Art Through the Ages: A Floral Journey

Transcription

Art Through the Ages:
A Floral Journey
The Garden Clubs of
Ontario Present:
The Canadian
Triennial Flower Show
June 14th - 16th, 2016
@
The Royal
Botanical Gardens
Exhibitor Schedule
Cover artwork graciously provided by Marie Burke,
www.etsy.com/uk/shop/shop/BlueShedStudio
Garden Clubs of Ontario
Triennial Flower Show
2016
Art Through the Ages:
A Floral Journey
Royal Botanical Gardens
680 Plains Road West
Burlington, Ontario
Entries:
June 13th from 6:00 p.m. to 10:00 p.m (Design only)
June 14th from 8:00 a.m. to 12:30 p.m. (Design & Horticulture)
Judging:
June 14th at 1:00 p.m.
Open to Public:
June 15th 10:00 a.m. to 8:00 p.m.
June 16th 10:00 a.m. to 4:00 p.m.
Tickets:
Entry to the show included with admission to the RBG.
Exhibitors and show volunteers will receive a pass to
the show, good for both days.
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GCO Canadian Triennial Show 2016 Committee
Chair and RBG Contact:
Susan Suter
Secretary:
Lil Taggart
Treasurer:
Sandra Wilson
Convenor of Clerks:
Marguerite Husband & Jan Middleton
Convenor of Convenors:
Jeanne Anne Goldrick
Convenor of Design Entries:
Sue Schaal
Convenors of Design Passing:
Olga Sandilands
Convenors of Education:
Trish Symons & Betty Lou Simpson
Convenor of Horticulture,
(Special Exhibits, Classification
& Passing):
Judy Zinni
Convenor of Judges:
Dawn Suter
Convenor of Patrons:
Angelique Ellerton
Convenor of Print:
(signage, schedule layout, publicity
material, design & horticulture
identification cards) :
Sandra Williamson
Convenor of Properties:
Elizabeth Schleicher
Convenor of Staging:
Celia Roberts & Lil Taggart
Convenor of Volunteers:
Marie Decker
Awards:
Mary-Ann Vercammen
Demonstrations:
Pat Ware
Design Schedule Writers:
Dawn Suter, Susan Suter
Horticultural Schedule Writer:
Michael Erdman
Hospitality:
Lindy Fedchun
Photography:
Elizabeth Schleicher
Publicity and Promotion:
Susan Shaker
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Awards
Note: Ribbons awarded for 2016 will be the following colours:
First:
Second:
Third:
Honourable Mention:
Red
Blue
White
Green
Division I - Design and Division III - Special Exhibits
Barbara Laking Memorial Award (perpetual)
Best Design in Show
Garden Clubs of Ontario Award
Judges’ Choice
The Beth Frost Award for Colour
Best Use of Colour
The Novice Award
For the distinctive design by a member
who has not previously won a 1st place
ribbon in a design class at a GCO Triennial
Show.
GCO Design Judges are ineligible.
Division II - Horticulture
Garden Clubs of Ontario Award
Best Exhibit in Horticulture
Flora Frid Award (perpetual)
Most points in Horticultural Division
Dawn Suter Horticultural Award
Judge’s Choice
Division III - Special Exhibits
GCO Judge's Council
Best in Show Special Exhibits
Awards will be presented in the McQuesten Theatre
of the RBG
at 11:30 a.m., June 16th, 2016
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General Rules For All Exhibitors
Note: Schedule available online at www.rbg.ca, www.gardenontario.org, www.gardenclubsofontario.ca
Please Read Carefully:
1. All Classes are open to all members of the Garden Clubs of Ontario.
Class 3a First Peoples of the New World, is open to non-GCO members. The number of entrants will be
restricted by space limitations only and may be subdivided.
Class 3b First Peoples of the New World, is open to all members of the GCO.
Class 9 Abstract Imposed Class is open to all, non GCO and GCO members.
2.
Design materials and horticulture placements are to be taken to the Service and Deliveries Entrance at the
west end of the RBG, off Botanical Drive.
Monday June 13th, 2016 from 6:00 p.m. to 10:00 p.m. (Design entries only). Please note there will
be no passing committee available this evening. Passing Committee will be available on Tuesday,
June 14th, 2016 after 8:00 a.m.
All entries must be in place and Exhibitors off of the show floor by 12:30 p.m on Tuesday, June 14th
2016.
3.
All entries must be passed by the Passing Committee before the Exhibitor leaves the show hall. The
committee may, at its discretion, refuse to accept an entry if it is not considered to be of show quality
or is not free from pests and/or disease.
5
General Rules For All Exhibitors (continued)
4.
Exhibits are to be removed promptly at the close of the show at 4:00 p.m. on Thursday June 16th, 2016.
5.
All plant material should be listed correctly for the Design classes and for Horticulture and Special Exhibit
classes on a 7.6 cm x 12.7 cm (3” x 5”) card . Botanical names and common names of plant material to be
used for both Design and Horticultural entries wherever possible.
6.
Plants of endangered and threatened species are strictly forbidden. It is the responsibility of the exhibitor to
make sure none of these plants are on exhibit. Refer to the list of Canadian Threatened and Endangered
Species at:
http://www.registrelep-sararegistry.gc.ca/species/schedules_e.cfm?id=
7.
All Design entries must be kept in show condition. Plant material must be kept fresh for the duration of the
show.
8.
The Design section is to be judged by W.A.F.A. International Flower Show Rules, however, the show
schedule rules shall take precedence. The standard for judging horticulture will be the Ontario Judging and
Exhibiting Standards for Horticulture and Floral Design, 2003 Edition.
9.
Measurements of both space allotted and of the size of specimen or design permitted are in metric and
inches and are approximate.
10. All Design and Horticultural exhibits shall be judged by designated teams of judges and none of these judges
are permitted in the show hall during installation.
11. Judging will begin at 1:00p.m. on Tuesday June 14th, 2016. No one other that those authorized by the Show
Chair will be permitted into that area of the show while the judging is in progress. No one may discuss the
exhibits with the judges prior to judging.
12. The decision of the judges shall be final and the judges may withhold an award if, in their opinion, no entry is
worthy.
13. Due caution will be exercised in safeguarding the exhibits while on display, but valuable items in the exhibit
should be insured by the exhibitor. RBG & GCO are not responsible for damage or loss.
14. For clarification of the schedule contact the Class Convenor who will contact the appropriate Schedule
Writer.
15. All Design and Special Exhibit entries must be the concept of the exhibitor and are to be an original creation
for this Triennial Show.
16. Staging images are for visual aid only and are not the actual staging items.
17. Designs to be staged in front of a Pale Smoke fabric wall unless otherwise stated.
18. Colour samples may not be exactly as shown.
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507-2
Pale Smoke
Pittsburgh Paints
Rules and Regulations - Design and Special Exhibits
1.
Entrants must register their entries with the Class Convenor by May 1st, 2016. Any entrant finding it
necessary to withdraw must find a substitute and advise the Class Convenor.
2.
Novice designation must be declared when registering as well as on the entry form. A Novice is an Exhibitor
who has never won a red ribbon in a Garden Clubs of Ontario Triennial Show.
Design Judges are not deemed to be novices.
3.
Entrants may enter any number of classes but may only have one entry per class.
4.
All classes are limited to 5 entries unless otherwise stated.
5.
Entrants will obtain an entry form at the Registration desk. The completed entry form should include: name,
class, address, email address where available, and a contact number. Attach your list of plant material on the
7.62 cm x 12.7 cm (3” X 5”) card provided. The completed form and materials card must be presented to
the Class Convenor after the design has been marked passed by the Design Passing Committee before you
leave the show floor no later than 12:30 p.m. on Tuesday June 14th, 2016.
6.
You may not leave the Design area until your entry has been accepted by the Passing Committee. This will
be indicated on your entry card. A design that does not comply will not be judged. This will be at the sole
discretion of the Show Chair.
7.
All designs must be done solely by the exhibitor with the exception of Class 13, Canada Is… ,which may be
completed with a team of one to three individuals, each of whom must be a member in good standing of
The Garden Clubs of Ontario or a member of The Garden Clubs of Ontario Judges Council, and registered on
the design entry card as Exhibitors in this Class.
8.
Portions of any Design or Special Exhibit entry requiring work not able to be completed in the time allotted
may be done in advance.
For clarification of a Class, please contact the Class Convenor. If you are having difficulty contacting your Class
Convenor, please contact the Convenor of Convenors, Jeanne Anne Goldrick: jagold1@execulink.com
For clarification of the Show Schedule, the Class Convenor will contact the Schedule Writer.
W.A.F.A.
International World Flower Show Rules
1.
An exhibit is made of plant material, with or without accessories, within a space specified in the show
schedule.
2.
Plant material must predominate over all other components of the exhibit.
3.
The use of artificial plant material is forbidden unless stated in the regulations.
4.
Fresh plant material must be in water or water-retaining material unless such material remains turgid for the
duration of the show.
5.
Painted and/or artificially coloured plant material may be used unless otherwise stated in the regulations.
6.
Pre-prepared work must not predominate in the exhibit.
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Class 1
The Stone Age
5 Entries
531-6
Phantom Hue
Pittsburgh Paints
(30,000 BCE - 2,500 BCE) - The Paleolithic Period
A design, incorporating rock or stone
Staged:
30.5 cm wide x 30.5 cm deep x 101.6 cm high, (12” wide x 12" deep x 40" high) pedestals,
draped with fabric
Fabric colour Phantom Hue
To be staged in the Atrium, against a natural wood slat wall
Area Allotted:
91.4 cm x 91.4 cm (36” x 36”)
No height restriction
Use of floor space is permitted
Convenor:
Angelique Ellerton
angelellerton@gmail.com
519-641-2185
Artwork is an example of the time period only and is not intended to be replicated.
Title:
Artist, unknown
Date: Paleolithic (30,000 BCE – 2,500 BCE)
Things to look for in Stone Age Art:
In ancient African caves (particularly in the area of Tanzania) cave paintings have been found that appear to be strikingly
similar in theme. The exact purpose of Paleolithic cave paintings is not known. Evidence suggests that they were not merely
decorations of living areas since the caves in which they have been found do not have signs of ongoing habitation. They are
also often located in areas of caves that are not easily accessible. Some theories hold that cave paintings may have been a
way of communicating with others, while other theories ascribe a religious or ceremonial purpose to them. The paintings
are remarkably similar around the world. This African cave painting is thought by archeologists to be depicting an
abduction. A masked male figure is seen on the right, unmasked figures at left. This painting was found in Kolo cave, central
Tanzania.
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Class 2
Fine Dining
6 Entries
(3,500 BCE– 653 CE) - The Ancients of the Eastern World
2077-30
Hot Lips
A functional table influenced by any single ancient culture
2073-50
Purple Easter Egg
e.g. Chinese, East Indian, Egyptian, Japanese, Greek or Roman
A functional table is defined in OJES on page 98 as a Show Table on which components are placed in a
logical and utilitarian manner for the actual service of food.
Staged:
In the Atrium, on a 121.9 cm diameter x 76.2 high, (48” diameter x 30” high) table
Register early. Only one colour of each cloth available.
Colour choice to be confirmed upon confirmation of pre-registration.
Paint colours are from Benjamin Moore, except where noted.
Area Allotted:
122 cm x 122 cm (54” x 54”)
Convenor:
Shirleyan English
2049-30
Teal Ocean
2066-20
Evening Blue
dandsenglish@bell.net
519-672-1575
2000-10
Red
6980
Gutsy Grape
Sherwin Williams
10BG55-223
Moonglow
CIL
1188-5
Siesta Rose
Pittsburgh Paints
Things to Look for in Art of the Ancient Eastern World:
Existing examples of Ancient Greek art includes pottery, sculpture and architecture. Greek
sculpture is known for its use of human figures.
Roman artists sought to commemorate great events in the life of their state and to glorify their
emperors as well as record the inner life of people, and express ideas of beauty and nobility. Their
busts, and especially the images of individuals on gravestones, are very expressive and lifelike,
finished with great skill.
The earliest (surviving) Chinese paintings date to the Warring States period, and they were on silk
as well as lacquerwares.The subjects of much of East Indian paintings are religious and literary.
Many paintings are from Sanskrit and folk literature. Religion and Nature as a subject have
influenced Japanese art significantly since Ancient time.
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1121-6
Moss Point Green
Pittsburgh Paints
531-6
Phantom Hue
Pittsburgh Paints
Class 3
First Peoples of the New World
(1300 BCE -653 CE) - Native North American, Inuit, Aztec, Mayan or Inca Civilization
A mosaic
Influenced by any single ancient New World culture.
For these purposes, a mosaic will be defined as a picture or pattern produced by arranging together small pieces of material,
such as seeds, twigs, legumes or any other suitable plant material.
Class 3a First Peoples of the New World, is open to non-GCO members.
The number of entrants will be restricted by space limitations only and may be subdivided.
Class 3b First Peoples of the New World, is open to all members of the GCO and the GCO Judges Council.
The number of entries will be restricted by the space available for display.
Staged:
To be hung in the Atrium, on a wire grid. Your design must be equipped to hang.
Area Allotted:
To be constructed on a suitable backing, area allotted 45.72 cm x 45.72 cm (18” x 18”)
Convenor:
Jeanne Anne Goldrick
jagold1@execulink.com
519-660-0702
Title:
Mayan Cave Entrance
Artist: Unknown
Things to Look for:
Principles of Design
Balance, Contrast, Dominance, Proportion, Rhythm, Scale.
Elements of Design
Line, Form, Colour, Texture, Space, Pattern
10
Class 4
The Middle Ages
6 Entries
(500 -1400) - Celtic, Carolingian or Gothic
2130-70
Seattle Gray
Benjamin Moore
1072-3
Wild Rice
Pittsburgh Paints
A small design
Staged:
On a shelf approximately 106.7 (42”) above floor
Shelf and table cover to be covered in fabric cloth colour Wild Rice
Area Allotted:
To be displayed in niches 25.4 cm x 25.4 cm x 25.4 cm (10” x 10” x 10”), Seattle Grey
Convenor:
Maureen Naylor
bruceandmaureennaylor@gmail.com
705-484-1065
Title:
Book of Kells Christus monogram, initials
Date:
circa. 800 AD
Things to Look for in Medieval Art:
Medieval art was produced in many media, and the works that remain in large numbers include sculpture, illuminated
manuscripts, stained glass, metalwork and mosaics, all of which have had a higher survival rate than other media such as
fresco wall-paintings, work in precious metals or textiles, including tapestry. Artwork is typically very detailed, geometric
interlace, and stylized, often incorporating animal motifs, with forms derived from secular metalwork like brooches, and
typically spread boldly across religious manuscripts, such as the Book of Kells.
A small design is defined in OJES on page 86 as a “design from 13.9 cm. to 25.4 cm (5 ½” -10”) and which must not exceed
25.4 cm. (10”) in any direction.”
*Note: for the purposes of this show, the diagonal measurement shall not be restricted to 25.4 cm (10”).
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Class 5
Splendor & Flourish
5 Entries
SW6286
Mature Grape
Sherwin Williams
(1600-1750) - The Baroque Period
A mass design
In the Baroque Style, see note below: accessories permitted
Staged:
On a pedestal 30.5 cm x 30.5 cm x 101.6 cm high (12” x 12” x 40” high)
Draped in fabric cloth colour Mature Grape
No backdrop
Area Allotted:
Floor space allotted for pedestal 121.92 cm x 121.92 cm (48” x 48”)
Convenor:
Lil Taggert
liltovey@hotmail.com
416-809-9036
Title:
Vase with Flowers
Artist: Jan Davidsz. de Heem
Date:
circa 1670
Things to Look for in Baroque Art:
Dramatic use of colour.
Dramatic contrasts between light and dark, light and shadow.
As opposed to Renaissance art with its clearly defined planes and figures placed in isolation from each other, Baroque art
has a continuous overlapping of figures and elements.
Large containers held flamboyant mass arrangements containing many different kinds of flowers, such as iris, marigold, lily,
peony, canna, poppies, narcissus, hollyhocks, and roses, as seen in the works of artists of this period. Accessories were
often incorporated in these arrangements.
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Class 6
The Triumph of imagination & individuality
6 Entries
(1780-1850) - Romanticism
A hat
Fresh and/or dried plant material must predominate, accessories permitted
Staged:
On a black wrought iron pedestal
A 48.3 cm (19”) elongated swan neck black plastic head, head tipped slightly
upwards
Stand to be provided to designer by class Convenor upon confirmation of
pre-registration
To be viewed and judged from all sides
Area Allotted:
Floor space allotted for pedestal 121.92 cm x 121.92 cm (48” x 48”)
Convenor:
Irina Code
irina.code@gmail.com
519-660-1823
Title:
Lady Skipwith
Artist: Sir Joshua Reynolds
Date: 1787
Things to Look for in Romantic Art:
Dramatic use of colour, emotion, and passion, often showing a deep respect for nature.
13
Class 7
Lit from Within
6 Entries
(1865-1885) - French Impressionism
S530-7
Dark Navy
Behr
A layer design
To convey the impression of light
Staged:
On 30.5 cm x 30.5 cm x 30.5 cm (12” x 12” x 12”) cubes sitting on table 76.2 cm (30”) in height
Table and cubes draped in fabric cloth colour Dark Navy
Area Allotted:
91.4 cm x 91.4 cm (36” x 36”)
Convenor:
Linda Hawker
lmhawker@gmail.com
519-672-8755
Title:
Sunset in Venice
Artist: Claude Monet
Date: 1908
Things to Look for in French Impressionism:
Strong emphasis on accurate depiction of light in its changing qualities
Dramatic use of colour.
Dramatic contrasts between light and dark, light and shadow.
The Impressionists argued that people do not see objects but only the light which they reflect, and therefore painters
should paint in natural light (en plein air) rather than in studios and should capture the effects of light in their work.
14
Class 8
Art Nouveau
5 Entries
(1890-1910) - Long, Sinuous, & Organic
1121-6
Moss Point Green
Pittsburgh Paints
Jewelry
A necklace constructed predominately of fresh and/or dried plant material.
May include earrings, and/or bracelet, and or brooch at the discretion of the designer.
Staged:
On tables, 81.3 cm (32”) diameter x 111.8 cm (44” high)
Table draped in fabric cloth colour Moss Point Green
Stand to be provided to designer by class Convenor upon
confirmation of pre-registration.
Area Allotted:
Necklace stand, size 38.1 cm high x 24.13 cm wide (15" high x 9.5"
wide), thick foam padded neck bust, covered with black velvet, base
size 10.795 cm x 10.795 cm x 1.905 cm (4.25" x 4.25" x 0.75")
Convenor:
Audrey van Holst
audreyvanholst@rogers.com
519-472-3693
Title:
Fruit
Artist: Alphonse Mucha
Date:
1897
Things to Look for in Art Nouveau Art:
Art Nouveau is characterized by its use of a long, sinuous, organic line.
The distinguishing ornamental characteristic of Art Nouveau is its undulating, asymmetrical line, often taking the form of
flower stalks and buds, vine tendrils, insect wings, and other delicate and sinuous natural objects; the line may be elegant
and graceful or infused with a powerfully rhythmic and whip-like force.
15
Class 9
Abstract Art
6 Entries
Early 20th century
Imposed Class
All information and material will be provided at the time of entry. Preregistration fee of $50.00 required.
Open class: Open to all non GCO and GCO members
Staged:
Staging remains the property of the Show
Area Allotted:
To be assigned on day of entry
Note:
A card will be provided for you to title your design
All materials will be supplied
Convenor:
Susan Suter
triennialshow2016@susansuter.com
289-239-7159
Title:
Circles in a circle
Artist: Wassily Kandinsky
Year: 1923
What to look for in Modern Abstract Art:
Geometrical elements took on increasing importance—particularly the circle, half-circle, the angle, straight lines and
curves.
Abstract art – ie. Wassily Kandinsky, František Kupka, Robert Delaunay, Léopold Survage, Piet Mondrian.
An abstract design is defined in OJES on page 89 as a design in which plant material and other components, together with
space, are used as design units e.g. line, form, colour and texture, to create original images free from unnecessary additions. Some natural growth patterns may or may not be apparent.
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Class 10
The 20th Century
5 Entries
2130-70
Seattle Gray
Benjamin Moore
The Modern Period
A fresh miniature design
Staged:
On tables, 81.3 cm (32”) diameter x 111.8 cm (44”) high
Table draped in fabric cloth colour Pittsburgh Cleopatra’s Gown 1249-7
Area Allotted:
Note:
Fresh plant material must predominate
Convenor:
Rosemary Passafiume-McLean
rosemary.passafiume.mclean@gmail.com
1249-7
Cleopatra's Gown
Pittsburgh Paints
416-284-6959
Title:
Garrowby Hill
Artist: David Hockney
Year: 1998
A miniature design:
Is defined in OJES on page 101 as a design with maximum dimensions of 12.7 cm (5”) in any direction (height, width, depth
or diagonal). For good proportion the container should not exceed 3.5 cm (1 ½”) in height.
*Note: for the purposes of this show, the diagonal measurement shall not be restricted to 12.7 cm (5”).
The “Modern Art” period lasted for an entire century, roughly from 1870—2000, in which a gradual metamorphosis of the
art world took place, reflecting the political and economic evolution of the world. Ushered in by such artists as Manet,
Monet, Cezanne, Gauguin, Seurat, Van Gogh and in later years evolving with the work of artists such as Klimt, Picasso,
Kandinsky, Hockley, Pollack and Warhol among others, the movement progressed through many genres from
Impressionism to Pop Art. Much of this art was characterized by the introduction of different mediums, techniques,
textures, the collage element, kinetic art, assemblage and merged subject matter. Noted for the expressive use of colour,
movements of the “Modern Art” period, like Fauvism, Expressionism and Colour Field painting, were the first to exploit
colour in a major way.
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Class 11
Art That Moves Me
6 Entries
A design
Using only garden flowers and/or foliage, not commercially grown, create a personal work of floral art inspired
by any painting that moves you.
Staged:
On a 182.9 cm x 91.4 cm x 76.2 cm high (72” x 36” x 30”) high table
Tables to be draped fabric cloth colour Rust Taffeta shot with Sage
Area Allotted:
91.4 cm x 91.4 cm (36” x 36”)
Note:
You must include an 10.16 cm x 15.24 cm (4" x 6") colour print/photocopy, mounted on a
12.7 cm x 17.78 cm (5" x 7") backing, of the art work that has inspired your floral design.
Convenor:
Linda Alcock
Title:
linal22@yahoo.com
Artwork not intended to be replicated.
The Dance of Youth
Artist: Pablo Picasso
Year:
The focus of this class is two- fold:
1.
To provide the opportunity to showcase flowers that are garden grown.
2.
To allow the designer to express feelings evoked by the inspiration of a painting.
The design is not intended to be a duplication of the painting.
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1961
Class 12
Canadian Art
6 Entries
Un Petit Aperçu
Dried miniature
Influenced by any Canadian artist
1016-6
Woodchuck
Pittsburgh Paints
Staged:
On tables, 81.3 cm (32”) diameter x 111.8 cm (44”) high
Table draped in fabric cloth colour Woodchuck
Area Allotted:
Convenor:
Claudette Smith
smithclaudettej@gmail.com
2130-70
Seattle Gray
Benjamin Moore
705-484-0173
Title:
The Birch Grove, Autumn
Artist: Tom Thomson Date: 1916-1917
A miniature design:
Is defined in OJES on page 101 as a design with maximum dimensions of 12.7 cm (5”) in any direction (height, width, depth).
For good proportion the container should not exceed 3.5 cm (1 ½”) in height.
*Note: for the purposes of this show, the diagonal shall not be restricted to 12.7 cm (5”).
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Class 13
Canada Is…
10 Entries
2130-70
Seattle Gray
Benjamin Moore
21st Century Contemporary Art
A large floor design evoking the spirit of Canada
Staged:
On a 121.9 cm (48”) diameter x 10.2 cm (4”) high platform
Platform will be painted Seattle Gray
Area Allotted:
121.9 cm 121.9 cm (48” x 48"), height restricted only by lighting in auditorium.
Please ask your Class Convener for clarification.
Note:
The winner agrees to display their design at W.A.F.A., Barbados in June 2017.
To be judged from the front, but viewed from all sides.
1-3 people may work on this design.
Convenor:
Anne Clark-Stewart
anneclark.flowers@yahoo.ca
905-891-8220
Title:
Ice Crystal
Artist: Frank Gehry, Deconstructivism
Date: 2013
For the purposes of this floral design, Deconstructivism is defined as reducing a large concept into its simplest elements,
often in the form of iconic symbols.
20
Rules and Regulations ‐ Horticulture Division
Please review “Ontario Judging and Exhibiting Standards for Horticulture and Floral Design”, 2003 Edition for
definitions, scales of points and other useful information. To assist with staging exhibits, it would be very
helpful to have an idea of the approximate number of entries in each class. Please advise of your intent to
enter the Horticulture division by May 15, 2016, to Judy Zinni - jzinni@bell.net. Last minute entries will be
accepted in any of the classes.
1. All plants exhibited in the Horticulture Division must have been in the possession of the exhibitor for at
least three months prior to the show.
2. Entrants may have two entries per class in the Horticulture Division but they must be a different species
or cultivar of a species.
3. When exhibiting plants, more than one plant per container is acceptable if of the same cultivar, except
where the schedule specifies otherwise.
4. Specimens should be labeled, with botanical and common names on the entry card.
5. Plant lists for Collections must be on a separate card 7.6 cm x 12.7 cm (3" x 5") with botanical and
common names.
6. Measurements are in metric and inches are given approximately. Pot/container size is the top inside
measurement of the container in which the plant is grown. See OJES page 10 for diagram.
7. Accessories are not permitted in any Horticulture class.
8. The Show Chair/Committee may subdivide classes where necessary.
9. All entrants will bring their own containers, with the exception of Class #33, where water tubes will be
provided.
10. Each entry must be passed by the Classification Committee before being placed on the show table.
21
Horticulture Division
Section A
Cut Specimens ‐ Named
Cut Specimens (Flowers)
14.
15.
16.
17.
18.
19.
20.
21.
22.
23.
24.
Allium
Aquilegia (Columbine)
Clematis (herbaceous)
Dianthus
Dicentra spectabilis
Iris (bearded)
Any other Iris
Paeonia (herbaceous & Itoh)
Rose
Any rose in a bowl
Viola
1 stem
1 cultivar, 1 stem
1 cultivar, 3 stems or sprays
1 cultivar, 3 stems
1 spray
1 stalk
1 stalk
1 bloom
1 stem or spray with attached leaves
1 bloom without foliage, floating in a clear glass bowl
1 cultivar, 3 blooms
25. Any other perennial individual flowers
or flower clusters 2.5 cm (1”) and under
3 stems, spikes or sprays
26. Any other perennial, individual flowers
or flower clusters over 2.5 cm (1”)
1 stem, spike or spray
27. Any other bulb, tuber, corm, rhizome
28. Any other annual or biennial
Cut Specimens (Foliage)
29.
30.
31.
32.
Hosta
Heuchera
Grasses/sedges
Any other herbaceous plant grown for foliage
Section B
1 cultivar, 3 leaves
1 cultivar, 3 leaves
1 cultivar, 3 stems
3 stems
Cut Branches and Vines
33. Clematis (climbing type)
1 stem, max 50.8 cm (20"), to be exhibited in a
floral tube (provided)
34. Paeonia suffruticosa (tree peony)
1 bloom
35. Syringa (Lilac)
1 branch with 1 or more trusses, not to exceed
76.2 cm (30”) above the lip of the container
36. Any other flowering vine
1 spray, not to exceed 76.2 cm (30”)
above the lip of the container
37. Any other flowering branch
1 branch, not to exceed 76.2 cm (30”)
above the lip of the container
22
Horticulture Division Continued
Potted Plants/Houseplants
38.
39.
40.
41.
Fern, pot size 15 cm (6”) or less
Fern, pot size over 15 cm (6”)
Cactus, pot size 15 cm (6”) or less
Cactus, pot size over 15 cm (6”)
1 pot
1 pot
1 pot
1 pot
42.
43.
44.
45.
46.
47.
Succulent, (excluding Cactus), pot size 15 cm (6”) or less
Succulent, (excluding Cactus), pot size over 15 cm (6”)
Saintpaulia, in bloom
Any other Gesneriad grown for bloom
Any other Gesneriad grown for other decorative value
Orchid, one cultivar
1 pot
1 pot
1 pot
1 pot
1 pot
1 pot
48.
49.
50.
51.
Any other houseplant, one cultivar, grown for bloom, pot size 15 cm (6”) or less
Any other houseplant, one cultivar, grown for bloom, pot size over 15 cm (6”)
Any other houseplant, one cultivar, grown for foliage, pot size 15 cm (6”) or less
Any other houseplant, one cultivar, grown for foliage, pot size over 15 cm (6”)
1 pot
1 pot
1 pot
1 pot
Collections
52. A collection of 5 to 7 cut perennials, flowering/fruiting branches, vines and/or bulbs/corms/tubers.
Each specimen in its own container.
53. Collection of cut foliage (minimum of 7 varieties), in one container.
54. Mixed cut flowers in a container, not to exceed 25.4 cm (10”) in any direction.
55. A collection of 4 to 6 seedlings, grown by the exhibitor, ready for transplanting into the garden.
May be one cultivar or a number of different varieties/cultivars. Each seedling in its own container and labeled.
23
Special Exhibits Division
Please review “Ontario Judging and Exhibiting Standards for Horticulture and Floral Design”,
2003 Edition (pages 74 and 75) for definitions, scales of points and other useful information.
1. Plant material for Special Exhibits may be from any source.
2. Plants lists for Special Exhibits should be on a separate card 7.6 cm x 12.7 cm (3" x 5”) with botanical and
common names.
3. Pot/container size is the top inside measurement of the container in which the plant is grown.
See OJES page 10 for diagram. See General Rules for all Exhibitors, Rule #9.
4. Accessories are permitted in Special Exhibits classes.
5. Entrants may have only one entry per class in the Special Exhibits Division.
6. Each entry must be passed by the Classification Committee.
7. For clarification of a class, please contact the Class Convenor.
8. The Special Exhibits will be staged on tables, 76.2 cm (30”) high, except as otherwise noted in schedule.
24
Special Exhibits Division
Class 56
The Dutch Masters
6 Entries
Pot et fleur
An urn
Staged:
On the floor
Urns to be set on cloth covered 30.48 cm, 45.72 cm or 60.96 cm (12", 18" or 24") high risers
Area Allotted:
91.4 cm x 91.4 cm (36” x 36”)
Note:
Maximum container width opening is 45.72 cm (18”)
Accessories allowed
Convenor:
Lynda Burke
Patty Carlsson
lynda-b@bell.net
patty.carlsson@hotmail.com
905-508-7365
Pot-et-fleur is described in OJES on page 75 as: An exhibit of growing plants, in or out of pots, packed tightly with
moisture-retaining material, plus cut flowers in tubes of water, oasis or other material, all assembled in one container.
Moss, decorative wood and rock may be included. No cut foliage is permitted. However, cut flowering and/or fruited
branches may be used.
Class 57
The Group of Seven
6 Entries
A dish garden
Inspired by the paintings of Canada’s most famous artists
Staged:
On a table 193 cm wide x 91.4cm deep x 76.2 cm high (72” wide x 36” deep x 30” high)
Table cloth colour is Rust Taffeta shot with Sage
2 entries per table
Area Allotted:
91.4 cm x 91.4 cm (36” x 36”)
Note:
Accessories permitted
Convenor:
Lynda Burke
lynda-b@bell.net
A dish garden is described in OJES on page 74 as: A miniature landscape in an open shallow container. Plants should have
similar cultural requirements. May include accessories of proper scale and harmony with the exhibit.
25
Special Exhibits Division Continued
Class 58
Artist’s Palette
6 Entries
Plants and Flowers
Create a tropical paradise as inspired by the paintings of Matisse, Gauguin and Henri Rousseau
Staged:
On a table 193 cm wide x 91.4cm deep x 76.2 cm high (72” wide x 36” deep x 30” high)
Table cloth colour is black
Area Allotted:
91.4 cm x 91.4 cm (36” x 36”)
Convenor:
Patty Carlsson
patty.carlsson@hotmail.com
905-508-7365
Plants and Flowers is described in OJES on page 75 as: An exhibit of growing plants with fresh-cut flowers and/or foliage.
Any other plant material and/or accessories may be included.
26
27
28
29
30

Art Through the Ages: A Floral Journey

Transcription

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