Mah Jongg Treasures: Art, Design and Inspiration
Transcription
Mah Jongg Treasures: Art, Design and Inspiration
Mah Jongg Treasures: Art, Design and Inspiration by Gregg & Woody Swain Photography by Michel Arnaud Chapter 3 Mythological Beasts The Qilin The fabulous Chinese qilin is often called a “Chinese unicorn,” although it usually has two horns. Like the mythological griffon of western culture, it is an amalgam of several animals. A qilin has a deer-shaped body, with skin of blue or green scales along with the head of a dragon, the mane of a horse, the cloven hooves of an ox, and a long, luxuriant tail. Its rare appearance often coincides with the birth or death of an illustrious ruler. It never walks on growing grass or eats living vegetation. Occasionally the qilin is numbered among the Four Heraldic animals, replacing the tiger. This beast is a good omen also thought to bring prosperity or serenity. A detail of an exceptionally rare ivory Flower tile depicting one of the most unusual Chinese mythological creatures, the qilin. Note how the natural cross-hatching of the ivory lends itself to the scales in his body. Opposite: page: This Mah Jongg box is actually called the Qilin Mahjong Set, as the creature can be seen on the front panel in great detail with scales and a bushy tail. Another fantastic creature, a dragon, rests atop the box, as a handle. A cast bronze qilin statue guarding The Forbidden City in Beijing. A qilin’s entire body is beautifully realized on this Mah Jongg tile of ivory. Following spread: A detail of an official badge of a ceremonial silk robe depicting a qilin in the collection of the Metropolitan Museum of Art in New York. The qilin’s horns and hooves are visible, as well as his scaly body. On a background of this robe we see ruyi shaped clouds. Flames, representing fire, are one of the 12 Auspicious Symbols in Chinese art. Chinese Dragons Of all the mythological creatures in China, this reptilian beast is the highest ranking of the Four Heraldic Animals. The Chinese dragon is also one of the most complex creatures, as it is a mix of mythology and cosmology. Considered to be beneficent and kind, this dragon, while formidable, is quite different from the variety that destroyed villages and terrorized populations of European folklore. To the Chinese, the dragon symbolizes strength, and was therefore associated with the Emperor. Only the monarch was allowed to wear clothing with a five toed dragon; lesser officials wore four and three-toed versions. Dragons appear in Mah Jongg, on tiles, boxes, racks, bettors and mings. Opposite: A detail from a Mah Jongg box lid carved from a single piece of wood, highlighting the head of a Chinese dragon. These pages: The bas-relief smoke-breathing dragon on the front of this mahogany Mah Jongg box (left), is not so very different from the large ceramic one from this detail on a wall in Beijing’s Forbidden City (right). Following Spread: A delightful trio of dragons printed on wooden tiles from Fulton Specialty Company. This intricate dragon, carved on bone, is a Flower tile. Note his horns, and whiskers. Although the blue markings at the bottom resemble fish, they really are the dragon’s claws, sticking out through heavenly clouds. The side panel of an inlaid bone box shows another smoke-breathing dragon, surrounded by flames.The “pearl” is a cutout circle also engulfed by fire, above a toad from the legend of Liu Hai. This three-legged amphibian is a symbol of the moon, as well as longevity. This wooden Mah Jongg box occupies a place of prominence in its new owner’s home outside London, and holds a wonderful set of Chinese Bakelite tiles. Below the dragon’s head is a “flaming pearl.” Dragons are often depicted playing with pearls in the clouds, thought to cause rainfall. Inside the box, the carvings are as charming as on the exterior. On the bottom corners are endless knots, symbolizing longevity. . Opposite: A Dragon Robe of silk worn by an emperor in the Qing Dynasty (1644-1911). The creature is looking directly at the viewer, a true symbol of strength. He has five splayed toes, a symbol of the Royal Court, and his shimmering gold, scaly body surrounds a flaming pearl. This is in the Metropolitan Museum of Art.