full text - art
Transcription
full text - art
DATABANK Taking the Long View When looking at how a market segment performs over the long haul, a comparison of similar sectors can highlight the strengths and weaknesses of each. Here we compare four leading categories: Impressionist and modern art, contemporary art, American paintings, and Latin American art. For these indices we plotted auction sales data for the top 500 artists—as judged by total dollar sales—in each of the categories over a 41-year period to get a sense of their returns over the long term. Also included is the number of sales each year for works by those artists. All segments saw strong growth in this tally of lots beginning in the mid 1980s, but contemporary art posted the most dramatic increases, nearly quintupling in sales volume between 1985 and 2011. The contemporary index showed the strongest performance over the full run, too, approaching a 25-fold increase, followed by Impressionist and modern, up about 15-fold, and Latin American art, close on its heels with a 12-fold increase. American paintings were up about 9-fold over the 41-year run. BY ROMAN KRAEUSSL INDICES OF MAJOR FINE-ART SECTORS AT AUCTION, 1970–2011 The Impressionist and modern sector took the biggest hit following the Japanese wealth–fueled bubble of the late 1980s and just reached its 1990 peak again in 2007. By comparison, all categories have largely recovered from the slump of 2009, with contemporary art showing the most dramatic resurgence. The less volatile American paintings market, which covers the 17th through 19th centuries along with some 20th-century artists, took off modestly in the early 2000s and has been slowly recovering since the bubble-burst of 2008–09. Latin American art, a market that was virtually created in the 1980s, hit the rocks in the 1990s but has been on an upswing as well. INDEX 1400 1200 INDEX NUMBER OF SALES 1600 3000 Impressionist and modern art 2500 3000 Contemporary art 2500 2000 2000 2000 1000 1500 800 1500 1500 1000 600 1000 1000 400 500 200 0 0 1970 1975 1980 1985 1990 1995 INDEX 2000 2005 500 500 0 2010 0 1970 700 Latin American art 600 1000 1975 1980 1985 1990 1995 INDEX NUMBER OF SALES 1400 1200 NUMBER OF SALES 2500 500 800 400 600 300 400 200 200 100 2000 2005 2010 NUMBER OF SALES 1200 1000 900 American paintings 1000 800 700 800 600 600 500 0 0 1970 07 AA_Databank.indd 106 1975 1980 1985 1990 1995 2000 2005 2010 400 400 300 200 200 100 0 0 1970 1975 1980 1985 1990 1995 2000 2005 2010 5/25/12 10:28:13 AM TOP 10 ARTISTS BY SEGMENT, 1970–2011 A look at the top artists in each segment confirms some assumptions but also yields surprises. Picasso and Warhol dominate the heavy-hitting Impressionist and modern and contemporary categories. But among American painters, the late 19th-century Impressionist Childe Hassam comes out on top, rather than the more modern artists who have led recent sales. In both American paintings and Impressionist and modern art, the names at the top of the list have remained steady over the past 41 years; in the other categories, different decades have produced different favorites. The prevalence of Venezuelan painters on the Latin American art list can be chalked up to historic wealth patterns; as the number of high-net-worth individuals in other countries rises, new names will reflect those buyers’ desire to invest in their cultural heritage. There are but two women, Georgia O’Keeffe and Mary Cassatt, on any of the lists. RANK NAME NATIONALITY TOTAL SALES TURNOVER IMPRESSIONIST AND MODERN ART 1 2 3 4 5 6 7 8 9 10 Pablo Picasso Claude Monet Pierre-Auguste Renoir Henri Matisse Paul Cézanne Amedeo Modigliani Vincent van Gogh Fernand Léger Marc Chagall Camille Pissarro Spanish French French French French Italian Dutch French Russian French $3,218,550,349 $2,036,119,859 $1,560,664,498 $883,563,964 $827,558,140 $761,534,321 $708,050,899 $690,957,936 $685,719,486 $592,407,329 CONTEMPORARY ART 1 2 3 4 5 6 7 8 9 10 Andy Warhol Francis Bacon Mark Rothko Gerhard Richter Willem de Kooning Jean-Michel Basquiat Roy Lichtenstein Jean Dubuffet Lucio Fontana Damien Hirst American British American German American American American French Italian British $1,853,652,210 $855,113,459 $669,250,911 $638,935,431 $576,428,053 $465,798,181 $460,920,742 $323,824,674 $293,880,844 $280,973,218 LATIN AMERICAN ART 1 2 3 4 FROM TOP: SOTHEBY’S; PHILLIPS DE PURY & COMPANY; TWO IMAGES, CHRISTIE’S 5 6 7 8 9 10 Wifredo Lam Luis Alfredo López Méndez Joaquin Torres-García Marcos Castillo Tomas Golding Roberto Matta Rufino Tamayo Francisco Narvaez Cuban Venezuelan Uruguayan Venezuelan Venezuelan Chilean Mexican Venezuelan $178,800,267 $171,896,321 $158,003,296 $140,586,278 $129,123,403 $128,822,738 $127,327,557 $121,603,269 Armando Barrios Alirio Rodriguez Venezuelan Venezuelan $99,876,194 $98,211,877 AMERICAN PAINTINGS 1 2 3 4 5 6 7 8 9 10 ARTINFO.COM 07 AA_Databank.indd 107 Childe Hassam John Singer Sargent Norman Rockwell Georgia O’Keeffe Albert Bierstadt Thomas Moran Mary Cassatt George Bellows Edward Hopper Marsden Hartley | American American American American American American American American American American $132,091,109 $129,530,891 $99,684,858 $89,082,000 $85,225,337 $73,707,462 $66,341,940 $60,038,150 $58,722,338 $56,550,976 107 Recent sales of market leaders include, from top, Picasso’s L’Aubade, 1967, which fetched $23,042,500 against an estimate of $18 million to $25 million at Sotheby’s New York on November 2, 2011; an especially colorful 1973 Mao by Andy Warhol, which brought $10,386,500 (est. $9–12 million) in New York at Phillips de Pury & Company on May 10 of this year; Joaquín Torres-García’s Naturaleza muerta, from 1947, which earned $86,500, surpassing the $50,000–to–$70,000 estimate on May 22 at Christie’s New York; and Norman Rockwell’s oil-oncanvas Dreams of Long Ago, 1927, which sold at the same house on May 16 for $2,322,500, in line with its estimate of $2 million to $3 million. JULY/AUGUST 2012 ART+AUCTION 5/25/12 10:29:27 AM