Edmar Castaneda Trio Rider
Transcription
Edmar Castaneda Trio Rider
EDMAR CASTAÑEDA TECHNICALRIDER All the requirements of this document are necessary for a professional performance. We can be flexible to a certain extent while still trying to ensure a good production. In case these requirements cannot be provided we would ask you please to contact us. 1. STAFF: 1. 2. 3. 4. Harpist Drummer Trombonist Audio Live Engineer 2. BACKLINE: 1. HARP (Edmar brings his own Colombian harp) The harp has two outputs: Bass & Treble: BASS-Output (just like an electric bass guitar): • Epifani 4x10 speaker cabinet ( or Mark Bass or Aguillar 4X10) • High quality 1/4" speaker cable • One (1) microphone for the bass cabinet • Edmar will bring the bass head TREBLE-Output • Two (2) Direct Boxes for the lines out from a pedal board that Edmar brings. • Two (2) short 1/4 cable • One (1) AC step-down converter to get 110V~60Hz AC, VERY IMPORTANT (this will be only for Europe) • One (1) vocal mic (Shure SM58 or equivalent) to talk to the audience 2. TROMBONE • One (1) Clip-on microphone which needs one phantom-powered (48V) XLR line. 3. DRUMS SET • One 18" (or 20") Bass Drum (w/front head open for muffling) • One 13" (or 14") Snare Drum • One 10" Rack Tom • One 14" Floor Tom • Cymbals - 20" Ride, 16" Paper Thin Crash, 14" Paper Thin Crash, 10" Splash, • 14" Hi Hats • Four Cymbal Boom Stands • One Hi Hat Stand • One Snare Drum Stand 3. STAGE The size of the stage must be no less than 15 ft (4.5m) wide by 10 ft (3m) deep. Professionally qualified technical staffs for all lighting and sound systems from load-in and sound check through performance and load-out. A minimum of two stagehands are required for helping during load-in and load-out. PURCHASER'S representative to be available onsite and must have the authority to act and make decisions on the PURCHASER'S behalf. Needed four (4) separate bottles of non-carbonated water. 4. LIGHTING VISUAL EFFECTS Professional quality Stage Lighting System with standard assortment of bright colored gels on independently controlled instruments, to be set to a light wash under the sole direction of ARTIST during sound check. Once the lighting is set, it is not to be altered during the performance. 5. SOUND SYSTEM We will require either the house system or a system provided by a professional third party. It must be a concert sound system of sufficient size, sophistication and quality to deliver to all members of the audience (including sound reinforcement to balcony if any) an amplified blend of ARTIST’S music (including all instruments) free of distortion, feedback, and extraneous noises to the satisfaction of the ARTIST or the ARTIST’S representative. Sound system must be operable at least three hours prior to doors opening to audience. ARTIST must have a successful sound check as late as possible prior to opening of venue to audience 1. FRONT OF HOUSE CONSOLE 1 (One) professional digital or analog console with a minimum of 24 input channels and 8 output channels with 4-band parametric equalizer and compressor on each input and output channel. It also must have effects processors (reverb and delay) and configurable (pre/post) mix buses. Each main and auxiliar output should have a 1/3 octave graphic EQ. 2. MONITOR CONSOLE • One (1) professional digital or analog console with a minimum of 24 input channels and 8 output channels with 4-band parametric equalizer and compressor on each input and output channel. • Four (4) pre-fader auxiliary sends and two post-fader auxiliary sends • One (1) reverb processor to be applied to Harp and Trombone in the monitor mix • Each mix monitor output should have 1/3 octave graphic equalizers • Four(4) monitor speakers are required 6. MONITOR MIXES MIX DESCRIPTION MONITOR GRAPHIC EQ 1 TROMBONE ONE (1) MONITOR OK 2 HARP TWO (2) MONITORS OK 3 DRUMS ONE (1) MONITOR OK 7. INPUT LIST CH INSTRUMENT MIC. CHOICE 1/2 STAND 1 KICK AUDIX D6 / SHURE BETA 52 MINI BOOM 2 SNARE TOP SHURE SM 57 BOOM/CLAMP 3 SNARE BOTTOM SHURE SM 57 BOOM/CLAMP 4 HI HAT BOOM 5 RACK TOM BOOM/CLAMP 6 FLOOR TOM SHURE SM 81 / AKG 451 SHURE SM 57 / SENNHEISER MD 421 SHURE SM 57 / SENNHEISER MD 421 7 OH L SHURE SM 81 / AKG 451 BOOM 8 OH R SHURE SM 81 / AKG 451 BOOM 11 TROMBONE OWN MIC 12 HARP BASS MIC AUDIX D6 / SHURE BETA 52 13 HARP TREBLE L D.I. 14 HARP TREBLE R D.I. 15 HARP VOCAL SHURE SM 58 / BETA 58 BOOM/CLAMP BOOM BOOM Edmar Castaneda Trio Stage plot Bass Cabinet 4x4 Talk mic DI Box Power Strip FRONT STAGE
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