On Golden Pond Program Readerspreads-4-12

DIRECTED BY RICHARD GARVIN
Stockton Civic Theatre presents
its 369th Main Stage Production
GOLDEN
POND
ON
BY
ERNEST THOMPSON
Set Design . . . . Brian Johnson
Lighting Design . . . . Hugh Litfin
Sound Design . . . . Brian Johnson
Costumes . . . . Liz Kastner-Garvin
Stage Manager . . . . Edie Nayer
Assistant Director . . . . Shawn Carrington
Directed by
RICHARD GARVIN
On Golden Pond is presented by special arrangement with
DRAMATISTS PLAY SERVICE
440 Park Avenue South, New York, NY 10016
H
ello, and welcome to the land of the loons On
Golden Pond.
It’s season ticket renewal time for the 2012-2013 season.
It is a blockbuster season and one you won’t want to miss.
Grease …. September 5-30, 2012
White Christmas …. November 14-December 9, 2012
Lend Me A Tenor …. January 9-27, 2013
Little Shop of Horrors …. March 6-31, 2013
The Ritz …. May 1-19, 2013
Anything Goes …. June 26-July 21, 2013
I think you will agree that it’s going to be a great year at Stockton Civic Theatre.
I love On Golden Pond, maybe because I am getting to the age where I really understand it! It is truly humorous and heartfelt, and the movie starring Katharine Hepburn
and Henry Fonda really made the play accessible to everyone. Richard Garvin has
assembled a fine cast including Sherry Dumos and Dalin Nelson who are making their
SCT debut, and several faces you will recognize and gladly welcome back to our stage,
Rocky Rhoades, back after too long an absence from our family. We welcome them all!
Thank you for supporting Stockton Civic Theatre!
Jim Coleman
Artistic Director
DIRECTOR’S NOTES
by Richard Garvin
O
n Golden Pond is a play about “family” and all the baggage
that goes along with it. It is sweet and though provoking –
sometimes uncomfortable, and will most certainly bring a tear to
your eye and will undoubtedly make you laugh out loud. When I
first saw the film, I was at the Pacific Conservatory of Performing
Arts in Santa Maria, CA studying acting. I was young and away from home for the first
time and it had a powerfully emotional effect on me. Since that time I have been fortunate enough to see two professional stage productions. A family dynamic is often like a
battlefield, creating walking wounded who spend entire lifetimes wondering why and/or
trying (or not) to fix something that did or did not happen. For whatever reason we are
sometimes scarred as children– and as we mature we find ourselves with emotional holes
that continue to grow throughout our lives. If these holes are not filled before we become
adults, that part of us will never grow up and will affect and haunt us throughout our
days. I have such a hole that I have been trying to fill for the last 40 years. It has had a
profound effect on my life, my decisions, my relationships. Having the opportunity to
work on this play has given me cause to think about my “hole” and what I might need to
do to fill it. I think that the best way to “survive” our dysfunctional family dynamics is to
embrace a “Life Is Short” attitude and decide if we want to survive and grow, or succumb
and die. It is important to realize that our parents did what they knew how to do and
couldn’t or wouldn’t make the necessary changes needed to keep the holes from starting
or filling them when they did. One of the hardest things for adults to do is embrace and
forgive the bad (or perceived bad) things in their childhoods.
I could not feel more fortunate than to have the wonderful cast of players bringing
these characters to life. Unlike the movie, which is very sad, the play has a lot of laughter
and joy, as well as emotion and tears.
In addition to my wonderful cast, I would very much like to thank everyone who
worked so hard to put this play on its feet. As they say, it takes a village to raise a play!
Thank you all of the technicians – light, sound, stage, the people who donated the trees,
the front of house – ushers, box office, concessions, house manager, the construction crew
who worked so tirelessly with Brian Johnson to bring our pond to life, costumes, props –
and of course, the audience. I am lucky as a director to have such a wonderful production
team who has been with me for several shows now. My long suffering stage manager, Edie
Nayer, my wife Liz Kastner-Garvin who does my costumes, Brian Johnson who is the best
set designer I have ever had, Putsy Lew-Hong who scours the city for just the right prop,
and thanks to Jim Coleman for bringing the play to SCT and giving me the opportunity
to bring it to life. I also want to give a special thank you to my Assistant Director, Shawn
Carrington, who did such a wonderful job and had really terrific instincts.
This play has a way of bringing all of the baggage to the center of the stage and airing
the dirty laundry. It is touching and sometimes uncomfortable but it will make you think,
it may make you cry, and I certainly hope that it makes you laugh. So bring your shovel
and start to fill in your holes before it’s too late. Welcome to On Golden Pond.
Richard Garvin
Norman Thayer Jr . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Michael Stratford
Ethel Thayer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sherry Dumos
Charlie Martin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Rocky Rhoades
Chelsea Thayer Wayne . . . . . . . . . . . . . . . . . . . . . . . . Jennifer Nelson-Burgher
Billy Ray . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Dalin Nelson
Bill Ray . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Richard Garvin
Operator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Karie Nelson
Scene Breakdown
Act 1, Scene 1 . . . . . . . . . . . . . . . . . . . . . . The middle of May, early afternoon
Act 1, Scene 2 . . . . . . . . . . . . . . . . . . . . . . . . The middle of June, mid-morning
Act 1, Scene 3 . . . . . . . . . . . . . . . . . . . . . . . . . The middle of July, early evening
There will be a 15 minute intermission
Act 2, Scene 1 . . . . . . . . . . . . . . . . . . . . . The middle of August, early morning
Act 2, Scene 2 . . . . . . . . . . . . . . . . . . The middle of September, late morning
Acknowledgements
o
Special Thanks to:
James S. Jones, Artistic Director, Tokay High School
Kerry Baldwin
Manny Moreno
Marvin Williamson
(in order of appearance)
Michael Stratford– Norman Thayer Jr.
Michael is no stranger to
the SCT stage having
appeared in four previous
productions, beginning
with Kiss Me Kate in
2005. He won a Best
Actor Willie for his role
of Sheriff in Best Little Whorehouse in Texas
and Best Supporting Willie for his portrayal
of Reverend Hooker in Dearly Departed.
He was also seen in The Producers. Other
major performances were in Sleuth, Macbeth,
and Hamlet, all at Rocky Mountain College
in Montana. His day job is as a teacher and
English Department Chair at Cesar Chavez
High School. Also a writer, he has just started
writing his fifth novel.
Sherry Dumos – Ethel Thayer
This will be Sherry’s
debut performance on
the SCT stage. However,
she comes with theatre
experience, having performed as the Wicked
Witch of the West in
Wizard of Oz at Playhouse Merced, Anne
Putnam in The Crucible at Stage 3 in Sonora,
and Baroness Elsa Schrader in The Sound of
Music at Fallon House in Columbia. With a
Bachelor of Arts Degree in Business, Sherry
serves as a bookkeeper in Oakdale for
Mozingo Construction.
Rocky Rhoades – Charlie Martin
Rocky is happy to return
to SCT after a long hiatus. This will be his first
appearance on the stage
here at the Rosemarie
location. His previous
SCT theatre credits were
all earned at the old Madison Street site.
His first role was in Love, Sex and the IRS
followed by Buloxi Blues, and he also directed
Angry Housewives. In Lodi he appeared on
the Tokay Players stage in True West.
Jennifer Nelson-Burgher – Chelsea
Thayer Wayne
Jennifer started early
with SCT appearing in
the Children’s Theatre
production, Toad of
Toad Hall. This was followed by a role in Stop
the World, I Want to Get Off, and most
recently in this season’s Dearly Beloved.
Earlier theatre experiences came while at
Stagg High School, Delta College, and
Chico State in such productions as Fiddler
on the Roof, Flower Drum Song, and Guys
and Dolls. A realtor with Lela Nelson Realty,
Jennifer enjoys exploring alternative healing
modalities, using yoga and positive intention
to obtain balance and well-being. She is
thrilled to be in the debut show of her
nephew, Dalin Nelson.
by
th
he
aU
ng
Dalin Nelson – Billy Ray Jr.
A student at Joe Serna Jr.
Charter School, this is
Dalin’s debut performance on the SCT stage
with his mom Karie and
aunt Jennifer. He plays
baseball, loves to travel, and will be traveling
to Cooperstown. He also swims and plays
water polo. Says Dalin, “And I really am 12!”
Richard Garvin – Bill Ray
Richard first appeared in
the 1976 production of
She Stoops to Conquer,
followed by Angels in
America, The Producers, and most recently
Dearly Beloved. He also
directed and won a Best Production Willie
for Run for Your Wife. Richard came to
SCT with an extensive theatre background
including training with the Pacific Conservatory of the Performing Arts of Allan
Hancock College.
Karie Nelson – Operator
Karie’s first SCT show
was Stop the World, I
Want to Get Off. Her
latest was this season’s
Dearly Beloved. A teacher by day, she earned
her B.A. in Liberal Studies
at CSU Stanislaus, and a Masters Degree in
Multilingual Education. She is proud to be
sharing the stage with her son, Dalin, in his
first show ever.
Meet the Staff
Richard Garvin – Director
See Cast Bio.
Shawn Carrington – Assistant
Director
A drama director at Alan
Short Center, Shawn has
performed in numerous
SCT productions, his
first being You Can’t
Take It With You in
1994, and the latest 42nd Street. Other
shows include The Piano Lesson, Fences, La
Cage Aux Folles, The Secret Affairs of Mildred Wild, Annie Get Your Gun, and The
Full Monty. He earned Willie Awards for his
performances in The Piano Lesson and
Fences. Shawn will be making his directing
debut next season with Lend Me a Tenor.
Brian Johnson – Set Designer/
Scenic Artist
Brian began his SCT
affiliation with performing roles in Nunsensations and Wait Until
Dark, then moved on to
scenic design. He has
received Willie Awards for designs of
Cinderella and Run for Your Wife. He
designed last season’s 42nd Street and this
season’s Hairspray. He earned high praises
and a special Willie for his use of mixed
media-live action, video and recorded sound
in Joseph and the Amazing Technicolor
Dreamcoat. Brian is a licensed contractor
whose work can be seen at Johnson Custom
Painting.com.
Special Dedication from Brian:
“During the building of this season’s Hairspray
set, my loving grandma, Barbara Harmon
Johnson, passed away. She was an amazing
artist, and I grew up seeing her drawings and
watercolor paintings on the walls of our home
and in the mountain cabin my folks owned. She
truly inspired me. I would see her sit and
draw… simple lines that slowly took form into
beautiful pictures that ended up framed and
admired forever. I know she did other things in
life, but for me growing up, her “occupation”
was artist. That’s what she did… and that’s
what I wanted to do. Her and my grandpa’s
love of the outdoors had the family exploring the
wilderness as soon as their children could walk.
My dad then carried it on with our family, giving me an understanding and appreciation of
the world beyond asphalt and track homes.
Designing the setting for Golden Pond reminds
me of the wonderful times I spent at the cabin or
in the forest with Grandma and the rest of the
family, so I wish to dedicate this set to her, and
those wonderful memories. May we all be blessed
to have time to spend with those we love.”
Hugh Litfin – Lighting Design
Hugh is returning to
SCT, this time as lighting designer. His last
work here was as co-scenic designer for You’re a
Good Man Charlie
Brown, for which he received a Willie nomination. This was Hugh’s third production of
Charlie Brown, his first in 1979. He works as
a director of photography for film and television and as a lighting and scenic designer for
the theatre. He teaches film production at
the Academy of Art University and lives in
Lodi with his family.
Edie Nayer – Stage Manager
Ironically, Edie’s first
involvement with SCT
was in the 1985 production of On Golden Pond.
She has come full circle
now with the current
production. In between
she has been very busy with SCT, performing in Stepping Out, Christmas Carol, and
Once Upon a Mattress. She directed It Had
to Be You, and has been assistant director for
six other shows. In addition, she has been
stage manager for several shows, as well as
serving as deck manager and working the
light and sound boards. She was editor of the
theatre’s programs for 6 years. Her work has
earned her both the Dora Belle Howard
Award and the Layne Fields Award. Now
retired, she taught for 36 years at Franklin
High School.
Liz Kastner-Garvin – Costumer
Liz started with SCT as a
“techie” in 1993. Since
then, she has taken on
almost every job including stage manager, production manager, lights,
spots and props, and
costume design. She was nominated for a
Willie Award for her costume designs for
Run For Your Wife. She has also performed
onstage in Lil Abner, The Miser, The Children’s Hour, and most recently Dearly
Beloved. With her husband Richard, she
entertains a menagerie of three dogs, two
cats, and a bearded dragon.
Mark Sorenson – Scenic Artist
Mark has worked on numerous shows with
set construction and scenic art including
Cinderella, Annie Get Your Gun, Dearly
Departed, 42nd Street and Annie, Jr. An art
graduate from Sacramento State, he is an inhouse artist for Trader Joe’s. He thanks Brian
Johnson for giving him the opportunity to
work with him again and learn “the tricks.”
Staff and Crew
Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Richard Garvin
Assistant Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Shawn Carrington
Technical Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Terry Smith
Set Design . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Brian Johnson
Light Design . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Hugh Litfin
Sound Design . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Brian Johnson
Stage Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Edie Nayer
Costumer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Liz Kastner Garvin
Property Mistress . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Putsy Lew Hong
Light Board Operators . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Putsy Lew Hong
Sound Board Operators . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Carol Barry
Scenic Artists . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Brian Johnson, Mark Sorenson
Crew . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Fred Avila, Steve Orr, Jacob Saldan,
Larry Streeter, Chris Small, Jeremy Whalen
BOARD OF DIRECTORS
President . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Allison Cherry Lafferty
Immediate Past President . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Lorrie Docter
Vice President, Fundraising . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . John Cammack
Vice President, Educational Programs . . . . . . . . Dominée Muller-Kimball, Ed.D.
Vice President, Finance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Richard Ceresa
Vice President, Volunteers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jay Judith Holmes
Secretary . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Teresa Hickey
Artistic Committee Chair . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Barbara Crocker
Directors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Teresa Bavinder, Elizabeth Costello
THEATRE STAFF
Artistic Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jim Coleman
Business Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Patrick Rogers
Director of Marketing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Nick Elliott
Technical Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Terry Smith
Office Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Charlie Kirby
Box Office Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Araceli Corona
Footlighters Chairs . . . . . . . . . . . . . . . . . Judy Caruso Williamson, Putsy Lew Hong
Stockton Civic Theatre
2312 Rosemarie Lane, Stockton, CA 95207
Business Office: (209) 473-2400 • Box Office: (209) 473-2424 • FAX (209) 473-1502
Info@sctlivetheatre.com • www.sctlivetheatre.com
Program Coordination by Nick Elliott • Photography by George Hong
Printing by Duncan Press, Lodi, CA • Advertising Sales Rep, Nick Elliott
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John Falls
Mel & Harriet Corren
Ross & Marilyn Bewley
Pat & Lloyd DeBock
Marilyn Dietrick
Margie & Doug Eberhardt
Robert & Barbara Foy
Jack & Bette Gianelli
Lee & Midge Hall
George & Putsy Hong
Doris Musfelt
Liz & David Rea
Pat & Coraleta Rogers
Mitzi & Russ Shepherd
Nancy Spiekerman
Marvin & Judy Williamson
Margo & Warren Wise
Doug Grotemeyer
Nick Elliott & Bill Grotemeyer
Jill Hatanaka
Marilyn Liversedge
Pat & Coraleta Rogers
Willard Rieger
Pat & Coraleta Rogers
Dori Polson
Marvin & Judy Williamson
Jim Limbaugh
Joan Limbaugh
**Denotes Donor in 2011/12 Winter
Fund Drive.
The Economics of Community Theatre
theatre would have plenty of money.
expenses. And, without the generosity of the many volunteers who donate their time
and talent—from the actors and set builders to the ushers and stage crews—it would
not even cover that.
For other needs, we must reach out to the community for funding of operating
Become a Sustaining Member as an Individual. For over 60 years, we have been bringing
artistic, live theatre to the Stockton area. If you are not already a member of our theatre
family, won’t you please consider joining us now? Just complete the form at the bottom
Consider Sponsorship by Your Business. Businesses have many opportunities to
sponsor special events or productions. For more information call 473-2400. Your
contributions are tax deductible!
✁
Stockton Civic Theatre – Sustaining Membership Gift Card
Gift Amount:
❐ $1,000 Angels’ Circle
❐ $500 Benefactors’ Circle
❐ $250 Producers’ Circle
Payment:
❐ Check
❐ $100 Members’ Circle
❐ $50 Actors’ Circle
❐ $________ Other
❐ Credit Card
Credit Card #
Exp.
Signature
Name (Please Print)
Address
City
Phone
State
ZIP
Email
Please return this form to the box office or mail to:
Stockton Civic Theatre • 2312 Rose Marie Lane • Stockton, CA 95207
13
VISIT OUR
MEMORY BOUTIQUE
Read all about SCT’s 60 years of making
American community theatre history
in this book, compiled by the SCT
Archive Committee.
Proudly wear an SCT t-shirt
and promote our theatre.
Polo shirts also available for $15.
Inquire at Boutique.
Both items now being sold at show intermissions and at the theatre
Box Office. For more information, call (209) 473-2424.
Featuring:
Fashionably
Early Dinners
$15
Tapas Tuesdays
Wine Wednesdays
Happy Hour
Children’s Menu
$5
(209) 473-7300
3499 Brookside Road
Suite A
2333 Pacific Avenue
(Miracle Mile)
www.mezzostockton.com
209.462.5283
STOCKTON CIVIC THEATER
extends its grateful thanks to
for providing ON GOLDEN POND
opening night refreshments
Quail Lake Shopping Center
4719 Quail Lakes r., Ste
209-478-9827
www.pakmailstockton.com
B
$2050
209 476 1500
R FE # 397002881
Wh
Q
O
E
Da !
duncan
press
Since 1955
Quality Commercial Printing
25 West Lockeford St. • Lodi, CA 95240
Lodi: (209) 334-6000
Stockton: (209) 462-5245 • Fax: (209) 334-0853
orders@duncanpress.com • www.duncanpress.com