Classic Mouldings Volume 6

CLASSIC MOULDINGS INC.
niches
domes
ceiling tiles
grilles
miscellaneous
niche:
a recessed shape or hollow, usually in a wall, meant
for a statue, vase or other erect, decorative ornament.
Niches were sometimes square, but more often circular
at the back, terminating in a half dome at the top.
niches
Niches are useful for adding architectural dimen- plate, art glass… but whatever is held is set apart
sion to foyers, dining rooms, hallways, stair as “treasure”. Niches both select from and add to
landings, and the wall under or over stair headers. the room as a whole.
A niche holds a myriad of things—sculpture,
i n s t a l l at i o n i n f o r m at i o n
A niche consists of a shaft with a plain or decorative shell
which caps the shaft. Usually, a niche shaft measures up
to 36" in height, but since there are endless applications,
any height may be ordered up to the inches indicated
adjacent to each model. Anything taller will be considered a custom order, and priced accordingly.
A bottom sill is not included in the niche price, as many
clients prefer to use marble, wood, stone or plain drywall.
The moulded plaster sill is provided at an additional
charge, and must be specified at time of order. Please
note that some niches are shown with casing, and some
without. Any niche may be ordered either way without
affecting the cost. Any niche may also be ordered with
either a plain, smooth shell or a decorative shell. Please
specify when ordering. Finally, an opening in the top
center area of the niche may be drilled to accommodate
a light. This must be specified upon ordering. Note: All
dimensions for niches are without casings.
When installing a niche, the opening made in the drywall
should be two inches larger on each side than the actual inside
measurement of the niche. The niche is then affixed with
Durabond 90TM, or an equivalent plaster glue compound.
Decorative or smooth keystones available
in dimensions to complement casing widths.
Standard casing. Any custom casing profile can be made.
Corner blocks are available to complement casing widths.
Niche shafts may be ordered at any required height.
Sills are optional. They may be ordered straight-edged or rounded.
848
NICHE
849
inside width: 26 1/4"
standard height: 67"
depth: 8 1/2"
850
NICHE
inside width: 18 1/4"
standard height: 63"
depth: 7 1/2"
NICHE
inside width: 26"
standard height: 70"
depth: 13"
878
NICHE
inside width: 22"
standard height: 67 1/2"
depth: 9 1/2"
Niches
3
879
NICHE
880
inside width: 20 3/4"
standard height: 44"
depth: 7"
881
NICHE
inside width: 33 1/4"
standard height: 79"
depth: 13 1/2"
4
Niches
NICHE
inside width: 13 3/4"
standard height: 61"
depth: 7"
994
NICHE
inside width: 22"
standard height: 67 1/2"
depth: 9 1/2"
995
NICHE
996
inside width: 16"
standard height: 47"
depth: 5 1/2"
997
NICHE
inside width: 28"
standard height: 81"
depth: 14"
NICHE
inside width: 36 1/2"
standard height: 72"
depth: 14"
998
NICHE
inside width: 28 1/2"
standard height: 80"
depth: 13"
Niches
5
999
NICHE
inside width: 26 3/4"
standard height: 75"
depth: 7 1/4"
923
FITS NICHE CASING
#545
967
969
FITS NICHE CASING
#545
978
FITS NICHE CASING
4 3/4" x 4 3/4"
FITS NICHE CASING
#987
1404
FITS NICHE CASING
4 3/4" x 4 3/4"
1"
542
CASING FOR NICHE
3"
1"
545
CASING FOR NICHE
4"
1/2"
987
6
CASING FOR NICHE
Niches
#542
#542
3 3/4" x 3 3/4"
5" x 5"
979
FITS NICHE CASING
3 3/4" x 3 3/4"
5" x 5"
4 3/8"
#987
dome:
a roof resembling an inverted cup or hemisphere;
a concave ceiling, either hemispherical or of any
other curve, covering a circular or polygonal area;
vault of even curvature on a circular base.
domes
Modern application of the dome comes to us
courtesy of 2nd century A.D. Rome. Revolutionary
construction techniques, including the invention of
concrete, allowed unprecedented feats of structural
engineering. These new methods, when combined
with traditional classic detail, created magnificent
buildings that were admired throughout the
Roman Empire. Viewing them from our distant
perch here in the 21st century, they still inspire
awe, admiration, and inspiration for our own
architectural follies.
The dome may be lit by a central chandelier, or
by flexible tube lights concealed in an indirect
lighting cornice near the rim. The ceiling opening
flanking the dome may be finished with a linear
moulding or left plain. Coffering, angled towards
the apical point of the dome, along with a rosette
centred in each coffer, immeasurably enriches the
dome interior, and may be gilded or glazed for
more dramatic effect.
i n s t a l l at i o n i n f o r m at i o n
A dome may be installed only if there is adequate clearance
between the drywall ceiling and the floor above. Make the
opening 1'' larger than the overall outside diameter of the
dome. Studs from the floor above should be extended far
enough down to allow a screw sunk into the concave, inside
surface of the dome to penetrate the studs. The screws
should be sunk into the surface of the dome, and the holes
filled with Durabond 90TM. Optimally, the studs can be
dropped to form an octagonal frame around the dome.
This will provide a convenient and secure surface in which
to sink screws. The juncture between the dome and the
ceiling may then be patched with drywall compound, and
an indirect lighting cornice may be applied, or just an
architectural trim on the ceiling flanking the dome.
Electrical work should be in place before the dome is
installed. Please specify whether the dome should be
pre-drilled for eventual installation of a light fixture.
14 1/4"
4 1/4"
40 1/2"
78
30 1/2"
OVAL DOME WITH SCALLOPED INTERIOR
79
inside diameter 38"l x 28 1/4"w x 4"d
outside diameter 40 1/4"l x 30 1/8"w
DOME
inside diameter 28" x 14" depth
outside diameter 30 1/2"
13 1/4"
8 1/4"
49"
37 1/2"
80
81
DOME
inside diameter 36" x 8" depth
outside diameter 37 1/2"
DOME
inside diameter 48" x 13" depth
outside diameter 49"
reduced diameter = shallower depth
18 1/4"
reduced diameter = shallower depth
standard diameter
75"
82
DOME
inside diameter 72" x 18" depth
outside diameter 75"
14 1/4"
88 1/4" x 65 3/4"
83
OVAL DOME
inside diameter 86 1/2" x 64" x 14" depth
outside diameter 88 1/4" x 65 3/4"
Domes
9
14 "
62 1/2" x 44"
84
OVAL DOME
inside diameter 61" x 42 1/2" x 13 1/4" depth
outside diameter 61 1/2" x 44"
14 1/4"
60 1/2"
85
DOME
inside diameter 58 1/2" x 14" depth
outside diameter 60 1/2"
o p t i o na l b u l k h e a d t r i m :
7/8"
570
TRIM FOR DOME
4"
1"
571
TRIM FOR DOME
4"
5/8"
572
TRIM FOR DOME
3"
7 1/4"
599s
UNDERMOUNTED INDIRECT
3 1/4"
LIGHTING CORNICE
7 1/2"
599
UNDERMOUNTED INDIRECT
LIGHTING CORNICE
10
Domes
4 3/4"
ceiling tile:
precast plaster tiles, figured or stepped,
that are attached to the surface of an
existing ceiling, or dropped into a ceiling grid.
ceiling tiles
Early in the 16th century, after the central hearth
fire was banished to a room with an outside wall,
it became possible to consider a second floor as a
feature of domestic life. There was no longer the
need to vent smoke up through the middle of the
house; therefore, the underside of the new floor
joists began to be covered with plastered lath.
These suspended, flat ceilings could be decorated,
with the main beams being used to divide the
ceiling into compartments. Early ceilings stayed
rather grid-like, but later in the century began
to have a more fluid, organic form, exhibiting
flowers, vines and applied, decorative strapwork. Moulded bosses or pendants were sometimes used to mark the place where ribs or
straps intersected.
There was a marked change in the mid 17th
century because of the growing emulation of the
ancient orders of architecture. As walls were
organized into classic architectural forms, their
junction with the ceiling was bridged with a
cornice. This device began the practice of framing
areas of the ceiling in order to differentiate them
in a hierarchical manner. The Baroque ceiling
(1625-1714) had densely ornamented areas separated each from the other by a grid; eventually
this grid was omitted, leaving only the ovals and
circles that had formerly been framed. The early
Georgian ceiling dispensed with the heavy ornamentation of the Baroque period, and embraced
“correct” Palladian detail that was worked in
much shallower relief. A brief respite from the
rigors of classicism was experienced in the 1730s
and ‘40s, with Rococo’s predilection for leaf,
shell and bird shapes; but this was curtailed with
the onset of strict Neo-Classical detailing in
the 1750s and ‘60s. Small painted insets were
popular during the beginning of this period,
and mouldings picked out with colour were
common. Robert Adam, the great interpreter of
this movement, divided the ceiling into segments
and panels arranged around a centerpiece. Halls
and stairwells of grand houses had barrel and
quoin vaulting, embellished with classical detail.
A shallow saucer dome on pendentives (concave,
triangular corner vaults that support a dome
above a square room) was a popular element of
the Greek Revival Style, which became fashionable at the end of the 18th century.
The Regency period (1811-1837) introduced a
new austerity wherein ornament, though based
on the rich motifs found in later Roman architecture, was confined to the border of the ceiling
plane, with only a ceiling rose ornamenting the
center of the room.
The high ceilings of large Victorian (1837-1901)
homes offered plasterers enormous opportunity
to display their skills. Elaborate swags, ribs,
flowers and festoons decked the best rooms, as
did ornate ceiling roses, which would sometimes
double as ventilation grilles. The tendency was
towards a more naturalistic, flamboyant design.
Fibrous plaster was patented in 1856. This
product contained canvas as a reinforcing agent,
and enabled large, precast plaster panels to be
moulded and nailed into position on site.
The Arts & Crafts movement (1860-1925) began
as an homage to the late medieval period of
design, and in its maturity was a proponent
of simplicity and utility as epitomized by the
uniform lath and plaster ceiling emphasizing the
linear form. Barrel vaults were popular in the
grandest houses. The 1880s were witness to
the British Aesthetic movement making gilded
coffering popular, with its inclusion of exotic
Japanese and Persian motif.
Art Nouveau (1888-1905) often used the simple
beam and plaster ceiling of the Arts & Crafts
movement, or continued its own singular wall
treatment up onto the ceiling. The more rectilinear lines of Britain’s Art Nouveau contrasted
with the curvilinear aspects of this international
movement on the Continent, and examples of
ceiling work with the peculiar “whiplash” line
could be found more commonly in France,
Belgium, Germany and eastern Europe.
Fashionable interiors from the 1920s onwards
often had walls coving into the ceiling. This cove
was often painted the same colour as the ceiling,
with its lower edge being defined by a decorative
border. Ceilings might have been divided by a
plain panel moulding; figured mouldings often
had stylized plant motifs. Ceiling roses were
only very rarely used.
The advocates of Modernism (1920-1965) discouraged any trace of decoration on the ceiling. The
Ceilings of the Edwardian period (1901-1914) very presence of a single ceiling rose could
tended to be lower and plainer than those during eliminate the entire house from that select category
Victoria’s reign. For the first time in hundreds of known as “modern”.
years, cornices were not considered necessary.
The beginning of the 21st century is full of possiThere was a Tudor Revival with exposed beams
bility for the ornamental ceiling. The idea of inteand plaster infill. Precast fibrous plaster was still
rior space as a sculptural presence is a dynamic
popular and came in a variety of styles, including
one; ceilings can subtly echo the essence of an
Adam, Georgian and Tudor.
historical shape without committing to one sinThe American Beaux-Arts movement (1870- gle design epoch. Minimalist interiors, when
1920) utilized a great variety of architectural juxtaposed with a baroque or rococo moulding,
styles derived from historical precedents. Beaux- look witty and exuberant. The loft spaces prolifArts design emphasized unity, in contrast to the erating in so many cities present interesting
competing patterns, textures and styles of the problems of proportion and design, and indusVictorian aesthetic. Beaux-Arts architects did trial paint finishes with aging patinas transform
not replicate historic houses; instead they used the face of traditional moulding completely.
historic detail to embellish houses that were Provocative new ceiling tiles are now being
filled with the new domestic technology. sculpted that will change how we perceive what
Renaissance Revival coffering with centred it is that’s above our heads, using the same
rosettes, Tudor and Jacobean beamed ceilings, material that’s been expressing our ideas about
and Gothic designs made up of deep panel “the beautiful” in both our intimate and public
mouldings and bosses were all part of the Beaux- interiors for the past 500 years.
Arts repertoire.
14
RECESSED CEILING TILE WITH ACANTHUS
15a
LEAVES , FLUTES AND FLOWERS
31 1/4"l x 31 1/4"w x 8 3/4"d
RECESSED CEILING TILES WITH DIAMOND COFFERS
23"l x 23"w x 2"d
15b
RECESSED CEILING TILES WITH SQUARE COFFERS
23"l x 23"w x 2"d
16
RECESSED CEILING TILE WITH ALTERNATING
17
RECESSED CEILING TILE
SQUARE AND OCTAGONAL COFFERS
WITH CENTRAL ROSETTE
27"l x 54"w x 5 1/2"d
25 1/8"l x 25 1/8"w x 5 3/4"d
19a
RECESSED CEILING TILE WITH QUATREFOIL ,
EGG AND DART, ROSETTE
16 3/4"l x 16 3/4"w x 5 1/2"d
18
14
RECESSED CEILING TILE WITH
19b
RECESSED CEILING TILE WITH QUATREFOIL ,
CENTRAL ROSETTE AND DENTILS
EGG AND DART
30 7/8"l x 30 7/8"w x 9"d
16 3/4"l x 16 3/4"w x 5 1/2"d
C e i l i n g Ti l e s
21
RECESSED EGG AND DART CEILING TILE
23
26 1/4"l x 26 1/4"w x 2 1/4"d
26
29
COFFERED CEILING TILE WITH
CEILING FRAME COMPONENT
18"l x 18"w
28
ITALIAN RENAISSANCE COFFERED
MODILLIONS AND ROSETTES
CEILING TILE
42 1/8"l x 31 1/2"w x 7 7/8"d
24"l x 24"w x 2"d
HIGH PROFILE, SCALLOPED
RING ELEMENT FOR COFFERS
30
RECESSED CEILING PANEL
19 1/2"l x 19 1/2"w
26 1/4"diameter x 2"width x 2 1/4"p
C e i l i n g Ti l e s
15
31a
COMPONENT RING OF CEILING
TILE SYSTEM
22" diameter x 2 1/4"w
31b
COMPONENT RING CONNECTOR
OF CEILING TILE SYSTEM
17"l x 17"w
32
CEILING TILE ELEMENT
30"l x 16 1/4"w
33
OCTAGONAL COMPONENT OF
CEILING TILE SYSTEM
22 3/4" diameter x 3"w x 1 1/4"d
16
C e i l i n g Ti l e s
44
ART NOUVEAU CEILING TILE
20 3/4"l x 23 3/4"w x 1 1/4"p
45a
45b
45c
45e
45d
45a
45b
GUILLOCHE STRAPWORK
CEILING ELEMENT.
WITH PROJECTION
50 1/2"l x 22 1/4"w
9 1/2"
OF 2".
45d
GUILLOCHE STRAPWORK
CEILING ELEMENT.
WIDE
9 1/2"
WIDE .
CEILING ELEMENT
50 1/2"l x 22 1/4"w
45c
9 1/2"w x 2"p
GUILLOCHE STRAPWORK
CEILING ELEMENT.
GUILLOCHE STRAPWORK
90˚
45e
CROSS .
GUILLOCHE STRAPWORK
CEILING ELEMENT. ROSETTE .
20"l x 20"w
14"l x 14"w x 2"p
47a
ROUND CEILING TILE WITH
PANEL MOULDING CONNECTORS
21 1/2"d x 3"p
47b
OCTAGONAL CEILING TILE
WITH PANEL MOULDING
CONNECTORS
30"l x 30"w x 1 1/4"p
C e i l i n g Ti l e s
17
48
BASKET WEAVE CEILING TILE
49
28"l x 28"w x 7/8"p
50
FLEUR DE LIS AND FLORAL ROSETTE CEILING TILE
36 1/2"l x 36 1/2"w x 3/4"p
LATTICE CEILING TILE
41"l x 16"w
51
LATTICE WITH FLOWER ENRICHMENT CEILING TILE
50 1/2"l x 20"w
1400
CEILING TILE WITH ROSETTE
13"l x 13"w x 1 3/4"p
1402
DECORATIVE TILE FOR COFFER.
FLORAL, EDGED WITH STRING OF PEARLS.
14 1/4"l x 14 1/4"w x 2 1/4"p
18
C e i l i n g Ti l e s
grilles
Grille: a grate, often of decorative open work, Decorative plaster grilles may be used in the
used to obscure the view beyond without obstruct- traditional manner—that is, as a framed piece
mounted in front of an air source or air return…
ing airflow.
or may be incorporated into a frieze, cornice or
ceiling coffer in order to hide audio speakers,
air conditioning, or heating and air return units.
790s
FRAMED GRILLE WITH FLOWERS
790
9 5/8"h x 9 5/8"w x 1/2"p
791
SLOTTED GRILLE
FRAMED GRILLE WITH FLOWERS
10"h x 31 1/2"w x 1/2"p
792
10 1/2"h x 15 3/4"w x 1/2"p
DIAMOND PATTERN GRILLE
6"h x 20"w
794
A / R GRILLE / FRIEZE
8 3/8"h x 1"p
793
CIRCULAR GRILLE
16 1/4" diameter
795
A / R GRILLE / FRIEZE
8 3/8"h x 1"p
C e i l i n g Ti l e s
19
796
A / R GRILLE / FRIEZE
11 3/4"h x 1 5/8"p
797
A / R GRILLE . URN WITH ACANTHUS ,
ROSETTE AND SEED PODS
24 1/2"h x 31 1/4"w x 1 3/8"p
800
A / R FISHSCALE GRILLE
11 1/4"h x 5 1/2"w x 1"p
817
A / R GRILLE WITH DIAGONAL GRID , FLOWER STUDDED INTERSECTS AND PERFORATED ROSETTE
25"w (18" opening) x 38"w (30 7/8" opening) x 1"p
818
A / R FISHSCALE GRILLE / FRIEZE
8 1/2"h x 1"p
20
C e i l i n g Ti l e s
803
A / R GRILLE WITH DIAGONAL GRID
AND FLOWER - STUDDED INTERSECTS
25"w (18" opening) x 38"w (30 7/8" opening) x 1"p
miscellaneous:
composed of various and diverse things or elements; mixed.
Possessing diverse qualities or capabilities; many-sided.
Gods and Grotesquery. Wreaths, Festoons, Swags; Ribbons
and Bows. Urns, Cartouches and other essential pleasures.
275
FLORAL AND FRUIT WREATH
694
21" diameter
718
LAUREL LEAF HALF WREATH
717
6 3/4"h x 6 1/2"w
6 3/4"h x 6 1/2"w
719
FLOWER SWAG
3"h x 32"w
SHELL ENRICHMENT
720
SHELL ENRICHMENT
CHERUB SWINGING FLORAL
WREATH , LEFT SIDE
8 1/2"h x 8"w
23"h x 11"w
721
724
CHERUB SWINGING FLORAL
23"h x 11"w
8"h x 12"w
LAUREL LEAF SWAG
2 1/2"h x 21 1/2"w
Miscellaneous
#722
725
723
LAUREL LEAF DROP WITH
RIBBON , USED WITH SWAG
USED WITH DROP
22
722
WREATH , RIGHT SIDE
LAUREL LEAF SWAG AND
DROP WITH RIBBONS
14"h x 32"w
FLORAL BASKET DROP
9 1/4"h x 7 1/2"w
#724
726
FLOWER SWAG
5"h x 32"w
727
LAUREL LEAF ENRICHMENT
727a
CROSSED LEAF ENRICHMENT
731
2"h x 14 1/2"w
WITH CENTRAL FLOWER
USED WITH DROP
2"h x 14 1/2"w
733
MASK
STAR ENRICHMENT
735s
DELICATE FLORAL ENRICHMENT
10 1/2"h x 23 1/4"w
MASK ( PAN )
737
10"h x 6 1/2"w
740s
STAR ENRICHMENT
740
2" diameter
5" diameter
749l
FLORAL DROP, LEFT
11" diameter
747
#745
2 1/2"h x 20"w
13"h x 8 1/2"w
738
LAUREL LEAF SWAG
13 1/2"h x 4"w
MASK ( DEMON )
10 1/2"h x 7"w
745
LAUREL LEAF DROP ENRICHMENT
( RINGS )
USED WITH SWAG
#731
14 1/4"h x 2 1/2"w
749r
FLORAL DROP, RIGHT
13 1/2"h x 4"w
Miscellaneous
23
753
CAMEO LEAF ENRICHMENT
754
2 3/4"h x 10 1/4"w
BOW ENRICHMENT
755
PEARL SWAG AND DROP WITH
RIBBON , REPEATING
6 1/2"h x 4 1/2"w
7"h x 16"w
756
LARGE WREATH WITH
757
FLORAL STAIR SCROLL
SWAGS AND DROPS
ORNAMENT
DROP, SWAG AND WREATH
5 1/2"h x 11 1/2"w
759l
STAIR RISE ENRICHMENT, LEFT
4 1/4"h x 10 1/2"w
37"h x 36"w
DROP, SWAG , WREATH , SWAG
AND DROP
37"h x 66"w
759r
STAIR RISE ENRICHMENT, RIGHT
760
4 1/4"h x 10 1/2"w
765
LAUREL LEAF OVAL
WREATH AND SWAG
16"h x 20 1/2"w
24
Miscellaneous
BOW ENRICHMENT
763
4"h x 3"w
767
LAMP
4"h x 5"w
LAUREL LEAF RING
12" diameter
769
WINGS AND TORCHES ENRICHMENT
WITH BEADS AND RIBBONS
12 1/4"h x 34"w
770
FLORAL DROP WITH RIBBONS
777
19"h x 5 1/2"w
778
RECLINING CHERUB , LEFT
12"h x 23"w
12"h x 23"w
787
RECLINING CHERUB , RIGHT
BELL AND FLOWER SWAG
5 3/4"h x 13 1/2"w
780
GRECIAN URN WALL PLAQUE
788
11 1/2"h x 10 3/4"w
789
BELL AND FLOWER SWAG
6 1/4"h x 21"w
ORNATE KEYSTONE WITH
CURVED PROJECTION
43"h x 28"w x 4 1/2"p
805s
CORNERPIECE
805m MIDDLE DROP
805l
8"h x 3 3/8"w
4"h x 4"w
CORNERPIECE
4 1/2"h x 4 1/2"w
808
FLOWER SWAG
5 1/2"h x 17 1/4"w
806
SINGLE BOW
5"h x 7"w
807
PINEAPPLE ARCHITRAVE
808l
#808
9 3/4"h x 2 1/2"w
ORNAMENT
11 1/2"h x 3 3/4"w
FLOWER DROPS TO MATCH SWAG
808r
FLOWER DROPS TO MATCH SWAG
#808
9 3/4"h x 2 1/2"w
Miscellaneous
25
809
OAK AND ACORN SWAG
810
PINEAPPLE
813
11"h x 17"w
WITH CROSSED RIBBON
WITH RIBBONS
4"h x 13 3/4"w
814
ORNAMENT
15 1/2"h x 15"w
815
7 1/4"h x 7 1/2"w
820
LAUREL LEAF SWAG AND
888
ROUND MEDUSA
7" diameter
26
Miscellaneous
BELL DROP
816
12"h x 1/2"w
886s
BACCHUS MASK
886l
14"h x 11 1/2"w
28"h x 20 1/2"w
890
BACCHUS MASK
DROPS WITH ROSETTE
14 1/4"h x 44 1/4"w
CLOSED LAUREL WREATH
10 1/2"h x 7 1/2"w
ORNAMENT
4"h x 3"w
887
FACE
6"h x 6"w
894
SEATED GRYPHON ON BASE
20 3/4"h x 14 1/4"w x 14 1/4"p
897
DEMETRE MASK
898
MEDUSA WALL PLAQUE
898s
18 1/4"h x 12 3/4"w
7 1/4"h x 5 3/8"w
902
KEYSTONE
5"h x 4"w
901
KEYSTONE
4 7/8"h x 4 3/4"w
900
KEYSTONE
3 3/4"h x 5 3/4"w
905
LAUREL LEAF, CROWN AND
BOWS ENRICHMENT ( SWAG )
6 1/4"h x 7"w
22"h x 45"w
907
909
ACANTHUS LEAF AND
KEYSTONE
911s
14 1/2"h x 10 1/4"w
BEADED KEYSTONE
911
6 3/4"h x 7 1/2"w
11 1/2"h x 11 3/4"w
935
GRECIAN URN WITH LAUREL
27 1/2"h x 16"w x 4 1/2"p
917
ORNAMENT CONSISTING OF
14 1/2"
DIAMETER ROSETTE, FLANKED BY
TWO DECORATIVE PIECES, EACH AT
OPEN , LEAFY WREATH
WITH RIBBON
SWAG AND RIBBONS
31"
29 1/2"h x 51 1/2"w
14 1/4"h x 71"w
Miscellaneous
27
937
938
LAUREL LEAF OPEN WREATH
5"h x 30"w
23"h x 71 1/2"w
939
SHELL / LEAF ENRICHMENT
975
8"h x 27 3/4"w
1072
CAMEO WREATH WITH RIBBON
GRECIAN URN WALL PLAQUE
991
8 1/4"h x 13 1/2"w
1105
14 1/2" diameter
1131
LAUREL LEAF ENRICHMENT
SPREAD SHELL ENRICHMENT
8"h x 7"w
CARTOUCHE
30"h x 65 1/2"w
SWAG WITH FLOWER BUTTONS
4"h x 21 3/4"w
1135
GRAND CARTOUCHE
53"h x 156"w x 3 1/2"p
1136
CAMEO WITH BOW AND
BELL DROP
22 3/4"h x 8 1/8"w
28
Miscellaneous
CLASSIC MOULDINGS INC.
Head Office / Showroom:
226 Toryork Drive, Toronto, Ontario, Canada m9l 1y1
Showroom: West Palm Beach, Florida
Toll Free: 1-866-745-5560 Fax: 416-745-5566
www.classicmouldings.com info@classicmouldings.com