Fleetwood Mask Stage Plot - 24x20 + audio notes v11 2015-07-14

20' D x 24' W - RISERS
UPDATED: Tue Jul 14 2015
EMAIL: info@fleetwoodmask.com
Paul Jones
Mark Blasquez
925-899-7337
925-967-4309
24 FEET WIDE
DRUM RISER
(1) 6'x8'x16" TALL
BASS GUITAR
STANDS
SHURE(IEM
A/C
PSM900
MON(MIX(1( BASS$CAB$1
DRUMMER's$IEM$Mixer:$$$$$1(F((Click(Track(from(PETER(
((((((((((((((((((((((((((((((((((((((((((((((((((2F((MON(MIX(4(via(1/4(TRS(input
CHIMES
ACOUSTIC$DRUMS
OVERHEAD(1&2
MON$MIX$4
DON
SWR GOLIATH III
PETER((iPad)
XLR$DI$
for$PETER
FLR(
TOMS
SNARE(/(
HIGH(HAT
TOM
2
PAUL
A/C
A/C
KICK
TOM
1
BASS$CAB$2
GUITAR$CAB
SWR GOLIATH III
6'X8' DRUM
RISER
GUITAR STANDS
BASS
20 FEET DEEP
MON(MIX(5
BASS EFFECTS
TECH 21 VT
BASS DELUXE
BUILT-IN DI - XLR
MARK
CLAUDETTE
BARBARA
TOP(SYNTH(
USBFMACBOOK(
MAINSTAGE(
(2)$XLR$LINES$TO$
STEREO$DI
LOWER(
KEYBOARD(
HAMMOND(XK1
(2)$XLR$LINES$TO$
STEREO$DI
A/C
LEAD AND HARMONY VOCALS
SYNTH / HAMMOND ORGAN
AMBIENT(
MIC(1
(GUITAR(
EFFECTS(
MON(MIX(2
A/C
LEAD AND HARMONY VOCALS /
TAMBORINE and SHAKERS
AMBIENT(
MIC(2
ACOUSTIC$
GUITAR$
VOICELIVE3(
BUILT$IN$DI$7XLR$$
MON(MIX(3 A/C
LEAD AND HARMONY VOCALS
ELECTRIC and ACOUSTIC GUITARS
2014 STAGE INPUTS and MIX DETAIL
UPDATED: Tue Jul 14 2015
EMAIL: info@fleetwoodmask.com
Paul Jones or Mark Blasquez
MOBILE: 925-967-4309
MUSICIANS:
Barbara%Mar'n%)%Keyboards%and%vocals%)%stage%right
Claude9e%Rodrigues%)%Vocals%and%percussion%)%center%
Mark%)%Guitars%)%vocals)%stage%le?%
Don%Oberempt%)%Drums%)%center%le?
Paul%Jones%)%Bass%)%stage%right
MONITORS-MIX-PREFERENCES
MIX%1%–%BARBARA%)%Barb%Vocal%+%Key%1&2%+%Other%Vocals%+%Guitar%1%+%Drums
MIX%2%)%CLAUDETTE%)%Claude9e%Vocal%+%other%vocals%+%keys
MIX%3%–%MARK%)%Mark%Vocal%+%Guitars%%+%Other%Vocals%+%KEY%1)3
MIX%4%%)%DON)%%Kick%+%Bass%+%All%Vocals%%+%Keys%+%Guitars%+%rest%of%drums
MIX%5%)%%PAUL%)%Guitars,%Vocals,%Keys,%Bass
INPUTS-REQUIREMENTS:
7%)%DRUMS%(5%drums%+%1%overhead%mics)%(fewer%if%small%room)
1%)%BASS%)%TECH%21%VT%BASS%DELUXE%DI%)%%XLR%
1%)%GUITAR%CABINET%)%mic%for%electric%guitar%
1%)%%ACOUSTIC%VOICELIVE3%DI%)%XLR%
2%)%MAINSTAGE%KEYBOARD%Stereo%DI%)%XLR
2%)%HAMMOND%ORGAN%Stereo%DI%)%XLR
1%)%PETER%)%iPad%Backing%Tracks
3%)%VOCALS%)%Barb,%Claude9e,%Mark
2%)%AMBIENT%Mic%)%to%pick%up%audience%for%ar'sts%using%InEar%Monitors
20%Total%Inputs
FOH-MIX-notes:--•
•
•
•
•
There%are%3-Lead%vocal%who%alternate%leads%per%song%as%indicated%on%FM%set%list.%%Lead%vocal%should%be%strong%and%in%front.%%Background%vocals%should%be%strong%and%present.%%
Guitar%plays%mostly%electric%and%all%guitar%leads.%%His%volume%should%be%boosted%during%solos.%%
Backing%tracks%consist%of%acous'c%guitar,%percussion%and%a%few%keyboard%fills%)%these%should%be%balanced%with%level%of%other%keyboards%and%guitar%level.%%%
Keyboards%and%backing%track%should%not%overpower%the%FOH%mix.
We%love%tasteful%effects%on%vocals%and%will%provide%a%setlist%to%FOH,%but%we%don't%want%to%sound%like%the%inside%of%a%school%gym%or%deep%cave…prefer%light%reverb%over%long%delays%
with%chorus%on%vocals%and%guitars.%%Also%prefer%to%have%vocal%effects%muted%when%speaking%to%the%audience.%%
SUGGESTEDFOH-MIXERCHANNELASSIGNMENTS
1%–%Drums%–%Kick%)%MIC
2%–%Drums%–%Snare%)%MIC
3%–%Drums%)%Tom%1%–%Le?%)MIC
4–%Drums%–%Tom%2%–%Right%)%MIC
5–%Drums%–%Tom%Floor%–%Right%)%MIC
6%–%Drums%–%Overhead%1%)%MIC
7%–%Drums%–%Overhead%2%/%Chimes)%MIC
8%)%Bass%)%%XLR%Line%Out
9–%Guitar%%Electric%)%Cabinet%–%MIC%
10%)%Guitar%Acous'c%)%VoiceLive%3%)%DI%)%XLR%
11/12%%–%Keyboard1%–%Barb%)%Mainstage%via%Mackbook%Stereo%%)%DI%)%PAN%R/L
13/14%%–%Keyboard2%–%Barb%)%Hammond%Organ%)%Stereo%DI%%PAN%R/L
15%)%Peter%)%iPad%)%1/4"%Mono%to%DI%to%XLR
16%–%Vocal%Barbara%(Keyboard%Rt)%Sennheiser%E935
17%–%Vocal%Claude9e%(Stevie%Center)%Sennheiser%MD441U%)%needs%high%gain
18%–%Vocal%MARK%(Guitar%Le?)%)%Sennheiser%E935
19%/%20%)%Ambient%mics%)%monitor%only%to%IEM%monitor%mix%1%and%4