Dialogue Issue 47 Autumn 2010
Transcription
Dialogue Issue 47 Autumn 2010
Dialogue Issue 47 Autumn 2010 WN BULL Dialogue Contents Issue 47 Autumn 2010 WN BULL Dialogue Issue 47 Autumn 2010 WN BULL Editorial Editorial Office: 164 King Street, Newtown NSW 2042 Phone: (02) 9519 5344 Fax: (02) 9519 4310 Email: wnbull@wnbull.com ABN: 67 001 593 746 Regulars 1Editorial 20 Staff Profile 22 Recommended Reading Dialogue Publications © 2010 ISSN: 1832-8474 Dialogue is published quarterly by Dialogue Publications - a publishing division of W N Bull Funerals Editorial Board: Richard White John Harris Patsy Healy Production: Phillip Pavich Email: phillip@depotspot.com Copies of Dialogue can be obtained by calling (02) 9519 5344 Features 2 Lest We Forget 4 Is Humpty to have the Last Word? A Story about Erica Greenop 8 Are Cemeteries on the Way Out? 12 Don’s Decision 14 Fit at Fifty... Dignified when Dead 16 In the Zone 18 Death, My Father and Love written by Richard White Autumn. This is a time for checking through memories and seeing if there is anything there to carry you through the Winter. And, there is. It is like watching Casablanca again and meeting up with Humphrey Bogart and Ingrid Bergman, Rick and Ilsa in the film. Ilsa really said, “Play it once, Sam. For old time’s sake.” Not, “Play it again, Sam.” And Rick’s toast throughout the movie was, “Here’s looking at you, kid”. But, the quote I was struggling to remember had to do with the insignificance of three lives, caught up in the events of the Second World War. “. . . it doesn’t take much to see that the problems of three little people don’t amount to a hill of beans in this crazy world . . . “ It’s the sort of quote you can fall back on when the car won’t start or you’ve run out of wine at a wedding. It brings things into perspective and everyone settles back into the insignificance where they belong. But, that isn’t the thrust of the movie, nor is it the stuff of our dreams or of our lives. Our problems, our lives, our sorrows and our happiness have a startling and enduring significance. That is the tone of this edition. Geraldine Heffernan’s account of a meeting between some survivors of the 2009 bushfires and newly-discovered friends in a sea-side town is a story of a small connection making a world of difference, to two communities. How trivial could a collection of alphabetical collages be, unless you link it to chronic pain, as Erica Greenop does? Cemeteries might be the “dead centre of town” (ho hum . . .) but they are on the fringes of our thinking, until Philippa Hair did some research. Cecile Yazbek graces this edition with another of her well-observed stories with implications for all of us caring for sick or elderly relatives. “How I look when I’m dead” is no joking matter for Deb Moyle and her friend, Renee. Then, Dave Jory, a comedian of all people, takes us into the war-torn Afghanistan and the lives of the people he meets. Tristan Guzman has written a number of articles for Dialogue. There is a fresh, personal character to his stories and this is no exception. And, Janise Beaumont’s little book on angels is making the editor easier to live with, not to mention, easier to live. There you have it. Nothing of mind-blowing significance. Rick from Casablanca would have said, cynically, “hardly a hill of beans”. But, then again, he did put his life and his love on the line for Ilsa and arrange her escape to freedom. It’s just a movie, with lots of memorable quotes, and yet, the movie and the quotes are memorable for the selflessness and the love that underlie the cynicism and the “insignificance”. There is selflessness and love, ordinariness and familiarity, in all the stories to follow. As they said in the movie, “skip the credits and cut to the chase.” Happy Autumn. Cover image: Autumn Forest Issue 47 Autumn 2010 1 ...“it is a lot harder now than it was just after the fire. Then, the adrenaline kept things going. Now, people are having to plan their houses, make decisions, get things done. Everyone is so depleted. There is no such thing as ‘normal’ anymore.” written by Geraldine Heffernan Geraldine Heffernan The following account is a personal response to people effected by the bushfires that ravaged Victoria in early February, last year. Geraldine Heffernan, the writer, lives in the coastal town of Inverloch, South Gippsland, about an hours drive from Wilson’s Promonotory National Park. Editor The bushfires that hit Victoria in February last year have had a profound affect on many people. At the time, I wrote in my diary . . . Saturday 7th February – “Temperature reached forty six degrees, worst fires in Victoria, ever.” Sunday 8th February – “Tonight they think eighty six people have died in these terrible bush fires.” Monday 9th February – “The death toll has risen to one hundred and thirty one today.” Tuesday 10th February – “Toll today, one hundred and seventy one.” Wednesday 11th February – “Death toll one hundred and eighty one but expected to rise. Marysville wiped out.” One of the paramount feelings at the time, apart from horror and grief, was a feeling of guilt. What could I do? How could I help? I read Father Vince’s article, “A Fearful Baptism” (A reflection by the Parish Priest of Alexendra, in the middle of the region devastated by the fires at the beginning of last year) and was relieved to discover that guilt was one of the feelings that he experienced in the aftermath of the fires. Strangely enough, when I finally connected with “The Ladies of the Black Belt” (see below for who these women are) it was guilt that was the feeling expressed by one who had lost everything, apart from her house. Wanting to do something is one thing, finding something to do is another thing altogether. I rang people, schools . 2 Issue 47 Autumn 2010 . . but everyone was overwhelmed with support. So, I just waited. It was probably July before I came across an article on “The Ladies of the Black Belt” in The Age, Melbourne. The “Black Belt” refers to the scorched landscape that surrounds the township of St Andrews, about thirty six kilometers from Melbourne CBD. ‘On 7th February, 2009, a major bushfire destroyed houses on Ninks, Muller, Jacksons and Wild Dog Creek Roads, as well as Buttermans Track and Olives Lane. Its progression towards the town centre was halted by a southerly wind change, which saved the rest of the town, but drove the fire front further east, destroying the towns of Kinglake and Marysville.’ Wikepedia “The Ladies of the Black Belt” had lost their homes and twelve of their neighbours. Some seventy families from the fire ravaged hills were now dispersed in suburbs of Melbourne. They had lost their homes, loved ones and their life style. They were fighting to retain their identity. Because the township of St Andrews was largely untouched by the fires, the area was rarely recognised by the Victorian Bushfire Reconstruction and Recovery Authority. People were frustrated by what they felt as a blatant disregard of their loss. Once every three weeks, the women of outer-St Andrews, “The Women of the Black Belt”, meet in one of the few surviving houses to share their experiences. “We don’t want a lot of attention, but we do want to be mentioned”, was the feeling that the ladies expressed to The Age reporter. When they gather together, there are often tears, and understanding and acceptance. As one lady put it, “it is a lot harder now than it was just after the fire. Then, the adrenaline kept things going. Now, people are having to plan their houses, make decisions, get things done. Everyone is so depleted. There is no such thing as ‘normal’ anymore.” The ‘normal’ that the older residents knew included mudbrick homes they had built themselves, orchards, vegetable gardens and olive groves, coaxed from unpromising soil, and a most self-sufficient lifestyle. These ladies felt overlooked and in need of some recognition. When I read the article in the newspaper, I had been an enthusiastic member of the local “Living Longer, Living Stronger” group for some time. We were united in our opposition to the council’s plans to downgrade our activities. Seeing the photo of the ladies united and wanting recognition struck a chord with us. We talked about it and decided to invite them down to Inverloch for lunch. We could organise a bus, they could come down, catering would be easy, everyone would contribute. So, we made contact. As well as recognition of their story, we offered them a luncheon in an idyllic setting, Inverloch Anglers Club Hall. In speaking with the ladies from St Andrews, I let them know that there would be no pressure to talk or socialize. This peaceful setting was an ideal place to walk, think, reflect or shed a few quiet tears. Initially, we wondered whether they would be interested. However, the response was overwhelmingly in favour of the idea. Unfortunately, as Christmas drew near, other demands pressed in and the lunch had to be postponed. Not to be deterred, we offered to do some Christmas cooking. This offer was gratefully received. I didn’t need to encourage people to cook. There were plenty of volunteers who responded to the notice I put on the gym notice board. Then, I needed to collect tins to store the cooking, which I did by visiting all the Op Shops in the area. On one visit I was walking to my car juggling the tins. I met an old man who offered to help. When I explained what I needed the tins for, his response astounded me. “What bushfires? We haven’t had any yet. Are you cooking just in case?” Lest we forget. In early December, my husband and I delivered fifty plus tins of home cooking to St Andrews, including eight dozen cookies made by an eighty year old neighbour. We stood on the top of the hills and surveyed the area now covered with fresh re-growth. We shed some tears with Cathie, our contact in St Andrews, and listened to the story of her family’s close encounter with the fire. The ladies we met were overwhelmed by our cooking just as we were overwhelmed “...for now they will not leave their homes during the fire season. My last contact with Cathie was a very excited one. Quite a few of the “girls” had moved back into tin sheds on their own land and this was cause for celebration.” by their experience. Cathie rang me several times after she had delivered the cooking and expressed her thanks and that of the other ladies. But, the main sentiment was appreciation for the kindness of people and the acknowledgement that they could not have survived without this. “Knowing that we haven’t been forgotten, knowing that people still care has gotten us through.” The ladies will still come down for lunch, but for now they will not leave their homes during the fire season. My last contact with Cathie was a very excited one. Quite a few of the “girls” had moved back into tin sheds on their own land and this was cause for celebration. We hope to forge some ongoing connections with these people and learn from their strength and resilience. Issue 47 Autumn 2010 3 Is Humpty to have the Last Word? A Story about Erica Greenop. Erica Greenop is a regular contributor to Dialogue. In the last, Summer, edition, she brought to a fitting climax the series on backyard chooks. These homely tales, light-hearted and affectionate, captured a time in Erica’s family where chooks ruled the roost. That is, chooks were a part of the family routine, amusement and education. Erica was able to weave her magic and give us vivid accounts of neurotics, thespians, narcissists – the “full catastrophe” as Zorba the Greek once said. That’s what Erica did. She took the images and impressions from her back yard and created names and characters that were unforgettable. In this Erica is in good company, Beatrix Potter and The Tale of Peter Rabbit , Richard Adams and Watership Down, William Horwood and the moles from Duncton Wood, even Woody Allen and Ants and Nemo from the Finding Nemo movie. Ordinary, everyday places and creatures come to life in the imagination of . . . all of us, if we let them. In a conversation the other day, Erica showed me a book she had created for her grandchildren. (Like all good books, it was really created by, and for the author, many of the images are autobiographical, expressions of something of herself.) It is a series of collages, on the letters of the alphabet. Erica pointed out that the rich, red roof of a toadstool and the welly boots of the child under the Umbrella are from a glamour photo of botoxed lips; a hen’s henna comb is Pauline Hansen’s hair; a vulture’s neck, Nicole Kidman’s stockings and so on. Bits and pieces from everywhere had been brought together. There was colour and flair. A lion’s mane and tail ablaze was from scenes of bushfires. A brilliant parrot with its glistening green back came thanks to a Cascade beer bottle. Something from everywhere brought together and . . . bingo! There was a Parrot, an Emu, an 4 Issue 47 Autumn 2010 Imp and a Scarecrow. All of which brings me back to Humpty Dumpty. You know the rhyme. Humpty Dumpty sat on the wall. Humpty Dumpty had a great fall. All the King’s horses and all the King’s men, Couldn’t put Humpty together again. We all know this ending. In the spirit of Erica’s stories about chooks and the wonderful book of collages, I thought of Humpty Dumpty. It is about someone falling apart, literally and no one being able to put him together again. And, that was why I had gone to see Erica in the first place. She wrote something for the Winter 2009 edition of Dialogue about a person in chronic pain. This is an extract, written in the first person. “I have lost myself. Living with chronic pain, I have lost the person I used to be, and this is going to last forever. My pain limits my mobility . . . it limits my ability to do the usual things that have defined my role. It takes its toll on my emotions; it takes its toll on the people who care for me. I have lost control over my life; I have lost my intactness, my sense of wholeness and completeness. I have lost my familiar world, the world I created to give my life meaning and purpose.” Erica had put herself into the mind and experience of someone in chronic pain. It was an experience of brokenness, a shattered self, one that even “all the King’s horses and all the King’s men/ couldn’t put . . . together again.” Now, Erica is on the National Advisory Panel of Chronic Pain Australia and head trainer and project manager for their Telephone Support Volunteer Programme. matter of my making sense of it all. It is more the wonder how Erica makes sense of it all. How does a person write stories about chooks and create Imps and Emus and Lions from pages torn from glossy magazines and then immerse herself, equally creatively, in the world of people suffering from chronic pain? How does she do this? The answer is there, under our noses, like most answers. Erica takes the ordinary sights and meetings of her life, observes them closely then lets her creative imagination Where some one else would see dust and rubbish, Erica sees a story or a picture. When a shattered person sees broken, scattered pieces, Erica can image a life, can believe in a life. She comes to this position with over twenty five years experience of work as a volunteer and professional adviser in hospices and community organizations, in programme development, training, workshops and support groups in the community, government and private organizations; in professional counselor programme development and training, and in private counselling practice. All this sounds very impressive and certainly Erica has the professional qualifications and experience to be of real service to Chronic Pain Australia and those who make use of its services. However, I couldn’t get away from the collages. At one stage in our conversation after I had spent most of our limited time admiring some of the images that illustrate this article, Erica said, “how are you going to make sense of all this?” I didn’t say it at the time, but I realise that it is not a go to work. The bits and pieces of paper and a chook with a broken wing become the stuff of drama and wonder. The broken bits are put together and bingo! There is new life. This is a presumptuous thing to say. But, I’ll take the risk. I think I know what motivates Erica and what leads her to play with images and colour. In fact, “lead” is too tame a word. Like Janise Beaumont, featured in Recommended Reading this time, Erica is driven to create. If either of these women did not write or collage they would not be true to themselves. They would become grumpy, ill or untrue. So, I could understand when Chronic Pain Australia was advertising for a person to train volunteers that Erica put her hand up. As Erica explained to me, people in this sort of pain are in pieces. Like people who are grieving or in any kind of emotional pain, the sort of people Erica has worked with for Issue 47 Autumn 2010 5 many years, there is a fragmented feeling. What is worse, when the pain becomes particularly intense or wearing, a sense of hopelessness overwhelms them. For the person themselves and for those who love and care for them, this is a most fearful time. This is when the walls press in and the sun disappears. There is no brightness in this world. Erica knows this world, from personal experience, like so many creative, caring people, and from her professional involvements. She cannot not be a part of this world. It is such a familiar place for her. It has the ordinariness of her backyard and the challenge of pages torn from a magazine. Where some one else would see dust and rubbish, Erica sees a story or a picture. When a shattered person sees broken, scattered pieces, Erica can image a life, can believe in a life. The person with the pain does not need “all the King’s horses and all the King’s men” or their therapeutic equivalents. They need people who can listen to them, offer whatever practical assistance and information they can and believe in a future with them. Such a belief is a deeply creative and spiritual quality. It is not pompous or patronizing. It is in touch with light and possibility. It is not afraid of pain or distress. Humpty Dumpty does not have the last word. I think that is what Erica was telling me when we were distracted the other day. Contact Chronic Pain Australia: www.chronicpainaustralia.org And the National Phone Support and Information Line: 1800 218 921 Specialists in Funeral Stationery Design and Printing Order of Service Booklets Return Thanks and Memorial Cards Natalie and Cheryl offer a personalised service to make this difficult time a little easier for the family. We will come to the family home to assist with the order of service booklets or memorial cards for the funeral. We can also offer this assistance via email. For convenience, we personally deliver to the funeral director. (02) 9519 5344 8814 7896 or 0431 360 404 www.wnbull.com.au purelight@bigpond.com AUSTRALIAN FUNERAL DIRECTORS ASSOCIATION MEMBER 24 HOUR HELP LINE lgAdv DIAL_070 6 Issue 47 Autumn 2010 Are Cemeteries on the Way Out? written by Philippa Hair & Richard White Philippa Hair Philippa Hair sent me the following article towards the end of last year. Her observations have set me thinking a number of times. Eventually, I had to do something about it. You may remember from the last Dialogue that Philippa featured in the piece on Christmas out at Tangmalangmaloo. It was Philippa’s reflections on her father’s funeral, where the John O’Brien poem had been used, that prompted me to do my own bit of reflecting. Philippa has been the researcher in the Law Library at Macquarie University. Her role has been to note staff and students topics of need and interest and to sift through the copious material and provide the references and items that are relevant. Having tried to retire at least twice, I gained the impression that Philippa was both appreciated by the university and she enjoyed her work. Here is an excerpt from her article on the future of cemeteries. of polished timber. The mood, as fitting, was respectful and dignified. A notable change over time has been the increased acceptance of cremation, originally frowned upon by some churches. The services in a church held prior to a cremation are sometimes omitted now, replaced by services in the crematorium chapel, equally respectful and dignified. The traditional timber casket still dominates, but some families are choosing more personally significant “...some of the solutions the government is considering include allowing “natural burials”, that is the use of bushland and privately owned farm land as burial places...No headstones as we know them would be used and GPS coordinates could identify the burial sites.” From the Necropolis to the Paddock – A Step in the Right Direction? Thirty years ago the mostly Catholic funerals I attended followed a pattern. Firstly, there was a service in the church followed by a procession to a cemetery grave site, more prayers, then burial. The casket or coffin was always 8 Issue 47 Autumn 2010 conveyances for their deceased. A friend recently chose a plain pine coffin and spent the time between her husband’s death and his funeral covering it with photos and mementoes of their happy life together. Fitting somewhere between the traditional and the more personal are wicker baskets and environmentally friendly ecopods. Ecopods, developed in the UK, are made of a compressed newspaper shell finished with a layer of paper made from recycled silk and mulberry leaves. In New South Wales there may be more radical changes, quite soon, as the government considers how to respond to a predicted shortage of cemetery space. Council sites will be full by 2019, it seems, and crown land sites by 2035. According to the Daily Telegraph, on 26th October, 2009, some of the solutions the government is considering include allowing “natural burials”, that is the use of bushland and privately owned farm land as burial places. Farm animals and the like could graze on the surface with no disturbance to the remains two metres below. No headstones as we know them would be used and GPS coordinates could identify the burial sites. Natural or green burial sites in Australia are few at this point. In New South Wales, there is the Lismore Memorial Park, in Victoria, the Lilydale Cemeteries Trust, in Tasmania, the Kingston Cemetery and, perhaps best known, Wirra Wonga at Enfield Memorial Park in Adelaide. By contrast, in the UK there are about two hundred green burial sites. Supporters of these “natural” sites often see them as more environmentally friendly than cremation which releases into the atmosphere a variety of pollutants including dioxin, mercury and sulphur dioxide. The use of cardboard coffins, not all that popular up until now, may be preferred in natural burial sites, accelerating the break down of human remains. For the same reason, there has been the suggestion that bodies to be interred in green sites be buried in shrouds only. This practice may not take on, although this is an accepted form for Muslim burials. Where a simple shroud is used, the bodies of the deceased are transported to the burial sites in reusable stainless steel coffins. Another significant change relates to family burial sites in cemeteries. Currently, graves that are purchased allow for multiple burials, at different depths. There is a move in some cemeteries to introduce renewable tenure. This implies an initial right to use a site for a designated period which, if not renewed, could be sold on. It is hard to imagine that in a country as vast as ours that we could run out of space to bury our dead . . . In the past, changes to funeral practices have been gradual, but some of the changes under consideration now will be particularly challenging. Should they be implemented, it will take time for them to be accepted. Philippa Hair O ne of the things that prompted my thinking were Philippa’s comments about Green and Natural funerals. I had come across The Natural Death Centre in the UK and I had bought their book, The Natural Death Handbook, so I was familiar with the terms. This is hard stuff, for me. I work for a traditional funeral company. I have been involved in the funerals of both my parents. They were “traditional funerals” and as far as I can remember, my sisters and I were happy with the way we honoured their lives and mourned their deaths. So, if something is working, why fix it, as they say in the classics. Then, I started reading The Natural Death Handbook. I would not call myself a Greenie, but I do the odd bit of re-cycling. I sort-of regret I use a car as much as I do and I Issue 47 Autumn 2010 9 resist some of the pressure towards consumerism. However, the spirit of the Natural Death Centre goes far beyond this tinkering at the edges. When this organisation advocates a green funeral they are contrasting it with one that involves cremation and the pollution associated with the process and also with a traditional burial in a formal cemetery. A green funeral acknowledges that we are a part of nature and our dying should be consonant with this. So, the aim is a minimum of adverse impact on the environment and a maximum opportunity to blend with and nourish the earth and all it contains. This is where natural burial centres come in. The natural burial centres are spread across the United Kingdom, one hundred and eighty of them at the last count. Instead of cemeteries, with walls, headstones, formality, the natural burial centres are in rural settings, woods, farmland, orchards. Coffins are simple and biodegradable or people are buried in shrouds, sometimes with a tree planted over the body. The emphasis is on returning to nature and avoiding the harm of man-made and artificial disposal procedures. Perhaps the popularity of the green funeral in England is due to the contrast between the England of old, “pleasant pastures” and “clouded hills”, and the ravages of the “dark Satanic mills”. There is a desire to restore and become part of the natural beauty that so much industrialization has destroyed. There is a similar approach in terms of natural death. Again, the thinking is about getting away from the manipulations of medicine and hospitals and allowing people, where possible and desirable, to die at home. While one of the contributors to the book draws a parallel between natural births and natural deaths, the thrust of the argument, it seems to me, is the contrast between the human experience of death and a medical and hospital monitored process of dying. The Natural Death Centre believes we lose something extremely important, integral to our humanity, when we hand over the decisions, the control, the timing of our dying to professionals who may have quite different agenda from us. At one end of the spectrum is the health professional’s concern to keep us alive for as long as possible, free from pain and with a minimum of emotional distress. All this can effect the level of sedation, the number of visitors and the content of conversations. How we die, when we die, and with whom we die is often out of our control. So what? You may ask. I haven’t given the matter too much (any?) consideration either. People associated with The Natural Death Centre give these facts considerable thought and planning. They would associate with the sentiments in an article in The Economist – “To civilise death, to bring it home and make it no longer a source of dread, is one of the great challenges of the age You may or may not be attracted to the ideas of a green funeral, but there is value in reflecting on the ways in which industry and technology have distanced us from nature, be it our physical environment or our own bodies. Something precious is lost when this happens. Death instead of being primarily a gateway to a life beyond this world is a way of being more fully incorporated in this world. Our body becomes a source of nourishment and a sign of identity with the earth that had lost its power to evoke wonder and delight. I can understand why a country that would sing William Blake’s “Jerusalem” with such gusto would embrace green funerals with enthusiasm. I will not cease from mental fight, Nor shall my sword sleep in my hand, ‘Till we have built Jerusalem In England’s green and pleasant land. Reading about green funerals has made me think. That is why I have included this piece in Dialogue. You may or may not be attracted to the ideas of a green funeral, but there is value in reflecting on the ways in which industry and technology have distanced us from nature, be it our physical environment or our own bodies. Something precious is lost when this happens. 10 Issue 47 Autumn 2010 . . . Gradually, dying may come to hold again the place it used to occupy in the midst of life: not a terror but a mystery so deep that man (sic) would no more wish to cheat himself of it than to cheat himself of life.” (Quoted in The Natural Death Handbook London:2003) It is one of the occupational blessings of working in the funeral business that I have been obliged to think about Life and Death, in capitals. It is an ongoing process, but Philippa’s research and the directions it has prompted my reflections have given me a shove. Have I filled in a Testament of Requests? I have made a will, but have I thought of Advance Care Directives or Organ Transplants? Am I talking to people dear to me about these things? I like the attitude of Renee, in Deb Moyle’s article this edition, “Fit at Fifty . . . Dignified When Dead”. There is a lightness to her conversation and a freedom in talking about her body and her death. She sounds like she is a bit further down the track, in terms of a “natural death”. And, it sounds like it’s a path worth taking. T The family and friends of deceased clients of W N BULL Funerals are invited to attend a Remembrance Service to be held in the Palm Chapel of Macquarie Park Cemetery and Crematorium, change to 5pm Plassey Road, Macquarie Park. Wednesday 26th May, 2010 commencing at 5.00pm. Refreshments will be served at the conclusion of the service. For those wishing to attend: RSVP ~ Wednesday 19th May, 2010. Ph: (02) 9519 5344 lgAdv DIAL_101 AUSTRALIAN FUNERAL DIRECTORS ASSOCIATION MEMBER Don’s Decision. written by Cecile Yazbek Cecile Yazbek On Sunday night, I packaged a platter of samosas and headed off to Don and Lucy’s for our friend Maria’s baby shower. It was wonderful to see her in full bloom – weeks away from birth. We hugged and chatted our way around the sitting room. But I believe that the most important things, and for me, the best things – food, conversation, perhaps a little seduction, happen in the kitchen. Maybe our anticipation of pleasure opens us up to one another. Anyway, I headed to the kitchen intending to help but Don was scraping plates and stacking the dishwasher. As if to himself, almost to me, he said, “We have a big decision to make in the next day or two.” “Oh,” I said and looked at him. We both stopped. “We have to decide whether to bring my mother from South Africa because the visa we applied for – just fishing really – came through.” “Ooh, what a thing!” I said and the circumstances unfolded in my mind. Pearl, late eighties, quite overweight, lives in the same retirement complex as my almost-ninetyyear-old mother. My mother had mentioned that Pearl had been “very forgetful” but now “she’s just quiet, no more conversation.” Don continued, “Since we last saw her we’ve been heart sore thinking of her there, alone with a nurse. We are all here, her children and our families.” I picture their hugs and holding, allowing the cells of their mother’s body to register the familiarity of her children. “That’s a tough one,” I said to him. “She could be affected by the trip.” “Yea, my brother thinks we should leave her there, he says we’ll kill her by bringing her over, but I want to bring her even though she might have to go back after a couple of weeks. Why keep her alive suspended in loneliness?” 12 Issue 47 Autumn 2010 “It won’t be easy if something happens to her and the family blames you.” And I see his desire to comfort his mother in her last times. He is a medical practitioner, aware of the risks, and, as the youngest son, sufficiently daring to take an unusual approach. His older brother prefers the status quo, contained by all the aids and safety nets they have put in place. I can imagine how hard it could be, after a full day spent with clients in various states of distress, to arrive home to see the failing body and mind of one’s own mother. Don and his family are from my hometown and my teenage memory. Their decision touches me, too. I have not seen my mother since she last visited me in 1995 – fourteen years is a long time. I am fifty six now; she is eighty-nine-and-three-quarters. Towards the end of life, just as with newborns, we measure a lifetime in months and weeks. Anna, up the road, in her late sixties, has a mother nearby who is ninety-six-and-three-quarters. My mother’s age and condition prevent her from travelling to visit me. So we converse on the phone, we write, we read, we use an online camera – in fact, we are far more attentive to each other than if we sat in the same room for days on end. But, Don and his brothers cannot have that sort of contact with their mother: she is no longer sufficiently mentally present to sustain that sort of communication. I catch a passing thought: I wonder how much my overseas conversations add to my mother’s day, and her mind. When I ring her, she’s often busy playing the piano – practicing for the next concert, playing in the nursing home or accompanying a soloist. With a housekeeper to manage the mundane, my mother doesn’t read or write, except for the odd letter. Aside from shopping, her leisure time is taken with knitting and television where she watches all the news, asserting, “I inform myself so that when people speak badly about others, like Muslims, Arabs or even Africans, I tell them to watch the news and inform themselves.” Don and Lucy were charmed when they met my mother and she keeps telling me, “what lovely people they are.” But, I cannot bring myself to tell her that they are airlifting Pearl to Australia, with a visa for her nurse as well. My mother will find it sad: she will miss the hugs from my friends when they visit Pearl. My mother will remain, bravely reading the list of those who have gone, been taken or left. And I recall Rilke’s lines “to hold death, all of death before life starts, to hold it gently in oneself and yet to feel no rage: this is beyond words.” When my cousin brought his ninety-year-old mother to live in Australia, my mother was heartbroken. My aunt descended quickly into the grip of the old person’s anaesthetic and died two years later. It was horrible to watch her beloved son fighting nature and time, while she railed against the hair sets, make-up and frocks. “Leave me alone, I’m old, get this silver shit out of my hair, so what if I die?” It is not easy to allow your best beloved to go, even if nature intends it. The great American poet, Mary Oliver, wrote: “To live in this world, you must be able to do three things: to love what is mortal; to hold it against your bones knowing your own life depends on it; and, when the time comes to let it go, to let it go.” And, I return to Don’s conundrum. As a physician, he must often have faced the question of whether to intervene with a patient. In weighing up the pros and cons, the bottom line is the patient’s survival... And, I return to Don’s conundrum. As a physician, he must often have faced the question of whether to intervene with a patient. In weighing up the pros and cons, the bottom line is the patient’s survival, and with wisdom, the quality of life and the ability of carers to support, maintain and love the continuing yet slowly failing body and slowly fading mind. A couple of weeks ago I read Oliver Sack’s story of Uncle Toby who had been in a myxoedematous coma for seven years. After a month of gradually thawing him out with thyroxine and physiotherapy, he came to life imagining the seven years to have been a day or two after he’d fainted. Six weeks later, he appeared to be back to normal, but started to cough blood. A tiny chest cancer, missed in the 1950 x-ray, dormant for seven years in his hypothermic blood, exploded into life and killed him in a matter of days. The question is of an intervention and its unintended consequences. It does not mean that we have to become paralysed; it requires of us to be strong and sufficiently adaptable to face the unforeseen consequences of something done with the best intentions. Because the trip to South Africa to visit my mother carries health risks that I am unable to take, the quality of my relationship with my mother had to change. In fact, it has flowered and thrived as I comfort and support her in remembering and feeling what those around her gloss over, evade or try to deny. For the moment, she and I are privileged and able to continue as we are. When my father died, my grief was accompanied by memories of our lifelong conversation. In contrast, the living loss of a powerful and beloved parent through dementia is a constant ache where the tears that fall are more often of frustration and longing. Pearl’s years of dementia hold her children in sadness. Sometimes, I am sure Don would like to lift the veil that covers his mother and share with her, the real person he remembers, a real conversation with appropriate emotions around loss and death. Her death will bring to an end their exclusion from a deep conversation with the mother who knew them most intimately from before they were born. With my mother, I remember my teenage tantrums, her cold laugh or her encouragement with a mixture of shame, regret and deepest pleasure. These vignettes are fading for my mother so I remind her to use her notebook or slips of paper to write down what I am sharing with her. The Irish writer, Sebastian Barry, in his novel about the healing power of memory, The Secret Scripture, says, “If you have no anecdotes, you will not survive in the world.” The tasty moments in our encounters and interactions are the stuff of memory and connection. Our loss of these dayto-day observations gives grief to long life. Sometimes wisps of sadness come to me in thoughts of my mother but they are dispersed with a quick how-are-you-phone-call. Don’s mother does not pick up the telephone. Her nurse does and says, “She’s deteriorated terribly since you last saw her.” “I think I must bring her now, before it’s too late for her to fly.” I picture him and his family gathered around, holding the old lady, pressing up against her, patting her hands, stroking her hair, feeding her morsels from their past – long since gone from their mother’s mind – titbits of childhood memory, the very substance of family and future. Issue 47 Autumn 2010 13 Fit at Fifty … Dignified when Dead written by Deb Moyle happened next?” “One day I made a decision to donate my body to science. I then imagined myself lying on the slab and envisioned medical students standing around commenting on how fat I was. I didn’t want that. I have my dignity you know.” Renee and I became instant friends. The next week when we met again the Group Leader offered members a 6 week challenge where our weight loss would be written on the 80 year old. Each week, without exception, she outstripped my efforts, despite me having a personal trainer and her being unable to exercise. I rewarded her with a bunch of flowers at the end of the 6 weeks and once she reached her weight loss goal of losing 30 kilos handed her a helium balloon saying ‘You are a Star’. She shone with excitement as she shared her weight loss tips with the group. Each week we share a skim cappuccino at the end of each meeting and talk about our experiences of this thing Each week, without exception, she outdid my efforts, despite me having a personal trainer and her being unable to exercise as her body was too stiff with age.... She is a role model for growing older and as a result of her example I am going to change my goal from ‘fit at fifty’ to ‘dignified when dead’. Deb & R enee Decade birthdays are milestones along the journey of life. Having an unspoken goal to be ‘Fit at Fifty’ I re-joined a weight loss group and summoned the courage to hire a personal trainer, Richard the Body Builder … not to be confused with Richard the Editor. Richard the Editor can attest to my inability to walk up stairs without great pain after my first training session with Richard the Bodybuilder. From childhood I adopted the unconscious rule ‘Do not appear inadequate’ and the pain I experienced was in direct proportion to my psychopathology. Achieving the status of Lifetime Member at the weight loss group for having lost 100kg (actually it was only 5kg but I had lost and found the same 5kg 20 times throughout my lifetime) I attended weekly motivational sessions and enjoyed being brainwashed about the importance of a healthy diet and regular exercise. My recurring problem was that when I reached goal weight I gave up exercise and the weight crept back on. I am a slow learner. Another goal I set for myself was to become more outgoing. I envied a close friend who loved life and seemed to take great joy in getting to know others, making friends with anyone and everyone, young and old, male or female. Kids loved her as she took the time to make them laugh. If you stood next to her at traffic lights she would know your life story before the lights turned green. While I suffered low grade depression, dysthymia; she lived life with gay abandon. I decided to take a leaf out of her book. After a meeting at the weight loss group I initiated a conversation with an elegant older lady sitting to my right. “How did you go this week?” I cautiously asked. “Lost over a kilo!” she replied. “Fantastic, how much have you lost in total?” “Over 14 kilos.” 14 Issue 47 Autumn 2010 “Wow” I exclaimed, truly impressed. Eager to learn her secret I asked “What motivates you?” “One day I made a decision to donate my body to science. I then imagined myself lying on the slab and envisioned medical students standing around commenting on how fat I was. I didn’t want that. I have my dignity you know.” “Do you really want to know?” she queried as though I might not like the answer. “Well, a couple of years ago I had a stroke. I’m nearly 80 you know. After the stroke I thought I was going to die so I decided I would eat whatever I wanted, whenever I wanted. “That sounds like fun,” I interjected. “Yes,” she said. I put on an enormous amount of weight … but then I didn’t die.” “That’s good… and bad,” I reflected. “What board to add extra incentive. Renee took me aside and with a twinkle in her eye said “I don’t care about anyone else, I am going to be competing against YOU. When I was younger I was quite competitive and I think I can beat you.” This amused me greatly, being challenged by almost an For nearly 50 years we have been producing a quality product be it mono or full colour printing. Specialising in colour brochures, posters, advertising material, newsletters, stationery and books we can coordinate and produce all your printing requirements. called life. Renee has the best stories. I adore her. She is a role model for growing older and as a result of her example I am going to change my goal from ‘fit at fifty’ to ‘dignified when dead’. Hopefully the weight will stay off for the next 30 years and yes, I will keep exercising. I get it! Email for quotes: john@priorpress.com.au Telephone: 02 9939 1255 already being dispatched in to the mountains to look for whoever had fired the rocket. I don’t think they were going to be issuing an on-the-spot fine. Two hours later I was on stage performing comedy. It freaked me out. And, I was just visiting. Imagine living with this every day. And, it seems that is the key to one of the major coping strategies. Everyone has respect for one another. People are courteous. They help each other. In this inhospitable environment, everyone seems to understand that each person is responsible for the psychological well-being of everyone else. It’s a system that really works. I guess empathy is easy when everyone is in the same boat. Another major coping strategy seems to be that if you have the opportunity to have a bit of fun, or a break from routine, you make damn sure you enjoy yourself. Our shows were all great successes, not only because we were trying to make them good, but because the soldiers all knew that this was a chance to relax and have fun. It was vital to their psychological health that they have an outlet. A positive attitude is as important as drinking water and applying sun block. A lot of what soldiers are doing and seeing is very tough. As we traveled from camp to camp, we kept hearing about a five year old Afghan girl who had lost her entire family as well as both her feet when insurgents blew up their car. In the ZONE written by Dave Jory (davejory.com) Dave and other entertainers arrive Imagine doing your regular job under the worst possible circumstances. Your work place is now thousands of miles from your home, so you don’t get to see your family or sleep in your own bed at the end of a long day. The heat is debilitating. Over fifty degrees is normal. Hot winds are blowing sand at your face constantly. Sand that also contains faecal dust. There are no “knock-off drinks” at the end of work because alcohol is banned. (Besides, you are living where you work, so, technically, you don’t really “knock off” at all.) There is no privacy, because you and your colleagues have to sleep in dorms together. And, if none of this sounds bad enough, imagine it all taking place in the middle of a war zone. Welcome to Afghanistan! In October 2009, I was given a unique and eye-popping opportunity to visit several military bases within Afghanistan. I was touring around doing stand-up comedy for the troops as a guest of “Forces Entertainment”, a PR branch of the Australian Defence Forces (ADF). As a comedian, my work is typically about thirty minutes long, taking place between saying, “Good evening everyone” and “Thank you and good night”. It’s easy. So, watching the Coalition troops work in these camps was a remarkable thing. Now, I am not asking you to feel one way or other about the war and what is happening over there. This is not a political article. We all have our opinions and most people, given a choice between war and no war, would choose no war, without hesitation. This isn’t one of those articles. This is just an opportunity to shake your head and marvel at how individuals cope and even flourish under hard conditions. 16 Issue 47 Autumn 2010 When we first arrived at Taren Kowt, deep within the Red Zone, my initial reaction was one of shock. Our ADF guide pointed up in to the mountains behind the camp and, with a vague wave of his hand, informed us that that was where the insurgents were hiding. How do people cope under these conditions? At the sound check for a gig one afternoon, I heard a distant bang, then, a whistling sound, then a much louder boom. Black smoke billowing up about four hundred metres away told me that something had happened. I was confused and so were the musicians I was traveling with. All the soldiers seemed quite calm. Had “our” side just fired something? No. All the military personnel knew exactly what it was. “Rocket”, a Dutch soldier calmly informed us. The insurgents had fired a rocket into the camp. This happens surprisingly often. If fact, two more rockets came flying in not long after. We were all calmly taken in to a bunker to wait for the all clear. As they led us in, a fleet of serious-looking helicopters was Everyone was in awe of this little girl. Her story and her bravery had spread through all the camps. Then, on a tour of a hospital one day, we were led in to an area by a Dutch doctor. There she was, this little girl, still bandaged up, sitting quietly with her uncle, her last living relative. He was smoking a cigarette, she was eating a lollipop. It was getting harder and harder to see any of this as normal. But, when you’re living with this sort of thing every day, you have to search for normalcy. Eating a cheeseburger, watching a movie, going for a jog, if something can help them feel connected to the normal world, they do it. One night, after a gig, I was talking to a group of soldiers. Young guys. None of them were older than twenty five. One of them showed me a photo of a puppy. Apparently, the puppy had started following them one day they were on patrol. They ended up bringing it back to camp with them. When this was discovered by a senior officer, they were told to relocate the puppy. The assumption in Afghanistan is that anything with four legs probably has rabies. But, for that short time these soldiers had the puppy in their care, they were delighted. “We’d get back from patrol and just rush to see him.” Whatever it takes to get you through. So, think what you like about the war. But spare a thought for the individuals. They are fighting more that just a war on terror. Specialising in all aspects of floral design www.raysflorist.com.au 9737 8877 Unit 2, 71-83 Asquith Street, Silverwater. Death, My Father and Love. written by Tristan Guzman Tristan Guzman, Shirley Guzman, Michael Sweet & David Sweet taken at sunrise of Dad’s passing. He was held in the arms of his mother, Enid, at the end. He screwed up his face, as if to cry, but as his breath left, he managed a smile. When Dad died his spirit called out to hasten me home. I did not know he was dead; I just knew I wanted to see him, have a cuddle and tell him I loved him. I sometimes wonder whether this feeling was a reflection of his soul’s desire. To know he managed a smile in his final moments, gives me hope that one day I will see him again. I like to think that with Dad’s last breath, he saw the face of God and his tears and pain were washed away. When I was led into the room to view his body, I was given time alone. My initial reaction was not to cry nor to tell him how much I was going to miss him. Rather, I began to confess to him all the naughty things I had done “Music was his way of love, because it came from his soul. He wrote a song about his time with the sea...” When I think of death around this time of the year, my thoughts turn to my late father, Gary. When 9th February ticks up on the calendar, it will have been thirteen years since his death. He passed away as a result of a malignant melanoma when I was twelve. As a young man of twenty five, I have now been alive longer without my father than with him. Indeed, I am now about the same age as he was at my birth. “Home is where the heart is”, goes the saying. But, for a young boy, who adores his daddy, home is where his father is. That is certainly where I wanted to be the day of his death and many times since then. It took a bit of time to figure this one out, but the sadness over losing my father is a reflection of the depth and warmth of who he was. It is extraordinary that the bond between father and son in a loving relationship can cross into the realm of the supernatural. Gary died at 2:50 pm, 9th February, 1997. At this time I was watching the movie, The Hunt for Red October, down the road at my cousin’s house. At about ten minutes to three, I had an overwhelming urge to go home and say “hi” to Dad. A sudden desire gripped me so strongly that I was not content to walk back, but, instead, I borrowed my cousin’s bike. Pedalling up the hill close to home, I saw my father’s friend, Warren, driving towards me. I called out a greeting, smiling, as I knew Warren was to leave that day. He stopped the car and got out awkwardly. My smile faltered. I knew what he was about to say even before he opened his mouth. Death creates an opportunity to bring out the best in people. Many friends and family worked together in Gary’s final months to give him some comfort and the opportunity to die at home. He was one of the fortunate few whose 18 Issue 47 Autumn 2010 death was not messy, but graceful, surrounded by his family and friends, warm in his bed. “...rising at five in the morning with Shirley and her brothers, my uncles, Dave and Michael, to watch the sunrise on the beach...was spiritually cleansing for all of us.” Gary’s strong faith in Christ did not waver in the face of death. Minutes before his death, he called out to his stepmother, “Cathy, come traveling with me.” Grandpa Lou joked in response, “Hey son! You aren’t taking my wife away today, mate!” Dad knew he was going and he knew that his life wasn’t ending, but changing. The image of death as a transition was a poignant part Gary & Tristan Guzman Over the Christmas break I spent a week away with my sisters and the rest of Shirley’s side of the family in a holiday home at Burrill Lake, near Ulladulla. It was their first Christmas without Wes, and it was beautiful to see the family reliving old memories, playing Wes’ favourite game, Cribbage, and having deep conversations, not just about Wes, but about life and its meaning in general. One of my fondest memories from that holiday was rising at five in the morning with Shirley and her brothers, my uncles, Dave and Michael, to watch the sunrise on the beach. It was spiritually cleansing for all of us, being there. It was invigorating to be caught in the moment; feeling the water around my feet, bathing in the warm glow of the sun rising through the clouds as the waves crashed tirelessly on the shore. As I stood there, my thoughts turned to a man who also found solace in the continuous flow of the ocean, my father, Gary. Music was his way of love, because it came from his soul. He wrote a song about his time with the sea which came to me, that morning, with the sun. The Rocks Remain Sunrise at Burrill Lake unbeknown to him! My reasoning was that now that he was dead, he probably had more knowledge and influence and I had better set the record straight! My thoughts now take me to a more recent event. Last year I attended the funeral of my step-grandfather, Wes, the father of my step-mother, Shirley. He was a loving man, deeply cherished, who had lived a full life. At the funeral, Shirley’s brother, Michael, asked me how I dealt with death and grief. I responded, “You have to go with the punches. If you feel like crying, cry, even if it is quietly, at your desk at work.” I believe death, the warden of our souls, should not be ignored, nor the grief that it brings. Suppressing emotions, in my experience, is a sure path to fear, pain and anguish. But, being with family and friends, reliving the memories of the deceased, is one of the most precious gifts life has to offer. Early in the morning with the songs on the breeze Of the gulls flying over the shore I watch the waves as they Lap about the rocks And then withdraw. The rocks remain unchanged before my eyes By the storms that pass this way. When I feel the salty spray upon my face Time starts to slip away. I can’t decide where I’d rather be. Alone upon this rock I stand, Sharing the hours, sharing the days, Watching as the light fades. But, I draw away, I’m too close to the flame Of passion that consumes. There’s a safety that comes with isolation There’s a peace beyond concern. There’s a peace beyond concern. The rocks remain . . . Issue 47 Autumn 2010 19 Staff Profile It all adds Up Janette Booth “That’s another story...” Caroline Flood After we had talked for a while, Janette said something out of the blue. “I am also interested in health.” She smiled ruefully. We had enjoyed some of the Lemon Tart for morning tea. Apart from the Lemon Tart, I began to understand what Janette meant about an interest in health. Caroline is a published writer. Prior to applying to work at W N Bull, she worked for the Australia Council as a Program Officer for the Dance Board. Again, the question is, how did she come to work in the funeral industry? “I like aromatherapy. When I go for a massage, on a visit to my daughter in the (Blue) mountains, I often have a massage. The woman adds to the relaxing experience with an oil burner and scented oils. It works. I feel wonderful each time I go.” I found myself warming to the topic. The way Janette was talking about health had less to do with avoiding colds and more to do with enjoying life. We began comparing notes on aches and pains, some of the hazards of sitting at a computer, then we moved on to what feels good. Or, what smells good, and tastes good and so on. We agreed that when we are busy or preoccupied, what’s “good” becomes fairly restricted. It is good to finish what you are doing. It is good to be busy. It is good to “get a good run at things.” But, this isn’t what Janette means by good. Janette is our in-house bookkeeper. She enjoys her work, something I find incomprehensible. How could anyone enjoy working with figures and accounts? The answer to that goes back a few years. Janette is the youngest in her family. When she was quite young, her father died and her mother supported the family. There was some income from her older brother and sisters, but she wanted to help her mother. So, when she turned fifteen she left school, in the city of Guildford, Surrey, England and applied for a clerical position at the local College of Law. There was a vacancy in the general office where she worked for two months, then a position became available in the accounts department. With no experience, in the field, Janette nevertheless applied for a transfer. Over the next two years, she settled in to the work and by the time she was seventeen, had gone back to study and completed O Level qualifications in bookkeeping and accounting. “I loved it!” “I did not come to work in the “funeral industry”, I came to work for W N Bull.” It was an opportunity to be involved and contribute to the community. Caroline went on to describe her years in Tasmania and of the culture shock in coming to Sydney. The thing that she noticed second to the large birds and tropical plants was the lack of community. “In Tasmania, everyone knows everybody else and their business. There are times without doubt that this can be claustrophobic but when someone is in trouble, everybody knows, for better or for worse. Your community are there for you. 20 Issue 47 Autumn 2010 I go back to my earlier question, what is there to love in figures and accounts. Janette patiently explained to me that there is a satisfaction that comes with gathering and checking all the necessary invoices and bills in achieving a balance with the relevant expenditure. Not to mention the budget and projections and cash flow and all those mysterious bits and pieces that ensure the smooth running of the business. “There is a satisfaction that comes with putting all these pieces together and discovering that they fit.” As Janette described this experience, I was neither bored nor surprised. There was some of the excitement in ordering the chaos of the “paper wars” that I had heard when she spoke about an interest in health on the other part of our interview. Just as health is less about avoiding illness than enjoying life, so ,for Janette, working with figures is not so much putting things together as discovering and creating patterns. When Janette spoke of the satisfaction in her work, of loving her first job, she was describing those moments where everything comes together, moments when, perhaps, you can pause, even for a nano second, and think, that’s good, that’s very good. And those moments are critical for our health. They are the moments when time stands still, even for a “nano second” and we can enjoy what we have made or done. When Janette was speaking of health as enjoying feeling well, enjoying tasting and smelling flavours and fragrances she was turning my ideas about bookkeeping and accountancy on their head. There can be those nano seconds in this job, and in any job (?), where completion means seeing the little things we do as part of the Big Picture. (I can see Janette looking at me strangely as she proof reads this piece for the magazine. What is he talking about??”) It is all falling into place. There is now a connection between an interest in health and bookkeeping. I can stop writing now. “I want a work place where my colleagues are my community, where we can share and exchange values ...” Then, Caroline kept talking and I kept listening. “There is such a thing as a human size and when we lose that configuration, we lose something important for our wellbeing. Without each other, we lose our way.” “I want a work place where my colleagues are my community, where we can share and exchange values and understanding of the work we do. When the position of Funeral Consultant at W N Bull became available, I was looking for a place which would provide me with a human work environment.” Caroline makes me think. In the six months she has been working here, Caroline has experienced the extent and intensity of the funeral consultant role. How small is small enough and how small is too small? What are some of the stresses as well as the satisfaction of working for a funeral company? These are a couple of the questions that I brought to the conversation with Caroline. Imagination is the stock in trade of the writer. It is being able to gather bits and pieces together, from anywhere, and surprise yourself, and everyone else, with a story that rings true. When we meet with a family at the time of a death, the story is already there and the funeral staff have an important, passing part to play in that story. These are my thoughts, not Caroline’s. But, I like to think that Caroline would not entirely disagree with this reflection. I know that in her time with W N Bull she has played a significant role in a growing number of stories. There have been tears and there has been laughter. For those brief hours of meeting, often a life-time has been expressed, or, better several life-times. “I don’t meet clients, I meet people. They offer me the gift of their stories. At the moment I don’t need to write my stories. I am in the priviledged position of being a listener.All of them draw out of me a human response. I have a job to do and my competence and professionalism is what people want from me. But, they also want a meeting as well as a transaction.” All this time I thought Caroline was talking about a work environment that was human size and comfortable. This was part of it. It is equally important that the work itself be human, that there be opportunities to meet people, to connect with them and to allow something of mutual respect, compassion, gratitude and trust to permeate every conversation. It seems to me, I said to Caroline, that only when such qualities are present, in the countless conversations of our day, do we hold on to and develop that humanity that is so important to her, the writer and the person. “Ah, Richard,” she said, “It is only when there are meetings like this that lives and deaths are honoured, remembered and flourish. For we are all part of a story, just as we all have our stories. Death is what prompts us, impels us, to tell them. The writer connects the dots. The funeral consultant is one of those dots, a very important one. I am doing what I want, on a couple of scores.” Issue 47 Autumn 2010 21 “It may be that I am beginning to believe, really believe, there is goodness out there, in countless shapes and guises, conspiring for my own and everyone’s well-being.” Recommended Reading In Search of Angels or How Do I See the World? written by Richard White Janise Beaumont It is a bit embarrassing to say that a book about angels has changed my life. For a start, I have had stories about angels in my repertoire for years, but I haven’t really believed in them. My father once described someone as a “belt and braces man”. You can’t be too sure, too safe, too prepared. There’s a bit of that in me. So, I have always had trouble with angels, until I read Janise Beaumont’s book. A friend of mine, Trypheyna McShane, sent me an email about a book launch, recommending that I contact the author. She would be happy to send me a copy for Recommended Reading. Always one for a free book, and trusting Trypheyna’s judgement, I contacted Allen and Unwin and, Bob’s your uncle, there was Janise’s small book, on the edge of my desk, ready for the reading. I began reading a story at a time. In chapter two, Janise notes her added incentive for this search, her seriously ill young niece, Georgia. She was praying for a miracle for Georgia. I resisted the temptation to flick to the last chapter and see if it occurred. There were plenty of miracles to be explored, one at a time, in my reading of the book. You will perhaps not be surprised to hear I have done away with the braces. The cumulative effect of these stories has affected the way I look at the world. It may be as simple as a shift from the philosophy of “expect the worst because a) you won’t be disappointed or b) you might be pleasantly surprised”. Then, again, it may be more serious. It may be that I am beginning to believe, really believe, there is goodness out there, in countless shapes and guises, conspiring for my own and everyone’s well-being. All we need to do is open our eyes and believe. I was reminded of a poem by Francis Thompson, ‘The Kingdom of God’, with the following verse: 22 Issue 47 Autumn 2010 The angels keep their ancient places; Turn but a stone and start a wing! ‘Tis ye, ‘tis your estrangèd faces, That miss the many-splendoured thing. The subtitle of Janise’s book is, “True stories of Beauty and Hope”. The “many–splendoured thing” has a very ordinary face, an old woman in a Paris subway, a biker named Animal, a computer mechanic . . . as well as presences and intuitions beyond our normal experience. The essence of the book, for me, was a shift from the narrow and the negative towards the positive and the inclusive. It is a shift from the “estrangèd face” to one that is beginning to look more open and wondering. As well as the stories themselves, there was the conversation I had with Janise as I came to the end of her book that also contributed to my appreciation of In Search of Angels. I was working at my desk one afternoon when I received a call from the mortuary. They were a little short staffed and they asked if I could help transferring a body to a coffin in preparation for a funeral the next day. This has happened before, not very often, but each time something special has occurred. Perhaps it is Patsy’s notice on the wall of the mortuary that sets the atmosphere. Remember This room becomes sacred when a family entrusts us with one of their most precious possessions. Keep faith with them by conducting yourself as though the family were present. The body is dear to them . . . treat it reverently. I was aware of these words as I held the coffin in place as the funeral staff lifted a young woman’s body. Perhaps it was her age or the novelty of my involvement, but the moment and her face stayed with me. The next day, during the afternoon, I received a call from Patsy who was conducting the funeral for the young woman. “Do you have a book on angels on your desk?” “Yes”, I said. “Is it by Janise Beaumont? She has just given the eulogy at this funeral for her niece.” I told Patsy about my experience the day before and she talked with Janise after the funeral. It was Georgia’s funeral. When I spoke with Janise a week or so later she spoke of her sadness and her disappointment at there being no angel. Then, a friend said something that lifted her mood, “the story is not over yet.” Only Janise can explain what that means. There has been considerable grief in her life in recent years. Janise was a good friend of Don Lane and gave the eulogy at his funeral. She wrote a biography of Don and of Stan Zemanek and was close to Stan and his wife during his terminal illness. At the beginning of this book, Janise described, vividly, the experience eight years ago of being “paralysed with fear.” I saw myself as a failure in every area of my life, doubting that what I regarded as my dodgy prospects were likely to ever bring about much of a recovery. I pictured myself as in a situation akin to wading through treacle, suspecting things were only going to get worse. It was in this situation that Janise visited a woman who listened to her story. In the course of the conversation she gave her a little book about angels. The simple truth Janise took from this rich conversation, “we are not alone whatever the circumstances.” In all her work as a journalist, on TV, radio and in the print media, Janise has had her successes and her struggles. From what she wrote in the introduction to In Search of Angels, there have been extended periods of feeling alone, as well as a rising above them. However, from what Janise said about her writing, it sounded to me that she was never alone. Whether you call it a Muse or a Guardian Angel or the touch of genius we all have when we weave our own bit of magic, with words, music, cooking, caring, loving . . . we never do this on our own. And, when Janise spoke about her ability and enjoyment at writing, it seemed to me she was talking about a gift or a presence. “I write because I have to write. I am good at it and it soothes my soul as I work through material and express what is important and difficult. Writing is a way to express myself completely. And, there is the contact with people, my readers, for whom I write and from whom I receive that encouraging and stimulating feed-back.” My feed-back is that I have done away with the braces, but I am hanging on to the belt. In Search of Angels has brought about a shift for me, too. For Janise the shift was about never being alone. For me, it is that there is goodness all around me, waiting to be recognised, greeted and thanked. Issue 47 Autumn 2010 23