belgium Free Press
Bookshop. Drugs, mushrooms, sexual
liberation; close to Aloha in The
Netherlands. Contributors: Hermann
J. Claeys, Samuel Clemens,Wilfried
van Ersen,
[#] PÄNGGG. Alternativ Zeitung
No  ( versions, orange and green cover), , . UPN-Sippe, Nürnberg
. to; numerous ills;ab.  pages per issue.
 .
Published by “Sippenpresse”, a German countercultural hippie publishing
venture. Promoting the use of marijuana, close to “Hotcha”, and close to the
Dutch Provos (Holländische Provos stürmen leer Häuser”) and the squatters movement.
[#] PARAPLUIE
Nos. - (all publ.). Paris, Nov. 
- printemps . In the original
issues as published, untrimmed, ca.
x cm.; each  pages, printed
on newsprint, partly in colour.
Richly illustrated, also on the
covers. All in good condition.
Together with: Supplement
Parapluieee (sic!). No., Février 
( pages, Les aventures de
Jacqueline Prothèse;). All in good

John Benjamins Antiquariat B.V.
condition, only nos.  and  have very
small tears at the fold and the cover of
no  has some light foxing.
 ,.
Underground, rock music publication
directed by Henri Jean Enu, one of the most
important figures of the counter culture in
France. The newspaper is member of the
UPS/Alternative Press. It contains interesting art work and psychedelic illustrations.
Features on Drugs, anti-autoritarian education, free sex, Pop-news and
disks (by Pete Townshand, Pascale, Romy, Gills Yepremian), Music Festivals
(e.g. No.  of  features on the Isle of Wight festival of that year with a
centrefold poster of Jimi Hendrix), music-groups Fille Qui Mousse, Verlvet
Underground, Rolling Stones, Who, the Dead, Zabu, & Ange.etc. Comixstrips (e. g. Aventures de Jacqueline Prothèse et Fille qui Mousse by Eno and
Philippe Legendre). Contributors include: Harry Perlitz, Claude Pélieu, N.
Bley, G. Sendort, B. Chardon, Ph. Legendre, Ed Sanders (transl.), Jean-Louis
Brau, Roberto Altman, François Moureux (on film), Freud (on cocaine,
transl.), Herr Professor Galesnus, Patrick Chnassia (photos), John Sinclair
(transl.), P.Desanex, Allen Ginsberg (transl.), Olivier Dumont, Timothy
Leary (amphitamines, no.), Berkeley Movement, Black Panters, Andy Warhol par lui-même (no.), Women lib, Clay Wilson, the Yardbirds, Cocaine
effects by Freud, Gabriel Pomerand, American comix, comic by Kim Deitch.
Clay Wilson comix, New-York Underground  in Number , and much
more. A complete set is quite rare.
[#] PARIA
--First series: No.  (of 
published), May ,
dedicated to the “massacre in
Kent”, this copy from the
personal archive of the
director Antonio Rodriguez
(ciclostyled production in
very small number of copies, 
numbers published only,
between  and May ).
Published in the area of
Lugano, Switzerland, and
distributed to some friends
only.
--Second series: complete in  numbers, published in Locarno, later
in Viganello (Ticino, Switzerland) as follows - No.  (also Number
Zero), Summer  until Number  (dicembre ), which number
was preceded by an unnumbered issue containing poetry: West Coast
Paria a cura di Franco Beltrametti. Numbers  and  were never
published (as explained by Antonio Rodriguez, the layout maquettes
for Number  were sent to Milano for printing at the IAP
[International Alternative Press], and lost there, as also confirmed in
writing by Ignazio Maria Gallino, the director; the reason for
nonpublication of No.  remains unclear, it was probably omitted
simply by mistake).
 ,.
A very rare collection of this fantastic publication, probably the most
complete that has been on the market. Founded, directed and designed by
Antonio Rodriguez (Edolo, Brescia ) or “Pariananda” as he liked to sign,
was published between  and . The first stencilled issues went under,
only a copy of Number  survived (it was the personal copy of Antonio
Rodriguez, who remembers that he has personally stencilled it) Other copies are unknown. Ditributed in Switzerland, Italy and the USA, by Re Nudo
and the Stampa Alternativa. Contributors and texts by: Hermaus, Franco
Beltrametti, Gianni Milano, Giorgio Mariani, Allen Ginsberg, Gary Snyder,
cartoons, drawings by Mizio Turchet, and various unsigned or unidentified
contributors from Switzerland (Hotcha), and Fribourg (Revolté). Inspired
by the Living Theatre, with
strong international relations
and influences. Without
any concrete connection
or political convictions all
elements of the period are
present: Psychedelic design,
hippies, popmusic, the situationists, etc.
John Benjamins Antiquariat B.V. 
[#] PIANETA FRESCO
[#] PROVO - ORANJEVRIJSTAAT- KABOUTERS
Nos.  and / (all published). Milano, East . (December Equinozio invernale ). Unpaginated (No. :  pages +  pages
covers; No. /:  pages +  pages covers). Original wrappers.
Important collection of
documents and journals of
“Oranje Vrijstaat” and
Kabouters, countercultural
movements in Amsterdam
following the period of Provo
and preceding the squatters
(“Krakers”) movement;
 ,.
Wonderfully produced colourful
Italian handcrafted underground
magazine, made by Ettore Sottsass
jr. with collaboration of his wife
Fernanda Pivano and Allen Ginsberg.
The magazine was privately printed
for friends, by reservation only,
on different coloured stock and in
various colours. It is dedicated to the
poets and writers of the beat generation. Allen Ginsberg is mentioned in
the masthead as “Direttore Irresponsabile”. Texts are in Italian and in
English. The journal “expressed Fernanda Pivano’s interest in the USA
underground culture and Sottsass’
experiences with the Eastern culture
in the ‘ies, all supplemented with
the contributions of Allen Ginsberg
with his concrete adhesion to the
Zen philosophy”. (MDG in Rassegna
No. ). Contributors include Gary
Snyder, Neal Cassidy, Vittorio Di
Russo, Poppi Ranchetti, Andrea
Donna, Pino Franzosi, Graziella
Putelli, Miro Silvcera, Giulio Saponaro, Miryam Sumbulovich, Gianni
Pettna, Archizoom, Lorenzo Malli,
Donatella Pera, Paolo Pasciolla, and
many others. A spectacular production with magnificent colourful
underground artwork.
- A collection of ca.  pieces,
all related to Kabouters and
Orange Free State, and the
municipal elections in
Amsterdam, with victory of the
Kabouter Party. Quite rare
ensemble containing:
- ORANJE VRIJSTAAT. Informatie Bulletins , , , , .
Each ab. - pages, stencilles,
stapled (Published by Kabouter Informatie Centrum).
Added: - Toneelnota. Aan de Gemeente Amsterdam. (publ.: Kabouter
Vrij Pers).
- SOFT DRUG NOTA. Amsterdam Kabouterstad. . pages stapled in
wrapper
-  stencilled pamphlets / handouts promoting the Kabouter Party
and Oranje Vrijstaat during the Elections (mostly illustrated).
- Kabouter Pers Bureau: Great Election Victory - ca.  st encilled
pamphlets and handbills related to Orange Free State (not illustrated).
-  publications related to Kabouters/ Orange Free State:  issues of
FIZZ, organ of the Free State in North-Holland; A script of a Radio
Broadcast regarding the Provo movement and Kabouters ,  Oct..
ADDED: a small file with newspaper clippings of the debates between
Roel van Duyn, Ton Regtien, Rob Stolk.
- KABOUTER PRIK KRANT No. (probably the only one published).
- TOGETHER WITH:
[#] PIONER. (In Cyrillic typefont)
No.  (Lector’s item No. ).
December /” (to). The Hague,
.  pages, selfwrappers,
stapled (only very light soilage)
 .
Edited by Alfred van der Helm, artist
periodical. With contributions by
Robert Smith (The Cure), Stuart Moxham (Young Marble Giants), Wendy
Smith, Vini Reilly (Durutti Column),
Patrik Fitzgerald (Josef Garret), Jonathan Richman, Mark Beer, Paul Van
Der Laan, Cor Grout.
From a variety of very familiar
postpunk and new wave bands,
including three postcard poems by
Robert Smith of The Cure, a poem by Stuart Moxham of Young Marble
Giants, along with a drawing of YMB by Wendy Smith, A poem by Vini
Reilly of Durutti Column entitled “A Tramp”, a poem by Steve Miro, short
stories and poems by Patrik Fitzgerals, and a reproduction of a letter and a
signed Dutch bank note by Jonathan Richman. Additional illustrations are
included from Paul van der Kaan, and additional poetry by Cor Grout.

John Benjamins Antiquariat B.V.
- KABOUTERKRANT Numbers - (all). Amsterdam, -.
With number a (Kabouterkrant Extra) [, x  cm], pp numbers.
[Gemeenteblad van de Oranje Vrijstaat. Sizes Numbers -:  x 
cm, each  pp; Numbers -,  x  cm (folded newsprint) , each
pp.] :
- KABOUTERBOODSCHAP  JUNE  (Amsterdam). x cm.,
 pages.
- With: - KABOUTER KOLONEL. Wekelijks orgaan van het
Ministerie van Offensie (Oranjevrijstaat).  issues, Amsterdam,
-.  x  cm,  pp. each. Light browning.
- With: - POSTAGE STAMPS:
- Oranje Vrijstaat. First Day of
Issue,  juni ; cover with
obliterated postage stamps ,
x  cm - Oranje Vrijstaat.
Boycot de Volkstelling, 
januari, ; cover with
obliterated postage stamps  x
, cm
[#] PROVO (MAGAZINE).
(Occasionally subtitled ‘Provo-Anarchistenblad’).
- With: - STAATSCOURANT
(Amsterdam) Proklamatie van
de Oranje-Vrijstaat,  februari 
 (Proclamation of the
Orange Freestate) February
.  x  cm,  pp. Folds and
a small tear on the bottom.
- With: - STAATSCOURANT
-ALOHA. Second version of
the Stategazette:  maart - 
april . Added:  issues of
ALOHA which were official
papers of the Free State (also
called “Elfencity”)
- With: - POSTERS:- “Er gaan
veel kabouters op één zetel”
(poster, x cm., n.pl., n.
publ., ) - “Zonder jou gaat
het niet. Stem maar lijst 
oranje vrijstaat” (poster, x
cm., n.pl., J. Baas, ±) - “Zij
hebben hun tong gescherpt als
een slang, ander vergif is onder
hun lippen. Psalm : ”
(poster, ,x, cm., Amst.,
Polak & Van Gennep, ).
- Oranje Vrijstaat Lijst 
(municipal elections June );
- “Stem op’t elfje van lijst ; “
“Stem maar Kabouter. Lijst ”.
Printed in red and green on
white. x, cm. (folded 
times) - “Verkondigd op de
Kabouter-Zondag-  Juni .”
Explains the program and
ideology of Kabouters.
Unsigned articles. - “Wordt
wakker het zonnetje is al (bijna)
op. Laten we één volk éen
Planeet worden”.
Nos. - (all publ.). Amsterdam, June -April , together with:
Extra Bulletin AND the special Provo-rubber stamped edition of ‘In
Dienst ‘(cover with the Banner). Tall narrow to, mimeographed,
illustrated with political cartoons. All issues unbound and
untrimmed, in original wrappers, stapled or with tape in the spine, as
issued. In generally good condition, with light soilage, some
paperspotting, dogears and browning. Top and bottom of spine and
fly-leaf of the first number repaired, edges of frontcover with light
damage, and the page with the “explosive”cap has a small hole in it,
but the cap is present (although exploded, the previous owner hit it
with a hammer, which is the cause of the small paperloss). ADDED:
promotional leaflet/small sized poster “Provo is uit! “ (Provo has
appeared).
 ,.
- Flyer AAN ALLE
KOMMUNES EN
ALTERNATIVE BEDRIJVEN
amsterdam kabouterstad,
--, [, x ,],  page.
 ,.
The ”Orange Free State” was
proclaimed in Amsterdam by
The Kabouters, it had its own designed postage stamps and official State
Newspaper. It was also the center of de Kabouter Party, and this collection
comprises several very rare hanndouts and election handbills.
Complete set (all in the original first edition) of the journal published
by the Amsterdam Provo-movement,. Several numbers were banned or
confiscated by the police. Illustrations are by (Bernard) WILLEM (Holtrop),
contribs. include Peter Bronkhorst, Roel van Duyn, Rob Stolk, Constant
Nieuwenhuys, Bernard de Vries, Luud Schimmelpenninck, Duco van Weerlee, Hans Korteweg. etc.; The special edition “In Dienst”is quite rare; it is
an issue of the official publication of the Defense Ministry for distribution
to the soldiers; Provo rubber-stamped a number of these as ‘Provo Special
Edition”,
John Benjamins Antiquariat B.V. 
[#]
known as mindopening or consciousness-altering drugs. These studies also
extend to nonpharmacological methods
of altering consciousness: hypnotism,
yoga, zen and other ancient and modern means...”.
PSYCHEDELIC INFORMATION CENTER. BULLETIN.
Numbers -. August
-April . Cambridge/
Mass. Stencilled typewritten
bulletins of  pages,cornesstapled, folded for mailing.
Together with an original used
mailing envelope.
 .
The PIC-Bulletin: Issued every
month by Lisa Bieberman,
Cambridge,Mass. (out of 
numbers published). “Miss Bieberman, a resident of  Boylston St.,
Cambridge, runs a one-woman
organization called the Psychedelic information Center for users
of LSD and similar drugs. Her main aim is to bring psychedelic information
out into the open because she believes people can use psychedelics constructively in their daily lives”. While studying at Harvard University, Lisa
Bieberman volunteered at Timothy Leary’s office, later helping him with
daily operations at Millbrook and acting as circulation manager for The
Psychedelic Review. , Lisa opened the Psychedelic Information Center
near Harvard Square, where for a few years she sold photo-offset reprints of
various topical publications, along with her own writings. She dreamed that
similar information centers would someday be available in every major city,
providing advice and factual data for people interested in learning about the
potential benefits and possible pitfalls of psychedelics. In , Lisa started
publishing the bimonthly Psychedelic Information Center Bulletin;  issues were produced in total. In their  book LSD--The Problem-Solving
Psychedelic, authors Peter Stafford and Bonnie Golightly describe the PIC
Bulletin as “the outstanding example of an LSD newsletter, focused around
events associated with the burgeoning ‘psychedelic information centers.’”
Within her booklet Session Games People Play: A Manual for the Use
of LSD, Lisa shared her no-nonsense advice for those considering trying
psychedelics.
[#] PUSS
Nos. - (all published), [Stockholm], Solna, Williamssons offset,
respektive Sala, Ågren & Holmbergs boktr. AB. January  (October?) . x, cm, last  issues tabloid size. Printed in black
and red; stapled in the spine. Added: [Prenumerationserbjudande].
(Solna?, ca ?, a  page coloured prospectus; and: Puss
International ( pages, not dated), probably a zero-number, ca. .
 ,.
[#]
PSYCHEDELIC REVIEW
Nos. - (all publ.). Cambridge,
New York, Summer  - Winter
/. Size (h/w): , x  cm.,
sizes of nos. - between , x
, cm. and , x , cm. Nos.
- illustrated. Original
illustrated wrappers
, only some light soiling and wear.
Altogether a set in very good
condition.
 ,.
Complete run of this magazine edited by Paul A. Lee, Ralph Metzner, Gunther M. Weil, Timothy Leary, Felix
Morrow and other psychedelic pioneers. Articles by Alan Watts, R. Gordon
Wasson, Richard Evans Schultes, Albert Hofman, Menri Michaux, Art Kleps,
Steward Brand, René Daumal, R.D.Laing, etc. Research, influence, experiences, regulations, information on the use of LSD and other psychedelic
drugs. “... The Psychedelic Review is a quarterly devoted to the study of
LSD, mescalin and the other psychopharmacological substances sometimes

John Benjamins Antiquariat B.V.
Complete set of this subversive satirical Swedish underground monthly.
Edited by Lars Hillersberg (cartoonist), Karin Frostenson Johan de Geer
(photographer, filmmaker), Ulf Rahmberg, Lena Svedberg, Arne Svensso,
Chister Themptander and others. Issues varying in size from  to  pages/
issue. The attacks are both on international and internal political issues,
targeting the US presidents, sexual liberation, etc.
[#] PUSS ALBUM
[#] THE RAG. Austin, Texas
Puss album. Vett & villing, sex &
spekulation, bluff & båg. Det
bästa ur årg. -. Cavefors
[]. ,× cm. () pages,
orig. Pictorial wrapper. (Spine
with light damage, otherwise very
good.
Group of  issues from the period July -August .Tabloid
format, folded. Occasional stamps/labels on front cover, some
clippings and mising pages, some issues (damp)stained, edgewear.
 .
 .
Selection of “the best”from PUSS
from -. a
subversive artist periodical, edited by
Lars Hillersberg, Carl Johan De Geer,
Lena Svedberg and Ulf Rahmberg
(published between -, 
issues)
[#] QUINDICI.
Giornale mensile (del Gruppo 63) diretta da Alfredo Giuliani.
Nos. - (all publ.). Roma, -.
( Nos. - on size,  x  cm., folded
to  x  cm., Nos.- on size  x
 cm). Unbound, printed on
newsprint; in generally good to
excellent condition (the poor quality
of the paper taken into account,
which caused some discoloration and
light staining), with some wear on the
foldings and small defects (pin holes)
to the corners of the poster-sized
supplements .
 ,.
Complete set of this Italian publication
of the counterculture and the student-rebellions, with  (of ) poster-sized
manifestos. Contributors include: A. Arbasino, N. Balestrini, A. Barbato, R.
Barilli, F. Colombo, C. Costa, Umberto Eco, F. Jesi, G. Manganelli, E. Pagliarani, E. Sanguineti. The publication was close to the Situationist movement.
First  issues folding out, with poster-sized inserts (except for Nos. ,,
and  which did not have poster-inserts). Inserts as follows: No. : Poster
Vietnam KilledTelegram; No. and : posters not present in our copy; No.
: The occupation of Turin’s University ‘Contro l’autoritarismo accademico
potere agli studenti’; No. : the banner of Viet-Cong and Phoebe-Zeitgeist;
No. : La battaglia di Valle Giulia; No. : Poster-sized portrait of Rudi
Dutschke; No. ;Manifesto degli studienti di Parigi, La lutte continue; No.
: Literarny Listy (on the Prague revolution); No. : Black power Messico;
No. : Settimana Int. Di Palermo, Amici della Musica, - dicembre ;
No. : Portrait of Mao Tse-Tung; No. : Avola Viareggio, Roma; No. :
not published; No. : . in lotta alla Fiat; No. : La luna dei padroni.
Number  contains the complete text of the article of Novi Mir against
Gruppo . (Neo Avant
Guardia). Contributors include: Arbasino,
Balestrini, Giorgio Celli,
Furio Colombo, Corrado
Costa, Curi, Davico,
Umberto Eco, Filippini,
Alfredo Giuliani, Angelo
Guglielmi, Eduardo Sanguinetti, Antonio Porta,
etc.
Issues of  pages; illustrated . Austin/Texas based “The Rag” had become
the South’s first underground paper, “…the first independent undergrounder
to represent, even in a small way, the participatory democracy, communitity
organizing and synthesis of politics and culture that the New Left of the
midsixties was trying to develop.” (Abe Peck, p.  and passim)
[#] RAKET.
Numbers - with supplements and posters (all published, but
without nos. and ). Rotterdam, -.Added: De Avonturen van
Red Rat (a kind of continuation in the form of cartoon strips). All in
generally good condition, some ragged edges, or light staining.
Details of the set below:
 ,.
Important Dutch Anarchist-PUNK periodical, started as newsbulletin for
the Rotterdam New Wave Groups, merely one sheet recto/verso. It soon
grows out to a full-fledged periodical for Rotterdam Punk, and for Punk in
The Netherlands. At first printed (mimeographed) on grey paper in black,
soon with photographic illustrations,sometimes with colours in screenprint
/ stencil / spray technique added. Edited by (Kunst Kollektief) Dubio, Geis,
Aram, Chris de Wit, Teddy Boymans. No  in cooperation with Kaasee. Featuring: Rondo’s ( “I don’t like the Rastaman”), Toiletz, ZeroZero, Bunkers,
Bunk Music. Donut Music, Filth, Stealer, Kobus van Lankeren, Suburban
Punk,attention broadens to Punk outside Rotterdam (Amsterdam, Galerie
Anus), Zaandam (sick productions, Gernevieve Van Hooghaut Jonghe,
The Hague (Ketchup), Haarlem (World War Rockers), Ash-Tray, Jezus and
the Gospelfuckers, Tändstickorshocks, RodeWig, Squats, Jules Deelder,
John Benjamins Antiquariat B.V. 
pages + Supplements: Jeugdcultuur & Punk&Verzet.  pages, sidestapled
(the added badge is not present) + Supplement: De Avonturen van Red Rat.
Deel éen. pages, sidestapled; + supplement: Over platen maken en hun
verspreiding.  pages, sidestapled; + supplement: The selling of Limburg.
 pages, sidestapled. (On the final page announcement: No Hope stops).
Together with kraft mailing envelope, rather damaged. Added: Unnumbered
and undated pamphlet against the police: “Een beetje vent wordt geen
agent”(if you are only a bit of a man you do not become policeman), 
pages, sidestapled. Not dated; signed Aram. Addition : Supplement “The
selling of Limburg”,  pages Addition : Supplement Poster “De Westerse
Beschaming,deel ”, Avonturen van Red Rat Addition : JUBILEUMEDITION. Uitgave en copyright Raket, Rotterdam, . oblong,  pages
+  advertising pages; glued in the spine. Frontwrapper (probably)missing.
Addition : Over platen maken en hun verspreiding (how to make records
& music rights) TOGETHER WITH: DE AVONTUREN VAN Red Rat. Deel
/, deel /, deel /, deel /, deel / (complete as published by Uitgeverij
“lont”, original opictorial wrappers; -. Added: Deel /. Revival,
published by De Papieren Tijger. .
coöperation with Kaasee (Gordelweg  Rotterdam). Details of the set: No.
. , April. One sheet. x, cm. (Folded to ,x ,). No. . . Juni.
One sheet x, cm. (Folded to ,x ,). No. . . September. ,x
cm.  pages, on grey paper, sidestapled. Together with the poster (black
on yellow paper, depicting a human figure as target for shooting lessons; it
has apparently been used for that purpose as there are numerous (bullet?) holes. No. .  Oktober.  pages, sidestapled. Together with poster
x,, folded twice; pin-holes in the four corners. No. . . Januari
(sic!). ,x cm.  pages sidestapled. No. .  December. ,xcm.
pages sidestapled together with Supplement: Rock against Religion (RAR
Organ des Zentralkomitees)  pages, sidestapled. Together with POSTER:
Rock against Religion. In samenwerking met Kaasee. x, cm, folded
twice. Photomontage of Nazi-soldiers, Priest, Businessman, falling churchbuildings. (Some brown spotting over over middlefold, otherwise in very
good condition). -No. : Poster only -(verschijnt met Marcel Megawatt
Bijlage). Only the poster, b/w. x cm., folded twice. -No. .  Maart.
,x cm.”Jubileum Raket”  pages +  loose sheet. Partly in colour.Plus:
BijlageRotterdam Graffiti Deel .  pages. Partly in colour. Plus: Poster
printed in red. x, cm. (Het Bibelebonsche Rijk). Together with the
original kraft mailing envelope, with ilustration in black; a bit damaged -No.
. April/Mei . ,xcm.  pages, sidestapled; +Bijlage  pages, with
Orange Cover, “Verhaal in romanvorm:
Trix = The Pix” with caricature of Princess Beatrix in the nude, with piggy
policemen. -No. . Juni . ,x
cm  pages, + Supplement, pages
(Waarlijk helpe ons God almachtig)
(Coronation of Beatrix issue) +  posters ( x  cm each. “Schuldig aan”and
“Gefallen für Deutschland”). Together
with the kraft mailing envelope (damaged on the sides). -No. . September . ,x cm.  pages. (on
backpage: “Bericht van het Verkiezingsfront”). Includes the postcard/
photograph “Pearls for the swines”. -No.
. November  (VerzetsRaket). 
 John Benjamins Antiquariat B.V.
[#] RE NUDO
Numero  (n.  nuova serie). Dall’Underground all’Outground [the
only number published], Cologno (MI), Tip. La Monzese, 
(marzo). Folded mural, x cm, printed in green and red on beige
stock. Numerous
illustrations and
situatiotnist comics.
 .
The “situationist” response,
counterpart of Re Nudo,
directed by G.E.Simonetti,
who was responsible for
the text and the comics in situationst style;
published in protest and
as a provocation to the “official” Re Nudo directed by
Valcarenghi, and published
also in March .
[#] IL RE NUDO
[#] RE NUDO - SECONDA SERIE.
Nos. , - (All Published). Milano, -. The first  numbers
bound in four (not entirely
uniform) cloth volumes with
title on spine, remainder
unbound in the
original issues.
(Sizes vary x,
cm, later reducing
in size, and the last
numbers x cm).
Number  is an original
issue, untrimmed,
loosely inserted in the
bound volume, no.  was
never published. Only nos,
 and  are missing;
otherwise a complete set, including the Zero-number. The issues
contained in the bound volumes are in mint condition, but have been
slightly trimmed., occasionally causing very slight loss of text (max.
millimeter) on about  pages. The unbound issues are in generally
good to excellent condition with only occasional light staining. The
set includes the supplements to no  and  (Pantere Bianche, No. 
and ), printed in colour, each measuring half the size of the journal).
Added: the poster for Il Re Nudo Pop Festival No.  (- Giugno)
Alpe del Vicere. (x, cm).
Il Mensile per la Rivoluzione del’Essere.
No. , No. - (all published, but
lacking  issues: , , , ). Siena,
Frosini, -. Issues of
,x,, stapled in the spine, some a
bit larger. Ca.  pages each. CD’s are
not present. Number  has some
spine damage, scratch marks on the
cover of number ,
 ,.
Liberal progressive monthly, favours
the Hemp Revolution and ecological
problems. Directed by Majid Valcarenghi. Sections: Mondo a confronto;
Tempo di Liberazione; Renudo Musica.
Fotografia.
 ,.
[#]
REAL FREE PRESS
ILLUSTRATIE.
Underground Press Syndicate
Nos. - (all publ.). Amsterdam,
Rotterdam, Antywerpen,
November  - April .
Bound, no  of  de-luxe
editions, signed by R. Olaf Stoop.
 ,.
Landmark Italian underground and
pop publication, at first directed by
Andrea Valcarenghi, with numerous
illustrations in colour and photographs, psychedelic illustrations,
photocompositions, etc. Deals with
countercultural issues, drugs, sexual
freedom, Pop Music, (Re Nudo Pop
Festival). Close to Situationists and the
student activists. Contributions
include texts by and features
on Timothy Leary, Angela Davis, Dario Fo, G.E.
Simonetti, W. Burroughs,
L.S.D., SIMA (Droga, La
situazione in Italia), Situationsm, John Lennon, etc.
The De-luxe edition was published
in april , numbered and signed.
Binding designed by H.F van der Does, who
also did the binding work (by Jansenbinders the Leiden). Contributions by Harrison
Cady, Percy Crosby and T.S. Sullivan. Leven
en werken by Bud Fisher. Other contributions by Alan Watts (Karma), Johannes
van Dam ( Scientology), Illustrations by
Ron Cobb, Robert Crumb, Edward Gorey,
Gilbert Shelton,Rodriguez Spain, Terry
Southern and others.
John Benjamins Antiquariat B.V. 
[#] THE REALIST. Freethought criticism and satire.
Nos. /, , -, , , -,
, -, , , , -, ,
-, -, -. New York,
March/April - August .
Size (h/w):  x  cm.
Newspaper  pp.
Added:  unnumbered issues of
 pages each, published from
Dec. -June , and  A-B,
 pages each, Jan-April .
Very scarce.
 ,.
Important collection comprising  nos. of this underground
satirical journal, edited by Paul
Krassner. Contributions by Ellen
Sander, Larry Josephson, Robert Wolf, Saul Heller, Sandra Adickes, John
Francis Putnam, Abbie Hoffman, Lenny Bruce (Obscenity, Narcotics & Me)
a.o. Cartoons by Dick Guindon. Contains Impolite Interviews with Norman
Mailer, Mort Sahl, Woody Allen, Timothy Leary , and an article on the arrest
of Lenny Bruce. Nos. &  are published in  parts numbered as  A-C
(July-Dec. ) and  A-C (Jan.-June ) of  pp. each. . Publication went
on till  (no.)
of the fragile newsprint, only small tears to the edges.
TOGETHER WITH: Poster ( x  cm), printed in colour,
announcing the publication of the second number of the journal.
 ,.
This spectacularly designed ultra-left illustrated journal marks the end of a
period of subversive action in Paris. It was directed by Alain Bizos following
a concept by Loulou Picasso. Edited and graphically designed by the group
Bazooka, consisting (i.a.) of Olivia Clavel, Loulou Picasso, Kiki Picasso,
and Lulu Larsen, including contributions by Bernard Vidal, Jean Rouzaud.
Published with assistance of the daily Libération. The group, with ultra-left
Maoist sympathy was formed in the aftermath of May .
[#] RENAISSANCE
[#] REASON
Number ,  (all publ.).
London (UK), x, cm.,
stapled, pp. Offset printing.
 .
Magazine of radical action and
pacifism edited by Ann Davidson,
Win Gardiner, Dennis Gould,
Colin Johnson, Sally Johnson, &
Sarah McCalliskey. Articles by John
Brunner, Bradford Lyttle and others
(probably only issue published):
[#]
Nos. - (all publ.). San Francisco,
-. Original illustrated
wrappers (covers a bit soiled).
 .
Edited by John Bryan. Prose and poetry
by Charles Bukowski, George Hitch-
cock, Robert Briggs, David Meltzer,
John Bryan, William Corrington,
Lonny Thornton, a.o. No. : The Peace
Scene. Illustrated with photographs,
drawings and graphics by a.o. Lee
Morgan, Mel Fowler, Arthur Richer,
Michael Bowen. Rare complete
UN REGARD MODERNE
(orig. UN REGARD SUR LE
MONDE).
L’actualité du mois en images

UN REGARD SUR LE MONDE:
Libération moderne. L’actualité du
mois en images. No.  (janvier
), continued as: UN REGARD
MODERNE. L’actualité du mois
en images. Nos. -  (all
published). Paris, Libération,
Bazooka, Mars -  juillet .
Tabloïds, with occasional colour
added. Well preserved set in spite
John Benjamins Antiquariat B.V.
[#] RESIDU. (and the Mongul Review)
Nos. - (all. publ.). Athens, London, Spring -Spring .
Original wrappers. No.  is inscribed by Richter, with the addition of
his mailing address to the verso of the title page. Together with: the
original publisher’s prospectus for the first issue, mailed from
Highgate by Dan Richter to Pete Brown “c/o New Departures”, and
with a short note to him requesting “help in circulating these”. Single
sheet, folded once, printed on both sides in black on blue stock.
x.cm. (unfolded). Reproduces
a selection of illustrations from the
first issue and a list of the
contributors Added: feltpen
drawing in black and orange by an
unknown artist.(,xcm).
 .
Ed. by Daniel Richter. Includes in No.
 the first issue of ‘The Mongol Review’
(all publ.). with contribs. by Lamantia,
Ginsberg, Norse, Ford, Marie Wilson,
Burroughs, Trocchi, Corso, etc .
No.  (Spring ): Allen Ginsberg (including the first appearance of “On The
Roof ” from Journals th April , and “Seabattle of Salamis Took Place
Off Perama”); Harold Norse; Philip Lamantia; George Andrews; Charles
Henri Ford; “Notes on the Use of Hashish” by Sheldon Cholst; and a lengthy
excerpt from “LSD-” by Kay Johnson.
No.  (Spring ): Published by the Trigram Press in London. Contributors include William Burroughs; Gregory Corso; Gerard Malanga; Harold
Norse; Harry Fainlight; Simon Vinkenoog; Jeff Nuttall; Jean-Jacques Lebel;
the only appearance in print of chapter one of Alexander Trocchi’s unpublished novel, “The Long Book”.
Murals published by the
Italian Situationists, created
and directed by Gianni
Emilio Simonetti. Published as a supplement to
the mural journal ‘Stampa
alternativa’ from Rome,
printed by Arti Grafiche La
Monzese, Cologno.- Number  (marzo ): printed
in purple on a green base:
«AAA proletriato cercasi»,
«Contratti: qualunque
soluzione non deve farci
dimenticare l’obiettivo finale: gli strumenti di lavoro
devono diventare armi
contro il lavoro», «Sulla
questione studentesca»,
«Per gloria o per denaro?»;
- Number  (maggio ):
printed in purple on a red
base «Teppisti di tutto uil mondo unitevi», «La radicalità dei padroni»,
«La fine della cultura ci deve preparare alla cultura della fine»;- Number 
(): «Detourner l’esistenza», printed in green on a yellow base; - Number
 (novembre ): Printed in black and red on a white base: «Recuperare
recuperare che più niente resterà», «Corvalan Corvalan aleppe», «Allenamento al Grande GIoco», «Un lupo travestito da vecchia zia», «Voce
araba registrata», «Affogate nel vostro vomito!».
[#] REVO
REVO (Brussels, Belgium
- Number , maart/mars .  x 
cm,  pp.
- Number  (november ) is a
reprint of PROVO, number .  x 
cm,  pp.
- Number , mei .  x cm,  pp.
 .
The Belgian counterpart of Provo Amsterdam.
[#] ROMAN HIGH ROMA SOTTO. Later FALLO!.
Anno I, numero - , n.d. ( ) – ( of  published, there
was also a  - number!)
 .
--numero : - happenings in-offbeat-sexy-underground-crazy-free
in Italian-english every two weeksquindicinale. octavo,  pages,
numerous illustrations, printed in
several colors. Illustrated wrappers.
With attention for, film, music and
“WHAT’S ON” in Rome. Articles
on pink floyd, chicago, women’s lib,
drugs and revolution + a two page
cartoon by crumb.
--numero : - milano sotto / underground / comuni- communes / rock / erotic cinema / cartoons. Small
folio,  pages printed in several colors with numerous illustrations. articles
on uriah heep, pink floyd, andy warhol, a double page cartoon by crumb,
women’s lib, james bond and info on milano’s underground.
[#] ROBINUD. Da qualche parte nella foresta di Seto S.
Giovanni. Giornale murale a cura del collettivo di re nudo.
--numero : - sesso -  domande a una virgine Italian / droghee - quello
che nessuno vuole dirvi / rock - un anno di Rock in Italia - poster / rivoluzione - se un movement deve nascere. Small fl folio,  pages printed in
several colors with numerous illustrations. With articles by: dr. Hippocrates
on soft and hard drugs and an article on the clitoris. An article o magic and
info on what’s on in London, Amsterdam, Milano and Savona.
Nos. - (all publ.). Milano, Cologno Monzese - Arti Grafiche La
Monzese, ; poster-sized x cm.printed on one side only
(white, yellow, purple,green), folded  times to ab. xcm. Printed
from typescript with illustrations.
 ,.
John Benjamins Antiquariat B.V. 
[#] RONALD REAGAN. The magazine of poetry.
Number  (all published).
London. Summer .
Mimeographed text,
stapled into pictorial
wrappers.llustrated.
 .
Edited by John Sladek,
Pamela Zoline and Tom
Disch. Includes what is generally regarded as the first
appearance of J. G. Ballard’s
classic, “Why I Want to Fuck
Ronald Reagan”, along with
work by Acconci, Harwood,
Giorno, Waldman, Padgett,
Schjeldahl, Warsh, and
others.
[#] THE RUNNING MAN
Vol.  nos - (all publ.), The Running
Man Publications, London, . to.
In the original pictorial wrappers.
 .
Edited by Christoper KYPREOS,
contents include Vengeance Baby by
William Rushton, Take it in the Face
James Fox by Peter Menegas, and The Interior Landscape by Eva Figes. Number
 contains Steadmans Nudes, for which
the magazine was banned. Number //
is “Running Man - Special Issue- Ecstatic
Revolution” which appears to form part
of the whole publication. Undated, but internal evidence suggests .
 pages on art paper heavily illustrated with photographs, drawings and
graphic art.
[#] S.I.M.A.
[#] ROOM EAST 128 CHRONICLE
Number  (of  numbers
published). Palo Alto, CA.
Thursday  July . Quarto. 
pages, including blue
selfwrappers, interior pages
white. Includes one colour
illustration. Limited edition of
 copies. In the left upoper
corner a handwritten dedication
by Sottsass in pencil: “Ciao Ted
Ettore Ciao”. Very rare.
PENSIERI DI DROGA?
Cartotecnica Piacentina Ed.
Milano, (). Large poster in
colour ( x  cm) published by
S.I.M.A. (Servizi Istituto
Mass-media Art), an alternative
underground organisation.
 .
 ,.
Edited (also designed and composed) by Ettore Sottsass during
his stay in hospital in Palo Alto
(sent there by Roberto Olivetti after Sottsass had returned to Milano from
India with a mysterious disease). The title is the based on the Room he had
in this hospital. It served as the name of the publishing venture Ëast 
Milano”which was started upon his return, publishing poetry books of Beat
authors. Highly interesting attractive one-man production (done together
with his wife Pivano and with contributions of Ginsberg and others). The
front page says: Special Issue New Super./ Final. It bears the name Gregory
Simpson (who is further unidentified). “ Questo numero e dedicato -diciamo cosi- alla volgarita quotidiana”. Compilation of collage and cutups, with
texts in Italian and Eglish. The colophon indicates that the edition consisted
of  copies: “Del terzo numero - questo qui sono state tirate  copies su
carta da  once a  copie su carta de  once.” We presume this is one of
the former. In total  issues appeared (no. . June  printed in copies
and no.  printed in  copies).
[#] SAN FRANCISCO ORACLE
Complete collection, with additions and some numbers WITH
VARIANTS, as follows:
- First announcement of
forthcoming publication:
HANDBILL (, x, cm).
Printed in b/w on white stock:
“Coming soon. P.O. Frisco. An
experiment in Communication.
Towards a politics of Joy and
Culture”. Followed by:
- P. O. FRISCO. Vol.  no  (The
Renegade Oracle. Signed in pencil
bythe editor). Followed by:
- SAN FRANCISCO ORACLE.
Nos. - (all publ.). San Francisco,
-; With the following
variants:
- Number  in first and second printing, with different page-layout
for the covers as well as inside, the first printing (with the photocredit
to Paul Kegan in the left bottom of the front cover)
- Number  in  variant versions, each with slightly modified
front-page, different colour schemes inside and the photo by Michael

John Benjamins Antiquariat B.V.
Hilsenrad twice in purple and
once in blue
[#] SCANDAL
- Number  in  variant versions,
one with the Mandala image by
Peter Legeria. All tabloïd size.
Unbound in the original issues,
excellent set in good to almost
mint condition, in spite of the
fragility of the paper; endemic
browning but otherwise clean; the
handbill has a closed tear, but is
otherwise in quite good and clean
condition. The best set one could
imagine of this periodical, overall
in clean bright condition.
- Number ? (no /) n.d. (July ?)[ , x  cm,  pp. (salmon
cover)]
(Groningen) - Number , n.d. [, x  cm,  pp. (green cover)]
- Number , August .[ , x , cm,  pp.] COMPLETE with
the MATCHSTICK.
- Number , n.d.[  x , cm,  pp.] added: DE GEPOFTE
MOLUK (special issue of SCANDAL).[ , x  cm,  pp]
(handwritten on the cover: Verboden ! Suppressed), All with light
staining, but good copies.
 .
 ,.
The most illustrious underground paper of the hippie era, together with
its predecessor and the rare handbill. Edited by Allen Cohen & Joe Dana
(Master Coordinator). Published in San Francisco’s Haight-Ashbury during
the “Summer of Love”, this paper became famous for it’s lavish color psychedelic art. With work of the famous S.F. Rock poster artists like Rick Griffin,
Stanley Mouse, Michael Bowen, Tom Weir, Bruce Conner, Susan Branaman,
Bryden, Timothy, Page Brownton, Pamela Millward, Mike Hannon, etc.
With contribs. by or features on: Allen Ginsberg, Lawrence Ferlinghetti, Lew
Welch, Gary Snyder, Timothy Leary, Michael McClure, William Burroughs,
Paul Krassner, John Sinclair, a.o. Articles devoted to LSD, the exorcism of
the Pentagon, communes, meditation, the Diggers, Hell’s Angels, etc. The
front page of the first number opens with ‘Haight-Ashbury meets police’.
One of the most historically significant and visually stunning productions
of the ‘s counterculture at its peak. While later issues are relatively common, the early issues are rare and a complete set with the variants like this
is very rare.
Groningen Provo journal, stencilled. Melle Siepel, Sjoerd Puter, Thom Jaspers, Henry Hes, Rix Wieringa a.o.
The Salmon-coloured issue with text on the cover: “Onthullend Beatrix en
de Pil ?”
The special edition has been seized by the police.
[#] SCANLAN’S MONTHLY
Volume  nos - (all
published). New York, March
 - January . to;
original pictorial selfwrappers.
Well-preserved set with
inevitable light oxidation of
the staples (causing some
staining), and light
paperspotting (due to the
quality of the paper).
TOGETHER WITH THE
POSTER (Impeach Nixon).
 ,.
Complete set of the shortlived
John Benjamins Antiquariat B.V. 
and highly subversive successor
to ‘Ramparts’, of which “the booze
ran out in early ‘” as the editor
Warren Hinckle (Editorial Director of Ramparts) states in his editorial in the first issue. Along with
him Sidney E. Zion is editor and
Baebara Stauffacher Salomon is
the Art Director. The provocative
content of Scanlan’s Magazine addresses a wide range of issues that
were troubling even less radical
Americans: the Vietnam crisis, the
CIA, the Black Panthers, Altamont,
drugs and marijuana growing,
the Mafia, Ecology (Eco-Pornography) and the condition of
American journalism (“decadent,
rudderless,exploitive and generally stinky as the society”.). Contributors
include Hunter S.Thompson, Gavin Arthur, Joseph Kahn, Ralph Steadman
(ills.), George Kimball, R.Crumb (front-cover of No.), San Francisco Film
Basterads (by Arnold Passman), etc.; Number : Tan Am Base Vietnam,
You’ve read too much about atrocities (the flex-disc contained in this issue
is missing); Number : Russia’s Underground Political Pornography; Number : Impeach Nixon; Number  ‘The suppressed issue: guerilla war in the
USA’ was refused by several printers and had to be produced outside the US.
and Gudrun Enssling), “Dada davanti e dietro”, “L’alienazione militare”,
“Sacco e Vanzetti sono stati assassinati dai comitati per la riabilitazione”. In
the middlespread on double page: “Totoanarchia. Contro i tentativi di riassorbimento nella kultura ufficiale”;
- No.  (marzo ): “Schizzo saluta i compagni che si incontrano a Carrara
per l’Internazionale Anarchica”, “ domande a Buenaventura”, “Handicappato significa che può fare come gli altri tutti i lavori che esigono “concentramento”. E con tanto impegno: Sfruttiamolo!”, “Norma Jean Baker
(Marylin Monroe)”. In the middlespread on double page “Arthur Rimbaud”:
“Rimbaud, senza speranza alcuna, né sulla terra né altrove, pensò solo ad
andare sempre, in preda a quella noia terribile che voi non conoscerete mai;
inseguiva attraverso il mondo, nei luoghi più desolati, l’immagine più desolante di sé e di voi. Tutto quello su cui si basa la vostra sporca vita meschina
gli ripugnava, ci sputava sopra. Voi fingete di aver dimenticato che egli fu
contro tutto ciò che esiste”. (Salaris : pag. ).
[#] SECOND CITY
Vol. , Nos. -, Vol. , Nos. -.
Chicago, November  - [].
Tabloid. Illustrated. Lacks only the
last no. of vol. .
 ,.
[#] SCHIZZO.
Foglio Irregolar (later:Fojo
irregolar, then: Foglio
irregolare)
Nos. ,  and  (all published).
Torino,  (aprile) - 
(marzo);  issues, tabloïd,
x cm. Printed in
b/w;numerous illustrations
and photographs. Issues of 
pages (Stampato in
proprio,supplemento a stampa
alternativa).
 ,.
Radical anarchist-underground
periodical, printed from typescript and handwritten texts, spectacularly designed with numerous drawings and collages including photographs.
- No.  (aprile ): “Due o tre cose sul Movimento”, “Malfattiunasega”, “Allo studente non far sapere quanto è buona la scuola con le pere”,
“Femminismo anarchico”, “Aguirre furorediddio” . With a photograph by
Tano D’Amico;
- No.  (autunno/inverno ): “H.M. Schleyer si è suicidato ovvero Anche i
padroni hanno un cuore” (on the deaths of Andreas Baader, Jan Karl Raspe
Underground/counterculture tabloid
from Chicago. Headlines about the
Black Panters, remarks about Nixon
and “straight” society. Articles of concern to the hippie/political factions. In
the style of San Francisco’s Oracle, but
not as psychedelic and opulent. Some
issues have color covers illustrated
with drawings, and the rest (of the covers) are illustrated with photographs.
More photos inside. One issue has a long tear to the cover, else very nice
condition overall (mild edgewear). .
[#] THE SEED/CHICAGO SEED
A group of  issues from vols - (unfortunately partly
waterdamaged, occasional clippings). ( Issues indicate month of
publication only, no years but -). Present are: vol  no 
(folded)  (mint),  (mint) vol  no (mint), no  (folded), vol  no ,
, , , vol  number , , , , , , , vol  no. , , , , , , vol.  no.
, , vol.  no.  (mint), , , , ,
, , vol. no. , , , .Chicago,
Published by Seed Publishing, La
Salle. . Tabloïd, folded.
 ,.
Underground paper with spectacular colourful artwork, many
on full page, some folding in the
middlespread. Published and edited
by Harry Dewar, Lester Dore, Don
Lewis, Colin Pearlson, Abraham
Peck, Marshall Rosenthal Member
of the Underground Press Syndicate,

John Benjamins Antiquariat B.V.
Liberation News Service, Resistance Press. Unfortunately partly waterdamaged (about half of the issues wrinkled). Contributions by Gilbert Shelton,
Freak Brothers, Karl-Heinz Meschbach, Jay Linch, Cobbetc. Present are: vol
 no  (folded)  (mint),  (mint) vol  no (mint), no  (folded), vol  no
, , , , vol  number , , , , , , , vol  no. , , , , , , vol.  no. ,
, vol.  no.  (mint), , , , , , , vol. no. , , , .
Margo and Leo Frank, with Stephen
L.W.Greene, Margo Rila. Illustrators;
Susan Greene, Elisabeth Kabat, etc.
Sexually explicit photographs and
texts, advertisements. Vivid portrait
of the sexual revolution. Articles
on group love, homo-, bi and pan
sexualities, birth control, communal
love, and clearly important for the gay
liberation and equality movements in
San Francisco.
[#]
SEKIGUN. (The Red Army)
Pamphlet No.  (all and only
published). Special issue, manifest
poster-journal.
Tokyo  (Bureau of
Pornography of the Kansaigakuin
University).
 sheet of off-white newsprin
(x cm), printed recto/verso in
red. Text and illustrations, text in
Japanese, with occasional english
words in latin letters. Issued by
Nagata Hiroko and Takita Osamu.
 ,.
In the ’s/’s the Kansaigakuin University was the breading ground for
student activism of various directions:
Zenkyôtô, Zenagakujichi, Seikyô and
Sekigun (Red Army, which was the
most active). At the culmination point
of the struggles it seems that the Red
Army students had pressed the editorial office of the University newspaper
to print this parody with the logo of
the Red Army replacing the official
logo and to place the name of the
Red Army in large print on the front
page. This was similar to the logo of the journal of the Japanese communist
party Akahata (The Red Standard). Special issue on Drugs, Mind Liberating
Plants, Green Revolution. (On the front page in capitals: Drug Freegras).
Marijuana and LSD were the keywords for mental freedom, and here a
guide is offered how to cultivate and fabricate it, and they advocate free distribution all over Japan. The picture of the love-making couple placed over
a large image of a marihuhana leaf on the front page went too far for the
authorities, the partciipants were arrested and the journal was forbidden.
[#] SEXUAL FREEDOM INTERNATIONAL. Journal of
the San Francisco Sexual Freedom League.
Group of  issues: Numbers  (January ),  (),  (), 
(),  (),  (). With: Sexual Freedom Newsletter, July 
and Augusr . San Francisco, Sexual Freedom League, -.
Original wrappers, folios, various formats. All in excellent condition.
 .
Published quarterly (or more frequently as circumstances permit) by members of the San Francisco Chapter of the Sexual Freedom League, a nonprofit educational organization chartered by the State of California,. Issues
of  or  large-size pages, b/w and one colour added. Editorial directors:
[#] SINÉ MASSACRE.
(Hebdomadaire paraissant le jeudi).
Nos. - (all publ.). Paris,  décembre  - avril . to; The first
 nos. united under a publisher’s cover; nos  and  loose as issued.
Excellent condition.
 .
Directed and primarily illustrated by
the French satirical caricaturist and
cartoonist Siné, at first published by
himself, last two issues published by
J.J. Pauvert. Numerous illustrations
by Siné, Loris, Strelkoff, Sergio, Nuez,
Wardon, Landefelt, Bovarini, a.o. Most
issues around a topic: No. : De Gaulle.
No. : Pieds-Noirs. No. : la liberté
de la presse avec des illustrations satiriques. No. : “Le grand guignol”. No.
: “L’ amour”. No. : “Le pape est mort”.
No. : Du sang à la Une, le rapprochement franco-allemand, le métro Charonne, le procès du Petit-Clamard. No.
 : Le colonialisme. Le périodique ne contient que des dessins destinés au
pouvoir gaulliste, aux religieux, aux militaires, et aux colons. Added: invitation to a vernissage at Galerie Raymond Cordier, designed by Siné.
[#] SIPAPU
Volume  no.  through volume ,
no.  (consecutive issue ),
January -. Complete set.
Winters, California: Noel Peattie,
-.  issues ranging from 
to  pages. Illustrated.
Self-wrappers.( . x . cm.).
Printed in b/w, offset.
 ,.
Edited by Noel Peattie. “A newsletter for librarians, collectors and
others interested in the alternative
press,(ISSN -). which includes small and ‘underground’ presses,
third World, dissent, feminist, peace, and all forms of indescribable publishing in general.” This remarkable labor of love by a late, talented librarian
at the University of California, Davis, is essential for any serious collection
of underground literature. OCLC locates  holdings worldwide, most of
John Benjamins Antiquariat B.V. 
them incomplete sets, including  in
Australia, Canada, New Zealand, and
the UK. Complete sets in the wild
must be vanishingly rare. “All forms
of indescribable publishing” also
includes the following: gay, lesbian,
and transsexual; African-American,
Asian-American, Chicano, and Native
American; the poor and aged; and
homeless and prisoners (Peattie sent
free subscriptions to prisoners upon
request). Although Sipapu began as a
beacon for librarians to forming their
collections and a record of all sorts of
conferences, book fairs, and the like,
it also published interviews (mostly
of little magazine editors) in about half the issues and hundreds of reviews
of obscure but worthy publications. The first interview, in issue , is with
Steve Levine, publisher of the City of San Francisco Oracle. Others include
Joseph Bruchac, Jack Shoemaker, John Wilcock, and Michael Davidson.
Other contributors include Kate Barnes, Dick Higgins, Richard Kostelanetz,
Michael McClure, Gary Snyder, and A.D. Winans. Indexes every five or ten
issues. This set includes some ephemera and original correspondence from
Noel Peattie. (This set was the personal copy of Lawrence McGilvery, whose
name appears on the address labels, and who made the write-up for this
item; the correspondence was between him and the editor).
[#] SMAUG
Volume , number . No date.
Amsterdam. First European
Undergroud Press, Zwanenburg.
Added: poster ,x, cm, b/w.
 .
[#] SOME/THING
Nos. -/ (= Vol. -, all publ.). New York, Spring  - Summer .
vo, Original wrappers., in excellent condition, also the fragile no 
cover is in good condition (and not
detached as is frequently the case). This
perforated sticker cover (stamps
designed by Andy Warhol: “Bomb
Hanoi”) was glue-backed and is rarely
found intact, clean with the print over
the glue, readable and not sticking to
the content-pages. Our copy has the
front cover free, but the back cover is
stuck at the bottom over a very small
area and is fairly clean. (Allen - Artists’
Magazines. An alternative space for art,
p. )
 ,.
Complete collection of the avant-garde
periodical edited by David Antin & Jerome
Rothenberg. ANDY WARHOL contributed
to issue No.  (Volume two, issue number
one, Winter ) by designing its cover
‘Bomb Hanoi’. This issue, ‘Vietnam Assemblage’ includes texts by Allen Ginsberg, Charles Bukowski, Paul Blackburn,
Rochelle Owens and many others but ‘is
not an anthology of individual & numbered
pieces on a single theme. It was compiled with
the help of many hands, & in a special sense
it is a communal effort - an overall structure
made up of words, a language trap to closewith a state, a process, a system - something
afflicting & evading all of us’ (editor’s note). No. : cover by Amy Mendelson;
No. : cover sculpture by Robert Morris; No. / cover by George Maciunas.
Other contributors include: Anselm Hollo, Ted Berrigan, Jackson Mac Low,
Carolee Schneemann, Gerard Malanga, Allan Kaprow, Hans Arp, etc.
Smaugteam: Paul Staudenmaijer, Tjitte
de Vries, Guus Dijkhuizen, Hans Kanters, Anton Martineau, Dick Arenshorst.
[#] STONE AGE
[#] THE SOHO WEEKLY NEWS
Vol.  nos. -. New York, Febr.  - Sept. , . L. folio; newsprint.
Ills.
Nos.  -  (all published).
Farmingdale, NY . ,x cm.,
spine- stapled, pp. Per issue.
Glossy covers.
 .
 .
Weekly covering New York City, in particular Soho), edited by Michael
Goldstein. Contrib. incl. Paul Williams,
Jim Stratton, Rose Hartman, Tracy Young,
Bill Plympton, Joanna Rees, o.a. Articles
and reviews on politics, art, theatre,
dance, fashion, film, popmusic. In no :
Interview with Clifford Irving (‘Irving
after Jail’) by Rudi Stern and Eleanor
Bingham; interviews by Joanna Rees (in
no : ‘Conversations with Dali’; in no :
with Claes Oldenburg; in no : ‘Marisol
Today’). In nos.  & : Exclusive interview with Anais Nin, by Elaine Louie; in
no : interview with Lotte Lenya, by Jeff
Goldberg. Photographs by Allan Tannenbaum.
 John Benjamins Antiquariat B.V.
The All-New All-Dope Magazine.
“..A magazine devoted exclusively to
getting high”. “Stone Age will probe
dope -chemical and natural- to reveal
its hidden treasures like a jeweler”
Editor Gilbert Choate. Number :
Christmas Collector’s issue! Includes
Graham Greene’s article “Opium in
Old Vietnam” and Norman Mailer
interview “On Weed and Karma”. Also
Dean Latimer: Dope, Sex and Rock’n Roll; Number : Do-it-Yourself issue!,
; Number : Super Stoned issue! A. J. Weberman: How to Bogart A Joint.
Each issue with the Stone Age Gazette, and reports on the drug scenes in
Mexico, Amsterdam, etc.
[#] STYNG. Yorkshire’s
alternative newspaper
Cooney Laides), Jim Hasynes, Heathcote Williams, Germaine Greer, together with Willem de Ridder (pseudonym Wilhelm Reider; Aloha,Amsterdam)
and Susan Janssen. Texts in English; contribs. by Alex Gross, Alex Trocchi,
Ed v.d. Elsken, Anna Beeke, Wolinski,Robert Crumb, Günther Brus, Otto
Muehl, Joop Wilhelmus, Max Natkiel, Germaine Greer, Willem de Ridder,
William Burroughs, Theo van den Boogaard. a.o. Together with the important special issue, written by Wlliam Levy and designed by Anthon Beeke:
Very explicitly illustrated and with the following text on the final page:
“Final instructions: This is not a work of fiction or of one man. Keep your
eye on it’s bi-unity. I am smiling now. But if you don’t think my story marvellous and you should happen to meet me, kindly pass as though we don’t
know each other. Moral: “At the moment of coitus all men are one man!””
No.  (n.d.) Published by Seaview
Publications, Barnsley. Newsprint,
 pp.
 .
Editorial: Roger Hutchinson, Simon
Rush. Graphics: Richard Keys, Duncan
Curtis, Bill Crawford.
[#] SUN/DANCE. White Panther Information Service.
Vo.  no  (July ,); Number  (October ). Tabloïd;  pages,
folded; printed in colour; light soilage and small defect to right
margin of number . Two issues.
 .
[#] SUCK. First European Sex Paper.
Nos. - (all publ.) Amsterdam, Oct. -(). Folio; unbd.
illustrated, partly colored. An exceptionally good set, with only very
light spine and edge damage to number  and very light staining in
the margin of some numbers. Number  with the original
Suck-publishers stamp (change of
address), and Number  in the first
printing AND the second revised
printing (pages  and  totally
different). No.  with the inserted 
page comic (small tear). Together
with SUCK SPECIAL ISSUE G.
GORDON, text by W. LEVY, design
A. BEEKE: The Virgin Sperm
Dancer. An ecstatic journey of a boy
transformed into a girl for one day
only, and her erotic adventures in
Amsterdam, magic center. Original,
ilustrated stiff boards,  pp. The
Hague, . Folio.
Colourful hippie-counter-culture publication, fully illustrated, artwork and
photographs. A Product of Woodstock Nation. White Panther Party: Chairman John Sinclair, with Pun Plamondon, Ken Kelley, Magdalene Sinclair,
Frank Bach, Gary Grimshaw, etc.; also contributions by Ed Sanders, Afeni
Shakur, Michael Aldrich, Tom Hayden, Eldridge Cleaver, Bill Hutton, etc.
“Free Chairman John Sinclair!; Free Tim Leary”.
 ,.
Complete set of this startling Dutch underground magazine, containing explicit photographs and texts, drawings and comics of an obscene nature. A
totally new sex publication, initiated by William Levy (pseudonym William
[#]
SURPRISE. Tous les trois mois.
Nos. - (most probably all
published, publication forbidden
after no ). Small to., ab  pages
par issue; stapled in coloured
pictorial wrappers, inside b/w. pp
each issue, b&w contents, stapled
into the original coloured
illustrated paper wrappers. Paris,
Éditions du Square, -. In
excellent condition and extremely
rare.
 .
John Benjamins Antiquariat B.V. 
Editor in chief: WILLEM (Bernhard HOLTROP). Comic with French text
by the notorious editor and illustrator, wellknown for his contributions
to the Dutch Provo=magazin ‘God, Nederland and Oranje’, as well as to
L’Enragé, Charlie Hebdo, Hara-Kiri Hebdo, etc. The editorial for number 
notes that the Minister of the Interior, Michel Poniatoiwski, found Surpise
number  to be “dangereuse pour la jeunesse..” and forbade sales to minors.
The covers of the premier issue is by Joost Swarte. Contributors include
Kim Deitch, Riri le Spermatozoide, Bill Griffith, la bande a Bazooka, Joost
Swarte, Chlodwig Poth, Bananar, Loulou, Phil, Poth, Oscar de Wit, Chapi,
Dom Willoughby, Cathy Millet, Ever Meulen, Dave Geiser, Albert Rainbow,
Morimoto, Poth, Phil, Kamagurka.
Publication in the aftermath of ‘Provo’
and de “Kabouters” with literary contributions and critical articles, satirical
drawings, photographs. Topics related to
disarmament, ecology, the monarchy, etc.
Rare complete set. irregular publication,
ed. by Duco M. van Weerlee, R. Stolk, T.J.
Bouman, H. Brinker, S. Davidson, J. de
Jong. Contributions by R.J. Grootveld,
Evert Rutgers, L. Putman, D. Tuijnman,
a.o
[#] TAMPAX TERRA
No. . Torino,  (autunno); x cm. Poster, bluepinted. “Foglio
Stagionale e Murale (settembre/ottobre/novembre)”. Some
discoloration over the folds.
 .
[#] TING-PA
Nos. - (all publ.). Kathmandu,
Nepal, Fall -Spring . Large
folio, unbound; printed on special
handmade rice-paper woodblock;
illustrated.; some impressions in red.
 ,.
Edited and published by Angus Maclise
and Francis Brooks, hand-printed in
Swayambhu by Ato Tamting Sija, in a
limited edition of  copies only. Contribs. and woodcut illustrations (several
on full-page) by Ira Cohen, Hetty Maclise,
Olivia de Haulleville, Angus Maclise, Ian
Alsop, Francis Brooks, Katie McDonald,
Petra Vogt, a.o.
Texts by Mauro Pariananda «Viaggiare dormendo», Giulio Tedeschi a.o.;
dedicato a gianni milano zaratustra paperino sun ra aleister crowleyillustrations in the text.
[#] TOTAL. eine macabre zeitschrift.
[#] DE TAND DES TIJDS.
Historisch tijdschrift - Postkrant voor Nederland.
Nos. - (all) Amsterdam,  Sept. - Nov. . L. folio, folded
to  pages, unbound (except. no / which is to). Ills. (most issues
were sent through the mail). Rare as a set.
 ,.

John Benjamins Antiquariat B.V.
(The only issue published ?) : Kunstbeilage von Prof. Paul
Wunderlich. . Jahrgang nr. . Bremen: Self published, (n.d - late
sixties) Quarto,  pages,
numerous illustrations. Illustrated
wrappers.
 .
Contributions by diettrich kittner,
raoul hausmann, roland neumann,
peter paul zahl, dieter volkmann,
arno reinfrank richard laus and
others. With a double page illustration by Giger; a full page illustration by Pit Morell and front cover
by H. Eisenmann; a loosely inserted
and folded double page black and
white print (auf kunstdruckpapier)
by paul wunderlich; a folded ‘Total’
sonderdruck (special edition) with
reproduced press clippings about articles that appeared after that one of the
former’ issues of Total had been refused by the Deutsche Post.. With loosely
laid in subscription form.
[#] TRA. Rivista internazionale di cultura alternative /
international review of alternative culture
Distributed by the I.A.P. International
Alternative Press in Milano. “ Numero
unico in attesa di autorizzazione - eliografato in proprio, te underground e i
primi passi di quei circoli giovanili che
sfoceranno poi nel movimento ‘. (...)
Eliografato, spazia dalla controcultura al
fumetto con la regia di Renato Pinuccio”
.(IAP : pag. ).
Nr. , -  ( numbers in  issues
of a total of ten numbers
published). Text in Italian and
Englisch. Milano: TRA edizioni,
 -. Added a publicity
leaflet and subscription form.
 ,.
Directed by Giancarlo Bocchi,
-number . . Speciale: La Nuova
Biennale .Tabloid size,  pages,
illustrated throughout. -number .
Speciale: Polonia  . Tabloid
size,  pages, illustrated throughout.
-number . Speciale Canada . Rivista
trimestrale di dibattito, informazione e ricerca culturale. Quarterly magazine of debate, information and
cultural research. . Quarto,  pages, illustrated throughout. Illustrated
wrappers. -number . il sociale linguaggi istituzioni. . Quarto,  pages,
illustrated throughout. Fornt cover ‘arte e ideologia’ by F. de Filippi. -number
/. Linguaggi negazione e lateralitá. Rivista bimestrale d’informazione
dibattito e ricerca culturale. Bimonthly magazine of information debate, and
cultural research. Quarto,  pages, illustrated throughout. Front cover after
Daniel Buren. -number /. Linguaggi di massa. Quarto,  pages, illustrated
[#]
TWEN. (from no. 2 onw.: TABOE.). Blad voor jonge mensen.
Nos. - (all publ.). Amsterdam, -. to., unbd., original
illustrated wrappers with illustrations and photographs. Spines
damaged and slightly worn.
 .
Directed by André v.d. Louw, R.
Ferdinandusse, a.o.; with contribs.
by R. Campert, H. Claus, C. Nooteboom, S. Vinkenoog, Hermans,
Lucebert, Bibeb, etc. Ills. and photographs by Ed v.d. Elsken, F. Lodeizen, H. Postma. Peter v. Straaten, E.
Postuma de Boer, etc.
[#] UBU
throughout. Front cover with photograph manifestazione di strada (bologna
). -number . Ideolologia Dell’avventura. Rivista d’informazione e politica
culturale. The magazine of information and cultural politics. Aprile .
Quarto,  pages, illustrated throughout. Realizzazione grafica Angelo
Sganzerla. Contributions by Ugo Dossi, Ann Tuteur, Haka, Lyn Kienholz,
Amerigo Marras, Lamberto Pignotti, Helmut Schweizer and Vicky Scarpa.
Photographs by Edoardo Fornaciari, Giorgio Colombo, J.P. Reverdot (P.
Hulten), G.E.Simonetti, Lyn Kienholz etc.
[#] TRAPPER
(Unnumbered issue). Primavera , No Copyright. Milano, .
Printed in darkgreen on white, in heliogravure on a sheet of ,x
cm, folded as a harmonica to  pages of ,xcm, handwritten
texts with illustrations. Stamp Tampas distr.torino on frontpage.
Nos. -/ (all publ.?). Milano, dic.
 - giugno/luglio . Original
wrappers folio. Ills.
 .
Director: Franco Quadri. Together
 issues (no. / & / are doubleissues) of pp. each, richly illustrated.
Contribs. on American underground,
film, theatre, feminism, popmusic, a.o.
Articles incl.: ‘Dopo l’Underground’
(Calendario dell’underground e
della rabbia-New American Cinema anno -Rivoluzione è teatro
per la strada-Comics and Stories by
Crumb); ‘Brecht antibrecht’; ‘Ginsberg a Chicago’; ‘Liberazione Femminile’
/ ‘Gay Power’; ‘Rapporto Viet-Marijuana’; ‘Manson Innocente?’; ‘L’Era
dell’Acquario’; ‘Rock Power’(Beatles, Rolling Stones, Bob Dylan); ‘ modi di
fare teatro’, etc. Contribs. by (a.o.) Giuliano Scabia, Gianni Buttafava, Franco
Cavallone, Fernanda Pivano, Jerome Savary, Marisa Rusconi.
 .
John Benjamins Antiquariat B.V. 
[#]
UC unadopted communication.
(Verschijnt om de drie weken/
Verschijnt onregelmatig).
Nos. - (all publ.?). Heverlee, 
Nov.  -  April . (, x 
cm). Roneotyped, b&w. (No.  with
cover in orange). With illustrations.
 .
Belgian underground and psychedelic
publication, edited by Walter Declerck
in Heverlee. Contribs, by Burroughs,
Karel de Geest, Barn Altona, Cis
Peeters, Meyerson, Peter Rooibos, Dirk
Vom Berge (ills.), and many anonymous.
[#] VDRSVP
[Numbers - all published with the Madison WI Underground
Newspaper KALEIDOSCOPE].  . July -, Aug.  - Sept. , and
n.d. Nova Broadcast, .(San Francisco (Athens, New York,
Cologne,LA, Paris,Mannheim : Nova Broadcast Press). Rare copies of
these fragile broadsides, in very good c ondition.
 ,.
Broadsides distributed as supplements to Kaleidoscope. Edited By Norman
Ogue Mustill and Jan Jacob Herman. Single sheets, folded up to three times.
Printed front and back in a -column newpaper format, with photocompositions. No. : Contains Burroughs (The Moving Times), Weissner (
Death TV) , Nanos Valaoritis (The story of Scroloboulopoulos) along with
work by Mary Beach, Alan Ansen and the editors. This was inserted into
[#] UFO Space Bulletin
Nos.  and  (all publ), Juni .
“Revolution durch Information”
UFO  Space Bulletin,  Oktober
. Göttingen : Expanded Media
Editions.  x  cm, folded to to.
 .
Complete set of this German counterculture publication, nicely illustrated with collaged images, clippings,
photographs, photocompositions, etc.
With contributions of Joerg Fauser, Doc
Benway, Allen Ginsberg, Schnee-Ede,
Jürgen Ploog, Leila Khaled, Carl Weissner, Peter Weibel, Valie Export, Pelieu, Hamburger Mary, ‘Flash Gordon’,
und ‘Lonnie the Pimp’. Number  with contributions by Joerg Fauser, Harry
Gelb, Pierre Joris, Jürgen Ploog, Carl Weissner, Dr. Kurt Unruh, Udo Breger,
Jan Herman. Leara, OZ-Prozess, Schwarze Zelle, Junk, Blutiger Mittwoch,
TECHNO-Anarchie, Coca-Cola. “Erstaunlicherweise haben wir die te Nr.
geschafft.” Rare.
[#]
US. The Paperback Magazine.
Nos. - (all publ.). New York,
-. Original illustrated
wrappers sm. vo.
 .
Counterculture magazine in paperback
format, edited by Richard Goldstein.
Contributions by James Kunen, Jim
Morrison, Michael Thomas, Steve Katz,
Richard Goldstein, Jon Landau, Richard
Meltzer, Tom Nolan, a.o. Cartoons by R.
Crumb and Victor Moscoso. Illustrated
with photographs and unusual graphics.

John Benjamins Antiquariat B.V.
the second section of the July - issue of the Madison WI Underground
Newspaper KALEIDOSCOPE. No. : ‘We pick up where the hen leaves off.
.An investment in the smell of rotten eggs”. Contributions by Carl Solomon
(War), A. Rooney & S. Beiles (Collectors corner), Alan Ansen (Professor Joe,
a candidate for the presidency), N.O.Mustill ( photocollages), Wolf Vostell
( Four Instant Happenings, and a serigraph), J.J.Herman (collage),
Jochen Gerz (photocomposition), Carl Weisner (photocomposition), Allen
Ginsberg, James Silver, Carl Weissner, Harold Norse, and several others. This
issue probably published as Broadsheet, inserted into the second section of
the July Aug.  - Sept.  issue of the Milwaukee (Wisconsin) underground
newspaper Kaleidoscope. A third issue was published Nova Broadcast, .
No. :Nr. : “Artists all/find a dark corner/sit down/place youyr right calf
on back of neck/place left calf on right shin/and suck+++weather/zonk”.
“ An army of technicians stand vehind our product”. The third and last
issue of the artists’ periodical, with contributions from the editors, Herman
(A dangerous opiate) ; Carl Weisner (Stasis Inc.); Jeff Nuttal (drawing),
N.O.Mustill( photocomposition, The Vietnam Question); Wolf Vostell (Miss
America, photocomposition); Jochen Gerz (Theory of mobile texts); Alison
Knowles (The big
book, phtocomposition); Claude Pelieu;
Sinclair Beiles (Notes
from a tour); J.J.Lebel
(Erotic traveller); , Carl
Solomon (The adventures of Zig-Zag), and
Gail Chiarello Dusenberry, Nanos Valaoritis.
Nova Broadcast, .
[#]
WASHINGTON FREE PRESS
Group of  random issues
published between March  August . Tabloid newspaper
print. Set in generally shabby
condition with soilage, edges with
damage, some tears and some
waterstains. Folded in half as
originally sold.
 .
Important underground paper, published by the Washington Free Community. Some colour added to front
and back page illustrations, also in the
middle-spread. Free Press Staff: Art
Grosman, Bill Willett, Marilyn Bird,
Mark Schulman, Bobbi Nanny, Peter
Novick, etc.; samples of headlines: LBJ
to Appoint Son-in-Law to Replace
MacNamara; Hips Say Speed Sucks,
Girls Say Yes to Guys Who Say No to the Draft!., etc.
[#] WEDGE
Nos. - (all publ.). New
York, NY, Wedge Press,
-. Orig.wrappers,
,x cm.
 ,.
Edited by Phil Mariani and
Brian Wallis. With numerous
illustrations, b/w; text in two
columns. No. : An Aesthetic
Inquiry”pp. Contributors:
Art Papier (Interview with
Joseph Beuys), G.A.A.G.,
Jenny Holzer, Jonathan Crary
a.o. No. :The Spectacle”
pp. Contributors: Richard Prince. Guy Debord, Pat Thomson, Michael
Oblowitz, Jonathan Crary, Barbara Krugera.o. No. //: Partial Texts: Essays & Fictions:  booklets, different format in folder. Kathy Acker, Silvia
Kobowski, Nan Becker, Reese Williams, Mathew Geller, Richard Milazzo,
Roberta Allen, Theresa H.K. Cha, Harry Condoleon, John Fekner, Candace
Hill, Gary Indiana, Sarah Charlesworth and Phil Mariani. No. : Sexuality
: Re/Positions. Guest editor: Silvia Kolbowski. pp. Contributors: Victor
Burgin, Jean-François Lyotard, Judith Barrya.o. No. /:The Imperialism of
Representation, The Representation of Imperialism” pp. Contributors:
Edward Said, Jurgen Habermas, Noam Chomsky, Jonathan Crary, Edward
Herman, Gayatri Spivak, Jean-Luc Godard a.o.
[#] THE WHOLE EARTH CATALOG. Access to tools.
[#] WAVE. The coffee table tabloid
Vol. , No.  (all publ.?). New York, So What Inc., . Tabloïd ( x 
cm.). Illustrated.
 .
Published by The Portola Institute, Menlo Park/CA.; Spring .
Together with:
THE LAST WHOLE EARTH
CATALOG. , Followed with
ongoing pagination by
WHOLE EARTH EPILOG.
(nd. Ed., October ),
Together with:
THE NEW EARTH
CATALOGUE. Living here and
now.;  volumes, L.folio, in
orig. pictorial wrappers.
 .
Underground magazine published and edited by Steve Becker and Stan
Bobrof. Photographs, text, line drawings. With contributions by Mark,
Beyer, Buster Cleveland, Studi “Stu Chernoff ”, Frank Bruno, Debra Kameros,
Brian Carr, Raymond Young, M.R.Foldes. Incl. The Magic Theater Gazette
Number One by Raymond F. Young.
Sales catalogues offering , describing and depicting an array of the
most unusual items designed for
“new living”: ...”giving insights
into the needs and desires of the new generation.” :the realm of intimate
personal power is developing, power of the individual to conduct his own
education, find his own inspiration, shape his own environment, and share
his adventure with whoever is intereted. Tools that aid this process are
sought and promoted by the Whole Earth Catalogue.” Illustrated throughout.
John Benjamins Antiquariat B.V. 
[#]
DE WITTE KRANT.
De Papieren Tijger
Nos. , , , /,  (sic!), /, ,  and
The POSTER-issue. (all published).
Amsterdam, -. x cm.; in
very good condition.
nostre lotte” with translation into french, english and napolitan
dialect.
 ,.
 ,.
Underground journal, close to
Provo. . “Nieuws over de sosjale
revoluutsie in de derde wereld, de
kulturele revoluutsie in de westerse asfaltjungle,,de psiegedliese
revolutie, de lieve revoluutsie in
Amsterdam”. Collaboration of Ronald Augustin Johnny the Selfkicker,
Bart van Hogenhuijze, Ben van
Ootmerssen, Robert van der Veen,
Simon Vinkenoog. Advocates sexual
freedom, freedom for drug, etc.; flowerpower; psychedelic artwork. Poster
issue in colour (Franz Deckwitz).
Directed by Dario Fiori, continuing “Viola” (hence the April issue numbered
consecutively as no ):
-Marzo : “Viola è Wow”. Subtitled “Circoli del proletariato giovanile in
de/composizione. Chiamiamo wow il movimento reale che (si) di/strugge e
supera lo stato presente delle cose”,  pages printed in brown, folding out to
a poster : “Dopo Marx aprile - Disgregazione è Bello”. Texts: “Fare no. Disfare”; “Anatema isterico” ; “E ora e ora”; “Siamo tutti indiani metropolitani”;
“Guerriglia Magia”;
-(Aprile ): “Siamo diversi”. Sottotitolo: “Chiamiamo wow il movimento
reale che si strugge e supera lo stato presente delle cose - per la quinta internazionale”,  pages printed in blue.
[#] WITZEND
Nos. - (all publ.). Amsterdam,
/-. Original wrappers;
to;
[#] X. (Screw presents a
new exciting publication).
Issues , , . (possibly last publ.).
New York, . Newsprint.,  pages
each. Light wear, but overall in very
good condition.
 .
Dutch language edition of Wallace
Wood’s New York ‘Witzend’, published
by the ‘Real Free Press’ which had
outlets in Amsterdam, Rotterdam and
Antwerp. With contribs. by prominent
American comics artists: Wallace
Wood, Steve Ditko, Bill Pearson, Grass
Green, Jaf, Warren Sattler, a.o.; with
 page prospectus of ‘The Real Free
Press’ (distributor of ‘Provo’ magazine
in ).
[#] WOW
Marzo, Aprile  (Milano ).
Two numbers (all published,
continuing “Viola”). ,x cm.
Printed in brown and blue. With
many drawings and graphic
illustrations in Situationist style. On
the last page an image of Totò as a
Roman: “Vivi nei nostri cuori, guidi le

John Benjamins Antiquariat B.V.
 .
New York pornzine, offspring of Screw.
“A new concept in adult fiction. Complete photo action storiePublisher: Jim
Buckley. Editor: Al Goldstein. Photostories, in the middlespread Fred Englemen
comic adventures of Popeye, Grotchie
and Super (Fag)-Man.
[#] YARROWSTALKS
Number . (n.d., ca. ). London, Duke Street,St.James.  pages,
selfwrappers; , x , cm. In fine condition (except for very light
soilage on the front cover).
 .
Published by Chris Hill and Brian Zahn.
This issue dedicated to Lynne Coren.
Legendary underground publication
with early ‘Head Comix’ (copyright
) by Robert Crumb. Interesting
psychedelic artwork, printed in colour
on full page, by Earl Kells, Paul Carlin,
David Auten, Margerie Leamy, Bonnie
Williams Asrnie Hendrickson, Ichabod
(photograph), Peter Scheidt, Louis Delsarte, Douglas Binder.
and other drawings by Crumb. Yarrowstalks was Philadelphia’s Oracle,
one of the best of the underground
papers;Yarrowstalks was a blend of
artwork and creative writing. It was
not radical politically, but rather
a gently publication, with visually
pleasing graphics and an easy editorial style. The first issue includes a 
page interview with Timothy Leary,
with photograph. The paper, following the lead of editor and publisher
Brian Zahn, moved toward Eastern
philosophies. Twelve issues of
Yarrowstalks were published in
Philadelphia from  until .
Most of the activity was concentrated at the beginning of the period,
in the heyday of underground press
activity.
[#] YARROWSTALKS (Crumb)
Numbers ()  and . Philadelphia, Brian Zahn, June-July . (No.
on newsprint,  x , cm.,
light wear to spine and edges;
No.  on better paper,  x ,
cm. , with a dark stain of ab. x
cm in left bottom corner
throughout the issue, front page
right corner lightly shaven, but
on the whole still a quite
acceptable condition for these
rare issues).
 ,.
Published (initially monthly) by
David Auten and Brian Zahn.
Contributors: Steve Tilles, Phil
Stilles, Bonny Williams, Paul Carlin, Lynn Coren, Timothy Leary,
Robert Crumb. These first issues
of Yarrowstalks represent some of
the earliest R.Crumb Comics & Stories. Number one has the first appearance of his character “Mr. Natural” and “The Trip” a  panel psychedelic
comic strip. The second issue features the first installment of “Head Comix”
[#] ZINC. Très beau, pas cher : Journal de bandes dessinées
Nos. -  (all published, complete set), Paris, Société de presse «Le
pop», then éd. Balland after No.  , mai - mai . Original
pictorial wrappers, first 
numbers x cm, then
becoming xcm. TOGETHER
WITH: POLITICON. Supplément
hebdomadaire à “Zinc” (très beau
mensuel). Editeur Jean Balland.
No. -. Paris, Balland,  avril, 
avril,  avril et  mai . 
numbers of each  pages,  x 
cm.
 ,.
Directed by Pierre Guitton, then
after No. : Balland. The first French
comics magazine for young adults
with subversive political anti-establishment content, dealing with all
the topics of the time and promoting sexual liberation. Directed by
Pierre Guitton and Gilles Nicoulaud,
assisted by Soulas, Bertrand, Hugot,
Berroyer, Bob, Lesluin, a.o.; the supplement Politicon comments and caricaturizes the French political scene, and is particularly interesting for the 
presidential elections. A rare set.
John Benjamins Antiquariat B.V. 
[#] ZUT
Numero Unico, (Roma),
(Collettivo A/Traverso), 
[n.d. but October ], x
cm,folded  times to x cm.
Direttore resposabile M.
Baraghini, supplemento a
stampa alternativa.
 .
Only number published of this
countercultural journal. Edited in
Rome by Angelo Pasquini, Piero
Lo Sardo, Mario Canale, with collaboration of Giancarlo De Simoni,
Gilles Wright, Gerrj (Gerratana).
Text on the frontpage:: “Di questo”; “Essere assenti”; “Che cento fiori sboccino - che cento radio trasmettano - che cento fogli preparino - un altro ‘
con altre armi”; “Ottobre. La marjuana matura...”.
Folded out on the inside is a poster with the following texts:
“Contro il disegno paranoico di colpevolizzazione-criminalizzazione
dell’intelligenza desiderante. Contro il totalitarismo dell’imbecillità clericoriformista. Contro la restaurazione culturale (...). Proponiamo - Una
vertenza generale per l’abolizione della scuola. - Una campagna ecologica
per la sospensione di ogni forma di trasmissione del sapere. - La messa
fuori legge di Comunione e
Liberazione. (...)
Zut foglio di agit/azione
dadaista PER LA LIBERAZIONE dall’estraneità creativa
dalla schifosa organizzazione
del lavoro. Della rabbiosa
espressione collettiva dei
marginalizzati dalla ributtante
rappresentazione spettacolare.
Dell’intelligenza desiderante dalla gabbia tormentosa
dell’organizzazione ideologica
del consenso. PER LA SOVVERSIONE dell’istituzione
spettacolare, ideologica e tecnico-scientifica. Colpiscine uno
per educarne cento!...”. (Salaris
: pp. ).

John Benjamins Antiquariat B.V.
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