YES WE SCAN - KEM

GmbH
STUDIOTECHNIK
DISCOVER the hidden secret:
KEMSCAN
a real time 2k picture and sound scanning,
viewing, restoration and editing table
with up to 3 tracks, with metadata ingest and
EDL-output - an ALL-IN-ONE-workstation
that helps to save time, space and expenses.
KEMSCAN has a straight, gentle and safe film
path, it is suitable for nitrate film as well as sticky, winded, shrunken or even perforation-lost stock and
magnetic tapes, 35mm, 16mm, 17.5mm, (8mm in preparation), acid and dust resistant, winds up from 0.5
till 250 fps in viewing-mode and archives ia format-independent long term quality media file:
The Digital RAWnegative. It gives you the chance to resort natively to the scanned material for ages.
But the crucial advantage is the basically compact construction of KEMSCAN that is expandable by modules. Many optional device kits are available to transform the scanner into an indispensable tool for any
type of modern film archive work.
Key Features of KEMSCAN
YES WE SCAN
· Universal viewing, restoration and editing table with
real-time picture and sound scanning for difficult, decayed stock and nitrate film
· Expendable by modules
· Metadata ingest and export in XML
· Automatic key-frame detection and EDL export
· Available in 35mm or 16mm and expandable to
combined formats
· Expandable by ComOpt, ComMag, SepOpt and SepMag up to 6 plate-SepMag (35mm/17.5mm)
· Expandable by sundry modules of the KEMSTUDIOTECHNIK product family: Restoration-Kit, Sprocket-Kit, Shrinkage-Kit, Grading-Kit, ect...
· 12 bit RAW file output in Digital RAWnegative 2k
resolution at 64 dB dynamic range
· Lossless transform to any video format, futureproof, platform independent
· Uncompressed archiving, despite saving storage
space and transfer time
· To be integrated in any Media Asset Management
· Integrated PCM audio file at 44.1 or 48kHz (.wav)
· Import natively to a increasing number of Adobecompatible post production tools (da Vinci Resolve, Scratch, Premiere, After Effects, etc)
· Other format based workstations (AVID, Diamant, Northlight, etc…) can be served with
debayered formats (DPX, TiFF, ect…)
· Automatic key frame recognition
· Fits in existing studio workflows ending at broadcast, DCP or print
camera:
 2.3k Kodak 1” CCD Truesense® sensor- 12Bit RAW data
 Dynamic range 64 dB with HighGain® technology to enlarge dynamic range
 Motorized control of high precision Apo-Rodagon® lens
display:
 1 x NEC Monitor 27" MultiSync EA274WMi
 LED display, 2560 x 1440,
optional: LUT-programmable NEC SpectraView Reference
272 display for color management
software:
 OS: Win7,log-file recording and remote-maintenance
 Proprietary GPU-accelerated KEMSCAN software
record mode:
 Digital RAWnegative 12 bit RAW video files in Adobe open
RAW standard
 Archive format including: CinemaDNG, proxy, EDL, metadata, setup data, audio PCM
 Picture-size in Digital RAWnegative: 7.9 MB
 SAN/LAN: 10 GBitEthernet transfer time: 10 sec per min of clip
 Metadata ingest in CWS and Dublin-Core standard in XMP and export as XML
EDL in CMX 3600 standard
Digital audio PCM (.wav) at 44.1kHz and 48kHz
process mode:
 Export in single frame formates: DPX, OpenEXR, Tiff, JPEG, PNG
 Export in video files : MPEG2, h.264, FFV1
hardware:
 Intel® core i7 - 3770 CPU server with 16GB RAM and 3.5 GHz frequency
 4x2 T HDD standard, hardware Raid 0, Seagate Barracuda®ST2000DM001
light source:
 Wavering cold (35°C /95°F) LED light
table features:
 Programmable winding speed from 0.5 to 250 fps in viewing mode
 Straight and gentle film path with very few entwining, Film tear- and sticky film sensor,
safety stop, slow down automatic at the end of a roll and electro-static discharge devices
Capstan drive, choice of different sprocket-sizes and sprocket-less (option)
• Acid and dust resistant
 2/ 3/ 4 perforation mode
 Microprocessor-controlled constant film tension over entire radius
options:
 SepMag, ComMag SepOpt and ComOpt Options for 4 or 6 plates (Sound-Kits)
 Sundry hardware options: Restoration-Kit, Sprocket-Kit, Shrinkage-Kit, Grading-Kit
 Stand-alone version of KEMSCAN (Render-Kit)
 Additional codecs and further software options on request
 3rd hand software for grading, restoration, editing, compositing
optical sound:
 ERNEMANN® laser audio optical sound (up to 18 kHz in 24fps
conditions:
 Temp: 59 - 104°F (15 to 40 °C)
 35% - 65% normal humidity
power:
 AC 110/230 V at 50/60 Hz
weight:
 200 lbs (90 kg)
size (L x W x H):
 5’3.4” x 2’7.3” x 2’3.5” (161 x 79.5 x 70 cm)
special:
 Table height adjustable by motor from 2’3.5” to 4’5.1” (70 to 135 cm)
SCAN
for more
STUDIOTECHNIK
GmbH
Technical Details:
· Allows export on DVD, Blue-Ray and streaming
media
· Basic color grading with histogram display
· Integrated jitter correction and negative conversion
· Solid server construction with long working life
· Film tear- and sticky film sensor, safety stop, slow
down automatic at the end of a reel and electrostatic discharge devices
· Straight and gentle film path, Capstan drive,
different sprockets, sprocket-less as option
· Winding speed control from 0.5 to 250 fps in
viewing mode
· Jog-and-shuttle control
· Microprocessor controlled constant film tension
over entire radius
· Exposure correction on-the-fly
· Contemporary improved original analog theater
sound
Hans-Böckler-Ring 43
D-22851 Hamburg-Norderstedt
Germany
tel: +49-40-56 76 65
fax: +49-40-56 03 233
http://www.kem-studiotechnik.de
info@kem-studiotechnik.de
© Copyright 2014 by KEMSTUDIOTECHNIK – All rights reserved. Performance specifications are typical
Due to constant research, specifications are subject to change without notice. 2014MAY