2005 annual - International Freelance Photographers Organization

Transcription

T h e M a k e M o n e y W i t h Yo u r C a m e r a M a g a z i n e
Photographer
TODAY'S
Annual Issue
www.ifpo.net
Announcing
AI
American International
News Service
Pg. 33
“II h a d C L O S E A C C E S S t o t h e P r e s i d e n t
a t t h e I n a u g u r a t i o n . ” I l y a I F P O pg. 6
Photo Contest Winners pg. 27
TRAVEL PHOTOGRAPHY:
A MO S T E X O T I C P L A C E pg. 19
How to:
Shoot Motorcycle Racing
pg.13
Use the Internet
To Expand Your Business
pg. 15
Learn
Learn Photography
Photography at
at Home
Home
With Brian Ratty, world famous photographer and educator
#3R0X - $199.95
(#3R01-3R08 bundle) 12 Hours
Spanish language VHS bundle - #3R0X.ESP
European PAL English version bundle - #3R0X.PAL
All $199.95 each bundle.
ON ASSIGNMENT SERIES brings to the amateur and beginning professional photographer the most complete, comprehensive video training
series ever produced. This classic series is a must for any photographer’s library.
#3R01 - BASIC 35MM PHOTOGRAPHY - $39.95
How an SLR works, f-stops and shutter speeds, exposure, depth-of-field, and film. Beyond
basic techniques in taking better pictures, lenses, shooting with available light, flash, filters,
Tools and techniques: candids, formal, environmental portraits, sports-action. 90 min VHS.
Spanish language VHS - #3R01.ESP, European PAL English version - #3R01.PAL, All $39.95
each.
#3R02 - LIGHTING AND EXPOSURE - $39.95
Learn the direction, form, contrast, and color characteristics of light. Learn exposure control
including measuring light, reflective metering, incidence metering, tonal control, fill latitude,
and other factors. Elements of lighting, including natural light, available light, artificial light and
electronic flash. 90 min VHS. Spanish language VHS - #3R02.ESP, European PAL English version - #3R02.PAL, All $39.95 each.
#3R03 - DESIGN•COMPOSITION - $39.95
Learn camera vision, lens-camera choice, framing. Composition- design elements: line, shape,
texture, color; design principles: balance, movement, repetition, scale, emphasis, contrast, unity,
color. Lighting direction and quality, controlling light and color, psychology of color. 90 min
VHS. Spanish language VHS - #3R03.ESP, European PAL English version - #3R03.PAL, All
$39.95 each.
!
Y
U
B
#3R04 - STUDIO PHOTOGRAPHY - $39.95
Learn product photography in the studio. Learn to layout and design your own studio; studio and
still life photography lighting. Learn to use large format cameras, including the view camera,
handling sheet film, shifts, swings, tilts. Shoot people in the studio including portraits, shoot
people on location, and tell a story with candids. 90 min VHS. Spanish language VHS - #3R04ESP, European PAL English version -#3R04.PAL, All $39.95 each.
ds
men
com t to its
e
r
uc
IFPO
prod rs!
this membe
#3R05 - BUSINESS OF PHOTOGRAPHY - $39.95
Make your portfolio, Choosing your direction, the “best” portfolio, portfolio editing, and the
interview. Sell your services. Breaking into and staying in business, directories, stock agencies,
pricing, billing, Learn careers in photography, freelancing, staff opportunities. 90 min VHS.
each.
#3R06 - BASIC VIDEOGRAPHY - $39.95
Video theory, audio theory, video formats, video cameras and recorders. Using a video camera,
pre-production, shooting and editing. Video accessories, lighting , video markets. 90 min VHS.
each.
#3R07 - THE DARKROOM - $39.95
Setting up your darkroom. Black/white film processing and printing. Processing color in the
darkroom. Chemicals and paper. Layout a darkroom. Proofing and enlargements. Printing methods. Negative and print faults. 90 min VHS. Spanish language VHS - #3R07.ESP, European
PAL English version - #3R07.PAL, All $39.95 each.
#3R08 - GLAMOUR PHOTOGRAPHY - $39.95
Understanding glamour and glamour assignments: cameras, film, lighting, make-up, hair,
wardrobe, rights, model releases, magazine layout, props, sets, locations, posing, the glamour
portrait, finding models, glamour markets, boudoir, lingerie. 90 min VHS. Spanish language
VHS - #3R08.ESP, European PAL English version - #3R08.PAL, All $39.95 each.
#3R21
#3R22
Get Pro Results
using a Point and Shoot Camera
#3R21 - $29.95 EASY PHOTOGRAPHY
Use a point and shoot camera to produce professional looking pictures. The program covers
camera types, film, use of light, composition, basic photo techniques and much more. Easy
instruction on how to take pictures of family, friends, children, pets and places. Picture faults and
buying tips are covered. Learn to shoot like a pro, it’s easy! 60 min. VHS.
#3R22 - $29.95 EASY HOME VIDEO
Basic techniques of using a camcorder and how to produce professional looking home videos.
Learn video formats, video accessories, and pre-production planning techniques. Learn the best
way to tell a visual story of your family, friends, events and places. 60 min. VHS.
#3R2X - $49.95
(#3R21, 3R22 bundle)
ORDER TOLL FREE 7 days
1-800-654-9557
ORDER FORM
on page
47
Digital Photography on DVD
With Brian Ratty, world famous photographer and educator
#DVD04 - $109.95
(#DVD01-DVD03 bundle) 4.7 Hours
DVD01 Digital Photography: The Camera 85 min #39.95
Digital photography is changing the way photographers create images with a new sense of imagination. Digital pictures are
more then instant images as they can be instantly changed and improved. This is creativity at its best! A digital camera is a
wonderful new tool and a great addition to any photographer’s camera bag if they know how to use it. That’s what Digital
Photography, The Camera is all about, teaching the fundamentals of this exciting new creative tool. If you’re new to photography or an experienced film user you will find this program full of practical information and instruction on digital imaging.
This new media age is here and it’s time to get aboard and explore the creativity possibilities. 14 Educational Chapters:
Introduction, f-Stops/Shutter Speeds, Digital History, How Digital Works, Choosing a Digital Camera, Using Your Digital
Camera, Files & Memory, BONUS - Text Files: Key Terms, Digital Glossary, Teacher’s Guide, Quick Quiz (30 Questions),
Using Light, Lenses, Depth of Field, When to Use Digital, Exposure Control, Your Digital Images, Digital Pathways. $39.95
DVD02 Crafting Images 98 min $39.95
With the advent of inexpensive digital cameras the world of photography has been opened to millions of new image makers.
There are few things that last longer then time, pictures are one of
them. Learning how to craft these pictures is an essential step in
producing images that are timeless and treasured. Digital Photography, Crafting Images teaches the fundamentals of the ‘art and
craft’ of making, not taking, digital images. This 98 minute program includes 32 key photographic concepts and 56 specific digital shooting tips. This interactive program will help develop good
photographic techniques and provides inspiration on starting to
‘see’ photographic images that are all around us. If you’re new to
photography or an experienced film user you will find this program
full of practical information and instruction on crafting digital
images. Outstanding digital images are as unique as the finger
print of the photographer who crafted them! 10 Educational Chapters: Introduction, The Camera (review), Properties of Light, Exposure Control, Photographic Design, Critiquing Images, Visual
Themes, Visual Subjects, Shooting Accessories, The Gift of Photography. $39.95
DVD03 The Digital Darkroom 100 min $39.95
Photography is an expression of a very personal form of art and
the digital darkroom can only widen this expression. Working with everyday technology such as digital cameras, scanners, computers and printers a photographer can
craft amazing images that rival traditional film and the works of the masters of the art
world. Making digital images into excellent prints is a combination of art and science
that is only limited by the photographer’s imagination. “Digital Photography, the
Darkroom” is the starting point for learning the fundamentals of digital image manipulation. This program will lead the viewer from photo input to correction and creation
to output and storage. The digital darkroom is more then just a process; it’s the ability of a photographer to create outstanding images that are both useful and beautiful.
10 Educational Chapters: Introduction, Computers, Digital Pathways, Scanning
Images, Image Resolution, Darkroom Software, Using Darkroom Software, Printing,
Papers & Ink, Working with Image Files, The Finishing Room. Bonus Word or PDF
Files: *Teacher’s Guide, Quick Quiz (30 Questions), Key Concept List, Shooting Tip
List, *Includes: Objectives-Highlights & Timing-Major Instructional Points-Quick
Quiz-Answer Key-Suggested Assignments (21 Pages). $39.95 Brian Ratty, internationally known photographer and educator hosts Digital Photography. Mr. Ratty is a graduate of Brooks Institute of Photography and holds an Honorary Master of
Science Degree.
1-800-654-9557
www.ifpo.net
ORDER FORM
on page
47
Today's Photographer International
1
BUSINESS FORMS: Packet of 100 for $9.95 each
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________________
PER MILE
___________________________________________________
PER PRINT/TRANSPARENCY
_____________________________________________________
PER HOUR
___________________________________________________
PER HOUR
_____________________________________________________
PER DAY
___________________________________________________
PER DAY
OTHER
IFPO Form F121
The Client will compensate the Photographer for the
Payment Terms are:
How did client learn of the service? ___________________________________________________________
following estimated miscellaneous expenses:
❏ Cash, Check Money Order
EXPENSE CATEGORY
AMOUNT
_____________________________________________________
_______________________________________________________________________________________
❏ Credit Card
I
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PER JOB
_____________________________________________________
_______________________________________________________________________________________
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darkroom: 35mm test strip log
________________________________________________________________________________________________________________________
photographer's signature ______________________________________________
date ___________________________________________________________
event _____________________________________________________________date
__________________time__________________
❏ Fashion
❏
___________________
________________________________________________________________________________________________________________________
phone: 555-444-3210
YOUR NAMEGlove
HERE Size
event _____________________________________________________________date __________________time__________________
Quick Response News Log • ©American Image Press
www.aipress.com - (336) 945-9867
IFPO Form F204
fax:
555-444-3211
OPTIONALShoe
BUSINESS
NAME
❏ Commercials
❏
________________________________________________________________________________________________________________________
Size OR STUDIO
___________________
phone: 555-444-3210
YOUR NAME HERE
IFPO
email: smith@sprynet.com
ADDRESS OR BOX NUMBER
fax:for Today’s
555-444-3211
Please issue confirmation
directly toBUSINESS
the following official
Correspondent
Press Photographer
Photographer Magazine:
OPTIONAL
OR STUDIO
NAME
________________________________________________________________________________________________________________________
U.R.L. www.aipress.com/~yourname
❏ Promotions
❏
CITY, STATE/PROVINCE,
IFPO
Ring SizeZIP, COUNTRY
___________________
Respectfully yours,
CITY, STATE/PROVINCE, ZIP, COUNTRY________________________________________________________________________________________________________________________
E • PH O T O G
Card# ___________________________________
MODELING FEES
_____________________________________________________
FULL WEDDING PHOTOGRAPHY PLAN
darkroom: chemical usage log
100 each
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__________________________________________________________________________
Bust
___________________
_________________________________________________
On the scene photos: Number
of unprocessed exposures available: _________________________
Film _______________________ Negative ________________________________________________________________________________________________________________________
_____________ Date
_____________________
event _____________________________________________________________date
__________________time__________________
SIZES
(number) ___ photos can be available by: ____________________________
________________________________________________________________________________________________________________________
event _____________________________________________________________date
__________________time__________________
AREAS OF INTEREST
Hat Size
___________________
Format:
______________________________________________________
________________________________________________________________________________________________________________________
event _____________________________________________________________date
__________________time__________________
❏ Glamour
❏ Video/Cinema
Dress Size
___________________
A
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• ORG
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Sales Commissions
PHOTOGRAPHY JOB CONTRACT
The undersigned (hereafter referred to as the client) agrees to contract the services of:
The agent shall receive __________ percent of sales made by the agent or made on the agent’s
premises. The Agent shall receive___________ percent of any sales of new works
commissioned
______________________________________________________________________________________________________________
Recipient
of Portraitor
_______________________________________________________________________
or his designee (hereinafter the photographer) according to the following terms:
The agent shall receive __________
PH
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phone: 555-444-3210
fax:
555-444-3211
Hair color BUSINESS
___________________
OPTIONAL
OR STUDIO NAME
Eye color
___________________
CITY, STATE/PROVINCE, ZIP, COUNTRY
phone/fax
555-444-3210
555-444-3211
www.aipress.com/~yourname
phone:
A
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NC
___________________
YOUR NAME HERE
fax:
❏ one time rights
❏ first time rights
❏ exclusive rights
❏ all rights
Rights,credit
Commissions,
Taxes Contract • ©American Image Press
❏ photo creditYOUR
line required
photo
line waived
phone: 555-444-3210
NAME❏HERE
fax:
555-444-3211
Copyright claim date:
(today's date)
____________________
OPTIONAL
BUSINESS
OR STUDIO NAME
IFPO
Compensation:
❏ standardCITY,
rate based
on rights $ ________________
STATE/PROVINCE,
ZIP, COUNTRY
❏ one time project fee $ ________________________
❏ per image used
❏ per expenses
People
and
❏ fees waived (in exchange for photo
credit
linePlaces
and/or Shooting Plan, page 1 of 4
____copies of publication or other compensation
Job#agreed
___________
(bride/groom):
_____________________________________ Billing Name: ________________________
upon byJob
the Name
publisher
and photographer.
MEASUREMENTS
Model applicant’s full name:
phone:
555-444-3210
How/Why?
Height
___________________
fax:
555-444-3211
Cause or effect of the
event: ____________________________________________________
_________________________________________________
Weight
___________________
street and number
__________________________________________________________________________
city, state, zip
31 ____________________________________________________________________________________________________________________
phone: 555-444-3210
YOUR NAME HERE
date
Waist
___________________
Who/How many involved? ______
fax:
555-444-3211
OPTIONAL BUSINESS OR STUDIO NAME
_________________________________________________
IFPO 32 ____________________________________________________________________________________________________________________
Name:____________________________
Status: _________________________________
email:Chemical
smith@sprynet.com
Hips
___________________
telephone area code and number
Type ______________________________________________________________________________________________________
33 ____________________________________________________________________________________________________________________
Name:____________________________ Status: _________________________________
34 ____________________________________________________________________________________________________________________
Thigh
___________________
Dear Sir/Madam:
date
name
exp.
dilution
cap
t1 t2 t3 t4 t5
usage
Name:____________________________
Status: _________________________________
STATISTICS
35 ____________________________________________________________________________________________________________________
Name:____________________________ Status: _________________________________
American Image Press respectfully requests that permission be granted to the AIP Correspondent Press Photographer to cover the
Date of birth
___________________
________________________________________________________________________________________________________________________
36 ____________________________________________________________________________________________________________________
following event(s):
Name:____________________________ Status: _________________________________
COLOR
________________________________________________________________________________________________________________________
Marital Status
___________________
event• ©American
_____________________________________________________________date
__________________time__________________
35mm EXPOSURE LOG
Image Press
IFPO Form F125
Other
notes:
Test___________________________________ Enlarger height _______________________
Frame size __________________________
________________________________________________________________________________________________________________________
Skin color
___________________
Sex
___________________
event _____________________________________________________________date __________________time__________________
__________________________________________________________________________
________________________________________________________________________________________________________________________
Hair color
___________________
__________________________________________________________________________
event _____________________________________________________________date __________________time__________________
Social Security # ___________________
________________________________________________________________________________________________________________________
__________________________________________________________________________
Eye color
___________________
event _____________________________________________________________date
__________________time__________________
________________________________________________________________________________________________________________________
A
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28 ____________________________________________________________________________________________________________________
IFPO
29 ____________________________________________________________________________________________________________________
30 ____________________________________________________________________________________________________________________
AN
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_________________________________________________
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YOUR NAME HERE
OPTIONAL STUDIO OR BUSINESS NAME
YOUR ADDRESS OR BOX NUMBER
YOUR CITY, STATE/PROV., ZIP, COUNTRY
This photographic image is my own and has not been enhanced or
altered in any way. I hereby give permission
to the publisher to
_____________________________________________________
reproduce with the following rights and compensation:
MODEL INTERVIEW FORM
When?
Exact time of occurance:________________ Date of the occurance:____________________
26 ____________________________________________________________________________________________________________________
YOUR NAME HERE
27 ____________________________________________________________________________________________________________________
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Randklove Alle 134 2th, 2770 Kastrup, Denmark • 0045-01-518775
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IFPO
Physical address: _________________________________________________
General location: __________________________________________________
569-3 Ho Buk Ku Bu Pyong 5 Do, Inchon City 403-015, Korea • 523-1511
23 ____________________________________________________________________________________________________________________
Affiliate Agency: Dean Press Image
24 ____________________________________________________________________________________________________________________
ERS
Where?
Location
PH
Korean Division
NC
RIGHTS TO PUBLISH assignments
AGREEMENT
arranged for the artist during this contract period.
A
22 ____________________________________________________________________________________________________________________
I
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http://www.aipress.com
A
Instant
Date: ____________________________________________
Reason For Portrait _______________________________________________________________________
Name of Job: ___________________________________ Date: ______________________ Location: _____________________________
percent ofResponse
cash prizes and purchase awards collected on works included in this contract.
Publisher/Publication: _______________________________
Form 5
Photographs are to be of the following type:
Print or transparency size specifications:
Date of Presentation ______________________________________________________________________
Editor: ___________________________________________
Royalties, sale of reproduction rights and sale of copyrights are NOT included in this agreement.
TYPE
QUANTITY
___________________________________________________
Address: _________________________________________
_____________________________________________________
Set ___________________________________________________________________________________
City/State: ________________________________________
BLACK & WHITE
___________________________________________________
_____________________________________________________
Finances and Taxes
Zip:______ Phone:_________ Fax: ____________________
Wardrobe _______________________________________________________________________________
COLOR TRANSPARENCY
___________________________________________________
_____________________________________________________
The Agent will pay the artist within __________ days after publication agreement or sale is completed. Deferred or
Event ___________________________________________
partial payment requires written consent from the artist. The (agent/artist) _______________
responsible
all
COLOR PRINT
___________________________________________________
Studio is
Wardrobe
❒ forPersonal
Wardrobe ❒_____________________________________________________
Description:_______________________________________
local
and
state
sales
tax.
Copyrights
are
retained
by
the
artist
or
photographer
after
the
sale
of
the
work.
Location: _________________________________________
OTHER
___________________________________________________
Client Comments _________________________________________________________________________
Copyrights my be purchased only by special contract.
Date of Event:_____________________________________
In return for the contracted goods and services, the client
The client agrees to compensate the Photographer
Photo Caption/Description:___________________________
agrees to compensate the Photographer as follows:
for travel time in the amount of:
_______________________________________________________________________________________
_____________________________________________________
________________
Technical Data:____________________________________
COMPENSATION RATE
AMOUNT
TRAVEL TIME
AMOUNT
_____________________________________________________
___________________________________________________
agent signature
date
_______________________________________________________________________________________
________________________________________________
Overall description of the scene:_________________________________________________
__________________________________________________________________________
phone: 555-444-3210
YOUR NAME HERE
__________________________________________________________________________
fax:
555-444-3211
20 ____________________________________________________________________________________________________________________
Editorial and Administrative Offices
P.O. Box 777, Lewisville, NC 27023-0777 • 336-945-9867
21 ____________________________________________________________________________________________________________________
IFPO
AN
AN
What?
19 ____________________________________________________________________________________________________________________
Today’s Photographer Magazine
R
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AMERICAN IMAGE PRESS
18 ____________________________________________________________________________________________________________________
E • PH O T O G
ERS
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17 ____________________________________________________________________________________________________________________
Submit to:
Publication _________________________________________________________________
Department ________________________________________________________________
Address ___________________________________________________________________
City/State _________________________________________ Zip ______________________
Phone ___________________ Fax __________________E-Mail ______________________
NC
PH
PH
16 ____________________________________________________________________________________________________________________
Age
_____________________________________
_____________________________________
A
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Reproduction and Publishing Rights
street and number times in
The agent/publisher may publish ____________________ work(s) for _____________________
_________________________ (publication). Each Published work must be credited
with the name of the
IFPO
_____________________________________
artist (and copyright if applicable). Each publication requires express permissioncity,
by state,
the artist.
zip The artist
shall receive $_______________ in publication fees for each work under this contract.
ON
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phone: 555-444-3210
13 ____________________________________________________________________________________________________________________
fax:
555-444-3211
IFPO
14 ____________________________________________________________________________________________________________________
15 ____________________________________________________________________________________________________________________
o EACH Fo m packs o 100 NOT Pe sona zed
o ANY 3 Fo ms packs o 100 NOT Pe sona zed
o ANY 5 Fo ms packs o 100 NOT Pe sona zed
Use he O de Fo m on page 47
TI
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File # _________ Date __________ On-Scene Arrival Time__________________________________
12 ____________________________________________________________________________________________________________________
TO: Sponsoring Agency
Action
Scene
form 4
ER
• ORG
$9 95
$24 95
$39 95
• IN
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Date of Interview____________________
Date of Photo Session _______________
CLIENT'S NAME
ON
PH
IFPO
Quick Response News Log
phone: 555-444-3210
Quick Step Property Release • IFPO Form F222
fax:
555-444-3211 ©American Image Press www.aipress.com (336) 945-9867
TI
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YOUR NAME HERE
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10 ____________________________________________________________________________________________________________________
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• IN
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_____________________________________________________________
11 ____________________________________________________________________________________________________________________
NC
All sales are exclusive of copyrights and reproduction rights. Publishing or reproduction rights
_____________________________________
require specific written permission from the artist for EACH use.
_____________________________________________________________
9 _____________________________________________________________________________________________________________________
A
phone: 555-444-3210
fax:
555-444-3211
R
INTERVIEW FORM
Description of Property: ________________________________________
NC
7 _____________________________________________________________________________________________________________________
YOUR NAME HERE
E • PH O T O G
I
witness______________________ date _____________________________
A
8 _____________________________________________________________________________________________________________________
R
NC
address, city, state, zip
Referred to hereafter as “the artist”, for a period of ____________________ from this date. This
contract may be cancelled by either party upon written notice within __________
days, or atCLIENT
the
PORTRAIT
end of the exhibition or publication period. The termination date is __________.
signed_______________________ date _____________________________
1 _____________________________________________________________________________________________________________________
and parties designated by the photographer, including clients,Property Release • ©American Image Press www.aipress.com (336) 945-9867, IFPO Form F193
2 periodicals,
_____________________________________________________________________________________________________________________
licensees, purchasers, agencies, and
the irrevocable right
to use my name (and any fictional3name)
and photograph for sale to
_____________________________________________________________________________________________________________________
and reproduction in medium for purposes of advertising, trade,
display, exhibition, competition, 4
or _____________________________________________________________________________________________________________________
editorial use. I have read this
release and understand and agree5to_____________________________________________________________________________________________________________________
its terms. I affirm that I am
more than _____ years o
6 _____________________________________________________________________________________________________________________
E • PH O T O G
A
IFPO
AN
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MODEL RELEASE
___________________________
___________________________
__________________________
exp#
mode
f-stop
t___________________________
corr.
flash
remarks
do hereby give (photographer):
__________________________ ___________________________
NC
artist/photographer
___________________________________________________________________________
HOW TO BUY INDIVIDUAL FORMS:
date ___________
date ___________
Description of Property:
In consideration for value received,
(model):
Film I ________________
From (time/date) __________________________ To (time/date) __________________________ Roll# ____________
A
address, city, state, zip
YOUR NAME HERE
___________________________________________________________________________
• ORG
AN
______________________________
35mm exposure log
witness ______________________________
agent, gallery, publisher
___________________________________________________________________________
Referred to hereafter as “the agent”, agrees to act as a representative for:
do hereby give (agent): __________________________________________
and parties designated by the agent, including clients, licensees, purchasers,
agents, publishers and periodicals, the irrevocable right to use the photograph
of the property described below for sale and for reproduction in any print or
electronic medium for purposes of advertising, trade, display, exhibition,
competition, or editorial use. I have read this release and understand and
agree to its terms. I affirm that I am more than _____ years of age.
ERS
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• ORG
signed
___________________________________________________________________________
I, (property owner):______________________________________________
PH
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QUICK STEP PROPERTY RELEASE
In consideration for promotional, publicity or other value described:
_____________________________________________________________
phone:
fax:
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IFPO
YOUR NAME HERE
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fax:
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ARTIST / PHOTOGRAPHER’S CONTRACT
TI
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I, (property owner)
________________________________________
do hereby give (agent):
________________________________________
and parties designated by the agent, including clients, licensees,
purchasers, agents, publishers and periodicals, the irrevocable right
to use the photograph of the property described below for sale and
for reproduction in any print or electronic medium for purposes of
phone:use.555-444-3210
YOUR NAME
HERE trade, display, exhibition, competition, or editorial
advertising,
fax:
OPTIONALI have
BUSINESS
OR STUDIO
NAME
read this release
and understand
and agree to its
terms. 555-444-3211
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I am more than _____ years of age.
ADDRESS
ORaffirm
BOX that
NUMBER
555-444-3210
555-444-3211
CITY,
STATE/PROVINCE, ZIP, COUNTRY
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Releases are not usually required for news photos. Releases are
Instant
required for non-news events or photos for commerical purpose
Response
and must be included with submissions to publishers.
Form 3
A property release form must be signed by the owner of
pets, cars, buildings or any other inanimate object whose photo is for resale or
commercial purpose.
In consideration for promotional, publicity or other value described:
A
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phone: 555-444-3210
fax:
555-444-3211
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• ORG
YOUR NAME HERE
RS • ORG
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• IN
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IFPO
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NC
PH
PROPERTY RELEASE
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contracts - checklists - releases - contra
IFPO
Where will portrait(s) be displayed? ___________________________________________________________
EQUIPMENT RENTALS
_____________________________________________________
Expires __________________________________
DEPOSIT ______________________________________
FACILITY RENTALS
_____________________________________________________
_______________________________________________________________________________________
BALANCE DUE _________________________________
TRAVEL, FOOD, LODGING
Color Scheme of display room _______________________________________________________________
After completion of the job and delivery of the photographs as specified, the negatives, proofs, extra photographs, and duplicates will be
the property of THE PHOTOGRAPHER____ CLIENT____. The Client s permission in writing is required before the photographer can sell
_______________________________________________________________________________________
these remaining materials or use them for publication purposes except as specified below:
signed-Photographer __________________________date _______________
People Plan
Location Plan
Rights to Publish Agreement • IFPO Form F224
Bride's Name
and
Contact
Information:
©American
Image
Press www.aipress.com
(336) 945-9867
__________________________________________________
__________________________________________________
__________________________________________________
__________________________________________________
Ceremony Location:
__________________________________________________Portrait Client Interview Form
__________________________________________________
__________________________________________________
__________________________________________________
Publication rights retained by the photographer:
❏ One-time
rights - (336) 945-9867
www.aipress.com
❏ First rights
• ©American Image Press
❏ Exclusive rightsIFPO Form F158
❏ All rights are waived by the photographer.
The Client s permission is granted ___ not granted ___ to the Photographer to use the photos covered under this contract for EXHIBITION,
PHOTOGRAPHY CONTESTS, PORTFOLIOS, or DISPLAY purposes.
In the event the photographer fails to provide the photographs and/or services described in this contract, the Photographer is liable to the
Client only for the amount paid by the Client for deposit with no consideration for additional fees or expenses already paid by the
Photographer.
Officiating Clergy or Justice:
Bride's Family and Contact Information:
__________________________________________________
__________________________________________________
__________________________________________________
__________________________________________________
__________________________________________________
__________________________________________________
phone: 555-444-3210
YOUR NAME HERE
__________________________________________________
__________________________________________________
fax:
555-444-3211
OPTIONAL BUSINESS OR STUDIO
NAME
__________________________________________________
email:
smith@sprynet.com
Pre-Wedding Shooting Location(s):
__________________________________________________
U.R.L. www.aipress.com/~yourname __________________________________________________
_____________________________________________
Client s name
___________________________________________
Photographer
_____________________________________________
address
_____________________________________________
phone#
_____________________________________________
date & signature
___________________________________________
address
___________________________________________
phone#
___________________________________________
date & signature
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__________________________________________________
Maid (matron) of Honor and Party:
__________________________________________________
__________________________________________________
Photography Job Contract ¥ 'American Image Press
__________________________________________________
__________________________________________________
__________________________________________________
__________________________________________________
The undersigned (hereafter referred to as the client) agrees
to contract the services of:
________________________________________________________________________________________________________________________
Action
MODELING EXPERIENCE
MODEL TRAINING
__________________________________________________
__________________________________________________
Scene
________________________________________________________________________________________________________
________________________________________________________________________________________________________________________
form 2
__________________________________________________
signature
__________________________________________________
List modeling assignments performed using
List modeling schools & training using
or his designee (hereinafter the videographer) according to the following terms:
Photographic assignments on location require a range of equipment. The following checklist is intended as a guide to the pieces of equipment most often needed on location. This list should be
________________________________________________________________________________________________________________________
__________________________________________________
__________________________________________________
additional space on the back of this form if
additional space on the back of this form if
used as a starting point. Individual photographers have unique needs and should add
pieces of equipment items that may not be listed here and ignore those items that you do not use on
location.
Only those items
that________________________________________
absolutely necessary for your method of on location shooting should
be included.
__________________________________________________
correspondent’s
name
address
_____________________________________________
__________________________________________________
Name
of
Job:
________________________________
Date:
____________________
Location:
___________________________
necessary:
necessary:
________________________________________________________________________________________________________________________
__________________________________________________
Video Tapes are to be of the following type:
Other tape specifications:
File # _________ Date __________
Time __________
❏ Screwdrivers ________________________________________________________________________________________________________________________
(Phillips and regular tips)
_______________________________________
_______________________________________
EQUIPMENT
CHECKLIST
MISCELLANEOUS CHECKLIST
persons and vehicles involved:
Reception Location:
Assignment Verification Code# ________________________________
_____________________________________
__________________________________________________
❏ Spring clamps (severalcity/state/country
small ones)
In addition to camera bodies, lenses and film the
These items are optional and might be
TYPE
QUANTITY
________________________________________________
________________________________________________________________
__________________________________________________
_______________________________________
_______________________________________
following items should always be a part of on ❏ Super glue ________________________________________________________________________________________________________________________
considered luxury items.
(PARTY 1)
(PARTY 1)
location equipment:
❏ Staple gun and staples
__________________________________________________
phone # ___________________________________________________
zip_________________________________________________
Groom's Name
and Contact Information:
VHS
________________________________________________
________________________________________________________________
________________________________________________________________________________________________________________________
❏ Bottled water for soup, coffee or tea
Name: _______________________________________
Name: _______________________________________
❏ Swiss Army Knife
_______________________________________
_______________________________________
phone:
555-444-3210
YOUR
NAME HERE
❏ Changing bag
__________________________________________________
__________________________________________________
❏ Chicken or beef bouillon
( can opener, scissors, leather punch, clippers etc)
Address: _____________________________________
Address: NAME
_____________________________________
VHS C/S VHS
________________________________________________
________________________________________________________________
fax:
555-444-3211
________________________________________________________________________________________________________________________
❏ Extra batteries
OPTIONAL
BUSINESS OR STUDIO
❏ Candy (hard that doesn't melt easily)
❏ Tape (masking,
gaffers, electrical, duct tape)
__________________________________________________
__________________________________________________
_______________________________________
_______________________________________
IFPO
❏ Extra
film Request • ©American Image Press
Phone: _______________________________________
Phone: _______________________________________
Press
Assignment
www.aipress.com
- (336) 945-9867 ❏ Coffee (instant)
IFPO Form F155
email:
smith@sprynet.com
❏ Tape measurer
(25
foot)
8 MM
________________________________________________
________________________________________________________________
________________________________________________________________________________________________________________________
__________________________________________________
❏ Extra Flash sync cords
❏ Cream
Car Make:_____Model:_____Year:______Color:
______
Car Make:_____Model:_____Year:______Color:
______
❏ Twine or heavy string
U.R.L.
CITY,
STATE/PROVINCE,
ZIP,
COUNTRY
_______________________________________
_______________________________________
❏ Extra light meter
Honeymoon Departure Location
__________________________________________________
BETA
________________________________________________
❏ Sugar
❏ Two three prong
to two prong outlet adapters
________________________________________________________________________________________________________________________
License Plate: _________________________________
License Plate: _________________________________
❏ Extra power pack (for flash)
❏ Soup (dehydrated)
❏ Velcro (3 or 4 feet)
__________________________________________________
❏ Extra tripod
Insurance
Co.:
_________________________________
Insurance
Co.:
_________________________________
________________________________________________________________________________________________________________________
❏ Tea bags
❏ Vice grips (small
and large)
In return for the contracted goods and services, the
client Family
The and
clientContact
agrees to
compensate the Videographer __________________________________________________
Groom's
Information:
I affirm that all the information I have given on
❏ Film x-ray bags (for air travel)
Action
❏ Knife, fork, spoon combination
❏ Weatherproofed map of location area
agrees to compensate the Videographer as follows:__________________________________________________
for travel time in the amount of:
Scene
❏ Filters
this form is true to the best of my knowledge.
________________________________________________________________________________________________________________________
__________________________________________________
signature___________________________________________
date ___________________
❏ Magazines or other reading material
❏ Wire cutters (small)
(PARTY
1)
(PARTY
1)
form 1
❏ Gray card
❏ Pencils and Pens
❏ Zip-lock plastic bags (12 one gallon size)
__________________________________________________
__________________________________________________
Complete this form to evaluate
the scene
and determine the type of coverage required.
Name:
_______________________________________
Name: _______________________________________
________________________________________________________________________________________________________________________
❏ Instruction Manual (Camera)
COMPENSATION RATE
AMOUNT
TRAVEL TIME
AMOUNT
________________________________________________________________
______________________________________________________________
❏ Permanent marking pens (black)
❏ __________________________________
__________________________________________________
❏ Instruction Manuals (other equipment )
Address: _____________________________________
Address: _____________________________________
❏ Small notebooks (3x5 or journalist type)
________________________________________________________________________________________________________________________
PER JOB
PER MILE
________________________________________________________________
______________________________________________________________
❏ Lens cleaning cloth
❏ __________________________________
Coordination Services:
__________________________________________________
❏ Micro tape recorder
Phone: _______________________________________
Phone: _______________________________________
Model Interview Form • ©American Image Press
IFPO Form F164
❏ Pen or pencil
❏ Extra tapes for recorder
❏ __________________________________
________________________________________________________________________________________________________________________
Limousine ______________________________________
__________________________________________________
PER TAPE
PER HOUR
________________________________________________________________
______________________________________________________________
Car Make:_____Model:_____Year:______Color: ______
Car Make:_____Model:_____Year:______Color: ______
❏ Photographic Reference Book
❏ Safety pins
phone: 555-444-3210
YOUR NAME HERE
❏ __________________________________
________________________________________________
__________________________________________________
❏ Small brush for cleaning camera
License Plate: _________________________________
License Plate:File
_________________________________
________________________________________________________________________________________________________________________
# _________ Date __________ Time __________
❏ Small flashlight
PER HOUR
PER DAY
________________________________________________________________
______________________________________________________________
fax:
555-444-3211
❏ Shooting log
Floral __________________________________________
❏ Tissues
Insurance Co.: _________________________________
Insurance Co.: _________________________________
IFPO
________________________________________________________________________________________________________________________
PER DAY
OTHER
❏ __________________________________
FIRST AID KIT
CHECKLIST
________________________________________________
Best Man's Name
and Contact Information:
❏ __________________________________
❏ __________________________________
The following list
of items make up a basic first
________________________________________________________________________________________________________________________
Catering ________________________________________
Scene type:
Other:
The Client will compensate the Videographer for the__________________________________________________
kit and should always be a part of "on location" ❏ __________________________________
Payment Terms are:
❏ __________________________________
gear. Additional items should be added ❏ __________________________________
________________________________________________
__________________________________________________
Witnesses: (bystander
or lawscene
enforcement)
❏ Accident
❏ Large crowds gathered
following estimated miscellaneous expenses:
________________________________________________________________________________________________________________________
depending on the
specific locale. When working
❏ __________________________________
in unfamiliar areas, contact local or state health
Other __________________________________________
__________________________________________________
❏ Cash, Check Money Order
Name: __________________________
Name:__________________________
Investigating
Officer:
❏ Fire
❏ Motorists
re-routed
departments for ________________________________________________________________________________________________________________________
unknown hazzards.
❏ __________________________________
________________________________________________
Address: ________________________
Address: ________________________
________________________
EXPENSE CATEGORY
AMOUNT__________________________________________________
PHOTO VEST CHECKLIST
________________________________________________________________
❏
Credit
Card
❏ Natural disaster
❏ Major thoroughfare blocked
❏ Aspirin
❏ __________________________________
__________________________________________
___________________
__________________
Phone #: ________________________
Phone #:________________________
________________________
The photo vest is especially handy for
Card# ___________________________________
❏ Adhesive tape 1" x 2* yds
MODELING FEES
Figure
ER
ACCIDENT REPORT
NC
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Freelance Photographer's On-Location Checklist
VIDEOGRAPHY JOB CONTRACT
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News Reporter's Log & Evaluation
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PHOTOGRAPHY JOB INVOICE
________________________________________________________________
assignments on location. The vest should be
❏ Catastrophic
event
❏ Neighborhoods threatened
to be
❏ Ammonia Inhalants
FILM DEVELOPING LOG • ©Americancomfortable
Image Press but must be properly stocked
www.aipress.com
- (336) 945-9867
IFPO Form F127
Full Wedding: People and Places Shooting Plan 1 of 4 • ©American Image Press www.aipress.com - (336) 945-9867
functional.
Expires __________________________________
EQUIPMENT RENTALS
Photographs ❏
ofEntertainment
Property Damage:
________________________________________________________________
❏ Environmental hazards
❏ Anti-diarrhea medicine
(PARTY 1-car, building, other)
❏ Band aids (assorted)
❏ Aspirin or other pain reliever
DEPOSIT ______________________________________
❏ Other__________
❏ Residents
evacuated
FACILITY RENTALS
________________________________________________________________
❏ Bottled water
❏ Extra film
❑ Front ❑ Rear
❑ Front ❑ Rear
❑ Front ❑ Rear
❑ Front ❑ Rear
TOOL KIT CHECKLIST
BALANCE DUE _________________________________
❏ Burn Ointment
❏ Hostile surroundings
TRAVEL, FOOD, LODGING
❏ Extra batteries
❑ Right ❑ Left Side
❑ Right ❑ Left Side
❑ Right Side ❑ Left
❑ Right Side ❑ Left
Tools are used routinely on location but are ❏ Chapstick
❏ Extra keys to car or luggage
❏ Other__________
especially important when the unexpected
❑ Make/Model
❑ Make/Model
❑ Make/Model
❑ Make/Model
After completion of the job and delivery of the tapes as specified, the original tapes, cuttings, out-takes, and duplicates will be the property of THE
happens. Tools should be packed separately ❏ Cold pack
❏ International credit card
from Image
cameras
and equipment . Tools shouldwww.aipress.com
be ❏ Eye pads
35mm TEST STRIP LOG • ©American
Press
- (336) 945-9867
IFPO
Form F130telephone card
VIDEOGRAPHER____ CLIENT____. The Client’s permission in writing is required before the videographer can sell these remaining materials or
❏
International
❏
Major
❑
Vehicle
License
Plate
❑
Vehicle
License
Plate
❑
Vehicle
License
Plate
❑
Vehicle
License
Plate
small and lightweight yet functional.
❏ Eye irrigate (small bottle)
use them for publication purposes except as specified below: “Publication” refers to reproduction in the print or electronic media.
❏ Insect repellant
Damaged Area: ❏ Minor Damaged Area:
Damaged Area:
Damaged Area:
❏ First Aid instruction manual
❏ Allen wrenches (US and metric)
❏ Lens cleaning cloth
Reproduction
Publication
rights
retained
by
the
videographer:
❏
Gauze
Bandages
2"
❑
Center
❑
Close-ups
❑
Center
❑
Close-ups
❑
Center
❑
Close-ups
❑
Center
❑
Close-ups
❏ Not worth covering
❏ Binoculars (optional)
❏ Usual
❏ Light meter
❏ Gauze pads 4"
❏ One-time rights
❏ Exclusive rights
❏ Chalk (two or more colors)
❑ Inside/Interior Damage
❑ Inside/Interior
Damage
❏ Micro recorder
❏ Not a newsmaker,
could
be worth two or
❏ Hand lotion
❏ Unusual
❏ Channel locks (medium)
❏ Passport or ID w/ money
❏ First rights
❏ All rights are waived by the videographer.
❏ Hydrogen Peroxide (plastic bottle)
more new clients.
❏ Compass
Accident Diagram:
❏ Other__________
❏ Pen or pencil
❏ Insect spray
❏ Extra hat
The Client’s permission is granted ___ not granted ___ to the Videographer to use the tapes covered under this contract for
Indicate direction of vehicles, direction they were traveling and indicate from where you took your different photographs.
❏ Might be a newsmaker - no other news
❏ Pepper gas or tear gas
❏ Magnifying glass
❏ 50 foot extension cord
EXHIBITION, COMPETITIONS, PORTFOLIOS, or DISPLAY purposes.
❏ Non-Apsirin Pain Reliever
❏ Small brush for cleaning camera
❏ Flashlight
people on
the scene.
North
I, the undersigned
(hereafter
referred to the
❏ Prescription drugs
In the event the videographer fails to provide the tapes and/or services described in this contract, the Videographer is liable to the
❏ Small pocket knife
❏ Flashlight batteries and extra bulb
photographer)
declare
the information
listed
herecoverage
to
❏ Major
event
needs full
news
and Client only for the amount paid by the Client for deposit with no consideration for additional fees or expenses already paid by the
❏ Q-Tips
❏ Foreign adapter plug (foreign travel)
❏ Snacks (crackers, hard candy or jerky)
❏ Reflective Thermal blankets
be accurate and
unbiased
toward any of the parties
❏ Folding shovel or trowel
videographer.
❏ Special medicines
client
notification.
❏ Sting relief wipes
❏ Photographers
involved.
❏ Garbage bags (3 large)
❏ Sun block
___________________________________________
❏ Sting stick
❏ Major
event
Too _____________________________________________
❏ Hammer (small)
The photos
are true
to thenews
scene people
and haveeverywhere
not
❏ Tissue (small pkg.)
Client’s name
Photographer
❏ Sun block
❏ Leatherman Tool
been altered in any manner.
_____________________________________________
___________________________________________
❏ Toothbrush
❏ Sun glasses
E
W
❏ Jewelers screw drivers
address
address
The photographer ______is ______is not available
❏ Triangular bandage (1)
❏ __________________________________
❏ Ladder (3 to 6 foot)
_____________________________________________
___________________________________________
❏ Tube of First Aid Creme
as a witness to appear in court or assist in insurance
phone#
phone#
❏ Nails, bolts, brads, and screws
❏ __________________________________
❏ Tweezers (sharp pointed)
_____________________________________________
___________________________________________
claims.
❏ Pepper or tear gas (rabid animals)
❏ __________________________________
❏ Wound wipes
❏ Rain poncho
❏ Rubber bands
❏ __________________________________
❏ Rulers (12 and 6 inch)
In addition to the equipment list, suggested
signature ____________________date _______________________
❏ __________________________________
South
preparatory routine and a follow-up routine upon
Videography Job Contract • ©American Image Press
IFPO Form F140
❏ Safety Matches or Lighter
return to the studio are included. There are
❏ __________________________________
❏ Saws (small wood and a hack)
several lists depending upon what type of
photography you plan to do away from your
❏ Scissors
home or studio.
Accident Report • ©American Image Press
IFPO Form F202
❏ __________________________________
❏ __________________________________
Scene evaluation overall:
EVALUATION:
client name
IFPO Form F171
address
invoice #
__________________________________________
__________________________________________
city/state/zip/country
__________________________________________
date
________________________________________
name of job
phone number
Date
Item & Description
Quantity
Price Each
Price
Are other news reporters on the
scene?
Freelance On-Location Checklist • ©American Image Press
IFPO Form F301
FREELANCE PHOTOGRAPHER S CONTRACTS AND CHECKL STS
F120
F121
F159
F160
F157
F158
F301
F141
F169
F170
F171
F172
F173
F174
F165
F163
F164
F140
F142
PHOTOGRAPHER S JOB CONTRACT
PHOTOGRAPHER S R GHTS COMM SS ONS CONTRACT
PHOTOGRAPHER S JOB NVO CE
PHOTOGRAPHER S JOB EST MATE WORKSHEET
PORTRA T PHOTOGRAPHER S JOB CONTRACT
PORTRA T PHOTOGRAPHER S NTERV EW FORM
PHOTOGRAPHER S ON ASS GNMENT CHECKL ST
NSURANCE PHOTOGRAPHER S NVENTORY RECORD
WEDD NG PHOTOGRAPHY JOB CONTRACT
WEDD NG PHOTOGRAPHY CHECKL ST
Fu Wedd ng Peop e and P aces Shoo ng P an 1 o 4
Fu Wed P e Ce emony Ce emony Shoo ng P an 2 o 4
Fu Wedd ng Pos Ce emony Shoo ng P an 3 o 4
Fu Wedd ng Shoo ng Appo n men s P an 4 o 4
MODEL PORTFOL O JOB CONTRACT
MODEL PORTFOL O SHOOT NG CHECKL ST
MODEL NTERV EW FORM
V DEOGRAPHER S JOB CONTRACT
V DEOGRAPHER S WEDD NG CHECKL ST
RELEASES AND SUBM SS ON AGREEMENTS
F191
MODEL RELEASE pocke o m
F192
PUBL CAT ON RELEASE pocke o m
F193
PROPERTY RELEASE pocke o m
F147
PUBL CAT ON SUBM SS ON pocke o m
F224
R GHTS TO PUBL SH AGREEMENT
NEWS PHOTOGRAPHERS PLANNERS AND REPORTS
F210
HOT NEWS CHECKPO NTS
F211
DA LY ACT ON PLANNER
F212
HOT CONTACTS LOCAL PUBL CAT ONS
F213
QU CK RESPONSE PROCESS NG LABS
F214
F ELD D RECTORY NOTES
ORDER TOLL FREE
2
1-800-654-9557 o
Today s Pho ographer n erna ona
F220
F221
F222
F201
F202
F203
F204
F223
QU CK STEP PUBL CAT ON RELEASE pocke o m
QU CK STEP MODEL RELEASE pocke o m
QU CK STEP PROPERTY RELEASE pocke o m
NEWS REPORTER S LOG & EVALUAT ON
NEWS REPORTER S ACC DENT REPORT
CL ENT NOT F CAT ON FORMS pocke o m
QU CK RESPONSE NEWS LOG
NSTANT NEWS REPORT FORM
Tax
Subtotal
Less Amt Paid
Due Date
Photography Job Invoice • ©American Image Press
_________________
Total Due
IFPO Form F159
PHOTOGRAPHERS LOGS
F125
35mm EXPOSURE LOG
F146
PHOTO SHOOT NG LOG
F126
DARKROOM F LM DEVELOP NG LOG
F127
DARKROOM CHEM CAL USAGE LOG
F128
DARKROOM ENLARGER CAL BRAT ON LOG
F129
DARKROOM PR NT MAK NG LOG
F130
DARKROOM 35mmTEST STR P LOG
M SCELLANEOUS FORMS
F101
FPO MEMBERSH P APPL CAT ON
F102 a FPO MEMBER S NFORMAT ON FORM
F102 b FPO REFERRAL PROGRAM FORM
F103
FPO ORDER FORM
F104
ASS GNMENT DATA BANK REG STRAT ON
F105
PHOTO CONTEST RULES AND ENTRY FORMS
F106
ED TOR S SWEEPSTAKES & SUBM SS ON NFO
F107
FPO MEMBER S ADVERT S NG RATES
F108 a FPO HOME PAGE PROGRAM K T #1
F108 b FPO HOME PAGE PROGRAM K T #2
F108 c FPO HOME PAGE PROGRAM K T #3
P109
P CTURE AWARD PROGRAM
F139
FPO PRESS ASS GNMENT REQUEST MEMO
F145
PHOTO CONTEST ENTRY FORM pocke o m
F155
PRESS ASS GNMENT REQUEST FORM
F156
PRESS ASS GNMENT RECORD
ax
1-800-283-5989 7 DAYS
www po ne
IFPO Form F120
LIFETIME SUPPLY Business Forms Masters $39.95
tracts - checklists - releases - contracts -
YOUR NAME HERE
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Billing Name: ________________________
______________________
❏ ❏ Bubble-blowing shots _______________
______________________
❏ ❏ Petal throwing shots _______________
_
shots_________________________
❏ ❏ Birdseed or Rice throwing
____________________________
❏ ❏ College friends _______________
__________________________
❏ ❏ Work Associates _______________
(ring) under Bride’s hand(ring)
❏ ❏ Close-up of Groom’s hand
_____________________
❏ ❏ Outdoor Couple poses _______________
_____________
_______________
❏ ❏ Couple kissing _______________
____
Bouquet______________________
❏ ❏ Photo of Invitation and
and Boutonniere ____________
❏ ❏ Photo of bow tie, Invitation
____
______________________________
❏ ❏ Gift table _______________
___________________________
❏ ❏ Couple opening gifts___________
E • PHOTO
IFPO
N
____
______________________________
❏ ❏ Reception site, exterior
____________________
❏ ❏ Reception site, interior _______________
_____________________________
❏ ❏ Wedding cake _______________
_
______________________________
❏ ❏ Bride’s cake _______________
_____________________________
❏ ❏ Groom’s cake _______________
__________
_______________
❏ ❏ Buffet/Food table _______________
_______________________
❏ ❏ Photo of Head Table _______________
cake ____________________________
❏ ❏ Bride and Groom slicing
______________
_______________
Groom
to
❏ ❏ Bride feeding cake
_____________________________
❏ ❏ Groom feeding cake to Bride
other ________________________
❏ ❏ Couple feeding cake to each
_
______________________________
❏ ❏ Couple toasting each other
license_______________________
❏ ❏ Witnesses signing marriage
____________________
❏ ❏ Servers ______________________________
_____________________
_______________
decorations
❏ ❏ Reception
_________________________
❏ ❏ The Couple’s first dance_________
_______
_______________
❏ ❏ Groom dancing with Mother________
_
______________________________
❏ ❏ Bride dancing with Father
______________________
❏ ❏ Groom dancing with Mother-in-Law
________________________
❏ ❏ Bride dancing with Father-in-Law
_______________________
❏ ❏ Attendants’ dancing _______________
_
______________________________
❏ ❏ Parents’ of Couple dancing
_______
_______________
❏ ❏ Misc. Guests dancing _______________
______________________________
❏ ❏ Bouquet toss _______________
______________________
❏ ❏ Catching the bouquet _______________
___
Bride_________________________
❏ ❏ Groom taking garter off
__
______________________________
❏ ❏ Garter toss _______________
_______________________
❏ ❏ Catching the garter _______________
catcher _________________________
❏ ❏ Caught Garter placed on
__________________________
❏ ❏ Best Man’s toast _______________
___
______________________________
❏ ❏ Other Attendants’ toasts
couple ___________________________
❏ ❏ Toasts from Parents’ of
__
(musicians, etc.) _______________
❏ ❏ Photo of entertainment
____________________
❏ ❏ Centerpieces on Tables _______________
___
______________________________
❏ ❏ Food being served/eaten
_
______________________________
❏ ❏ Bride mingling with guests
_____________________
❏ ❏ Groom mingling with guests_________
____
_______________
guests
with
❏ ❏ Bride and Groom mingling
____________________
❏ ❏ Bride with her Parents _______________
____
______________________________
❏ ❏ Groom with his Parents
______________
Parents
of
sets
both
with
❏ ❏ Bride and Groom
Son ________________________
❏ ❏ Groom, Father, Grandfather,
Daughter __________________
❏ ❏ Bride, Mother, Grandmother,
sets of Grandparents ________
❏ ❏ Bride and Groom with both
Guests ____________________
❏ ❏ Bride and Groom with various
Guests_____________________
❏ ❏ Bride and Groom with special
_______________________
Groom
and
Bride
of
❏ ❏ Candid photos
__________________________
❏ ❏ Candid photos of Guests________
_____________________________
❏ ❏ Apron/Money dance_________
_________________
_______________
butterflies_____
of
❏ ❏ Release
___________________________
❏ ❏ Release of birds _______________
NC
ERS • ORGA
_____________________________________
Job# ___________ Job Name (bride/groom):
Reception Shooting Plan
A
PH
PHY PLAN
ING PHOTOGRA
FULL WEDD
3 of 4
Post Ceremony Shooting Plan, page
plus $9 shipping
A
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FULL WEDDING PHOTOGRAPHY
People and Places Shooting Plan,
page 1 of 4
Job# ___________ Job Name (bride/groom)
: ____________________________________
_
Engagement Photos Shooting
Plan
❏❏
❏ ❏ Engagement photo for newspaper
________________________
❏ ❏ Formal engagement photo
________________________________
❏ ❏ Casual engagement photo
________________________________
Bride
Shooting Plan Prior to the Ceremony
❏ ❏ Bride dressing with Mother's
help _______________________
❏ ❏ Bride dressing with attendants
help ______________________
❏ ❏ Bride alone, full body shot
_______________________________
❏ ❏ Bride alone, 3/4 view ______________
______________________
❏ ❏ Bride alone, head and shoulders
shot ____________________
❏ ❏ Bride looking into full-length
mirror _____________________
❏ ❏ Bride looking into mirror,
head and shoulders shot ______
❏ ❏ Maid/Matron of Honor placing
garter on bride ___________
❏ ❏ Mother adjusting Bride’s
veil_____________________________
❏ ❏ Bride with something new,
borrowed and something blue
❏ ❏ Bride with each of attendant
_____________________________
❏ ❏ Bride with Flower Girl(s)_______
__________________________
❏ ❏ Bride with Maid/Matron
of Honor_____________________
___
❏ ❏ Bride with mother ______________
_________________________
❏ ❏ Bride with father ______________
__________________________
❏ ❏ Bride with her mother and
father ________________________
❏ ❏ Bride with grandparents
_________________________________
❏ ❏ Bride kissed by her father
_______________________________
❏ ❏ Bride pinning boutonniere
on her Father _________________
❏ ❏ Bride putting corsage on
her Mother _____________________
❏ ❏ Bride placing penny in her
shoe__________________________
❏ ❏ Bride giving ring to Maid/Matron
of Honor ______________
❏ ❏ Bride windowlight portraits
______________________________
❏ ❏ Individual portrait of each
person in wedding party______
❏ ❏ Bride giving bouquets/bou
tonnieres to her attendants ____
❏ ❏ Bride in mirror, finishing
touches ________________________
❏ ❏ Bride leaving for wedding
________________________________
❏ ❏ Bride's parents waving
__________________________________
❏ ❏ Bride's parents wiping tears
_____________________________
❏ ❏ Bride arriving at ceremony
______________________________
❏ ❏ Maid/Matron of Honor wiping
Bride’s brow ______________
❏ ❏ Maid/Matron of Honor pulling
Bride into church/site ____
❏ ❏ Picture of Bride entering
church/site_____________________
PLAN
Billing Name: ________________________
Mother kissing Groom_______
_____________________________
❏ ❏ Groom pinning boutonniere
on Father ____________________
❏ ❏ Groom putting corsage on
Mother ________________________
❏ ❏ Groom shining his shoes
_________________________________
❏ ❏ Groom giving ring to Best
Man __________________________
❏ ❏ Groom looking out the window
___________________________
❏ ❏ Individual portrait of each
person in wedding party______
❏ ❏ Groom giving bouquets/bou
tonnieres to his attendants ___
❏ ❏ Groom in mirror, finishing
touches ______________________
❏ ❏ Groom leaving for wedding_____
__________________________
❏ ❏ Groom's parents waving
at groom _______________________
❏ ❏ Groom's parents wiping
tears ____________________________
❏ ❏ Groom arriving at ceremony
site _________________________
❏ ❏ Best Man wiping Groom’s
brow __________________________
❏ ❏ Best Man pulling Groom
into church/site________________
_
❏ ❏ Picture of Groom entering
church/site ___________________
61 FORMS MASTERS ORDER FORM
Departing Reception Shooting
Plan
__
______________________________
❏ ❏ Decorating “getaway” car
goodbye to guests _______________
❏ ❏ Bride and Groom saying
Parents __________________________
❏ ❏ Couple kissing/hugging
_
to getaway car _______________
❏ ❏ Bride and Groom walking
_________________________
guests_________
to
waving
Couple
❏❏
car __________________________
❏ ❏ Couple getting into getaway
_
car___________________________
❏ ❏ Couple leaving in getaway
___
for Honeymoon _______________
plane
on
getting
Couple
❏
❏
_
up ______________________________
❏ ❏ Reception site. cleaning
pockets _______________________
❏ ❏ Bride’s father with empty
______________________
❏ ❏ Carrying gifts to car _______________
__
photo of Groom _______________
❏ ❏ Groom’s mother kissing
of Bride ____________________
❏ ❏ Bride’s mother kissing photo
Photographers’’ Forms Reproducible MASTERS
Other Poses for Photographs
____________________________
❏ ❏ ______________________________
____________________________
❏ ❏ ______________________________
____________________________
❏ ❏ ______________________________
____________________________
❏ ❏ ______________________________
____________________________
❏ ❏ ______________________________
____________________________
❏ ❏ ______________________________
____________________________
❏ ❏ ______________________________
____________________________
❏ ❏ ______________________________
____________________________
❏ ❏ ______________________________
____________________________
❏ ❏ ______________________________
____________________________
_______________
❏ ❏ _______________
____________________________
❏ ❏ ______________________________
____________________________
❏ ❏ ______________________________
____________________________
❏ ❏ ______________________________
____________________________
_______________
_______________
❏❏
____________________________
❏ ❏ ______________________________
____________________________
❏ ❏ ______________________________
____________________________
❏ ❏ ______________________________
____________________________
❏ ❏ ______________________________
____________________________
❏ ❏ ______________________________
____________________________
❏ ❏ ______________________________
____________________________
_______________
❏ ❏ _______________
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Total Enclosed
Full Wedding: Post Ceremony Shooting
Press
Plan 3 of 4 • ©American Image
Groom Shooting Plan Prior to
the Ceremony
❏ ❏ Groom dressing with help
of Father ______________________
❏ ❏ Groom dressing with help
of attendants __________________
❏ ❏ Groom alone, full body shot
______________________________
❏ ❏ Groom alone, 3/4 view ______________
_____________________
❏ ❏ Groom alone, head and shoulders
shot ___________________
❏ ❏ Groom looking into full-length
mirror ____________________
❏ ❏ Groom looking into mirror,
head and shoulders shot _____
❏ ❏ Groom with each of his
attendants _______________________
❏ ❏ Groom with Best Man ______________
______________________
❏ ❏ Groom with Ring-Bearer
_________________________________
❏ ❏ Groom with his Mother
__________________________________
❏ ❏ Groom with his Father ______________
_____________________
❏ ❏ Groom with Grandparents
________________________________
IFPO Form F173
SHIPPING & MEMBER INFORMATION:
Full Wedding: Pre-Ceremony and
IFPO MEMBERS ONLY!
Ceremony Shooting Plan
❏ ❏ Picture of church/site ______________
______________________
❏ ❏ Usher/Groomsmen seating
Parents of Bride ______________
Parents of Groom_____________
Bride’s Grandparents _________
Groom’s grandparents ________
❏ ❏ Photo of Musicians ______________
________________________
❏ ❏ Photo of Officiating Clergy
or Justice_____________________
❏ ❏ Groom and attendants waiting
for bride's aisle walk ____
❏ ❏ Bride, attendants and Escort,
about to enter _____________
❏ ❏ Flower girl and ringbearer
walk down aisle ______________
❏ ❏ Bride's attendants walk
down the aisle ______________
____
❏ ❏ Maid/Matron of Honor coming
down the aisle ____________
❏ ❏ Bride and Escort walk down
the aisle (front shot) _______
❏ ❏ Bride and train walking
down aisle (back shot) __________
❏ ❏ Moment that Bride and
Groom meet at altar _____________
❏ ❏ Entire wedding party at
altar ____________________________
❏ ❏ Bride, Groom and Official
________________________________
❏ ❏ Entire interior view (wide
angle)_________________________
❏ ❏ Bride's and Groom's mothers
lighting unity candle
❏ ❏ Bride and Groom lighting
unity candle ___________________
❏ ❏ Medallion ceremony ______________
________________________
❏ ❏ Hands ceremony ______________
___________________________
❏ ❏ Religious Ceremony 1 (option)
___________________________
❏ ❏ Religious Ceremony 2 (option)
___________________________
❏ ❏ Groom placing ring on Bride’s
finger _____________________
❏ ❏ Bride placing ring on Groom’s
finger _____________________
❏ ❏ First kiss as man and wife
_______________________________
❏ ❏ Receiving line ______________
______________________________
❏ ❏ Guests throwing rice or
birdseed _________________________
❏ ❏ Guest blowing bubbles ______________
______________________
❏ ❏ Couple leaving for reception____
__________________________
❏ ❏ Parents of couple leaving
for reception__________________
_
❏ ❏ Grandparents of couple
leaving for reception ____________
❏ ❏ Special guests leaving for
reception ______________________
❏ ❏ Bride and Groom with entire
wedding party______________
Ceremony Shooting Plan 2 of 4
• ©American Image Presswww.aipress
.com - (336) 945-9867
IFPO Form F172
5 Digit IFPO Member# ____________________
name
__________________________________________________________________
city/st/zip
_______________________________________________________________
address
phone/FAX
______________________________________________________________
__________________________________________________________
PERSONALIZATION INFORMATION: (please print or type clearly on this form or your own paper)
name AND / OR business name ________________________________________________________________________________________________________________________________
___________________________________________________________________________________________________________________________________________________________
contact mailing address _______________________________________________________________________________________________________________________________________
contact information such as phone, fax, email, URL:_________________________________________________________________________________________________________________
___________________________________________________________________________________________________________________________________________________________
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3
FROM THE PUBLISHER
Contents
Thank you for your support as we go into our
21st year of operation. We are taking 2 major
steps this year to ensure our ability to serve
IFPO members better in these turbulent years
of sagging magazine distribution caused somewhat by the rise of electronic publishing
Step One: This year we will publish two
issues of Today’s Photographer magazine on
the internet only. The first one will be
6
I Go After Assignments and
Make Them Pay page 9
How To Gain Access to the President
By Ilya Moshenskiy
8
How to Succeed As a Press Photographer
By Vonda H. Blackburn
9
My Assignments Pay
By Chris Cross
13 Motorcycle Racing Photography
By Elliot “Ed” L. Doering
Continued page 23
15 Use the Internet to Expand Your Business
Chris Cross IFPO
By Dennis Hodges
FEATURES
ON ASSIGNMENT
Up Close with the President
Volume 20, Number 1
2005 ANNUAL ISSUE
19 Travel Photography: The Exotic World of a Camel Fair
By Michael I Hanyecz
23 Book Reviews
33 IFPO Announces AI New Service
Photo Contests
27 2004 Annual Winner
29 2004 Monthly Winners
36 Photo Contest Rules
On Assignment
On Assignment
33 Chicago Blues Festival
President Bush is escorted by Major General David H.
Petraeus as he visits the 101st Airborne Division at Fort
Campbell, Kentucky. ©2004 George Austin IFPO.
8
By Richard B. Ressman MD, IFPO
NBA: Miami vs Indiana
By Sean Camiring
4
With the President - Up Close
By George Austin and Nancy Ford
ON THE COVER
2005 Inaugural Festivities
On the Campaign in Charleston,West Virginia
BY ILYA MOSHENSKIY IFPO
The Chicago Blues Festival
23
With the President
George Austin IFPO
Richard B. Ressman MD. IFPO Page
IFPO PHOTOGRAPHERS PUBLISHED IN THIS ISSUE
My subject was Bush ... George W. “Why not go after
the biggest target that I could, the President of the
United States?” ©2004 Nancy Ford IFPO.
George Austin, Greenville, KY
Ed Cayot, Kankakee, Illinois
Sean Camiring, Chicago, IL
Anthony E. Ciampa, Sahuarita, AZ
Chris Cross, Olathe, KS
Elliot “Ed” L Doering, Milwaukee, WI
Dora DuMoulin, Russell, NY
Lyudmila Fedossov, Skokie, IL
Nancy Ford, Beaver, WV
Craig Hellier, Highlands Ranch, CO
IFPO Program Directory:
IFPO CORRESPONDENT PHOTOGRAPHERS
Kwon Moon Auk, Inchon City, Korea
Keith Cephus, Virginia Beach, VA
Francis J. Dean, Kastrup, Denmark
Elliot L. Doering, Milwaukee, WI
Dennis Hodges, Kansas City, MO
Ilya Moshenskiy, Redmond, WA
David C. Oliver, Reston, VA
Paolo Pedicelli, Montreal, PQ Canada
Dennis Stephens, Jamaica, West Indies
Dennis Hodges, Kansas City, MO
Michael I. Hanyecz, Calabasas, CA
Carolin Jennings, Judsonia, AR
Cinderella Morff, Lohman, MO
Ilya Moshenskiy, Redmond, WA
Frank Randolph, Junction, TX
Tommie Shaw, Louisville, KY
Richard B. Ressman MD, Cupertino, CA
Bobby Samuels, Los Angeles, CA
Thomas Shorts, Myrtle Beach, SC
Classified Ads
Glamour Elite Program
Home Page Program
Assignments Now
IFPO Business Guides
IFPO Business Cards
IFPO Business Forms
IFPO Distributor Program
44
16
14
34
40
5
2
43
IFPO Recognition Certificates
Membership Programs
New Discoveries Program
Press Program
Press Accessories
Press Reporter’s Chase Kit
Stock Gallery Program
Today’s Sports Credentials
COMPLETE IFPO PROGRAM DIRECTORY PAGE 17
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Today’s Photographer Magazine is published by American Image Press, at 6495
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send change of address forms as well as subscription correspondence to Today’s
Photographer Magazine, P.O. Box 777, Lewisville, NC 27023-0777 USA.
Allow at least six weeks for the change of address to become effective. COPYRIGHT AMERICAN IMAGE, INC., ALL RIGHTS RESERVED.
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MAGAZINE STAFF
Publisher: Jack M. Gallimore
Editor in Chief: Vonda H. Blackburn
Editorial: Cass Kerrington
Ray Bream
Operations Staff: Annette Blackburn
Eloise Brinegar
Debbie Cofer
Editors at large: Dennis Hodges
Kendall K. Krebs
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5
How to Gain Access ......
JUST BEFORE THE PRESIDENT’S SPEECH ... SOLDIERS WITH FLAGS
PRESIDENT’S FAMILY. I HAD TIME TO
PHOTOGRAPH FIRST LADY LAURA BUSH DURING A SPLIT SECOND
WHEN THE BANNERS WERE BLOWING IN THE WIND. © 2005 ILYA.
PASSED BETWEEN ME AND THE
The Inauguration of President
George W. Bush on January 20, 2005
was shining with hundreds of mass
media from all over the world. Out of
the three hundred photographers who
were sanctioned to cover the event, I
was one of only twenty who were
allowed in the so-called "cut area"
which has direct access to the president.
Most of the photographers in the
“cut area” were correspondents that
have consistently been a part of the
White House media for two decades. I
was extremely privileged to be the
first IFPO photographer ever to make
that elite cut. Was it easy? No. I was
just lucky although my quest to cover
an inaugural event started four years
ago. In 2001 I wanted very much to
cover the first Bush Inauguration.
Although I worked with my editor
Vonda Blackburn on that one, I was
denied access. However, going
through the process was a valuable
experience and paid off this year.
After the 2004 election I visited the
Inauguration Committee web-site
everyday to learn when press applications would be received. The first day
to apply was January 5, 2005. I immediately asked my editor Vonda Blackburn for assistance. She processed my
request that day.
This time the turn of each event
seemed to favor me. My first break
came when the chief press official at
the inaugural headquarters remembered me from 2001! I think my Russian accent jogged his memory. Anyway, I was listed in his data files from
four years ago as a correspondent
photographer for American Image
Press and Today’s Photographer
International magazine. That immediately removed the, “I never heard of
you or your magazine,” barrier which
is always questioned for high security
events. That, along with applying for
credentials on the first day possible,
got me on their list for consideration
early.
I had absolutely no previous experience or familiarity with the White
House press service. However, after
graduating from the Kiev Institute of
Culture specializing in photojournalism and working in mass-media in
Ukraine and in Russia, I was totally
comfortable and prepared to cover one
of the most important events in the
world -- the Inauguration of the President of the United States.
Although, I have covered such
celebrities as Bill Gates, Michael Gorbachev, President Bill Clinton, Senator Hilary Clinton, and others since
moving to the United States, this was
my first time to capture such a large
scale, high security event.
Security and restrictions actually
kicked in at the Seattle airport. When
MY VANTAGE POINT ALONG THE PARADE ROUTE WAS BETTER THAN MOST. THE SLIGHT CURVE ALLOWED AN INTERESTING PERSPECTIVE. ACCESS TO THE
WHITE HOUSE WAS ALMOST IMPOSSIBLE. THIS SHOT REVEALS THE TIGHT SECURITY ON THE ROOF THE EVENING BEFORE THE INAUGURATION. © 2005 ILYA
6
www.ifpo.net
.. To the President
By Ilya Moshenskiy IFPO, Redmond, WA
VICE PRESIDENT AND MRS. DICK CHENY WITH PRESIDENT BUSH AND
FIRST LADY LAURA BUSH. © 2005 ILYA.
I presented my ticket for Washington,
DC along with all my bags of photo
equipment, I was ushered into a special room where they double checked
me and my equipment. They required
me to click the shutter on my camera
to make sure “that a weapon was not
built in!"
In Washington DC press photographers for the inaugural event had to
pass three check points: scanners,
dogs, and FBI screeners. I was one of
the very first to arrive and made it
through without a hitch. My long term
operational experience in Russia
where it is always necessary to be
ready for the
most unforeseen situations gave me
the
confidence needed
to
breeze
through security inspections.
Conditions
in general for
shooting were
uneasy.
A
background
of a daylight,
which also
included artificial illumination, created an effect
called "mixed
light" a set-
ting in which it is very difficult to
achieve high quality pictures.
Beside difficult lighting there were
other major forces at work. For example, during one of the most important
moments, just before the President’s
speech, a number of soldiers with flags
of all fifty American states passed
between me and the President and his
family. I had time to photograph First
Lady Laura Bush during a split second
when the banners were blowing in the
wind.
In the evening after the first day of
shooting I downloaded over 1000
images to my computer to evaluate my
equipment and shooting techniques for
the inaugural events the next day. In
general I was pleased with my results
under the unusual conditions.
I know that many photographers
dream of such high profile assignments. For me it was as easy. Having
been accredited by American Image
Press and Today’s Photographer
International since 1996 prepared me
and gave me the credibility and the
backing I needed to succeed.
It was new interesting experience in
my professional work -- and the
toughest assignment of my life. I hope
President Bush likes my pictures. Ω
THE BUSH AND CHENY FAMILIES ARE HAVING FUN IN THE VIEWING BOOTH IN FRONT OF THE WHITE HOUSE -- INCLUDING FORMER
PRESIDENT BUSH AND FIRST LADY BARBARA BUSH (FAR RIGHT ABOVE). © 2005 ILYA.
www.ifpo.net
7
O N A S S I G N M E N T: T H E N B A
BY SEAN CAMIRING IFPO, ALGONQUIN, ILLINOIS
How to Succeed ......
INDIANA PACERS VS. MIAMI HEAT
RON ARTEST #23 (FAR LEFT) OF INDIANA SCORES
AGAINST LAMAR ODOM #7 OF MIAMI. MIAMI’S EDDIE
JONES #6 (NEAR LEFT) MAKES A JUMP SHOT OVER
RON ARTEST. INDIANA WON 97-91.
©2004 SEAN CAMIRING
For the last 20 years IFPO press credentials have paved the way for IFPO photographers to cover sports, news, concerts and
other events where a recognized press credential is required. The IFPO Press Program backed up by Today’s Photographer
magazine is generally the only way for
IFPO members to cover events that they
normally could not cover on their own.
Secondly, and nearly as important, the
press program places IFPO press photographers on the scene to shoot shoulder to
shoulder with other well known press photographers -- which offers a learning experience second to none. It is absolutely the
best environment to learn the give and
take required to shoot in spaces which are
always very tight and at a premium. Each
assignment is an important learning experience and paves the way to more important ones. The ultimate goal for press
assignments is to get published or land a
paying job. Over the years many IFPO
photographers have frequently experienced that sequence of success.
Contract photography is a natural next
step up from press photography. A few
years back IFPO member John Nugent
reported that after shooting Macy’s
Thanksgiving Day parade, he contacted
their publicity director to show his work
and get her reaction. She and her entire
staff loved the images. He landed a three
year project contract with Macy’s New
York in 1990, 1991 and 1992 to shoot the
balloon inflation the evening before, plus
the Thanksgiving Day parades. Each year
he was paid a $1200 contract fee. A stunning portfolio was a by product which led
to more jobs and a lucrative photography
business after his retirement from a career
in another field.
On the job training is the very best
experience for press photographers. The
8
right credentials and confidence in your
skills is primary but the real success
comes when you can deliver photos that
sell from top notch events. That achievement is not easy and much of it is learned
from the“comradery” with other successful photographers. In the beginning expect
other photographers to question who you
are. Always answer that question truthfully in a professional and considerate manner. The outcome will usually be positive
and the information well received by
everyone on the scene. Before long you
will be accepted and even expected at
events by other press photographers or the
press officials. Comments such as, “I
missed you at such and such event last
month,” or, “I’ll see you next week at
the....” are common. Lessons learned
from exposure to other press photographers and on the scene experience cannot
be replaced by training. Finally, always
look for the photos published by other
photographers at the same event. Try to
remember where and how they were set
up, what kind of lens was used etc. For
example, if an AP photographer is shooting beside you, look for his photos the
next day in major newspapers (check the
internet). This is the quickest and most
reliable way to evaluate your own work.
After learning the ethics of press photography, it is essential to behave pro-
fessionally. Word of poor ethical
behavior at any event can spread like
wildfire and jeopardize credentials for
future activities.
There are a number of “rules” to
remember and practice if you expect
to succeed and gain a positive reputation as a press photographer.
Emergency Scenes
Emergency scenes may be the most
difficult to cover. Fire departments
and police have the right to limit
access in order to prevent injuries to
the public. They can and have arrested
members of the press who act irresponsibly on the scene. Once access is
granted, it is essential to behave cautiously and appropriately.
There are a number of important
things to remember when photographing an emergency scene:
• Your vehicle’s location. Keep it
well out of the way. Don’t create a
traffic hazard or block emergency
response vehicles. This is one of
the quickest and most negative
ways to get noticed.
• Be courteous to officials. Show the
police your American Image Press
Credentials. Don’t rush by expecting them to see your credentials on
the fly.
• Never interupt the officer in charge
to ask questions while the emergency is still in progress. Handling
the situation is the only priority of
the emergency workers. Information will be provided when time
permits.
• Stay out of the way. Firefighting
and crime scenes are dangerous
enough without outsiders getting in
the way. No picture is worth risking your life or that of someone
else.
• What is a safe distance? A good
rule is to stay behind any hoselines
that go up to and into the building.
Do not go any closer than twice the
Continued on page 26
www.ifpo.net
.. As a Press Photographer
N O W . . . M Y A S S I G N M E N T S P AY
BY CHRIS CROSS IFPO, OLATHE, KANSAS
Over the years I
have been impressed
by many stories in this
magazine about, “How
to Go After an
Assignment and Make
It Pay.” Now I have my
own story to tell. Chris
Cross, IFPO
JEFF BATES (ABOVE), AN UP AND COMING NEW COUNTRY MUSIC STAR
PLAYED TO A PACKED CROWD AT THE JOHNSON COUNTY OLD SETTLERS
CELEBRATION JUST BEFORE HE HEADED TO THE GRAND OLD OPERA.
BACK STAGE PASSES (ABOVE LEFT). “A COLLECTION OF BACK STAGE
PASSES REMIND ME OF THE STARS I’VE COVERED.” CHRIS CROSS
y press credentials and the back-up of the editorial staff at Today’s Photographer magazine have served
me well in two ways. I have been able to gain access to many events. Also I have been exposed to some
great press photographers working on the scene beside me which, in my opinion, is the very best way to
learn. Access is more important but working beside experienced press photographers is a close second. Neither could
have ever occurred for me without the IFPO press program.
My real break came about three years ago when The Old Settlers Day Celebration Committee in Olathe, Kansas needed an event photographer. I submitted photos from my portfolio (developed from other assignments for Today’s Photog-
M
rapher magazine). Those photos landed the job for me right away. Since then I have been their only staff photographer ...
and it has been a lot of fun yet very challenging.
Of all the photos assignments I’ve done for Today’s Photographer, Old Settlers is my favorite. I get full access to all
the performers from sound checks to “meet and greets”. Backstage I shoot super stars as well up and coming stars.
I continue to shoot a full range of assignments, news, sports etc. constantly trying to get published and to keep my
portfolio updated. My continuing goal is to “go after the next assignment and make it pay.” Thanks to the IFPO Press
Program. I am able to do that most of the time. Chris Cross IFPO, Olathe, KS
www.ifpo.net
9
5 in 1 - PRESS PASS
•
GE
APHER
GR
•A
O
T
CA
ERI N IMA
M
CORRE
SP
PRE SS
Credentials
The new Gold Press Pass program embodies all the successful aspects of the original Press
Program and incorporates new vital information and features needed based on the real experiences of our press photographers and the assignment editor of Today’s Photographer International magazine. Collectively, the Gold Press bundle represents a total state-of-the-art “systems”
approach designed to get you and your camera to the action.
1. The GOLD SEAL which appears throughout the credentails, is emblazoned with the American Image PRESS logo to distinguish the new credentials with all of it’s improvements, from the
original landmark Press Program. It is a result of carefully reviewing every “gain access” situation
experienced over the past 15 years. We expect this new program will achieve markedly increased
results accross the board, for all kinds of events, all over the world.
2. ISSUING INFORMATION has been added to the credentials which is extremely valuable
DENT PHO
ON
for gaining access in those particularly tough situations when credentials are being scrutinized for
every piece of validating information. Nationality, sex, date and place of birth add verifiable information often required by uniformed officials in law enforcement, fire and emergency, the military, customs and immigration.
3. CLASSIFICATION is now based on a full 4-tier range of publishing credits starting at A for yet-to-be published photographers
and reaching to AAAA for those who are published frequently.
4. COMPLETE BUNDLE of all credentials and Internet Verification is automatically shipped to those who enroll in the Gold Press
Program. Members no longer have to decide whether the Badge style or Passport style credential works better for the events they
cover or whether covering weekend or after-hours events warrants the Internet Verification option or not. You get it all.
5. INTERNET VERIFICATION All Gold Press Pass holders will be assigned a verification code printed on the face of all the credentials. This code can be used to verify your assignment status with Today’s Photographer magazine by press officials 24 hours a
day EVERY day from anywhere in the world. The Internet Verification site is at www.aipress.com/verify.
6. VERIFICATION UPDATES Now you can go online using your Verification Code and update your own Assignment Verification record. You can change your mailing address, add an email address or change other contact information in seconds.
7. PUBLISHING CREDITS Now you can actually display the names of the publications that have published your photos right on
your Internet Verification site so press officials can see your breadth of experience. And... you can use your Verification Code online
and update your list of publishing credits as often as you like, without having to call the American Image office.
8. RECENT ASSIGNMENTS Now you can display your recent assignments on your Verification site so press officials can see
what kind of events you’ve been covering. And... you can use your Verification Code online to update your display of recent assignments as often as you like.
9. EXPIRATION DATE At last, we have added an expiration date to our Press Credentials. As great as the “lifetime” press credentials may seem, there are big drawbacks. “No expiration date” is the single largest reason for problems being accepted in some
venues, not to mention that photos become outdated. Gold Press Pass holders will be able to renew their credentials every 3 years to
keep them current, and they will get a whole new set with each renewal.
10.NEW LOW PRICE of only $99 is a full $129 SAVING off the price of the previous program for all the credentials and options.
But remember, the programs are not equivalent.
11.NEW FEATURES Even at the same price, the Gold Press Pass program has features enumerated here that aren’t even available in the previous program. The addition of door-opening “Publishing Credits” and “Recent Assignments” alone may achieve more in
gaining new access as our original Press Program concept born in 1985.
The American Image Press Photographer’s Code of Ethics
A press photographer’s reputation is often based on his own code • Stay within the boundaries of the photographers’ area. Never interfere
of ethics. Although getting the story is the ultimate goal, ethical standards can “make or break” a career. As a press photographer, it is
your duty to document newsworthy happenings — never altering circumstances or interfering with action to enhance your photographs.
Your photos should tell a story just as it happened. Meeting the high
standards of good press photography requires patience, determination and a strong set of ethics which can be the difference between
success and failure.
First, foremost and always remember that Press access is a privilege not to be abused. Use the following Code of Ethics to guide
you:
•
•
•
•
• Arrive early — at least 45 minutes to an hour before the event is •
scheduled to begin — in order to check in, find the press area, check
•
out the stage or facility lay-out and choose a vantage point.
• Never show up for an event unprepared. Not only should you have all
the proper equipment, you should have a basic knowledge and under•
standing of the event. Do your homework!
• Try to work with promoters and authorized officials rather than against
•
•
them.
Conduct yourself in a professional manner at all times. Photographers
who complain or cause problems aren’t likely to be admitted again.
Don’t just start shooting. Take time to think about what you’re covering.
10 Today’s Photographer International
with the action, criticize a player or performer or interrupt an authorized
official.
Have patience. Resist the urge to inconvenience other photographers
by changing spots. Your opportunity will come.
Although it can be necessary to fight for a good position, always be
courteous. You’ll find other photographers are usually willing to share
their space -- if you offer them the same courtesy. Try your best to get
along with other members of the press.
Always live up to your obligations to promoters and publications.
If you agree not to sell the photos commercially, DO NOT break this
agreement.
Always clean up after yourself -- film wrappers, etc.
Never photograph anyone in a compromising situation (backstage,
locker rooms) unless it’s a public figure in a public place which qualifies
for news. Don’t abuse the privileges you have been granted.
Always remember you are a photographer on the job -- not a spectator.
Finally, the nature of breaking news makes preparation impossible. However, when you arrive on the scene, you are a press photographer -- expected to live up to the same ethical standards you
have learned to display at scheduled media events. With practice
and common sense, high ethical standards should some as naturally as pressing the shutter. Ω
www.ifpo.net
IFPO Press Program
state-of-the-art features get you
and your camera to the action
better and quicker
than ever.
Gold Passport
Assignment Letter
Wallet I.D.
Gold Badge
EVERYTHING INCLUDED
EASY TO ASSEMBLE AFTER PLACING
YOUR OWN PHOTO
TRY IT OUT: Just go online to www.aipress.com/verify, click on VERIFY and enter the special demo verification code
12345ABC. The test contact information will be displayed as a press official would see it. Click "BACK" on your browser to return to the
verify page and this time click on UPDATE. Again, enter the demo code 12345ABC. This time you will be presented with a screen that
allows you to modify and update the demo contact information as well as enter "Recent Assignments" and "Publishing Credits." Make all the
changes you want and click on SAVE. Next, go back and click VERIFY to check that your updates were made!
GOLD PRESS CREDENTIALS ENROLLMENT FORM
Cat#
5 Digit IFPO Member# ____________________ or enclose dues (see page 17)
name ___________________________________________________________________
address _________________________________________________________________
city/st/zip ________________________________________________________________
phone/fax ________________________________________________________________
email/U.R.L. ____________________________________________________________________
ISSUING INFORMATION:
Nationality: ___________________________________________________
Sex: ________________________________________________________
Place of birth: __________________________________________________
Date of birth: __________________________________________________
CLASSIFICATION INFORMATION: (see ratings opposite page)
Check correct box and name publication(s) where your photos appeared.
A
Not yet published
AA
Publishing pending in: ___________________________________
AAA
Published once in: ______________________________________
AAAA Published frequently (list three publishers)
❐
❐
❐
❐
❏
Description
Price EA.
401GP GOLD PRESS CREDENTIALS
(Renewable in 3 years)
$99.00
Includes:
• GOLD PRESS Passport
• GOLD PRESS Badge Card I.D.
• GOLD PRESS Wallet I.D.
• GOLD PRESS Official Letter of Certification placing you on assignment for American Image Press
andToday’s Photographer International magazine.
• Press Assignment Verification on the Internet.
• Complete assembly instructions, laminating materials and badge clip.
• Press Assignment Request Form and How to Use
Your Press Credentials.
❏
❏
Checking this box confirms that I have read,
understand and agree to comply with the Press
Code of Ethics published on the opposite page.
USA Shipping. First Class Mail
(foreign shipping use the instructions on page 47)
$9.00
TOTAL AMOUNT ENCLOSED
1. ____________________________________________________
2. ____________________________________________________
3. ____________________________________________________
Credit Card orders phone:
expiration date
signature __________________________________________________________________
1-800-654-9557
MAIL ORDERS:
Visa/MasterCard/American Express/Optima Card #
or fax:
1-800-283-5989
IFPO PRESS OFFICE, P.O.Box 777, Lewisville NC 27023-0777 USA
Information or Customer Service calls: 336-945-9867
www.ifpo.net
Today’s Photographer International 11
TURN YOUR CAR INTO A
PRESSCAR
ASSIGNMENT CAP
PRESS
Dash Card
#1410C...$9.95
YOU CAN'T BE WITHOUT IT! The public and
event officials will instantly recognize your status ..
#809A .....1 cap .....$22.95
#809B .....2 caps ...$32.95
#809C .....3 caps ...$39.95
PRESS Cap: solid black cotton twill cap with braid.
One size fits all. One COLOR: Black (with white
embroidered emblem) Order in quantity for family and
friends and save.
P R E S S P H OTOGRAPHERS’ SURV I VA L G E A R
Order Form on Page 47 * Credit Card Orders Call FREE 1-800-654-9557 7 Days
PRESS
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adhere to inside of windshield
or window.
PRESS
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PHOTOGRAPHER
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PHOTOGRAPHER
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actual size:
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OFFICIAL BUSINESS
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IFPO
LEARN TO COVER:
• Sports
• Entertainment
• Concerts
• Conferences
• Politicals
• Breaking News
• Celebrities
• Fires
• Crimes
• Races
• Storm Chasing
HOW TO SUCCESSFULLY
ACQUIRE AND USE
PRESS
CREDENTIALS
WORKBOOK + 6 AUDIO TAPES
Windshield Stickers
#791A - 2 for $9.95
ZA
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INTE
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IFPO
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IFPO
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actual size:
3" x 3"
#210A - $39.95
LA
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IFPO
143 page Workbook
plus
6 audio tape lessons
RS • ORGA
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adhere to inside of windshield
or window.
Where to go, when to go, how to contact, who to contact and why. 6 complete audio lessons and transcriptions of the audio scripts for further in-depth
study, forms and releases needed to operate as a
PRESS photographer. Learn the privileges of a
PRESS photographer and the type of credentials that
are necessary and how the right credentials work.
Official IFPO Guide #210A
Gain access to PRESS boxes, sidelines, and locker
rooms. GET admitted to concerts, get front row and
backstage passes. Get to political, hostile, disaster,
accident, and crime scenes, how to work with the
police and others including foreign embassies. Learn
to attend celebrity events and press conferences for
politics, sports, business, pageants, and ceremonies.
www.ifpo.net
Tips for
Motorcycle Racing P h o t o g r a p h y
By Elliot “Ed” L. Doering IFPO, Milwaukee, WI
T
hose who favor Motorsports photography are constantly thinking
and acquiring a base of knowledge concerning the techniques used to
capture speed on film. Apart from the
smell of racing fuel, the bikes flashing by
at super sonic speeds and the myriad of
activities both on and off the track, in most
of us, there’s that quiet time when we
examine our images and try to pin point
how our efforts are affecting the results.
There are usually two distinct differences
in capturing the world of racing. One is the
moving or action based subjects versus the
more common static subjects (pit, paddock
and head shots).
Through the efforts of Today’s Photographer International Magazine, I was
again fortunate to gain photo credentials to
film nine rounds of the 2004 MOTOGP
Motorcycle World Championship series
through out Europe this past May to September. Once again, I got to practice techniques concerning primarily the action
aspects of the world wide phenomenon
known as MOTOGP. This is a constant
growing spectacle of pure action charged
speed on two wheels, which has been
drawing crowds of up to 220,000 as I witnessed at the May 2004 Spanish
MOTOGP at Jerez, Spain.
As one further thinks about the elements
of racing photography, it should become
apparent that there is one predominant element in static or pit shot photography. It’s
CONTROL. Here, the photographer CAN
control his location distances, time of day
and lighting. However, we do NOT enjoy
such an easily controlled filming environment when it comes to the action
aspects of racing photography.
More often than not control is more
of an adaptation to the racing circuit environment. At any race rack, you’ll notice
that you have very limited control over the
distances between your camera and the
bikes flashing past. Press access greatly
helps break down the distance element,
getting you into a more accessible corner,
wherein, if lucky, you can close in on the
action.
Contrastingly, you can NOT control
when, or the conditions and elements
under which the race is run. MOTOGP
races are held in sweltering sun or pouring
rain. We can’t control that. Also, if your
exposure is “off” you can not ask the racers to form up again on the starting grid
for a “take two”. With all this in mind,
let’s explore how you can actually capture
a sense of speed in your shots.
First, if you’ll look around at your fellow motorsports photographers, 99% will
have a 35mm SLR strapped around their
necks. With quick film advancement,
affordable interchangeable lenses, built-in
or add on motor drives, power winders and
recently digital and auto focus programs,
the modern 35mm SLR camera easily
shows itself as the “work horse” of racing
action.
Race photography takes a degree of
flow and rhythm. Consider the ease and
flowing movements you’ll have in keeping
a race bike in your viewfinder with a light
weight 100-300mm hand held lens compared to a cumbersome 600800mm APO on a monopod.
Always keep equipment
light and compact as possible.
Over the past 16 years I
am probably the only “veteran” working in the traditional film format in a world of
digital equipment for one
reason only -- QUALITY
and unequalled sharpness.
Digital allows for more images and the
rapid submittal, but I have a wide open
deadline, so I prefer the quality of a film
print.
As a beginner you simply can’t beat
using either 400 or 800 film. On a sunny
weekend, go with the 400. Under clouds
the 800 will give you the latitude to compensate for low light conditions. (The photos that accompany this text were all from
Fuji Color ProPress ISO 800.)
Color negative film thrives on good,
generous exposure. For example if you
have a 100 film, set your ASA/ISO dial to
80. The 1/3rd stop over-exposure will
result in a greater overlap and finer grain
effect plus the added exposure builds
shadow over hi-light, reducing contrast.
Another very critical rule concerns the
longest exposure that can be rendered
using hand held lenses.This usually
equates to a shutter speed just slightly
higher than a number obtained by dividing
the total lens’ focal length by four. Complicated? No. A 200mm telephoto (divided
by 4) equals 50, so a slightly higher shutter speed of 1/60th sec. is the LIMIT of
shutter speed you can safely hand hold.
There are two schools or approaches to
capturing that blurred impression of speed
or motion -- stop action and panning.Shutter speed is your first option to stop action.
The faster a bikes moves in your viewfinder the faster your shutter speed MUST be.
Capturing movement depends on speed,
distance and angle. Close up, any subject
will require a faster shutter speed than
when it’s far away. Coming or going, it
doesn’t move as fast in your viewfinder as
when it approaches from an angle or
comes straight in front of you. In that
instance, slower speeds can be used. If a
bike is approaching head on, the MINIMUM shutter speed I use is 1/500 in conjunction with 400 film. I go to 1/1000 to
SEEDORF RACING’S YOUNG STAR HECTOR BARBARA (ABOVE) BROUGHT THE 125CC
APRILIA HOME TO 3RD PLACE AT JEREZ AND MUGELLO. COLD CALCULATING GUN
FIGHTER EYES (LEFT). ALEX BAROS IS ONE OF THE BEST TO EVER THROW A LEG
OVER A MOTOGP BIKE. ©2004 ED DOERING
www.ifpo.net
13
now you can publish your photos on the exclusive
TOP PHOTOGRAPHERS WEB SITE
The HOME PAGE Program is like a complete photographer’s PORTFOLIO, RESUME and ADVERTISING BILLBOARD on the Internet. It
can contain complete biographical information, contact information, PUBLISHED or AWARDED photos, or other CURRENT photos that
you want to represent you. Your HOME PAGE will have a unique address (called a URL) much like your mailing address that you can put
on your business cards or other promotional materials you distribute to potential clients. Clients can then view your portfolio and read your
accomplishment facts ON-LINE any time they wish from ANYWHERE in the WORLD!
IFPO Internet HOME PAGE Program
contact information:
TERMS AND CONDITIONS
Credit Card Orders: when you submit your Home Page materials, your credit
card will be billed for the set-up fee only. Then your credit card will be billed
monthly on the first of the month beginning with the first FULL month your
your Home Page is ON-LINE. Your first partial month is FREE! Minimum 12month committment required. After 12 months, monthly charges will continue
until member cancels with a 30-day notice. Visa, Mastercard, American
Express, Optima accepted.
Checks or Money Orders: when you submit your Home Page materials,
enclose a check or money order for the amount of the set-up fee PLUS 119.70,
the first six months of the monthly fee. You will then be billed at 6 month intervals.
to be published on your web-site
name
IFPO Member #
business name (optional)
address
city, state, zip, country
I agree to the above terms and conditions. I enclose my photos:
#HP31, up to15 photos, set-up fee $49.00 and monthly fee: $19.95
phone/fax
#HP32, up to 30 photos, set-up fee $99.00 and monthly fee: $19.95
email, other
signature
IMPORTANT: Allow 30 days for IFPO personnel to scan your images and create your Home Page. Be sure
to add your Home Page URL (www.aipress.com/~yourname) to your business cards, letterhead and all your
promotional material.
expiration date
mail to: IFPO PO Box 777, Lewisville NC 27023-0777
view the top photographers on the internet at http://www.ifpo.net/topphotographers
If convenient, look at other homepages on our Top-Photographers web-site for ideas. Links to Top-Photographers are on our main home
page at www.aipress.com. A good example site is: http://www.ifpo.net/~ellefsen
HOME PAGE information guidelines
The information needed to create your Home Page (print or type clearly):
CONTACT INFORMATION you wish to appear on your
Home Page.
Memberships, Associations, Publishing Credits, Prizes or
Awards.
MOTTO, SLOGAN or Describe Your Specialty (ie: on-location child photography).
Accomplishments, Assignments, current Projects and
Career Objectives in photography
Send b/w or color prints or 35mm slides. Number your pictures or slides. Include a printed or typed list of your pictures with a title or caption for each one. Be sure to put your member# on each photo or slide. Model releases are required for any photos that have human subjects that are not in the public domain.
If you want your photos returned, enclose a self addressed mailer with correct postage. At minimum, we require contact information along
with photos with titles to create your Home Page.
We will assign you an Internet U.R.L. (internet address) in this form: http://www.ifpo.net/~yourname. U.R.L.’s are all lower case and have
no spaces. Please include any suggestions for “yourname.” Avoid long strings of characters like “millersphotographyandvideographics”.
Use names like “paulmiller” or millerphoto.”
Be sure to print your U.R.L. on your business cards, letterhead, etc. This Home Page is your internet portfolio, and you want as many people to visit as possible.
14
www.ifpo.net
Use the Internet to Expand Your Freelance Business
By Dennis Hodges IFPO, Kansas City, Missouri
ALL MODELS NEED PORTFOLIOS, COMPOSITES AND SIGNED
PUBLICATION RELEASES FROM
THE PHOTOGRAPHER TO PROMOTE THEMSELVES.
Model Kelsey Gullet
Photos ©2004 Dennis
Hodges
I
f you are tired of shooting weddings and little league baseball
games on weekends, try something different. How about becoming
a freelance internet photographer? It’s
easier than you might think.
Consider that computers, the internet and email have changed the world
of all businesses one way or another.
It doesn’t matter if you are a sole proprietor or part of a large corporation,
the rules are the same for everyone.
Communication is often made
through email. Needed information is
gained by visiting a web site rather
than traveling to “visit a company or
vendor”. Digital imaging has taken
over the photography and printing
business. So how does that affect photographers?
In my business the internet has
swung the doors wide open for me to
find models and for models to find
me. Remember when we ran classified
ads in the newspapers for models and
waited for the phone to ring some
days or weeks later? No more. Today
you can go to a model web hosting
site, view their models and their credentials in a matter of minutes. Then
you simply email those you find interesting. Describe your current projects
and the amount of money you have
budgeted for models. This is free and
you usually get a quick reply.
Many of the models you will find
are just getting started but many are
professional. The new models are
looking for time for pictures (TFP).
www.ifpo.net
They are willing to model free. In
return they want a CD or set of prints
from the photo session for their own
use. (At one time this was called a test
shoot.) All models are looking for
work. They are generally not signed
with an agency, so are willing to work
for less money because they do not
pay an agency commission. They all
need portfolios, composites etc. to
promote themselves.
Locating models via the internet can
bring in lots of work for the photographer who wants to expand his business into advertising, promotions,
shooting model’s portfolios or simply
shooting pictures for the model to
place on a website.
As an IFPO Model Consultant for
many years the new technology revolution has made my job much easier. I
now have my own home page on the
internet to promote my models. Also a
portfolio of my work can be seen on
musecube.com.
The model featured here is Kelsey
Gullett based in Chicago. Her portfolio is also on musecube.com. She contacted me because she liked my style
of photography and that my models
are frequently published, which was
her goal.
Our whole venture was handled
through email. Within two weeks
from the first contact Kelsey had
flown to Kansas City (accompanied
by her mother) for the shoot. A few
hours later she left, happy with a new
pictures for her website and composite
sheets plus high hopes for getting published. This is an excellent example of
how perseverance and self promotion
paid off for this young lady in a very
competitive market.
Strangely enough all of this happened through very little effort from
me. Granted, my work can be found
on numerous websites including several of IFPO’s. That did take effort
and work up front but the pay off is
worth it -- and it keeps on working!
To get started as a freelance internet
photographer, carefully review the
IFPO programs in this magazine that
are available to you. The Top Photographers Web Site, Assignments Now
and Stock Gallery programs are all
designed to get you and your work on
the internet. IFPO is one of the first
membership organizations to have a
web-site devoted to members interested in the complete range of services,
from the beginning photographer to
the professional “globe trotter.”
IFPO also offers business forms to
simply your job. You must get a
signed Model Release for the right to
publish or sell a model’s picture. The
model who publishes her photos on
the internet or elsewhere must have a
signed Publication Release from the
photographer. Keep both forms on
hand and make sure they are signed.
Since 1984 thousands of IFPO
members have expanded their business based on tips published in this
magazine. Now you can too -- expand
your business via the internet. Ω
15
3 Good Reasons to Become an
.elite
GLAMOUR
magazine
OFFICIAL PHOTOGRAPHER
1. YOU GET THE PICTURES
Jessica
YOU’VE ALWAYS WANTED FROM THE SUBJECTS YOU'VE ALWAYS WANTED TO SHOOT. The credentials give
you the confidence to shoot and gives your subjects the confidence in you.
2. YOU GET PUBLISHING CREDITS
Cindy
YOU NEED TO ENHANCE YOUR STATUS AND BUILD YOUR REPUTATION. You are encouraged (but not
required) to submit photos of the discoveries you make using your GLAMOUR.elite magazine credentials. All of your
submissions are entitled to review by the editorial staff and could be selected for publication in GLAMOUR.elite magazine. Each time one of your photos is selected for publication in GLAMOUR.elite, you will be issued a certificate of
accomplishment indicating your name, the photo description and the GLAMOUR.elite issue date. Your collection of
these certificates will further enhance your glamour photographer status. Each submitted photo must be accompanied
by the GLAMOUR.elite submission form (comes with your kit) and a small service charge of $8.00 per photo to cover
the cost of scanning your image for publication. The $8.00 fee is refunded if your photo is not selected for publication.
3. GUARANTEE YOUR SUBJECTS
Jackie
THAT THEY CAN GET PUBLISHED IN GLAMOUR.elite MAGAZINE. You may (but are not required) to turn your fascinating glamour hobby into cash. Each photo received with the "publication spotlight" form (in your kit) and fee of
$19.00 gets published in the on-line edition of GLAMOUR.elite magazine. In operating your business, you are free to
charge your subject an appropriate amount to take into account your own expenses, overhead and profit. Photos
rejected by the editors for quality reasons will receive a full refund.
GLAMOUR
.elite magazine features both well known celebrities and "newly discovered" subjects.
Find GLAMOUR.elite magazine at www.aipress.com/glamourelite
GLAMOUR.elite Photos by Dennis Hodges, IFPO
If you are an IFPO member, you can get on the GlamourElite magazine band wagon quickly and inexpensively by taking advantage of
the GlamourElite BUNDLE GEXX!. You get the GE08A Passport, GE02B Full Badge Set and GEAV Internet Assignment Verification for
ONLY $108.00 (a SAVING of $128.95). Proof of publication is also waived for this offer.
Glamour Elite BUNDLE
SPECIAL
RICE
BU N D L E P
REG.PRICE
SPECIAL
$99.00
$20.00
$69.95
$39.00
$228.95
$9.00
GEXX-SPECIAL
BUNDLE
$236.95
$108.00
#GE08A GlamourElite Passport
Application Fee
#GE02B GlamourElite Badge Set
#GEAV Assignment Verification Option
(all items listed above)
PLUS SHIPPING/HANDLING
Total Amount Due
$99.00
$9.00
OFFICIAL PHOTOGRAPHER ORDER FORM
Cat#
Description
❏
GE02B
Glamour.elite Full Badge Set
❏
GE08A
GE02A (above) + 1 wallet I.D. Card, 3 I.D. tags with laminating jackets and leatherette
straps.
Glamour.elite Passport
The custom designed Glamour Elite PASSPORT style credential comes with everything you
need for final assembly in just seconds using your own photo. A special statement of certification is a permanent part of your passport's upper panel.
PASSPORT APPLICATION FEE
❏
❏
GEAV
$69.95
.GeLliAteMOUR
$99.00
PLACE
PHOTO
HERE
Price EA.
Glamour.elite Assignment Verification Option
Officials/clients/subjects can verify your assignment status by calling 336-945-9867 or fax 336945-3711, 9:AM - 5:PM Eastern Time, weekdays except holidays. This is a free service that
comes with the Glamour Elite Program. BUT . . If you are covering an evening or weekend
event or are out of the Eastern Time-zone, GEAV Assignment Verification works from ANYWHERE in the world, 24 hours/day, 365 days/year! The $39 fee includes a $19 one-time set-up
fee and the first 2-year Internet Assignment Verification service fee of $20 ($10/year). You will
receive a laminated ASSIGNMENT VERIFICATION CARD to present to officials.
USA Shipping, Priority Mail / First Class Mail, ADD $9 (foreign shipping use the
instructions on page 47)
magazine
UR
GLAMmO
agazine
.elite
signature
$20.00
John Q. Smith
photographer
correspondent
ear below, is a e. This photographer will
e and photo app
magazin
concerts, conwhose signatur for GLAMOUR
rest including OUR
AM
on assignment ts of national and local inte
GL
a
programs.
be covering even news, sports and special ted permission to work as
, the bearer will
ventions, breakingests that the bearer be gran
in this capacity
respectfully requ er in your domain. While
l regulations.
Press Photographexisting federal, state and loca
comply with all
O.eliFte FIC
IAL
PHOTOGRA
PHER
$39.00
$9.00
Credit Card Orders: 1-800-654-9557 or FAX 1-800-283-5989
P.O. Box 8347
231 USA
Your city, NJ 08 55
724-777-55
signature
IAL
OFFIC
RAPHER
PLACE
PHOTO
HERE
TOG
John Q.
PHO
Today's
Photographer
International
Smith
THE ORDER FORM ON PAGE 47
OR
.elite
John Q. Smith
PLACE
PHOTO
HERE
OFFICIAL PHOTOGRAPHER
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USE
John Q. Smith
P.O. Box 8347
Your city, NJ
08231 USA
724-777-5555
1
signature
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R
OU
GLAMmag
azine
signature
16
www.ifpo.net
RS • ORGA
HE
NI
AP
NAL • FRE
TIO
EL
NA
• PHOTO
CE
GR
AN
IFPO
International Freelance Photographers Organization
MEMBERSHIP FORM
N
TIO
ZA
• INT
ER
ABOUT YOU:
E TO FREELANCING
THE PROVEN BRIDG
Which best describes your photography:
❏ I am a beginner or amateur
❏ I am an advanced amateur or Part-Time Pro.
❏ I am a full-time professional.
I want PRESS ACCESS with my camera:
❏ Sports events.
❏ Crime scenes.
❏ Concerts.
❏ Fire scenes.
❏ Breaking news.
❏ Press conferences.
❏ Celebrity events. ❏ Entertainment events.
Check each area that interests you strongly:
❏ Press photography. ❏ Sports/Action.
❏ Nature/wildlife.
❏ Travel photography.
❏ Videography.
❏ Advertising.
❏ Glamour.
❏ Commercial.
❏ Wedding.
❏ Portrait photography.
Are you available for photo assignments?:
❏ YES.
❏ NO.
• Enroll me as an IFPO Member and send my Membership Card and
O
rder the
famous
Parchment Certificate + Complete Membership Packet. I enclose $68 for
IFPO P
atches Membership and Subscription to Today’s Photographer Magazine PLUS
see pag
e 25
$6 for priority handling and First Class Mail of my Membership Packet
($74 TOTAL).
__________________________________________________________________________
• My membership packet will include details
on how I can participate in IFPO's
PROVEN PROGRAMS for getting
PUBLISHED, making MONEY and
gaining PRESS ACCESS with my camera.
name
__________________________________________________________________________
(optional) business name
__________________________________________________________________________
address
__________________________________________________________________________
city/st/zip
__________________________________________________________________________
phone number/FAX number
ENCLOSE CHECK, MONEY ORDER
OR PAY BY MAJOR CREDIT CARD
expiration date
To join IFPO by mail, use this form or the order form on page 47 and send your dues to:
IFPO, P.O. Box 777, Lewisville, NC 27023-0777 USA
OR use your credit card and: CALL FREE
1-800-654-9557 or FAX 1-800-283-5989
IFPO’s 18 PROVEN PROGRAMS
1 PRESS CREDENTIALS •Gain Access to controlled 10 PROFESSIONAL CERTIFICATION CPMP (Certified
events! Sports, Concerts, Crime Scenes, Fires, Storms,
Professional Master Photographer), CPCP (Certified ProPress Passport, Badge & Wallet Cards, Internet Verificafessional Craftsman Photographer and (PCP) Professiontion. details on page 10-11.
al Certified Photographer. IFPO-CPACM Certification
Board of Regents, 59 Canal St. Box 9, Lewiston ME
2 ASSIGNMENT DATA BANK •Register for Assign04240, based on academic merits.
ments! “Dream” assignments you’ve always wanted can
11
GLAMOUR.ELITE •Attract celebrities and “discoveries”
really be yours! see page 34.
plus get published. page 38.
3 STOCK PHOTO GALLERY & SALES •SELL the 12 LEARNING LIBRARY •HOW-TO SHOOT ALL SUBphotos you've already taken! page 18.
JECTS: weddings, sports, travel, wildlife, glamour, model
portfolios, commercial, boudoir, figure and lighting tech4 INTERNET HOME PAGES •on TOP PHOTOGRAniques, pages throughout the magazine.
PHERS web-site! Display your photos, awards, credits,
resume and contact info. page 14.
13 FORMS (61) •For Photographers: Technical, Contracts, Checklists, Releases, Copyrights pg 2-3.
5 TODAY’S SPORTS magazine •gain access to sport14 PHOTO CONTEST Cash prizes, monthly contest, page
ing events, complete credentials. page 48.
36.
6 MERIT & ACHIEVEMENT •Gold Seal Merit Cards in
15 IFPO BUSINESS GUIDES •Make money with your
the 60 categories. page 21-21.
camera. Page 40.
7 IFPO CREDENTIALS •Clout to succeed with an inter- 16 ACCESSORIES •IFPO Windshield stickers, press hats
nationally recognized organization. page 32.
and accessories. Page 12.
8 PICTURE AWARDS •Earn publishing credits and "Cer- 17 DISTRIBUTORSHIPS •Sell IFPO programs, books,
videos and forms part or full time. page 43.
tificate of Publication Awards." page 24.
9 CUSTOM BUSINESS CARDS •To promote your own 18 NEW DISCOVERIES Model Consulting •Pays you to
discover new faces and figures while pursuing your interbusiness. Page 5.
est in glamour photography. Page 30-31. Ω
www.ifpo.net
17
SELL PHOTOS YOU ALREADY HAVE!
S TA R T S E L L I N G YO U R P H O T O S
Successful stock libraries contain HIGH QUALITY images of everyday life situations. IFPO members shoot such images everyday as a matter of
course. However, unless a photographer has hundreds or thousands of images, he may be shunned by the large stock houses. This could happen for two
reasons, he simply may not be recognized as a successful stock photographer or his stock of a few dozen images is too small for an agency to consider.
The IFPO Stock Listing service removes these barriers totally and opens doors to the international sales market.
IFPO’s Stock Listing Service
The following elements clearly distinguish the
differences in the IFPO Stock Listing Service and
a stock agency:
1. The service provided to IFPO members is a
STOCK PHOTO LISTING SERVICE and
NOT an agency.
2. Each photographer manages his own sales.
3. No commissions will be charged ever.
4. Image buyers will browse the IFPO image
bank on the internet, select the photos, get the
price, index number and contact information to
order directly from the photographer who
owns the images.
5. Members may set their own pricing for each
photo sold.
6. Complete copyright standards will be available at the site for image buyers and IFPO
member photographers (the sellers).
7. Image searches by buyers may be made by
subject.
8. The most important part of any Stock Photo
Service is its indexing system that allows an
image buyer to identify a photo for purchase. • There are no commissions ever -- unlike
Members are asked to identify their pictures by
agencies who always take at least 50 pertheir 5 digit member number plus a 5 character
cent of sales.
code of their own choosing. Example: IFPO
• Income from sales is instant and all
member 99999 might use Index Codes of
yours -- very different from agencies
99999-KID01, 99999-KID02, etc.
where payment usually follow sales by 6 to
8 months.
DVANTAGES OF THE
A
IFPO STOCK GALLERY SERVICE
www.ifpo.net/stock.html
• List only the number of quality images
• Current and new clients can see your
you wish to list -- not 10,000 to 50,000 as
fresh images instantly and contact you to
required by agencies.
buy -- which could never happen with a
• You can add fresh images at your convestock agency.
nience. No minimums are required -- such
• The more images you list with the IFPO
as the 1000 new images per year by many
Picture Listing Service the more likely you
agencies.
are to make money -- which is the same as
• There are no contracts, exclusive or
with an agency.
otherwise -- to tie up your images for
• The more SUBJECTS you list with the
years as with an agency.
IFPO Picture Listing Service, the more
• The price you set is what you get -likely you are to make money over the long
could never happen with an agency.
haul -- which is also true with an agency.
STOCK GALLERY
REGISTRATION FORM (IFPO MEMBERS ONLY)
name
• Model and other applicable releases are
required for stock images listed with IFPO
-- the same as with an agency.
IFPO Member #
business name (optional)
address
city, state, zip, country
Credit Card Orders: when you submit your stock gallery materials, your
credit card will be billed for the set-up fee only. Then your credit card will be
billed monthly on the first of the month beginning with the first FULL month
your photos are ON-LINE. Your first partial month is FREE! Minimum 12month committment required. After 12 months, monthly charges will continue
until member cancels with a 30-day notice. Visa, Mastercard, American
Express, Optima accepted.
Checks or Money Orders: when you submit your stock gallery materials,
enclose a check or money order for the amount of the set-up fee PLUS $59.70,
the first six months of the monthly fee. You will then be billed at 6 month intervals.
I agree to the above terms and conditions. I enclose my photos:
#ST31, 12 photos, set-up fee $29.00 and monthly fee: $9.95
contact name:
#ST32, 24 photos, set-up fee $49.00 and monthly fee: $9.95
contact method:
(phone, fax, or email)
signature
IMPORTANT: Allow 30 days for IFPO personnel to scan your images and post them for sale in the Stock
Gallery. Be sure to add the Stock Gallery URL (www.ifpo.net/stock) to your business cards, letterhead and
all your promotional material.
expiration date
mail to: IFPO PO Box 777, Lewisville NC 27023-0777
view the stock gallery on the internet at http://www.ifpo.net/stock.html
FOR EACH PHOTO: (make as many copies as you need)
INFORMATION PHOTO
INFORMATION
PHOTO
INFORMATION PHOTO
(complete 1 for each photo)
Image #________- _________
Image #________- _________
Image #________- _________
(your IFPO membership I.D.# followed by a 5-character
code provided by you that identifies your picture)
photo title ____________________________________
subject _______________________________________
photo title ____________________________________
subject _______________________________________
photo title ____________________________________
subject _______________________________________
price
price
price
18
(or print ”CALL”) ___________________________
(or print ”CALL”) ___________________________
(or print ”CALL”) ___________________________
www.ifpo.net
The Exotic World of Travel Photography: The Pushkar Camel Fair
By Michael I. Hanyecz IFPO, Calabasas, California
OLD SADHUS (SAINT MAN)
EDITOR’S
PHOTOS ©2004 MICHAEL I. HANYECZ IFPO
BEJEWELED
NOTE:
MOST OF THE TRAVEL PHOTOGRAPHY SUBMISSIONS WE RECEIVE INCLUDE SUNSETS, MARKET SCENES, DANCERS IN COSTUME AND OTHER
WHEN MICHAEL HANYECZ’S PHOTOS FROM THE PUSHKAR CAMEL FAIR IN RAJASTHAN, INDIA LANDED ON MY DESK, I WAS DAZZLED BY HIS
PHOTOS AND THE APPARENT EXOTIC NATURE OF HIS TRIP. MANY QUESTIONS POPPED INTO MY HEAD SO I WENT STRAIGHT TO MICHAEL. I THOUGHT HIS
ANSWERS WERE INTERESTING AND INFORMATIVE ENOUGH TO PUBLISH. VONDA BLACKBURN, EDITOR
PRETTY PICTURES.
Q.Your photos from the Pushkar
Camel Fair are very impressive. I
would love to publish your story but
I need more information for it to
appeal to our readers. As you know
our readers want to know what you
do with your photos -- get them
published? Sell them? Other?
A.First, I appreciate your comments
about the quality of my photos and
I'm happy you like them. I took
approximately 1200 photos, all high
quality digital images on average
about 3.5 MB file each with an
Olympus E-1 camera.
Q.Was this just an exotic fun trip or
do you have a purpose for the photos?
A.Almost every year I take an exotic
trip and take many photos. I
changed from film to digital only
last year. I now use an Olympus E1, because I'm very impressed with
the quality of their lenses specifically designed for digital. I would like
to publish and/or sell the photos. I
made a CD using the Flip Album
Publisher. Perhaps it will be a
viable project for selling.
www.ifpo.net
Q.Are photographers welcomed at this
event?
A.The Pushkar Camel Fair is the
largest of its kind in the world. The
usually sleepy little town is crowded by the approximately 150,000
pilgrims and 60 to 70 thousand foreigners. Anyone is welcome to take
photos there, but arrangements need
to be made 6-8 months in advance,
at least to get a decent hotel.
Q.Were photographers and news
media common there?
A.Some groups were taking videos
and there were a few professional
photographers. I talked with one
who was back for his 8th time.
Q. Do you plan to submit to other publications?
A.At this time no. Although I am
looking for opportunities.
Q.Is travel photography your area of
concentration?
A.I love to travel, therefore travel photography is one of my favored hobbies. This fall I'm planning to go on
a special Festival visit to Bhutan,
Vietnam, and at the end of December to Antarctica.
Q.How do you prepare for such a
trip?
A.For an enjoyable exotic trip, preparation is vital. Ask lots of questions
of everyone. Contact radio stations,
local newspapers, read bulletin
boards -- anything you can think of
to get information. Equipment also
requires planning. When I was
shooting film in the past, I did not
have much of a problem. With digital the story ends when the batteries
die, so it is of special concern.
Q.What will you do next?
A.Prepare for Antarctica. In the freezing temperatures the batteries produce as little as 30% of their standard capacity so I will take along
special chargers and battery warmers. For Bhutan, I have written to
the personal secretary of His
Majesty the King Jigme Singye
Wangchuk asking permission to
photograph him. Meanwhile, I will
at least set my itinerary for 2006
travels and start a plan. Ω
19
IFPO FLEX SYSTEM
NOW in Color
ALL 8 SETS only $49.95
TOGRAP
HO
WHAT’S NEW!!
IFPO
Your Personal Name
Studio or Business Name (optional)
Street Address or PO Box
City, State (prov) Zip (country)
Phone and/or fax number and/or email
since
1984
ELANCE P
RE
1. NEW: Design and color cards in specialty sets.
2. NEW: We’ve unbundled the 48 card set so you can choose only
the sets you need and slashed the “prices” drastically. Buy the first
set or cards complete with wallet and badge holder for $24.95; add
two additional sets of cards for only $10 more for a total of $34.95.
3 NEW: The “badge holder” option allows you to use your I.D. cards
as a Badge.
4. NEW: Members report that the most effective components of the
“flex I.D. system” are the “Gold Seal of Achievement” and the “specialty image” portrayed on each card. Early tests indicate client
acceptance increases of more than 300% and more!
SPOR TS
signature
CLASS LIFETIME
AA
P hotographer
Sports set 1
#752A
1. Football
3. Skiing
5. Olympics
2. Golf
4. Archery
6. SportsOfficial
SERVICE
RATING
MEMBER
GRADE
since
1984
STORM
CLASS LIFETIME
✰✰✰
TOGRAP
HO
Your Personal Name
signature
ISSUED 12/31/98
IFPO
Identification # 99999
WHAT WORKS!!
CHASER
AA
Weather Set
#752D
TOGRAP
HO
since
1984
ELANCE P
RE
O rg a
CAMPAIGN
P hotographer
signature
ISSUED 12/31/98
SERVICE
RATING
✰✰✰
MEMBER
GRADE
AA
RS
n iz a ti
gr
oto
Ph
ce
lan
e
e
Fr
nal
International o
Freelance
Photographers Organization
on
ERS INT
E
PH
OTOGRA
PH
g ra p
h e rs
ATIONAL
RN
YOUR
PHOT
O
HCLASS
ERLIFETIME
E
IFPO
IFPO
sin
ce
1984
RS INTER
HE
EELANC
E
FR
og r a p
Political set
#752H
her
1. Campaign
2. 2000 Campaign
3. Democratic 4. Republican
5. White House 6. National Campaign
IONAL
AT
F
N
P h o t C A M PA I G N
o
IFPO
since
1984
E
Festivals/Shows #752E
1. Air Show
2. Balloon Show
3. Auto Show 4. Rodeo
5. Water Sports 6. Festival
signature
ISSUED 12/31/98
SERVICE
RATING
✰✰✰
CLASS LIFETIME
MEMBER
GRADE
AA
P hotographer
IF YOU ALREADY HAVE THE FLEX System, You may ADD TO IT!
item#
price
description
755B-1A . . .$14.95* . .1Set of Cards only - personalized, with Service Rating and Member Grade Set #_______.
755B-3A . . .$19.95* . .Any 3 Sets of Cards only - personalized, with Service Rating and Member Grade.Set 1#_____, Set 2#_____, Set 3#_____,
755B-8A . . .$29.95* . .All 8 Sets of Cards only, all personalized, with your Service Rating and Member Grade.
755A-LPC . .$19.95* . .Leather Presentation Case only with Gold Embossed Seal (see picture above).
755A-GSA . .$9.95* . .“Gold Seal of Achievement” card only that fits in the upper window of the Presentation Case.
755A-BPC . . .$9.95* . .Badge Presentation Holder holds any of the 48 I.D. cards.
Add $9 S & H . . . . . . .
20
20
Clearly print the personalized information you desire for the cards. .
complete IFPO Programs and Catalog
www.ifpo.net
O
IFP
ce
sin 84
19
Wr
e
HO
h
S
R ograp
I
A ot
Ph
BALLOON
Identification
# 99999
YOUR U
R
PHOTO Your
Personal Name
TO
O
HERE Street
REAddress or PO Box
2000
INTERN
NAL FR
TIO
E
Your Personal Name
In te
rn aor
Studio
Name (optional)
ti oBusiness
n a lorFPO Box
Street Address
re e la
nce
h o to
Phone and/or fax number and/orPemail
TIONAL
F
NA
RS INTER
HE
12/31/98
ISSUED
E ✰✰✰
SERVIC
RATING
4. We’ve kept the leather Presentation Case with the Gold
Embossed Seal exactly the same! So if you have ordered the
ISSUED 12/31/98
original FLEX system in the past, you don’t have to buy the
SERVICE ✰✰✰
RATING
leather I.D. Presentation Case again.
5. We’ve kept the “Gold Seal of Achievement” that slides into the
upper part of the Presentation Case exactly the same! If you
already have it, you don’t need to replace it.
6. We’ve kept the “Service Rating” and “Member Grade” that
on
ati
awards excellence for service and IFPO activity exactly the
niz
A
rga
O
s
same on each and every I.D. card!
her
ap
1. Storm Center 2. Storm Chaser
3. Disaster
4. Hurricane
5. Flood Patrol 6. Tornado
YOUR
PHOTO
HERE
YOUR
PHOTO
HERE
ELANCE P
RE
YOUR
PHOTO
HERE
IONAL
AT
F
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RS INTER
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l Fre
a ti o n a
In te r n
OGRAPHE
OT
MEMBER
GRADE
TOGRAP
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✰✰✰
SERVICE
RATING
ELANCE P
RE
ISSUED 12/31/98
ANCE PH
EL
YOUR
PHOTO
HERE
IONAL
AT
F
N
RS INTER
HE
ORDER FORM
on page 47
1-800-654-9557
LIF
CLASS
ER
MEMBE
GRAD
CONCER T
CLASS LIFETIME
✰✰✰
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ONE Set of cards
plus wallet
and badge holder
#755B-1
since
1984
signature
ISSUED 12/31/98
$24.95
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ELANCE P
RE
YOUR
PHOTO
HERE
TOGRAP
HO
RS INTER
HE
IONAL
AT
F
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W
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N
MEMBER
GRADE
AA
P hotographer
Entertainment set#752G
1. Concert
2. Country Music
3. Radio/TV
4. Recording Industry
5. Jazz
6. Rock and Blues
LIFETIME
CLASS
ER AA
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GRAD
gr
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since
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AA
P hotographer
TOGRAP
HO
SPOR TS
P hotographer
AA
Sports set 3
#752C
1. Baseball
2. Hockey
3. Soccer
4. Boxing
5. Track & Field 6. Martial Arts
RS INTER
HE
RS INTER
HE
ISSUED 12/31/98
8
CLASS LIFETIME
YOUR
PHOTO
HERE
Your Personal Name
IONAL
AT
F
N
8
✰✰
IONAL
AT
F
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signature
EO
R O Dr a p h e r
✰✰✰
TOGRAP
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Name me (optional)
rsonal
Your Peor Business NaBox
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Studio
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Addres
Street ate (prov) Zip ber and/or em
m
City, St d/or fax nu
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Phone
TOGRAP
HO
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# 99999
ication
SERVICE
RATING
All 8 Sets of cards
plus wallet
and badge holder
#755B-FX
ELANCE P
RE
Identif
LANCE PH
EE
R
TO
RE
since
1984
since
1984
signature
ISSUED 12/31/98
$49.95
IFPO
Your Personal Name
IFPO
since
1984
ELANCE P
RE
IONAL F
R
AT
on
a n iz a ti
rs Org
INTER
N
raphe
RS
g
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to
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e e la n c
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YOUR
PHOTO
HERE
ELANCE P
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$34.95
Any 3 Sets of cards
plus wallet
and badge holder
#755B-3
IONAL
AT
F
N
RS INTER
HE
IFPO
MOT
MOTORSPORTS
ORSPORTS
signature
ISSUED 12/31/98
SERVICE
RATING
✰✰✰
CLASS LIFETIME
MEMBER
GRADE
AA
P hotographer
AA
Sports set 2
Emergency set #752F
1. Forensic
3. Court
5. Investigator
cards are protected behind
sturdy clear plastic
item#
price
description
755B-1 . . . .$24.95 . . . 1Set of Cards, personalized, with Service
Rating and Member Grade plus Leather Presentation Case, “Gold Seal of Achievement”
card and badge holder Set : #______,
755B-3 . . . .$34.95 . . . Any 3 Sets of Cards, personalized, with Service Rating and Member Grade plus Leather
Presentation Case, “Gold Seal of Achievement” card and badge holder.
Set 1#_____, Set 2#_____, Set 3#_____.
755B-FX . . .$49.95 . . . All 8 Card Sets, personalized,with your Ser-
*S & H . . . . . .$9.00 . . .
vice Rating and Member Grade plus Leather
Presentation Case, “Gold Seal of Achievement” card and Badge Holder.
SHIPPING for above items
from pg. 26
755B-1A . . .$14.95 . . . 1 Set of Cards only Set #______.
755B-3A . . .$19.95 . . . Any 3 Sets of Cards only
Set 1#_____, Set 2#_____, Set 3#_____.
755B-8A . . .$29.95 . . . All 8 Sets of Cards only,
755A-LPC . .$19.95 . . . Leather Presentation Case only.
755A-GSA . .$9.95 . . . Gold Seal of Achievement card only.
755A-BPC . . .$9.95 . . . Badge Presentation Holder only
*S & H . . . . . .$9.00 . . . SHIPPING for items from page 26
Total
_______
ORDER FORM
page
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on
#752B
1. Motor Sports 2. Basketball
3. Tennis
4. Equestrian
5. Motocross
6. Bowling
2. Fire Scene
4. Medical
6. Emergency
T O ORDER: W ith y our cr edit car d
CALL 1-800-654-9557or use the
or der f or m BELOW or on pa g e 47.
Clearly print the personalized information desired for the cards.
5 Digit IFPO Member #___________ or enclose dues.
_____________________________________________
name
_____________________________________________
_____________________________________________
address
_____________________________________________
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Today's
Photographer Interna-
21
PRESS
’s
r
e
t
r
o
Rep
SURVIVAL GEAR
BREAKING NEWS
CHASE kit!
WHAT YOU GET
WHAT IS IT?
The Pursuit Package:
The Breaking News Chase Kit is composed of
three vital parts. The Pursuit Package gets you
on the scene; the Action Package gives what you
need at the scene; the Instant Response Package
gets your news story to the right news outlet
instantly.
• Three (3) fully assembled laminated NEWS
REPORTER accreditation ID’s each with
your name and Assignment Verification
Code. They are custom made to use with
your current Press Passport, Press Badge
and Press Wallet I.D. Card.
• The Pursuit Guide prepares you to gather,
record and distribute breaking news stories.
WHO CAN GET IT
1. If you are an IFPO member with the Press
Passport, Press Credentials or both, YOU
QUALIFY and may order the Breaking News
Chase Kit.
2. If you are an IFPO member, but not yet a
member of the press program, TO QUALIFY
you must order one of the press programs
(page 10 & 11) before or at the same time you
order the Chase Kit.
Use with chain or clips with 402A press badge card (pg 21).
Accreditation Certificate
The following Correspondent Photographer has
met all standards and requirements to receive full
accreditation as a
NEWS
The Action Package:
• Action Scene Reporters Log
• New Client Hot Sheets
• Accident Report Forms
• Quick Response Information Forms
The Instant Response Package:
• A Field Directory of HOT contacts.
• 3 Quick Step Releases
• Instant Reporter’s Delivery Forms
• Rights to Use Contract & Fee Contracts
All forms include reproduction rights so you
always have a permanent supply.
3 ID’s,
FIELD kit &
PURSUIT Guide!
PLUS 14 Reporter's Forms Masters
REPORTER
NEWS REPORTER
John Q. Smith
Assignment Verification Code: 00001SMI
Accredited: January 14, 1998
Accredited:
The following Correspondent Photographer has met all standards and
requirements to receive full accreditation as a
NEWS REPORTER
John Q. Smith
Assignment Verification Code: 00001SMI
www.aipress.com/news.html
January 14, 1998
Accredited: January 14, 1998
CODE
Nwww.aipress.com/news.html
www.aipress.com/news.html
IF IC A T IO
R
E
V
T
N
Fits inside 408A passport. (pg 20).
S IG N M E
YOUR AS
H
IT
W
NOW
CHASE kit ™
Fits in wallet with 402A press wallet card
(pg 21).
#451B - $39.95
ACTION
Package
INSTANT
PURSUIT
RESPONSE
Package
Package
CHASE kit ™
CHASE kit ™
CHASE kit
™
Forms Masters:
Q&A
I already have Press Credentials.
Why do I have to buy the Chase Kit?
You DO NOT. The Chase Kit was simply
designed to make the breaking NEWS
REPORTER’S job easy. It gives you everything you need on the spot to do the job, do
it right and get it to your nearest editor. The
Chase Kit actually serves as your assistant to
make sure you collect all the facts and then
get them to the right place.
What is a Chase photographer; what
do they chase?
We consider any photographer who is in
search of breaking news events to be a
“Chase Hound”. He chases sports, entertainment, fires, accidents, storms, natural disasters, plane crashes, train wrecks, press conferences and even goodwill tours.
Police will recognize the Press Credentials
which must be used with the NEWS
REPORTER accreditation part of the Chase
Kit.
Will Today’s Photographer publish
these news stories?
Today’s Photographer WILL publish stories
about YOU covering these stories. The
breaking news stories themselves need to go
to daily newspapers and wire services.
How do I find out if a newspaper or
TV station can use my news photos?
Let’s use an auto accident as an example.
You have photographed the wreck and are
leaving the scene without having seen any
other photographers or news teams. Pick up
the nearest phone (using the numbers listed
in your Reporter’s Field Directory) to notify
news agencies that photos of the accident are
available even though the film has not been
processed. Breaking news is HOT and
should be reported immediately.
Reporter's Log & Evaluation
Accident Report
Client Hot Sheets & Notification
Quick Response News Log
News Event Checkpoint List
Daily Action Planner
Hot Local Contacts
Quick Response Labs
Field Directory Notes
Quick Step Publication Release
Quick Step Model Release
Quick Step Property Release
Instant News Report
Rights to Publish Agreement
CHASE kit
22
PRO SS
G
OPT RAM
ION
Will the Chase Kit be recognized?
The following Correspondent Photographer has met all standards and requirements to receive full accreditation as a
John Q. Smith
Assignment Verification
Code: 00001SMI
PRE
™
www.ifpo.net
1-800-654-9557
ORDER FORM
on page
47
H OW
P HOTOGRAPHY B OOKS
TO
PHOTOSHOP CS PHOTOGRAPHER’S GUIDE TO WEB PUBLISHING BASIC STUDIO LIGHTING
THE ART OF PHOTOGRAPHING WOMEN
BY CHARLES SAUNDERS
BY TONY CORBELL
BY KEVIN AMES
Learn web page
Photographer’s
Learn retouchdesign and pubComplete Guide
ing to turn gorlishing.
to Professional
geous women into
Techniques
flawless beauties
192 pages
using Photoshop.
All color
144 pages
illustrations.
150 color
368 pages
$19.95.
illustrations.
200 color photos
Contact:
$24.95.
$34.99
212 532 7160
Contact: 646 654 5455
Contact: 1-800-225-5945
Sterling Publishing Co. Inc.
lwiggins@watsonguptill.com
jwahl@wiley.com
THE ART OF GARDEN PHOTOGRAPHY
BY IAN ADAMS
Covers shooting outdoors,
indoors, gardens at night
and the business of garden
photography.
200 pages
146 color photos
$24.95
Contact: 800-327-5680
RICK SAMMON’S COMPLETE GUIDE TO
DIGITAL PHOTOGRAPHY
107 Lessons
on taking, making editing, storing, printing and
sharing better
digital images.
517 pages
Over 1000
images.
$45.00
timberpress.com/media
HOWTO
Create &
Market
Glamour
Videos
• in your own home
• with your own gear
• in your spare time
Video Production Series Volume 1
By Chuck and Bev Hemstreet
Contact: 212-790 4267
csawyer@wwnorton.com
VHS or DVD
#3CH1 - $39.95 specify VHS or DVD
Boudoir Photography Made Easy!
Soft and sensuous or hot and sultry...learn the secrets of
capturing the most alluring, provocative side of any woman.
Includes tips on:• Equipment • Lighting Techniques • Flattering Poses and Costumes • Inexpensive Sets. 60 min VHS.
#3CH2 - $39.95 VHS or DVD
Glamour Photography Country Style
Take an exciting adventure into the world of glamour photography ON LOCATION. Lovely young women in a variety
of natural and rustic settings help illustrate the simple techniques you can use to stimulate and enhance your business. Topics include: • Fill Flash & Reflector Fill • Dramatic
& Corrective Posing •
Location Shooting •
Natural Lighting. 60
min VHS.
#3CH3 - $39.95
VHS or DVD
#3CH8-$39.95 VHS or DVD
Glamour videos are a market
that's waiting to be tapped. This
video will show you how to produce exciting glamour videos that
will dazzle and delight your customers.
Learn a 12 Point Marketing
Plan that will assure your success. This video shows you how
to make the transition into video.
Topics covered are: •Working
With the Client •Video Lighting for
Maximum Impact •Animating
Standard Poses •5 Important Editing Tips •Simple Set Designs. 45
min. VHS. #3CH8 $39.95.
VHS or DVD
www.ifpo.net
Boudoir Photography
Shadows & Reflections
Intimate portraiture of
women
is
IN
DEMAND! This video
shows you how to
create
sensitive,
provocative images
that will be cherished
for a lifetime. Valuable companion to
“Volume 1.” this video
explores: • Posing •
Set Design • Dramatic Lighting. 60 min
VHS.
#3CHX - $99.95
3 Vol. Set, 3 hrs
VHS or DVD
Basic 1
Boudoir
Boudoir Photography
Made Easy!
#3CH1 VHS or DVD
INTERIOR PHOTOGRAPHY
BY ERIC ROTH
Lighting and
Other Professional Techniques with
Style.
160 pages
200 color
illustrations.
$29.95.
Contact: 646 654 5455
lwiggins@watsonguptill.com
FROM THE PUBLISHER
Continued from page 4
the Fall issue which will appear in late
July. The second one will be the Winter
issue which will appear in November.
You can access these issues by going to
the IFPO home page at www.ifpo.net.
Once these issues appear on the internet you have two choices: you can print it
to read at your leisure or you can read it
directly from your computer screen. If
you do not have access to a computer,
you can send $2 for postage and handling to IFPO. We will print a copy
straight from the internet and mail it to
you.
There is an advantage to this new plan
for both members and IFPO. First of all,
your copy will not get lost in the mail.
Secondly, those issues will be on the
internet permanently for you to visit at
any time in the future, even back issues
starting with the Fall edition.
Step Two: The Annual issue will be
printed in the regular fashion and mailed
to you in the first quarter of 2006.
Because you will not receive another
issue in the mail this year, it is very
important that you keep this one for reference to programs and services.
We look forward to serving you better
and even more efficiently in the next 20
years. Ω
23
NAL • FRE
TIO
EL
NA
IFPO PICTURE AWARDS
RS • ORGA
HE
NI
AP
• PHOTO
CE
GR
AN
IFPO
N
TIO
ZA
PROGRAM
• INT
ER
guaranteed publishing credits
PICTURE AWARDS PROGRAM
Members can start or expand their publishing credits using IFPO's
unique "PICTURE AWARD" program.
Each photo submitted will be published in Today's Photographer
magazine on-line or subscriber edition. A handsome 5.5 inch x
8.5 inch
"Certificate of Publication Award"
will be issued for each qaulifying photo. To qualify:
❏ Include your Member#, name, address with each photo.
❏ Give each photo a name, title or caption. Technical info
is helpful.
❏ Each photo can be a color or B/W print or
transparency. No prints larger than 8.5 x 11 inches.
❏ A $15 service fee is required for each photo to
cover the cost of scanning for publication.
Photos to be returned to the member must be accompanied by a
suitable photo mailer with sufficient postage.
f Publication
Certificate o ward
icture A
P
John C. Smith, Jr.
97
mber 01, 19ont
Date: Dece
Publication Title: Savannah Riverfr
e
ur
Pict
ckburn
Annette B. Bla
om
Today's
www.aipress.c
Photographer,
editor
Photographer
AY'S
TOD
TODAY'S
THE PROVEN
magazine
FREELANCING
BRIDGE TO
please copy as many of these forms as you need
PICTURE AWARD FORM
PICTURE AWARD FORM
Name, member# _____________________________________________
Name, member# _____________________________________________
Address ____________________________________________________
Address ____________________________________________________
City/State/Zip________________________________________________
City/State/Zip________________________________________________
Phone or fax ________________________________________________
Phone or fax ________________________________________________
Date:_________________________PHOTO #________ OF __________
Date:_________________________PHOTO #________ OF __________
Title (opt):___________________________________________________
Title (opt):___________________________________________________
Technical info (opt): __________________________________________
______________________________________________
______________________________________________
The photographs submitted are my own, and I hereby give permission to Today's Photographer to reproduce them. I agree that Today's Photographer bears no responsibility for entries without the service fee or
return mailer with postage. Model releases must be included where applicable.
$15 SERVICE FEE ENCLOSED for EACH PHOTO! ❏ Check, ❏ Money Order,
❏ Cash, ❏ Credit Card# ___________________________exp date ________
signature __________________________________________________________________________
signature __________________________________________________________________________
MAIL PHOTOS TO:
PICTURE AWARDS (IFPO)
PO Box 777 Lewisville NC 27023-0777
MAIL PHOTOS TO:
PICTURE AWARD FORM
PICTURE AWARD FORM
Name, member# _____________________________________________
Name, member# _____________________________________________
Address ____________________________________________________
Address ____________________________________________________
City/State/Zip________________________________________________
City/State/Zip________________________________________________
Phone or fax ________________________________________________
Phone or fax ________________________________________________
Date:_________________________PHOTO #________ OF __________
Date:_________________________PHOTO #________ OF __________
Title (opt):___________________________________________________
Title (opt):___________________________________________________
______________________________________________
______________________________________________
signature __________________________________________________________________________
signature __________________________________________________________________________
MAIL PHOTOS TO:
24
MAIL PHOTOS TO:
www.ifpo.net
MAKE YOUR AFFILIATION WORK FOR YOU!
IFPO RECOGNITION
CERTIFICATES
IFPO style (shown)
PRESS Program style
√
√
Cat#
CATEGORY
❏ ....573A ........Freelance Photographer
❏ ....573B ........Sports Photographer
❏ ....573C ........Concert Photographer
❏ ....573D ........Wedding Photographer
❏ ....573E.........Portrait Photographer
❏ ....573F.........Wildlife Photographer
❏ ....573G ........Nature Photographer
❏ ....573H ........Glamour Photographer
❏ ....573J..........Model Photographer
❏ ....573K ........Model Portfolio Photographer
❏ ....573L.........Nude Study Photographer
❏ ....573X ........OTHER (SPECIFY)
Cat#
CATEGORY
❏ ....574A ........News Photographer
❏ ....574B ........Photojournalist
❏ ....574C ........Concert Photographer
❏ ....574D ........Sports Photographer
❏ ....574E.........Entertainment Photographer
❏ ....574F .........Celebrity Photographer
❏ ....574G ........Police Photographer
❏ ....574H ........Investigative Photographer
❏ ....574J..........Correspondent Photographer
❏ ....574K ........Fire Photographer
❏ ....574L.........Press Photographer
❏ ....574X ........OTHER (SPECIFY)
$9.95 each or ANY 5 CERTIFICATES ABOVE #57XX for only $39.95
Be sure to give your name as you wish it to appear on the certificate(s).
IFPO members only! Give your 5-digit I.D. number when ordering.
$9.95 each
I FPO or Press Style
LETTERHEAD
FREELANCE PHOTO
GRAPHER
MEMBER #00001
E • PHOTO
NC
G
LA
NAL • FR
TIO
EE
NA
Video
Yourtown, NY 12345
• (999) 999-9999
IFPO
• IN
TE
R
YOUR Specifications
ION
AT
IZ
Custom Designed to
John Q. Smith
Smith Photography
and
123 W. Anystreet,
Custom Designed & Personalized, ready to take to your printer, chose paper
stock, ink color at your printer. You get six originals of each set you order! Each
set is Professionally typeset and printed on laser-graphic paper at 600 dpi.
Embroidered
3" Patches
Multi Color for hats,
jackets, camera bags!
Item#
7021
7022
7023
Price
$9.95
$14.95
$19.95
Call FREE
Description
1 patch (3")
2 patches (3")
4 patches (3")
7 Da ys
1-800-654-9557
or use the
ORDER FORM on page 47
IFPO MEMBER STYLE
❏ 511A ..Member FREELANCE Photographer..$19.95 ea.
❏ 511B ..Member SPORTS Photographer.........$19.95 ea.
❏ 511C..Member CONCERT Photographer ......$19.95 ea.
❏ 511D..Member WEDDING Photographer.....$19.95 ea.
❏ 511E ..Member PORTRAIT Photographer ....$19.95 ea.
❏ 511F ..Member WILDLIFE Photographer......$19.95 ea.
❏ 511G..Member NATURE Photographer........$19.95 ea.
❏ 511H..Member GLAMOUR Photographer....$19.95 ea.
❏ 511J...Member MODEL CONSULTANT .......$19.95 ea.
❏ 511X ..Member
Photographer....$19.95 ea.
PRESS PROGRAM STYLE
❏ 512A...NEWS Photographer .........................$19.95 ea.
❏ 512B...PHOTOJOURNALIST......................$19.95 ea.
❏ 512C ..CONCERT Photographer ...................$19.95 ea.
❏ 512D ..SPORTS Photographer......................$19.95 ea.
❏ 512E...ENTERTAINMENT Photographer ...$19.95 ea.
❏ 512F...CELEBRITY Photographer ................$19.95 ea.
❏ 512G ..POLICE Photographer .......................$19.95 ea.
❏ 512H ..INVESTIGATIVE Photographer .......$19.95 ea.
❏ 512J ...CORRESPONDENT Photographer...$19.95 ea.
❏ 512X...
Photographer..............$19.95 ea.
OTHER (SPECIFY)
❏ 51XX
OTHER (SPECIFY)
ANY 6 SETS ABOVE ...................$49.95 Tot.
❏ 512XX ANY 6 SETS ABOVE ................$49.95 Tot.
ORDER TOLL FREE 7 Days
1-800-654-9557 • ORDER FORM on page 47
FAX FREE:
1-800-283-5989
Go to www.ifpo.net for Complete IFPO Programs and Catalog
www.ifpo.net
ERS • ORG
AN
PH
RA
LETTERHEAD MASTERS!
25
PRESS PHOTOGRAPHY continued from page 8
height of the closest wall, in case of
collapse. Some departments string
rope or tape around a scene to keep
spectators and press at a safe distance. This is when a zoom lens
comes in handy.
• Get to know law enforcement and
fire fighters in your area. Once
they know and trust you, your job
will be easier. Also, don’t forget to
provide them a few FREE photos
occasionally. Firefighters often
make large posters to hang in their
office or on firehouse walls.
General Access
There are “rules” for shooting
events other than breaking news.
1. Never behave like a fan. Do not
ask for autographs and never ask
a celebrity to pose with you in a
picture.
2. Be COURTEOUS to the person
you are photographing. Don’t get
up their face or interrupt their
conversations. Be discreet.
3. Do not shoot photos in compromising situations that are unflattering and distasteful.
4. Be considerate of your fellow
photographers on the scene. You
should be their ally not a foe.
5. Arrive early and be prepared.
Know what kind of photos you
want and how to get them.
6. Respect and adhere strictly to the
event rules for photographers.
Rules are made for a reason. It is
your responsibility to honor them.
7. Live up to your obligations to
media directors and others. If you
agree not to sell photographs
commercially, then do not.
8. Do not litter. When you walk
away, there should be no evidence that anyone has been there
for any purpose.
9. If you ever question that a certain
action might not be appropriate -DON’T DO IT.
10.To gain access to controlled
events (sports, entertainment,
etc.) contact the media relations
director of the event you wish to
cover.
11.First contact with a media direc26
tor should be two to four weeks
prior to the event.
12.Along with an IFPO introduction
letter, include a personal introduction letter and keep it strictly
professional. Consider using certified or overnight mail.
13.As soon as your request has had
time to reach its destination, place
a follow-up call to the media contact to make sure the request was
received and offer any other
information that may be required.
14.When applying for credentials in
subsequent years, send the event
organizer tear sheets from the
prior year event.
Motorsports
15.Motor sports are dangerous and
require careful behavior. The
media guide, available from each
circuit provides the information a
photographer needs.
16.Get a photographer’s map of the
circuit each time you photograph
a race, even if you are familiar
with the course. Safety is the real
issue, but you may also find a
fresh vantage point.
17.Always do your homework and
be prepared before you start.
Golf Tournaments
Always adhere strictly to the established PGA Tour Media Regulations
for photographers or risk being ejected from the premises.
18.There must be no noise or other
distractions near the players during play.
19.A photograph of the player
engaging the ball must be taken
just AFTER the player hits the
ball. An earlier click of a shutter
could easily distract the golfer.
20.A photographer must remain
within a MAXIMUM of an arm’s
length inside the gallery ropes.
21.A photographer must wear the
photo arm band in order to walk
inside the gallery ropes.
22.Flashes must not be used on the
course during play. They may
only be used in the press room
and during the opening and closing ceremonies.
Pro Football and Basketball
When covering professional sports
or any other high profile event, you
are representing yourself and your
publication. Misconduct on your part
may jeopardize other phtographers
from the same publication future credentials.
23. Don’t use a tripod -- it could be
hazardous for players and other
photographers. A monopod is
safer and easier to set up and
move around.
24. As the action moves past you,
carefully move to the next best
spot considering the action of the
game and other photographers.
25. Stay out of ALL restricted areas.
26. Basketball teams huddle photographers along the sidelines under
the baskets. If you make a special
request to the media director, you
may get permission to shoot on
the sideline near the scorers table,
from an aisle, or mount a camera
to the backboard or from the catwalk.
27. If you have to STROBE the
arena, special assignments must
be made. If you are allowed to
shoot the team from behind the
bench, do it quickly and move on.
28. For basketball if you are required
to SIT on the floor while shooting
from under the basket it will be a
tight squeeze. Mark your spot on
the floor early with your name on
a piece of tape or card. Mono
pods are usually allowed, but you
must keep it close to you.
29. When you first shoot a particular
team, give the media manager a
few photos. He may not use them
but it will create good relations
with the media department.
30. If you cover a team regularly, you
will get to know some of players.
Do not abuse your credential
privilege by asking for autographs. Such frivilous action
could result in loss of your credentials and tarnish your credibility permanently.
www.ifpo.net
2 0 0 4 A N N U A L P H O T O C O N T E S T W INNER
Single File (DECEMBER CERTIFICATE WINNER). ©2004 FRANK RANDOLPH IFPO, JUNCTION, TEXAS. CANON
EOS DIGITAL REBEL, 135-400 LENS, F8@1/60, ISO 100, FOCAL LENGTH 186MM, UV FILTER. CANON I960 PRINTER.
MORE WINNERS ON PAGE 29
E d i t o r i a l Submission Guidelines
USE THIS FORM to submit ARTICLES, PHOTOS, and TIPS to be considered for
publication in Today's Photographer. USE THIS FORM and follow these guidelines to
make sure your submission package is complete.
LOOK AT THE MAGAZINE!! When you look at examples of what is
actually published in the magazine, it's like looking at the test
answers before taking the test!!
HOW TO SUCCEED is what we are all about! How to make money,
gain access and get published. How did you get the celebrity to let
you get the picture. How did you get the model to pose for you. What
surprise barriers were you able to overcome? How did you get those
death defying pictures right from your car window?
INSPIRATION is the word our readers use most to describe the magazine and it's content! Have you had some success with your camera
or an idea that would inspire others?
SELDOM SHOOTERS: So you only picked up your camera once or
twice in the past few years, shot a lot of film for an afternoon or a
week, then let it get away from you. What was so important that
caused you to pick your camera up? Family reunion? Your kid's big
soccer game? Beach trip of a lifetime? Favorite group finally came to
town in concert? House down the street caught fire? 2 weeks in Yellowstone? Big celebration at work?
DIFFERENT DRUMMERS: Maybe you have a story with a different
slant — submit it. You may inspire us to expand our editorial range.
Consider and editorial submission even if you have never made a
one before. Publishing your story and/or photos is another way for
us to reward our readers who share a special bond in their passion
for succeeding as photographers ... and making money. Again, our
resolution is to support that effort in every issue and to make sure
that Today’s Photographer “works” for you.
www.ifpo.net
Editorial Submission
CHECKLIST
❏
❏
❏
❏
❏
IFPO Member#
_____________
A photo of YOURSELF (suggestions: with your camera, at the scene, with someone important, etc.).
A typed or clearly hand-printed copy of your Article,
Sidetrip, Success Story or Tech Tip. Text files on 1.4
MB floppies are great (PC or MAC).
PRINTS or TRANSPARENCIES that illustrate your
story (COLOR or B/W) with captions and labels.
A list of captions or titles for each photo.
Tell us interesting things about yourself such as past
awards, publishing accomplishments, hobbies, or
even a funny story that would interest a reader. Do
Name: ______________________________________________________________________________
this submission and make it AVAILABLE for publication in all future issues.
❏ Keep
HAVE inclosed a RETURN MAILER with adequate POSTAGE.
❏ IPlease
consider this submission for publication for the next ______ issues ONLY, then return it to me.
Address: ____________________________________________________________________________
City / State: _________________________________________________________________________
Zip Code/ Country ____________________________________________________________________
Phone: _____________________________________ Fax: ____________________________________
Submission of my entry grants Today’s Photographer permission to publish my story or photos.
signature ______________________________________________________ date _______________________________
Editorial Submissions, PO Box 777, Lewisville NC 27023-0777
27
WEDDING
Paul Thompson is a Master Craftsman Photographer awarded from The Professional Photographers of
America for photographic
excellence. He was featured in two Kodak video
taped productions that
were sold worldwide. He
built "The Huntington
House" photography studio, a 3 story cape-cod
style building from the
ground up. He is well
known for his mastery in
photography as well as his
business and marketing
skills. He shares his expertise on advertising, promotions, studio operations
and management. He has
been a speaker across the
nation, published articles
and has been an instructor
at the college level inspiring and promoting his passion and artistic creativity
for photography.
Photography
his new video
series is packed
with 20 years of
practical experience,
knowledge, skills and
tips. Paul uses a real
wedding as well as
studio demonstrations
to illustrate methods
he has learned and
developed
while
becoming one of the
nation's most successful wedding photographers.
T
#380-3 - $139.95
(3 volume set on 1 VHS tape)
3 Volumes Includes:
!
Y
U
B
endss
t
comm
e
t
r
t oi
IFPO producers!
this memb
FREE BONUS
with your order
• An actual wedding being photographed
• How to achieve quality lighting on location
• Posing the bride and groom at the wedding
• How to pose small and large family groups
• Ceremony photographs that must be taken
• Studio lighting and posing demonstrations
• Tips on how to operate a studio successfully
• An actual reception being photographed
• How to photograph cake cutting and groups
• Outdoor romantics with the bride and groom
• Studio portrait session with bride and groom
• Complete equipment guide for weddings
• Recommendations for forms and contracts
(WHILE SUPPLIES LAST)
• Detailed list of "must poses" that will make
every wedding day complete.
• Sample "agenda card" to carry with you, and
make your day run smoother.
• Copy of Paul's actual "wedding contract" that
every bride completes.
• "Schedule" to help plan the wedding day's
photographs with the bride.
ORDER TOLL FREE 24 hours 7 days
1-800-654-9557
28
ORDER FORM
on page
47
www.ifpo.net
2004
PHOTO CONTEST
WINNERS
FEBRUARY WINNER:
PEOPLE UP CLOSE
THERE IS ONLY ONE
JOURNEY. © 2004 by
Lyudmila Fedossov,
Skokie, Illinois. Technical Information n/a.
APRIL WINNER: FLOWERS UP CLOSE.
AMARYLLIS. © 2004 by Dora DuMoulin,
Russell, New York.Minolta Maxxum, Tamron
lens 70-300.
JANUARY WINNER: ANYTHING OUTDOORS: (ALL SUBJECTS).
BLENNY. © 2004 by Anthony E. Ciampa, Sahuarita, Arizona.
Nikonos V. 35mm/ 1.2 Extension Tube and Macro Framer, ISO 200.
MAY WINNER: YOUR BEST SHOT
POINT WILSON. © 2004 by Frank Randolph, Junction,
Texas. Canon EOS, F19@1/15, ISO 50, UV Filter,
www.ifpo.net
MORE WINNERS PAGE 37
MARCH WINNER: YOUR BEST SHOT (ALL SUBJECTS).
FISH ANYONE?. © 2004 Tommy Shaw, Louisville, Kentucky. Nikon F90X. 24
F2.8, Fuji Super HQ100.
29
IFPO New Discoveries
MODEL CONSULTANTS
ATTRACT NEW FACES & FIGURES
http://www.ifpo.net/discoveries
WHY CONSULTING?
EL
G
R
I
N A L • FR E
IO
AT
ZA
TI
O N • IN TE
RN
• PH OTO
AN
30
CE
• O RG
1. Offers opportunity to start or expand a
model portfolio business (photo or
video).
2. Provides photographers with an easy
way to attract models for their other
photography interests and assignments.
3. Provides models immediate exposure
on the IFPO New Discoveries Internet
Site.
Photographers often need models in their
regular work, and models always need pho-
N
ERS
Model Consulting is a business opportunity
sponsored by the International Freelance
Photographers Organization (IFPO). The
program gives photographers three effective
ways to make money immediately and get
immediate exposure for their newly discovered models:
A
PH
WHAT IS
MODEL CONSULTING?
NEW DISCOVERIES
A
• Attract New Faces and Figures
• Recruit Models For Money
• Shoot Glamour Photos for Cash
• Be Your Own Boss
• Work at Your Own Pace
• Make Money and Have Fun
Your
photo
here.
Certifies:
BE YOUR OWN BOSS
SHOOT GLAMOUR PHOTOS
for CASH
FULL TIME or PART TIME
at HOME - STUDIO
or ON-LOCATION
or without a studio.
Hundreds of models have been recruited
over the years by IFPO member photographers. Consultants may experience dramatic
increases in their incomes as a result of the
IFPO New Discoveries program; first, by
photographing aspiring new models’ portfolios, then by providing access to the IFPO
New Discoveries internet site. Consultants
who do not recruit models for IFPO are able
to attract all the models they need for their
other photography interests!
AMATEUR MODELS
Your Name, ID #99999
Top Notch Photos
PO Box 777
Lewisville, NC 27023
New “amateur” models discovered by consultants have starred in major video productions, auditioned for prime time TV shows,
and participated in fashion, photography, and
honor
an
in
I pledge to present each model
able and professional manner.
promotional assignments too numerous to
)
signed
____(
_____
____________________
name.
Many photographers have used Model ConMODEL CONSULTANT
sulting as a springboard to launch successful
www.ifpo.net/discoveries
careers in model portfolio and video production businesses. Many consultants use the
t o g r a - program to make it easy to attract models for
phers to produce their portfolios in order that use in their other photography interests and
they may promote themselves and pursue a never list their models on the IFPO New Discareer development program. IFPO serves coveries internet site. You can use the promore than 100,000 photographers and mod- gram to further any of your business or
els in 131 countries around the world.
hobby interests.
ALL THE MODELS YOU NEED
BENEFITS TO MODELS
Hundreds of Consultants since 1984 have
proven and refined the program. It works.
Freelance photographers are natural
“body hunters” in
search of new
images.
Through Model
Consulting, photographers can earn
money while starting
or developing their
business in model
portfolios or even
starting a modeling
agency. IFPO supplies you with eacy,
complete, instructions to get started
making money with
The benefits afforded models through the
IFPO New Discoveries Program are unique.
The dues are only $40 for the first year and
$30 for each year thereafter. For that the
model receives a complete New Discoveries
Kit with an Identification Card and Parchment Certificate. The model also receives a
current issue of How to Become a Successful
Model.
Each model gets a free listing on the IFPO
New Discoveries Internet site for freelance
models:
http://www.ifpo.net/discoveries
Models who wish to have their photos published on the internet site may do so for additional fees which cover the cost of scanning
and set up. Detailed information is in the
Consultant’s New Discoveries Manual. Models may also be randomly selected as an Official New Discoveries Model.
www.ifpo.net
N
N
A
AT
IO N
ERS • O R G
AL • F
R
EE
G
PH
IZ
AT
IO N • IN T
ER
IFPO New Discoveries models annual
dues are only $40.
E • PH OTO
A
HOW TO MAKE MONEY
NC
R
JOIN OR
UPGRADE
NOW...
LA
NEW DISCOVERIES
www.ifpo.net/discoveries
Your Name, ID #99999
Top Notch Photos
PO Box 777
I pledge to present each
model in an honorable
and
professional manner.
____________________
_________(signed)
Your
photo
here.
MODEL CONSULTANT
ber New Discoveries
are eager to have these
photos taken and published!
Model Portfolios Pay Big Bucks
As an authorized IFPO New Discoveries
IFPO Pays Directly To You:
Model Consultant, you are in a perfect situ$20.00 for each New Discoveries model ation to capture and build on this business
recruited! Payment is instant. You collect opportunity. A Consultant can easily gain
the $40 dues for the first year and send only the confidence of the model with the offi$20 on to IFPO with the internet listing cial credentials to guide and direct the
form.
development of the model’s portfolio.
$30.00 for each model RENEWAL! Each
Consultants have developed “packages”
time your model renews, you collect the for new discoveries that have sold for
$30 renewal fee and send only $10 to IFPO between $75 and $400 per model. Consulwith renewal form!
tants have reported income as high as $427
$$$$$ PLUS! You make even more the first week.
money when your “discovered” models
want their photo published on the New Dis- MODEL CONSULTING
coveries internet site. You collect the SOLVES AN OLD PROBLEM
money ($20 for one photo; $50 for three)
Your New Discoveries Model Consultant
and KEEP 50% for yourself! (See the OperMembership does NOT require you to
ating Manual.)
recruit a single model EVER!
New Discoveries Models Pay You Directly:
Many IFPO photographers join the ConIFPO suggests that each new model pro- sultant Program simply to solve the age old
vide 1-3 photographs for publication on the problem of finding models for other aspects
internet. Those photos should depict the of their photography work without spendmodel in the broadest possible range of ing an arm and a leg with a modeling
poses and settings...portraits to full shots... agency and without potential models being
location to studio...furs to figure. Remem- skeptical of the photographer’s intentions.
The official, internationally recognized
IFPO Credentials and the New Discoveries
Model Consulting Program make it supereasy to approach and convince any potential model to work with you.
EVERYTHING YOU NEED
Consultants report that potential models
are convinced instantly when you use the
identification materials provided in your
Model Consultant Enrollment Kit!. New
model prospects recognize you as a professional and are eager to follow your guidance without question. “I’ve never found it
so easy to attract models,” is the most common response from new consultants.
Enrollment as a consultant gives you
everything you need to make money the
very first week. It includes setting up your
account at IFPO, your New Discoveries
Model Consultant I.D. Cards, Letter of Certification, Operating Instructions and a supply of the business forms needed to get you
up and running. It includes easy to follow
instructions for promoting your business as
an IFPO New Discoveries Model consultant and attracting or recruiting models.
ATTENTION CURRENT IFMO MODEL CONSULTANTS
You may upgrade (get a completely new package) to the New Discoveries Program for only $39 plus $9 S&H. Order item #905A-UP.
IFPO NEW DISCOVERIES MODEL CONSULTING ENROLLMENT COUPON ( Available to IFPO Members only)
5 Digit IFPO Member #___________ or enclose dues.
_____________________________________________
name
_____________________________________________
_____________________________________________
address
_____________________________________________
city/st/zip
_____________________________________________
phone
FAX
_____________________________________________
email
URL
Use your Check, Money Order, OR Credit Card as follows:
❏ 905A.....Full Model Consultant Membership
$69.00
(The $69 fee includes a $10 initiation fee for setting up your
Consultant’s account and a $59 permanent Consultant Membership Dues) Your Consultant’s Kit contains: 1 Badge/Wallet
ID card, 1 Wallet ID Card and laminating materials, Consultant’s Certificate, Consultant’s Operating Instructions and
the following master forms: Model Interview Form (F164),
Model Portfolio Contract (F165), Model Portfolio Checklist
(F163) and Model Release (F191). You also get IFPO New Discoveries Enrollment Forms, Renewal Forms, and Internet
Listing Releases.
❏ USA FIRST CLASS MAIL SHIPPING
$ 9.00
(foreign shipping use instructions on page 47)
TOTAL PAYMENT ENCLOSED
______
expiration date
______________________________________________________
signed
date
MAIL THIS COUPON TO: IFPO ORDER DEPT.
PO BOX 777, Lewisville, NC 27023-0777
www.ifpo.net
CREDIT CARD ORDERS:
CALL FREE 1-800-654-9557 or FAX 1-800-283-5989
(MAIL, C.O.D. ORDERS USE ORDER FORM ON PAGE 47)
31
introducing:
IFPO Member
"MAX-SET
MAX-SET"
UM
IM
. . . MAX
.
.
Y
T
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I
UM
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I
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CREDIB
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.
.
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TRUST . .
A
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.
.
.
.
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XIMUM
CONFIDE
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.
.
S
S
E
VEN
printed on the finest "geopaper"
high quality credentials bond.
EFFECTI
MAX-SET order form
(or use the order form on page 47)
IFPO Member# __________________ or enclose dues (see page 17 for membership information)
name __________________________________________________________________________________
address _______________________________________________________________________________
city/st/zip ______________________________________________________________________________
IFPO Credentials are proven to solve the "credibility" and
"trust" problems often encountered by freelance photographers.
These credentials set your subject's mind at ease and allow you
to get the shots you want. Your name and member number are
professionally typeset on each credential. Do-it-yourself laminating materials with easy to follow instructions are included
so you can apply your photo and finish them yourself. Each set
includes 1 Passport Style Credential, 1 Badge I.D. and 1 Wallet
I.D. An introductory letter of certification is included to complete the package. This is the most comprehensive membership
I.D. and Credential set ever offered!
phone/FAX ____________________________________________________________________________
❏ 701A....Member FREELANCE Photographer .......$39.95 ea.
❏ 702A....Member SPORTS Photographer..................$39.95 ea.
❏ 703A....Member CONCERT Photographer..............$39.95 ea.
❏ 704A....Member WEDDING Photographer ............$39.95 ea.
❏ 705A....Member PORTRAIT Photographer ...........$39.95 ea.
❏ 706A....Member WILDLIFE Photographer .............$39.95 ea.
❏ 707A....Member NATURE Photographer.................$39.95 ea.
❏ 708A....Member GLAMOUR Photographer ..........$39.95 ea.
❏ 709A....Member MODEL CONSULTANT..............$39.95 ea.
❏ 799X....Member
Photographer ....$39.95 ea.
badge I.D.
RS • ORGA
HE
NI
AP
NAL • FRE
TIO
EL
NA
• PHOTO
CE
GR
AN
IFPO
N
TIO
ZA
• INT
ER
Member#
87244
signature
OTHER (SPECIFY)
John Q. Smith
P.O. Box 8347
Your city, NJ 08231 USA
724-777-5555
4 LINES OF CUSTOM INFORMATION CAN BE PLACED ON YOUR MAX-SET CREDENTIALS:
_______________________________________________________________________________
Line 2
_______________________________________________________________________________
Line 3
_______________________________________________________________________________
John Q. Smith
FREELANCE
P.O. Box 8347
724-777-5555
PHOTOGRAPHER
signature
Use Check,
Money Order,
Or Credit Card:
NAL • FRE
TIO
EL
NA
Passport I.D.
NAL • FRE
TIO
EL
NA
IFPO
Member#
87244
John Q. Smith
PLACE
PHOTO
HERE
P.O. Box 8347
724-777-5555
signature
expiration date
signature____________________________________________________________________
credit cards: CALL FREE
mail orders to:
32
and whose signature and photo appear below,
is a correspondent photographer on assignment
for Today's Photographer magazine. This photographer will be covering events of national
and local interest including concerts, conventions, breaking news, sports and special programs. American Image Press respectfully
requests that the bearer be granted permission
to work as a Press Photographer in your
domain. While in this capacity, the bearer will
comply with all existing federal, state and local
regulations.
• INT
ER
TOTAL ENCLOSED
• INT
ER
(foreign shipping use the table on page 47)
N
TIO
ZA
ADD USA SHIPPING . . . . . . . . . . . . . . . . . $9.00
FREELANCE
RS • ORGA
HE
NI
AP
_______________________________________________________________________________
ORDER any 1 set for:. . . . . . $39.95 +shipping
any 2 sets for: . . . . . $59.95 +shipping
any 3 sets for: . . . . . $69.95 +shipping
any 6 sets for . . . . . $99.95 +shipping
Member# 87244
RS • ORGA
HE
NI
AP
Line 4
• PHOTO
CE
GR
AN
International Freelance IFPO CE • PHOTO
GR
AN
Photographers Organization
PHOTOGRAPHER
BEARER CERTIFICATE
N
TIO
ZA
Line 1
Wallet I.D.
1-800-654-9557 or fax 1-800-283-5989
FREELANCE
PHOTOGRAPHER
IFPO Order Dept., PO Box 777, Lewisville NC 27023-0777
www.ifpo.net
IFPO Announces New F lagship Pr ogram:
American I nter national (AI) News S er vice
T
he year 2004 marked the 20th
Anniversary of IFPO and it’s
flagship American Image
Press Program. Throughout that 20
year history, many of you have been
operating as independent contractors
for various news outlets using the
IFPO/American Image Press Credentials, in addition to your assignments
for Today’s Photographer magazine.We have always encouraged that
activity.
Now it’s time to do more. IFPO
has more than 75,000 correspondents
in 144 countries who provide comprehensive coverage that is factual and in
context, directly to major news outlets
for distribution. You live and work in
some of the most populated and
remote regions imaginable, ready and
willing to capture news the instant it
breaks. AND, you have the capacity to
get it to mass media outlets for immediate release.
Since we have been operating as a
quasi news service for years, the decision has been made to put our own
resources to work and declare our
position as an independant news service and move into that mode of operation with our own experienced press
photographers. In mid 2004 American
International (AI) News Service was
created to become the new flagship
press program for current IFPO press
photographers.
Breaking news knows no borders
and is most often unpredictable. Traditional news gathering
institutions such as USA Today, The
London Times, The Moscow Times, Al
Ahram (Cairo), and others simply cannot station correspondents everyday in
each city, town and tiny hamlet in
every country on each continent waiting for news to break. AI can. Our
photographers are already there!
The new AI credentials are available
only to veteran IFPO Press Photographers with previous satisfactory activity in the IFPO/American Image Press
Program.You get the back-up of
Today’s Photographer magazine plus
the support of the new AI news service.For more information call 336945- 9867 weekdays. Ω
ON ASSIGNMENT: CHICAGO BLUES FESTIVAL IN GRANT PARK 2004
THE
FESTIVAL IS THE WORLD’S LARGEST FREE ADMISSION BLUES FESTI-
VAL THIS YEAR SALUTED SOME OF THE GREATEST BLUES GUITARISTS
INCLUDING D AVID H ONEYBOY E DWARDS , R OBERT J R . L OCKWOOD ,
HOMESICK JAMES AND ZYDECO ACCORDIONIST C. J. CHENIER. MORE
THAN HALF A MILLION PEOPLE ATTENDED THE EVENT WHICH OFFERED SIX
STAGES WITH MORE THAN SEVENTY PERFORMERS. PHOTOS ©2004
RICHARD B. RESSMAN IFPO, CUPERTINO, CALIFORNIA.
RacingPhotography Continued from page
13
FORTUNA HONDA’S MARCO MELANDRI FINISHED 3RD AT
CATALUNYA AND ASSEN. ©2004 ED DOERING
www.ifpo.net
give a blurred effect to show
speed and movement of
wheels.
You can also try panning.
Suppose as a fast bike streaks
past you, you flow rhythmically along with the movement of the rider and bike
keeping the image centered
in your viewer. In photographic theory the bike and
your camera would have
been standing still, in relation
to each other. Consequently,
if you snap the shutter
smoothly and steadily, continuing to follow through on
your flowing movement till
the bike and rider pass, you
will have a sharp bike and
rider with a nicely blurred background,
showing a very effective illusion of speed.
That’s panning. It takes time, patience and
practice to learn but slowly you will get it.
Motorcycle racing is so exciting because
you get to see the rider work! Bikes display speed and intense action on real
terms. The riders’ appendages are well
used as they wrest speed from their brutal
200+ mph machines. Capitalize on that!
Play with some or all of the films, techniques and suggestions offered here. Press
access is a big part of winning racing photography. However, experimentation and a
willingness to let your creative energy
flow while giving full range to all your
first impressionistic ideas work too. Some
combination of all of the above may just
result in a shot of excellent merit, or one
that catches the eye of that Editor.Ω
33
ASSIGNMENTS NOW!
FREELANCE PHOTOGRAPHER’S ASSIGNMENT BANK on the INTERNET
GET ASSIGNMENTS or SELL PHOTOS you already have!
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Photo buyers and Editors can search the assignment banks by:
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mor e than 12,000 sear ches per MONTH!
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first of the month beginning with the first FULL month your your Data Bank information is ON-LINE. Your first partial month is FREE! Minimum 12-month committment required. After 12 months, monthly charges will continue until member
cancels with a 30-day notice. Visa, Mastercard, American Express, Optima accepted.
Checks or Money Orders: when you submit your registration form, enclose a
check or money order for the amount of the set-up fee PLUS 119.40, the first
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I agree to the above terms and conditions. I enclose my fees as follows:
#ADB21, $10 per SPECIALTY set-up fee ___ . ___ and monthly fee: $9.95
#ADB31, 10 SPECIALTIES, set-up fee
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and monthly fee: $9.95
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expiration date
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TOLL FREE:
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or MAIL TO:
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34
www.ifpo.net
PROFESSIONALPHOTOGRAPHYTECHNIQUES
3VV1
GET
PUBLISHED
techniques
techniques
2
PRESS+
LIGHTING
techniques
4
professional
HOW TO GET
PRESS
ASSIGNMENTS
SIMPLE
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3VV6
professional
professional
SPECIAL EFFECTS
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3VV4
professional
professional
GLAMOUR
+FIGURE
1
3VV3
3VV2
professional
SPECIAL
EFFECTS
techniques
5
DIGITAL IMAGING
6
techniques
professional
TRAVEL
ACTION
techniques
7
professional
SPECIAL
LIGHTING
8
Originally produced
for Kodak, these “Pro
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Originally produced for Koda
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Portrait Techniques” semin ar style work in their stuat
new and innovative photographers
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niques, insider tips and working
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35
MONTHLY PHOTO CONTEST
Winners Every Month!
S
$1000 CASH PRIZE
*
Entries must be postmarked by the last day of each contest
month.Late entries will be judged in the following month.
HOW TO ENTER
*The Annual Grand Prize winner will receive $200 in cash and be published
in Today’s Photographer magazine. Each MONTHLY WINNER will receive
$50 in cash. Winners and honorable mentions will be announced. All monthly winners and honorable mentions will become eligible to compete for the
Grand Prize.
MONTH
CONTEST RULES:
1. $5 ENTRY FEE for EACH photo entered must be included.
2. ENTRY FORM (or the same information) must accompany
each entry.
3. PRINTS or SLIDES: (color or B/W) not larger than 8.5 x 11
inches. Do not submit original negatives Please title, caption
and give technical data if possible.
4. INCLUDE RETURN photo mailer with correct postage if you
want your entries returned.
JANUARY CONTEST . . . . ANYTHING OUTDOORS
FEBRUARY CONTEST . . . PEOPLE UP CLOSE
MARCH CONTEST . . . . . . ANYTHING GOES (ALL SUBJECTS)
APRIL CONTEST . . . . . . . FLOWERS UP CLOSE
MAY CONTEST. . . . . . . . . YOUR BEST SHOT: ALL SUBJECTS
JUNE CONTEST . . . . . . . . YOUR BEST SHOT: ALL SUBJECTS
JULY CONTEST . . . . . . . . YOUR BEST SHOT: ALL SUBJECTS
AUGUST CONTEST . . . . . YOUR BEST SHOT: ALL SUBJECTS
SEPTEMBER CONTEST . FLOWERS UP CLOSE
OCTOBER CONTEST. . . . YOUR BEST SHOT: ALL SUBJECTS
NOVEMBER CONTEST . . YOUR BEST SHOT: ALL SUBJECTS
DECEMBER CONTEST . . YOUR BEST SHOT: ALL SUBJECTS
CONTEST ENTRY
Name, member# _____________________________________________
Address ____________________________________________________
City/State/Zip________________________________________________
Phone or fax ________________________________________________
ENTRY MONTH:__________________ENTRY THEME ______________
Title (opt):___________________________________________________
______________________________________________
The photographs submitted are my own, and I hereby give permission to Today's Photographer to reproduce them. I agree that
Today's Photographer bears no responsibility for entries without the service fee or return mailer with postage. Model releases must
be included where applicable.
❏ $5 ENTRY FEE ENCLOSED for EACH PHOTO! Please enter them in the
regular MONTHLY CONTEST AWARDS ONLY!
❏ Also consider this photo for the Picture Award Program
I ENCLOSE an additional $15 for EACH PHOTO. (see page 50)
❏ Check/M.O./Cash, ❏ Card# ______________________exp date __________
signature __________________________________________________________________________
MAIL PHOTOS TO:
Phone or fax ________________________________________________
Title (opt):___________________________________________________
______________________________________________
❏ Check/M.O./Cash, ❏ Card# ______________________exp date __________
signature __________________________________________________________________________
MAIL PHOTOS TO:
36
PHOTO CONTEST
PO Box 777
Address ____________________________________________________
City/State/Zip________________________________________________
Phone or fax ________________________________________________
Title (opt):___________________________________________________
______________________________________________
❏ Check/M.O./Cash, ❏ Card# ______________________exp date
signature __________________________________________________________________________
MAIL PHOTOS TO:
PHOTO CONTEST
PO Box 777
www.ifpo.net
City/State/Zip________________________________________________
Name, member# _____________________________________________
Address ____________________________________________________
PHOTO CONTEST
PO Box 777
CONTEST ENTRY
CONTEST ENTRY FORM
Name, member# _____________________________________________
MONTHLY WINNERS
will be judged for content and quality by a panel of Today’s Photographer editors and art directors. All decisions will be final.
Monthly winners are eligible for the Grand Prize.
GRAND PRIZE WINNERS
for each annual Contest will be announced on March 15, of the
following year and will be published in Today’s Photographer.
For example, the 2002 Contest winners will be announced March
15, 2003. Monthly winners will be announced in each issue during the year.
ENTRIES FOR the Annual Grand Prize must be postmarked no
later than December 31st of the contest year.
Returns: Pictures should be accompanied by a stamped and
addressed return mailer. OR a $7 return shipping/handling fee.
Because we know your photos are important to you, every effort
within reason will be made to return the photographs. However,
Today’s Photographer will not be responsible for any damaged or
lost submissions. Entries received without a return mailer plus
adequate postage OR a $7 return handling fee WILL NOT be
returned.
Model releases must be included and signed if applicable.
All entries are eligible for publication in Today’s Photographer
Entry Fees are non-refundable.
Photos without entry fees or return postage and packaging
become will not be returned.
CONTEST THEME
2004 PHOTO CONTESTWINNERS
SEPTEMBER WINNER: FLOWERS
UP CLOSE
CACTUS BEAUTY. © 2004 by
Frank Randolph, Junction,
Texas.. Canon Rebel Digital,
24-70 mm lens, F29@1/25, ISO
100, Tiffen Skg 1-A Filter.
JUNE WINNER: YOUR BEST SHOT.
YOUTHFUL BEAUTY. © 2004 by Thomas
Shorts, Myrtle Beach, SC.Pentax ZX-60 AF,
Fuji NPH 400.
AUGUST WINNER: YOUR BEST SHOT.
LOOKING GLASS FALLS.© 2004 by Frank Randolph, Junction, Texas. Canon Rebel Digital, 24-70 mm lens, Focal
length 24 mm, F/16@1/25, ISO 100.
MORE WINNERS PAGE 39
JULY WINNER: YOUR BEST SHOT
CHOW TIME. © 2004 by Carolin Jennings, Judsonia,
Arkansas. Canon EOS Elan, 80-200 lens.F16
@1/250. ISO 200.
www.ifpo.net
OCTOBER WINNER: YOUR BEST SHOT (ALL SUBJECTS).
CRATER LAKE PATH. © 2004 Craig Hellier, Highlands Ranch, Colorado. Nikon
F100, 18mm 2.8. ISO 200.
37
NEW!
Badge ID
Homeland
Def ender
Program
Times have changed for everyone since 9-11. Even
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EVERYTHING YOU
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ING YOUR PHOTO)
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2. BACK-UP AND SUPPORT IN WRITING:
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Officials who want an editor’s letter of assignment for a specific event can get it. This support is easy to use with request
sheets and a telephone help number.
YES.
YES Sign me up as a Homeland Def ender
Cat#
name ___________________________________________________________________
address _________________________________________________________________
city/st/zip ________________________________________________________________
phone/fax ________________________________________________________________
email/U.R.L. ____________________________________________________________________
Nationality: ___________________________________________________
Sex: ________________________________________________________
Place of birth: __________________________________________________
Date of birth: __________________________________________________
A
Not yet published
AA
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HDO1 Homeland Defender Credentials
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• Homeland Defender Internet Verification
• Homeland Defender Assignment Request Form
and How to Use Your Press Credentials Instruc-
❏
❏
I agree to comply with the professional Code of
Ethics which will be included with my credentials.
$9.00
1. ____________________________________________________
2. ____________________________________________________
expiration date
3. ____________________________________________________
signature _________________________________________________________________
1-800-654-9557
MAIL ORDERS:
or fax:
1-800-283-5989
H omeland D efender , P.O.Box 777, Lewisville NC 27023-0777 USA
38
www.ifpo.net
DECEMBER WINNER: YOUR BEST SHOT
CHICAGO BEAR. © 2004 by Ed Cayot, Kankakee, Illinois..
NOVEMBER WINNER: YOUR BEST SHOT.
LITTLE ELIJAH. © 2004 by Bobby Samuels, Los Ange-
Canon Rebel Digital, 100-400 mm lens, F7.1@1/250.
les, California. Mamiya Pro SD, Kodak Portra 160 VC.
2004 PHOTO CONTEST WINNERS
January
Honorable Mentions
Frog Mariachi
Anthony E. Ciampa, Sahuarite, Arizona
Ice Cutters
Dennis L. McLaughlin, Wiscon. Rapids, WI
A Family Affair
Tommie Shaw, Louisville, Kentucky
February
Certificate Winner
If I Could Know Me
Lyudmila Fedossov, Skokie, Illinois
Honorable Mentions
BUGGY STOP
Dennis L. McLaughlin, Wiscon. Rapids, WI
March
Certificate Winner
Tea Time
Claudia Murray, Jamestown, NC
Honorable Mentions
Untitled
Joyce Witkovic, Newport, New Hampshire
Flavor of the Day
Cinderella Morff, Lohman, Missouri
April
Certificate Winner
Pretty in Pink
Tess L. Sutter, San Francisco, California
Bluebonnets
Frank Randolph, Junction, Texas
Honorable Mentions
A Beautiful Harvest
www.ifpo.net
Delicate Arch
May
Honorable Mentions
Garden Doorway
June
Certificate Winner
Relaxing Polar
Anthony e. Ciampa, Sahuarite, Arizona
Honorable Mentions
Homeless Man
Virginia Moss, Chattanooga, Tennessee
July
Honorable Mentions
Sunset, Seagull, Sand and Surf
Ready for Action
Bobby Samuels, Los Angeles, California
Mexican Wolf
August
Honorable Mentions
Surf’s Up
Beauty of the Falls
Rob Edwards, Judsonia, Arkansas
Ho Hum
Revolutionary Monument
Larry Spazafumo, Jacksonville, NC
September
Certificate Winner
The Rose
Honorable Mentions
Prickly Pear
Lily Pad Bubble
Jennifer Chance, Millville, NJ
Her Crown of Glory
Cinderella Morff, Lohman, Missouri
October
Certificate Winner
Fall Leaves
Honorable Mentions
Goose Dance
Cold Spring Beach Sunrise
Ronald Zincone, Richmond, Rhode Island
November
Honorable Mentions
Seaside Surfer
Sunrise
Tommie R. Shaw, Louisville, Kentucky
December
Certificate Winner
Single File
Honorable Mentions
Weathering the Storm
39
For Photographers who are starting or expanding a model portfolio
business, a step-by-step guide to get you started immediately in your
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them. You will find ways to meet beautiful - prospective models.
You will learn to shoot figure portfolios plus backgrounds and unusual
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• 4 MIRACLE PROPS • 11 QUICK CHANGES
• 7 INTIMATE SETTINGS • 17 "MUST ASK" QUESTIONS
• 30 MINUTE SHOOT CHECKLIST
• HOW TO GET YOUR SUBJECT TALKING ABOUT YOU
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PORTRAIT - WEDDING - COMMERCIAL - GROUP - PRESS STOCK - ART - GLAMOUR. guide: finding models, how to create
willing subjects, shooting models for money. PLUS pricing tables for
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white proof sheets, twenty eight steps to make black and white enlargements,
color kits for home processing, chemicals in color processing; EQUIPMENT:
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#202
80 FULLY ILLUSTRATED DETAILED LIGHTING
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Use these easy to follow diagrams to shoot portrait, glamour or any
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• 15 diagrams illustrating indoor direct lighting.
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41
PRESS PHOTOGRAPHY
freelancer's
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on DISK!
PC or MAC!
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100,701 Contacts for
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42
NAL • FRE
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ORDER FORM
on page
IFPO
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MACINTOSH ONLY!
• PHOTO
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Item# D7049, $19.95
47 1-800-654-9557
continued from page 26
31. Concentration and anticipation are
required. A ball or player can land
on you and your equipment in a
split second.
32. If you want a specific shot of a
particular player, clear it with the
Media Director first. You will be
more successful than if you try to
stage something on your own.
33. The media director is the key to
your success. He has the authority
to grant or deny all requests.
34. Maintain a low profile among fellow photographers during a game.
NEVER start a conversation that
could cause either of you to miss
an important shot.
35. Do unto others... Never step in
front of a photographer who has
position on a shot. If another photographer steps in front of you, be
courteous but let him or her know
you are there. This practice works
most of the time.
36. Never do anything to distract the
players and that includes what you
wear. Stay low key. You are there
to record the event, not to become
a factor in it.
Professional Tennis
37. Ask for the Media Guide specific
to the event. The more informed
you are, the more successful you
will be.
38. Operate on your best professional
behavior. If you are easy to get
along with, well informed and follow the rules, you will be accepted, make new contacts and get
great shots.
39. If is very difficult work to sit
courtside next to a surface temperature that can reach 140 degrees F.
Wear white shirts to reflect the
sun, khaki shorts and comfortable
athletic shoes. Sunscreen and bottled water are a must.
Press access is a privilege and a privilege can be taken away. As a press
photographer, your credibility is your
reputation and your best advertisement.
Protect it at all costs. Ω
www.ifpo.net
• PHOTO
CE
GR
AN
NAL • FRE
TIO
EL
NA
IFPO DISTRIB UTOR
RS • ORGA
HE
NI
AP
YOU CAN BE AN
IFPO
THE ADVANTAGE
HOW IT WORKS
WHY YOU?
An IFPO Distributorship is an exceptional
opportunity for IFPO members to achieve success
and make money by taking advantage of the millions of dollars and 15 years of research that have
gone into developing the IFPO / Today's Photographer Magazine Concept. The modest distributor's
fee gives you the value of MILLIONS of dollars
that have been invested in 15 years of advertising
IFPO’s dependability, quality and services.
Today's Photographer Magazine and its associated products gets more exposure than any other
photography magazine. It is advertised regularly in
display space advertising in Popular Photography,
Photographic, Outdoor Photographer, American
Photographer and Shutterbug. As a distributor, you
get the direct benefit of this advertising.
Today's Photographer is sold on Newsstands
throughout the United States, Canada, and around
the world.
IFPO is recognized in more than 140 countries
on all continents of the world and has more than
67,000 members. Today's Photographer Magazine
is currently being distributed to more than 80,000
photography enthusiasts 4 times a year.
Typically, distributorships or franchises that
give a distributor this kind of exposure, promotion
and value are priced from $10,000.00 to
$150,000.00.
1. DISTRIBUTOR DISCOUNT: You are entitled
to order products and services from a current issue
of Today's Photographer at a only 50% of the listed standard price. For example: multiply list prices
by 0.5 (a $68 membership would be $34.00). Half
of $39.95 for example, would be $19.98 (rounded
off to the nearest cent).
•You may wish to purchase many IFPO programs
or services for yourself. A distributorship will save
you 50%.
•You can reap the profits from more than 2.5 million dollars already spent on advertising in all the
major photography and video magazines. Let
these IFPO advertising dollars work for you and
your business by building name recognition for the
IFPO products and programs that you sell.
•You can offer IFPO products and programs to
your clients without spending a penny for market
research or product development. IFPO is constantly upgrading its products and services to
maintain its leadership position in the international
marketplace.
•You can guarantee satisfaction for each product
and program you offer. That customer satisfaction
is backed up by IFPO and is a vital part of the
IFPO success story.
_________________
FREQUENTLY ASKED QUESTIONS:
http://www.ifpo.net/dfaq
MAKE MONEY:
•A distributor could sell only 2 videos a week and
net up to $2000.00 a year. He could build his
business up to 200 videos a week and be pulling in
potentially $200,000.00 per year.
•A distributor could set up a network of 100
Model Consultants "talent scouts" in an area. He
would make nearly $15,000 just on the model consultant kits and IFPO memberships, then would
make more on the videos, forms, books and other
items that consultants frequently buy.
•A distributor could sell to schools and educational institutions. IFPO's instructional videos are
very popular with schools of all kinds (Junior
Highs, High Schools, Colleges, Trade Schools,
etc.). Schools typically purchase in larger quantities, often 10 to 20 videos at a time. Currently,
about 100 schools are purchasing from IFPO.
There are tens of thousands more in this country
alone.
•Recreational groups sponsored by government or
other non-profit groups. For example, Military
bases have recreational programs that include selfhelp and how-to programs on video. Currently,
IFPO does a brisk business with military base purchase orders from only a few bases.
•Many other groups sponsor recreational programs
that would be very interested in photography
instructional videos. Groups plan trips. Vacationers use cameras and camcorders.
•Photographer's swap meets or flee markets are
ideal places to set a booth and market IFPO products. In these situations, having merchandise to
sell (like videos) is a plus. But if you don't have
the merchandise, be sure to get the name, address,
and phone number of each person that stops by
your booth. Each one is a prospective customer
for the future. If you run out of copies of Today's
• INT
ER
•You can start a new business and coast in the
wake of the IFPO flagship. Let its research, product development, name recognition and dollars
spent on advertising make money for you. Let
IFPO's rapid success plan turn into financial
growth for you.
3. EXCLUSIONS: You CANNOT apply your distributor's discount to: USA or Foreign shipping •
Workshop programs • Quantity discount packages
such as 3R0X, 3VVX, item numbers containing
“X”, or special offers with expiration dates • Classified and display a dvertising • Items in out-ofdate issues may no longer be valid • Items not sold
by IFPO/American Image are excluded. Items not
sold in Today’s Photographer magazine are
excluded.
N
TIO
ZA
YOU CAN:
2. QUANTITIES AND SHIPMENTS: Order in
any quantity. IFPO will ship to you or your customer direct. No minimums or quotas.
•You may be associated with a group such as a
camera club, family members or close associates
who may want to participate in IFPO products and
services at discount prices.
•If you have a photography studio or similar business may wish to arm all of your staff members
with memberships and press program credentials
from IFPO to make them more competitive. An
IFPO Distributorship would enable them to do
this at reduced costs to the studio or company.
•You may want to start down the road of being
your own boss with an IFPO distributorship. You
can start small, order in any quantities, part time or
full time. Most of all, you may have a few hours a
week to invest in your financial future.
Photographer at your booth, you can always mail
them one in the future with a special offer flyer of
some kind.
REPEAT CUSTOMERS
The best opportunity you have to make
money as a distributor is to give your customers a
REASON to do business with you. You can use
your own liberal distributor discount to your
advantage. If you can give your customers a 5 or
10% discount by purchasing through you, then
they have a reason to order with you instead of
ordering directly through mail order with IFPO.
Your own margins may be a little slimmer, but
your volume would be much higher.
Now you could consider distributing Today's
Photographer Magazines liberally with your business card attached and a notice that offers your
own 5% or 10% discount if they order through
you.
In this way, you would get the full advantage
of repeat orders from the same customers.
Here is a sample list of schools and institutions
that have already placed large orders directly with
IFPO:
AFETA, Camp Peary, VA; Miami Killian
Senior High School, Miami, FL; Leon County Schools,
FL; River East School Division, Winnipeg, Manitoba,
Canada; Aims Community College, Greeley, CO; CBN
University Library, Virginia Beach, VA; Southwest State
University Library, Marshall, MN;University of Pittsburgh, Pittsburgh, PA; NAF Fort Sam Houston, TX;
Stockton Unified School District, Stockton, CA; Phillipsburg Board of Education, NJ; Roberts High School, Florence, CO; Oakton Community College, Des Plaines, IL;
Greenville Technical College, SC; Curtis Jr High School,
Tacoma, WA; Minuteman Regional Vocational Technical
School District, MA; Ferris State College Library, Big
Rapids, MI; Maricopa Community College, Phoenix, AZ;
Southeastern Mass. University, MA; Sparta Senior High
School, Sparta, WI; and many, many more.
The List Price of the IFPO Distributor Program is $1,490. For a limited time, the price is reduced to $387 but will only remain at
that special price until our current Distributor Enrollment program has met it’s goals.
call the IFPO office at 336-945-9867 or 1-800-654-9557 with your credit card
www.ifpo.net
43
CLASSIFIED ADVERTISING
and Catalog $5. VIP, Box 35214-TP,
---------------------------------------------- Samples
Tucson, Arizona 85740. www.familynude.com.
BOOKS/MAGAZINES
_________________________________________
---------------------------------------------- ---------------------------------------------WANTED: “Les Cow-boys” From Edition de la IFPO DISTRIBUTOR
Mouette Wanted. Also Foto-Kunst-Kreuzburg.
---------------------------------------------Write: Timely Books, P.O. Drawer 2508, Santa
++ ALWAYS 20% DISCOUNT
Rosa, CA 95405.
new memberships
---------------------------------------------- Off
and IFPO products and programs!!
BUSINESS CARD MAGNETS
to online discount photo
---------------------------------------------- Links
equipment and supplies
www.PhotoBusinessCardMagnets.com
Great Promotional Advertising for your photography!
Everyone has a Fridge or Filing Cabinet!
Call for Brochure and Sample: (415) 663-8739.
---------------------------------------------BUSINESS OPPORTUNITIES
---------------------------------------------“$2,970 IN ONE WEEKEND PHOTOGRAPHING PEOPLE AND PETS!” Home, studio, onlocation. Write For FREE 42-Page Book. Not
Your Normal Photography®, T204, 600 Kelly
Road, Carthage, NC 28327 or email pamandjeff@mindspring.com
---------------------------------------------COLOR PHOTOS/SLIDES
---------------------------------------------“NUDE” Mother/ Daughter, fitness girls,
“Blondes- Brunettes & Redheads” photo sets.
http://www.FZippererPhoto.homestead.com
_________________________________________
10% DISCOUNT off regular price on IFPO
Memberships, forms, press programs, books,
videos, and other items listed in today’s Photographer Magazine. Send order with check or Post
Office money order or use your credit card, to
James Franklin, 2115 Gault Ave. S., Fort Payne
AL 35967-4656 Fax 256-845-1118.
---------------------------------------------MARKETING
---------------------------------------------FREE REPORT Reveals 101 Foolproof, Inexpensive, Little Known Secrets of How Photographers and Business Owners Can Get More
Appointments, Customers, Or Clients in a
Month than You Now Get All Year ...Guaranteed. Call 1-877-880-3211, ext.#2002, Toll-Free,
24 hr., For FREE RECORDED MESSAGE
Classified AD Order Form
Please run my AD in
issues.
Now!
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---------------------------------------------I’m the best. I can write any type of song you
want. Rap, Pop, Country. Call between 8:am
and 2:pm Monday-Friday. 870-217-1487.
---------------------------------------------WORK FROM HOME
---------------------------------------------FREE REPORT
***********
How to Make $60,000 A Year With Your Home
Computer. Work Only 30 Minutes a Day. Get
Your Free Report Now!
_______________
www.4extracash.com
_________________________________________
GORGEOUS
ASIAN WOMEN
DESIRE AMERICAN MEN!
Romance, correspondence, lifemates!
Free Details and
Color Photo Brochure!
P.I.C., PO Box 4601
Thousand Oaks, CA 91362
805-492-8040
www.pacisl.com
Place your ad in TP Classifieds for only $2.00 per word ($40.00 min.). Address, City, State, Zip
count as 5 words. Phone# is one word. EMAIL or URL Address is one word. First 2 words in ALL
CAPS bold. Each additional bold word $1.
Amount Enclosed: $
HEADING:
AD COPY:
TP WELCOMES HEADING SUGGESTIONS
if existing headings don’t fit your AD!
__________________________________________________________________________
WORD ADS are alphabetized by AD TEXT within each HEADING. therefore changing your AD COPY can change your AD POSITION
__________________________________________________________________________
__________________________________________________________________________
__________________________________________________________________________
__________________________________________________________________________
use extra paper if more space is needed
IFPO I.D. # (if a member) ______________________________________________________
ENCLOSE CHECK, MONEY ORDER, OR PAY BY CREDIT CARD
contact name ________________________________________________________________
advertiser name ______________________________________________________________
address ____________________________________________________________________
city/state/zip _________________________________________________________________
Visa/MasterCard/American Express/Optima Card#
expiration date
Credit Cards FAX 1-800-283-5989 or MAIL to:
TP Classifieds, PO Box 777, Lewisville, NC 27023
phone/fax ___________________________________________________________________
LIGHTING FIGURE MODELS
PHOTOGRAPHY SERIES
Lighting
FIGURE
VHS $39.95 each or
MODELS
Lighting
FIGURE
MODELS
#3F3X - $59.95
2 Vol. VHS bundle
(3F31 and 3F32)
An Educational Photography Production featuring 15 Beautiful California
Models contains unrated nudity.
Learn: •Single light sources •Multiple
light sources •Light readings •Preventing lens flare •Special effects.
Some areas discussed are: 3 point
lighting system, film latitude, exposure values, hard vs. soft light, high
key vs. low key lighting, color, B&W.
Each tape approx. 60 min. VHS and
DVD. contain unrated nudity
44
3F31
VOLUME 1
Frazier Photography
3F32
VOLUME 2
Frazier Photography
DVD $49.95 each or 2 Vol.DVD Set
3F3XD: $79.95 (3F31D and 3F32D)
INSIDE
GLAMOUR
PHOTO SESSIONS
NOW you can take a front row seat
in the photo studio of glamour and figure photographer Hugh Frazier Jr. as
he photograph's 12 beautiful figure
models.
You will learn lighting including diagrams plus hear the photographer
and director direct the models
through their poses.
If you want to see what really happens in a figure studio, this video is
for you. 60 min VHS, contains unrated nudity.
#3F38VHS - $49.95
#3F38DVD - $59.95
#3F38
www.ifpo.net
AMATEUR FIGURE PHOTOGRAPHY SERIES
basics of
FIGURE
USING
AMATEUR FIGURE
SHOOTS
POSING
SETS & PROPS in
FIGURE SHOOTS
IDEA VIDEO
HOW TO WORK WITH
AMATEUR
FIGURE MODELS
3F14
3F11
3F12
1
3F13
AMATEUR
FIGURE Series
Frazier Photography
Frazier Photography
Frazier Photography
POSING and
SHOOTING
SWIMSUIT
MODELS
4
AMATEUR
FIGURE Series
AMATEUR
FIGURE Series
POSING and
SHOOTING
FIGURE
MODELS
1
2
3
4
Basics of AMATEUR FIGURE SHOOTS
SETS/PROPS for FIGURE MODELING
FIGURE POSING Ideas
Working with FIGURE MODELS
VHS $39.95 each or
3
2
These videos are designed to help photographers work with amateur nude models
and help amateur models break into nude
modeling. All titles are approximately 1 hour
long and contain unrated nudity.
#3F1X - $129.95
4 Vol. Bundle (3F11 - 3F14)
AMATEUR
FIGURE Series
Frazier Photography
DVD $49.95 each or
#3F1XD - $159.95
4 Vol. Bundle (3F11D - 3F14D)
NUDE & SWIMSUIT MODEL POSING SERIES
Available in VHS and DVD Formats
Photographer Hugh Frazier demonstrates reclining poses, standing poses, sitting
poses. Learn how to achieve flattering effects and how to use sets and props. Both
professional and amateur models are used. Each is 1 hour in length and contains
unrated nudity.
#3F21 VHS: $39.95 Posing & Shooting SWIMSUIT Models
#3F22 VHS: $39.95 Posing & Shooting FIGURE Models
#3F2X VHS: $59.95 FIGURE/SWIMSUIT 2 Vol. Set (#3F21 & #3F22)
#3F21
#3F22
#3F21 DVD: $49.95 Posing & Shooting SWIMSUIT Models
#3F22 DVD: $49.95 Posing & Shooting FIGURE Models
#3F2X DVD: $79.95 FIGURE/SWIMSUIT 2 Vol. Set (#3F21 & #3F22)
HOW TO
#305A - $39.95
How To Pose My Way
You will learn:
• Over 100 Poses for the face and body
• Four costume changes
• Dozens of “mood changes”
• Make-up changes
Learn to increase your income by reducing
model training time. puts your models at
ease and builds confidence: the key to
success. Produced By Mike Rose AMR
Productions. VHS.
POSE
MY WAY
STARRING
Jeanette
#305A
BECOMING A
MODEL
#353A
Four part program to assist photographers in
posing positions, directing techniques, working
with amateur models, and the “do’s and don’ts”
of model photography. Learn how to make a
model feel free and uninhibited in your environment. Prepare amateur models for their first
shooting session including make-up, wardrobe
and props
Learn how to pose models, even amateur,
untrained models in their first photo session.
Each pose is illustrated carefully, showing the
position of the feet, angles of the hips and shoulders, tilt of the head and the curve of the spine.
Variations of each pose are explained fully with
advantages and disadvantages. Learn standing,
kneeling, sitting, reclining poses. 30 min. VHS
HOW TO SHOOT
#353A - $49.95
This is the "WARM-UP" tape you have
been looking for to get your amateur model in
"the right mood" to help you get the shots
you've always wanted to get! This tape
explains to amateur models what is expected
of them.
BONUS: This tape explains to the model
what the portfolio is for and will be convinced that money spent on a portfolio is an
investment for her future.
Make-up for composites, hair styles for
various poses, required poses for composites,
selling yourself and the model interview. 34
MODEL
PORTFOLIOS
POSE
SHOOT
DIRECT
MODELS
Model
Magic
#351A
HOW TO SHOOT
MODEL PORTFOLIOS
and
COMPOSITES
#352A - $49.95
and
COMPOSITES
min. Jim Trotter.
1-800-654-9557
www.ifpo.net
HOW TO
#351A - $39.95
#352A
MODEL PHOTOGRAPHY, You get the
knowledge of what a portfolio should be
and how to shoot it. A simple and inexpensive lighting set-up that anyone can do.
Posing is included, as well as basic makeup and business practices. Systems for
Success by Jim Trotter. 40 min. VHS. con-
tains unrated nudity
ORDER FORM
on page
47
45
RS • ORGA
HE
NI
AP
NAL • FRE
TIO
EL
NA
• PHOTO
CE
GR
AN
IFPO
IFPO MEMBERSHIP UPGRADE
NOTICE
N
TIO
ZA
• INT
ER
Your Membership I.D. May become Obsolete!
IF YOUR MEMBER# IS LESS THAN 72000, your IFPO Membership should be UPGRADED in order to gain the
improved credibility and effectiveness that Internet Membership Verification brings to your Lifetime IFPO Membership.
Here's Why:
Officials who need to verify your membership status are quickly accepting the convenience of INSTANT VERIFICATION via the internet. Many are REQUIRING this capability NOW. These Officials include Clients, Law
Enforcement, Customs, Government, Education, Sports, Entertainment and others.
How Membership Verification Works
New IFPO Membership Credentials Upgrade (#700B-UPGRADE) come printed with a unique VERIFICATION
CODE. In seconds, Officials can confirm membership status when they enter your code on our Membership
Verification Internet Site. Your Membership is instantly verified 24 hours a day, 7 days a week from any where
in the world!
What You Get:
#700A Upgrade MEMBERSHIP KIT REG.PRICE
New IFPO I.D. Card + Certificate
$69.00
Membership Verification on the Internet
$39.00
PLUS SHIPPING/HANDLING
$9.00
TOTAL For #700A-UPGRADE
SPECIAL
$00.00
$29.00
$0.00
$117.00
$29.00
If you DO NOT Upgrade!
Your current Lifetime Membership I.D. Card is still valid and your subscription to Today's Photographer
will continue. We will ATTEMPT to bring each member the best possible IFPO benefits. If you DO NOT
upgrade, however, we cannot GUARANTEE the results in the future that you have experienced in the past, in
Yes, I want to Upgrade my IFPO membership
IFPO MEMBER#
Upgrade MEMBERSHIP
name
New IFPO I.D. Card + Certificate PLUS Membership
Verification on the Internet:
KIT:
(opt) business name
SPECIAL OFFER:
700A-UPGRADE $29.00
SHIPPING FREE $0.00
address
city/state
TOTAL
zip/country
$29.00
Mail check or money order to: IFPO 700A-UPGRADE
phone/fax/email
PO Box 777,
To use your credit card:
CALL 1-800-654-9557 or fax: 1-800-283-5989
since 1984
PO BOX 777, Lewisville NC 27023
(336) 945-9867 • FAX (336) 945-3711
www.ifpo.net
46
ORDER by CREDIT CARD, check or money order
❏ Visa, ❏ Mastercard, ❏ American Express, ❏ Optima
card
exp. date
signature
ORDER FORM
or fax:
1-800-654-9557 1-800-283-5989
MAIL ORDERS:
IFPO Order Dept. P.O. Box 777, Lewisville NC 27023-0777 USA
SHIP TO:
ORDERED ITEMS
this is a new address, please update my records
IFPO MEMBER#
ITEM#
DESCRIPTION
PRICE
(needed for “MEMBER ONLY” items or include dues, see page 17)
name
business name
address
city/state
zip/country
phone/fax/email
CHECK or MONEY ORDER Enclosed
($15 service charge on all returned checks)
CREDIT CARD ORDERS
❏ Visa, ❏ Mastercard, ❏ American Express, ❏ Optima
card number
exp. date
signature
ADDRESS CHANGE
MEMBER# REQUIRED!!
NEW address ABOVE (in “SHIP TO:”), OLD address BELOW
print old address, city, state, zip
700A
INFORMATION or CUSTOMER SERVICE: For GENERAL INFORMATION or to
check ORDER STATUS or errors: 1-336-945-9867 weekdays 10:00 -5:00 Eastern time (except
holidays) or use our 24 hr FAX 1-336-945-3711. Mail your requests or queries to: Customer Service, P.O. Box 777, Lewisville, NC 27023-0777.
C.O.D. ORDERS: C.O.D. orders will be accepted for the convenience of customers who want
quick service, but do not wish to use a credit card. C.O.D. orders will be accepted ONLY by calling
Customer Service, 1-336-945-9867. Customer Service is open 9 to 5 Eastern time weekdays.
C.O.D. orders will NOT be accepted by MAIL, FAX, or on the 800 number order line.
You will be required to pay a fee to cover the shipping and C.O.D. fee charged by the carrier.
For orders under $100.00, the C.O.D. handling and shipping charge is $15.00. For orders
$100.00 or more, the charge is $20.00. When you place your order, our customer service representative will give you the total charges for the order. C.O.D. means “Cash On Delivery.” When
your package arrives, you must pay the carrier in cash or money order!
Membership Upgrade Kit (p46)
SHIPPING
& HANDLING
DEPENDABLE DELIVERY BY THE U.S. POSTAL SERVICE.
(Delivery by other carriers by special request only)
USA, CANADA, MEXICO
Order Total
1st Class/Priority
$0 - 25.00................$7.00
25.01 - 75.00................$9.00
75.01 - 150.00..............$12.00
150.01 and up..............$17.00
(U.S. Dollars)
(U.S. Dollars)
(U.S. Dollars)
(U.S. Dollars)
DAY add just $20 more to above table.
UPS NEXT
SECOND DAY add just $12 more.
SHIPPING & HANDLING: Shipping & Handling charges must be added to each order.
INTERNATIONAL (outside USA/Canada/Mexico)
SATISFACTION GUARANTEED: All of our merchandise is 100% guaranteed. If for any
$0 - 25.00..............$11.00
25.01 - 75.00..............$16.00
75.01 - 150.00..............$26.00
150.01 and up..............$36.00
reason you are not satisfied, we will refund your money or send a replacement, no questions asked.
Call Customer Service at 1-336-945-9867 about RETURNS, EXCHANGES or REFUNDS. Shipping or C.O.D. charges will NOT be refunded under any circumstances. Refunds will not be made
for used merchandise or items held by the customer for more than 30 days. Video Cassette Returns
may be subject to a restocking fee. To qualify for a refund, merchandise must be returned in the
same condition it was received with packing slip within 30 days. Postage due packages will not be
accepted. Send returns via US MAIL to Customer Service, PO Box 777, Lewisville, NC 27023.
MAIL ORDERS:
$29
Order Total
Air Mail
(U.S. Dollars)
(U.S. Dollars)
(U.S. Dollars)
(U.S. Dollars)
TOTAL ORDER AMOUNT
IFPO Order Dept. P.O. Box 777, Lewisville NC 27023-0777 USA
ORDER TOLL FREE 24 hours 7 days
ORDER FORM 1-800-654-9557
www.ifpo.net
47
and
m
e
D
r
ula
By Pop
NOW ONLINE . . . .
Today’s SPORTS magazine
Thanks to the UNLIMITED POTENTIAL of the Internet and IFPO’s aggressive leadership in electronic publishing, IFPO
is able to bring new muscle to the large number of IFPO members who are interested in sports photography.
Today’s Sports magazine is an On-Line electronic publication with the capacity to promote and publish ALL of it’s
SPORTS Photographer’s photos. A print magazine could NEVER MAKE SUCH a promise.
1. TESTED The Today’s Sports Credential Program is a result of carefully reviewing every “gain access” situation
experienced over
the past 15 years. We expect this new program will achieve markedly increased results accross the board, for all kinds of events, all
over the world.
2. ISSUING INFORMATION has been added to the credentials which is extremely valuable for gaining access in those particularly tough situations when credentials are being scrutinized for every piece of validating information. Nationality, sex, date and place
of birth add verifiable information often required by uniformed officials in law enforcement, fire and emergency, the military, customs
and immigration.
3. CLASSIFICATION is now based on a full 4-tier range of publishing credits starting at A for yet-to-be published photographers
and reaching to AAAA for those who are published frequently.
4. COMPLETE BUNDLE of all credentials and Internet Verification is automatically shipped to those who enroll in the Today’s
Sports Program. Members no longer have to decide whether the Badge style or Passport style credential works better for the events
they cover or whether covering weekend or after-hours events warrants the Internet Verification option or not. You get it all.
5. INTERNET VERIFICATION All Today’s Sports Credentials holders will be assigned a verification code printed on the face of
all the credentials. This code can be used to verify your assignment status with Today’s Sports magazine by press officials 24 hours a
day EVERY day from anywhere in the world. The Internet Verification site is at www.aipress.com/verify.
6. VERIFICATION UPDATES Now you can go online using your Verification Code and update your own Assignment Verification record. You can change your mailing address, add an email address or change other contact information in seconds.
7. PUBLISHING CREDITS Now you can actually display the names of the publications that have published your photos right on
your Internet Verification site so press officials can see your breadth of experience. And... you can use your Verification Code online
and update your list of publishing credits as often as you like, without having to call the American Image office.
8. RECENT ASSIGNMENTS Now you can display your recent assignments on your Verification site so press officials can see
what kind of events you’ve been covering. And... you can use your Verification Code online to update your display of recent assignments as often as you like.
9. NEW LOW PRICE of only $99 is a full $129 SAVING off the price of the previous program for all the credentials and options. But
remember, the programs are not equivalent.
10.NEW FEATURES Even at the same price, the Today’s Sports program has features enumerated here that aren’t even available
in the previous program. The addition of door-opening “Publishing Credits” and “Recent Assignments” alone may achieve more in
gaining new access as our original Press Program concept born in 1985.
The American Image Press Photographer’s Code of Ethics
• Stay within the boundaries of the photographers’ area. Never interfere
A press photographer’s reputation is often based on his own code
of ethics. Although getting the story is the ultimate goal, ethical standards can “make or break” a career. As a press photographer, it is
your duty to document newsworthy happenings — never altering circumstances or interfering with action to enhance your photographs.
Your photos should tell a story just as it happened. Meeting the high
standards of good press photography requires patience, determination and a strong set of ethics which can be the difference between
success and failure.
First, foremost and always remember that Press access is a privilege not to be abused. Use the following Code of Ethics to guide
you:
•
•
•
•
• Arrive early — at least 45 minutes to an hour before the event is •
scheduled to begin — in order to check in, find the press area, check
•
out the stage or facility lay-out and choose a vantage point.
• Never show up for an event unprepared. Not only should you have all
the proper equipment, you should have a basic knowledge and under•
standing of the event. Do your homework!
• Try to work with promoters and authorized officials rather than against
•
•
them.
Conduct yourself in a professional manner at all times. Photographers
who complain or cause problems aren’t likely to be admitted again.
Don’t just start shooting. Take time to think about what you’re covering.
48
with the action, criticize a player or performer or interrupt an authorized
official.
Have patience. Resist the urge to inconvenience other photographers
by changing spots. Your opportunity will come.
Although it can be necessary to fight for a good position, always be
courteous. You’ll find other photographers are usually willing to share
their space -- if you offer them the same courtesy. Try your best to get
along with other members of the press.
Always live up to your obligations to promoters and publications.
If you agree not to sell the photos commercially, DO NOT break this
agreement.
Always clean up after yourself -- film wrappers, etc.
Never photograph anyone in a compromising situation (backstage,
locker rooms) unless it’s a public figure in a public place which qualifies
for news. Don’t abuse the privileges you have been granted.
Always remember you are a photographer on the job -- not a spectator.
Finally, the nature of breaking news makes preparation impossible. However, when you arrive on the scene, you are a press photographer -- expected to live up to the same ethical standards you
have learned to display at scheduled media events. With practice
and common sense, high ethical standards should some as naturally as pressing the shutter. Ω
www.ifpo.net
Today’s SPORTS magazine
SPORTS’ CREDENTIALS
state-of-the-art features get you and your
camera to the action better and quicker
than ever.
TODAY’S
Assignment Letter
All of Today’s Sports Credentials holders are automatically assigned a verification
code printed on the face of all
the credentials. This code can
be used to verify your assignment status with Today’s Sports
magazine by press officials 24
hours a day EVERY day from
anywhere in the world.
magazine
John H. Bluhm
Assignment
Verification
Code: Sports
10474BLU
Today's Sports Magazine
INTERNET VERIFICATION:
Now a standard part of
Today’s Sports Credentials
SPORTS
TOGRAPHER
PRESSThisPHO
is to certify that the bearer:
John H. Bluhm
LU
CODE is 10474B
whose ASSIGNMENT VERIFICATION
Badge
PRESS
below, is a correspondent photograand whose signature and photo appear pher magazine. This photographpher on assignment for Today's Photogra
and local interest including concerts,
er will be covering events of national special programs. American Image
conventions, breaking news, sports and
bearer be granted permission to work
Press respectfully requests that the
While in this capacity, the bearer
as a Press Photographer in your domain.
state and local regulations.
will comply with all existing federal,
__________
________________________________
Photography Editor
PHOTOGRAPHER
TODAY’S
SPORTS
TODAY’S
SPORTS
magazine
John H. Bluhm
Assignment Verific
code: 10474BLUation
Wallet I.D.
magazine
Sports Passport
PRESS PHOTOG
signature
CLASSIFICATION:
John H. Bluhm
AAA
ASSIGNMENT VERIFICATION CODE:
#10474BLU
RAPHER
EVERYTHING INCLUDED
PRESS PHOTOGRAPHER
EASY TO ASSEMBLE AFTER PLACING
YOUR OWN PHOTO
SPOR TS CREDENTIALS ENR OLLMENT FORM
Cat#
name ___________________________________________________________________
address _________________________________________________________________
city/st/zip ________________________________________________________________
phone/fax ________________________________________________________________
email/U.R.L. ____________________________________________________________________
Nationality: ___________________________________________________
Sex: ________________________________________________________
Place of birth: __________________________________________________
Date of birth: __________________________________________________
A
Not yet published
AA
AAA
❐
❐
❐
❐
❏
Description
Price EA.
602TS SPORTS CREDENTIALS
$99.00
(Renewable in 3 years)
Includes:
• TODAY’S SPORTS Passport
• TODAY’S SPORTS Badge Card I.D.
• TODAY’S SPORTS Wallet I.D.
• TODAY’S SPORTS Official Letter of Certification
placing you on assignment for American Image
Press andToday’S Sports online magazine.
• Sports Assignment Verification on the Internet.
• Sports Assignment Request Form and How to Use
Your Sports Credentials.
❏
❏
Checking this box confirms that I have read,
understand and agree to comply with the Press
Code of Ethics published on the opposite page.
$9.00
1. ____________________________________________________
2. ____________________________________________________
3. ____________________________________________________
expiration date
signature __________________________________________________________________
1-800-654-9557 1-800-283-5989
IFPO PRESS OFFICE, P.O.Box 777, Lewisville NC 27023-0777 USA
or fax:
MAIL ORDERS:
www.ifpo.net
PRSRT STD
US POSTAGE
PAID
BANGOR ME
PERMIT NO 112
TODAY’S PHOTOGRAPHER
P.O. BOX 777, LEWISVILLE, NC 27023-0777
MEMBERSHIP FORM
RS • ORGA
HE
NI
AP
NAL • FRE
TIO
EL
NA
• PHOTO
CE
GR
AN
IFPO
N
TIO
ZA
• INT
ER
ABOUT YOU:
IFPO’s 18 PROVEN PROGRAMS on page 17
Which best describes your photography:
❏ I am a beginner or amateur
❏ I am an advanced amateur or Part-Time Pro.
❏ I am a full-time professional.
I want PRESS ACCESS with my camera:
❏ Sports events.
❏ Crime scenes.
❏ Concerts.
❏ Fire scenes.
❏ Breaking news.
❏ Press conferences.
❏ Celebrity events. ❏ Entertainment events.
Check each area that interests you strongly:
❏ Press photography. ❏ Sports/Action.
❏ Nature/wildlife.
❏ Travel photography.
❏ Videography.
❏ Advertising.
❏ Glamour.
❏ Commercial.
❏ Wedding.
❏ Portrait photography.
Are you available for photo assignments?:
❏ YES.
❏ NO.
• Enroll me as an IFPO Member and send my Membership Card and
O
rder the
famous
Parchment Certificate + Complete Membership Packet. I enclose $68 for
IFPO P
atches Membership and Subscription to Today’s Photographer Magazine PLUS
see pag
e 25
$6 for priority handling and First Class Mail of my Membership Packet
($74 TOTAL).
__________________________________________________________________________
• My membership packet will include details
on how I can participate in IFPO's
PROVEN PROGRAMS for getting
PUBLISHED, making MONEY and
gaining PRESS ACCESS with my camera.
name
__________________________________________________________________________
__________________________________________________________________________
address
__________________________________________________________________________
city/st/zip
__________________________________________________________________________
phone number/FAX number
ENCLOSE CHECK, MONEY ORDER
OR PAY BY MAJOR CREDIT CARD
expiration date
To join IFPO by mail, use this form or the order form on page 47 and send your dues to:
IFPO, P.O. Box 777, Lewisville, NC 27023-0777 USA
OR use your credit card and: CALL FREE
1-800-654-9557 or FAX 1-800-283-5989
E TO FREELANCING
THE PROVEN BRIDG
•
GE
APHER
GR
•A
TO
CA
ERI N IMA
M
CORRE
SP
PRE SS
PRESS CREDENTIALS
page 10
Go On-Assignment for
Today’s Photographer Magazine
STOCK
GALLERY page 18
Start Selling Photos You Already Have
MODEL
CONSULTING page 30
Search for New Faces & Figures for Cash!
DENT PHO
ON

2005 annual - International Freelance Photographers Organization

Transcription

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