PROGRAM PRICE - Ballarat International Foto Biennale

Transcription

PROGRAM
PRICE
GOLD COIN
DONATION
FESTIVAL PROGRAM > 22 AUGUST - 20 SEPTEMBER 2015
DOROTHEA LANGE
BALLARAT INTERNATIONAL FOTO
BIENNALE INC.
A0045714L
ABN 70496228247
BALLARAT OFFICE
UPSTAIRS AT THE MINING EXCHANGE
12 LYDIARD STREET NORTH
BALLARAT 3350
POSTAL ADDRESS
PO BOX 41
BALLARAT
VICTORIA 3353
CONTACT DETAILS
Phone: +61 3 5331 4833
Email: info@ballaratfoto.org
Web: www.ballaratfoto.org
Skype: ballaratfoto
ACKNOWLEDGEMENT OF TRADITIONAL
OWNERS
The Ballarat International Foto Biennale takes place on country of
which elders and members of the Wathaurong peoples and their
forebears have been custodians for many centuries.
On this land their people have performed age-old ceremonies of
celebration, initiation and renewal. We acknowledge their living
culture and the unique role in the life of this region.
All content is © copyright of the Ballarat International Foto
Biennale 2015 or © copyright of participating artists, and may not
be reproduced without the express written permission of the BIFB.
Inc. save for fair dealing for the purposes of research, study, review,
reporting news.
Cover Design
Lara Russell, Firebird Studios
MESSAGE FROM THE BIFB CHAIRMAN
PHILIP HARRINGTON
Photography is a universal art form. These days, it seems everyone
has a camera, whether it be a complex DLSR unit with full-frame
sensor and interchangeable lenses or a simple point ‘n’ shoot that is
incorporated into a mobile phone.
Every day, millions of photographs are taken, printed, uploaded
and viewed. Creating a photograph requires no special skill, though
having a good eye will sort the good from the bad. Post-production is
a different matter. The process can be simple or complex, depending on
the demands of the picture… technical prowess doesn’t always produce
the best results!
Like all art forms, appreciation of a photograph is in the eye of
the beholder. The Ballarat International Foto Biennale aims to
educate, inspire, provoke and question by presenting photography
from all points of the globe. Our key focus is, of course, the biennial
festival, but we also communicate our love of photography through
exhibitions, events and workshops and various online publications and
programs.
The 2015 festival is our fourth in Ballarat. This year we expect to
attract more than 60,000 viewings across more than 200 events in
over 90 venues throughout the city. We’re thrilled at the growth we
are witnessing.
The core program features invited exhibits by 21 Australian and
international photographers to be staged at seven major venues
throughout the city, all within easy walking distance.
The fringe program is open entry and city-wide exhibitions will be
staged at various venues including cafes, restaurants, galleries and
commercial and community spaces. In addition to photographic
exhibitions we’re hosting workshops, seminars, portfolio reviews,
projection programs and other special events. There really will be
something for everyone.
Of course, to produce such a myriad of events requires an enormous
amount of planning, organisation and effort from a large number of
people. A collaborative effort from Jeff Moorfoot, our Creative Director,
Steve Marshall, our Executive Director, the many “hands on” Board
Members and a great contingent of volunteers make it all happen.
On behalf of the Board, I hope you can get to see as many exhibits as
possible and that you thoroughly enjoy the experience.
ACKNOWLEDGEMENTS
THANK YOU
Paul ATKINS
Ammon BEYERLE
Daniel BOETKER SMITH
Sarah BRENNAN
Gerard BRENNAN
Julian BURNSIDE
Francoise CALLIER
Sandra CHEN WEINSTEIN
Daniel COBURN
Peter COCKLIN
Marie COSGRAVE
Deb COUGHLAN
Ben COX
Judith CRISPIN
Paul CULLITY
Liz CUMMINS
Jeremy DAALDER
Julia DURKIN
Peter EASTWAY
Brett EDGINGTON
Michelle EMMA JAMES
Joyce EVANS
Steven EVANS
Alasdair FOSTER
Malcolm FRASER
Peter FREUND
Manuela FURCI
Mark GAFEN
Roger GARWOOD
Rob GATTO
Michael GELLERT
Glenn GIBSON
Brian GILKES
Brian GRACEY
Peter HATZIPAVLIS
Daniel HENDERSON
Michael HENRY
Sam HENSON
Sara HINCHEY
Shelley HINTON
Hugh HUTTON
Rob IMHOFF
Kay JACKSON
Guo JING
Jennifer JONES O’NEILL
Jo KRUZE
Philip KULPA
Terry LANE
Rupert LAYCOCK
Toby LE VALIANT
Jessica LIM
Amy LIU
Genevieve MANLEY
Jessica MARSHALL
& Levi
MANAGEMENT
Erin MCCUSKEY
Julie MCLAREN
David MCMAHON
Tamela MCMAHON
Rob MCVITTY
Andrew MILLER
Gordon MORRISON
Julie MOSS
Wayne PARDEY
Senga PECKHAM
Kim PERCY
Stephen PIGGOT
Tara POOLE
Darren ROKAHR
Heidi ROMANO
Brendan SAINSBURY
Marta SANCHEZ PHILLIPE
Madeline SAY
Rod SHAW
Keith SHIPTON
David SIMMONDS
Mark SMITH
George SOSSI
Alison STIEVEN TAYLOR
Alex SYNDIKAS
Tevita TOPUI
Garry TRINH
Roger TRUDGEON
Gary UPTON
Phil VIRGO
Peter VOTERAKIS
Helen WATKINS
Jarrod WATTS
Jacinta WESTBROOK
Bruce WILLIAMS
Morgan WILLIAMS
Ben WRIGLEY
Jeff Moorfoot
Steve Marshall
Pam Verwey
PATRONS
Creative Director/BETA editor
Executive Director
Fringe Program Coordinator
Julian Burnside AO QC
2015 PATRON CIRCLE
PROFESSIONAL SUPPORT
Lara Russell
Firebird Studios
Sam Brown
Melanie Negri
S Morgan Creative
Penelope Crabtree
Fiona Brook
Zilla & Brook
FESTIVAL PATRON
PLATINUM PATRONS
Designer
Publications design
Design Assistant
Publicist
Alastair Firkin
Bill Bowness
Guy Vinciguerra
Helen Myall
Jeff Moorfoot
Michael Prior
Pang XiangLiang
Sara Hinchey
ADMINISTR ATIVE SUPPORT
EMERALD PATRONS
Anne Nelson
Conor Fogarty
Craig Townsend
Denise Martin
Helen Watkins
Ian Kemp
Jennifer Dean
Jennifer Scuffins
Mark Avellino
Maurizio Salvati
Michael Lim
SAPPHIRE PATRONS
INTERNS
Michael Bruse
Stacey Wilson
Zac L Petrie
Bookkeeper
Editor
Launch Events
Travelling Exhibitions
Bookkeeper
Volunteers Coordinator
Assistant to Creative Director
Executive Assistant
Projections Coordinator
Portfolio Reviews Coordinator
1000 words editor
Accounting Intern
Festival Office Intern + Membership Coordinator
Marketing Intern
Al Ebenreuter
John Smallman
Joyce Evans
Madeline Alford
Mike Reed
Carolyn Buckley
Emma Stoneman
Maggie Diaz Collection
Ollie Cool
Peter Dunphy
BIFB INC. BOARD
Philip HARRINGTON - Chair, Treasurer
Vanessa Brady - Director, Secretary & Public Officer
SOCIAL MEDIA CREW
Gerard Domingo
Greg Masters
Michael Masters
MELBOURNE COMMITTEE
Bert Hoveling
Eric Algra
Gerard Domingo
Jennifer Dean
John Callahan
Mark Avellino
BALLARAT COMMITTEE
Aldona Kmiec
Carolyn Buckley
Julie Hough
Lara Russell
Pam Verwey
Scott Fredericks
Vanessa Brady
Amanda Cochran - Director
Caitlin MACLEOD - Director
Craig HOLLOWAY - Director
Fiona Brook - Director
Sarah Masters - Director
MEMBERSHIPS
MEMBER FESTIVAL DE LA LUZ / FESTIVAL OF LIGHT www.festivaloflight.net
MEMBER ASIA PACIFIC PHOTOFORUM www.asiapacificphotoforum.org
MEMBER COMMERCE BALLARAT
www.commerceballarat.com.au
AFFILIATE COMPANION CARD
www.companioncard.org.au
CONTENTS
CORE PROGRAM EXHIBITIONS
Alejandro CHASKIELBERG.........................................................6
Amber MCCAIG.............................................................................6
Angela BACON KIDWELL...........................................................7
Belinda MASON............................................................................7
Ben WRIGLEY...............................................................................7
Boryana KATSOROVA..................................................................8
Darrin ZAMMIT LUPI...................................................................8
Dave TACON..................................................................................9
David A WILLIAMS.....................................................................9
Jurgen SCRIBA..............................................................................9
Jane LONG................................................................................... 10
Leon BIRD................................................................................... 10
Michele VANNIER..................................................................... 11
Mitchell KANASHKEVICH....................................................... 11
Nicolas DHERVILLERS............................................................. 11
PANG Xiangliang....................................................................... 12
Richard MILLOTT (1948-2012).............................................. 12
Sam HARRIS............................................................................... 12
Stephen DUPONT...................................................................... 13
Thomas KELLNER..................................................................... 13
Yurko DYACHYSHYN................................................................ 13
FRINGE PROGRAM EXHIBITIONS
Adelaide Photographic Artists............................................... 14
Aaron Claringbold..................................................................... 14
Alastair Firkin & Helen Myall ................................................. 14
Adam Cornell.............................................................................. 14
Aldona Kmie............................................................................... 14
Allister Crawford....................................................................... 15
Andrew Thomas........................................................................ 15
Amanda Bull ............................................................................. 15
A.K. Henderson.......................................................................... 15
Amy Tsilemanis.......................................................................... 15
Ariel Marti Reyes and Anatoly Luca Reyes.......................... 15
Ballarat Astronomical Society................................................ 16
Arthur Creative Photography................................................. 16
Ballarat High School Students................................................ 16
Members - Astronomical Society of Victoria...................... 16
Brian Chappell............................................................................ 16
Bronwyn Hutton & Wendy Bernhardt
- Happy Ant Photography....................................................... 17
Christine Rowe........................................................................... 17
Charles Murdock....................................................................... 17
Christine Sayer.......................................................................... 17
Chris Crossley............................................................................ 17
Craig Wetjen............................................................................... 17
Daniel Kneebone....................................................................... 18
Damien Orriss............................................................................ 18
Darren James.............................................................................. 18
Daniel Sallai................................................................................ 18
David Curelea............................................................................. 18
Denise Martin............................................................................ 19
Effie Vouyoukas ........................................................................ 19
Dida Sundet................................................................................ 19
Effie Vouyoukas ........................................................................ 19
Donna Crebbin........................................................................... 19
Elaine Batton.............................................................................. 19
Erin McCuskey ......................................................................... 20
Emma Stoneman....................................................................... 20
Film Never Die........................................................................... 20
Eric Algra..................................................................................... 20
Fran Jorgensen ........................................................................ 20
Gabrielle Hingston.................................................................... 21
Ian Kemp..................................................................................... 21
Graphic Design – The Gordon................................................. 21
Isaac’s Son.................................................................................. 21
Gypsy Pennefeather................................................................. 21
Jacqui Martin.............................................................................. 21
James Niven ............................................................................... 22
Jade Smithard............................................................................. 22
Jan Wissfeld............................................................................... 22
Jade Smithard............................................................................. 22
Janet Barker................................................................................ 22
Jeff Moorfoot.............................................................................. 23
John Alcock................................................................................. 23
Jeremy Bannister....................................................................... 23
John Smallman .......................................................................... 23
Jodie Hutchinson....................................................................... 23
John Tozer .................................................................................. 23
Kara Rasmanis........................................................................... 24
Jonquil Mackey and Alan Lee.................................................. 24
Kate Butler................................................................................. 24
Julie Hough................................................................................. 24
Katherine Legudi....................................................................... 24
Keith Melder and Jeff Paine.................................................... 25
Kristin Diemer............................................................................ 25
Kerry Pryor................................................................................. 25
Lawrence Winder...................................................................... 25
Kim Percy.................................................................................... 25
Leadership Ballarat................................................................... 25
Magnet Galleries....................................................................... 26
Lesley Costley-Gray.................................................................. 26
Mal Austin................................................................................... 26
Lynden Nicholls & Anne Richardson..................................... 26
MAPgroup................................................................................... 26
Marcus Thomson....................................................................... 27
Matt Thomson............................................................................ 27
Marie Watt ................................................................................. 27
Melbourne Polytechnic............................................................ 27
Mark Hoffmann......................................................................... 27
Melbourne Silver Mine Inc...................................................... 27
Michele Winsor......................................................................... 28
Michael Masters........................................................................ 28
Michelle Dunn & Alison Shirley.............................................. 28
Michael Prior.............................................................................. 28
Michelle Soh............................................................................... 28
Michelle Williams and Silvi Glattauer................................... 29
Nadia Moth! .............................................................................. 29
Mira Krulic.................................................................................. 29
Neil Cash..................................................................................... 29
Nadia Moth! ............................................................................... 29
Neville Hiatt................................................................................ 29
Nina O’Brien............................................................................... 30
Nick Reid..................................................................................... 30
Oli, Ahmad, John and Morganna ........................................... 30
Nigel Kenny................................................................................ 30
Ollie Cool..................................................................................... 30
Peter Donohue........................................................................... 31
Rebecca Hosking....................................................................... 31
Pippa Wischer............................................................................ 31
Rhonda Baum............................................................................. 31
Raquel Betiz............................................................................... 31
Richard Chenhall....................................................................... 31
VENUE MAP...................................................... 32
Richard White............................................................................ 34
Richard Shaw ............................................................................ 34
Rick Broadway........................................................................... 34
Richard Shaw ............................................................................ 34
Rochelle Wong........................................................................... 34
Sandhya Porritt......................................................................... 35
Scott Fredericks......................................................................... 35
Sandra Chen Weinstein............................................................ 35
Shanna Love............................................................................... 35
Sandra Chen Weinstein............................................................ 35
Silvi Glattauer............................................................................ 35
Stacey Moll................................................................................. 36
Steve Marshall........................................................................... 36
Study Melbourne....................................................................... 36
Susan Nicol................................................................................. 36
The Ballarat Foundation.......................................................... 37
Vicki Mackay.............................................................................. 37
Tim Lucas.................................................................................... 37
Wendy Catling........................................................................... 37
Vanessa Brady .......................................................................... 37
Kate Vivian, Don Butcher, Helen
Lewers & Una Allender............................................................. 37
W.H.A.M Western Highway Alternative Mindset.............. 37
EVENTS, FILMS & SPECIAL EXHIBITIONS........38-39
Artist In Residence.................................................................... 40
In The Breath of Ghosts........................................................... 41
BIFB Prizes................................................................................. 42
Festival Tours............................................................................. 44
CORE
PROGRAM
EXHIBITIONS
VENUE G
VENUE D
VENUES
BALLARAT MINING EXCHANGE
OPEN DAILY.....................10AM TO 5PM DAILY
Angela BACON KIDWELL
Alejandro CHASKIELBERG Belinda MASON Richard MILLOTT 1946 – 2012 David A WILLIAMS Darrin ZAMMIT LUPI [USA]
[Argentina]
[Australia]
[BIFB’15 Tribute show]
[Canada/Australia] [Malta]
ART GALLERY OF BALLARAT
OPEN DAILY.....................10AM TO 5PM
Leon BIRD [Australia]
Nicolas DHERVILLERS
[France]
Stephen DUPONT [Australia]
Jane LONG [Australia]
J SCRIBA [Germany]
Ben WRIGLEY [Australia]
24 CAMP STREET
THE LOST ONES GALLERY
14 CAMP STREET
[China/Australia]
POST OFFICE GALLERY
CNR STURT & LYDIARD STREET NORTH
[Australia/UK]
BALLARAT TOWN HALL [‘A’ HALL] UPSTAIRS IN THE A HALL
STURT STREET
Mitchell KANASHKEVICH [Australia/Belarus]
ST PATRICK’S COMMUNITY HALL
DAWSON STREET SOUTH
Yurko DYACHYSHYN [Ukraine]
Boryana KATSAROVA [Bulgaria]
Thomas KELLNER [Germany]
Amber MCCAIG [Australia]
Michéle VANNIER
[France]
PAGE6
BUENOS AIRES, ARGENTINA
MELBOURNE, VIC
B. 1977
B. 1975
La Creciente
Chaskielberg creates beautiful photographs using one of the most
inspiring objects in the sky; the moon. The artist’s reliance on the
beams of a full moon mean that his images have an other-worldly
quality to them, and are quite unique. The series, entitled La Creciente,
captures a variety of subjects who work along the Paraná River
Delta in Argentina. From hunters to loggers, the celestial quality of
the light in the photographs acts as a strange counter-point to the
laborious and slightly mundane nature of the work being undertaken
by his subjects. It is this dreamy quality that sets apart Americana Now
The longing for nostalgia is a theme that runs through my photographic
practice. Whether it’s capturing individuals reflecting on times past
or exploring the idea of what it is like to live out your fantasies,
this project looks at a cross section of modern day Australians who
are influenced by the American style of the 1950s. It includes people
such as rockabillies, Elvis impersonators, Rock and Roll dancers, Pin
up girls, greasers and car lovers. There is a large sub-culture here in
Australia and it is the perfect place for a deeper exploration into the
idea of identity and imagination.
Chaskielberg’s work as something to be admired but not pitied. It is
perhaps his lack of reliance on professional lighting, and after-effects
that gives Alejandro’s work the kind of authenticity that other
photographers’ documentation of ‘developing’ communities lack. The
two year project has a great amount of realism despite a number
of the shots having a blurred quality to them because of the way
the moonlight interacts with the camera. Part serious study of river
workers and their communities, part photographic love letter to the
landscape of Argentina, La Creciente is a pleasure to behold.
DAWSON STREET SOUTH
OPEN DAILY ....................10AM TO 5PM
PANG XiangLiang [China]
Sam HARRIS
AMBER MCCAIG
BALLARAT TRADES HALL
Dave TACON ALE JANDRO CHASKIELBERG
VENUE D
ANGEL A BACON KIDWELL
WICHITA FALLS, TEXAS, USA
Home by Nightfall
Home by Nightfall, started in September of 2012. My father, my
biggest supporter, my constant motivator, was unexpectedly
diagnosed with lung cancer. He and I lived many miles apart but we
both shared a need for solitude and long country drives were a remedy
to the chaos in our lives. We would often talk on our cellphones during
this time. The work did not start out as a series but more a filtering of
emotions. Without knowing what I was doing I started to photograph
the dust as I drove; then came the birds, then the stars. Quickly the
metaphors became apparent to me. Dust became a metaphor for the
mass growing in his lungs, the murmurations of starlings contrast to
the blustering tinnitus in his ears, and the boy, my son, represents a
life once had.
Pain and grief is boring, confusing and indulgent. It‚Äôs like trying
to answer the questions: How many miles in life? What is the shape
of the colour grey? When does an echo become a whole? Some
answers are unknown.‚Ä®These are exactly the questions I was visually
attempting to represent in this work. During this time of evening drives
I was creating in parallel with the conversations I would have with
my Dad. The work became action and I became the director of this
landscape. I would create the dust by driving fast on the dirt roads and
jumping out of the car to capture it. The birds were easy to manipulate
(a quick hit of my car horn) and they would disperse. Photographing
through the windshield created texture and stars. ‚Ä®The work is an
internal landscape of the emotions and thoughts surrounding the years
my father was ill. In the final image, ‘a faithful surrender’ I attempt
visually to articulate the complete acceptance of his death with arms
wide open ready to surrender his fate.”
BEN WRIGLEY
BELINDA MASON
B. 1970
VENUE A
VENUE D
SYDNEY NSW
B. 1971
Silent Tears
The project ‘Silent Tears’ is developed in collaboration with the
participants, who are women with a disability and survivors of
gender violence. They represent a range of experiences and cultures
providing an important and respectful narrative and validation of
their experience, while also reaching out to other survivors and the
wider community. The exhibition provides a focal point for discussion,
education and awareness raising – providing the impetus for social
change. The stories of violence against women are universal, and it is
important that the voices and stories of women with disabilities from
around the world are heard. Each participant’s story has an audio
recorded and self-narrative interview. Some of the participants are
women with disabilities who have experienced violence while others
acquired their disability as a direct result of violence. Silent Tears includes contributions by Dieter Knierim and Margherita
Coppolino
MELBOURNE, VIC
B. 1960
Dream Machine
The Dream Machine explores societal frameworks and practices that
perpetuate limited and short-term desire for belonging and expression.
The dream of the modern world is addictive and insatiable. It appears
that we are somnambulists, unconscious at the wheel.
There are three parts to The Dream Machine installation: contextual
mural imagery, animated portraits and a mechanical daedalum.
Rhythm and repetition bind this multi-layered work. Each element is
sharable in digital format via QR.
Visitors first encounter ‘The Urban Score’, three large pasted murals
(4.5m x 3m) documenting sites of resistance within contemporary,
Australian culture. These images, abstracted and frenetic, are
expressions of an anarchic impulse, a desire for identity and
communication of discontent.
The viewer then encounters 4 horizontal, slowly looped individual
portraits. Playing with Nietzsche’s ‘eternal recurrence’ these looped
sequences expand the ‘decisive moment’, as declared by CartierBresson, the transition between public and private is revealed.
The desire for comforting personal behaviour and emotional
materiality is our challenge.
The final encounter is of a suspended ‘Daedalum’ or re-imagined
zoetrope. Reminiscent of ‘Sufi whirling dervishes’ or prayer wheels,
the daedalum, a spinning dome, is alluring and mesmeric. By entering
into the daedalum, one is surrounded by a moving image of the night
sky. This is an attempt to evoke the presence and reconnection to the
heavens. This piece is called ‘The Firmament’.
The Dream Machine installation invites reflection and is politically and
philosophically motivated. While the installation captures and reveals
moments of enslavement to our cultural dreaming, cosmological time
offers us a counter balance to this seduction.
PAGE7
CORE
PROGRAM
EXHIBITIONS
VENUE G
VENUES
BORYANA K ATSOROVA
SOFIA, BULGARIA
[Argentina]
[Australia]
Nicolas DHERVILLERS
[France]
J SCRIBA [Germany]
24 CAMP STREET
14 CAMP STREET
Dave TACON [China/Australia]
POST OFFICE GALLERY
Sam HARRIS
[Australia/UK]
STURT STREET
DAWSON STREET SOUTH
Michéle VANNIER
[France]
PAGE8
DARRIN Z AMMIT LUPI
B. 1981
Freezing
In 2012 extreme weather conditions brought the Bulgarian transport
system to a near standstill, heavy snowstorms and record-low
temperatures have blocked many regions in the country, as well in the
entire European region. The temperatures dropped to around minus
20 Celsius. Officials have appealed to people to stay indoors and be
careful. Police searched for homeless people to make sure they didn’t
freeze to death. The exceptionally cold weather and snowstorms that hit Europe
in February 2012, caused traffic chaos, road closures, straining
emergency services, grounding flights and pushing the death toll past
300 people and left entire villages cut off.
I have documented this event in my series ‘Freezing’ capturing the
distant stares of passengers frozen behind frosted windows in my
native Bulgaria.
DAWSON STREET SOUTH
VENUE D
VALETTA, MALTA
B. 1968
Islelanders
Despite travelling widely, it is in his own backyard that he has done
what he believes is his most important work, documenting the plight
and tragedy of the boat people trying to reach European shores from
Africa, culminating in the publication of his book Islelanders in late
2014.
VENUE C
DAVE TACON
SHANGHAI CHINA
B. 1976 MELBOURNE, VIC
Shanghai: Decadence with Chinese
Characteristics
In Shanghai, the conspicuous and competitive consumption of
champagne and luxury liquor appeals to China’s young elite who
see such flamboyance as an expression of sophistication as well as
wealth. With this project, I sought to document a hedonistic new rich
(the country has no ‘old’ rich) who are busy re-cementing Shanghai’s
reputation as home to some of the world’s most decadent nightlife: a
reputation that has certainly drawn sections of the city’s expatriate
community. In gaudy scenes not seen since the heady pre-World War
Two days, VIP patrons spend up to $60,000 on bar tabs at venues such
as M1NT, Richbaby, Linx, MYST, Muse and the circus-themed Cirque le
Soir (now closed).
Although I had been drawn to this modern incarnation of 1920s and
1930s excess and photographed it since my first visit to the city in
2010, the project really began to take shape in October 2013, when
I was commissioned to shoot extensively for a feature article for
German magazine, GEO. The contacts I made during this assignment
led to me expanding my series, which is still ongoing. Just as there
once seemed no end to Shanghai’s 1930s boom and no end to the
party, history tells us that there will be and it will come suddenly and
sooner than anyone expects.
14 CAMP STREET
VENUE D
VENUE A
DAVID A WILLIAMS
JURGEN SCRIBA
TORONTO CANADA
ELMSHORN, GERMANY B. USA 1964
B. AUSTRALIA 1957
Masterworks
My obsession with photography, my interpretation of it, and
what attracts me in other photographer’s work is immediacy, life
and communication. I’m interested and fascinated by the little
two-dimensional stage that contains a frozen performance. Whilst
I appreciate candid, I worship creation. There is such a joy for me in
the act of deliberately designing and bringing together elements and
people for a specific result – before I’ve even pressed the shutter.
Once at a Cartier-Bresson exhibition I observed an interesting, tactile
communication happening between his photograph of the little boy
carrying wine bottles, and the couples viewing that displayed image.
In almost all cases, one person would turn to the other and imitate that
pose and expression. That a photograph could produce such a precise
response from people is breathtaking to me. So I seek to do this in my
own work wherever possible. I want to engage people. I want to please
them, intrigue them. And ultimately, I want them to smile – inwardly
or otherwise. Giving pleasure to others with my photographs is its own
greatest reward.
Elements_1
According to the Greek philosopher Empedocles all the structure of the
world could be explained by the presence of four basic elements: Fire,
Water, Air and Earth
Of course, we have come to know that these configurations of atoms
are not elementary in any physical or chemical sense – not even clearly
definable substances. But the deeply-rooted cultural notion of – maybe
even the yearning for – some kind of basic, pure or natural state of
things is still very powerful.
I started with Fire as “element_1” which is probably the most
mystifying of all. As the chemistry of combustion remained completely
incomprehensible throughout most of mankind’s history, all attempts
of explaining the phenomenon, inevitably, had to resort to concepts
involving divine intervention or mythical substances.
I use photography to fix the volatile elements in a new aggregate
phase. I worked with a pyro technician to burn different substances
in a safe way. Even though the parameters of the set-up were well
controlled, fire displays an amazing range of behaviours. To me, it looks
very organic and not at all threatening. It will be very challenging to
bring out similar qualities in the other elements.
PAGE9
CORE
PROGRAM
EXHIBITIONS
VENUE A
JANE LONG
VENUES
BRISBANE, QLD
[Argentina]
[Australia]
Nicolas DHERVILLERS
[France]
J SCRIBA [Germany]
24 CAMP STREET
[China/Australia]
POST OFFICE GALLERY
Sam HARRIS
[Australia/UK]
STURT STREET
DAWSON STREET SOUTH
Michéle VANNIER
[France]
PAGE10
I will probably never know the real stories of these people but in
my mind they became characters in tales of my own invention…star
crossed lovers, a girl waiting for her lover to come home, boys sharing
a fantasy, innocent children with a little hint of something dark.
This is in many ways a collaboration, albeit one with a photographer
I have never met (and never will) and the man who has taken it upon
himself to conserve the archive. It is through the work of Cezar
Popescu in restoring and digitizing these images that I am able to draw
on such a rich source of inspiration in Costica Ascinte’s work.
PERTH, WA
B. 1948
Mrs Patronis Guest House
833 kilometres North East of Perth and on the edge of the Great
Victorian Desert lies the town of Leonora. Four kilometres south of
the town is the historic gold mine called Sons Of Gwalia. Underground
mining began in 1897 becoming the second largest mine in the state
outside of Kalgoorlie and the deepest of its type in Australia.
Mining in that form continued until 1963. Sons Of Gwalia is probably
best known for the fact that a young American geologist named
Herbert Hoover, later President Herbert Hoover, was its first manager.
He established a policy of cutting labour costs by employing mostly
Italian and Yugoslav immigrants, who became the bulk of Gwalia
residents. Adjacent to the mine site grew a settlement of shacks,
guesthouses and even a swimming pool for the population, that peaked
in 1910 at 1114.
Working as a professional photographer in Western Australia for
the resource industry, I often found myself with time on my hands
in unfamiliar locations. These images record such a situation when I
stumbled on Mrs Patronis Guest Home in Gwalia. Mrs Patroni supplied
a home from home for these immigrants a long way from Europe in
a very harsh country. In 1971 efforts were made to recreate the feel
of the early settlement with found objects and memorabilia placed in
situ. The ensuing period from then to my discovery of Mrs Patronis
Guest Home many years later installed another layer of patina, dust
and decay that I found irresistible. Since my trip, the Shire of Leonora
has begun to repair the buildings with the aim of creating a tourist
attraction.
14 CAMP STREET
Dave TACON B. 1970
I wanted there to be some ambiguity about the images. Things that
are almost real or not quite right. That’s why I like to place them in a
slightly surreal context. But I think it should be up to the viewer to
determine if the characters in my images are good or bad, light or dark.
LEON BIRD
Dancing With Costica
The Dancing with Costica series initially came about when I decided
to brush up on my retouching skills. After finding the Costica Acsinte
Archive on Flickr I became fascinated with the images and their
subjects. I wanted to bring them to life. But more than that I wanted to
give them a story.
VENUE A
VENUE G
MICHELE VANNIER
CAVAILLON, FRANCE
MITCHELL K ANASHKEVICH
B. 1952
Car Graveyard
In a discreet homage to her father, Michele Vannier connects the
intimate and the universal and together with an acute perception of
the fragility of physical existence she creates works that becomes
a two way mirror, the image and the deep thoughts of the viewer
interweave to metaphorically capture what lies behind the human
condition. If a certain melancholy is perceived in the ravaged beauty of
objects, the subtle tones, the colours and the textures soothe the eye.
DAWSON STREET SOUTH
VENUE F
SYDNEY, NSW
VENUE A
NICOL AS DHERVILLERS
B. 1984
PARIS, FRANCE
B. 1981
Summer Days in Braslav
Whether I like it or not and regardless of how far or how much I travel,
or, even where I live, I only have one motherland. I was born in a
place that was part of the now non-existent USSR. That place is now
a country called Belarus. Since I spent most of my childhood years
there and most of my memories come from there too, that makes it my
motherland. When I talk about the motherland, I don’t do it with some
sense of patriotic pride. I don’t believe in patriotism and sometimes,
I wish that I had a different motherland, perhaps like my adopted
motherland – Australia, or, somewhere else that’s warm and where the
people like to enjoy life. Road Movie
In Road Movie, a series commissioned for the International Automobile
Festival Dhervillers invited the stars of the road, legendary cars, to
travel across his vast open spaces, then created fictional collages,
narrative assemblies, causing temporal accidents. My parents immigrated from Belarus to Australia when I was ten
years old. Over the next decade we stayed very vaguely connected
to the country. The airfare was expensive, none of my relatives had
internet, and, of course, it is just so far from Australia in every sense of
the word. Australia shaped who I am as an adult, but somehow, since
becoming an adult, I’ve stayed more connected. Part of it has been a
sense of curiosity in where I come from. Another part has to do with
the fact that my wife is from Belarus. I never planned on marrying
a Belarusian girl, I almost tried to avoid them, for some cultural
differences that I couldn’t stand, but, we met while I was working on a
project and visiting family and… when you fall in love, you fall in love. The car is tearing away, a fugitive. As for the red Plymouth Valiant, the
car from Steven Spielberg’s early cult film Duel, it finally arrived to its
destination, the end of the earth. The truck that was chasing it in the
film has disappeared. Gone, away. Here, there’s nothing but the vast
sea and a lighthouse waiting for it. It’s the end of a long journey.
A DS car rolling on an arid road in the middle of nowhere. And rocks
sculpted by the wind sticking out of the earth like spikes. The sky is
heavy, thick. And the automobile is alone. No one is behind the wheel.
The car seems to know the way, and drives on towards some unknown
destiny. Its cousin, a Citroën SM is driving full speed down the main
road of a valley. Behind it, a house is consumed by flames.
Because I was ultimately shaped by an Australian way of thinking,
a way very different from Belarusian, my motherland sometimes
frustrates me beyond words. So many of its inhabitants are openly
racist, openly homophobic and ignorant. They don’t mind being ruled
by Europe’s last dictator, because they feel that they need a firm hand,
or because they say they’re better off than some other ex-Soviet
republics, or even crisis stricken Europe. The drinking is as bad as
it is stereotyped to be. The Soviet architecture is oppressive and
incredibly suffocating to live in. And, there’s still plenty of unnecessary
bureaucracy in almost any kind of transaction.
STURT STREET
PAGE11
VENUE B
PANG XIANGLIANG
DAQING, CHINA
RICHARD MILLOT T
B. 1957
The Drilling Workers
The Drilling Workers’ celebrated in this exhibition come from the
Daqing Oilfield, Heilongjiang province, in North East China.
On September 26th 1959, industrial oil spurted out of Well Songji 3
which ended both the oil deficiency and opened a new era for the oil
industry in China.
For more than 50 years, workers in the Daqing oilfield have completed
over 100,000 oil wells. They have produced an accumulation of 2.2
billion tons of crude oil, and created an historical record of stable
production of 50 million tons per year for 27 consecutive years and 40
million tons per year for years.
In 2008, the Daqing oilfield launched a new project of oil and gas
exploitation. Over 100 drilling crews work together in different oil
blocks, reproducing memories of the Great Petroleum Campaign.
In order to document this new campaign, Pang XiangLiang, in his spare
time, followed the crews into these drilling sites on the front line of
exploration. The deeply moving and heroic images in this exhibition,
stimulated by spectacular work locations, intensive and trying
climatic conditions and the optimistic spirits of as they ply their trade,
documents the daily lives of The Drilling Workers
24 CAMP STREET
PAGE12
VENUE D
MELBOURNE VIC
1948 -2012
[BIFB’15 TRIBUTE SHOW]
Phillip Island: A Visual Memory
The inspiration for these photographs arose from a wish to retain some
visual memory of Phillip Island, at least for history’s sake. I wanted to
preserve what is slowly changing, slowly being eroded. The island has
areas that are so disparate and so beautiful yet fragile and vulnerable
to the annual pilgrimage of over a million visitors. The darkly
mysterious Rhyll swamp; the distinctive, windswept beauty of the
Nobbies and the Nits; empty beaches overhung with gnarled Moonah
trees; and the sand, pale against the rolling, changing blue-grey sea.
I was drawn particularly to the chicory kilns. Remnants of the oncethriving chicory industry, these rickety wooden kilns have a distinctive
shape, indistinguishable from the island’s past. The same sense of
history prompted the photographs of farmhouses and other buildings;
their structures conveying the essence of the island’s character more
eloquently than any amount of explanation while the koalas, seals and
penguins are important and integral island inhabitants.
The images were taken on film using a Linhof 612 camera.
Colour processing provided by CPL Services. www.cpldigital.com.au
VENUE E
SAM HARRIS
BALINGUP, WA
B. 1967, LONDON
The Middle of Somewhere
In a digital world saturated with consumerism, The Middle of
Somewhere brings a voice of an unaffected childhood in a remote
corner of the world, the Southwest of Australia.
With a warmth and candour rarely seen, Sam Harris focuses his lens on
his daughters’ childhood, in a place where they are free to experience
the wonder of their surroundings. The trees and the shadows, the
sunlit faces and the passing seasons are movingly brought to life by his
evocative photography. This body of work spans a twelve-year period
in the life of the photographer’s family, since they have boldly decided
to leave the rat race in search for a simpler existence. A Travelogue
insert is included from the family’s life on the road in Australia and in
villages in India where they lived for several years and birthed their
second daughter. Simultaneously expressing something about the
meanings of love, growing up, sisterhood, family, landscape, and the
rhythm of nature, this work is at once both intimate and all embracing
and is a memorable and inspiring collection of images.
POST OFFICE GALLERY
VENUE A
STEPHEN DUPONT
SYDNEY, NSW
THOMAS KELLNER
B. 1967
Piksa Niugini : Portraits and Diaries
Stephen Dupont explores the human condition. Through photographs
and artist’s journals, he documented the Westernization of traditional
society in Papua New Guinea, from lawlessness in urban Port Moresby
to cultural struggles throughout the Highlands and Sepik River region.
The exhibition is an in-depth study of cultural erosion as well as a
celebration of an ancient people.
VENUE G
SIEGEN, GERMANY
VENUE G
YURKO DYACHYSHYN
B.1966
LVIV, UKRAINE
B. 1980
Genius Loci – Two German Gentlemen of
Siegen in the Land of the Tsars
“The same as his countryman and predecessor in the Urals, Georg
Wilhelm Henning, Kellner reconstructs the customary world so that it
stays in movement and continually delivers new perspectives today
and in the future as well.” (Irina Chmyrewa)
Horses. Carpathians, Ukraine, 2009.
Regardless their natural beauty horses have been always trivial visual
objects to me. The series “Horses” presents a personal, subjective view
on usual Carpathian horses. These compositions corresponded to my
mood and emotions during the shooting. I saw and showed them like
these.
This project deals in an artistic-photographical manner with two
important industrial areas in Germany and Russia, which are likened
to each other through the common history of industrial culture. I’m
talking of my hometown Siegen and two of the biggest cities of Russia,
Yekaterinburg and Perm.
I was lying on the grass in a small Carpathian village. While inhaling
the herbs and enjoying the sun I heard a rustling nearby. I open my
eyes and I saw a strange creature. It was a usual horse but the aspect
in which I saw it was unnatural and different than the one in which
we usually see horses. This image followed me all the day long and
I decided to make a series embedding horses into the Carpathian
landscape in strange aspects. I got so excited that I spent all the time
of my visit lying/crawling on the ground under the horse hooves.
Meanwhile my girlfriend was bored and probably was thinking “What
an idiot. How could you crawl on the ground senselessly for five hours?
He just ruined our trip”. However, later she became my wife and I guess
that was her compensation for the bizarre vacation that I spent with
the horses and not with her. The result of that impulsive experiment
has become the series with the simple name “Horses”.
There is something that scarcely anybody knows: Yekaterinburg
and Perm were founded by the native of Siegen, Georg Wilhelm
Henning. Georg Wilhelm de Gennin (Russian: Георг Вильгельм де
Геннин), as he is called in Russia, October 11th 1676 till April 12th
1750, was a German born officer and artificer, who was invited by
Peter the Great to Russia because of having an outstanding knowledge
in metallurgy. In the 1720’s he founded the first mining schools in
Russia, travelled to Europe to promote specialists in mining and built
new plants in the Urals, which developed in a minimum of time to
one of the two most important economic and educational centres:
Yekaterinburg and Perm.
In 2013 I followed the traces of Henning and photographed important
enterprises in Germany and Russia to show their similarity, namely
the processing of steel and metal. As result there emerged a series
about the industrial architecture in the Siegerland and the Urals, that
presents the heretofore little known relation between these industrial
areas. The exhibition with my works started already in November in
Yekaterinburg and moves afterwards to Moscow, Krasnodar, Pingyao
(China) and back to Siegen. In addition, there will be a book with
wonderful photographs showing on 120 pages the industrial architecture
and culture of different regions, and essays telling interesting things
about the Siegerland, the origins of Henning and my work as an artist.
DAWSON STREET SOUTH
“The architecture is similar to a full stop which completes the artistic
process and at the same time is the starting point for the observer’s
new artistic journey - that is what Kellner does.” (Irina Chmyrewa)
DAWSON STREET SOUTH
PAGE13
FRINGE
PROGRAM
EXHIBITIONS
VENUE 38
VENUE 69
A ARON CL ARINGBOLD
ADAM CORNELL
‘Bag(h)dad’
This work explores ideas of cultural constructions, responsibility
and conflict in a modern Australian setting. Shot in and around the
town of Bagdad, Tasmania, this collection of photographs hints at an
uncomfortable mood, observing and alluding to micro conflicts within
a quintessentially Australian landscape. Through his representation
of this town and the ideas it can evoke, Claringbold creates a sense of
distance, isolation and unease.
‘A Taste of Ballarat’s Architecture’
Ballarat is a wonderful place to take photographs and I am excited to
have the opportunity to share my photographs with you in this my
first ever gallery! I have chosen these eight photographs of Ballarat’s
Architecture to convey how I see these various buildings using varying
styles and composition. I hope you enjoy my Gallery as much as I have
enjoyed creating it!
THE GOLD MUSEUM BRADSHAW STREET
BALLARAT
MONDAY - SUNDAY..........9.30AM-5.20PM
(ENTRY FREE ON PRESENTATION OF THIS FESTIVAL PROGRAM)
VENUE 50
SWEET AND SAVOURY ON STURT 318 STURT
STREET BALLARAT
MONDAY-FRIDAY..............8.30AM-4PM
SATURDAY.......................8.30AM-2.30PM
VENUE 47
VENUE 53
ADEL AIDE PHOTOGR APHIC
AL ASTAIR FIRKIN & HELEN MYALL
ALDONA KMIEĆ
ARTISTS
‘CUBA: Revolution In Progress’
A combined exhibition by the photographers Helen Myall and Alastair
Firkin, who have been travelling and working together for over 30
years. Keen to explore Cuba before Obama lifted U.S. restrictions
they travelled the country in 2010, photographing its people in
the ‘time warp’ that has developed in the last half century.Using
traditional street photography in black and white, but unable to ignore
the spectacular colours that are the trademark of this culture, the
exhibition is a snapshot of daily life in Cuba. This is their second exhibit
of street photography at BIFB.
‘Introspective’
Submerged in their own worlds, dreams are reluctant subjects to
photograph. Sometimes a dream image materialises and we catch a
glimpse of that other world. Sometimes these images emerge thanks
to the people we encounter, or the places we visit. There is something
magical in attempts to capture slices of these dreams as they appear in
our day to day landscape.
‘Time’
We mark it with the precise throb of an atom, yet we struggle to
rationalise it. The most valuable treasure that humans cannot hoard.
Photographs have the power to stop time.
Each year Atkins Lab participates in an art festival by bringing
photographic artists together around a theme. The interpretation of the
theme is up to the participants. Atkins stages the exhibition, prints and
frames the pieces, transports the work and hangs it. The exhibition is a
showcase of Adelaide Photographic Artists.
THE LOST ONES GALLERY 14 CAMP STREET
BALLARAT
THURSDAY-MONDAY.........10AM-4PM
TUESDAY-WEDNESDAY......10AM-12MD
PAGE14
LE PETIT PATISSIER 628 STURT STREET BALLARAT
MONDAY-FRIDAY..............7AM-4.30PM
SATURDAY.......................7AM-3PM
SUNDAY..........................7AM-1PM
Aldona KmieĆ ’s photographic portraits seek to capture the
personalities of her artistic friends against the inner world of dreams.
What she is seeking is more than just an image, it is a keyhole which
leads to another world.
MITCHELL HARRIS WINE BAR 38 DOVETON
STREET NORTH, BALLARAT
SUNDAY - TUESDAY..........11AM-6PM
WEDNESDAY....................11AM-9PM
THURSDAY-SATURDAY......11AM-11PM
VENUE 43
VENUE 46
VENUE 45
ALLISTER CR AWFORD
AMANDA BULL
AMY TSILEMANIS
‘Whose Shoes?’
Shoes tell a story, the world over.Exploring individuals, settings,
and stories through thematic imagery around these ever-present
companions, “Whose Shoes?” is iconic, familiar, and revealing. This
collection presents a celebratory homage to shoes, and encourages
viewers to use their eyes as a window…… to the sole.The notions are
presented: What do you see? Who is the wearer? What is the story?
What do you imagine? Simply,… Whose Shoes? Instinctively drawn
to capturing moments, Crawford’s work reflects appreciation, joy,
and curiosity. Following his breakout exhibition “What’s Your Tribe?”,
Crawford again presents vibrant contemporary images through street,
events, fashion, journalism, portraits, and quirkiness.
‘Mélange’
Amanda Bull’s exhibition reflects a variety of interests and meaning in
her everyday life.
‘Streets and Skies’
Streets & Skies is a collection of digital images capturing the curious
everyday of the street, the majesty of the sky, and the poetry in
between. These images have been taken over a number of years and
on various travels. Displayed here incorporating layered imagery and
text, this exhibition is an invitation to reflect on the narratives and
landscapes that make up our lives.
IRON FLAMINGO 220 MAIR STREET BALLARAT
Images range from birds and animals in their natural environment to
landscapes featuring rustic and iconic views to the popular poppy and
to a ghostly girl amongst pine trees.
Printed on canvas in various shapes and sizes creating an exhibition
with something for everyone to reflect upon.
THE LAKEVIEW HOTEL 22 WENDOUREE PARADE
LAKE WENDOUREE
MONDAY-SUNDAY............7AM-12 MIDNIGHT
VENUE 38
VENUE 9
ANDREW THOMAS
A.K. HENDERSON
‘As the Crow Flies’
Renowned Ballarat and district landscape photographer Andrew
Thomas has been working on his Ballarat 42 project for a number of
years (all images taken within 42km of Ballarat) and has now taken
his camera to new heights - literally! This exhibition will highlight a
completely new body of work showcasing images from a perspective
rarely seen before.
‘I’m the darkness, but I want to be the light’
Wind howled through the tunnel, lashing hair about my face. I could
feel the oncoming train before I could see it. Just one step, and this
would be finished. No more suffering. Seconds passed in eons, one
decision. ‘Don’t do it’ a command from deep inside, ‘live’. That guiding
voice within willed one step away from the edge of darkness towards
the light. It began a journey across foreign landscapes, through sacred
spaces, discovering the magic of serendipity, the beauty of love,
connection to the sacred Divine, the timelessness of my own soul and
the will to live again.
BALLARAT
THE KNOWN WORLD BOOKSHOP 14 STURT
STREET BALLARAT
MONDAY-FRIDAY..............10AM-5PM
SATURDAY.......................10AM-4PM
SUNDAY..........................11AM-4PM
TUESDAY-FRIDAY..............11AM-6PM
SATURDAY.......................10AM-4PM
SUNDAY..........................12PM-4PM
His intimate knowledge of the local district and his trademark ability
to capture the ideal light conditions has enabled him to compile
an intriguing and unique collection from the purely pictorial to the
outright abstract.
Streets & Skies can also be accompanied by a creative audio tour
created by Amy featuring story and song to be enjoyed in the cosy
bookshop environment. More info at www.amytsilemanis.com.au
MERCURE BALLARAT (FORMERLY
BALLARAT LODGE) 613 MAIN ROAD BALLARAT
MONDAY-SUNDAY............8AM-6PM
VENUE 8
ARIEL MARTI REYES AND
ANATOLY LUCA REYES
‘Beetles/Virgins’
In 2014, 13-year-old Ariel and 14-year-old Anatoly Reyes travelled
to Mexico for an extended holiday with their mother, Melbourne
photographer Tania Jovanovic. In exchange for a prolonged break
from schoolwork, they each agreed to spend time on a personal
photographic project.
‘Beetles/Virgins’ brings together their individual assignments
focussing on two ubiquitous features of the Mexican landscape - the
Volkswagen Beetle and the image of the Virgin of Guadalupe.
BALLARAT LIBRARY 178 DOVETON STREET
NORTH, BALLARAT
MONDAY-THURSDAY.........9.30AM-6PM
FRIDAY............................9.30AM-7PM
SATURDAY.......................9.30AM-1PM
SUNDAY..........................1.15PM-4PM
PAGE15
FRINGE
PROGRAM
EXHIBITIONS
VENUE 49
ARTHUR CREATIVE PHOTOGR APHY
‘Snap/Flash’
Arthur; the creative services division of Karden Disability Support
Foundation present ‘Snap/Flash’ a group exhibition. The group began in
early 2015 and meets each week.
We pick up our cameras, ipads and phones and walk around the
buildings and streets and shops and people looking and learning to see
things through pattern, texture, found frames, grids, shapes and colour.
We have watched the season turn from summer into winter.
A collective exhibition of over 20 of Victoria’s top and award winning
Astro Photographers, “Wonders of the Universe Exposed” displays this
technically challenging art form at its finest.
LITTLE BIRD CAFE 205 STURT STREET BALLARAT
THE GOLD MUSEUM BRADSHAW ST BALLARAT
An exhibition not to be missed if you have ever gazed up in wonder at
the night sky and stars.
VENUE 55
BALL AR AT ASTRONOMICAL
SOCIET Y
BALL AR AT HIGH SCHOOL
STUDENTS
‘Celestial Kaleidoscope’
The magnificent and enigmatic night sky may look simple and
uneventful to our primitive eyes, yet to the camera the wonders are
revealed. From the dense band of the Milky Way that stretches across
the vastness of the night sky, encompassing billions of stars, to the
eerie glow of the aurora – curtains of light that mysteriously sway and
dance across the night sky.
‘See Through’
See Through examines the personal perspectives of today’s youth,
through their own eyes. Surrounded by an ever-changing social
climate, these young photographers have reflected upon their
own life journey and examined the various themes of difference,
transformation, comedy, loss, hope, purity, rebirth, fear and beauty
through the individual exploration of their own creative instincts.
Celestial Kaleidoscope explores the beauty of the night sky and the
science of light, through photographs that include award-winning
Australian astrophotographers. Unlocking the secrets of light has
“opened our eyes” to the mysteries of the Cosmos!
A collection of highly personalised and distinct abstracted and realistic
imagery, See Through is an important expression of youth that will
draw the viewer in and depict photographic perceptions of new
beginnings, confronting realisms and nostalgic reflections to all who
take the time to look through.
PAGE16
‘Wonders of the Universe Exposed’
Exotic Nebulae, beautiful Galaxies, stunning Star Clusters and the
distant Planets. “Wonders of the Universe Exposed” is a showcase of
the beauty of the heavens in all its glory.
Each image is long hours in the making with some photographs using
hundreds of files layered to create world class imagery.
VENUE 11
TUESDAY & THURSDAY 4PM-7PM (NOT OPEN WEDNESDAYS)
FRIDAY............................ 4PM-8PM
SATURDAY.......................12PM-8PM
SUNDAY..........................12PM-5PM
MEMBERS - ASTRONOMICAL
SOCIET Y OF VICTORIA
In the studio we have explored and experimented with chosen objects
and portraits, playing with light/contrast and filters. Each artist has
chosen the photos that they feel have captured the essence of the
work.
MONDAY-SATURDAY.........7AM-5PM
BALLARAT OBSERVATORY 439 COBDEN STREET
(CORNER MAGPIE STREET) MOUNT PLEASANT
VENUE 38
MR REDE 203 DANA STREET BALLARAT
WEDNESDAY-THURSDAY...11AM-3PM
FRIDAY-SATURDAY............11AM-LATE
SUNDAY..........................11AM-4PM
VENUE 18
BRIAN CHAPPELL
‘Coast and Country’
Coast and Country, a collection of landscape and seascape images
that capture a moment in time of the ever changing Australian
environment.
Brian Chappell’s photography focuses on producing large quality
images that draw you into the scene and show the beauty and
character each selected location. Taking advantage of the available
light these images capture a special moment in time that adds depth,
colour and character to the final print.
BLUE ARTZ GALLERY 1039 HOWITT STREET
WENDOUREE
SATURDAY-SUNDAY..........10AM-3PM
(22ND-23RD & 29TH-30TH AUGUST)
VENUE 70
BRONW YN HUT TON & WENDY
BERNHARDT - HAPPY ANT
PHOTOGR APHY
‘Young Hollywood’
Inspired by some of the most famous Icons of Hollywood’s Silver
Screen , spanning from the 1930s to the 1970s. Bronwyn Hutton and
Wendy Bernhardt (Happy Ant Photography) set out to imitate these
screen legends by using youngster look-a -likes. With their own unique
take and style, step back in time to relive such famous faces as Grace
Kelly, Bette Davis, Elvis, I dream of Jeanie, Cassablanca, Sally Fields
as Gidget, Audrey Hepburn in Breakfast at Tiffany’s, Elizabeth Taylor
as Cleopatra and more. May these images evoke some wonderful
memories.
TURRET CAFÉ 802 STURT STREET BALLARAT
SATURDAY-SUNDAY..........8.30AM-5PM
VENUE 66
VENUE 5
CHARLES MURDOCK
CHRIS CROSSLEY
‘Beautiful Tragedy’
I remain intrigued by live events that trigger tangible memories of past
happinesses, beauty, tranquility, sadness and tragedy. In developing
this body of work I forced myself to stop many times between Hobart
and Devonport (Tasmania) to observe, reflect and carefully capture a
moment that allowed me to respectfully re-image road-side memorials
that so many of us unknowingly drive past when we are pre-occupied
- deep in thought or conversation. This exhibition reflects on beauty,
serenity, loss, celebration, expectation and sadness such memorials
suggest. I invite you to take the time to consider and acknowledge the
feelings these images invoke.
‘Concrete’
When you have Parkinson’s, you may smile or frown, but only your
eyes are showing their true mood. We wanted the average person to
experience, in a small way, that lack of control. Subjects were asked
to pick an emotion and write it down after the shoot was over, you
couldn’t coach it from them. Subjects had to immerse their faces into
water, then without wiping their eyes show that chosen emotion.
Without a mirror for reference and with water in your eyes is harder
than you think. Losing control is the greatest fear and yet a Parkinson’s
reality
SOLDIERS HILL GALLERY 306 HOWITT STREET
BALLARAT NORTH
VENUE 53
BALLARAT BASE HOSPITAL FIRST FLOOR
FOYER, BRICC BUILDING STURT STREET (NEAR CNR
DRUMMOND ST) BALLARAT
MONDAY-SUNDAY............8.30AM-5PM
VENUE 59
VENUE 31
CHRISTINE ROWE
CHRISTINE SAYER
CR AIG WETJEN
‘Down to Earth’
Down to Earth is a series of layered images depicting what it is to live
on the land for all forms of life.
‘Deconstructing Dementia - a Carer’s
‘Men’s Shed Photography’
Over the past four and a half years Craig has been photographing
men in their sheds and developing the Men’s Shed Photography
project. Through sharing the passion of his craft in photography and
the passion these blokes have for their craft of tinkering around the
shed, the intention is to highlight the positive effects a man’s shed (the
“man cave”) can have on his health and life. The aim of the project is to
further raise community awareness of men’s health through the art of
photography and the corresponding stories of a man’s love of his shed.
Freed from the external pressures and invasiveness of politics, opinions
and economics, it reveals the clear understanding and the generational
empathy for the beauty, decay, majesty and terror of the land.
Accompanied by joy and heartbreak, there is the knowledge that all
things and elements take their place in this vast landscape.
It is life imbrued with a resilient strength and an instinctive poetry
throughout seasons of change and decades of experience in the natural
world.
MITCHELL HARRIS WINE BAR
38 DOVETON STREET NORTH, BALLARAT
SUNDAY-TUESDAY............11AM-6PM
WEDNESDAY....................11AM-9PM
Perspective’
In 2012 my mother was diagnosed with early onset dementia, and at
that point she did not want anyone to know. But then, in 2013, much
as Hazel Hawke did in the early stages of her Dementia diagnosis, my
mother decided to not only speak out about her condition, but she
suggested working with me to highlight the difficulties we both faced/
would face in our roles as sufferer and carer. My mother initiated
the idea of a collaboration between us, and the research project
Deconstructing Dementia - a Carer’s Perspective commenced.
Deconstructing Dementia is available as an exhibition and
presentation.
QUEEN ELIZABETH CENTRE 102 ASCOT STREET
BALLARAT
FAIRBANKS EYE GALLERY 917 STURT STREET
BALLARAT
SATURDAY.......................9AM-1PM
SUNDAY (23/8 ONLY).....10AM-5PM
PAGE17
FRINGE
PROGRAM
EXHIBITIONS
VENUE 13
VENUE 35
DAMIEN ORRISS
DANIEL SALL AI
‘Rainbow Dance’
Damien Orriss is exploring the nature of the projected image, from the
process of the slide film all the way up to its current form of Digital
format of data projection.
‘Memories’
The following images represent memories. Memories of time spent
within nature, memories of that quick drive home after work or simply
the ever so beautiful rest stop on that long journey home. All these
memories were intended to be preserved and enjoyed by not only the
photographer, but for all those who view them.
Rainbow Dance is the freeing of the photographic process from its
traditions and boundaries, allowing the photographic process to
freely interact between the analogue cross processing and of digital
techniques.
Rainbow Dance is a rich and vivid colour abstraction, created of
movement and light the interplay of photographic and lighting
techniques.
THE FREIGHT BAR 49 MAIR STREET BALLARAT
MONDAY-SUNDAY............11AM-LATE
Photography based around the process, to control the artwork rather
then the photographer.
TOWN HALL PROJECTION 225 STURT STREET
BALLARAT
DAILY..............................7PM-12MIDNIGHT
VENUE 19
VENUE 25
VENUE 48
DANIEL KNEEBONE
DARREN JAMES
DAVID CURELEA
‘Behind the Curtain’
‘Behind the Curtain’ is a vivid and sensational series of dramatic
photographic works by Daniel Kneebone portraying the burlesque
performer in narrative art. The images that Daniel creates depict
theatrical scenes in which the female performer plays a part in
moments of an evolving drama, creating a sense of wonder and
intrigue, bringing the viewer to a foreign midpoint between reality and
illusion and revealing the freedom of expression that is burlesque.
‘Perhaps Nothing Really Matters’
Images reminiscent of dreams.
‘Uneroded By Time – China’
Eight International Awards & Nominations for artworks from this
exhibition. ‘Uneroded By Time – China’, is a photographic journey
encapsulating the timeless and vibrant spirit of an ancient village and
people uneroded by time. Follow a thrilling 24 hours journey through
culture, life and time. Rising from morning to night, from emotive black
& white to captivating colour.
By combining a strong sense of colour, light and composition, Daniel
uses his digital artist skills to utilise colour pixels for painting and a
camera to capture images from his imagination.
BOAH ORGANIC 100 BRIDGE MALL BAKERY HILL
PAGE18
L’ESPRESSO 417 STURT STREET BALLARAT
A highly energetic photographic blend capturing the very soul of David
Curelea’s photo documentary styled photographic art vision. Seventeen
works incorporating a unique blend of landscapes, street photography,
photojournalism, people, still life, silhouette and abstract photography.
CRAIG’S ROYAL HOTEL 10 LYDIARD STREET
SOUTH, BALLARAT
VENUE 19
VENUE 76
VENUE 41
DENISE MARTIN
DIDA SUNDET
DONNA CREBBIN
‘Unfolding’ The Teen/ Parent Portraits In this series of portraits a simple white background removes context
and associations. A physical similarity between the parent and teen
reveals a potent sameness yet also a heart aching difference as the
freshness of youth stands next to the ageing of life and experience.
Denise Martin, herself mother to a fifteen year old boy captures this
transitional time in the parent child relationship. Strong emotional
connections are obvious, yet life for all is on the cusp of change as the
child becomes an adult and the adult relinquishes their child.
‘Tales of Transformation’
In Tales of Transformation Dida Sundet explores the concept of
actively displacing a selection of Norwegian myths and folktales in
an Australian landscape, cultivating a space in-between two diverse
cultures. Through these Light Paintings she offers insight into
traditional and emerging cultural patterns, allowing viewers to engage
with meticulously constructed image worlds without the need to
understand their specific symbolism. The tales are transformed in
translation from one cultural context to another and allowed to grow
to see what remains, what is lost, what translates, if anything, and
what is created when past, present and future is merged to re-form an
idea of home.
‘Storms and Silhouettes’
Landscapes, Sunrises and Sunsets hold enormous appeal for this
photographer, but her most recent work, has been borne from
intense weather events and the adrenalin charged chase for that one
photograph that will capture the Moment.
This show contains adult content-Viewer discretion advised.
WOLVESCHILDREN ART SPACE 81A HUMFFRAY
WEDNESDAY-FRIDAY........12PM-6PM
SATURDAY-SUNDAY..........12PM-4PM
VENUE 67
Sleepless nights and an awe inspiring stamina sees Donna, out in the
most intense storms chasing the Lightning , capturing the Moon’s
eclipses, and rises, dramatic sunsets and most recently chasing the
illusive Southern Lights – Aurora Australis. Silhouettes add the same
sense of drama to her work, the stark shadows that shape the weather
events behind the image.
INEXTERIOR AT THE FOUNDRY 401-411 MAIR
STREET BALLARAT
MONDAY- FRIDAY.............9AM-4.30PM
SATURDAY.......................9.30AM-4PM
VENUE 23
VENUE 18
EFFIE VOUYOUK AS
EFFIE VOUYOUK AS
EL AINE BAT TON
‘Not for tourists’
Grew up in a town
That is famous as a place of movie scenes,
Noise is always loud
There are sirens all around,
And the streets are mean
If I can make it here,
I could make it anywhere,
That’s what they say
Seeing my face in lights,
Or my name in marquees found down Broadway
Even if ain’t all it seems
I got a pocket full of dreams - Alica Keys “ New York”
‘Life is a Stage’
With fleeting moments making up most of our day we sometimes don’t
stand still long enough to engage with our immediate world.
‘Traveller or Tourist’
Traveller or Tourist considers the often quoted question with gorgeous
imagery that engages and transports. These luscious images expand
on travel as it mixes with exploration of light, emotion, past travels
and art influences… Elaine Batton’s photography continues her use
of a painterly approach. Photography filled with chiaroscuro in the
use of strong bold colour and contrasts that add depth to the whole
composition. Images of beauty, that are timeless, ageless…. and at
times whimsical.
I have fallen in love with this city often, sometimes multiple times in
one day and each time I make the commitment to return I fall in love
all over again.
If we take the time to pause and look around us we can share in the
happiness, sorrow, confusion, love, even tenderness of complete
strangers. Effie has captured moments of truth or acts of character
that allow us to linger momentarily into the lives of passers-by whilst
respecting the integrity of their stage.
CITY OVAL HOTEL 1321 MAIR STREET BALLARAT
BLUE ARTZ GALLERY 1039 HOWITT STREET
WENDOUREE
(22ND-23RD & 29TH-30TH AUGUST)
SUCH N SUCH 811 STURT STREET BALLARAT
MONDAY-FRIDAY..............9.30AM-5.30PM
PAGE19
FRINGE
PROGRAM
EXHIBITIONS
VENUE 54
VENUE 36
EMMA STONEMAN
ERIC ALGR A
‘osteoBLAST’
Continuing an investigation into the metaphoric comparisons between
the built environment and the structure and function of the human
body, Emma Stoneman has reinterpreted the Erasmus Bridge in
Rotterdam, Netherlands. The engineered cables of the bridge provide
resistance to external forces and serve to stabilise the structure.
Similarly tendons within the body straddle between muscle and bone
stabilising the skeletal form. As opposed to built structures the body
is an organic, dynamic, continually regenerating form. This series of
abstract photographic based compositions examines the function of
tendons within the body and their role in ‘building’ bone - by activating
osteoblast cells.
‘Time Lapsed’
“Time is just memory mixed in with desire.”- Tom Waits
MORTON DUNN ARCHITECTS 424 STURT
STREET BALLARAT
GALLERY ON STURT 421 STURT STREET BALLARAT
SATURDAY ......................12PM-3PM
SUNDAY..........................1PM-3PM
VENUE 62
Some places change almost imperceptibly over time, others
dramatically. Our memories of places visited are shaped by many
factors. The emotions a site evokes, how we felt at the time, even who
we were with, work to create deep images and sensations we might
carry for years.
Revisiting places after a length of time, our memories are often
challenged. Changes have occurred, however subtly, and so we
generate new memories that subsume the old and endure for years.
That is, until we visit that site again.
VENUE 22
VENUE 12
ERIN MCCUSKEY
FILM NEVER DIE
FR AN JORGENSEN
‘Luxville 5’
Welcome to Luxville, a mythical town 100 years from the capital. Once
bold, Luxville’s citizens now question the validity of an art-life.
Luxville 5 is about the artist as muse: inspired and by turns inspiring.
‘Polaroid Resurrection’
By continuing the magical legacy of Polaroid and analogue film
photography, FilmNeverDie aims to bring the best of instant and
analogue film photography has to offer to the Australian market.
We have sold thousands of analogue items to customers and this
exhibition is to show case the works that our customers have done,
ranging from a 17 year old high school pupil to an international award
winning photographer from Italy, plus people from all walks of life
in between. Titled Polaroid Resurrection, our first exhibition drew a
crowd of more than 600 and was featured on the mX newspaper.
‘Childhood’
Childhood is a time in which someone commences a journey of
discovery; experiences profound emotions; and is easily bewildered by
small things.
Is creativity the proposition for an independent spirit? With a love
of pop, colour and the unusual, Erin engages audiences in her work
through storytelling and cinematic styling. “We have instinctive love
for story, and how we tell those stories is dependent on who we are,
where we come from, and how we express ourselves.”
WHITE MARBLE ROOM REGENT CINEMAS
49 LYDIARD STREET NORTH, BALLARAT
CENTRAL SQUARE SHOPPING CENTREGROUND FLOOR 18 ARMSTRONG STREET SOUTH
BALLARAT
MONDAY-THURSDAY.........8AM-6PM
FRIDAY............................8AM-8PM
SATURDAY.......................8AM-5PM
SUNDAY..........................11AM-4PM
PAGE20
Through her unconventional images, Fran Jorgensen reveals the magic
of being a child, and captures all of childhood’s hurt, struggle and
joys. It is not conventionally pretty or shiny at times but the magic of
childhood is alive in the truth of it.
Fran Jorgensen is a Melbourne based Family photographer with an
interest in street and film photography.
BALLARAT TRADES HALL 24 CAMP STREET
BALLARAT
VENUE 71
VENUE 20
VENUE 26
GABRIELLE HINGSTON
GR APHIC DESIGN – THE GORDON
GYPSY PENNEFEATHER
‘Rainbow Serpent’
This black and white exhibition is a part of an ongoing series and an
exploration of photographing the wild and wonderful Rainbow Serpent
Festival. Previous years I have been fixed on capturing the vibrant and
stimulating colours within the festivals design, people and atmosphere,
but this year I stumbled across an inferred black and white roll of film,
loaded it on and was pleasantly surprised. Rainbow Serpent supplies
unlimited joyful images for both my own memories and projects, and
combine my two favourite things, dancing and photography.
‘Design Collective’
This is a diverse collection of works by graphic design students from
The Gordon TAFE in Geelong. Each image represents the development
of a personal photographic theme and investigates the relationship
between photography and the broader design process. Ultimately
these works will find their way into publication design, type projects
and screen based applications. This collection of images has been made
using a range of processes and concepts that include; portraiture,
studio lighting, the landscape, phone imaging and compositing.
‘Sawdust on the Brain’
THE UNICORN 131 STURT STREET BALLARAT
CAFÉ LEKKER 11 DOVETON STREET NORTH,
BALLARAT
SUNDAY..........................8AM-4PM
SUNDAY..........................8AM-3PM
Australian Traditional Circus 1984 to 2000
Revisiting her circus days from the late twentieth century, Gypsy
Pennefeather has restored her old film photographs to a new and
fresh beauty. Gypsy has recaptured these never-to-be-repeated
moments of Australian history with her innovative technique. She
has painstakingly restored and enhanced the images, printing them
onto thick watercolour paper and finally, selectively hand tinting with
watercolour paint. Gypsy has brought a new vibrancy to these archival
images of a fading lifestyle, generating the excitement she first
experienced whilst living amongst these perpetual travellers.
CREATIVE FRAMING 18 ARMSTRONG STREET
NORTH, BALLARAT
SATURDAY.......................9.30AM-12PM
VENUE 21
VENUE 42
VENUE 7
IAN KEMP
ISA AC’S SON
JACQUI MARTIN
‘Scapes’
Ian Kemp is a third year student studying photography at the
Photography Studies College in Melbourne completing an Advanced
Diploma of Photography. His work in Scapes explores landscapes
where he moves away from a straight representation of what he
sees and seeks to create the mood of the land. This is the element
that interests him most in this genre of photography. His images are
painterly in style, they are evocative and inspiring. You will be drawn
into the detail of his work and be moved by his emotional use of colour
and light.
’Irish Eyes’
Isaac’s Son is a photographer who, captured by the moods,
atmosphere, landscapes, people and history of Ireland, and has sought
to capture it through the lens.
‘Botanicals – Style, Function and Form’
‘Botanicals – Style, Function and Form’, explores the beautiful
formations of flowers, from the soft and dramatic sepals and petals
to the lesser known pistils and stamens that they enfold, sustaining
and reproducing life. In these works, Jacqui Martin juxtaposes the
softness, flow and vulnerability of the extrinsic parts of flowers with
the complex patterns and forms that lie within. Softness, beauty
and strength coexist in the flower as they do in the human form, and
reminds us that - as with people - it is necessary to look beyond the
surface to what lies beneath before you can truly know.
CAFÉ MEIGAS 6 COLISEUM WALK, BRIDGE MALL
BALLARAT
SATURDAY.......................9AM-9PM
SUNDAY..........................10AM-3.30PM
Born in Australia to a 5th generation Australian mother and an Irish
father of 1950’s immigration, Isaac’s Son has returned again and
again to this ancient land he finds strangely familiar – not merely in
the hills of Donegal, Fermanagh and Tyrone, but in the cup of tea with
old friends and relations. “I take photographs in appreciation of this
special corner of the world. My heritage is in my bones, in ways that
remain surprising and mysterious.
IRISH MURPHY’S 36 STURT STREET BALLARAT
SUNDAY-THURSDAY..........11.30AM-10PM
FRIDAY-SATURDAY............11.30AM-1.30AM
BALLARAT BOTANICAL GARDENS STATUARY
PAVILION WENDOUREE PARADE LAKE WENDOUREE
MONDAY-SUNDAY............9AM-4.30PM
PAGE21
FRINGE
PROGRAM
EXHIBITIONS
VENUE 22
VENUE 44
JADE SMITHARD
JADE SMITHARD
‘Iconic Ballarat’
Iconic Ballarat is a look into contemporary wedding photography,
showcasing Ballarat and its surrounding region in all its beauty and
diversity.
‘Enriched Life’
‘Enriched Life’ is a collection of images that show moments of enriched
living, no matter what age, and celebrates our living history and
culture.
Artist Jade Smithard from Mojo Professional Photography has been
photographing brides in our region for over 11 years. Her knowledge
and love of the area allows her to capture each backdrop to express
characteristics of beauty and heritage with a contemporary approach
to complement each client’s personality and highlight the amazingly
diverse backdrops available in our stunning region.
Artist Jade Smithard’s aim with this project was to create a suite of
images of local people enjoying an active and vibrant life within their
communities.
CENTRAL SQUARE SHOPPING CENTREGROUND FLOOR 18 ARMSTRONG STREET SOUTH,
BALLARAT
This project was brought about to challenge social stereotypes and
explore the amazing world of late adulthood. This project takes an
intimate look at social interaction, independence, culture and family,
companionship, well-being and leadership
JACKSON’S & CO 201 MAIR STREET BALLARAT
MONDAY-SUNDAY............11.30AM-11.30PM
FRIDAY............................8AM-8PM
SATURDAY.......................8AM-5PM
SUNDAY..........................11AM-4PM
VENUE 2
VENUE 30
VENUE 73
JAMES NIVEN
JAN WISSFELD
JANET BARKER
‘Enchanted Encounters’
Embracing his love of film photography as a medium of self-expression,
James Niven presents an ongoing project titled ‘Enchanted Encounters’.
‘Lichtspiele’
The photographic frame concentrates by discarding the “noise” around
it. Using this tool JW’s work attempts to find simplicity, stillness and a
point of rest in an increasingly overstimulating environment.
‘Drift’
Nature provides no end of opportunity to reflect and interpret, ponder
and wonder. To find metaphor in the drift and flow and constant
motion of weather, wind and waves. In the play of light and air on
landscape.
This series of work explores James’s fascination with people in
their everyday surroundings. By an instinctively visual process of
deconstructing the composition to values of Simplicity, Balance
and Harmony, the human presence in each photograph reflects an
intriguing and artistic insight into a moment captured in time.
James invites the viewer to make his or her own interpretation of
events, to contemplate and be captivated by the mystery within.
THE ANSONIA ON LYDIARD 32 LYDIARD
STREET SOUTH, BALLARAT
PAGE22
EUROPA CAFÉ 411 STURT STREET BALLARAT
Drawing from mindfulness and meditation practice, ‘Drift’ aims to
capture moments of stillness within this movement.
Inspired by the Loddon River and the Muckleford Forest in central
Victoria, as well as the Bellarine Peninsula coastline, these images
blur the boundaries between now, then and always; between reality,
thought and abstraction.
VEGAS AND ROSE 96 HUMMFRAY STREET NORTH,
BALLARAT EAST
TUESDAY-SATURDAY.........8AM-4PM
VENUE 55
VENUE 60
VENUE 32
JEFF MOORFOOT
JEREMY BANNISTER
JODIE HUTCHINSON
‘Legumes Morts’
Legumes Morts, literally ‘dead vegetables’, is the larger body of work
from which these two sets of images come. Both ‘Twenty Carat Love’
and ‘Bountiful Harvest’ are camera-less images, where a flatbed
scanner acts as the capture device. The works pay reference to, and
contemporise the photogram made in an analogue darkroom.
‘Rock n Roll’
Photographing rock ‘n’ roll in the ‘80’s when cameras were mechanical
and fast film meant 400 ASA, capturing performances in dimly lit
venues required fast lenses, a steady hand and reading the light with
your eye.
‘The Graduates’
The Arts Academy in Ballarat is an outstanding provider of professional
training in Acting and Musical Theatre. In a supportive community,
some of the most powerful teachers and directors in Australia
collaborate in classes and rehearsals with its most promising emerging
talent, to create an authentic connection to high-standard performance
and theatre. Students stream here from around the country and
graduates are working all over the world. Jodie Hutchinson has worked
with the Arts Academy to produce twelve images that capture this
collaboration. This collection of images celebrates the performances of
graduating students in Acting and Musical Theatre.
SUNDAY..........................11AM-4PM
Push processing in London squats in the middle of the night added to
the uncertainty of not even being sure you’d have an image to present
to the editor the next day.
What’s undisputed though are the rich blacks and pure whites that
only film can deliver. Grain that works to add texture.
The drama of the performance unsurpassed in pure monochrome
drama.
RACERS BAR AND CAFE 2 WENDOUREE PARADE
LAKE WENDOUREE
MONDAY-SUNDAY............7.30AM-6PM
VENUE 65
HELEN MCPHERSON-SMITH THEATRE
FOYER CAMP STREET CAMPUS-NEW SOUTH BUILDING
FEDERATION UNIVERSITY CAMP STREET BALLARAT
SAT/SUN 22/23..............10AM-5PM
SAT/SUN 29/30..............10AM-5PM
SAT/SUN 12/13..............10AM-5PM
SAT/SUN 19/20..............10AM-5PM
VENUE 34
VENUE 10
JOHN ALCOCK
JOHN SMALLMAN
JOHN TOZER
‘The Stages of Being-Going Forward’
With dark mysterious passion we are seduced into a world of
beauty and culture though Bushie John’s powerful use of dramatic
colour, where the images seductively draw the viewer right into the
scene’s powerful narrative . The images take on lives of their own as
they strive to express the different moods of the bush. There is an
expression of deep cultural identity that is explicitly expressed in
their very powerful works. They move though the soft sensual colours
and moods to the more powerful passionate violent colours of the
Australian bush.
‘A Thief in Venice’
Disguised in his elegant customary dark attire and moving like a
shadow, John Smallman and his camera silently search locations in
the tourist free backstreets where the Venetians live. Following in the
footsteps of the Donald Sutherland and Julie Christie film: “Don’t Look
Now”, he moves like a thief. In the deep of night, in the rain, the heavy
fog and the cold light of dawn. He gives us a glimpse into the lives of
the wonderful people who have lived precariously on these waters
since the fourth century.
‘Outside In’
This exhibition is the starting point of a wider study exploring the
differences between and similarities of the external and internal
appearances of significant buildings in various locations around the
world. In some cases the outside sets the scene for what is to come
once the doors are open. But in many cases the exterior is a sombre
fortress concealing a far more interesting inside. A broad cross section
of functional structures are covered, from traditional houses of
worship to performance spaces to places of incarceration and provide
an interesting perspective of John Tozer’s award winning photography.
SEYMOURS ON LYDIARD 302 LYDIARD STREET
NORTH, BALLARAT
MONDAY- SUNDAY...........11AM-10PM
THE FORGE PIZZERIA 14 ARMSTRONG STREET
NORTH, BALLARAT
MONDAY-SUNDAY............12PM-10PM
BALLARAT MECHANICS INSTITUTE 117 STURT
STREET BALLARAT
SATURDAY.......................9.30AM-12PM
PAGE23
FRINGE
PROGRAM
EXHIBITIONS
VENUE 61
VENUE 66
JONQUIL MACKEY AND AL AN LEE
JULIE HOUGH
‘The Murrumbidgee Project’
A drop of water takes twenty six days to travel from the headwaters of
the Murrumbidgee River in the Snowy Mountains to its junction with
the Murray River. Alan Lee and Jonquil Mackey (who work together as
iSO images) are taking twenty six non-consecutive days to capture the
essence of this river.
‘Daily Life: No Foreign Lands’
Robert Louis Stevenson once penned the words ‘There are no foreign
lands; it is the traveller only who is foreign.’ Regardless of location,
human beings are bound together by a common thread … Basic daily
needs. The routine of daily life speaks a universal language the world
over. Julie’s journey takes her to an exotic land so diversely different
to her own. On the surface it would appear cultural, religious and
ancient traditions would segregate her explorations, but in fact she
found a striking similarity in so me instances separated only by time
and distance.
The photographers work closely together, but take different
approaches. Lee documents the river, often straying into the
surrounding hinterlands. Mackey creates abstractions, revealing where
water and land meet. This exhibition marks a halfway point in the
progress of the project.
RADMAC OFFICE CHOICE 110 ARMSTRONG
SATURDAY.......................9AM-12PM
VENUE 29
SOLDIERS HILL GALLERY 306 HOWITT STREET
BALLARAT NORTH
VENUE 14
VENUE 36
K AR A R ASMANIS
K ATE BUTLER
K ATHERINE LEGUDI
‘Accumulating Pieces of Myself’
Using personal items Kara Rasmanis has created a series of nontraditional self- portraits showing her hands and objects from her
personal archive. In this series hands are used to bring things together
as a vessel to hold or to touch with a strong connection to memory
and identity.
‘Terrain’
Terrain explores the way the ground can shift beneath your feet,
within your home, within yourself. These bold images challenge our
understanding of scale, landscape and rural domesticity through
a juxtaposition of the real and the manufactured. Kate Butler’s
photography layers the bold, smooth, imperfection of childhood
playthings with a dreamy pastoral landscape, confronting ideas of
domestic and familial roles in a rural Australia affected by inexorable
social, climatic and political change.
‘Zingara’
‘Zingara’ is an exhibition of narratives. Excerpts of people’s lives from
distant lands. The images are often spontaneous and quirky and show
rare glimpses of a world and its people. Katherine’s images draw you
in, they take you to that faraway place. They show the true essence of
people, their lives and their cultures. The narratives leave you thinking,
reflecting, imagining and questioning. They inspire curiosity and desire
and leave you wanting to know more. These images are an invitation to
explore the world on your doorstep.
BALLARISTA 2 LYDIARD STREET SOUTH, BALLARAT
THE ELEPHANT PATCH 199 VICTORIA STREET
BALLARAT EAST
MONDAY- SUNDAY...........24 HOURS (EXHIBIT IN SHOP WINDOW)
PAGE24
SATURDAY -SUNDAY.........10AM-4PM
VENUE 53
VENUE 6
VENUE 19
KEITH MELDER AND JEFF PAINE
KERRY PRYOR
KIM PERCY
‘CTRL-0’
Immerse yourself in the surreal world of CTRL-0 (Control-Zero) from
artists Keith Melder and Jeff Paine.
‘Sight Unseen’
The portraits in “Sight Unseen” depict a group of people waiting for
cataract surgery. Through the work of the foundation Eyes for Africa, a
non-profit organisation, cataract surgery is provided to those living in
extreme poverty in remote areas of Ethiopia.
‘Alaya’
This body of work explores the unconscious through photography and
sculptural forms. Alaya is a Buddhist term for unconscious thought
and the storehouse for consciousness that preserves past memories.
Rorschach inkblots are psychological evaluation tests used to unlock
our unconsciousness.
This series reinvents the traditional beauty of still-life imagery through
the application of unconventional constructs.
Using high speed photography the artists capture the ephemeral
beauty of flowers shattering or dissolving into liquids.
Demonstrating both technical and creative ingenuity CTRL-0 delivers
an exhibition that is electric and visually stimulating.
MITCHELL HARRIS WINE BAR 38 DOVETON
SUNDAY-TUESDAY............11AM-6PM
WEDNESDAY....................11AM-9PM
Whilst documenting the work of EFA Pryor was entrusted to
photograph each patient for EFA’s records and accountability of
funds. Pryor turned this documentation process into a portrait
sitting recognising the opportunity to identify with the sitter and
personalising the process. Cataract surgery is the difference between
night and day and patients can usually go home within 24 hours with
restored vision.
These works play with spirituality and question the photographic
image through digital technology. They also challenge our connection
to spirituality in a fast paced digital society where sense of self and
inner sanctum is often compromised either via social media and
mass media or pressures on our work/life balance. Set in the ordered
tranquility of Ballarat Conservatory, Alaya is a reminder to pause and
reflect.
BALLARAT BOTANIC GARDENS
WENDOUREE PARADE
ROBERT CLARK CONSERVATORY LAKE WENDOUREE
MONDAY-SUNDAY............9AM-4.30PM
VENUE 16
VENUE 12
VENUE 28
KRISTIN DIEMER
L AWRENCE WINDER
LEADERSHIP BALL AR AT
‘Ways of Seeing’
“Seeing comes before words. The child looks and recognizes before
it can speak.” (Berger, 1972). As an escape from recognizable
photographs while travelling in iconic locations Kristin used Lumen
printing to find new ways of seeing. Inspired by Jerry Burchfield’s
recording of flora in the Amazon, items were collected each day which
represented notable experiences within locations, such as exceptional
tomatoes, fragrant strawberries or the heavy scent of cigarette smoke
masking spring jasmine. The Lumen prints are presented both prior to
fixing and after fixing to demonstrate further: new ways of seeing.
‘Dancer’
A portrait series embodying both the literal and ephemeral aspects of
ballet movement.
‘Celebrating Community Diversity’
Leadership Ballarat and Western Region celebrates the strength of
community diversity showcases the unique beauty of our region and
the people and places that make up our community. The head, heart
and hand of volunteering is expressed through the individuals who
create prosperous and sustainable futures for all. Together they work
to renew our communities from within. Enjoy the stories of leadership.
Be inspired by the stories of people like you and me. This exhibition is
a collection of works by Liz Crothers, Morgan Williams, Michelle Dunn,
Jade Smithard and Aldona Kmiec.
BALLARAT
THE BEAN BARN 217 STURT STREET BALLARAT
SATURDAY.......................8.30AM-4PM
SUNDAY..........................10AM-2PM
ECLECTIC TASTES 2 BURNBANK STREET LAKE
WENDOUREE
PAGE25
FRINGE
PROGRAM
EXHIBITIONS
VENUE 68
LESLEY COSTLEY- GR AY
‘Flaneur-the Stroller’
One who wanders aimlessly, who roams, observing places in a way to
experience its cultural and geographical context, its streets and the
wider world. A gather of aesthetic impressions. Lesley Costley-Gray’s
photographs, captured by using a mixture of cameras from a DSLR,
iphone and a 35mm plastic fisheye lomo, show the connection of
the places that have become special to her on a daily basis and more
recently her overseas travels. Capturing the extraordinary beautiful
soft, sometimes cold and gentle quality of light and form. She
communicates her experiences of a place or situation to others.
SUTTONS HOUSE OF MUSIC (UPSTAIRS)
31 STURT STREET BALLARAT
THURSDAY-SATURDAY......12PM-6PM
SUNDAY..........................12PM-5PM
VENUE 68
LYNDEN NICHOLLS & ANNE
RICHARDSON
‘Tributaries’
Tributaries is a photo documentary of the clubs and activities available
to residents of Swifts Creek, a small remote town in North East
Gippsland. Lynden Nicholls and Anne Richardson visited over twenty
groups capturing images that reflect community engagement. The
warmth, pride and commitment to keeping life rich in Swifts Creek is
evident in these photographs of more than one quarter of the town’s
population involved in a range of activities from gardening, football,
yoga and barefoot bowls to the dedicated work of the cemetery
committee. Tributaries has hung in the Great Alpine Gallery and The
Albion Hotel Swifts Creek.
SUTTONS HOUSE OF MUSIC (UPSTAIRS)
31 STURT STREET BALLARAT
THURSDAY-SATURDAY......12PM-6PM
SUNDAY..........................12PM-5PM
VENUE 8
VENUE 55
VENUE 56
MAGNET GALLERIES
MAL AUSTIN
MAPgroup
‘Yangon Echoes’
Time and politics have not dealt kindly with Yangon (Rangoon), the old
capital of Myanmar, reflected poignantly in its fast-decaying colonial
architecture - gorgeous buildings from one of the most cosmopolitan
cities in the British Empire. A harsh military regime, the depredations
of tropical climate and forced neglect have reduced the people to living
in the most primitive way in the ruins of past glory days.
‘Armies of the Landscape’
Part A: The forest may be a place of complex beauty and diversity
but some offer up simplistic sentinels conforming to patterns of stoic
strength and unity. When disaster hits, drama increases and this
landscape is forced into greater simplicity.
‘Beyond Borders’
Through photographs and multimedia, MAPgroup’s Beyond Borders
documents the unique experiences of asylum seekers and refugees
seeking a safer life under exceptionally challenging circumstances.
With a sensitive eye photographer Tim Webster records the lives of
Yangon residents in their crumbling palaces and pays due honour
to their fortitude and their determination to maintain ancestral
connections.
Part B: There are items and subjects all around us which through
simplicity or commonplace have their in-built beauty overlooked, until
we look again.
NORTH, BALLARAT
FRIDAY............................9.30AM-7PM
SATURDAY.......................9.30AM-1PM
SUNDAY..........................1.15PM-4PM
PAGE26
‘Look Again’
I love to take the image, twist it and mould it a little to give it new
character and then present it in more diverse media than photographic
paper. In this way I create images not just photographs.
SUNDAY..........................11AM-4PM
Coming from a range of countries including Burma, Afghanistan,
Vietnam, Jordan, Columbia, Iran and Somalia, Beyond Borders
highlights the participants’ multifaceted stories, reminding us that
these are people, not problems.
Ultimately, through sharing personal stories, we can transcend the
divisions between us- and go beyond borders.
One of the nation’s most recognised photographic collectives,
MAPgroup is an independent association of approximately 40
documentary photographers. http://beyondborders.mapgroup.org.au
MADE (MUSEUM OF AUSTRALIAN
DEMOCRACY AT EUREKA) STAWELL STREET
SOUTH EUREKA
VENUE 19
VENUE 38
VENUE 19
MARCUS THOMSON
MARIE WAT T
MARK HOFFMANN
‘Speed Week’
Every February or March, they turn off the A1 outside Port Augusta
in their hundreds, and drive down the 200 kilometre dirt road to Lake
Gairdner, South Australia for Speed Week. They’re from all walks of
life, but they have one thing in common – the love of speed.
‘After the Rush’
The discovery of gold in Victoria in 1851 changed our State forever.
We are familiar with the grand buildings constructed during the gold
rush period in now thriving regional centres such as Ballarat, Bendigo,
and Castlemaine, but the gold rush also left a ghostly but beautiful
landscape, with its abandoned mines and ruins, and ghost towns frozen
in time. Marie Watt’s series After the Rush uses infrared photography
to emphasise the atmospheric solitude of the lesser known gold rush
sites - in a bid to remind us of a wider vibrant, though harsher, past.
‘360x180’
In the series “360x180”, Mark Hoffmann takes a mathematical
approach to landscape photography, using a combination of High
Dynamic Range (HDR) and image stitching techniques to observe the
colours, tones, angles and textures of his surroundings. Each piece
is created through the capture of over 100 individual photographs,
processed using four software packages, to create miniature planets
that exaggerate perspective and highlight the intrinsic beauty that
exists in the mundane.
BALLARAT
Enduring hours of sizzling heat, rugged conditions, petrol fumes and
roaring engines, the contenders wait their turn to try for a speed
record in their cars, bikes and hot rods. This exhibition explores
the relationship between the die-hard speed freaks and the arid,
unforgiving salt lake.
MON-SUN........................9.30AM-5.20PM
VENUE 4
VENUE 33
VENUE 64
MAT T THOMSON
MELBOURNE POLY TECHNIC
MELBOURNE SILVER MINE INC.
‘Southern Skies’
Southern Skies is the debut exhibition by local photographer Matt
Thomson. It combines his love of photography, beautiful landscapes
and the night sky. This exhibition showcases some of the amazing
sights he’s captured out in the crisp, dark nights while everyone else
was sleeping. It displays amazing views of the night sky that most
people never get the chance to see.
‘Anterior’
‘Anterior’ exhibition showcases Melbourne Polytechnic Photoimaging
past and present students’ work.
‘Silver’
Our group is devoted to encouraging the continued use, unique
features, and appreciation of traditional photographic techniques
and equipment. We exist to promote the exchange of ideas and
enable collaboration on projects which promote the continued use of
traditional photography to the wider community. And we support the
use of contemporary technology to achieve these purposes.
BALLAARAT YACHT CLUB AND CAFÉ
WENDOUREE PARADE LAKE WENDOUREE
SUNDAY-THURSDAY..........8AM-4PM
FRIDAY............................7AM-LATE
SATURDAY.......................8AM-5PM
Melbourne Polytechnic (formerly NMIT) Photoimaging training has
evolved from over 20 years of success in training and preparing
students for the photographic industry.
The exhibition images offers insight into the creativity that shapes
image making today and the future.
Enjoy, celebrate and support our exhibition.
FEDERATION UNIVERSITY SMB CAMPUS – OLD
GAOL BUILDING LYDIARD STREET SOUTH
With ‘Silver’, we invite our members to explore the chemical
element at the heart of much of our history - through process, literal
interpretation, or playfulness - ‘Silver’ can be impossibly polished, or
the blackest of black.
SEBASTIAANS 58-60 LYDIARD STREET NORTH
BALLARAT
PAGE27
FRINGE
PROGRAM
EXHIBITIONS
VENUE 8
MICHAEL MASTERS
MICHAEL PRIOR
‘H St, Washington D.C. – 2014/15’
Parts of H St, in Washington D.C. are located less than one mile from
the US Capitol Building. In 1968, as a result of street riots in response
to the assassination of Dr Martin Luther King, large areas of H St were
damaged and destroyed. For almost 40 years, until the early 2000s,
evidence of damaged and derelict buildings could still be witnessed.
‘Beauty’s Sting’
Meet Charlotte. A twenty-three year old artist, performer, writer, and
model. Her mother is Chinese-Jamaican. Her father is London Cockney.
Making an explosive mix of beautiful looks which you can’t quite work
out. Like Isabella Rosselini, Helena Christensen, and Naomi Campbell,
before her, Charlotte is blessed, and burdened by her looks from mixed
parents. Someone so pretty can’t possibly have problems. Nor can she
be beautiful and brainy simultaneously. But she is. Being twice blessed
must be a sin.
The images presented are part of a larger collection of work produced
during the autumn and winter of 2014/15 and include images of
urban redevelopment projects and portraits of local residents. Audio
interviews were also conducted.
NORTH, BALLARAT
FRIDAY ...........................9.30AM-7PM
SATURDAY ......................9.30AM-1PM
SUNDAY..........................1.15PM-4PM
VENUE 19
MICHELE WINSOR
‘Wandering Through Time’
Time seems to me to be an idea that accompanies us throughout our
lives; we can measure it, or spend it, squeeze more into it or while it
away, but time ticks away regardless.
These pictures play with the idea of time as a constant companion to
life’s meandering journey, often disregarded, constantly calculated,
sometimes ominous, always present.
The photo montages are constructed from photographs taken while
wandering far and wide, found objects and family photographs.
Explore the world of Charlotte. Figure out her allure, if you can. See
images so different you can’t believe it’s her.
LORDS AND LADS THE BARBER SHOP
6 CAMP STREET BALLARAT
SATURDAY.......................9AM-4PM
VENUE 51
MICHELLE DUNN & ALISON
SHIRLEY
‘Buen Camino’
In 2015 Michelle Dunn & Alison Shirley walked the last 110km of the
Camino De Santiago in Spain. During this famous pilgrimage, what
fascinated them the most was the parallel journeys of the landscape
around & the landscape within. Alison was drawn to the metaphor
of doors that open & close on us and the similarities of people & how
they survive. This resulted in a close study of age old buildings along
the way. Michelle’s lens turned towards the people, attracted to the
Camino from all over the world, who shared their personal stories with
her as they walked.
THE MALLOW HOTEL 18-20 SKIPTON STREET
BALLARAT
TUESDAY-THURSDAY.........4PM-12AM
FRIDAY-SATURDAY............12PM-1AM
SUNDAY..........................12PM-11PM
PAGE28
VENUE 72
VENUE 57
MICHELLE SOH
‘Breathe’
breathe \brēth\ intransitive verb
• to inhale and exhale freely
• to pause and rest before continuing
• to become perceptible
• live
Tumble down the lens into the world of macro photography.
Bask in the profusion of colour and light.
Set adrift in the stillness.
Allow yourself to be captivated by the detail and harmony.
And simply take a moment to…
Breathe
OPEN PANTRY 22 MAIN ROAD BAKERY HILL
VENUE 3
MICHELLE WILLIAMS AND SILVI
GL AT TAUER
‘Altiplano’
These South American, Altiplanic landscapes are topographical
storyboards that read like textural braille.
The hyper-reality that is often associated with contemporary
landscape photography is replaced here with an abstract and elusive
aesthetic, that narrates Greek Mythologies of Fire, Water, Earth & Air.
BACKSPACE GALLERY HUYGHUE HOUSE, ALFRED
DEAKIN PLACE CAMP STREET BALLARAT
THURSDAY-FRIDAY...........12PM-4PM
VENUE 19
VENUE 58
MIR A KRULIC
NADIA MOTH!
‘Lightwell’
Challenging the way we see, Lightwell explores the effects of light and
colour on the human condition. With the absence of a clear subject,
these luminous images create a sense of wonder encouraging the
viewer to enjoy the experience and respond emotionally. At the heart
of Mira Krulic’s photography are ardent curiosity and the constant
examination of open-ended possibilities. In this series, she continues
her experimentation with the phenomenon of light making subtle yet
beautiful images that inspire us to open up our eyes and see how light
creates and reveals.
‘Baby you’re a Star!’ - part one
‘Baby you’re (I’m) a Star’, is the song by Prince which subconsciously
entered the artist’s head whilst trying to arrive at a title for this
particular exhibition. The title is not directed at the artist herself but
more-so towards her subjects.
This is a porthole into Nadia Moth’s world where her friends, local
girls who are not models, transform literally in front of the lens whilst
immersing themselves in the character of the outfit they wear. It’s
almost like the garment itself has its own power of possession. Clothes
have the power to transform the wearer not only physically but also
mentally. Do we own the clothes or do they own us?
THE PROVINCIAL HOTEL 121 LYDIARD STREET
NORTH, BALLARAT
MONDAY-WEDNESDAY......8AM-7PM
THURSDAY.......................8AM-7.30PM
FRIDAY-SATURDAY............8AM-11PM
SUNDAY..........................8AM-7.30PM
VENUE 68
VENUE 36
VENUE 39
NADIA MOTH!
NEIL CASH
NEVILLE HIAT T
‘Baby you’re a Star!’ – part two
Suttons House of Music is a beautiful, historical renovated venue. This
entertainment hub is the perfect setting for Nadia Moth’s photos which
continue to focus on musical entertainment, fashion and local content.
Interacting with the past, jazz nights that emblazoned style and dress,
she’s paying homage to times gone by.
Challenging herself with the use of a smaller compact size camera she
strives for what can still be achieved.
‘Australia Felix - Remains Of New Work’
Observations, remixes and re-imaginations of the landscape of Victoria.
Shot predominantly in and around the recently fire-ravaged Black
Hill reserve in Kyneton, this series counterbalances the impregnable
with the vulnerable, regeneration through devastation. Through his
treatment of texture, colour and reflection, face to face encounters,
aerial views or microscopic studies are all open to interpretation. But
with his recognizable, unique and controversial photographic style, and
a lifelong obsession with shape and form, Neil breathes life into these
everyday monoliths, creating a family of imaginary characters, each
with their own story of life in the bush.
‘Journeys’
Journeys gives but a small snapshot of the hundreds of different
journeys we travel in a lifetime, from the physical to the emotional,
mental and spiritual. A desire to pay homage to the history of
photography, mingled with the words of Chris de Burgh and the
creativity of Brooke Shaden have infused the flavour of Journeys.
Neville draws from life experience for the storyline within each photo.
Medically retired by age 30 after an accident Neville uses photography
as both personal therapy, and as a way to stay connected with
community. Please drive attentively, you could change someone’s life.
MONDAY-SUNDAY............12PM-12AM
SUTTONS HOUSE OF MUSIC 31 STURT STREET
BALLARAT
MONDAY.........................9AM-5PM
TUESDAY-WEDNESDAY......9AM-6PM
THURSDAY-FRIDAY...........9AM-11PM
SATURDAY.......................8AM-11PM
SUNDAY..........................8AM-5PM
MONDAY- FRIDAY.............9AM-5.30PM
GRAPES HOTEL 121 GRANT STREET BALLARAT
PAGE29
FRINGE
PROGRAM
EXHIBITIONS
VENUE 37
VENUE 35
NICK REID
NIGEL KENNY
‘Interesting Concepts’
The only thing better than capturing Victoria’s diverse wilderness is
to use its beauty as context for an idea. At the height of his passion
for photography Nick enjoys producing conceptual imagery that is
sparked by a thought, normally while stuck in traffic on East Link. For
more information on these images or the ability to purchase them as
high quality, canvas prints go to: showglowpix.com.au – Galleries –
Conceptual.
‘Salt’
What Is it about our need for speed? Our inner child? Our adult
knowledge and experience? At Lake Gairdner in South Australia, a
salt lake used for the Australian land speed record, men and women
try and gain the fastest speed they can out of their machines. We’ve
all seen and remember ‘The World’s Fastest Indian’. These men and
women are today’s Burt Munros.
THE GEORGE HOTEL (HALLWAY-OFF THE
LANEWAY) 27 LYDIARD STREET NORTH, BALLARAT
Nigel is a member of the AIPP (Australian Institute Of Professional
Photography) and has won several prestigious awards here and
Internationally. Included are some of his award winning travel images
as part of this exhibition.
THE FREIGHT BAR 49 MAIR STREET BALLARAT
MONDAY-SUNDAY............11AM-LATE
VENUE 27
NINA O’BRIEN
‘Domestic Theatrics’
Moments never destined for the family album; the ‘Domestic Theatrics’
series is a documentation and disclosure that explores sibling realities
played out through the suburban backyard each day.
The images provide a tiny portal into this private world, and the
ongoing drama plot of keenly felt hilarity, anger, love, injustice and
sometimes threats of physical (sibling) harm that are dealt out in
rapid succession. Ultimately, it goes some way to talk about what real
family life is like behind closed doors-without the veneer.
EAU VERTE 31 BURNBANK STREET
LAKE WENDOUREE
WEDNESDAY-SUNDAY.......9AM-5PM
PAGE30
VENUE 71
OLI, AHMAD, JOHN AND
MORGANNA
‘Silver + Light’
When Silver and Light combine, magic is made. In this show we return
to traditional analog techniques, showcasing the quiet beauty of film
photography. 4 award winning professional photographers Oli Sansom,
Ahmad Sabra, John Deer and Morganna Magee come together to show
various analogue work they have created over the past few years. In
a world where everyone is a photographer, these images bring the
viewer back to the craft and chemistry of traditional photography.
THE UNICORN 131 STURT STREET BALLARAT
SUNDAY..........................8AM-4PM
VENUE 77
OLLIE COOL
‘Winter Mind’
Winter Mind is an exhibition inspired by one of those questions that
comes up while watching the ocean on a cold winter’s day. With her
montage exhibition of over 5 meters, Ollie invites the audience to
contemplate why we seem to have forgotten the second verse of our
Australian national anthem - ‘for those who’ve come across the sea,
we’ve boundless plains to share … with courage let us all combine
‘ - and ponders why arriving by boat has become such a problem. “After
all,” she asks, “haven’t we always come by boat ?”
YELLOW ESPRESSO 13 STURT STREET BALLARAT
VENUE 68
VENUE 59
VENUE 37
PETER DONOHUE
PIPPA WISCHER
R AQUEL BETIZ
‘Rat Music’
Rat Music is a celebration of the iconic musicians and music hand
crafted in the artists hometown of Ballarat. With no dividing line of
genre, Peter Donohue captures highlights and lowlights, in stark black
and white, to portray the many and varied emotions of the musical
artisans in The Rat.
‘The Dreamers’
What do people think about life, when they are living with the
prospect of dying soon? What do they feel about dying? Fascinated
with the construction of identity, Pippa Wischer examines how we
understand our lives within the realms of the deeper questions of
existence. The Dreamers is an exhibition of intimate portraits, sound
recordings and text of people in palliative care, revealing the honest
reflections of those living until they die.
‘Forget Me Not’
‘Forget Me Not’ is about the complexity of emotions surrounding
personalexperiences of loss and memory.
SUTTONS HOUSE OF MUSIC 31 STURT STREET
BALLARAT
MONDAY.........................9AM-5PM
THURSDAY-FRIDAY...........9AM-11PM
SATURDAY.......................8AM-11PM
SUNDAY..........................8AM-5PM
QUEEN ELIZABETH CENTRE 102 ASCOT STREET
SOUTH, BALLARAT
SUNDAY (23/8 ONLY).....10AM-5PM
VENUE 56
Raquel Betiz is an emerging photographer from Melbourne, Australia,
who is currently undertaking a BA of Photography at Photography
Studies College, majoring in Photojournalism. She recently received a
Gold Award at the AIPP VIC State Awards.
THE GEORGE HOTEL LANEWAY 27 LYDIARD
SATURDAY-SUNDAY .........8AM-11PM
VENUE 15
VENUE 8
REBECCA HOSKING
RHONDA BAUM
RICHARD CHENHALL
‘Manu (Mankind)’
Exploring the theme of men of community spirit, MANU, transcript
for mankind, is an exhibition of B&W portraits, which celebrates and
explores men’s health, diversity, resilience, and the contributions men
humbly make to their local community.
‘Videre’ (Latin for vista)
Photographic works in this exhibition are drawn from the landscape of
Central Victoria. The artist Rhonda Baum is also a published poet and
the images appear as poetic and have the quality of the momentary.
The tonal range of these photographs lends to narrative and invites the
viewer to wander, contemplate and be still.
‘Kenso –Street Life in Japan’
In Japanese, kenso (喧騒) literally translates as ‘bustle’ and describes
the ‘hustle and bustle’of sounds in the city. In this exhibition, Richard
Chenhall invites the audience to immerse themselves in the rich
tapestry of street life in Japan and to explore an accompanied website
accessible on smart phones. The sonic Japan project (http://sonicjapan.
clab.org.au) is a digital repository that Richard and others have created
to communicate sonic life in Japan. In this series, images of street life
in Tokyo and Kyoto provide evocative reflections on movement and
stillness within city environments.
One person makes a change, and as a collaborative community, these
actions and people shape a place.
Rebecca Hosking’s photography captures the unique spirit and essence
of each individual man as reflected in the style and mood of each
portrait. The overall exhibition portrays a spectrum of man.
Each portrait, taken on the Surf Coast, is valuably accompanied by
words of these men.
M.A.D.E. (MUSEUM OF AUSTRALIAN
DEMOCRACY AT EUREKA) STAWELL STREET
SOUTH EUREKA
BAR WAT (UPSTAIRS) 32 DRUMMOND STREET
BALLARAT
TUESDAY.........................9AM-4PM
WEDNESDAY-FRIDAY........11AM-LATE
SATURDAY.......................4PM-LATE
NORTH, BALLARAT
FRIDAY ...........................9.30AM-7PM
SATURDAY ......................9.30AM-1PM
SUNDAY .........................1.15PM-4PM
PAGE31
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BEAN BARN
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CAFÉ MEIGAS 22
CENTRAL SQUARE SHOPPING CENTRE
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CITY OVAL HOTEL
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COACH HOUSE ALE
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CREATIVE FRAMING
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ECLECTIC TASTES
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ELEPHANT PATCH
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EUROPA CAFÉ
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FEDERATION UNIVERSITY HMS THEATRE FOYER
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FORGE PIZZERIA
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FREIGHT BAR
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GRAPES HOTEL
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Produced by Mapping Services Australia (08)8582 2032
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JACKSON & CO
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KNOWN WORLD BOOKSHOP 46
LAKEVIEW HOTEL
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LITTLE BIRD
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LOST ONES GALLERY
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MALLOW HOTEL
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MINERS TAVERN
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MITCHELL HARRIS WINE BAR
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FRINGE VENUES
CAR PARKS
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Goats
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WEN AND WARE LIVING
75
WENDOUREE PERFORMING ARTS CENTRE
76
WOLVESCHILDREN ART SPACE
77
YELLOW ESPRESSO
78
YUMMY PATISSERIE
79
KNIFE FORK SPOON
80
GRAVY SPOT
81
STOCKADE CELLARS
D4
B4
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E4
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E3
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FRINGE
PROGRAM
EXHIBITIONS
VENUE 75
RICHARD SHAW
VENUE 9
RICHARD SHAW
‘Heavenly Creatures’
Heavenly Creatures explores the aesthetics of death on the Australian
Landscape. From populated urban centres to the remote outback its
subjects are a variety of animals - both native and introduced species.
Some of these creatures have perished via natural causes, others have
died at the hands – directly or indirectly - of mankind. Indeed a sense
of the macabre permeates these images, yet each of these creatures
radiates a sense of heavenly peace. While imagery of human death is
often hidden in society, this series depicts animal death as an integral
and sometimes beautiful part of the landscape.
‘Some Place Else’
In ‘Some Place Else’, photojournalist Richard Shaw ventures beyond the
everyday and familiar landscape of the urban Australia he grew up in
to explore the cultural and architectural vibrance of the world outside.
During almost a decade based in China, Shaw travelled from the
back streets of Kolkata to the megatropolis of New York, and literally
countless other places in between. With its distinctly other worldly
and sometimes older worldly feel, this series is in essence a captivating
snapshot of the everyday poetry and art of the world beyond, and
those idiosyncratic human encounters.
WENDOUREE PERFORMING ARTS CENTRE
1220 HOWITT STREET WENDOUREE
MERCURE BALLARAT (FORMERLY
BALLARAT LODGE) 613 MAIN ROAD BALLARAT
VENUE 19
VENUE 1
VENUE 12
RICHARD WHITE
RICK BROADWAY
ROCHELLE WONG
‘The High Country’
The High Country is synonymous with many myths and legends of the
past. For more than 25 years Richard White has captured this area
with beauty and style. Mt Buffalo and the Buffalo Valley, The Bogong
High Plains, The Howqua Valley and many other magnificent areas.
‘Landscapes’
We tread the landscape, minds filled with irrepressible details of our
daily grind, often oblivious to the imagery that engulfs our being but
not our thoughts. To busy to really see the light that plays across
our field of vision; constantly changing the form, texture, colour and
impact of the landscape in which we wander.
Clear your mind of the mundane. Re-energise your passion for the
landscape as you stroll through Rick’s photographic gallery. Enjoy
a coffee as you chat to Rick about his images, his vision and the
techniques he uses to bring them to life.
‘Life in India’
A deep connection with India and its people is what takes Rochelle
back there time and again. In a country known for its extraordinary
visual scale, Rochelle is instead drawn to India’s ordinary people and
their everyday tales. She seeks to engage with the people she meets
and to convey those moments through photographs. Her striking yet
intimate environmental portraits reveal a pulse within everyday India.
Rochelle gives copies of her photos - in the form of enlargements and
photobooks - to the people she photographs so that they, too, have a
record of these shared moments.
212M PHOTOGRAPHIC GALLERY AND
STUDIO 212 MAIR STREET BALLARAT
BALLARAT
In the spirit of Ansel Adams and other exponents of large format
photography, Richard’s black and white images have a timeless and
in some cases ethereal quality to them. From grand vistas of the
mountain ranges to a more intimate detail of the Snow Gums and rock
formations. A must see exhibition.
SATURDAY & SUNDAY......10AM-4PM
PAGE34
WEDNESDAY-SUNDAY.......9.30AM-5PM
VENUE 2
VENUE 8
VENUE 63
SANDHYA PORRIT T
SANDR A CHEN WEINSTEIN
SANDR A CHEN WEINSTEIN
‘Parched’
In the midst of space, as our heart lays bare
Beneath the gaze of the sun
Atop the cracked, dusty earth
Barren scape, a canvas of nature
Inspiration and Imagination
Defining moments to share.
Parched narrates the contemplative state at the crossroads of our
lives. Where one is called to lay bare their existence to find inspiration
and meaning in their life. Photographer Sandhya Porritt uses her
imagination to meld the desert and soul yearning in an environment
yielding solitude and a meditative state where inner desires beauty
reveals and expresses itself in poetic grace.
‘Women of Arab Spring’
Much attention has been brought to the youth of the Arab Spring, but
Muslim women in Palestine have long been holding their communities
together and fighting steadfastly for their families and their rights as
a people. Through my lens, these intimate portraits of Arab women
and their communities show their resilience, pride and empowerment.
They are celebrating their heritage while continuing the many arduous
challenges to their transition through modern times.
‘California’
Urban greenery with its carefully manicured symmetrical
arrangements and the artificiality of city-landscapes intrigue me. The
conflict between a desire for comfortable living, conservation of limited
resources, and the impact of decaying ecology in our communities
manifests itself in the collision of nature and artifice on every street
corner and stretch of open road.
THE ANSONIA ON LYDIARD 32 LYDIARD
NORTH, BALLARAT
MONDAY-THURSDAY 9.30AM-6PM
FRIDAY............................9.30AM-7PM
SATURDAY.......................9.30AM-1PM
SUNDAY..........................1.15PM-4PM
‘American Pride’
This ongoing project depicts the life within the Californian lesbian, gay,
bisexual, and transgender (LGBTQ) community. Through my lens, I
document these candid yet intimate portraits that project my subject’s
identities through their unique self-expression and celebrations of
freedom, love and sexuality.
S MORGAN CREATIVE 119A STURT STREET
BALLARAT
VENUE 36
VENUE 66
VENUE 3
SCOT T FREDERICKS
SHANNA LOVE
SILVI GL AT TAUER
‘Facade of the Goods and Services’
This exhibition acknowledges the transitioning times of the goods and
services.
‘From Africa with Love’
We all show character, emotion, and affection. Sometimes we need
to spare enough time observing to notice even the most insignificant
creature can communicate without words.
‘Organic Balance’
These natural objects represent narratives and archives that also serve
as storyboards of time and place. Translated with the Photogravure
process, these unique forms of precious beauty have a connecting
thread related to materiality, to object, and to preciousness.
The trials of daily break even, riding the cycles whilst overcoming the
drudgery of muddy boots, dead flies and visual merchandisers block.
At times this can end in commercial let down.
These photographs represent the retail reality, hope and resilience of
those committed to having a go.
For seven years Shanna Love has been photographing wildlife.
During 12 months in Africa she developed a portfolio that revolves
around emotions rather than the technical aspects of photography,
resulting in images focused on expression rather than species.
SOLDIERS HILL GALLERY 306 HOWITT ST
SOLDIERS HILL
Hoping to raise awareness for wildlife conservation she now shares her
work in the exhibition “From Africa With Love”. No child should grow
up in a world where the Rhino no longer exists.
Silvi collects, archives and records evidence of the beauty that
surrounds us. These handmade Photogravure prints aim to waken our
senses of sight and touch. The Photogravure process brings with it
elements that are unique. With texture, raised ink lines, embossing
and hand-made papers. These elements contribute to creating an
impact that can take the photograph into the realm of a beautiful
object itself.
BACKSPACE GALLERY HUYGHUE HOUSE ALFRED
DEAKIN PLACE CAMP STREET BALLARAT
THURSDAY-FRIDAY...........12PM-4PM
PAGE35
ACROSS THREE VENUES 79, 80, 81
VENUE 79
VENUE 80
VENUE 81
STEVE MARSHALL
STEVE MARSHALL
STEVE MARSHALL
‘Cuba – Paradise Island’ Exhibit 1 of 3
Over four weeks Steve Marshall walked the streets of Havana, Cuba.
During the course of events he would journey through old Havana
with a nun, a solicitor, a linguist and a prostitute, all of whom would
introduce him to the Cuban lifestyle.
The days are warm, the nights are cool. Police sit on every second
corner, watching and reporting population movements. What he
noticed most was the constant sound of music in the air. He concluded
that Cuba is Paradise Island.
KNIFE FORK SPOON
GRAVY SPOT 34 LYDIARD STREET NORTH,
BALLARAT
STOCKADE CELLARS
301 MAIR STREET BALLARAT
www.hcpro.com.au��Metal Prints
VENUE 33
VENUE 74
TUESDAY-FRIDAY..............8.30AM-4.00PM
SATURDAY.......................8.30AM-2.30PM
MONDAY-SATURDAY.........9.00AM-7.00PM
VENUE 40
STACEY MOLL
STUDY MELBOURNE
SUSAN NICOL
‘Frankenstein Atomic Frontier’
The world of Frankenstein Atomic Frontier is one where deviance
and the grotesque interplay with ideals of the gothic. Inspired by the
game with the same namesake, Stacey contrasts traditional notions
of beauty and aesthetics with scars, stitches, body modifications and
other signifiers of the traumatized self. Frankenstein Atomic Frontier
plays with the concept of industrial consumer society’s manufactured
monsters.
‘How far We’ve Come’
Every year, Victoria welcomes more than 160,000 international
students from around the world. Their stories are the moments on
display in How Far We’ve Come, a photographic exhibition celebrating
the local experiences of Victoria’s vibrant international student
community. Presented by Study Melbourne, the exhibition features a
series of images captured by the students to recognise their indelible
contributions and unique perspectives while living and studying in
Melbourne and Victoria. Study Melbourne is a Victorian Government
initiative.
‘Tibet’
The Tibetan Plateau is vast and unforgiving and includes Mt Everest,
the highest mountain in the world, as well as endless stretches of
flat land broken by high passes. The colours of the land are subtle
and breathtakingly beautiful. But it was her interest in the Tibetan
Buddhist religion and the way it affected the culture of the Tibetan
people that prompted Sue Nicol to take a 3 week road trip across
the Tibetan Plateau and record these things on camera. Sue’s photos
have captured glimpses of life and the environment with warmth and
empathy
FEDERATION UNIVERSITY
SMB CAMPUS – OLD GAOL BUILDING
LYDIARD STREET SOUTH
WEN AND WARE 52 BRIDGE MALL BALLARAT
HEROES HQ 1 SHEPPERD STREET BALLARAT
THURSDAY.......................11AM-6PM
FRIDAY............................10AM-5PM
SATURDAY.......................10AM-4PM
SUNDAY..........................11AM-4PM
PAGE36
MONDAY-THURSDAY.........9AM-5.30PM
FRIDAY............................9AM-6PM
SATURDAY.......................9AM-4PM
VENUE 22
VENUE 17
VENUE 6
THE BALL AR AT FOUNDATION
TIM LUCAS
VANESSA BR ADY
‘Ballarat Through My Eyes’
The Ballarat Foundation asked the people who live, work and play in
Ballarat to show us Ballarat through their eyes. To scratch the surface.
To show us what is important to them, what it is about our city that
inspires them. Here is the result. An unique exhibition of Ballarat, by
Ballarat. A celebration of our amazing city and the people and places
which make it so unique. So step inside, and view Ballarat through the
eyes of the people who love it.
‘Night Vision: Exposing the Night’
Photography is all about light, no matter the source of the light.
For his current exhibition Tim has been experimenting with night
photography – with no flashes to been seen. Using a variety of light
sources Tim work captures an array of subjects in a unique manner. His
light sources include LED Flash lights, matches, candles, glow sticks,
the moon and even passing car headlights. Often his subject matter
reflects rural life, especially long since ‘retired’ farming equipment, but
he also turns his lens to capturing the magnificence of the Milky Way.
‘Languid Nature’
Vanessa has been a keen photographer since childhood, mainly
taking photos for marketing purposes and sporadically exhibiting or
publishing. After an extensive career in creative industries and now in
education, the creative roots have never been entirely left behind. She
sees the world in shifts of lights and patterns, with rich textures and
demanding angles … as potential photographs. Moving from Melbourne
in 2013 to Ballarat, she moved from urban exploring to discover
potential photographs to rural reconnoitering.
BEECHWORTH BAKERY 6 GRENVILLE STREET
BALLARAT
“Nor rural sights alone, but rural sounds,Exhilarate the spirit, and
restore The tone of languid nature.” ~William Cowper
– TOP FLOOR 18 ARMSTRONG STREET SOUTH,
BALLARAT
FRIDAY............................8AM-8PM
SATURDAY.......................8AM-5PM
SUNDAY..........................11AM-4PM
MONDAY- SUNDAY...........9AM-4.30PM
VENUE 52
VENUE 24
VICKI MACK AY
WENDY CATLING
‘Bohemia’
Bohemia explores the role of the artist’s model while providing homage
to Norman Lindsay’s works. Beautiful curves, perfect skin and skilled
posing by the models is the inspiration for his plethora of work and
serve as the linchpin between the viewer and the artist. Nudes have
been accepted in art for centuries, although the model has not had
the same position of power and glory that artists have enjoyed. Here
is a tribute to the artist and also to his models without whose skill,
patience and daring we would not be enjoying his legacy today.
‘Hard Light’
Hard Light represents an examination of the early memories of the
artist growing up in the Australian wheat belt town of Yarrawonga in
the 1960s.
This show contains adult content-Viewer discretion advised.
THE MINERS TAVERN 118-120 LYDIARD STREET
NORTH, BALLARAT
MONDAY-SATURDAY.........9AM-1AM
SUNDAY..........................10AM-1PM
BALLARAT BOTANICAL GARDENS ROBERT
CLARK CONSERVATORY, WENDOUREE PARADE
LAKE WENDOUREE
Using blazing summer sunshine on Cyanotype sensitised archival
paper, the artist reclaims the intense quality of light from her
childhood, and filters it with personally significant objects and places
to evoke the ghostly shadows of her past. The imaginative merging
of metaphorical horrors with beautiful yet intimidating blueprinted
townscapes, evokes the trauma of a child trying to understand and
survive a violent family life.
COACH HOUSE ALES 202 LYDIARD STREET NORTH,
BALLARAT
SUNDAY..........................12PM-6PM
VENUE 78
K ATE VIVIAN, DON BUTCHER,
HELEN LEWERS & UNA ALLENDER
W.H. A .M WES TERN HIGHWAY ALTERNATIVE MINDSE T
‘Ancient Trees Modern Tragedy’
These images celebrate, the extraordinary, unique ancient red gums,
growing between Beaufort and Ararat. Silent witnesses for some 800
years, so long before white settlement, such a vast history unknown.
Document their destruction for road construction and appeal for
change to a respectful valuing of our irreplaceable, precious, ancient
trees and the many lives they support.
Now and for the future.
800 years is not ‘just a tree’
YUMMY PATISSERIE 428A STURT STREET
BALLARAT
PAGE37
EVENTS, FILMS
AND SPECIAL
EXHIBITIONS
SPECIAL EVENTS
SPECIAL EVENTS
SPECIAL EVENTS
L AUNCHES
CONVERSATION PROGR AM
FRINGE ARTIST TALKS
SAT 22 AUG: 6PM
FESTIVAL LAUNCH
The In Conversation Program will include a photographer or a panel
of photographers who discuss issues about photography that affect
photographers.
SUNDAY AUGUST 30TH
12 LYDIARD STREET BALLARAT
IN CONVERSATION DATES
1.00pm �� Kate Vivian ‘Progress or Preservation -Documenting
the Destruction’
Friday 21 Aug �� from 7.30pm
SUN 23 AUG: 3PM- 6PM
FRINGE & FILM PROGRAM LAUNCH
Saturday 22 Aug �� from 4.00pm with Bruce Postle
Friday 28 Aug �� from 7.30pm with Kathleen Whelan
Saturday 29 Aug �� from 7.30pm with Sam Harris & Alison
Stieven-Taylor
MON 24 AUG: 6PM
LAUNCH - ART GALLERY OF BALLARAT
Friday 04 Sept �� from 7.30pm
11.30 am�� Elaine Batton ‘Traveller or Tourist? - The artists view
of the Imagery & Quotes’.
2.00pm�� Rhonda Baum ‘The Artists view of Central Victoria’
SUNDAY SEPTEMBER 6TH
1..00pm�� Sandhya Porritt ‘Crossing the Boundaries The Inspiration and Imagination’
2.00pm�� John Alcock ‘Our Journey – Past and Present’
3.00pm�� Michelle Dunn ‘Buen Camino - Walking the
Camino de Santiago’
Saturday 04 Sept �� from 7.30pm
SUNDAY SEPTEMBER 13TH
Leon BIRD [Australia] ‘Mrs Patroni’s Guest Home’
Stephen DUPONT [Australia] ‘Piksa Niugini: Portraits & Diaries’
Jane LONG [Australia] ‘Dancing with Costica’
12.00pm�� Richard White ‘Inspiration and Motivation in
Landscape Photography’
Ben WRIGLEY [Australia] ‘The Dream Machine’
1.00pm�� Kim Percy ‘Pushing the Bounds of Photography’
TUES 25 AUG: 5PM
LAUNCH - THE LOST ONES GALLERY
Dave TACON [China/Australia] ‘Shanghai: Decadence with
Chinese Characteristics’
Blurb ‘One For The Books’ Launch
GERALDINE’S ROOM, MR REDE
203 DANA STREET BALLARAT
FRIDAY & SATURDAY........7:30PM START
(TIMES MAY VARY)
Cost: FREE
BALLARAT TRADES HALL COMBINED
PANG XiangLiang [China] ‘The Drilling Workers’
TUE 25 AUG: 6PM
LAUNCH - POST OFFICE GALLERY
CNR STURT & LYDIARD STREETS BALLARAT
2.00pm�� Andrew Campbell ‘Starstruck-Journeying into
Astrophotography’
SATURDAY SEPTEMBER 19TH
1.00pm�� Belinda Mason, Disability Forum
Correct at time of publication. Check the information board in the
Mining Exchange for updates.
SPECIAL EVENTS
ARTIST FLOOR TALKS
Artists floor talks will be held in various venues including the Mining
Exchange and other core venues throughout the festival. Please check
the notice board in the Mining Exchange for daily updates.
Sam HARRIS [Australia/UK] ‘The Middle of Somewhere’
SPECIAL EVENTS
WED 26 AUG: 6PM
LAUNCH - ST PATRICK’S COMMUNITY HALL
DAWSON STREET BALLARAT
Thomas KELLNER [Germany] ‘Genius Loci’
Amber MCCAIG [Australia] ‘Americana Now’
Michéle VANNIER [France] ‘Car Graveyard’
THURS 27 AUG: 6PM
LAUNCH - BALLARAT MINING EXCHANGE
BOOK SIGNINGS
Book signings will be held in the Mining Exchange and in core venues
throughout the festival. Check the notice board for daily updates.
FRINGE PROGRAM
THE FRINGE HUB
Alejandro CHASKIELBERG [Argentina] ‘LaCreciente’
The popularity of the BIFB Fringe Program has resulted in the
establishment of a Fringe Program Hub. The Fringe Hub will be a
source or retreat, and inspirational space for talks, presentations,
meeting fellow artists and kicking back and relaxing.
Belinda MASON [Australia] ‘Silent Tears’
with Dieter Knierim & Margherita Coppolino
PAGE38
SUNDAY..........................11AM-4PM
THE BIFB APP — ON SCREEN
THE PROJECTIONS PROGRAM — ON SCREEN
THE FILM PROGRAM — ON SCREEN
BIFB’15 APP
PROJECTIONS PROGR AM
FILM PROGR AMME
An interactive experience of the Ballarat International Foto Biennale Core Program 2015 is
now available on the BIFB App. Three images of each of the 21 contributing photographic
artists - Artist statements, biographies and live web links.
Available through Apple App Store and Android Apps Centres
The BIFB 2015 Projections Program comprises 53 audio visuals by 45 artists
from 16 countries. The Projections will loop daily at the Ballarat Mining Exchange
from 10am to 5pm daily throughout the festival.
Three one-night-only screenings of films featuring photography.
HASHTAG - ON SCREEN
#BALL AR ATFOTO
SOCIAL MEDIA
All BIFB social media is connected under #ballaratfoto. Connect with
us on Facebook, Instagram and Twitter.
BE A PART OF OUR SOCIAL MEDIA STREAM
BallaratInternationalFotoBiennale
@BallaratFoto
@BallaratFoto
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CMYK / .eps
Facebook “f ” Logo
CMYK / .eps
Title...................................................................................................... Artist(Country)
‘Nobody Claps Anymore’ (?)............................................Alex Dawson (MEX-USA)
‘Ghost Stepping’ (2:36)...................................................................... Molly LAMB (USA)
‘Khawaja Sira’ [Transgender of Pakistan] (2:18)...........Vincenzo FLORAMO (ITALY)
‘The Empire is in ruins’ (2:36)...................................................................Doc ROSS (NZ)
‘Walk of Life, Kuala Lumpur’ (3:00)........................... Che’ Ahmad AZHAR (Malaysia)
‘Sylvania’ (4:00)...................................................................................Anna BEEKE (USA)
‘Crossings: Promenades in the Arabian Desert’ (4:26)...........Arko DATTO (Finland)
‘City Space’ (2:54)...........................................................................Clarissa BONET (USA)
‘The Hereditary Estate’ (3:42)...............................................Daniel W. COBURN (USA)
‘New Tideland – Kesennuma 2011-2015’ (3:50).................Masaki HIRANO (Japan)
The Forest (1:24).............................................................................Drew GARDNER (UK)
’Cry Havoc’ (5.10)................................................................ David DARE PARKER (AUS)
‘iPhone: Guatemala’ (4:36)..........................................................Eric MENCHER (USA)
‘Someone’ 4:30)...............................................................................Kim HAK (Cambodia)
‘travel’AIR’ (4:00)............................................Mindaugas KAVALIAUSKAS (Lithuania)
‘Minimal Art’ (3:06)...........................................................................Hossein ZARE (Iran)
‘Empty Spaces’ (1:36)..........................................................Katerina BELKINA (Russia)
‘Where Is My Childhood?’ (3:00).......................................Mathias HENG (Singapore)
‘PowWow: People of Eagle Winds’ (3:00)..............Sandra CHEN WEINSTEIN (USA)
‘Bellinverno’ (3:30)................................................................ Ludovico POGGIOLI (Italy)
’One Last Playground’ (2:30)...............................MD Farhad RAHMAN (Bangladesh)
‘Kennedy Hill’ (4:30).......................Ingetje TADROS (Holland/AUS) courtesy diimex
‘Strange place at the edge of town’ (4:12).................Aaron CLARINGBOLD (AUS)
‘The Syria that was’ (4:00)............................................................Tony KEARNEY (AUS)
‘La Ville Noire, The Dark Heart of Europe’ (3:00)..................Giovanni TROILO (Italy)
‘Nomads Life’ (4:18)........ Jeroen TOIRKENS (Holland) Courtesy Kahmann Gallery
‘5000 Streets’ (?)..................................................................Gary COCKBURN (AUS)
‘2013 – 2015’ (4:24)...................................................................TRIPTYCH COLLECTIVE
‘Abstracts Underwater’ (4:30)..........................................................Kim KEEVER (USA)
‘To Be a Woman in Afghanistan’ (4:30).....................................Hossein FATEMI (Iran)
‘Living in the mist - the last nomads of Nepal’ (2:54)........ Kishor SHARMA (Nepal)
‘Relics’ (2:36)...................................................................................Robert MORAN (USA)
‘Surfland’ (2:36)...........................................................................Joni STERNBACH (USA)
‘Farewell Medo’ (3:06).........................................Ingetje TADROS (Holland/Australia)
‘rYbrYm – Unity’ (4:30).................................................................Kim HAK (Cambodia)
‘Survivors’ (3:18).............................................................................. Joe P. SMITH (Malta)
‘Kosciuszko to the Kimberley’ (4:12)........................................... John HAY (Australia)
‘Yangon Unplugged’ (2:36)..................................................Vincenzo FIORAMA (Italy)
‘Converging Worlds’ (3:00)........................................................... Tony JACKSON (AUS)
‘The Key Is Not TO Blink’ 3:12)................................................. Ulrik TOFTE (Denmark)
Fish Tank (2:30)....................................................................................Emma ROSE (AUS)
‘Out the other side’ (2:36).......................................................Doc ROSS (New Zealand)
‘Facets of India, People of Divine’ (4:10)................Sandra CHEN WEINSTEIN (USA)
‘Those Whose Hands & Hearts are Pure’ (2:54).....Michelle ROGERS PRITZL (USA)
‘Individual’ (2:42)..................................................................Motonori SHIMIZU (Japan)
‘AUTO - Portraits & Landscapes’ (4:00)..........Mindaugas Kavialauskas (Lithuania)
Tempus Incognitus’ (2:42).............................................................. Brad CARLILE (USA)
‘Balloon Brilliance’ (4:30).....................................................................Paul JURAK (AUS)
‘Not A Mans World’ (1:36)..................................................Katerina BELKINA (Russia)
‘Lost Venice’ (2:42)..........................................................................Sarah HADLEY (USA)
‘Seeing the Urban World through a different lens’ (2:30)......Tamas KEEFER (AUS)
‘From The Air’ (1:24)................................................................. Zoe WETHERALL (AUS)
Tickets: $15 & $13 BIFB Members, available at the Information Centre
(entrance to the Mining Exchange) and online
at http://ballaratfoto.org/tickets/
‘SALT OF THE EARTH’ 2014
Dirs: Wim Wenders & Juliano Ribeiro Salgado 2014 (M)
‘A stunning visual ode to the photographer Sebastiao Salgado.’ Variety
Sebastiao Salgado believed that our history is one of war and madness.
“If you put many photographers in one place they would all take very
different pictures. Each one forms their way of seeing according to
their history”
MONDAY 24 AUGUST.......7PM (LUXVILLE OPENING AT 6PM)
‘TIM’S VERMEER’ 2013
Dir: Teller 2013 (M)
‘a perky, entertaining documentary.’ The Guardian
This documentary follows Tim Jenison’s five-year obsession with the
17th century Dutch master Johannes Vermeer (“Girl with a Pearl
Earring”) a photo-realist before the invention of photography.
MONDAY 31 AUGUST.......7PM (PLUS LUXVILLE SHORT)
‘FINDING VIVIAN MAIER’ 2014
Dir: John Maloof & Charlie Siskel (PG)
‘Compelling. Haunting. Captivating.‘ Variety
The critically acclaimed documentary about Maier’s strange
and riveting life and art are revealed through never-before-seen
photographs, films, and interviews with dozens who thought they
knew her.
MONDAY 07 SEPTEMBER..7PM (PLUS LUXVILLE SHORT)
‘LUXVILLE’ 2015
Dir: Erin McCuskey
Luxville, a mythical town 100 years from the capital. Once bold,
Luxville is now cursed, a shopfront for the entitled.
www.luxville.me
studio
PAGE39
EDUCATION
ARTIST IN RESIDENCE
DANIEL COBURN
Daniel Coburn, Assistant Professor of Photo-Media, University of
Kansas will investigate how the mining industry shaped the social,
cultural, and geographical landscape of Ballarat.
Coburn will engage with Federation University students to explore the
intersection of video, lens-based media and performance art, to engage
with the history of ephemeral art, and understand the conceptual,
social, and political motivations that inspired early practitioners of
performance/video art.
Daniel W. Coburn lives and works in Lawrence, Kansas. His work
and research investigates the family photo album employed as one
component of a visual infrastructure that supports the flawed ideology
of the American Dream. Selections from his body of work have been
featured in exhibitions at the Los Angeles Center for Digital Art and
the Chelsea Museum of Art in New York. Coburn’s prints are held in
collections at the Museum of Contemporary Photography (Chicago),
the University of New Mexico Art Museum, the Mulvane Museum of
Art, the Albrecht-Kemper Museum of Art, and the Mariana KistlerBeach Museum of Art.
EDUCATION
EDUCATION
BIFB SYMPOSIUM
AIPP WORKSHOPS PROGR AM
BORDERLESS FUTURES, REIMAGING THE CITIZEN
Fri 21 Aug: Visual Storytelling: with Dean Sewell & David Maurice
Smith (Oculi)
Second Ballarat International Foto Biennale Symposium, Presented
by Photography Studies College
In the catalogue for the The photograph and Australia exhibition at the
Art Gallery of New South Wales this year, Senior Curator Judy Annear
wrote, ‘There is much at stake in what might constitute the nation
state, which is as porous as photography is mutable’. Among its many
ideas, the exhibition posited photography in Australia as a medium for
the constant renegotiation of the nation.
This symposium aims to continue the discussion generated by the
most important exhibition of photography in Australia in 25 years,
by looking beyond national borders to ask what it means to be a
global citizen, with particular reference to the role of images. The
keynote speakers will be Professor Nikos Papastergiadis, from The
University of Melbourne, and Senior Curator Judy Annear, from the Art
Gallery of New South Wales. In addition, there will be presentations
from practitioners, teachers, academics, curators, librarians, and
independent scholars.
KEYNOTE SPEAKERS
Sat 22 Aug: Advanced landscape with Peter Eastway
Sat 22 Aug: Creative Compositing with Jane Long
Sun 23 Aug: Photo Book Making Marathon with Garry Trinh (Blurb)
Mon 24 Aug: Editing images and building a portfolio with
Sally Brownbill
Mon 24 Aug: The Documentary with Stephen Dupont
Fri 28 Aug: Magic of light painting with Peter Solness
Sat 29 Aug: Finding the extraordinary in the ordinary with Helga
Leunig
Sat 29 Aug: Light painting Masterclass with Peter Solness
Sat 29 Aug: Environmental Portraiture#1 with Martin Reftel
Sun 30 Aug: Off camera flash, light, colour & creativity with
Michelle Dunn
Sat 05 Sept: Photography 101 with Oxygen College
Sat 05 Sept: The Business of Portrait Photography with Caitlin
McColl
Judy Annear
Senior Curator, Photographs
Art Gallery of New South Wales
Sun 06 Sept: Environmental Portraiture#2 with Martin Reftel
http://judyannear.com/
VARIOUS VENUES
Professor Nikos Papastergiadis
Culture and Communication
The University of Melbourne
Sat 12 Sept: From Photography to Etching – The Photogravure with
Silvi Glattauer
BOOK ONLINE AT WWW.BALLARATFOTO.ORG/TICKETS
http://culture-communication.unimelb.edu.au/about/staff/professornikos-papastergiadis
FEDERATION UNIVERSITY ARTS FACULTY
CAMP STREET, BALLARAT
EDUCATION
ARTIST IN RESIDENCE
SILVI GLATTAUER
AUGUST 29.....................9:15AM-7:30PM
COST: $20
BOOK ONLINE AT WWW.BALLARATFOTO.ORG/TICKETS
SCHOOL WORKSHOPS PROGR AM
Fri 21 Aug: Power of the Portrait with Morganna Magee
In conjunction with the Printmaking department of the Visual Arts
Academy of Federation University, Ballarat, Silvi will take up an artist
in residence position at the University.
This residency will coincide with a Photogravure workshop offered to
BIFB participants, as well as a solo exhibition at Backspace Gallery.
The workshop and residency will offer professional development
opportunities to Printmaking academic staff and students of the
university. In the following week after the workshop, Silvi will keep
working with Printmaking lecturer, Jimmy Pasakos, to further refine
the photogravure technique with the aim of implementing this
technique into the current printmaking program.
During her residency program Silvi will also present artist talks to
current Honours and PhD students.
PAGE40
Fri 04 Sept: Power of the Portrait with Morganna Magee
Fri 11 Sept: Power of the Portrait with Morganna Magee
TICKETS AVAILABLE THROUGH THE ART GALLERY
SPECIAL EXHIBITIONS / PRIZES
SPECIAL EXHIBITIONS
SPECIAL EXHIBITIONS
IN THE BREATH OF GHOSTS
ONE FOR THE BOOKS PRIZE
THE FRINGE PREVIEW EXHIBITION
This immersive installation commissioned by BIFB from my
shinyshinyworld projects that look experimentally into environment to
see what we usually do not see, the marks left by legends of place the
scars buried in landscape.
One for the Books is a prize for self publish, on demand photography
books and is open to photographers world wide. The judging panel
chose twenty books thjat have been printed by our sponsors Blurb and
exhibited at The Lost Ones Gallery from August 22 to Sept 20 2015.
We will walk away enticing our imaginations to look at the movement
and blur of photographs, the colours of smell and sound will help us
connect more willingly to an overlay of story about this controversial
place.
The general public* will decide the winner by casting their vote for
their favourite book. Prizes are AUD$2,000 + a $500 Blurb voucher
for the winner. Runner up receives a $500 Blurb voucher and the next
5 highest vote getters will each receive a $300 Blurb voucher. Also,
one lucky voter will win a $500 Blurb voucher in a random draw from
those who voted for the winning book.
A framed iconic image from each of the 120 fringe shows will hang
just inside the main entrance to the Mining Exchange. These images,
printed courtesy of HC Pro in Horsham, will be available for sale
during the festival, the proceeds of which will be split between the
artist and the BIFB. Each show will also have a DL holder to distribute
promotional information about their BIFB’15 Fringe Show. The Fringe
Preview will be open daily throughout the festival from 10am to 5pm.
The stories and images I present here are about seeking
understandings of local legends and the footprints left behind by
others in usually remote locations, from the heights of the Himalayas,
to the deep Malaysian rainforest.
Around the video works and infrared photographs are domestic games
of mark making, movement and surprise and the gentle Guardians
will use the Federation Bells to bring up the now silent breath of the
auditorium.
It is a stimulant for your imagination to understand what marks and
therefore makes a space, as wide as an Indian palace and as wild as a
tropical rainforest. These images play within the shadows of Civic Hall
and let you invent your own story, colour and smell of Civic Hall In The
Breath of Ghosts.
There has been a growing interest in video and projection-based
installations since Dr Anderson created the first projection on the
Sydney Opera House in 1998. Her career has focused on working
within the edges of urbanised landscape in art, architecture and
environment. She is able to create projects that blend experimental
technology with traditional processes to explore and re-interpret
contemporary issues.
She has created major public art permanent and performance works
for Festivals, including the St Tropez Film Festival, SXS in Denmark,
Jubilee Festival London, Ten Days on the Island, Tasmania and the
Sydney Biennialle. Recent works have been included in “The Feel of
Color’ at the Louvre, Paris; and ‘Identity and Body’ at Venice House
during the Venice Biennalle, and Iceberg at Wollongong Regional and
Customs House Sydney.
Dr Anderson is an Honorary Professor at Federation University and
continues residenies and projects in Norway, Iceland, Denmark and
both the Arctic and Antarctic working with various international
organisations to create a series of projects, videos and installations as
the shinyshinyworld.
PERFORMANCE DATES:
AUG 23/30 & SEPT 06....FROM 3PM-6PM (SUNDAY)
AUG 29 & SEPT 05...........FROM 3PM-6PM (SATURDAY)
AUG 26 ..........................FROM 12PM-3PM (WEDNESDAY LUNCH TIME)
SEPT 02 SEPT..................FROM 12PM-3PM (WEDNESDAY LUNCHTIME)
Guardians groups take approximately 20 minutes with limited
numbers and bookings are advised.
*one vote per person on the official voting form available only from
the gallery. Voters must be over 18. Multiple votes, incomplete or
illegible forms disqualified.
THE SHORTLISTED FINALISTS
Akshay BHOAN [USA] ...................................................................‘Last Seen’
Madeline BISHOP [Australia]..........................‘Holding on, and on, and on’
Isabella CAPEZIO [Australia]....................................... ‘Support Structures’
Chloe FERRES [Australia]........................................................‘Magic City #2
Timothy HARLAND [Australia]................................................. ‘Anamorphic’
Timothy HARLAND [Australia].......................................................‘Monorail’
David HELSHAM [Australia].....................................‘Montages 2006-2015
Rebecca HOSKING [Australia].....................................................‘Resilience’
Lyndal IRONS [Australia]...................................... ‘Goodbye Oxford Tavern’
Paul JURAK [Australia].....................................................‘A Paddle of Peace’
Albert KAREVY [USA]..................................................................................‘NZ’
Eileen KUZMIC [Australia]................‘Dysphoria: Portfolio as Photobook’
De Sheng LIM [Australia]...................................‘Boys of Boeung Kak Lake’
Lori ORDOVER [USA].....................................................‘Urban Iconography’
Jon RENDELL [USA]...................................... ‘San Francisco – On the Level’
Rick SCHATZBERG [USA]................................................‘Twenty Two North’
Anthony SCIBELLI [Australia]......................... ‘Supernatural Honeymoon’
Doug SPOWART [Australia].............................. ‘I Have Inhabited a Space..’
Franky TSANG [Australia]........... ‘Umbrella Movement Hong Kong 2014
Andrea ZUBANI [Australia]..........................................‘Prospekt & Routine’
SHORTLIST JUDGES
Daniel BOETKER SMITH – Founder and Director of the Asia Pacific
Photobook Archive and Co Director of the Melbourne Photo Book
Festival
Garry TRINH – Blurb representative in Australia. His photo book Just
Heaps Surprised to be Alive was nominated for Photography Book
of the Year at the 4th International Photo book Festival at Kassel,
Germany.
Jeff MOORFOOT – Founder and Creative Director of the Ballarat
International Foto Biennale
14 CAMP STREET, BALLARAT
OPEN DAILY.....................10AM-5PM
Ticket Cost: $10 and $5. Booking through ballaratfoto.org/tickets
PAGE41
Fringe
Benefits.
Fringe
The Designscope
Fringe Award. The most groundbreaking
exhibition at the Fringe Festival
will win a $7,500 design package
from designscope,
Regional Victoria’s most
innovative design studio.
BIFB PRIZES
And all you have to do
is what you do best.
PRIZES
PRIZES
PRIZES
BIFB FRINGE PRIZE 2015
FRINGE REVOLUTION
DESIGNSCOPE FRINGE AWARD
The BIFB’15 Fringe Prize, issued at the discretion of the Creative
Director, will be an invitation to submit a proposal for consideration to
be part of the Core Program at BIFB’17.
THE FRINGE REVOLUTION CALENDAR
FRINGE BENEFITS
We proudly present images from 12 artists whose shows feature in the
2015 BIFB Fringe Program in 86 venues across Ballarat. The images
were selected from the 120 shows that made up the BIFB’15 Fringe by
esteemed photographic curator, consultant and commentator Alasdair
Foster from Sydney.
The Designscope Award is for the best and
most innovative fringe
www.designscope.com.au
exhibition of an individual project or photographer. This award will
be made by the BIFB Creative Director in conjunction with the BIFB
Fringe Program Coordinator and will be announced at the Festival
wind up party for our volunteers and artists at the Mining Exchange on
Sunday 20 September starting at 5.00pm.
As one of the main criteria for shows being accepted into the BIFB Core
program, work cannot have been previously exhibited in Australia, so
this is not an invitation for the selected artist to include their BIFB’15
Fringe show in the 2017 Core Program.
The winner will be selected on the basis that the artist has the
potential to produce a body of work at a level of craft and appeal that
will fit within the broad parameters of the Core Program.
The announcement of the winner will be made as early as possible in
the BIFB’15 program to enable the winner to gain the maximum PR for
their 2015 Fringe show.
At the discretion of the Creative Director, more than one show may
receive an invitation to submit for the 2017 Core.
MR REDE
SUN 23 AUG....................3PM-6PM
Sponsor an BIFB Print Partner, Revolution Print manged all printing
for the calendar. The Fringe Revolution finalists will be announced at
the Fringe and Film Program Launch.
DESIGNSCOPE FRINGE AWARD:
- website: 6 page artist website
The calendar is available online at www.ballaratfoto.org/calendar-2016
- branding: artist identity with 1 page style sheet
MR REDE
- collateral: DL invite design & biz card
SUN 23 AUG....................3PM-6PM
- tech stuff: 1yr hosting, domain name & phone support
Value $7,500
Designscope specialise in bringing people and projects to life. For
over 20 years, we’ve given clients what they need most. Strategic
thinking. Brand presence. Web superiority. Design difference. We
understand the creative process and can work with you to promote
you and your work. Through partnerships with festivals like the
Ballarat International Foto Biennale and Lorne Sculpture Biennale, we
contribute to Australian art.
SUN 20 SEPT...................5PM
PAGE42
PRIZES
SPECIAL EXHIBITIONS / PRIZES
PRIZES
ONE FOR THE BOOKS PRIZE
GUY VINCEGUERR A FELLOWSHIP
BALL AR AT THROUGH MY EYES
One for the Books is a prize for self publish, on demand photography
books and is open to photographers world wide. The judging panel
chose twenty books thjat have been printed by our sponsors Blurb and
exhibited at The Lost Ones Gallery from August 22 to Sept 20 2015.
All participants in the BIFB’15 Portfolio Reviews will be considered for
the Guy Vinciguerra Fellowship. The strongest portfolio as adjudged
by the reviewing panel on 23 August in Ballarat will be awarded a
return airfare, accommodation and meals allowance, and registration
for a four day review session at the world’s oldest and biggest Portfolio
Review, ‘The Meeting Place’, at FotoFest Houston in March 2016.
To coincide with the Ballarat International Foto Biennale, this
competition was created by The Ballarat Foundation to encourage the
people of Ballarat to capture images that represent Ballarat through
their eyes.
The general public* will decide the winner by casting their vote for
their favourite book. Prizes are AUD$2,000 + a $500 Blurb voucher
for the winner. Runner up receives a $500 Blurb voucher and the next
5 highest vote getters will each receive a $300 Blurb voucher. Also,
one lucky voter will win a $500 Blurb voucher in a random draw from
those who voted for the winning book.
*one vote per person on the official voting form available only from
the gallery. Voters must be over 18. Multiple votes, incomplete or
illegible forms disqualified.
THE SHORTLISTED FINALISTS
Akshay BHOAN [USA] ...................................................................‘Last Seen’
Madeline BISHOP [Australia]..........................‘Holding on, and on, and on’
Isabella CAPEZIO [Australia]....................................... ‘Support Structures’
Chloe FERRES [Australia]........................................................‘Magic City #2
Timothy HARLAND [Australia]................................................. ‘Anamorphic’
Timothy HARLAND [Australia].......................................................‘Monorail’
David HELSHAM [Australia].....................................‘Montages 2006-2015
Rebecca HOSKING [Australia].....................................................‘Resilience’
Lyndal IRONS [Australia]...................................... ‘Goodbye Oxford Tavern’
Paul JURAK [Australia].....................................................‘A Paddle of Peace’
Albert KAREVY [USA]..................................................................................‘NZ’
Eileen KUZMIC [Australia]................‘Dysphoria: Portfolio as Photobook’
De Sheng LIM [Australia]...................................‘Boys of Boeung Kak Lake’
Lori ORDOVER [USA].....................................................‘Urban Iconography’
Jon RENDELL [USA]...................................... ‘San Francisco – On the Level’
Rick SCHATZBERG [USA]................................................‘Twenty Two North’
Anthony SCIBELLI [Australia]......................... ‘Supernatural Honeymoon’
Doug SPOWART [Australia].............................. ‘I Have Inhabited a Space..’
Franky TSANG [Australia]........... ‘Umbrella Movement Hong Kong 2014
Andrea ZUBANI [Australia]..........................................‘Prospekt & Routine’
SUN 23 AUG....................9AM-5PM
In its inaugural year in 2013 nearly 400 entries were received, each
giving a personal insight into what makes Ballarat so special. This year
the competition received over 300 images across three categories;
Places, Faces and Young Photographer.
See the finalists’ exhibition at the top level of Central Square Shopping
Centre during the Ballarat International Foto Biennale.
JUDGES: PETER KERVAREC, BELINDA COATES, ALDONA
KMIEC
– TOP FLOOR 18 ARMSTRONG STREET SOUTH,
BALLARAT
FRIDAY............................8AM-8PM
SATURDAY.......................8AM-5PM
SUNDAY..........................11AM-4PM
SHORTLIST JUDGES
Daniel BOETKER SMITH – Founder and Director of the Asia Pacific
Photobook Archive and Co Director of the Melbourne Photo Book
Festival
Garry TRINH – Blurb representative in Australia. His photo book Just
Heaps Surprised to be Alive was nominated for Photography Book
of the Year at the 4th International Photo book Festival at Kassel,
Germany.
Jeff MOORFOOT – Founder and Creative Director of the Ballarat
International Foto Biennale
OPEN DAILY.....................10AM-5PM
PAGE43
FESTIVAL
TOURS
TOURS
CREATIVE DIRECTOR’S EXCLUSIVE
CORE PROGR AM TOUR
EXCLUSIVE FESTIVAL TOURS with the BIFB Creative Director
Spend 5 hours with Jeff Moorfoot touring all of the BIFB’15 Core
Exhibition Venues and listen to his comments on how he curates the
Core Program, why he invites particular artists and the works that
number amongst his favourites from this year’s program.
The tour will run each Wednesday during the festival, commencing
at 10:30 am from the BIFB’15 Information Centre at the Mining
Exchange.
Four venues will be visited over the first 2 hours after which the
tour will return to the Mining Exchange for a light lunch upstairs in
the BIFB Boardroom. The tour will recommence with visits to the
remaining venues at 1.15pm, and will finish at St Patrick’s at around
3.15pm. tours are limited to ten people.
DATES: To participate in this exclusive opportunity, you must pre book.
Numbers are strictly limited.
Wednesday August 26th 10:30 to 3:30 [includes light lunch]
Wednesday September 2nd 10:30 to 3:30 [includes light lunch]
Wednesday September 9th 10:30 to 3:30 [includes light lunch]
Wednesday September 16th 10:30 to 3:30 [includes light lunch]
The cost per person is $120.00, which includes the tour, light lunch
and a complimentary copy of the BIFB’15 Core Program Catalogue,
plus a set of BIFB’15 Core Program postcards. Where possible, a
BIFB’15 Core program exhibiting artist will accompany the tour.
MEET AT THE INFORMATION CENTRE, MINING EXCHANGE
CENTRE, 12 LYDIARD STREET NORTH, BALLARAT
EVERY WEDNESDAY..........1.30PM (APPROX 5 HOURS)
COST $120 .....................DISCOUNT FOR STUDENTS & BIFB MEMBERS
PAGE44
TOURS
HERITAGE & ARCHITECTURE TOUR
The BIFB Core shows are staged across seven historic venues in
Ballarat. We have mapped a short Heritage & Architecture tour of our
core venues that are both informative and enlightening. Discover the
City Build by Gold.
Explore the grand Victorian streetscapes of opulent Boomtown
architecture and be captivated by the history behind the facades.
True tales of rebellion, tragedy and triumph, fortunes won and lost,
along with Ballarat’s highest achievers and world famous visitors.
BIFB will be conducting Heritage & Architecture Tours from the Mining
Exchange during the festival. The walking tours will take in all core
venues.
ROUTE
Mining Exchange, Art Gallery of Ballarat, Trades Hall, The Lost Ones
Gallery, the Post Office Gallery and Town Hall. St Patricks Community
Hall Distance (if time permits). Distance 0.8k
DEPARTING FROM THE INFORMATION CENTRE
DEPARTS DAILY................1.30PM (APPROX 90 MIN)
COST $20 .......................DISCOUNT FOR STUDENTS & BIFB MEMBERS
Fringe
Benefits.
Fringe
The Designscope
Fringe Award. The most groundbreaking
exhibition at the Fringe Festival
will win a $7,500 design package
from designscope,
Regional Victoria’s most
innovative design studio.
And all you have to do
is what you do best.
www.designscope.com.au
image: Katrin Koenning, Untitled, 2015
Borderless Futures:
Reimaging the Citizen
Second Ballarat International Foto Biennale Symposium
Presented by Photography Studies College
29 August 2015, Arts Academy, Camp St, Ballarat,Victoria
In the catalogue for the The photograph and Australia exhibition at the Art Gallery of New
South Wales this year, Senior Curator Judy Annear wrote, ‘There is much at stake in what
might constitute the nation state, which is as porous as photography is mutable’. Among its
many ideas, the exhibition posited photography in Australia as a medium for the constant
renegotiation of the nation. This symposium aims to continue the discussion generated by
the most important exhibition of photography in Australia in 25 years, by looking beyond
national borders to ask what it means to be a global citizen, with particular reference to the
role of images. The keynote speakers will be Professor Nikos Papastergiadis, from The
University of Melbourne, and Senior Curator Judy Annear, from the Art Gallery of New
South Wales. In addition, there will be presentations from practitioners, teachers, academics,
curators, librarians, and independent scholars.
For more information about the speakers, location, times, and to book tickets, go to:
www.psc.edu.au/symposium/.
Matthew Kovacs ‘Thursday before the storm’ 2010
Wet plate collodian glass plate print 8 x 10 inch
Philip Kulpa 0413 279 078 philip@sourcephoto.com.au
sourcephotographica.com.au
Inspiring Australian photographers
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PROGRAM PRICE - Ballarat International Foto Biennale

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