House of Representatives Honors Lester Flatt
Transcription
House of Representatives Honors Lester Flatt
Volume 32, No. 2 Copyright © Central Texas Bluegrass Association February, 2010 House of Representatives Honors Lester Flatt T he following resolution was introduced in the United States House by Representative Lincoln Davis of Tennessee back in June, 2009, and passed on Tuesday, January 26. Representative Davis is from Fentress County, northeast of White County where Lester Flatt was born. Who says Congress can’t act with lightning speed when it has to? HRES 583 IH 111th CONGRESS 1st Session H. RES. 583 Expressing the sense of the House of Representatives that Lester Flatt has made an invaluable contribution to American art as both a songwriter and a performer, leaving an indelible legacy in bluegrass music. IN THE HOUSE OF REPRESENTATIVES June 25, 2009 Mr. DAVIS of Tennessee (for himself, Mr. DELAHUNT, Mr. SHULER, Mr. CHILDERS, Mr. COOPER, Mr. MOORE of Kansas, Mr. COBLE, Mr. TANNER, Mr. NEAL of Massachusetts, Mr. DUNCAN, and Mr. MCGOVERN) submitted the following resolution; which was referred to the Committee on Education and Labor RESOLUTION Expressing the sense of the House of Representatives that Lester Flatt has made an invaluable contribution to American art as both a songwriter and a performer, leaving an indelible legacy in bluegrass music. (continued on page 3) From the historical photo archive: Danger in the Air at the Kerrville Bluegrass Festival, September, 1986. Left to right, Drew Garrett (bass), Robin Macy (guitar), James McKinney (banjo), and Andy Owens (mandolin). Robin later went on to join the Dixie Chicks, and after leaving the Chicks, moved to Kansas and joined Big Twang. I assume this photo was taken before fiddler Stephen Dudash joined the band. Danger in the Air released two albums that I know of, Danger in the Air (1988) and Airtight (1990). This Dallas-area band was probably about fifteen years ahead of the times. If they’d come along a little later and gotten the right breaks, they could have made it to the national level the same way Cadillac Sky has. At the time, they were the best band in Texas, in my opinion. If you want to hear Robin with the Dixie Chicks, check out Thank Heavens for Dale Evans (1990). Check out Andy Owens at: www.andyowens.com/ Photo by Ken Brown. The Central Texas Bluegrass Bulletin is published by the Central Texas Bluegrass Association, a 501(c)(3) taxexempt Texas nonprofit corporation. Contributions are deductible as charitable and educational donations. Work published in this Bulletin is used by permission of the writers, artists, and photographers, who retain all copyrights. Jami Hampton, President Billy Bright, board member Eddie Collins, board member Sam Dunn, board member/Treasurer Mike Hurlbut, board member Clay Levit, board member Janice Rogers, board member Rixi Rosenberg, board member 2 Central Texas Bluegrass Association Box 9816 Austin, Texas 78766 (512) 261-9440 www.centraltexasbluegrass.org/ Tracy Sloan, board member Carrie Thielemann, board member Ken Brown, Bulletin editor (continued from page 1) Whereas Lester Flatt was born on June 19, 1914, in the region of Sparta, Tennessee; Whereas Lester Flatt began playing guitar and singing in local churches at a young age; Whereas Lester Flatt got his first break playing with Charlie Monroe and the Kentucky Pardners in North Carolina in the early 1940s; Whereas in 1945, Lester Flatt was invited by Bill Monroe to play rhythm guitar and sing with Monroe's band on the Grand Ole Opry; Whereas Lester Flatt, Earl Scruggs, Chubby Wise, Howard Watts, and Bill Monroe are widely credited with the creation of bluegrass music through their band, Bill Monroe and the Bluegrass Boys; Whereas Lester Flatt later joined with Earl Scruggs to create the band Flatt and Scruggs and the Foggy Mountain Boys, which remains one of the most influential bands in bluegrass music; Whereas in 1969, Lester Flatt parted with Scruggs to form the band Nashville Grass, with whom he performed until shortly before his death on May 11, 1979; Whereas in 1991, Lester Flatt, along with Bill Monroe and Earl Scruggs, became an inaugural member of the International Bluegrass Music Hall of Fame; and Whereas Lester Flatt is widely regarded as one of the greatest bluegrass musicians and singers of all time, writing dozens of songs that are considered bluegrass classics: Now, therefore, be it Resolved, That it is the sense of the House of Representatives that Lester Flatt has made an invaluable contribution to American art as both a songwriter and a performer, leaving an indelible legacy in bluegrass music. January Board Meeting The January CTBA board meeting was held on Wednesday, the 20th at Fiddler’s Green (a lastminute change from the New World Deli). Newly-elected and continuing board members met, heard a financial report from Sam Dunn, and held an extra-long meeting to do some creative thinking about possible future directions for the association. Shepherded by Eddie Collins, everybody present broke up into small groups whose goal was to come up with three ideas each for future enterprises. Here are some ideas that were presented for consideration: Take a leading role ins sponsoring music events Coordinate a monthly jam/stage show like the ones sponsored by BABA or Spring Creek Extend outreach beyond the Austin metropolitan area Provide a musician contact service Organize more social events like the recent Zilker Park jam (continued on page 4) 3 (continued from page 3) Host a special event to commemorate the tenth anniversary of O Brother, Where Art Thou? More CTBA-sponsored workshops (these could be instrumental, vocal, or ―other‖) Resume the Bluegrass in the Schools program, which has become inactive Create a permanent publicity chairperson, instead of organizing publicity on an ad hoc basis for each event; this could even possibly become an officer position Collaborate more with AFTM Establish a greater presence at local Farmers’ Markets Support HAMM, the musicians’ health alliance Make the local film industry aware of CTBA and its function After review, the consensus that emerged was that most members wanted to see the CTBA take a leading role in at least one event of some kind during each quarter of the year. For the calendar year 2010, these events might be: Spring: RiceGrass festival Summer: annual band scramble and garage sale Fall: O Brother anniversary celebration Fall: Participate in AFTM Fall Festival The consensus was also that a monthly stage show is beyond our present capabilities, but could be planned for the future. Jim Moratto Joins South Plains Faculty Banjo picker Jim Moratto has joined the faculty of South Plains College as Instructor in Commercial Music, filling the position that Alan Munde vacated when he retired in 2006. Jim attended Sam Houston State in Huntsville for a while, played with Johnnie Martin and the Bluegrass Ramblers (Russell Moore was the bass player in that band), and then joined Bill Monroe and the Blue Grass Boys in 1973. He can also be heard on an LP recorded live at Vanderbilt University in 1974, Lester Flatt Live! Bluegrass Festival With Guest Bill Monroe (RCA APL10588). He then spent several years working in bluegrass and country music, and returned to college (Mesa State College, Grand Junction, Colorado) and earned a political science degree in 1989. In 2005, he released his own CD, Possum on the Half Shell (Rehashed Records). For a while, he was also the banjo picker for Aubrey Skeen and his Houston-area band, No Strings Attached. At South Plains, he’ll give banjo lessons, lead ensembles, and direct the student TV production, Picking on the Plains. Pinecastle Records Goes Under Pinecastle Records, founded in 1990 by Tom Riggs in Florida (you may have heard him on his syndicated bluegrass radio show in the past), and label home to some great records by the Gibson Brothers, David Parmley and Continental Divide, Kristin Benson, Sally Jones, and many others, is going out of business on February, as a result of Tom’s health problems and the current economy. Pinecastle products will still be available through Music Shed and elsewhere. 4 Evolution of the Bulletin: Left to right, Volume 1, Number 1 of the Bluegrass Newsletter (April, 1977); the first issue of the Bluegrass Bulletin (un-numbered and undated, but from Spring, 1987); and an issue from the 1990s with the two-color cover (Volume 18, Number 1, February-March, 1996) advertising Laurie Lewis and Grant Street. Some Factoids About the Bulletin The Central Texas Bluegrass Bulletin began publication in 1987, but it’s actually the direct lineal descendant of the Bluegrass Newsletter, a publication started in April, 1977, by Don Rodgers. The first 15 issues of the Bulletin had no volume or issue number, but the numbering starts with Volume 12, Number 1, because continuity was maintained with its predecessor, the Newsletter. So even though that first issue of the Bulletin has no date or number on it, we know it’s Volume 11, Number 3, and dates from sometime in the spring of 1987. Because the cost of color printing is prohibitive, the Bulletin has always been printed in black and white, except for two issues (Volume 28, numbers 2 and 8) printed in 2006. For a time in the 1990s, a teal color (or ―bluegrass blue,‖ as I like to think of it) was used on the front and back cover. Beginning in August, 2003 (Volume 25, Number 8), the association began offering members the option of receiving either a printed hard copy or a PDF file. The Bulletin is now produced in two editions, a black and white printed copy, and a color edition in PDF format. Each issue is 12 pages long. Members who opt for the PDF file can read it onscreen or print it out with whatever kind of printer they might have, color or black and white. As of January 27, we had 165 members, of which about 30% receive the printed copy. The 48 members who receive the printed copy (and this includes 11 recipients like South Plains College who receive complementary copies) contribute about $850 in dues per year, which more than covers the annual printing cost, currently running about $816, even when the ―comped‖ members who pay nothing are included. In the spring and fall, when there are likely to be full-page festival ads, (continued on next page) 5 (continued from previous page) the ads themselves often pay for the printing. Months with two full-pages ads not only pay for the printing, but generate a small profit that can be used for months with little advertising. In addition to print costs, there is also the cost of postage. In previous years, before there was an electronic edition, and when our membership was higher than it is now, the Bulletin was mailed at bulk mail rates (and we had to sort them by ZIP code, too!). But now we no longer qualify, so we must pay first class postage. At least we don’t have to sort a couple of hundred Bulletins each month. After the events calendar is compiled for publication each month, a copy is sent to our webmaster, Jim Umbarger, who posts it upfront on the CTBA web site, on or about the first of the month. He also sometimes adds late-breaking events that come to light after press time. Part of the audience at the Spring Creek Bluegrass Club monthly jam, Saturday, January 23 at Coushatte Ranch, near Bellville. Despite the cold, windy weather, the room was packed for the stage show. For Sale: Seagull Series S Grand guitar in near-perfect condition, with cardboard case (personally decorated with faux zebra lining!) and Levi cotton guitar strap decorated with jalapeños. $275 Guitar stand. $8 Contact: Stephen Mangold, (512) 345-6155 6 7 Events calendar: February, 2010 Thursday-Sunday, February 4-7: SPBGMA Awards, Sheraton Music City Hotel, Nashville. Friday-Sunday, February 5-7: Hill Country Winter Acoustic Jam Camp, Mt. Wesley Conference Center, Kerrville; www.hcamp.org Friday, February 5, 7 PM: Blacktop Bend at Waterloo Ice House (Slaughter/Escarpment), 9600 Escarpment Blvd.; 301-1007. Saturday, February 6, 10 AM: The Sieker Band at San Saba Civic Center, San Saba. Saturday, February 6, 6:30 PM: the Lost Pines at Central Market North, 4001 N. Lamar; 206-1000. Sunday, February 7, 11 AM: The Sieker Band at Hills Café, 4700 South Congress; 851-9300. Sunday, February 7, 6 PM: Two High String Band at Cheatham Street Warehouse, San Marcos Thursday, February 11, 6:30-8:30 PM: Bluegrass Open Mike at New World Deli, 4101 Guadalupe; 4517170 www.newworlddeli.com Friday, February 19, 8 PM: House concert with Orrin Star; for reservations and directions, call (512) 476-3991 or E-mail <ebpittman@austin.rr.com>. Saturday, February 20, 1-3:15 PM: Guitar workshop with Orrin Star (Intro to Norman Blake’s Style); for registration and directions, E-mail <orhay@aol.com> or call (301) 773-6149. Saturday, February 20, 5 PM: Blacktop Bend at Patsy’s Cowgirl Café, 5001 E. Ben White Blvd.; 4442020 Saturday, February 20, 6:30 PM: The Lost Pines at Central Market Westgate, 4477 South Lamar. Sunday, February 21, noon-3 PM: Mandolin workshops (noon and 3 PM) with Orrin Star at Fiddler’s Green; mandolin jam, 2-3 PM. www.fiddlersgreenmusicshop.com/home.html Friday, February 26, 3:30 PM: The Sieker Band at Austin-Bergstrom International Airport Saturday, February 27, 7:30 PM: The Sieker Band at ArtZ Rib House, 2330 S. Lamar; 442-8283. Sunday, February 28, 6:30-8:30 PM: Eddie Collins at ArtZ Rib House, 2330 S. Lamar; 442-8283. 8 CTBA Artists and Bands Austin Lounge Lizards Mike Drudge Cooper’s Uncle The Ledbetters The Sieker Band 615-262-6886 www.austinlizards.com coopersuncle@hotmail.com Spencer Drake 512-736-2664 830-660-2533 kthdrake@wildblue.net Rolf & Beate Sieker 512-733-2857 www.siekerband.com Back Up and Push David & Barbara Brown String Beans Ben Hodges , 751-3086 bhodges@gmail.com www.myspace.com/ backupandpush Blacktop Bend George Rios, 619-8536 blacktopbend@yahoo.com Blazing Bows Mary Hattersley, 873-8925 Bluegrass Vatos Danny Santos, 218-4141 danny@dannysantosmusic .com Brian Byrne and Borrowed Time 361-985-9902 ddbrown@grandecom.net Dear Henry Band Don Inbody, 295-6977 don@inbody.net Talia Sekons thelostpines@gmail.com www.lostpinesband.com Manchaca All-Stars Two High String Band Geoff Union 512-836-8255 www.eddiecollins.biz tuneman@austin.rr.com Wayward Pony 512-563-9821 Geoff@highstring.com Eddie Collins Out of the Blue Jamie Stubblefield 512-295-5325 jamie5011@aol.com Dale Albright dale-mandolin@austin. rr.com www.waywardpony.com Jon Ricketts <jon_ricketts1@mac.com> 217-6437 The Piney Grove Ramblers The Grazmatics Wayne Brooks 512-699-8282 877-899-8269 www.pgramblers.com The Wimberley Bunch Howard Rains Randy’s Rangers Grass Onions Band 7704 Peaceful Hill Lane Austin, Tx 78748 512-577-0851 Charlie & Sally Lewis Box 2077 Canyon Lake, Tx 78133 (830) 899-7511 Sigi Field 512-869-8076 http://pages. suddenlink.net/jrf/rr/ Randalls Good Neighbor Program To designate your contribution to the CTBA, go to the address below, print the form and fill it out, and take to your local store: http://shop.safeway.com/corporate/randalls/gn_houston_austin.pdf 9 Mike Montgomery 512-517-6753 mikemon@astro.as. utexas.edu Chris Brewster B. Buchanan 512-693-4648 512-282-2756 www.dearhenrymusic.com manchacaallstars@ email.com www.myspace.com/ brian- L. Wayne Ross byrneandborrowedtime 512-303-2188 699-9251 jjs@jjshaffer.net BuffaloGrass The Lost Pines All bands listed are members of the CTBA. See the membership form on the back cover for information on band membership. CTBA Business Members P.O. Box 483 Grapeland, Tx 75884 www.salmonlakepark.com Overton Bluegrass Festival City of Overton Sponsoring Bluegrass and Gospel Music www.overtonbluegrass.com Don Eaves bluegrass@cl.overton.tx.us 903-834-3171 10 Sponsored by City of Early Drawer D Overton, Texas 75684 Charlotte Parrack 325-646-8531 300 Early Blvd. CTBA Area Jams and Events AUSTIN AREA, CTBA GEORGETOWN Beginner/Intermed. Jam 1st. & 3rd Thu. 7-9 Randy’s Rangers Thursday Jam: Duke’s PM, Steve Mangold 512-345-6155 BBQ Smokehouse, 6-8 PM, 512-869-8076 or sigi@sigi.us> sigi@sigi.us CTBA 2nd & 4th Sat , ArtZ Rib House, slow jam begins 2 PM; Beginner/Intermed. Jam 4-6 THE GROVE PM; contact: Steve Mangold 345-6155 Outside Pick General Store, 15 mi. west of Temple on Hwy 36, Sat, 6pm until ? Jam Session: Sunday at ArtZ Rib House, 2-6 Contact: Moody Anderson, 512-282-1215 PM Live Bluegrass Show: ArtZ Rib House Sun- HARWOOD day 6 pm; 512-442-8283 Stage Show & Jam Session 3rd Sat, 9 mi. E. of Luling, Hwy 90, 2 to 9 PM AAAMS Jam 2nd & 4th Wed. Leander/Cedar Park Fine Arts Academy, 200 Buttercup Rd, Ste. 104, Cedar Park, 6:30 to 8:30 pm, 512- HONDO Hondo Hootenanny, 1 PM, Hondo Commu401-8863 nity Center, 1st Fri each month 830-426-3438 AFTM Contradance: 3rd Sat. 3501 Red River HOUSTON 7:30 to 11 pm, $7 453-8936 Second Saturday jam, 1-4 PM, sponsored by AFTM Jam Session: 2nd Sun at ArtZ Rib BABA and the Houston Railroad Museum (April-November), Houston Railroad MuHouse, 2330 S. Lamar, Austin, 2-4 PM seum, 7390 Mesa Road; www. houstonrrmuseum.org; 713-319-8906 FIDDLER’S GREEN jam session in the BARN out back behind the shop every 2nd LEAGUE CITY (BABA) and 4th Tuesday from 7 PM to 11 PM. Jam & Free Bluegrass Show 3rd Sat: Jam 5 Phone: 512-452-3900 PM, Show 6:30 PM Jan- Nov., League City www.fiddlersgreenmusicshop.com Civic Center, 300 W. Walker St. 281-6369419 BANDERA 4th Friday of each month at Silver Sage Corral– east of Bandera. Starts at 6:30 pm. For LIBERTY HILL more info call (830)796-3969 (Not on Good 4th Sat. Jam Session at 1-6 PM, Hwy 29 West, contact Paula at 512-778-5410 Friday) BELLVILLE Spring Creek Club Jam/Show Jan. thru Sept 4th Sat; 4pm Jam, 6:30 pm show. Coushatte Recreation Ranch 979-865-5250 bluegrass221@ev1.net Plenty of RV camping and good food. LILLIAN Third Friday show and jam, 10552 CR 519, Lillian; 7 PM, $4; www.ntbluegrass.com or 817-929-8391 MANCHACA Open jam every Thursday night from 7-9 PM at The Railroad BBQ on FM 1626 in Manchaca BRYAN/COLLEGE STATION, Brazos Country Grass Monday Jam, J. Cody’s, 3610 S. College 6-9 PM McDADE www.brazoscountrygrass.com 2nd Monday of each Month: McDade Jamboree at the McDade VFW Post Hwy 290. 7-10 ELGIN PM Call: 512-273-2307 3rd Friday of each Month: Blue Fire-Station jam session, FM 696, 7-10 PM MEDINA 2nd Tuesday—each month— all gospel jam at FAYETTEVILLE: the first Baptist Church—Medina. Starts at 6 Texas Pickin’ Park: Jam 2nd Saturday, each PM; for info Linda Barton 830-589-2486 month beginning at 6 PM on the Courthouse Square. Acoustic instruments only. 2nd Friday each month— The Medina Jam For info: info@texaspickinpark.com session will be held at the Masonic Lodge at www.texaspickinpark.com 6:30 PM (bring covered dish) GARLAND Bluegrass on the Square: Saturday, MarchNovember between Main and State Sts. At 6th, 7:30 PM to 1 AM 11 PEARL Jam & Stage Show, 1st Sat: Jam starts at noon, show 4:30 PM, Hwy 183, 7 mi South of Purmela; contact: Ronald Medart 254-865 -6013 www.pearlbluegrass.com SAN ANTONIO Open Bluegrass Jam Session Tuesdays, 6-8:30 PM, Grady’s BBQ Store No. San Pedro Ave, at Jackson –Keller (beginner-friendly) Beginner/Intermediate Bluegrass Jam 2nd Thursday 7-9 pm at 6418 Ridgehurst, San Antonio. Hosted by Clifton Bowren 210-602 -5544 cliftonfiddler5@aol.com SHULENBERG RV Park community Center 2nd Tuesday of every month, 6:30—9:00 PM Laretta Baumgarten 979-743-4388 schurvpk@fais.net TOMBALL Bluegrass jam at Kleb Woods Nature Center and Preserve, 4th Saturday; 20301 Mueschke Road, Tomball. Tony Redding (281) 3731777. WIMBERLEY Bluegrass Jam Fri 8-12 pm, Lane’s Country Café, Wimberley Editor’s note: this list of jams hasn’t been verified in a long time. Call ahead before checking out an unfamiliar jam, to make sure it’s still active. Central Texas Bluegrass Association P.O. Box 9816 Austin, Texas 78766 To: