waltonfordselectedgro upexhibitions

 WALTON FORD
Born in Larchmont, New York, 1960
Lives and works in New York, New York
S E L E C T E D S O L O
2014
2011
2010-2011
2010
2009
2008
2007
2006
2005
2004
2002
2000
1999
1998
1997
1993
1991
1990
E X H I B I T I O N S
PAUL KASMIN GALLERY, New York
“I don't like to look at him, Jack. It makes me think of that awful day on the island,”
PAUL KASMIN GALLERY, New York
“Walton Ford,” LOUISIANA MUSEUM OF MODERN ART, Humlebaek, Denmark
“Walton Ford: Bestiarium,” HAMBURGER BAHNHOF MUSEUM FUR GEGENWART,
Berlin; ALBERTINA, Vienna
PAUL KASMIN GALLERY, New York
PAUL KASMIN GALLERY, New York
"Tigers of Wrath: Watercolors by Walton Ford" NORTON MUSEUM OF ART, West Palm
Beach, FL (Summer 2007)
SAN ANTONIO MUSEUM OF ART, San Antonio, TX (Fall 2007-Winter 2008)
“Tigers of Wrath: Watercolors by Walton Ford,” BROOKLYN MUSEUM, Brooklyn, NY
“Walton Ford: Works on Paper,” JOHN BERGGRUEN GALLERY, San Francisco, CA
PAUL KASMIN GALLERY, New York
“Bitter Gulfs,” PAUL KASMIN GALLERY at 511, New York
NEW BRITAIN MUSEUM OF AMERICAN ART, New Britain, CT
MICHAEL KOHN GALLERY, Los Angeles
PAUL KASMIN GALLERY, New York
PAUL KASMIN GALLERY, New York
“Brutal Beauty,” BOWDOIN COLLEGE MUSEUM OF ART, Brunswick, ME
UNIVERSITY ART MUSEUM, CALIFORNIA STATE UNIVERSITY, Long Beach, CA
KOHN-TURNER GALLERY, Los Angeles, CA
PAUL KASMIN GALLERY, New York
ASPEN ART MUSEUM, Aspen, CO
“Walton Ford,” SOUTHEASTERN CENTER FOR CONTEMPORARY ART, North Carolina
PAUL KASMIN GALLERY, New York
“Procrustean Beds,” NICOLE KLAGSBRUN GALLERY, New York, in collaboration with
MICHAEL KLEIN, INC., New York
THE CONTEMPORARY ARTS CENTER, Cincinnati, OH
VIRGINIA BEACH CENTER FOR THE ARTS, Virginia Beach, VA
BESS CUTLER GALLERY, Santa Monica, CA
BESS CUTLER GALLERY, New York
“The Blood Remembers,” BESS CUTLER GALLERY, New York
S E L E C T E D G R O U P E X H I B I T I O N S
2013
2012
2011
“One Great Night in November,” The Museum of Fine Arts, Houston, TX
“The Bear Necessities,” JOHN BERGGRUEN GALLERY, San Francisco, CA
“Grey Full,” JEFF BAILEY GALLERY, New York, NY
“Winged Shadows: Life Among Birds,” NORTH DAKOTA MUSEUM OF ART, Grand
Forks, ND
“Traum und Realität,” GALERIE SIEGEL-­‐SPRINGMANN, Freiburg 2010-2011
2008
2006
2005
2004
2003
2002
2001
2000
1999
1998
1997
1996
1995
1994
“The Art of Giving,” JOHN BERGGRUEN GALLERY, San Francisco, CA
“Wunderkammer: A Century of Curiosities,” MOMA, New York
“Going Ape: Confronting Animals in Contemporary Art,” DeCORDOVA MUSEUM AND
SCULPTURE PARK, Lincoln, MA
“Rare Specimen,” THE ARSENAL GALLERY, New York
“Social Realisms,” THE PARK SCHOOL, Brooklandville, MD
“For the Birds,” ARTSPACE, New Haven, CT
“Political Nature,” THE WHITNEY MUSEUM, New York
“Natural Histories: Realism Revisited,” SCOTTSDALE MUSEUM OF CONTEMPORARY
ART, Scottsdale, AZ
“Animals & Us: The Animal in Contemporary Art,” THE GALERIE ST. ETIENNE, New
York
“Birdspace: A Post-Audubon Artists Aviary,” traveling exhibition, CONTEMPORARY ART
CENTER, New Orleans; NORTON MUSEUM OF ART, West Palm Beach; THE
HUDSON RIVER MUSEUM, Yonkers, NY; MCDONOUGH MUSEUM OF ART,
Youngstown, OH; TUCSON MUSEUM OF ART, Tucson
“Creatures That Stir, Symbol & Satire in Animals of Imagination,” PALO ALTO ART
CENTER, CA
“The Great Drawing Show,” MICHAEL KOHN GALLERY, Los Angeles, CA
“One Thousand Words,” JOHN MICHAEL KOHLER ARTS CENTER, Sheboygan, WI.
“Acquiring Taste,” REAL ART WAYS, Hartford, CT
“Resisting Categories: Prints,” THE GALLERY OF SOUTH ORANGE, South Orange, NJ
“Hot and New in 2002,” KATONAH MUSEUM OF ART, Katonah, New York
“Natural Histories: Artists Forage in Science and Nature,” SCHMIDT CENTER
GALLERY, FLORIDA ATLANTIC UNIVERSITY, Boca Raton, FL
“Deja Vu: Reworking the Past,” KATONAH MUSEUM OF ART, Katonah, New York
“Collectors Gallery XXXIII,” THE McNAY GALLERY, San Antonio, TX
“The Great Drawing Show 1550 - 1999" KOHN TURNER GALLERY, Los Angeles, CA
“Summer Show: 1999,” PAUL KASMIN GALLERY, New York
“Armory Show,” The ARMORY SHOW 1999, New York
“Wild Thing: Artists Views of the Animal World,” JOHN BERGGRUEN GALLERY, San
Francisco, CA
“Summer,” PAUL KASMIN GALLERY, New York
“Animal Tales: Contemporary Bestiary and Animal Painting,” WHITNEY MUSEUM OF
AMERICAN ART AT CHAMPION, CT
“Landscapes,” PAUL KASMIN GALLERY, New York
“Heroic Painting,” S.E.C.C.A., curated by Susan Lubowsky, Winston-Salem, NC
“Classics Revisited,” WINSTON WACHTER FINE ART, New York
“Next of Kin,” LIST VISUAL ARTS CENTER, MIT, Cambridge, MA
“A Vital Matrix,” DOMESTIC SETTING, Los Angeles, CA
“Walton Ford, Jimmie Durham,” HO GALLERY, Hong Kong
“Americana,” GRAND SALON, New York
“Ashley Bickerton, Jimmie Durham, Walton Ford, Jeff Wall,” NICOLE KLAGSBRUN
GALLERY, New York
1993
1992
1991
1990
1989
1988
“Points of Interest, Points of Departure,” JOHN BERGGRUEN GALLERY, San Francisco,
CA.
“American Landscape,” MICHAEL KLEIN, INC., New York
“History 101: The Re-Search for Family,” curated by Mel Watkin. FORUM FOR
CONTEMPORARY ART, St. Louis, MO
“Living with Art: the collection of Ellyn & Saul Dennison,” THE MORRIS MUSEUM,
Morristown, NJ
“Kurswechsel,” MICHAEL KLEIN, INC. at Transart Exhibitions, Cologne, Germany
“The Landscape as Stage,” curated by Meyer Raphael Rubinstein, LOCKS GALLERY,
Philadelphia, PA
“Junge Americanische und Deutsche Malerei,” GALERIE SCHULZE, Cologne, Germany
“Artists Books from A to B: Contemporary Artists’ Books,” CENTER FOR ARTS BOOKS
EXHIBITION, Harper Collins, New York
“In the Looking Glass: Contemporary Narrative Paintings,” MINT MUSEUM OF ART,
Charlotte, NC
BESS CUTLER GALLERY, New York
“A Sense of Place,” MONTGOMERY MUSEUM OF FINE ART, Montgomery, AL
“Critical Revisions,” curated by Lois Nesbitt, BESS CUTLER GALLERY, New York
“Collectors Choice of Emerging Artists - 1990, VERED GALLERY, East Hampton, New
York
“Brut 90,” WHITE COLUMNS, New York
“American Pi(e),” BESS CUTLER GALLERY, New York
“Un Regard Autre,” FARIDEH CADOT GALLERY, Paris, France
S E L E C T E D B I B L I O G R A P H Y
2012
2011
Ahluwalia, Waris, “Walton Ford and Ryan McGinley,” THE PARIS REVIEW, Summer
Frankel, David, “Walton Ford,” ARTFORUM, February
Indrisek, Scott, “Walton Ford,” MODERN PAINTERS, February
Wei, Lilly, “Walton Ford: Paul Kasmin,” ARTNEWS, January
Lala, Kiša, “Ape and Super-ape: A Chat With Walton Ford on Unnatural Histories,”
HUFFINGTON POST, December 10
Indrisek, Scott, “Walton Ford,” WHITEWALL MAGAZINE, Winter
Loos, Ted, “Working Practice: Walton Ford at Paul Kasmin,” 1ST DIBS, December
Indrisek, Scott, “Walton Ford's Postmodern Naturalism Evolves, Adding Hollywood to
Audubon in His New Show,” ARTINFO, December 6
Kazakina, Katya, “Killer $2 Million Monkeys,” BLOOMBERG BUSINESSWEEK,
November 16
Duray, Dan, “Ford’s Focus,” NEW YORK OBSERVER, November 4
Helander, Bruce, “Gorillas in our Midst,” THE ART ECONOMIST Volume 1, Issue 9,
December
Andrews, Julie D., “Walton Ford’s Massive King Kong Watercolors,” ELLE.COM,
October 27
Hoffman-Williamson, Jen, “Walton Ford at Paul Kasmin Gallery,” WHITEWALL
MAGAZINE BLOG, October 17
“Second Nature: A Sneak Peek at Walton Ford’s Upcoming Exhibit at Paul Kasmin
Gallery,” PAPER MAGAZINE BLOG, September 23
“Fall Preview ’11: And We’re Also Anticipating: Walton Ford,” NEW YORK MAGAZINE,
August
2010
2009
2008
2007
2006
Collu, Cristiana “Il lato oscuro della Natura,” ART MAGAZINE ITALIA, February
Thjellesen, Johnny “Når Naturen Bliver Politisk, BILLEDKUNST, December
Rassmussen, Lundbeck Sǿren “Louisiana-Museum for Moderne Kunst:Walton Ford,”
MENNESKEDYRET, November
Montigny, Britte “ Oumbärligt för vuxna men inget för barn,” HALLANDS NYHETER,
December
Hartvig, Jette “Dus med dyrene,” KRISTELLGT DAGBLAD, November
Mǿrup, Merete “Ǽstetisk grusomhed I teknisk perfection,” ANMELDELSER
Jeppesen, Michael “Frǽkke, frǽkke Louisiana, “BILLEDER KULTURTILLǼG,
November
Weirup, Torben “Den Menneskelige Zoo,” BERLINGSKE TIDENDE KULTUR, December
Kristiansen Lerche, Annegerd “Det handler ikke om nǽse-hornet,” POLITIKEN,
November
Bodin, Claudia “Der Maler und das liebe Vieh,” ART DAS KUNSTMAGAZIN, July
Febler, Anne Katrin “Die visuelle Sprace des ersten Kontakts,” DER STANDARD, June
Kaminski, Astrid “Das vergiftete Paradies,” BERLINER ZEITUNG, January
Richter, Peter “Kleine Angst vor groBen Tieren,” FRANKFURTER ALLGEMEINE
SONNTAGSZEITUNG, January
Voss, Julia “Kann man noch deutlicher falschliegen?” FRANKFURTER ALLGEMEINE
ZEITUNG, January
Tomkins, Calvin “Man and Beast – The narrative art of Walton Ford” NEW YORKER,
January
Kino, Carol “Beauty & the Beasts” TOWN & COUNTRY, January
Ford, Walton, and Benedikt Taschen. Pancha tantra. Köln: Taschen, 2009. Print.
George, Lynell “Animal Behavior” LA TIMES, March 16,
Sand, Olivia “Walton Ford” ASIAN ART, April
Cohen, David “Back to Basics” NY SUN, May 22
Colman, David “Jokes From The Family Album” NY TIMES, June 8
Panero, James “Gallery Chronicle” THE NEW CRITERION, June
Landi, Anne “Walton Ford’s Not-so-Peaceable Kingdom” FINE ART CONNOISSEUR,
June
“Brute Soul-Recent Paintings by Walton Ford” HARPERS BIZARRE, August
Bryant, Eric “Walton Ford” ARTnews, October
Hirsch, Faye “King of the Beasts” ART IN AMERICA, October
Wendt, William “Walton Ford”, MEN’S JOURNAL, May
Hawgood, Alex “Beastie Boy” NEW YORK TIMES, September 16
Garnier, Jean Michel “Walton Ford’s Pancha Tantra” LA RESERVE, October.
Zeitz, Lisa “Dschungelbuch” ARCHITECTURAL DIGEST (Germany) October 30
“La Jungla Animada en Papel” EL PAIS.COM, October 9
Rogovoy, Seth.. “The Natural.” BERKSHIRE LIVING, November/December
Genocchio, Benjamin. “Art In Review,” NEW YORK TIMES, November 24
Froelich, Leopold. “Fordism,” STOP SMILING, November
NEW YORKER, November 20
“Goings On About Town,” THE NEW YORKER, November 13
Yablonsky, Linda. “Monstrous Infant, Fevered Elephant Embody Beauty in Brooklyn.”
.COM
Budick, Ariella. “Art That’s Larger than Life.” NEWSDAY.COM, November 12
If You Do One Thing...” TIME OUT NEW YORK, November 2-8
Finkelstein, Alix. “A Tiger Roars in Brooklyn,” THE NEW YORK SUN, November 2
Sunday Arts and Leisure, NEW YORK TIMES, October 29
2005
2004
2003
2002
Sketchbook, THE NEW YORKER, August 28
Goodbody, Bridget, “The Redemption of History,” ART ON PAPER, May/June
Enright, Robert. “Misadventures Along the Nature Trail” BORDER CROSSINGS, March
Conley, Kevin. “Built Ford Tough,” MEN’S VOGUE, Fall
“Nature Without Nurture,” THE NEW YORK SUN, June 25
Grant, Annette. “America the Beautifully Absurd,” THE NEW YORK TIMES, May 22
Yanofsky, Anna. “Force of nature,” TIMEOUT NEW YORK, May 19-25
“A Naturalist Painter Evokes Legends of the Past.” THE NEW YORK TIMES, January
10
Color Reproduction, THE NEW YORK TIMES, December 16
The Sydney and Walda Besthoff Collection, “New Art in an Old City/3", New Orleans
Frazier, Ian. “Hog’s Wild,” THE NEW YORKER, Dec 12
Marshall, Julia. “Metaphor in Art, Thought, and Learning,” SEMIOTICS AND VISUAL
CULTURE, SIGHTS, SIGNS, AND SIGNIFICANCE
Marshall, Julia. “Articulates Images: Bringing the Pictures of Science and Natural
History into the Art Curriculum,” STUDIES IN ART EDUCATION: A JOURNAL OF ISSUES
AND RESEARCH IN ART EDUCATION
Highet, Alistair. “Animal Planet.” PREVIEW CONNECTICUT, January
Genocchio, Benjamin. “Not Only Watching,; Painting and Sculpting; Too,” THE NEW
YORK TIMES, February
Ford the Explorer,” FORBES, FYI, Spring
Steingarten, Jeffrey. “To Kill a Woodcock,” VOGUE, March. (Color Reproduction)
Color Reproduction. ART FORUM, May
Color Reproduction. ART IN AMERICA, May
“Where to Buy Walton Ford,” MICHAEL KOHN GALLERY, May 28
Haus, Mary. “Birds That Sing a Different Tune” ARTNEWS, June
“Walton, Ford,” THE NEW YORKER, June 14-21
“Walton Ford, Bitter Gulfs,” TIME OUT NEW YORK, June 24 - July 1
Cyphers Wright, Jeffrey. “Catch at Your Own Risk” OFFOFFOFF.COM, July
Grosz, David. “Gallery-Going,” THE NEW YORK SUN, Review, July 1
Mar, Alex. “Paper Trail, The Drawings Collector Who’s Got the Art World Talking,” NEW
YORK MAGAZINE, July 19
Color Reproduction, VOGUE, October
Erikson, Matthew. “Strong Statements Underlie Visual Vividness of Walton Ford,” THE
HARTFORD COURANT, November 30
Color Reproduction, “Carl and Mary Siegel,” ELLE DECOR, December 2004 - January
2005
“Walton Ford,” ART:21, 2003
Schwendener, Martha. ARTFORUM, Review, January
Gilhooley, Derren, “Nature’s Way,” HARPER’S & QUEENS, color reproduction, January
Gilmore, Jonathan. TEMA CELESTE, Review, January/February.
Color Reproduction, ARCHITECTURAL DIGEST, May.
Worthington, Nanci, “Walton Ford, Artist,” THE ARTFUL MIND, June
Color Reproduction, THE NEW YORKER, August 11
Markey, Kevin. “First Encounters,” ORION, November/ December.
“Acquiring Taste,” REAL ART WAYS, color reproduction
“Survival of the Fittest,” VIEWS, THE RHODE ISLAND SCHOOL OF DESIGN, Spring,.
Color Reproduction, NEW YORKER, January 14
Color Reproduction, THE NEW YORKER, January 21
“Walton Ford,” ART ON PAPER, March-April.
2001
2000
McNally, Owen. “Teams Bring Embarrassment Of Riches to RAW,” THE HARTFORD
COURANT, March 31
Rosoff, Patricia. “Acquired Tastes?,:” THE HARTFORD ADVOCATE, April 4
“One Thousand Words,” exhibition summary listed in mailing by JOHN MICHAEL
KOHLER ARTS CENTER
“One Thousand Words,” exhibition summary listed in mailing by JOHN MICHAEL
KOHLER ARTS CENTER (includes Ford image)
“One Thousand Words—focuses on Arts Centers theme of storytelling,” SHEBOYGAN
PRESS, June 2
“Once Upon a Time— Event to Kick of Summer of Storytelling Programs,” SHEBOYGAN
PRESS, June 16
Holmes, Steven. “Acquiring Taste.” REAL ART CENTER. Exhibition catalogue.
Slouka, Mark. “A Year Later, Notes on America’s Intimations of Mortality,”
Color Reproduction, HARPER’S MAGAZINE, September.
Listing and Color Reproduction, NEW YORK MAGAZINE, September 9.
Katz, Steven. “Walton Ford: Tigers of Wrath, Horses of Instruction,” NEWS FROM
ABRAMS, October
“Walton Ford,” ART IN AMERICA, October 22Jacobson, Mark. “Nature Boy,” NEW
YORK MAGAZINE, October 21
“Walton Ford,” THE NEW YORKER, October 29
“Walton Ford,” THE NEW YORK SUN, October 22
Gleuck, Grace. THE NEW YORK TIMES, November 8
Katz, Steven, and Dodie Kazanjian. Walton Ford: tigers of wrath, horses of
instruction. New York: H.N. Abrams, 2002. Print.
Leffingwell, Edward. Review, ART IN AMERICA, January
Long, Andrew. “Man and Beasts,” DEPARTURES, March/April
Color Reproduction, NEW YORKER, October 8
“FAU exhibit to present contemporary views of science, environment,” SUNSENTINEL, November 5
Schudel, Matt. ANatural Selections,” SUN-SENTINEL, November 18
Arning, Bill. “Walton Ford=s Non-Fiction Fiction, BRUTAL BEAUTY, Bowdoin College
Museum of Art, 2000
Franklin Burroughs. “Visions and Revisions,” BRUTAL BEAUTY, Bowdoin College
Museum of Art, 2000
Linton, Meg, “Avatars, the Watercolors of Walton Ford,” 2000
Kazanjian, Dodie. “The Elephant Man,” VOGUE, May
Newhall, Edith. “King of the Beasts,” NEW YORK MAGAZINE, May 15
Vincent, Steven. “Kasmin Shows Walton Ford,” ART AND AUCTION, May 15
Illustration, THE NEW YORKER, May 22
Scobie, Ilka. “Mimesis for the New Millennium,” ARTNET.COM, May 24
Johnson, Ken. “Art in Review,” NEW YORK TIMES, May 26
Varadajan, Tunku. “Allegory on the Nila,” FINANCIAL TIMES, May 27
Color Reproduction, TOWN & COUNTRY, June
Pedersen, Victoria. “Gallery Go Round,” PAPER MAGAZINE, June
Johnson, Ken. “Art Guide,” NEW YORK TIMES, June 2
“In Principio Fu L’elefante,” AMICA, June 7
THE NEW YORKER, June 19 & 26.
Dagnini Brey, Ilaria. “memoria d’elefante,” ITALIAN ELLE, August
Gillett, Michele. “The Big Picture,” BERKSHIRES WEEK, September 14
“Brutal Beauty...Artist Walton Ford Exhibits His Largest Collection of Paintings.” THE
1999
1998
1997
1996
1994
COASTAL JOURNAL, September 28
“Bowdoin exhibition puts focus on Ford’s bird paintings of ‘90,” WEEKLY
ENTERTAINMENT PLANNER, September 28
Sims, Pat. “Inverted Audubon,” CASCO BAY WEEKLY, September 28
East, Ashley. “Brutal Beauty: Where the wild things are,” THE BOWDOIN ORIENT,
September 29
Hayt, Elizabeth. “Nature Painting That Looks Unnatural,” NEW YORK TIMES, October
15
Temin, Christine. “Ford’s Brutal birds land at the Bowdoin Museum,” THE BOSTON
GLOBE, October 25
Schweitzer, Bibi. “Walton Ford Joins the Ranks,” THE GLOBE, October 26
Isaacson, Philip. “Ford’s paintings embrace Audubon - but with a twist,” MAINE
SUNDAY TELEGRAM, November 19
“Avators: The Watercolors of Walton Ford,” Exhibition catalogue, UNIVERSITY
ART MUSEUM, California State University, Long Beach, 1999
.Kaylan, Melik. “The Natural,” TOWN & COUNTRY, January
Preview “Walton Ford at University Art Museum, California State University,” ART
NOW GALLERY GUIDE, January
Ollman, Leah. “A Philosophical Take on Zoology in Walton Ford’s Wry Paintings,” Art
Review, LOS ANGELES TIMES, March 5
M.B.. “People are talking about taking flight,” VOGUE, April
Hirsch, Faye. “Working Proof,” ART ON PAPER, Vol.3, No. 5, May - June
Linton, Meg. “Inside the Watercolor World of Walton Ford,” JUXTAPOZ, May/June
Cheever, Susan. “Country House Art Gallery,” Jackie & Irving Blum’s interior view,
ARCHITECTURAL DIGEST, July
Kazanjian, Dodie. “Animal Magnetism,” VOGUE, July.
“Hunting & Gathering: the Luxury List,” HOUSE & GARDEN, September.
“Birds in the Hand,” ARTnews, October
Safrani, Shehbaz H., MARQ MAGAZINE, March
Tully, James. REVIEW, May 1
Review of Exhibition, THE NEW YORKER, May 11
Illustration, THE NEW YORKER, November 9
Gomez, Edward. “Past Is Present”, ART & ANTIQUES, December.
Miller, Jamie. “The Critical Nature of Ford,” ASPEN MAGAZINE, Midwinter
MUSEUM NEWS, THE ASPEN ART MUSEUM, Winter
Review of exhibition, THE DAILY NEWS, April 26
Falkenstein, Michelle. “Shiva’s Pets,” NEW YORK PRESS, April 28
Review of exhibition, THE NEW YORKER, April 28- May 5
Review of exhibition, THE VILLAGE VOICE, April 29
Schjeldahl, Peter. Review of exhibition, THE VILLAGE VOICE, April 30-May 6
Wakefield, Neville. “Walton Ford,” ELLE DECOR, June/July
Eugenides, Jeffrey. “Walton Ford,” BOMB, Fall
Frankel, David. Review, ARTFORUM, October
Rubinstein, Raphael. “Walton Ford at Paul Kasmin,” ART IN AMERICA, December
Schjeldahl, Peter. “Heroism Addiction”, “Heroic Painting”, exhibition catalogue,
Southeastern Center for Contemporary Art, Winston-Salem, North Carolina.
Kimmelman, Michael. “History Painting: Yes, Those Enormous Canvases”, THE NEW
YORK TIMES, August 30
Review of exhibition, ART & ANTIQUES, December
Sangster, Gary, essay from exhibition catalogue, “Rooms,” Morris Museum.
1993
1992
1991
1990
1988
1987
1985
Watkins, Mel and Lucy Lippard. “History 101: The Re-Search for Family,” essay from
exhibition catalogue, Forum for Contemporary Art
Duffy, Robert W., Review of exhibition, ST. LOUIS POST-DISPATCH, January 30
Cameron, Dan. “Ode to Discernment,” FRIEZE, January/February, pp36-40
Ziolkowski, Thad. “Walton Ford,” ARTFORUM, February
Bayliss, Sarah. “Walton Ford at Nicole Klagsbrun,” ART IN AMERICA, May
Rubinstein, Meyer Raphael. “Walton Ford,” ARTNEWS, February and ARTNEWS,
Japanese Edition Vol. 1, No. 3, May
Hakanson Colby, Joy. Review of exhibition, THE DETROIT NEWS, August 11
Rubinstein, Meyer Raphael. Essay from ex. cat., “The Killing Fields,” The
Contemporary Art Center, Cincinnati, Ohio, 1993
Rubenstein, Meyer Raphael. “Landscape as Stage,” Locks Gallery exhibition
pamphlet, 1993
Wilette, Jean and Mark Leach. Exhibition catalogue, “In the Looking Glass:
Contemporary Narrative Painting,” Mint Museum of Art, 1993
Durham, Jimmie. “To be a Pilgrim: Walton Ford,” ARTFORUM, January
Annas, Teresa. “The Two Faces of John James Audubon,” THE VIRGINIAN-PILOT,
October 11
Watkins, Eileen. Review of exhibition, THE SUNDAY STAR-LEDGER, November 7
Durham, Jimmie. “To Be a Pilgrim: Walton Ford,” ARTFORUM, January
Levin, Kim, “Choices,” THE VILLAGE VOICE, November 9
Levin, Kim. “Choices,” THE VILLAGE VOICE, February 19.
Downe, Edward. “The Top 100 Collectors,” ART & ANTIQUES, March.
Maschal, Richard. “Through the Looking Glass,” THE CHARLOTTE OBSERVER, July 21.
Redd, Chris. “In the Looking Glass,” ART PAPERS, September/October.
Cutler, Bess. “Priorities,” 7 DAYS, March 14.
Review of Exhibition, THE NEW YORKER, April 30.
Liu, Catherine. Review of exhibition, ARTFORUM, May.
Mahoney, Robert. Review of exhibition, ARTS, May.
Gilbert, Elizabeth. “Galleries,” DOWNTOWN EXPRESS, September 3.
Spector, Nancy. “The Other Man: Alternative Views of Masculinity, The New Museum,”
ARTSCRIBE, January/February
Raynor, Vivien. “Art: Two Kinds of Pop, Fakery, and Masculinity,” THE NEW YORK
TIMES, June 12.
“Un Regard Autre (Group Show) at Farideh Cadot Gallery,” DOWNTOWN, October .
Braff, Phyllis. THE NEW YORK TIMES, November 29.
Peterson, Roger Tory. AJohn Jay Audubon: Predator,” March 10.
D O C U M E N T A R I E S
2003
art: 21: Art in the Twenty-First Century, Season Two, PBS
E D U C A T I O N
1982
BFA, Rhode Island School of Design, Providence, Rhode Island.
European Honors Program, Rhode Island School of Design, Rome, Italy.
A W A R D S
1992
1991
1990
1989
1988
John Simon Guggenheim Memorial Foundation, Fellowship.
National Endowment for the Arts, Fellowship.
Mid-Atlantic Arts Foundation, Grant.
New York Foundation for the Arts, Fellowship.
The Pollock-Krasner Foundation, Grant.
Art Matters, Inc., Fellowship.
The Penny McCall Foundation, Grant.
P U B L I C C O L L E C T I O N S
Smithsonian American Art Museum, Washington D.C.
DeCordova Museum, Lincoln, MA
Whitney Museum of American Art, NY
University Art Museum, California State University, Long Beach
New Britain Museum of American Art, New Britain, CT
Spencer Museum of Art, Kansas
Princeton Art Museum, Princeton, NJ
Museum of Modern Art, New York
Bowdoin College Museum of Art, ME
Alturas Foundation, MA
Wadsworth Atheneum, Hartford, CT
New York Public Library, NY
San Antonio Museum of Art, TX