A UUllil~W UuThi
Transcription
A UUllil~W UuThi
,Av 4,9 A 4195 Cs I. MAEAZ~N~ LES PAUL 1915- 20 09 AN AMERICAN GENIUS REMEMBERED idJ /0 80 9~ I I / I. A • •• TRAVEL DCSSIER: THE B-STAR JEWEL GE THE WURLU’S AL 4 0 B P APH S STRATU CASTER I PG. 22 1 REMIUM a AGUAP XKR • I -S RICH ROBINSON a— THE CGLLECTIUN •1~~~~ $7. QQUS U Ul il ~W U uThi 9 786 7 GEORGE BENSON e v I e w s THE BEST ON TEST Track Star Guitar Aficionado test-drives a custom-order Hanier Talla4lega Pro. ~ the guitar’s inherent voice, complete the true customization of instrument. p r Stock appointments on the Talladega Pro include a chambered Honduran mahogany body with ivoroid binding, TonePros “Kluson style” vintage tuners, and aTonePros aluminum wrap-around tailpiece that provides spot-on intonation, a surprising achievement for this style of bridge. The 22-fret, 25 1/2—inch-scale neck, which is also ivoroid-bound, is fashioned of three-piece stressed mahogany and boasts classy victory inlays that reside on avery flat 14 i/a—inch radius fingerboard. The neck possesses a relatively slim and ultra-comfortable ‘56 V shaped profile that is meaty enough to make chording effortless but also appropriately sleek for fleet fingered flights of fancy As is always the case with Hamer, the fretwork is beyond impeccable. Bending is effortless, and absolutely no dead spots or rough edges are to be found. With the guitar plugged into Fender Deluxe Reverb and ‘72 Marshall Super Lead amplifiers, the custom pickups revealed themselves to be perfectly suited to the instrument’s refined character. The bridge unit exhibited a firm mid-range that was perfect for blues and rock, while the neck pickup, both alone and in combination with the bridge, was nothing short of magical. The Talladega Pm is an excellent example ofwhy Hamer continues to win over guitarists who typically go for the classic manufacturers’ instruments. Even the mildly skeptic or vintage conscious guitarist can easily fall in love with this hybrid of two very familiar guitars. The Talladega Pro has the heft of a Les Paul and the sparkle ofaTele, and like the superspeedway after which it was named, the guitar handled every musical twist that came its way. All ofwhich tells me that the Talladega Pro is more than a mere utilitarian tool or vintage offshoot—it’s already in a class by itself. CYAI ,• BY PAUL RIARIO • PHOTOS BY MA 551MG GA MMACUR TA IN AN ISSuE LUCETHIS ONE, in which we explore the decades-long symbiosis of car and guitar cultures, it seems only appropriate to examine an instrument created by Hamer, a manufacturer that has long acknowledged this vital connection in its guitars.Jol Dantzig, designer at Hamer Guitars for the past three-plus decades, and a die-hard racing enthusiast, has always been vehicularly inspired, having named guitars after eclectic racecars (the Vector and Chaparral) and renowned racetracks (the Monaco and the Talladega). For this review, I test drove a customized example of the most recent Talladega model, the Talladega Pro. The original Tafladega is a Telecaster-inspired instrument that offers a distinct world of series and parallel tones from its uniquely designed Seymour Duncan single-coil pickups. While both feature a modified Tele shape with a softly contoured back, the Pro is more like a Les Paul, with its upper bout toggle switch, humbucking pickups, and familiar four-knob volume/tone configuration. Ifyou’re already comfortable with the feel and sound of a classic Gibson but crave more of the snap you get from iguitar with a longer scale length, the Tafladega Pro is an instrument worth investigating. The custom-ordered Talladega Pro I tested is a particularly interesting guitar, from its special features to its mysterious Night Tiger finish. What separates this Pro from a stock model is the use of unique and rare materials in its construction. The top features hand-carved, super-figured quilt maple, a matching piece ofwhich adorns the face of the headstock, as well. I-lamer’s stockpile of oldgrowth wood was tapped for the lustrous, dark, and beautifully grained Brazilian rosewood fingerboard, and this rare piece of rainforests past complements the guitar’s caramel color and smooth nitroceilulose finish perkctly In lieu of the standard bone nut, the guitar features a polished pure ivory nut, employed for its lubricity acoustic properties, and PIT STOP .~ distinguished texture. A set of Seymour Duncan Antiquity humbucker pickups, custom wound to suit the client’s needs and calibrated by Dantzig to support ,~ $6,200 Hamer Guita s, www.hamerguita scam CREW CHIEF JUL DANTZIG DISCUSSES A LIFE SPENT BEHIND THE WHEEL AT KAMER GUITARS. Are here any limits in creating a custom guitar in the Hamer USA Custom Shop? When you own one of our guitars, it’s a direct connection to our entire history and lineage. We always start with one of our own designs, and through consultation we guide a client to a conclusion that satisfies their needs. GUITAR AFICIONADO What s Hamer’s unique relationship with ca culture? I’ve been a racing enthusiast since I was a boy, and I’ve always owned performance-oriented cars, so it just seemed natural to name my designs after the cars and places that inspired and fascinated me. What cars do you favo ? I’ve driven hundreds of cars, from hot rods and muscle cars to Formula cars and sports racers. I’ve mostly raced Porsches, but my favorite possession was a Chevron 623 that was like riding a video game. It’s so quick that you have to drive 100 feet ahead of where you are or you’iI be too ate, - — \~\ S I