individual - Arizona Theatre Company

V EN US
by DAVID IVES
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LEARNING & EDUCATION
Using theatre as a catalyst to inspire creativity.
“ATC’S EDUCATION DEPARTMENT HAS
BEEN NOTHING SHORT OF A MIRACLE.”
EACH SEASON, OVER
-Cheryl Falvo, Crossroads English Chair/
Service Learning Coordinator
Theatre skills help support critical thinking, decisionmaking, team work and improvisation. It can bridge the
gap from imagination to reality. We inspire students to
feel that anything is possible.
across
in
ARE INTRODUCED TO
PROFESSIONAL
THEATRE
through our
EDUCATION PROGRAMS
FOR MORE INFORMATION ABOUT OUR LEARNING & EDUCATION PROGRAMS,
VISIT EDUCATION.ARIZONATHEATRE.ORG
IN THIS ISSUE
April 2014
Title Page . . . . . . . . . . . . . . . . . . . . . . . . 6
Cast List . . . . . . . . . . . . . . . . . . . . . . . . . 8
About the Play . . . . . . . . . . . . . . . . . . . . .12
ATC Leadership . . . . . . . . . . . . . . . . . . . . .18
DON’T WE GO
TO PLAYS FOR
The Cast . . . . . . . . . . . . . . . . . . . . . . . . 20
THE PASSIONS
The Creative Team . . . . . . . . . . . . . . . . . 24
WE DON’T
Board of Trustees . . . . . . . . . . . . . . . . . . 27
GET IN LIFE?
ATC 2013-14 Season Artists . . . . . . . . . . . 30
Corporate and Foundation Donors . . . . . . . 36
Individual Donors . . . . . . . . . . . . . . . . . . 41
Staff . . . . . . . . . . . . . . . . . . . . . . . . . . 48
Theatre Information . . . . . . . . . . . . . . . . 49
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– Thomas,
Venus in Fur
SUMMER on STAGE
Theatre Program for High School Students
Come & Play!
WHAT IS SUMMER ON STAGE?
Summer on Stage is a five-week intensive training
program that culminates in fully realized productions
performed on the main stage at the Temple of
Music and Art. Arizona Theatre Company staff and
professional teaching artists selected by ATC lead
students through a variety of theatre classes that
contribute to an experience that prepares young
people for a creative and engaged life in the arts
or in any field!
“IF YOU WANT TO DO ANYTHING WITH
THEATRE IN YOUR LIFE, SOS IS VITAL.
IT IS THE BEST WAY TO WORK WITH A
PROFESSIONAL COMPANY; THE BEST WAY
TO GAIN THOSE REAL-WORLD THEATRE
SKILLS.”
-Jeremy, Summer on Stage participant
2011-2013
“SUMMER ON STAGE HAS BEEN ONE OF
THE BEST EXPERIENCES I’VE HAD IN MY
LIFE THUS FAR.”
-Jalon, Summer on Stage participant
2012-2013
WANT TO KNOW MORE?
April Jackson
Learning & Education Manager, Tucson
520-884-8210 x7513
ajackson@arizonatheatre.org
SUBSCRIBE TODAY
For the best seats & savings.
520-622-2823 | ARIZONATHEATRE.ORG
VANYA AND SONIA AND MASHA AND SPIKE by Christopher Durang
SEPTEMBER 13 – OCTOBER 4, 2014
The hilarious winner of the 2013 Tony Award for Best Play on Broadway! “The theater erupts in booming gusts of laughter
that practically shake the seats.” – The New York Times
WAIT UNTIL DARK by Frederick Knott,
adapted by Jeffrey Hatcher
OCTOBER 18 – NOVEMBER 8, 2014
The classic thriller about a young woman in a dangerous game that threatens all she holds dear. “…a roller-coaster ride that
leaves the audience giddy from terror.” – TheatreMania
MURDER FOR TWO Book & Music by Joe Kinosian, Book & Lyrics by Kellen Blair, directed by Scott Schwartz NOVEMBER 29 – DECEMBER 20, 2014
Two performers play all the roles – not to mention the piano – in a witty old-fashioned murder mystery. “Ingenious! A snazzy
double-act that spins out a comic mystery animated by funny, deftly turned songs.” – The New York Times
FIVE PRESIDENTS by Rick Cleveland
JANUARY 10 – JANUARY 31, 2015
An eagerly anticipated world premiere by the Emmy Award-winning writer of The West Wing, Six Feet Under, Mad Men and
House of Cards about April 27, 1994, the day that Ford, Carter, Reagan, Bush and Clinton met alone.
ROMEO AND JULIET by William Shakespeare
FEBRUARY 28 – MARCH 21, 2015
ATC’s first ever production of the beloved and poetic masterpiece brings new life to the warring world of the Capulets and Montagues.
A WEEKEND WITH PABLO PICASSO
by Herbert Siguenza, based on the writings of Pablo Picasso
APRIL 4 – APRIL 26, 2015
A tour-de-force that explodes with the passion, complexity and youthful vigor of a genius responsible for some of history’s most
original paintings. “An utterly engaging portrait of an artist at work. Don’t miss it!” – SDGLN
David Ira Goldstein
Jessica L. Andrews
ARTISTIC DIRECTOR
MANAGING DIRECTOR
Presents a co-production with Seattle Repertory Theatre
Jerry Manning, ARTISTIC DIRECTOR
Benjamin Moore, MANAGING DIRECTOR
V EN U S
by DAVID IVES
Shana Cooper . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .DIRECTOR
Sibyl Wikersheimer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . SCENIC DESIGNER
Harmony Arnold . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . COSTUME DESIGNER
Geoff Korf . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . LIGHTING DESIGNER
T. Greg Squires . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . LIGHTING DESIGNER
Robertson Witmer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . SOUND DESIGNER/COMPOSER
Gin Hammond. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . DIALECT COACH
Erin Kraft . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .CASTING
Glenn Bruner*. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .PRODUCTION STAGE MANAGER
Timothy Toothman* . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ASSISTANT STAGE MANAGER
On this original Arizona Theatre Company and Seattle Repertory Theatre co-production, the ATC and SRT Production Staffs are
responsible for scenic construction, costume construction, lighting, projections, sound, props, furniture, wigs, scene painting and
special effects.
VENUS IN FUR is presented by special arrangement with Dramatists Play Service, Inc., New York.
Originally produced by Classic Stage Company (Brian Kulick, Artistic Director; Jessica R. Jenen, Executive Director).
Originally produced on Broadway by the Manhattan Theatre Club (Lynne Meadow, Artistic Director; Barry Grove, Executive
Producer) by special arrangement with Jon B. Platt, Scott Landis and Classic Stage Company, at the Samuel J. Friedman Theatre
on October 13, 2011.
COVER ART BY: The Oberlander Group
2013-2014 SEASON SPONSORS
I. Michael and Beth Kasser
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PRINTER’S AD
CAST (in order of appearance)
Michael Tisdale* . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . THOMAS
Gillian Williams*. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . VANDA
*Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.
Time: THE PRESENT.
Place: AN ACTING STUDIO.
THERE WILL BE NO INTERMISSION.
ADDITIONAL STAFF
Ashley Simon. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ASSISTANT TO THE STAGE MANAGER
Natasha Smith . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ASSISTANT TO THE DIRECTOR
Arizona Theatre Company operates under agreements between the League of Resident Theatres (LORT) and Actors’ Equity
Association, the Union of Professional Actors and Stage Managers in the United States; Stage Directors and Choreographers, an
independent national labor union; and United Scenic Artists Local USA-829, IATSE.
To learn more about Venus in Fur, please visit the Education page on our website at arizonatheatre.org for a comprehensive free
Play Guide. The Play Guide contains a biography of David Ives, information on the novel by Leopold von Sacher-Masoch, and more.
Play Guides are also available in The Temple Lounge for a nominal charge to cover printing.
Please take a moment to silence your cell phone or pager.
8
PRINTER’S AD
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ABOUT THE PLAY
Venus is the Roman goddess of love, beauty, sex, fertility and prosperity, her name derived
from the Latin noun meaning sexual love and desire. The Roman counterpart to the Greek
goddess of love, Aphrodite, Venus also came to represent enticement, seduction, the
persuasiveness of female charm, victory, and prostitution.
In Roman mythology, Venus was born from the sea foam after Uranus’ blood fell into the
water when he was castrated by his son, Saturn. As the goddess of love and sex her
mythology is filled with lovers, both divine and mortal, though her marriage to Vulcan, the
god of fire, is noted as barren and loveless.
The symbol of Venus, and of her Greek counterpart, Aphrodite, consists of a circle
above a small cross. It is used today to represent the female sex, the planet
Venus, and the alchemical element of copper.
A cast of the VENUS DE’ MEDICI
OR MEDICI VENUS, one of the
most-copied sculptures of all time.
Leopold von Sacher-Masoch was an Austrian writer, from whose name comes the
contemporary term “masochism,” which was coined by an Austrian psychiatrist in
1886 in reference to Sacher-Masoch’s inclusion of what was then considered a “sexual
anomaly” in his writings. Years later in 1906, details of Sacher-Masoch’s private life
were published in the memoirs of his first wife, Aurora von Rümelin, under the
pseudonym Wanda v. Dunajew – the name of the main character in Sacher-Masoch’s
1870 novel, Venus in Furs. In her memoir, Rümelin recounts her former husband’s
desire that she act out the sadomasochistic events of his novel, against her own
desires. The two eventually divorced.
It is suggested that Leopold von Sacher-Masoch based his main character, Wanda, on
his real-life mistress Fanny Pistor, with whom he signed a contract to become her
slave for a period of six months, during which time she would wear furs as often as LEOPOLD VON SACHER-MASOCH,
possible – particularly when she was feeling cruel.
1860s.
The characters of Leopold von Sacher-Masoch’s original novel, Venus in Furs, draw
the concept of the goddess Venus draped in fur from the famous Titian painting
Venus with a Mirror. The original painting, created around 1555, is said to be both a
celebration of the female form and a simultaneous critique of vanity. The pose
adopted by the goddess, with one hand to her breast and the other on her lap, is
thought to be based on the famous Hellenistic statue of Venus de’ Medici in Florence.
Titian made a number of paintings depicting Venus, but Venus with a Mirror is
thought to be the only one entirely in his own hand, done without the contribution
of any assistants, and which hung in Titian’s home until his death in 1576.
TITIAN’S VENUS WITH A MIRROR,
c. 1555. Oil on canvas.
The red cloak under Venus’ arm has been revealed through X-ray technology to be the
cloak of one of two figures in an underlying portrait, which Titian abandoned and painted
over. Venus with a Mirror is on display at the National Gallery of Art in Washington, D.C.
By Katherine Monberg, ATC Literary Associate
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Jessica Skerritt & Company in Xanadu.
Photo by Mark Kitaoka and Tracy Martin.
Anneliese van der Pol & Loren Dunn in
The Importance of Being Earnest. Photo by Tim Fuller.
WHY ARIZONA THEATRE COMPANY?
BECAUSE WE ENGAGE, INNOVATE AND CONNECT.
ENGAGE
EACH SEASON, ARIZONA THEATRE COMPANY PROVIDES 25,000 INSTRUCTION HOURS TO MORE THAN 11,000
STUDENTS SERVING 11 ARIZONA COUNTIES ACROSS 100 SCHOOLS.
INNOVATE
THE NATIONAL LATINO PLAYWRITING AWARD WAS ESTABLISHED BY ARIZONA THEATRE COMPANY TO CREATE
AWARENESS OF THE WORK BEING DONE BY LATINO PLAYWRIGHTS. THE WORK THE AWARD HAS SUPPORTED
HAS GONE ON TO STAGES IN LOS ANGELES, CHICAGO, NEW YORK, AND OTHER MAJOR CITIES.
CONNECT
ARIZONA THEATRE COMPANY PRODUCES A FULL SEASON OF WORK REACHING AN AUDIENCE OF OVER
130,000 ACROSS ARIZONA. ATC REACHES THOUSANDS MORE WITH OUR EXTENSIVE MENU OF LEARNING &
EDUCATION PROGRAMS. ATC CONTINUES TO EXPAND OUR NATIONAL REACH, THROUGH CO-PRODUCTIONS WITH
OTHER LEADING REGIONAL THEATRES SUCH AS SEATTLE REPERTORY THEATRE, PASADENA PLAYHOUSE, MILWAUKEE
REPERTORY THEATER, AND GUTHRIE THEATER.
FOR 47 YEARS, ARIZONA THEATRE COMPANY HAS BEEN BRINGING THE COMMUNITY BROADWAY- QUALITY
THEATRE CREATED IN ARIZONA FOR ARIZONANS. ATC’S PERFORMERS AND ARTISTS HAIL FROM THE BEST OF
BROADWAY TO THE FINEST WORK IN FILM AND TELEVISION.
James T. Alfred in The Mountaintop.
Photo by Tim Fuller.
David Green & Peter Van Norden in The Sunshine Boys.
Photo by Tim Fuller.
YOU ARE A PART OF THE ATC FAMILY
WHEN YOU RENEW, SUPPORT AND INTERACT.
RENEW
OVER 50% OF OUR ANNUAL OPERATING INCOME COMES FROM OUR LOYAL SEASON TICKET HOLDERS,
LIKE YOU. TO RENEW TODAY PLEASE CALL 520-622-2823.
SUPPORT
ONLY TWO-THIRDS OF THE COSTS TO PRODUCE A SHOW AT ARIZONA THEATRE COMPANY ARE COVERED BY TICKET
SALES. WE RELY ON THE GENEROUS SUPPORT OF PATRONS LIKE YOU TO FILL THE EMPTY STAGE WITH LIFE.
INTERACT
WE ALWAYS LOVE TO HEAR FROM OUR PATRONS.
PLEASE TAKE THE TIME TO LIKE US ON FACEBOOK, FOLLOW US ON TWITTER OR SEND US AN EMAIL AT
INFO@ARIZONATHEATRE.ORG.
ARIZONATHEATRE.ORG
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ATC LEADERSHIP
David Ira Goldstein celebrates his 22nd season as Artistic Director of
Arizona Theatre Company. In over two decades, he has produced over 190
mainstage plays, workshops and presentations including acclaimed appearances
by the Royal National Theatre of Great Britain and the Theatre Royal Bath. He
received the 2010 Leader of the Year Award in Arts and Humanities from the
Capitol Times and the 2003 Governor’s Arts Award as Individual Artist for his
contributions to the arts in Arizona.
This season, he directed Xanadu for ATC. He has directed over 40 mainstage
productions for ATC ranging from classics to new plays to musicals, including
Next to Normal, The Sunshine Boys, Hair, Much Ado About Nothing, My Fair
Lady, Valley Song, The Illusion, The Pajama Game, Side Man, [title of
show], How I Learned to Drive, The Mystery of Irma Vep, Scapin, The Two
Gentlemen of Verona, The Boys Next Door, Shadowlands, Fully Committed,
The Pirates of Penzance, H.M.S. Pinafore, Willi, Dreams From a Summer
House, Other People’s Money, The Heidi Chronicles, Noises Off and
A Midsummer Night’s Dream, as well as many world premieres including
The Kite Runner by Khaled Hosseini, Sherlock Holmes: The Final Adventure
(winner of the Edgar Award from the Mystery Writers of America),
Inventing van Gogh, Rocket Man, Private Eyes, Over The Moon and Dracula
by Steven Dietz, and Ten Chimneys, Dr. Jekyll and Mr. Hyde (Edgar Award
nominee) and Sherlock Holmes and the Adventure of The Suicide Club
(Edgar Award nominee) by Jeffrey Hatcher.
Mr. Goldstein has been a guest director at theatres all across the country
including Arizona Opera, The Pasadena Playhouse, Berkeley Repertory
Theatre, Seattle Repertory Theatre, Florida Stage, Center Repertory Theatre,
Kansas City Repertory Theatre, Northlight Theatre, San Jose Repertory
Theatre, Village Theatre, Geva Theatre Center, Laguna Playhouse, The
Repertory Theatre of St. Louis, Mixed Blood Theatre, The Children’s Theatre
Company in Minneapolis, Alaska Repertory Theatre and Illusion Theatre. His
musical A Marvelous Party: The Noël Coward Celebration, which originated at
ATC, has played extensively across the U.S., winning many awards including
four Jeff Awards in Chicago (including Best Director), the Elliot Norton Award
in Boston, several Bay Area Critics Awards and the Los Angeles Drama Critics
Award for Best Production.
Before coming to Arizona, Mr. Goldstein was an Associate Artistic Director of
ACT Theatre in Seattle. His many productions there included Glengarry Glen
Ross, Hapgood, Breaking the Silence, Lloyd’s Prayer, the world premieres of
God’s Country by Steven Dietz and Willi by John Pielmeier, as well as a joint
Soviet-American production of The Falcon. He was Associate Artistic Director at
Actors Theatre of St. Paul from 1983-86. Mr. Goldstein holds an MFA from
the University of Minnesota. He has been a visiting instructor and director at
ASU, University of Washington, University of Minnesota and University of
Northern Iowa. He has served as a panelist for the National Endowment for the
Arts, Theatre Communications Group, Arts Midwest, and the Arizona,
Minnesota, Oregon and Washington State Arts Commissions. Mr. Goldstein is a
proud member of Stage Directors and Choreographers Society, and Actors’
Equity Association. He is married to KJZZ radio announcer Michele Robins. They
share their home with their dogs and cats: Rio, Rocky, Cary, Reggie, and Dexter.
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ATC LEADERSHIP
Jessica L. Andrews returns to Arizona Theatre Company as Managing
Director having retired from ATC in July 2009 after eleven seasons as Managing
Director and three as Executive Director. From September 2010 – September
2011, she returned to ATC as Interim Managing Director. Following her tenure
at ATC, she founded jandrews consulting and is currently consulting with
Invisible Theatre, Metro Theater Company (St. Louis), and The Mini-Time
Machine Museum. She recently completed consultancies with Borderlands
Theater, The Loft Cinema, Pan Left Productions, and The University of Arizona
Poetry Center through the Tucson Pima Arts Council. She has also worked with
The Vineyard Playhouse (Martha’s Vineyard), Emerge! Center Against
Domestic Abuse, and Break-Away Tours.
In 2008, she received the Governor’s Arts Award for an Individual and received
the 2013 Lumie for Lifetime Achievement from the Tucson Pima Arts Council.
In 2007, she was given the Distinguished Achievement in Theatre Management
Award from the United States Institute of Theatre Technology and in 2002
she received a Woman on the Move Award from the Tucson YWCA.
During her career, Ms. Andrews served on the Executive Committee of the
League of Resident Theatres, and on the Board of Directors of Theatre
Communications Group. Since her arrival in Arizona, she has served on the
Theatre Panel of the Arizona Commission on the Arts, was the president of
Arizona Theatre Alliance, on the Board of Directors of the Maricopa Partnership
for Arts and Culture, and Arizona Citizens/Action for the Arts, is a member of
Women at the Top, served as chair of Nonprofit Executives Together, co-chair
of Nature, Arts, Culture, Heritage Organizations and was on the Advisory Board
of Arizona Woman Magazine. Also, she chaired a task force for the Pima
Cultural Plan and served on the Livable Communities Mobilization Council of
the Tucson Regional Economic Organization Blueprint.
From 1990-94, Ms. Andrews served as Managing Director of The Shakespeare
Theatre (Washington, DC.) and was the Director of the Theater Program for the
National Endowment for the Arts from 1987- 90. From 1985- 87, she was
Managing Director of Indiana Repertory Theatre and from 1980-85 was
Director of the Theatre Division of FEDAPT, a national service organization.
Previously, Ms. Andrews was Managing Director of Geva Theatre Center in
Rochester, NY and Hartford Stage Company.
In 2010, Ms. Andrews taught a class on Theatre Management and Organization
at Arizona State University. She has guest lectured at University of Arizona,
Arizona State University and Yale School of Drama, and has been a reader for
the Fund for New American Plays at The Kennedy Center. She served as co-chair
of the Arts Committee for the 1997 UK/AZ Festival. During the summer of
1995, she taught a class in theatre management at the Centro Nacional de las
Artes in Mexico City. She has served on grants panels for nine state arts
agencies and on the Theatre Grants Panel for the U.S./Mexico Fund for Culture.
She has served on the NEA Theater Program’s Professional Companies,
Challenge Review, Creation and Presentation, and Education and Access panels,
and was an NEA site reporter for the Theater and Musical Theater Program.
19
Photo by: Gary Rumack Photography
THE CAST
Michael Tisdale (Thomas) is making his ATC debut. New York credits include Never the Sinner
(John Houseman Theater); The Shawl (Jewish Repertory Theatre); Photograph 51 (Ensemble
Studio Theatre); Waste (Theatre for a New Audience); and The Private Lives of Eskimos. Regionally,
Mr. Tisdale has performed at Huntington Theatre Company, Ahmanson Theatre, Berkeley
Repertory Theatre, La Jolla Playhouse, Long Wharf Theatre, McCarter Theatre, Actors Theatre of
Louisville, Bard Summerscape, Alley Theatre and many more. Television credits include Third
Watch, Law & Order, Unforgettable and Guiding Light. As a playwright, Mr. Tisdale’s work has been
developed and/or produced by Atlantic Theater Company, Rising Phoenix Repertory, NYU’s Tisch
School of the Arts, hotINK, Hartford Stage Company, Lincoln Center Theater Directors Lab,
American Theatre Company (Chicago), New York Theatre Workshop and Cleveland Public Theatre.
As a filmmaker, his award-winning short films have appeared in over 40 festivals around the world
including the Beloit International, São Paolo International, Nashville, Heartland, Cleveland
International and Sundance film festivals.
Gillian Williams (Vanda) is thrilled to be making her ATC debut. Regional credits include
Michael Wilson’s A Christmas Carol – A Ghost Story of Christmas (Hartford Stage Company);
Cabaret (Trinity Repertory Company); Submerged (American Theater Company); Hamlet and
boom (Sandra Feinstein-Gamm Theatre). Film and television credits include Self Storage; A Dream
of Flying (Ron Howard/The Weinstein Company); and CBS’s The Good Wife. Ms. Williams also
assistant directed Fiasco Theater’s acclaimed off-Broadway production of Cymbeline at the New
Victory Theater and was one of two Americans to receive the 2011 International Actors’ Fellowship
from Shakespeare’s Globe. Ms. Williams holds an MFA from Brown University/Trinity Rep
Graduate Acting Program and a BA from Sarah Lawrence College.
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PRINTER’S AD
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THE CREATIVE TEAM
David Ives (Playwright) is perhaps best known for his evening of one-act plays, All in the Timing and for his drama Venus in Fur,
which was nominated for a Tony Award for Best Play. His plays include New Jerusalem: The Interrogation of Baruch de Spinoza;
The School for Lies (adapted from Molière’s The Misanthrope); The Liar (adapted from Corneille); Time Flies; and Is He Dead?
(adapted from Mark Twain). He has also translated Feydeau’s A Flea in Her Ear and Yasmina Reza’s A Spanish Play. A former
Guggenheim Fellow in playwriting and a graduate of the Yale School of Drama, Mr. Ives lives in New York City.
Shana Cooper (Director) is making her ATC debut. Directing credits include American Night, Romeo and Juliet (Yale Repertory
Theatre); The Unfortunates (world premiere musical), Love’s Labor’s Lost (Oregon Shakespeare Festival); The Taming of the Shrew,
Romeo and Juliet (California Shakespeare Theater); Camino Real (New York University MFA Program); Three Sisters (The Studio/
New York); A Lie of the Mind (American Conservatory Theater MFA Program); The Whale Play, Twelfth Night Parking Lot Project
(New Theater House); The Ghost Sonata, Richard III (Yale School of Drama); and Oklahoma (Hangar Theatre, Associate Director).
Ms. Cooper was the Associate Artistic Director of the California Shakespeare Theater (2000-2004), and also a Co-Founder of New
Theater House with Yale School of Drama alumni (2008-present). Awards include the 2010 Princess Grace Award, Julian Milton
Kaufman Memorial Prize in Directing (Yale School of Drama), Drama League Directing Fellow, TCG Observership Grant, OSF Phil
Killian Directing Fellow and the G. Herbert Smith Presidential Scholarship. Ms. Cooper holds an MFA from the Yale School of
Drama. Upcoming projects: A Midsummer Night’s Dream (California Shakespeare Theater).
Sibyl Wikersheimer (Scenic Designer) is making her ATC debut. Other regional theatre credits include Oregon Shakespeare
Festival, Lookingglass Theatre, Portland Center Stage, Berkeley Repertory Theatre, South Coast Repertory, Center Theatre Group/
Kirk Douglas Theatre, Geffen Playhouse and Utah Musical Theatre. International credits include 1984 and The Trial of the
Catonsville 9 (The Actors’ Gang). Los Angeles credits include The Actors’ Gang, Boston Court Theatre, Circle X Theatre, Ensemble
Studio Theatre, Los Angeles Theatre Center, Inside the Ford, Open Fist Theatre Company and California Repertory Company. Opera
and dance credits include Crescent City, a hyperopera (INDUSTRY LA); and Transit Space (Diavolo Dance Theatre). Other projects
include What About Dick? at The Orpheum Theatre; Encounters for Natural History Museum of Los Angeles County; and Toy Story:
The Musical for Disney Creative Entertainment. Art exhibitions include RAID Projects, Hi-Lite, Weekend, The New Chinatown Barber
Shop, Gallery 825, Shoshane Wayne Gallery, Andrew Shire Gallery, Hatch Gallery, Latch and the Pacific Asia Museum. Ms.
Wikersheimer holds a BA from Washington University in St. Louis and an MFA from UCLA. She is also Assistant Professor in the
USC School of Dramatic Arts.
Harmony Arnold (Costume Designer) is making her ATC debut. Recent designs for the stage include Bo-Nita, My Name is Rachel
Corrie and boom (Seattle Repertory Theatre); Lysistrata (Intiman Theatre Festival); These Streets (ACT Theatre); O Lovely
Glowworm (New Century Theatre Company); Riddled (Richard Hugo House); Once Upon a Time in New Jersey and Snapshots
(Village Theatre); ‘Awesome’ West (On the Boards); Project X and Undine (Hand 2 Mouth Theatre); and Zanna Don’t!
(Contemporary Classics). Recent designs for film include Perfect 10 (First Sight Productions); Waxie Moon in Fallen Jewel (I Ate
My Eye Films); By the Salish Sea (Vaskino Films); and various short films for the Microsoft Corporation. Ms. Arnold holds an MFA
in Costume Design from the University of Oregon with an emphasis in Devised Theatre and is Assistant Professor of Theatre
(Costume Design) at Seattle University.
The Actors and Stage Managers
employed in these productions are
members of Actors’ Equity Association,
the Union of Professional Actors and
Stage Managers in the United States.
The Director is a member of the
Stage Directors and Choreographers
Society, an independent national
labor union.
24
The Scenic, Costume, Lighting and
Sound Designers in LORT Theatres
are represented by Union Scenic
Artists Local USA-829, IATSE.
THE CREATIVE TEAM
Geoff Korf (Lighting Designer) has designed lighting for approximately 300 productions over the past 30 years. His work has
been seen on Broadway, at New Century Theatre, ACT Theatre, Intiman Theatre, Seattle Children’s Theatre, Oregon Shakespeare
Festival, Mark Taper Forum, La Jolla Playhouse, South Coast Repertory, Actors Theatre of Louisville, Trinity Repertory Company,
Guthrie Theater, The Goodman Theatre, Long Beach Opera, San Francisco Opera and in many other venues. He is a member of the
ensemble of Cornerstone Theater Company in Los Angeles and an associate artist of New Century Theatre Company in Seattle.
Mr. Korf also serves as the Head of Design at the University of Washington. He is a graduate of California State University, Chico
and the Yale School of Drama.
T. Greg Squires (Lighting Designer) began working for ATC in 1988 as a lighting and sound technician. Since becoming the
Resident Lighting Designer, he is responsible for remounting the lighting for all of ATC’s productions in Phoenix and was the
designer for ATC’s Permanent Collection and Tuesdays with Morrie. Mr. Squires has been the Associate Lighting Designer for
Michael Gilliam, Dennis Parichy, Ann Wrightson, Don Darnutzer, Allen Lee Hughes, York Kennedy, David Lee Cuthbert and Peter
Maradudin. In addition to ATC, Mr. Squires has designed lights and/or sound for Laguna Playhouse, Pasadena Playhouse, Creede
Repertory Theatre, Borderlands Theater and Childsplay. Recently, Mr. Squires was Sound Designer for Actors Theatre of Phoenix
productions of This, Circle Mirror Transformation and Dead Man’s Cell Phone, all of which received ariZoni Award nominations.
Robertson Witmer (Sound Designer/Composer) is making his ATC debut. Recent work includes Boeing Boeing, I Am My Own
Wife and Of Mice and Men (Seattle Repertory Theatre); Much Ado About Nothing and The Tempest (Seattle Shakespeare
Company); The Trial (New Century Theatre Company); and The Seagull (ACT Theatre’s Central Heating Lab). Recent performance
credits include A Doctor in Spite of Himself (Yale Repertory Theatre, Berkeley Repertory Theatre and Intiman Theatre); and Fiddler
on the Roof (Village Theatre). Mr. Witmer is the recipient of the 2013 Gregory Award for Outstanding Music and Sound Design.
Gin Hammond (Dialect Coach) has most recently coached dialects for Spamalot and Oliver! at The 5th Avenue Theatre and
Sugar Daddies at ACT Theatre, directed by Sir Alan Ayckbourn. She has performed nationally at theatres including Guthrie Theater,
Arena Stage, Long Wharf Theatre, ACT Theatre, Pasadena Playhouse, American Repertory Theater, Berkshire Theatre Festival and
The Studio Theatre in Washington D.C., and internationally in Russia, Germany, Ireland, Scotland and England. Her voice-over work
can be heard on commercials, audiobooks, radio plays and in a variety of video games. Ms. Hammond is a graduate of Harvard
University/Moscow Art Theatre.
Glenn Bruner (Production Stage Manager) is in his 17th season as Production Stage Manager at ATC where he has stage
managed over 50 productions, including Other Desert Cities, The Mountaintop, The Importance of Being Earnest, Clybourne Park,
The Sunshine Boys, Next to Normal, The Great Gatsby, The Mystery of Irma Vep, [title of show], The Kite Runner, Hair, Enchanted
April, the world premieres of Jeffrey Hatcher’s Sherlock Holmes and the Adventure of The Suicide Club and Ten Chimneys, and
Steven Dietz’s Sherlock Holmes: The Final Adventure, Rocket Man, Inventing van Gogh and Over the Moon. Mr. Bruner has worked
at Kansas City Repertory Theatre, Alley Theatre, Dallas Theater Center, Pasadena Playhouse, CENTERSTAGE, Studio Arena Theatre
and Maine’s Portland Stage Company. He was the Assistant Stage Manager for the world premiere of On the Waterfront at The
Cleveland Play House and stage managed the off-Broadway premiere of Alan Ayckbourn’s Season’s Greetings. He has also been
the voice for many radio and television commercials and worked for Texas Public Radio in his hometown of San Antonio. Mr. Bruner
was the 2012 recipient of the Lucy Jordan Recognition Award, presented annually by the Western Region of Actors’ Equity
Association. He has been a member of AEA since 1981.
25
THE CREATIVE TEAM
Timothy Toothman (Assistant Stage Manager) is the Artistic Associate at ATC. He most recently stage managed ATC’s
productions of Around the World in 80 Days, The Importance of Being Earnest, Freud’s Last Session, Lombardi, Daddy Long Legs
and God of Carnage, among others. Mr. Toothman spent five seasons as the Production Stage Manager for the Geva Theatre
Center in Rochester, NY and was then Company Manager for five years for Sunshine Too, a national touring ensemble of deaf and
hearing actors. He has also managed producing and presenting theatres in Indiana and Maryland. Prior to moving to Arizona, Mr.
Toothman spent eleven years as a program and grants director for the Maryland State Arts Council and the Connecticut Commission
on the Arts. Mr. Toothman stage managed the National Heritage Awards Program for the National Endowment for the Arts for ten
years and was the Production Stage Manager for six seasons at the Vineyard Playhouse on Martha’s Vineyard.
Ashley Simon (Assistant to the Stage Manager) was Assistant to the Stage Manager for Arizona Theatre Company’s Other
Desert Cities, The Mountaintop, The Sunshine Boys, Jane Austen’s Emma, Next to Normal, Red, The 39 Steps, Daddy Long Legs,
Sherlock Holmes and the Adventure of The Suicide Club, Lost in Yonkers, Woody Guthrie’s American Song, Backwards in High Heels,
The Glass Menagerie, Ain’t Misbehavin’, The Kite Runner, A Raisin in the Sun, Hair and The Lady with All the Answers. She was also
the Production Stage Manager for ATC’s Summer on Stage 2010, 2011, 2012 and 2013. Other credits include stage managing
The Real Inspector Hound, The Decameron, The Four of Us, Othello and Immortal Longings with The Rogue Theatre and The
Mousetrap, Same Time Next Year and Forever Plaid at The Theater Barn in the Berkshires. At Florida Stage, she was Assistant to
the Stage Manager for the world premiere of Deborah Zoe Laufer’s End Days.
The Broadway Producers (VENUS IN FUR) are Jon B. Platt, Scott Landis, MTC Productions Inc. Lynne Meadow, Barry Grove,
Jessica R. Jenen, Scott M. Delman and Classic Stage Company. Lead producer Jon B. Platt’s producing credits include some of the
most honored dramatic work in Broadway history: Angels in America: Millenium Approaches (Pulitzer Prize Winner), Perestroika,
The Book of Mormon, Wicked, Copenhagen, God of Carnage, Death of a Salesman and Clybourne Park (Pulitzer Prize Winner). In
addition to his seven Tony Awards, Mr. Platt has received ten New York Drama Desk Awards and five New York Outer Critics Circle
Awards, and the Robert Whitehead Award for Distinguished Producing in the Commercial Theatre in 2012. Tony Award-winning
producer Scott Landis’ credits include The Children’s Hour (West End), La Bete, The Pajama Game and Nice Work If You Can Get It.
Manhattan Theatre Club, led by Artistic Director Lynne Meadow and Executive Producer Barry Grove, is one of the nation’s leading
non-profit theatres producing innovative and diverse work by playwrights at all stages of their careers, at its Broadway and
off-Broadway theatres. Plays that debut at MTC are performed across the country and around the world, and six of them have won
Pulitzer Prizes: Doubt, Proof, Ruined, Rabbit Hole, Crimes of the Heart and The Piano Lesson; Jessica R. Jenen produced An Evening
with Patti Lupone & Mandy Patinkin, and while Executive Director of Classic Stage Company, produced the world premiere of Venus
in Fur as well as Three Sisters, Uncle Vanya and The Tempest, among others. Classic Stage Company is the premiere off-Broadway
theatre dedicated to reimagining the classical repertory for a contemporary American audience. Scott M. Delman is a private
equity investor at DGZ Capital who has co-produced The Book of Mormon, American Idiot, Mary Stuart and Ragtime.
Seattle Repertory Theatre (Co-Producer) was founded in 1963 and is currently led by Artistic Director Jerry Manning and
Managing Director Benjamin Moore. One of America’s premier non-profit resident theatres, Seattle Repertory Theatre has achieved
international renown for its consistently high production and artistic standards, and was awarded the 1990 Tony Award for
Outstanding Regional Theatre. With an emphasis on entertaining plays of true dramatic and literary worth, Seattle Rep produces
a season of plays along with educational programs, new play workshops and special presentations.
26
2013-2014
BOARD OF TRUSTEES
Peter Akmajian
Jessica L. Andrews
Cameron Artigue
Robert Begam
Sasha Clements
Board Treasurer
Partner, Udall Law Firm
Managing Director,
Arizona Theatre Company
Board President
Attorney,
Gammage & Burnham
Attorney, Begam & Marks
Consultant, Golden Eagle
Distributors, Inc.
Lynne Wood Dusenberry Marc Erpenbeck
Joanie Flatt
Jay Glaser
Robert Glaser
Board Vice President,
Tucson
University of Arizona Retired
and Community Volunteer
Board Assistant
Treasurer
President, George Brazil
Home Services
President,
Flatt & Associates, Ltd.
Retired Computer
Professional and
Community Volunteer
Board Chair
Principal, Industrial Properties,
PICOR Commercial
Real Estate Services
Jeffrey Gold
David Ira Goldstein
I. Michael Kasser
Dina Scalone-Romero
Susan Segal
Retired Entrepreneur and
Community Volunteer
Artistic Director,
Arizona Theatre Company
Real Estate Investment
& Development,
Holualoa Arizona, Inc.
Board Assistant
Secretary
Executive Director
of Therapeutic Riding
Of Tucson (TROT)
Board Vice President,
Phoenix
Attorney, Gust Rosenfeld PLC
Emeriti Trustees: Shirley Estes, Donald Nickerson,
George Rosenberg, F. William Sheppard
Michael Seiden
Robert Taylor
Immediate Past
Board Chair
Former President
& CEO of Western
International University
Board Secretary
Manager of Regulatory
Policy & Public Involvement,
Salt River Project
Our sincere appreciation to photographer T. R. Rudkin.
Honorary Trustees: Betsy Bolding, Joan Kaye Cauthorn,
Norma Feldman, Catherine “Rusty” Foley, Joe Gootter,
Sandy Hatfield, Jessica Lazarus, Sandra C. Maxfield,
Emily Rosenberg Pollock, Nina Trasoff, Arlene Webster,
Ruth A. Zales
27
PRINTER’S AD
PRINTER’S AD
ATC 2013-14 SEASON ARTISTS
WRITERS
Jon Robin Baitz
Douglas Carter Beane
George Brant
Mark Brown
Teré Fowler Chapman
Clark Coolidge
Richard Danus
Benjamin Evett
John Farrar
Katori Hall
David Ives
Jeff Lynne
Jane Miller
Ander Monson
Boyer Rickel
Marc Rubel
Aisha Sabatini Sloan
Matthew Spangler
Caridad Svich
Jules Verne
Matias Viegener
Leopold von Sacher-Masoch
Orlando White
Oscar Wilde
Lauren Yee
Brian Yorkey
DIRECTORS
Lou Bellamy
Shana Cooper
David Ira Goldstein
Katherine Monberg
David P. Saar
James Still
Amber Tibbitts
Stephen Wrentmore
COMPOSERS
Irwin Appel
Roberta Carlson
Tom Kitt
Robertson Witmer
CHOREOGRAPHERS
Kay Dawson
Dan Uroff
Kathryn Van Meter
MUSIC DIRECTORS
Sarah Ross
Tim Symons
STAGE MANAGERS
Glenn Bruner
Bruno Ingram
Mary Smith
Timothy Toothman
Brenda K. Walker
Shannon Wallace
DESIGNERS
Irwin Appel
Harmony Arnold
Yoon Bae
Clint Bryson
David Lee Cuthbert
Don Darnutzer
Mathew DeVore
Adam Espinoza
Kish Finnegan
Bill Forrester
Michael Gilliam
Martin Gwinup
Abe Jacob
Jesse Klug
Geoff Korf
Karen Ledger
Brian Jerome Peterson
Kathryn Polak
Ann Sheffield
Vicki Smith
T. Greg Squires
Gregory W. Towle
Derek Warrick
Sibyl Wickersheimer
Robert Witmer
Carey Wong
ASSISTANT STAGE
MANAGERS
Glenn Bruner
David A. Cap
Geena Edmonds
Jonathan Thompson
Timothy Toothman
ACTORS
James T. Alfred
Anne Allgood
Mark Anders
Allyce Beasley
Micah Bond
Kathleen Cannon
Heather Marie Cox
Marivel Danielson
Sharmila Devar
Loren Dunn
Tyler Eglen
Robert Encila
Micha Espinosa
Lisa Estridge
Benjamin Evett
Michael Feldman
Jon Gentry
Jeremy Gillett
Cooper Hallstrom
David Hentz
Hunter Hnat
David Alexander Johnston
Amber Justmann
Ryan Kleinman
Erika LaVonn
Mike Lawler
Matt Leisy
Jordan Letson
Yolanda London
Jessica Low
Jodie Lynne McClintock
Will Mobley
Andrea Morales
Robin Moseley
Taylor Niemeyer
Kate Emma Nienhauser
Chris Okawa
MUSIC ARRANGEMENT
Clare Broyles
DRAMATURG
Katherine Monberg
CASTING
Harriet Bass
J&R Creative
Jadd Davis
Michael Donovan, CSA
Erin Kraft
MOVEMENT COACH
Brent Gibbs
DIALECT COACHES
Kevin Black
Gin Hammond
30
Roger O’Sullivan
Richard Peacock
Lawrence Pressman
Christine Riippi
Jennifer E. Rio
Angelica Rodenbeck
Joey Rudman
Imran Sheikh
Jessica Skerritt
Bob Sorenson
Kyle Sorrell
Jeff Steitzer
Dane Stokinger
Kate Strauss
Michael Tisdale
Richard Trujillo
Max Tzannes
Gabriela Urias
Anneliese van der Pol
Silvia Vannoy
Owen Virgin
Brenna Welsh
Paige Lindsey White
Gillian Williams
DANCER
Barbara Schuessler
MUSICIANS
Heidi Barker
Tom Fries
Michael Muir
Lisa Otey
Tyler Pieper
Sarah Ross
Ryan Shumway
Elizabeth Spencer
Tim Symons
ASSISTANT DESIGNERS
Kathy Maxwell
Nick Passafiume
ASSISTANTS TO THE
STAGE MANAGER
Emma DeVore
J. Colter Ogden
Ashley Simon
ASSISTANT TO
THE DIRECTOR
Natasha Smith
TOUCHING LIVES THROUGH
the
POWER of THEATRE
RICH WITH EMOTION,
MAGIC & SWEAT.
SUCH IS THE EXHILARATING
AIR OF THE THEATRE.
WITH EVERY PERFORMANCE,
THE AIR IS FILLED
WITH MORE THAN
MERE OXYGEN.
IT IS DELICIOUSLY
CHARGED WITH THE
CHOICES OF THE MOMENT.
AND WITH EACH
SINGULAR,
SATISFYING
BREATH,
WE ARE TRANSPORTED.
Timothy
in ATC’s
TIMOTHY Fitz-Gerald,
FITZ-GERALD,Danny
DANNYBolero
BOLERO&&Julia
JULIATilley
TILLEY
IN ATC’S
production
of OF
TheTHE
Fantasticks.
Photo
by TimBYFuller.
PRODUCTION
FANTASTICKS.
PHOTO
TIM FULLER.
SPECIAL THANKS
Arizona Theatre Company would like to recognize the donors who have made special gifts to help ATC overcome its current
financial challenge. Due to printing deadlines, some donor names may not be recognized.
$100,000 AND UP
Paul L. and Alice C. Baker
Jim and Vicki Click
Community Foundation
of Southern Arizona
Shirley Estes
Mr. and Mrs. I. Michael Kasser
$50,000 – $99,999
CFC Foundation Grant
Donald and Joan Diamond
$25,000 – $49,999
Marilyn Papp
$10,000 – $24,999
Anonymous
Arizona Community Foundation
Darryl and Mary Ann Dobras
Bruce E. and Katie Dusenberry
Joanie L. Flatt
Rodger Ford
Rob and Laurie Glaser
Dr. and Mrs. Robert G. Maxfield
Michael and Enid Seiden
Stocker Foundation
$5,000 – $9,999
Jessica L. Andrews and
Timothy W. Toothman
Babs and Jay Glaser
David Ira Goldstein and
Michele Robins Goldstein
Emerson and Peggy Knowles
Kevin and Jill Madden
Allan and Alfie Norville
David Mackstaller and Lyn Papanikolas
Herschel and Jill Rosenzweig
James Wezelman
$1,000 – $4,999
Cameron and Mary Artigue
Frank and Barbara Bennett
Bruce L. and Lynne Wood Dusenberry
Dino DeConcini and Elizabeth
Murfee-DeConcini
Catherine “Rusty” Foley
Joseph and Paulette Gootter
Paul Lindsey and Kathy Alexander
Charitable Fund
Phil and Carol Lyons
Becky and Doug Pruitt Family Fund
Marc and Deborah Sandroff
Robert and Melissa Taylor
Ronald and Diane Weintraub
Mary and Robert Wolk
Ruth Zales
Zuckerman Family Foundation
$250 – $999
Anonymous
Peter Akmajian
Bret and Mary Batchelor
Denice Blake and John Blackwell
Marjorie and George Cunningham
Ms. Athia Hardt
Ms. Nancy Howell
Darrel and Ann Merwin
Delos D. McKnight
Patricia and Michael Ore
Dina Scalone-Romero
Susan and Dick Segal
Matthew Sweger
Mr. and Mrs. David J. Sterle
Dan and Jill Stevenson
Mr. and Mrs. Richard Tofel
Bruce and Catherine Uhl
Linda Wurzelbacher
32
UP TO $249
Anonymous (2)
Janet Arnold
Gan and Pat Avery
Bengt Bjernfalk
Julia R. Braithwaite
Margaret Blumberg
Libby Cohen
Richard and Susan Cooper
Chauncey M. Dayton
Dr. N. Thomas Debevoise and
Ruth R. Debevoise
Linda Deboer
Mary Jo Shelden-Divito and
William Divito
Dorothy Emerton
John Erb
Fred and Judi Freeman
Kathy and Bruce Garrett
Rita Gengler
Dr. Mary Jo Ghory
Dr. and Mrs. Lawrence Haas
Joan and Bill Jaeger
Walter Kniaz
Lt. Col. and Mrs. Dick G. Korich
Linda McAlister
James Ripley
Nancy Slutter
Mr. and Mrs. Joseph V. Spitler
Allan Smith
Mary Lou Tudor
Vietnam Veterans of American, Inc.
Chapter 106, Tucson
PRINTER’S AD
PRINTER’S AD
PRINTER’S AD
Donors
CORPORATE AND FOUNDATION
ATC is proud to acknowledge the
following organizations that made
contributions to our annual fund
from January 1, 2013 through
February 15, 2014. Due to printing
deadlines, some donor names may
not be recognized.
$25,000 AND UP
APS
The Diamond Foundation
The Hearst Foundation
Jewish Community Foundation of
Southern Arizona
Jim Click Automotive Team
The Margaret E. Mooney Foundation
Miraval Arizona Resort & Spa
Phoenix Office of Arts and Culture
Salt River Project
The Shubert Foundation
Side by Side Foundation
The Stonewall Foundation
The Virginia G. Piper Charitable Trust
Zazu Pannee Park Regent
$10,000 – $24,999
American Express
Anonymous
Arizona Commission on the Arts
Arizona Community Foundation
BMO Private Bank
Community Foundation for Southern
Arizona
Cox Charities
The David C. and Lura M. Lovell
Foundation
Downtown Kitchen + Cocktails
National Endowment for the Arts
ON Media Publications
Sheraton Phoenix Downtown Hotel
The Stocker Foundation
Tucson Pima Arts Council
$5,500 – $9,999
Esser Design
Frances Chapin Foundation
Gammage & Burnham
Renaissance Phoenix Downtown Hotel
The Torosian Foundation
$3,500 – $5,499
Flagstaff Community Foundation
Freeport-McMoRan Copper & Gold
Foundation
Joseph and May Winston Foundation
Kohl Family Foundation
Lewis and Roca LLP
The Maurice and Meta Gross Foundation
Providence Service Corporation
$1,750 – $3,499
Community Partnership of Southern
Arizona, Inc.
Enterprise Holdings Foundation
Evo-Ora Foundation
Golden Eagle Distributors, Inc.
Jacqueline Anne Morris Memorial
Foundation
The John and Helen Murphey Foundation
PICOR Charitable Foundation
Raytheon Systems Company
Scottsdale League for the Arts
Smokin Armadillos Foundation
Tancer Law Firm
Tucson Lifestyle Magazine
United Healthcare of Arizona, Inc.
Watermill Financial
Zuckerman Family Foundation
36
$1,000 – $1,749
Actors’ Equity Foundation, Inc.
The Donald Pitt Family Foundation
Margaret Mellon Hitchcock Foundation
Oro Valley Community Foundation
The Phoebe R. and John D. Lewis
Foundation
$500 – $999
ACP Computer Services
Arlene and Morton Scult Philanthropic
Fund
The Harold and Jean Grossman Family
Foundation
The Learning Curve
Russ and Carolyn Russo Scholarship
Foundation
$250 – $499
Airtronics, Inc.
Bliss/ReBar
Copy Graphix
Gordon and Betty Moore Foundation
Hardt and Associations Public Affairs, LLC
House and Garden Furniture
Maly and Associates
Mothers for Wellness Foundation
Palomar Group Clinic, Inc.
Pella Rolscreen Foundation
Policy Development Group
BE A PART OF ATC’S CIRCLES
MEMBERS AND EXPERIENCE
the
POWER of THEATRE
WHEN YOU’RE A CIRCLES
MEMBER: You go behind the
scenes. You enjoy the highest
level of customer service. You
interact with theatre patrons
such as yourself. Through
your generous support, you’ll
help ATC produce thrilling
and engaging work and
continue our Learning &
Education programs.
ANGELS
$25,000 and above
PLAYWRIGHT’S GUILD
$10,000 - $24,999
PRODUCER’S CIRCLE
$5,500 - $9,999
DESIGNER’S CIRCLE
$3,500 - $5,499
DIRECTOR’S CIRCLE
$1,750 - $3,499
FOR MORE INFORMATION, VISIT DONATE.ARIZONATHEATRE.ORG
PRINTER’S AD
PRINTER’S AD
PRINTER’S AD
Donors
INDIVIDUAL
ATC is proud to acknowledge the
following donors who made
contributions to our annual fund
from January 1, 2013 through
February 15, 2014. Due to printing
deadlines, some donor names may
not be recognized.
ANGELS
$25,000 AND UP
Anonymous (3)
Paul and Alice Baker
Paul D. and Mary Jan Bancroft
Jim and Vicki Click
Donald and Joan Diamond
Shirley Estes
Laurie and Rob Glaser
Mr. and Mrs. I. Michael Kasser
Peggy and Emerson Knowles
Ann C. and Frederick A. Lynn
Jim and Dolly Moran
Marilyn Papp
PLAYWRIGHT’S GUILD
$10,000 – $24,999
Robert Begam
Kerstin Block
Darryl and Mary Ann Dobras
Holsclaw Advisory Endowment Fund
Mr. and Mrs. Richard Lehmann
Ben and Sally Perks
Robert and Penny Sarver
Enid and Michael Seiden
Janos and Rebecca Wilder
PRODUCER’S CIRCLE
$5,500 – $9,999
Jessica L. Andrews and
Timothy W. Toothman
Anonymous (2)
Alan and Char Augenstein
Christine and John R. Augustine
Norma and Stanley G. Feldman
Joanie L. Flatt
Dr. Mary Jo Ghory
Bruce and Edythe Gissing
Judith Hardes
Dr. Douglas Holsclaw, Jr.
Bill Lewis and Rick Underwood
David Mackstaller and Lyn Papanikolas
Dr. and Mrs. Robert G. Maxfield
Jack and Becky Moseley
Matthew and Mary Palenica
John and Vicki Ratliff
Drs. Helen and John Schaefer
James Wezelman
DESIGNER’S CIRCLE
$3,500 – $5,499
Anonymous
Barbara and Frank Bennett
Bruce and Jane Cole
Bruce L. and Lynne Wood Dusenberry
Kate Garner
Babs and Jay Glaser
Rebecca and Sid Johnson
Drs. Steven and Marta Ketchel
Carole and Rich Kraemer
Humberto and Czarina Lopez
Susan and Jeffrey Rein
Herschel and Jill Rosenzweig
TR Rudkin and Rene Stone
F. William Sheppard and Range P. Shaw
Sally and Clive Sherling
Mrs. Robert K. Swanson
Michael Willoughby
Allan and Diana Winston
Gary Wolff and Sandy Gibson
DIRECTOR’S CIRCLE
$1,750 – $3,499
Anonymous (2)
Affinity Eye Care, Dr. Robert Mulgrew
Roberta Aidem
Cameron and Mary Artigue
Howard and Joy Berlin
Bill and Barbara Bickel
Denise Birger
Betsy Bolding held at the Community
Foundation of Southern Arizona
Dr. Jose M. and Frances A. Burruel
Joan Kaye Cauthorn
Robert and Nancy Clark
Chris and Sasha Clements
Ginny Clements
Samantha Conlin
Jacklyn Connoy and William Maguire
Len and Doris Coris
Bob and Vanne Cowie
Mark and Julie Deatherage
Dino DeConcini and Elizabeth
Murfee-DeConcini
Bill and Donna Dehn
Don and Jonaé DeLong
41
Michael and Geri DeMuro
Susan and Barclay Dick
Louise and Don Doran
Marc and Margaret Erpenbeck
Catherine “Rusty” Foley
Fractured Earth Tile & Stone,
Elizabeth Miller
Heidi and Larry Fredrick
Ellis F. Friedman and Irene Stern Friedman
Ted and Barb Frohling
Drs. Margot W. and J.D. Garcia
Dr. Janis Wolfe Gasch and Mr. Daniel Gasch
Gail and Patric Giclas
Davie Glaser
Ellyn and Jeff Gold
David Ira Goldstein and
Michele Robins Goldstein
Laurie and Chuck Goldstein
Paulette and Joe Gootter
Michael and Lauren Gordon
Dr. Robert W. Gore
Leslie Hall and Ted Jarvi
Hazel Hare
William and Theresa Hawgood
Elizabeth and Keith Hege
Elliott and Sandra Heiman
Dan Hennessee
Joseph Huang and Karen Rigby
Bob and JoAnne Hungate
Kay Juhan
Bill and Jamie Kelley
Ruth and Ronald Kolker
Drs. Paul and Mary Koss
Michael and Tracy Levy
Lori Mackstaller, MD
Nora and Phil Mazur
Elyce and Mark Metzner
Rosanna Miller
Thelma Miller
Flora Muller
Brian and Nina Munson
Linda and Fred A. Nachman
Don and Peg Nickerson
Dr. and Mrs. Charles Otto
Drs. Kathryn L. Reed and Steven Goldman
Ken and Judy Ryan
Annette and Bob Sandler
Dina Scalone-Romero and Fernando Romero
William C. and Deborah Chisholm Scott
Susan and Dick Segal
Daniel J. and Evelyn G. Simon
Rica and Harvey Spivack
Richard P. Stahl
Richard and Phyllis Stern
Donors
INDIVIDUAL
DIRECTOR’S CIRCLE CONT.
$1,750 – $3,499
Robert and Shoshana Tancer
Robert Taylor
David and Dawn Veldhuizen
Dr. Richard and Madeleine Wachter
Russell and Kay Weed
Richard and Nancy Weiss
Nancy and Jeff Werner
Mark and Taryn Westergaard
BACKERS
$1,000 – $1,749
Anonymous (3)
Loren and Darla Acker
Judy and Rory Albert
Kathy Alexander and Paul Lindsey
Mr. A. Frederick Banfield and
Ms. Eileen M. Fitzmaurice
Mr. and Mrs. Edwin L. Biggers
Allan and Barbara Bowermaster
Ellen E. Bussing
Shirley J. Chann
Kris and Earl Cohen
Mark Cole
Rudy and Judie Cosentino
Beth A. Cooper
Mr. and Mrs. William Cullen
Bruce and Katie Dusenberry
Ronna Fickbohm and Jeff Willis
Todd Franks and Nancy Bodinet
Mr. and Mrs. James J. Glasser
Mr. and Mrs. Tom Godfrey
Pamela Grissom
Dr. and Mrs. Thomas Grogan
Jennifer H. Gross and Jerry LeFevre
Jeff Guldner
Mr. and Mrs. Edward J. Harrison
Katharine W. Hazen
Stephen and Amanda Heitz
Mr. and Mrs. William C. Heller, Jr.
Peggy Hitchcock
Ed and Sandra Holland
Leonard and Marcelle Joffe
Mr. and Mrs. Joseph Kendhammer
Robyn Kessler and Jeff Timan
Carol and Foster Kivel
Janice and Al Kivel
Gaby Klein
Don Klomp
John and Eileen Lamse
Rob and Jenni Leinbach
Ellen Walling Lewis
Herb and Nancy Lienenbrugger
Sam and Judy Linhart
Stacy and Susan Litvak
Edith E. Luty
Phil and Carol Lyons
Ms. Elsa McTavish
Gregory and Emma Melikian
Alex and Matt Miller
Dr. James E. Nation
Carl and Carolyn Nau
Jeanne Pickering and Mike Andrew
Mr. Bruce Raskin and Ms. Carol Fink
Charles and Linda Redman
George and Bobbe Rosenberg
Tom and Eileen Rotkis
Toby and Michael Rozen
Drs. Adib and Vivi Sabbagh
Samloff Family Fund
Marc and Deborah Sandroff
John U. Sands
Claire and Henry Sargent
Jerusha Schmalzel
Cathy Shell
Dr. William and Joanne Sibley
Susan S. Small
Sarah Smallhouse
D. Rae Turley
Gerald and Linda Turmarkin
Mr. and Mrs. Don Underwood
Mr. Richard K. Walker
Richard and Linda Warren
Ronald and Diane Weintraub
Judy Wisniewski
Mary and Robert Wolk
PATRONS
$500 – $999
Anonymous (7)
Sandra L. Abbey
Judy Ackerman and Richard Epstein
Dwight and Amy Adams
Peter Akmajian and Colleen Cacy
Larry Allen
John and Joyce Anicker
Ann Arbitman
Richard and Ann Bates
Tony Beram
David and Bonnie Bickford
Denice Blake and John Blackwell
Martha V. Brightwell
Shirley and Roland Calhoun
Neal and Sally Cash
Paul and Vicki ChandlerPaul and Susan
Charlton
42
Ed and Arlene Cohen
Mr. and Mrs. Duane Cote
Joan Coyne
Harlan and Gayla Crossman
Alicia and Jon Crumpton
Barbara and John Cummings
Leslie Dashew and Jack Salisbury
Stephen and Ruth Dickstein
Sharon and Gordon Dicosola
Sally and Ralph Duchin
Gail E. Dunlap
Karen and Lionel Faitelson, MD
Dean Fink and Ryan Chase
Dr. and Mrs. John H. Finley
Helen V. Fisher
Lazard Flot
John and Louise Francesconi
Ira and Cheryl Gaines
Muriel and Marc Goldfeder
Jon and Erika Grassé
Bob Greenberg
Rita C. Hagel
Anne and David Hameroff
Kenneth and Marian Handy
Ms. Athia Hardt
Kathy Haun, The Haun Family Trust
Michael and Phyllis Hawkins
John L. Hay and Ruth M. Murphy
Les and Suzanne Hayt
Susan B. Hazan and Michael T. Burns
Donald Henke
Dr. and Mrs. Arthur Herbst
Harriet and Robert Hirsch
Sidney and Marsha Hirsh
Sharon and Jesse Hise
Dr. Arnold and Carol Hollander
David and Lori Iaconis
John Irby and Norizan Osman
Abe Jacob
Kevin Jay and Debra Barone-Jay
Helen and Bob Jennette
Karen and Chuck Jonaitis
Nathan Joseph
Joseph Kalt
Valerian and Mira Kaplan
Raymond Kemp and Rick Douglas
Bruce Kilbride and Lynn Krabbe
Anne L. Kleindienst and Stephen W. Myers
George and Maria Knecht
Bill and Linda Knox
Barbara Koval
Arvie and Karen Lake
Bob and Sherrie Lane
Arlene and Michael Lanes
Donors
INDIVIDUAL
PATRONS CONT.
$500 – $999
Sally Lanyon
Barb and Dex Laske
Anne Leary and Bill Hemelt
Dr. Alan Levenson
Donna Levinson
Sharon Lewis and Mayor Shanken
Jacklin and Nils Lindfors
Lura Lovell
Dorothy and Lyman Manser
Alan S. and Judi E. Max
Dorothy and Roy Mayeske
Richard and Kathryn Merkel
Patricia A. and John H. Messamer
Jeffrey and Barbara Minker
Mr. Gary Molenda
Peggy and Gerry Murphy
Essie and George Nadler
Pat and Wayne Needham
Jordan and Jean Nerenberg
Parviz Nikravesh and Agnes Stahlschmidt
Betty Olwin
Michael and Patricia Ore
Chuck and Susan Ott
Bill and Kathie Peterson
Marilyn M. Prince
Timothy and Dee Putty
Will Rapp and Kathy Kolbe
Ronald and Janet Reimer
Ron Robinette and Sharon Roediger
Dr. and Mrs. Mark and Lynn Roosa
Russell and Carolyn Russo
Sue and Bill Samuels
Vance, Louise and Camille Sanders
Barbara Sattler and Kenney Hegland
Alfred and Doris Schiller
Dr. and Mrs. Fred Schwartz
Arlene and Morton Scult
Philanthropic Fund
Lex and Carol Sears
Dr. and Mrs. J. F. Seeger
Mr. and Mrs. Richard A. Segal
Drs. David Siegel and Linda Riordan
Raj Sivananthan
KC Skinner
Steve and Anita Slaughter
Lin and Bob Spangler
Ronald and Dawnelle Spaulding
Mr. and Mrs. David J. Sterle
Darryl and Helen Stern
Mr. and Mrs. E. Stoetzel
Mary P. Sullivan
Robert and Beth Taylor
Mrs. Susan and Mr. Glyn Thickett
Hugh and Allyn Thompson
Mr. and Mrs. Richard Tofel
Joyce Tokar and F. David Jones
Joell and Mary Turner
David and Nancy Ulmer
Bob and Emily Vincent
Carol Vivona
Polly Weber
Steve and Linda Wegener
Dr. Andrew Weil
Bernie and Libby Weiner
Maggie White
Andrew and Judy Winsberg
Linda Wurzelbacher
FRIENDS
$250 – $499
Anonymous (9)
Daniel and Audrey Abrams
Nancy and Daniel Alcombright
Corbett and Pat Alley
Jean and Charles Ares
Lee and Gay Ashton
Lyn L. Ashton
Bob and Judy Atwell
Mary M. Ausman
Mr. Herbert Barkan
Emery and Jackie Barker
Mark and Jan Beck Barmann
Mr. and Mrs. Robert Barnes
Ms. Judith H. Barron
Sherri Basha
Bret and Mary Batchelor
Char and Gerry Bates
Ginger and Brian Bates
Mathis and Barbara Becker
Al and Susie Bergesen
Bill and Kathleen Bethel
Mr. and Mrs. Russell Bishop
Phylis and Gary Bolno
Carla and Chuck Borkan
John Bowers
Sharon Briskman
Gene and Jeanne Bryan
Joseph Buckley
Kim and Sue Burroughs
Dr. Janis M. Burt and Dr. Stephen H. Wright
Herb and Sylvia Burton
Mrs. Susan M. Call
Tyna Callahan and Dimitri Voulgaropoulos
Mr. and Mrs. John Carhart
Dr. and Mrs. Willard T. Carleton
Betty Jo and Keith Charles
43
Shirlee Cobb
Joyce Cohen
M. Elaine Conlon
Mr. and Mrs. William T. Corbin
Ronald and Vic Crowe
Marjorie and George Cunningham
William and Saucey Cutlip
Susan Dale
Robert Davis and Lourdes Ramonet
Pennie Dehoff
Margo S. Desmond
Scott DeWald and Deborah Jamieson
Larry V. and Judith C. East
Hal and Jan Eastin
Mr. Michael Elert and Dr. Honora Norton
Dennis Emond
Ms. Susie Ernst
Mario and Elaine Espericueta
Claude W. Evering and Janet K. Martin
John Ezell
Ms. Nancy Fintzy
Sherman & Sarilyn Fogel
Robert F. Ford and Denise Andre Ford
Dr. and Mrs. Walter Forred
Mr. and Mrs. Michael P. Fox
Pamela Frame
Annette and Leonard Frankel
David and Kathy Freedman
Wendy Gamble and Carl Kuehn
David Gantz and Cate Fagan
Lee and Susan Garcia
Becky and Dave Gaspar
M. Joyce Geyser
Mr. Michael Godnick
Ann and Arthur Goldberg
Elaine and Stanley Goldberg
Mrs. Linda G. Goldburgh
Ari Goldfein
Dr. Gerald Golner
Donita Gross
Alan and Ann Grove
Andy and Sara Gyorke
Michael Hamant, MD and
Lynnell Gardner, MD
Jan and Rich Hardy
Nat Hathaway
Michael and Phyllis Hawkins
Steve and Patsy Hazen
Lee and Suzanne Hayt
Frederick C. Henning
Susan E. Hetherington
Sherry Heyman
Tom and Sandy Hicks
Mr. and Mrs. William Hicks III
Donors
INDIVIDUAL
FRIENDS CONT.
$250 – $499
Mrs. Dolores D. Hillenbrand
Greg and Marcia Hilliard
Ms. Michele Himovitz
Marjorie Hoffman
Robert C. Holl
Dr. Arnold and Carol Hollander
Sharon Hollinger
Hon. Margaret M. Houghton
and Mr. Bert Falbaum
Nancy Howell
J. Hufford-Jensen and G. Kroening
Darrell and Frances Hutchinson
Lisa and Gary Israel
Dr. Leo M. Jacques
Ms. Kimberly Johnson
Marcia Jones
Mr. and Mrs. Robert Jones
Mr. and Mrs. Paul Julian
Gary and Lee Ana Kains
Reland and Nancy Kane
Howard and Sharon Kaste
Sandra B. Katz, MD, JD
and D. Stephenson
Pam and Charles Katzenberg
David and Lisa Keene
Darrell and Susan Kidd
Susan Knowlton and Don Bourque
Jami Kozemczak and Brad Reifschneider
Jessica and Steve Kozloff
TamarRala Kreisworth and Peter DeLuca
Alan Kruse
Lynne Lagarde
Drs. Arlyn and Joyce Larson
Lynn C. Larson
Barbara J. Lashmet
Leslie Latham and Lou Kahn
John LaWall, M.D. and Anita Gross, Ph.D.
Jessica Lazarus
Mr. and Mrs. Robert Lebby
Mr. and Mrs. Jesse Lee
Marianne Leedy
James K. LeValley and Nancy Philippi
Bertie Levkowitz and Thomas Herz
Nancy and John Lewis
Janice Linn and Richard Pincus
Elaine Litvack
Sharon Lytle-Breen
Marigale Maly
Martin Mannlein and
Barbara Stern Mannlein
Mr. and Mrs. Thom Mansur
Mike Martin
Alice Mason
Rudy and Maria Mathews
Andy McKnight
Delos D. McKnight
Lynda Menis
Jean and Walt Merkel
Richard and Kathryn Merkel
Valla J. Merriman
Darrel and Ann Merwin
Robert and Belle Merwitzer
Debra and Jeffrey Messing
Art and Sue Meyer
Dr. Don and Judith Miles
Mr. and Mrs. Fred Mills
Joe and Michelle Millstone
Mr. and Mrs. George Mink
Ms. Frances Moore
Phyllis and Harold Morgan
Shirley G. Muney
Dana and Rick Naimark
Sandra Neale
Caren and Thomas Newman
Dr. Janko Nikolich-Zugich
Maureen Hayes O’Brien
Mr. Jones Osborn, II
John Parente
Sydney Pearl
Roger and Lori Peck
Phil and Vicki Pepper
Martha and Terry Allen Perl
Clyde and Jane Perlee
Mr. and Mrs. Charles M. Pettis
Mitzi and Jim Pickard
Jeanne Pickering and Mike Andrew
Richard S. Plattner
Robert and Sheila Press
Jeff and Jenny Prileson
Linda and Dennis Primavera
Sandra L. Rausch
Dr. and Mrs. John W. Reich
John and Jennifer Reid
Mr. and Mrs. Eugene R. Rice
Bill and Shirley Richards
Dr. and Mrs. Carroll Rinehart
Bill and Eileen Roeske
Lynda and Ed Rogoff
Mr. and Mrs. James Ronstadt
Dr. and Mrs. Morley Rosenfield
Herbert and Laura Roskind
Arnold and Carol Rudoff
Jennifer and Charles Sands
Dr. and Mrs. J.M. Santiago
Dr. and Mrs. Harry Schlosser
Mr. and Mrs. S.L. Schorr
44
Trisa and Andy Schorr
Dr. Frances Schulter-Ellis
Lyle and Gail Schultz
Paul and Jacqueline Schulz
Susan and Ford Schumann
Edward and Robyn Schwager
Mr. and Mrs. Marc Schwimmer
James Seward and Julie Karcis
Jim and Hazel Shuttleworth
Marvin Siegel and Eileen Bloom
Mr. and Mrs. Ken Skotak
John and Phyllis Smiley
Mr. and Mrs. C.J. Snider
Richard Snodgrass and Merrie Brucks
Dr. Richard Sobonya and
Katherine Scoggin-Sobonya
Lois and Lowell Sorenson
Kirtlye Spear and Neil Powell
Mark and Gloria Spies
Vicki Steadman
Claire Steigerwald
Dan and Jill Stevenson
Mr. and Mrs. James E. Stoetzl
Doug and Jean Stuart
Morton and Nina Susman
Matthew Sweger
Jay Sykes
David and Linda Tansik
Philip and Mary Taylor
Edy Thogerson
Anne and Steve Thomas
Stephen and Susan Thompson
Neil and Marge Thornton
Stephen and Shannon Trezza
Graham and Kathleen Tubbs
Bruce and Catherine Uhl
Tony and Rita Vickers
Charles and Ruth Waldron
Barbara and John Walker
Kenneth and Margaret Welch
Elliott and Wendy Weiss
Richard and Stephanie Weiss
Ann and Steven Wheeler
Constance C. Whitehead and M.P. Capp
Mr. and Mrs. Preston Whitt
Drs. David William and
Virginia Ramos Foster
Mrs. Karin Williams
Thomas and Kay Williams
David L. Windsor
Brad Wines
Ann and Van Wolf
Jacqueline Zocco
PRINTER’S AD
Donors
INDIVIDUAL
Due to printing deadlines, some
donor names may not be
recognized.
GIFTS IN HONOR OF
Paul and Alice Baker by Joan Kaye Cauthorn
Brach William Blaney-Koen’s 2nd birthday
by Mike and Gerry Koen
Mark Cole by Sandy Chamberlain
Erin Erickson by Frank and Barbara Bennett
Stanley Feldman by David Mackstaller and
Lyn Papanikolas
Henry Gallin by Mark and Sheila Fenton,
Barry and Adrian Glickson, Ms. Lynda Thal
Jay Glaser by Linda G. Golburgh
Ann Goldfein by Ari Goldfein
David Ira Goldstein by Karen and Lionel
Faitlelson, MD, and The Kasser Family
Beth and Michael Kasser by Jill and
Herschel Rosenzweig
Robyn Kessler by David Mackstaller and
Lyn Papanikolas
Randall Kincaid by Bill Sheppard and
Range Shaw
Seth Kromholz and Gilat Ben-Dor’s
Engagement by Davie Glaser
Sally Lehmann by Steve Evans, Juanita
Francis, Babs and Jay Glaser, Thomas
Hudak, Ellen Katz, Ann C. Lynn and
Frederick A. Lynn, Marilyn Papp, Rodel
Foundation of Arizona, and Harold E. Stack
Bill Lewis and Rick Underwood’s Marriage
by Bill Sheppard and Range Shaw
Ann Lovell and the Lovell Foundation
by Judith Braun, Clyde W. Kunz and
Brian L. Arthur
Anne Raymond by Ann Baldwin
Karen Scates by Betsy Bolding
Bill Sheppard and Range Shaw by Raymond
Kemp and Rick Douglas
Ralph and Ingeborg Silberschlag by
Marilyn M. Prince
GIFTS IN MEMORY OF
William Arbitman by Ann Arbitman
Eddie Basha by Sherri Basha
Lorraine Beaudoin by Annette Taylor
Bob Cauthorn by John and Laura Almquist,
Barbara Atwood, Jessica L. Andrews
and Timothy W. Toothman, Paul and
Alice Baker, Patricia Ballard, Robert and
Deanna Bates, Jill Bishop, Betsy
Bolding, Neal and Sally Cash, Shirley J,
Chann, Len and Doris Coris, Catalina
Foothills Adult Care, Edward M. Gentile,
Rob and Laurie Glaser, David Ira
Goldstein and Michele Robins Goldstein,
Pamela Grissom, Gene Karp, Shirley
and Jim Kiser, Ms. Trudy Kohl, Clyde W.
Kunz and Brian L. Arthur, George
Loesch and Friends at Interstate
Gerneral Media, Jennifer Lohse, Ana
Ma, Mr. Robert H. Marshall, Dr. and
Mrs. Robert G. Maxfield, David
Mackstaller and Lyn Papanikolas, Brent
Pickler, Judith Rich, Jill and Herschel
Rosenzweig, Mr. and Mrs. Robert A.
Strauss, Lisa Unger, Patricia H.
Waterfall, Jan Wezelman, Ruth A.
Zales, and Mel and Enid Zuckerman
Sean Dever by Norma Dever
Dorothy Finley by Jessica L. Andrews and
Timothy W. Toothman
Adele Furman by Mrs. Ina Shivack
Leona Gilman by George and Carolyn Edlin
Jack and Rina Ginocchio by Jim and
Judy Riddle
Allen Glaser by Jessica L. Andrews and
Timothy W. Toothman, PICOR
Commercial Real Estate Services, Paul
and Alice Baker, Beth and Michael
Kasser, Robyn Kessler and Jeff Timan,
Mr. and Mrs. Mark and Lynn Thomas
David Glaser by Davie Glaser
Roberta Glaser by Jessica L. Andrews and
Timothy W. Toothman, Mark Cole, Dr.
Mary Jo Ghory, David Ira Goldstein and
Michele Robins Goldstein, The Kasser
Family and C&W/PICOR, Robyn Kessler
and Jeff Timan, Michael and Enid
Seiden, Mark and Lynn Thomas
46
Rose Gottlieb by Joanne M. Adams, Marvin
Glassberg, Ke C. Hsieh, Lisa W. Humenik,
Rebecca S. Hurd, James R. Kastella,
Theodore Katz, Kenneth Myslik, Sonja
M. Reinhardt, and Robert Shrager
Lucille Hathaway by Nat Hathaway
Karl Haytcher by Arizona Theatre
Company’s Staff, Jessica L. Andrews
and Timothy W. Toothman, David Ira
Goldstein and Michele Robins Goldstein,
Claudia Vazquez
Bob Hegyi by Raymond W. Kemp
Dr. Arnold I. Hollander by Carol Hollander
Robert O. Hoover by Susan Hoover
Mollie Hughes by Diane Tweedy
Anna Jolivet by Jessica L. Andrews and
Timothy W. Toothman
Jeannette Markowitz by Darryl and
Helen Stern
Shirley Mieras by Barbra Brewster
Our parents by Herbert and
Aphrodite Rubin
James F. Ramsey by Jackson Skog
Robert Glaser’s Father by Holualoa
Arizona Inc., PICOR
Gertrude “Trudy” Shapiro by Arizona
Theatre Company staff, Jessica L.
Andrews and Timothy W. Toothman,
Alan and Char Augenstein, Elieen
Bagnall, Jill Bishop, Kerstin Block, Lizzy
Burton, David and Heather Cap, Mark
Cole, Erin Erickson, Freda Ganem,
Christopher Gerling, Mary Jo Ghory, Rob
and Laurie Glaser, The Kasser Family,
Robyn Lambert, Stephanie Lawson, Lisa
Leonhardt, Ann C. Lynn and Frederick A.
Lynn, Michael Porto, John and Jennifer
Rawicz, George and Bobbe Rosenberg,
Jerusha Schmalzel, Linda K. Schwartz,
Bill Sheppard and Range Shaw, Geri
Silvi, Terresa Tauzin, Amber Tibbitts,
Dan Uroff, Claudia Vazquez, Dale and
Ann Woodbeck, and Stephen
Wrentmore
Larry Smith by Frank Davis, and Bill
Sheppard and Range Shaw
J.J. Wolkin by Hazel Wolkin
HOW DOES A COMPANY ACHIEVE 47 YEARS
of PROFESSIONAL THEATRE?
Touching lives through the power of theatre is possible
through the generosity of patrons like you.
Above: Taylor Rascher & Lee E. Ernst in Arizona Theatre Company’s Clybourne Park. Photo by Tim Fuller.
Above: Loren Dunn & Anneliese van der Pol in Arizona Theatre
Company’s The Importance of Being Earnest. Photo by Tim fuller.
Above: James T. Alfred in Arizona Theatre Company’s
The Mountaintop. Photo by Tim fuller.
Above: Shannon Stoeke & Anneliese van der Pol in Arizona Theatre
Company’s Jane Austen’s Emma. Photo by Tim fuller.
DONATE ONLINE AT DONATE.ARIZONATHEATRE.ORG OR CALL LESLIE FREED AT 520-884-8210
STAFF
David Ira Goldstein ARTISTIC DIRECTOR
ARTISTIC
EDUCATION
PRODUCTION
ASSOCIATE ARTISTIC
DIRECTOR
DIRECTOR OF EDUCATION
PRODUCTION MANAGER
Stephen Wrentmore
Stephen Wrentmore
ARTISTIC ASSOCIATE
Tim Toothman
EDUCATION MANAGERS
TUCSON – April Jackson
PHOENIX – Amber Tibbitts
COMPANY MANAGER
EDUCATION ASSOCIATE
Robyn Lambert
LITERARY ASSOCIATE
Katherine Monberg
ARTISTIC INTERN
Natasha Smith
COMPANY MANAGEMENT
INTERN
Katheryn Parades
PLAYWRIGHT-IN-RESIDENCE
Elaine Romero
RESIDENT COSTUME
DESIGNER
Bryanna Patrick
TEACHING ARTISTS
Yoon Bae, Kevin Black, Clint
Bryson, Kay Dawson, Mathew
DeVore, Christopher Gerling,
Maryann Green, Athena Hagen,
Lisa Leonhardt, Sean Maynard,
Katherine Monberg, Brian Peterson,
Sarah Ross, Ashley Simon,
Timothy Smith, T. Greg Squires,
Barbara Tanzillo, Dan Uroff,
Derek Warrick, Luke Young
David A. Cap
ASSISTANT PRODUCTION
MANAGER
Christopher Gerling
STAGE MANAGEMENT
PRODUCTION STAGE
MANAGER
Glenn Bruner
STAGE MANAGERS
Brian Jerome Peterson
RESIDENT LIGHTING
DESIGNER
T. Greg Squires
ASSISTANT SOUND
SUPERVISOR
James Cox
COSTUME SHOP
COSTUME SHOP MANAGER
Barbara Tanzillo
ASSISTANTS TO THE STAGE
MANAGER
Phyllis Davies
SCENE SHOP
Matthew Saxton
RESIDENT SOUND DESIGNER
ASSISTANT PROPERTIES
MASTER
Paul Lucas
COSTUME DESIGN MANAGER
Emma DeVore, Ashley Simon
Kish Finnegan
Kenny Erickson
PRODUCTION SOUND
ENGINEER
Mathew DeVore
SOUND BOARD
OPERATOR – PHOENIX
Billy Lopez
WARDROBE SUPERVISOR
Lisa A. Leonhardt
WIGMASTER
Amanda Gran
LIGHTING
LIGHTING SUPERVISOR
Phillip Blackwood
T. Greg Squires
MASTER CARPENTER
MASTER ELECTRICIAN
Jared Strickland
Timothy Smith
CARPENTER
STAFF ELECTRICIAN
Scott Greenleaf
Russell Long
SCENIC ARTIST
LIGHT BOARD
OPERATOR – PHOENIX
STAGE CARPENTERS
TUCSON - Russell Long
PHOENIX - Robert Douglass
Brian Jerome Peterson
DRAPER
ASSISTANT TECHNICAL
DIRECTOR
Amy Novelli
SOUND
SOUND SUPERVISOR
Bruno Ingram, Timothy
Toothman, Brenda K. Walker
TECHNICAL DIRECTOR
Kish Finnegan
PROP SHOP
PROPERTIES MASTER
Kat Seaton
Jessica L. Andrews MANAGING DIRECTOR
ADMINISTRATION
ASSISTANT TO THE
MANAGING DIRECTOR/
BOARD LIAISON
Mary Bertlshofer
FRONT DESK MANAGER
Sara Kavitch
FRONT DESK
THE TEMPLE LOUNGE
IT SUPPORT
ASSISTANT MANAGER
DIRECTOR OF SALES AND
BUSINESS DEVELOPMENT
AUDITORS
Emily Nelson-Lucas
Sara Kavitch
CONCESSIONAIRES
ACCESSIBILITY
ACCESSIBILITY COORDINATOR
DEVELOPMENT
FINANCE
DIRECTORS OF DEVELOPMENT
TUCSON – Leslie Freed
PHOENIX – Claudia Vazquez
Eileen Bagnall
INTERIM FINANCE DIRECTOR
Dan S. Martin
SENIOR ACCOUNTING
ASSOCIATE
Yvette Miranda
ACCOUNTING ASSOCIATE
Jon Campbell, Jr.
ACCOUNTING ASSISTANCE
Mark Ryan, Kalyn Scanlan
CONSULTANTS CONT.
DIRECTOR OF MARKETING
Christine Badke, Bernadette
Capossela, Kirsten Corral, Alison
Doran, Danielle Gifford, Kimberly
Grygutis, Cynthia Hough, John
McNeice, Miray Rhoads, Rebecca
Smiley, Caitlin Tavenner
Pat Boysen, Helen Daniels,
Barb Dominick-Price, Ellen
Gurewitz, Nancy Kupers, Emily
Nelson-Lucas, Susan Tomilinson
MARKETING
MANAGER
DEVELOPMENT AND
MARKETING MANAGER
Matthew Graber
Zacory Boatright
Beach, Fleischman & Co.
FACILITIES – TUCSON
DEVELOPMENT AND
MARKETING MANAGER
MAINTENANCE SUPERVISOR
Jodie Weisenberg
Horace Ashley
MARKETING ASSISTANT
MAINTENANCE TECHNICIANS
Gary Edwards
CONSULTANTS
PUBLIC RELATIONS
The Kur Carr Group, Inc.
GRAPHIC DESIGN
Esser Design
Jodie Weisenberg
MARKETING CONSULTANT –
TUCSON
DEVELOPMENT COORDINATORS
TUCSON –
WEBSITE SUPPORT
Carley Elizabeth Preston
PHOENIX – Robert Raygoza
Team Logic IT
Steve Landau
Susana Diaz
Dean Morgan, David Fitch
TICKET SERVICES &
HOUSE MANAGEMENT
TICKET SERVICES MANAGER
Geri Silvi
BOX OFFICE MANAGER
– TUCSON
Becca Moore
CUSTOMER SERVICE
REPRESENTATIVES
TUCSON – Michi Yamasaki,
Carrie Luker
PHOENIX – Pam Beitman,
Linda Schwartz
48
TICKET SERVICES &
HOUSE MANAGEMENT CONT.
TICKET SERVICES ASSOCIATES
TUCSON – Debbie Archuleta
PHOENIX – Debra Field
BOX OFFICE AGENTS – TUCSON
Christy Hunt, Vanessa Renteria
FRONT OF HOUSE AND RENTALS
COORDINATOR – TUCSON
Don Gest
HOUSE MANAGERS – TUCSON
Bill Bethel, Dan Horner,
Sonja Reinhardt
AUDIENCE ENGAGEMENT
AUDIENCE ENGAGEMENT
STAFF
Freda Ganem
THEATRE INFORMATION
THE TEMPLE OF MUSIC AND ART
The Temple of Music and Art is a beautifully refurbished 1927 theatre, built
in the Spanish Colonial style that flavors so much of our city. ATC has
identified the following services and policies to ensure your comfort and
enhance your experience at the theatre:
THEATRE POLICIES
Latecomers will be seated only at an appropriate and pre-determined
break in action. In order to not disturb patrons who are already enjoying
the performance, latecomers may be seated in alternate locations until
intermission. As a courtesy to our patrons and the actors, the use of
cameras, recording devices and cellular phones is not permitted within the
theatre. Please restrict cellular phone use to the courtyard, only. Children
under five are not permitted in the theatre during performances.
Emergency calls may also be made to the House Manager’s direct line:
520-884-4868.
Smoking is not permitted anywhere within the building. Designated
smoking areas are located in the front of the theatre, only. In the event of
smoking onstage, a sign will be posted in the lobby.
SPECIAL SERVICES
The theatre is equipped with an in-house infrared transmission system for
use by patrons with partial hearing loss or limited range of hearing.
Complimentary assisted listening headsets are available before every
performance at the Box Office. Please be prepared to leave a driver’s
license or other form of identification while using your headset. Every
production is available in American Sign Language. For information on the
dates of our ASL performances, please contact the Box Office. An in-house
FM broadcast system is used to provide a running audio description of the
movement and activities onstage for patrons with limited vision. Pre-show
tactile tours of the backstage area and a pre-show narration about our
building, the performers, and interpretive information about the play
itself are all available upon request. Contact the Box Office to make your
reservation for the audio described performances. Coordinated with the
action onstage, those in open-captioned seating will be able to read the
play’s dialogue displayed in large green letters on an LED screen. For opencaptioned performance dates, contact the Box Office. Large print and
Braille playbills are available for all performances in the House Manager’s
office in the lobby of the theatre. Accessible seating is available via the Box
Office for all performances. If you would like seating assistance at the
theatre, please contact the House Manager at 520-884-4868.
The balcony of the Temple of Music and Art is not accessible by elevator.
49
ATC CONTACT INFORMATION
ADMINISTRATIVE OFFICES
343 S. Scott Avenue, Tucson, AZ 85701
Phone 520-884-8210
Fax 520-628-9129
BOX OFFICE
330 S. Scott Avenue, Tucson, AZ 85701
Phone 520-622-2823
Fax 520-884-1496
www.arizonatheatre.org
info@arizonatheatre.org
PRINTER’S AD
“BECAUSE IT BRINGS
PEOPLE TOGETHER.”
-Anonymous ATC Annual Fund Donor
THEATRE MATTERS. WE APPRECIATE YOUR SUPPORT OF ARIZONA
THEATRE COMPANY’S 2014 ANNUAL FUND. THE ANNUAL FUND IS MADE
UP OF THOUSANDS OF INDIVIDUAL UNRESTRICTED GIFTS THAT SUPPORT
OUR VISION OF TOUCHING LIVES THROUGH THE POWER OF THEATRE.
ANNUAL GIFTS ARE AMONG THE MOST IMPORTANT AND VALUABLE TO ATC
BECAUSE THEY CAN BE USED WHERE THE NEED IS GREATEST.
WE WOULD LOVE TO HEAR WHY
THEATRE MATTERS TO YOU!
WHY DO YOU GIVE TO THEATRE?
SHARE YOUR STORIES WITH US!
EMAIL DEVELOPMENT AND MARKETING MANAGER
JODIE WEISENBERG
J weis@arizonatheatre.org
PRINTER’S AD
PRINTER’S AD
PRINTER’S AD