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Kieran Turner Eight Track Tape Productions 10602 Landale Street North Hollywood, CA 91602 (213) 985‐0295 8tracktape@gmail.com Jeffrey Winter The Film Collaborative jeffrey@thefilmcollaborative.org (323) 207‐8321 Orly Ravid The Film Collaborative orly@thefilmcollaborative.org (323) 610‐81281 j obri a th a . d.
info sheet
JOBRIATH A.D. title
Documentary genre
102 minutes running time
HDCAM, Blu‐Ray, DIGIBETA format
2011 copyright
Kieran Turner Producer & director
Danny Bresnik editor
Michael Canzoniero, PJ Gaynard cinematographers
Ian Moore, Jason Staczek original score by
Mike Turner, Amine Ramer music supervision
Rachel Chancey sound
animation segments by
Henry Rollins narrated by
with appearances by
website
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Benjamin Nielsen, Will Moritz, Jennifer D’urso, Matt Saunders, Eric Power, Chris Hutchings Marc Almond, Joey Arias, Jayne County, Joe Elliott of Def Leppard, Stephin Merritt of Magnetic Fields, Jake Shears of Scissor Sisters, Will Sheff of Okkervil River and Justin Tranter of Semi Precious Weapons http://www.jobriaththemovie.com http://www.facebook.com/jobriaththemovie @jobriathdoc page 2 of 18 j obri a th a . d.
ABOUT THE FILM
LOGLINE
Feature documentary about ‘70s glam rock musician Jobriath, the first openly gay rock star. SHORT SYNOPSIS
“The American Bowie,” “The True Fairy of Rock & Roll,” “Hype of the Year.” Known as the first openly gay rock star, Jobriath’s reign was brief, lasting less than two years and two albums. Done in by a over‐hyped publicity machine, shunned by the gay community, and dismissed by most critics as all flash, no substance, Jobriath was excommunicated from the music business and retreated to the Chelsea Hotel, where he died forgotten in 1983 at the age of 37, one of the earliest casualties of AIDS. However, in the years since his death, new generations of fans have discovered his music through acts as diverse as The Pet Shop Boys, Gary Numan, Joe Elliott of Def Leppard, and Morrissey, all of whom have cited Jobriath as an influence. Through interviews, archival material and animation, experience the heartbreaking, unbelievable story of the one, the only, Jobriath. page 3 of 18 DIRECTOR STATEMENT
Over the years, I had periodically come across Jobriath in a very snide way, both in reading about rock and GLBT history. He was always treated as the punchline to a very derogatory joke. About three years ago, I got my hands on the compilation CD of his music that Morrissey had recently put out on his own label and to my amazement, the music was fantastic and beautiful and haunting. I began researching his life and I found a person who had really broken ground for openly gay musicians, he was the first, and has largely been unacknowledged by that same community for so many years. Beyond that, I was struck by how fascinating Jobriath’s story was because he reinvented himself so many times, from a hippie flower child who had starred in Hair onstage to this glam rock creature, to a Weimar era cabaret singer who entertained in NYC bars, not to mention the various personal identities he adopted. But what I really identified with was‐ here was this person, all he wanted to do was make music, make some kind of art, and he was kept from doing that because whatever powers that be didn’t deem it worthy. And it destroyed him. And he’s been forgotten, which is criminal because you couldn’t have anyone from Rufus Wainwright to kd lang to Adam Lambert without first having had Jobriath pave the way. But the most important thing is‐ the music is incredible. And it doesn’t matter what your sexuality or gender or age is to be able to enjoy it. Finding people to participate has been both exhilarating and frustrating, but I love research and finding things so it was a great challenge. I’ve found so many people from all areas of Jobriath’s life and career and it’s been difficult because he was so compartmentalized. When page 4 of 18 he would come up with a new persona, along with the old one he’d shed went most everyone he knew during that particular incarnation. It’s also been great talking with so many different musicians, all of whom are fans or cite Jobriath as an influence. From people like Morrissey, who’s done so much to help get the word out about Jobriath to musicians like Joe Elliott of Def Leppard or Noddy Holder of Slade or Marc Almond, Gary Numan, etc, to newer musicians like Jake Shears of Scissor Sisters and Will Sheff of Okkervil River, who wrote a song about Jobriath. What has been so rewarding already is to see this forgotten artist brought to a new audience, ones who can appreciate the music for how great it is, and ones who didn’t realize the ground he broke for other GLBT artists, and watch their reactions. People are loving the story, loving the music and loving Jobriath. That, to me, is the biggest reward I could ever reap by making this dream project. page 5 of 18 FULL SYNOPSIS
Widely acclaimed today as the first ever openly (and genuinely) gay rock star, an iconic status which only seems to harden as time passes, Jobriath can also be described among the saddest casualties in modern musical history. The two albums he cut during 1973‐1975 are collector’s items today and deservedly so. But for at least two decades after their release, their maker's name was more likely to be evoked as an example of the dangers of hype, than anything else, with the actual quality of both his music and his performance deeply buried beneath the avalanche of scorn which knowing critics still pour on his head. However, both Morrissey and The Pet Shop Boys have talked openly of their admiration for page 6 of 18 Jobriath. Jayne County has described him as America's premier glam rock idol and Joe Elliot is an unlikely, but equally loyal fan. So, too, are the generation of young glam rock fans who were curious enough to look beyond the record company hype (and the music industry hatred) to investigate the intriguingly packaged, deliciously delivered records which bore the singer's name. Neither has been scarred by time, neither has been overtaken by age. In 1973‐1975, Jobriath records were regarded as a waste of time. Today, they are simply timeless. A veteran of the original Los Angeles run of Hair, Jobriath then relocated to New York, where he recorded one album with progressive rock hopefuls Pidgeon. The record went nowhere and Jobriath split for a solo career, managed by former Jimi Hendrix associate Mike Jefferies. They parted company soon after and Jobriath soldiered on alone, beating his head against what was rapidly becoming a wall of unmitigated hostility towards his music. One of the most popular of the manifold legends surrounding Jobriath is the reaction which a set of his demos drew from Columbia Records president Clive Davis — "mad and unstructured and destructive to melody." Davis’ disdain did not fall on stony ground, however. Indeed, Jerry Brandt, at that time manager of Carly Simon, was so intrigued by Davis’ remarks that he immediately set up a meeting with the singer, then signed him to a management deal. His enthusiasm was contagious as well. Elektra Records head Jac Holzman later confessed, "I made two errors of judgment in my days at [the label] and signing Jobriath was one of them." Equally incriminatingly, Jobriath doesn't receive a single mention in Holzman’s official label history, “Follow the Sun.” At the time, however, Elektra's belief in Jobriath appeared limitless. The label spent over $80,000 on his eponymous debut album, with almost half of that sum being poured into page 7 of 18 promotion. At the height of glam rock, Jobriath was being portrayed as the glammiest artist of them all — and when the inevitable comparisons with were floated, Brandt knew precisely how to respond. "Jobriath is as different from Bowie as a Lambourghini is from a Model A Ford. They're both cars, it's just a question of taste, style, elegance and beauty." Full page ads in Vogue, Penthouse, and the New York Times forwarded such claims into areas that had never previously been courted by the music industry. A 50‐foot square billboard in Times Square saw his visage glowering over New York's daily commuters; posters on the front of London's bus fleet ensured he dominated that city as well. Both Cashbox and Rolling Stone ("Jobriath has talent to burn") gave the album rave reviews, while an appearance on TV's Midnight Special raised the singer's media profile even higher. Unfortunately, the record simply didn't sell, at home or abroad. Such was the enormity of the hype built around Jobriath, so vast were the promises which his backers were making, that when the album finally hit the streets, there was no way it could live up to its billing — no way, in fact, that any record could. As Jac Holzman later reflected, "the music seemed secondary to everything else. It was... lacking in any sense of reality. It's an embarrassment." A proposed European concert debut at the Paris Opera House was canceled and though Elektra allowed Jobriath to record a second album, they already seemed to have washed their hands of him. “Creatures of the Street” received little promotion, poor reviews, and near‐zero sales. A U.S. tour during spring, 1975, drew little attention (and even less applause) and it was only towards the end of an utterly miserable and apparently drug‐crazed venture that Jobriath and his band, The Creatures, finally began winning over audiences. Their last ever performance, at Tuscaloosa University, ended with five encores and a near riot. page 8 of 18 It was too little, too late. Brandt dropped Jobriath from his roster midway through the outing and immediately the tour was over and Jobriath announced his retirement. He retreated to the glass pyramid he had erected on the roof of the Chelsea Hotel in New York, where he would remain for the rest of his life. He attempted to break into Hollywood, auditioning for a role in Dog Day Afternoon, but was passed over. Attempts to record a third album never got beyond the demo stage; there was also talk of a presumably autobiographical rock musical, to be titled Pop Star. It, too, never came to fruition. By the early '80s, Jobriath was working as a Weimar‐era cabaret singer he dubbed “Cole Berlin” and beginning to amass a small following. He passed away in July 1983, of AIDS‐related illnesses. page 9 of 18 j obri a th a . d.
THE FILMMAKERS
KIERAN TURNER
WRITER/PRODUCER/DIRECTOR)
Kieran began his career in entertainment at the age of six as a child actor appearing in dozens of television commercials, episodic television and feature films. Retiring from acting at age 17, he then attended NYU receiving both a BFA and MFA in filmmaking from the Tisch School of the Arts. His first feature film, “24 Nights” (2001) which he wrote, produced and directed, was made as his graduate thesis, but took on a life of its own on the film festival circuit, playing in over 60 festivals worldwide and winning seven audience awards. The film was picked up for distribution by TLA Releasing and, due to increasing word of mouth popularity, has been a perennial seller for the company since its release. DANNY BRESNIK
EDITOR
Danny recently edited the feature documentary “Bert Stern: Original Madman,” about Marilyn Monroe’s photographer, as well as the 2008 feature “Bustin’ Down the Door,” about a group of Australian surfers who revolutionized the sport in the mid‐70s. He is currently finishing up editing on the documentary feature “Iceberg Slim: Portrait of a Pimp.” page 10 of 18 MICHAEL CANZONIERO
CINEMATOGRAPHER
After attending the graduate film program at New York University, Michael has worked regularly as a director, cinematographer and editor. He has also written, produced and directed several films that have played at the top film festivals in the U.S. including Sundance, Tribeca, SXSW and Hamptons. His most acclaimed short film Hyper premiered in the Centerpiece of the New York Film Festival at Lincoln Center and played at over thirty film festivals. His first feature, Wedding Bros stars Tony Winner Dan Fogler, Jon Polito and Brendan Sexton III and was distributed by Universal Home Entertainment in 2009. Michael has also worked on the Academy Award nominated documentary On the Ropes, Jim Sheridan’s In America as the 2nd unit DP, and recently co‐
produced the 2009 Tribeca Film Festival horror/comedy Hysterical Psycho. In 2010, Michael completed Senior Year a documentary on the emotional true story of a High School Lacrosse team’s unlikely State Championship Season. PJ GAYNARD
CINEMATOGRAPHER
PJ is a Los Angeles based cinematographer and He is currently on the film festival circuit with two award‐winning short films, “Love Sick Love” and “Rooftops.” page 11 of 18 IAN MOORE
COMPOSER
Ian Moore is a guitarist and singer‐songwriter from Austin, Texas. He studied fiddle as a child, but switched to guitar when wrist problems interfered. His music contains elements of folk, rock and roll, world music, and blues. After playing guitar in Joe Ely’s touring band and appearing on one studio album, he spent time in Austin with his own group, first Ian Moore and Moment's Notice, then The Ian Moore Band. Prior to Luminaria's release, he moved to Vashon Island, located in Puget Sound near Seattle in the State of Washington, where portions of "To Be Loved" were recorded in his home studio. He has played with such musicians as the Rolling Stones, Bob Dylan, and ZZ Top, and appeared in Billy Bob Thornton's movie Sling Blade. Ian played guitar with Jason Mraz on his 2010 fall tour. JASON STACZEK
COMPOSER
Jason is a composer, keyboardist, record producer and recording engineer. His musical life began on the piano and cello, but he became a lifelong student of the Hammond B3 organ. His keyboard work appears on the recordings of many Sub Pop artists, including Zen Guerilla, the Black Halos, Rosie Thomas and the Makers. As a composer, his work with Canadian director Guy Maddin has been called "swirling and adventurous" and "teasingly reminiscent of Philip Glass". He has appeared on stage with Isabella Rossellini, Alanis Morissette and Geraldine Chaplin and has conducted orchestras on three continents. page 12 of 18 JOBRIATH A.D.
An Eight Track Tape Production Written, Produced and Directed by Kieran Turner Narrated by Henry Rollins Edited by Danny Bresnik Cinematography Michael Canzoniero PJ Gaynard (Triple box this) Original Music by Ian Moore & Jason Staczek Music Supervision Michael Turner Amine Ramer Sound Design Rachel Chancey Additional Camera ..................................................... Ralf Gonzalez, Matthew Marshall, Mark Vittek, Gerry Mcnee Sound ................................................................................................................... Michael Canzoniero, PJ Gaynard Re‐Recording Mixer................................................................................................................................... Lisa Baro Grips ........................................................................................................ David Haskell, John Karyus, Jesse Arnold Casting Consultant............................................................................................................................Michael Nicolo Archival Research................................................................................................ Kieran Turner, Rosemary Rotondi Paris Opera House Costume Sketches........................................................................................... Kristian Hoffman Paris Opera House Set Sketches................................................................................................ Andrew Chittenden Title Graphics ......................................................................................................................................... Steve Siers Additional Graphics.................................................................................................Danny Bresnik, Chris Hutchings Transcription........................................................................................................................................Jaime Yassin Post production facilities..................................................................................................................Alphadogs, Inc. Legal Services ....................................................................................... Jerry Marshak, VanDorn and Marshak, LLP Production Assistant ...........................................................................................................................Marshall Vick Opening and Closing animation ................................................................................................... Benjamin Nielsen Jerry Brandt animation..................................................................................................................... Jennifer D’urso Glam animation .............................................................................................................................. Chris Hutchings Hype animation.................................................................................................................................Matt Saunders Billboard animation...........................................................................................................................William Moritz Cole Berlin animation .............................................................................................................................. Eric Power page 13 of 18 Photos Courtesy of:
AP Frank Aqueno Michael Butler Charles Charas Bill Cooper & Richie Podolor John Michael Cox, Jr. Dagmar Geoffrey Dicker Richard Dworkin Trullee Fike Willie Fogle Benno Friedman Getty Travis Michael Holder iStock Steven Knee Eddie Kramer Gered Mankowitz Lisa Margolis Ted McCreless National Archives Photofest Neal Preston Julian Wasser Archival Footage Courtesy of
ABC BBC Motion Gallery Budget Footage Critical Past James Clinton Curran efootage Historical Footage Musikladen NBC/Universal Pond5 Producer’s Library ThoughtEquity Motion WNET page 14 of 18 “Pictures of Matchstick Men” Written by Francis Rossi Courtesy of Universal Music Group Performed by Status Quo Courtesy of Sanctuary Records Group, Ltd. under license from Universal Music Enterprises “Sodomy” Performed by Jobriath Salisbury Written by Galt MacDermot, James Rado, and Gerome Ragni Published by EMI U Catalog Inc. on behalf of itself and Channel H Productions "Prison Walls" Written by Richard T. Marshall & Jobriath Salisbury Courtesy of Far‐Fitz Music Publishing Performed by Pidgeon Courtesy of Geffen Records under license from Universal Music Enterprises "The Wind Blows Cold" Written by Richard T. Marshall & Jobriath Salisbury Courtesy of Far‐Fitz Music Publishing Performed by Pidgeon Courtesy of Geffen Records under license from Universal Music Enterprises "House On A Hill Among Trees" Written by Richard T. Marshall and Jobriath Salisbury Courtesy of Far‐Fitz Music Publishing Performed by Pidgeon Courtesy of Geffen Records under license from Universal Music Enterprises “Pusherman” Written by Curtis Mayfield Courtesy of Warner‐Chappell Music Performed by Curtis Mayfield Courtesy of Rhino Entertainment Company By arrangement with Warner Music Group Film & TV Licensing "I Love A Good Fight" Written by Jobriath Boone Courtesy of Pierrot Revisited Performed by Jobriath Courtesy of Sanctuary Records Group Inc. under license from Universal Music Enterprises “Aquarius” Written by Galt MacDermot, James Rado, and Gerome Ragni Published by EMI U Catalog Inc. on behalf of itself and Channel H Productions Performed by Original “Hair” Soundtrack Cast Courtesy of RCA Records By arrangement with Sony Music Licensing “Dancing in Eternity” Written & Performed by Jobriath "The Main Line" Written by Richard T. Marshall & Jobriath Salisbury Courtesy of Far‐Fitz Music Publishing Performed by Pidgeon Courtesy of Geffen Records under license from Universal Music Enterprises "Milk And Honey" Written by Richard T. Marshall & Jobriath Salisbury Courtesy of Far‐Fitz Music Publishing Performed by Pidgeon Courtesy of Geffen Records under license from Universal Music Enterprises “I’maman” (acoustic) Written by Jobriath Boone Courtesy of Pierrot Revisited Performed by Jobriath Courtesy Bill Cooper & Richie Podolor “Amazing Dope Tales” Written and performed by Jobriath Boone “As the River Flows” Written and performed by Jobriath Boone “World Without End Written by Jobriath Boone Courtesy of Pierrot Revisited Performed by Jobriath Courtesy of Elektra Entertainment Group By arrangement with Warner Music Group Film & TV Licensing page 15 of 18 “Blow Away” Written by Jobriath Boone Courtesy of Pierrot Revisited Performed by Jobriath Courtesy of Elektra Entertainment Group By arrangement with Warner Music Group Film & TV Licensing “Inside” Written by Jobriath Boone Courtesy of Pierrot Revisited Performed by Jobriath Courtesy of Elektra Entertainment Group By arrangement with Warner Music Group Film & TV Licensing “Suffragette City” Written and by David Bowie Tintoretto Music (BMI) Published by EMI Blackwood Music Inc. on behalf of EMI Music Publishing Ltd. Courtesy of RZO Music “25% Chrysalis Songs, BMI” “Take Me I’m Yours” Written by Jobriath Boone Courtesy of Pierrot Revisited Performed by Jobriath Courtesy of Elektra Entertainment Group By arrangement with Warner Music Group Film & TV Licensing “Morning Starship” Written by Jobriath Boone Courtesy of Pierrot Revisited Performed by Jobriath Courtesy of Elektra Entertainment Group By arrangement with Warner Music Group Film & TV Licensing “Good Time” Written by Jobriath Boone Courtesy of Pierrot Revisited Performed by Jobriath Courtesy of Elektra Entertainment Group By arrangement with Warner Music Group Film & TV Licensing “You’re The Top” Written by Cole Porter Performed by Cole Porter Courtesy of RCA Victor By arrangement with Sony Music Licensing “I’maman” Written by Jobriath Boone Courtesy of Pierrot Revisited Performed by Jobriath Courtesy of Elektra Entertainment Group By arrangement with Warner Music Group Film & TV Licensing st
Waldstein Sonata (1 Movement) Composed by Ludwig Von Beethoven Rock of Ages Written & Performed by Jobriath Courtesy of Pierrot Revisited “20th Century Boy” Written by Marc Bolan Published by Spirit One Music o/b/o Spirit Services Holdings, S.à.r.l. Performed by T.Rex Courtesy of Spirit Music Group, Inc. o/b/o Spirit Services Holdings, S.à.r.l. “Space Clown” Written by Jobriath Boone Courtesy of Pierrot Revisited Performed by Jobriath Courtesy of Elektra Entertainment Group By arrangement with Warner Music Group Film & TV Licensing “Dietrich/Fondyke” Written by Jobriath Boone Courtesy of Pierrot Revisited Performed by Jobriath Courtesy of Elektra Entertainment Group By arrangement with Warner Music Group Film & TV Licensing “Sunday Brunch” Written and Performed by Bryce Campbell “The Choosing Song” Written and Performed by Jobriath Boone “Purple Violets Theme” Written and Performed by P.T. Walkley Bathing Suit Music page 16 of 18 “Manhattan” “Gone Tomorrow” Written by Richard Rodgers and Lorenz Hart Written by Jobriath Boone Used by permission of Edward B. Marks Courtesy of Pierrot Revisited Music Company Performed by Jobriath c/o Carlin America, Inc. Courtesy of Elektra Entertainment Group Performed by Dinah Washington Courtesy of Verve Music Group By arrangement with Warner Music Group under license from Universal Music Enterprises Film & TV Licensing “Movie Queen” “Heartbeat” Written by Jobriath Boone Written by Jobriath Boone Courtesy of Pierrot Revisited Courtesy of Pierrot Revisited Performed by Jobriath Performed by Def Leppard Courtesy of Elektra Entertainment Group Courtesy of Island/Mercry By arrangement with Warner Music Group under license from Universal Music Enterprises Film & TV Licensing All below compositions courtesy of Audiosocket “Hollow Man” by Kerry Muzzey “Non‐etude” by Tear Ceremony “Desert Hotel” by Tear Ceremony “Spies Instrumental” by Crushed Stars “Dry Sockets Theme” by Sarah Schachner “Spectral Piano” by Tear Ceremony “In Deep” by Jonathan Still “Grasshopper” by Mark Ulrich “Revealed 2” by Paul Summerlin “Revealed 3” by Paul Summerlin The filmmakers wish to express their gratitude to all of the interviewees who shared their time and memories with us. Marc Almond Gordon Anderson Joey Arias Sam Austin Cary Baker Peter Batchelder Joe Bianchi Jerry Brandt Michael Butler Dennis Christopher Dick Christian Bill Cooper John Michael Cox, Jr. Jayne County Billy Cross Mark Davies Godfrey Diamond JD Doyle Joe Elliott Lisa Fancher Jim Farber Stan Farber Willie Fogle Jim Fouratt Tony Frere Rob Godsall Bolle Gregmar David Hargrove Kristian Hoffman Travis Michael Holder Jac Holzman Danny Hutton Gloria Jones Sarah Kernochan Steven Knee Eddie Kramer Cliff Lipson Steven Lowenthal Heather Macrae Ann Magnuson Miss Mercy Stephin Merritt Susan Morse Allan Nicholls Mark Nudelman Richie Podolor Jake Shears Will Sheff Brett Smiley Justin Tranter Hayden Wayne Marlowe B. West Ygarr Ygarrist Tony Zanetta Zenobia Paul Zone page 17 of 18 The filmmakers also wish to thank the following people for their help in the making of this motion picture Frances Alston Dan Backhaus Glenn Baxter Rob Bogue Rolan Feld Bolan Christine Bowen Angie Bowie Courtney Canale Charles Charas Josephine Coyle Ed Crabtree Brooke Dammkoehler Nina Dayton Pamela Des Barres Paul De Cham Baptiste Delval Laure Dunham The Englebrecht Family Mary Epworth Jen Gatien Steven Gdula David Geffen Gibson Guitar Showroom‐ Lindsey Gilbert Beverly Hills Rob Godsall Gwen Goldsmith Robert Hawk Peter D. Graves Zev Greenfield Jim Hamilton Guy Harries Kris Homsher Ole Knudsen Jeff Krulik Josh Leuner Kymara Lecchi Lonergan Karen Marsh John Matthews Adam May Jerry Marshak Sheila McClintock Ted McCreless Maria McKee Jeremian Newton Andy Nicastro NYPL Public Theatre Aimee Philips Ian Rans Archive James Rasin Mark Ravitz Redwood Bar & Gill‐ Los Angeles Rebecca Reed Sean Reid Richard Roland Jonathan Rosner Todd Shalom Gary Shellehamer John Shertzer, Jr. Anderson Slade Jean Slade Jared Sousa Carol Capella Spears Jennifer Steed Belinda Thomas Christianne Tisdale Barbara & Billy Tracy Marianela Valdes Ned Van Zandt John Shade Vick Chris Wood Wild About Music‐ Austin, Tx ONE‐ National Gay & Lesbian Archives Jobriath A.D. Copyright 2011 Eight Track Tape Productions. All Rights Reserved page 18 of 18