TAO09 AIDA.indd - The Atlanta Opera
Transcription
TAO09 AIDA.indd - The Atlanta Opera
FEBRUARY 27, MARCH 2,5,7(M), 2O1O dennis hanthorn - Zurich General Director TAO09 AIDA.indd 991 2/8/10 11:12:24 AM att.com talk, text, repeat. We live on the cutting edge of technology. And with innovations like our 3G wireless network that powers the iPhone and our award-winning AT&T U-verse TV, we help keep you there. In the business world, we deliver productivity and results. In your personal world, we deliver conversations, messages and pictures. And all because of our commitment to keep you connected. AD AT&T proudly supports the Atlanta Opera. © 2010 AT&T Intellectual Property. All rights reserved. AT&T and the AT&T logo are trademarks of AT&T Intellectual Property. TAO09 AIDA.indd 992-1 2/8/10 11:12:26 AM AD TAO09 AIDA.indd 2-3 AD 2/8/10 11:12:29 AM TABLE AD OF CONTENTS 6 Message from the Zurich General Director 9 Credits 11 Synopsis 12 Program Notes 16 Meet the Cast 22 The Atlanta Opera Chorus 23 The Atlanta Opera Orchestra 24 Volunteers 26 Education and Outreach 30 The Society for Artistic Excellence 31 Partners 37 Annual Fund / Individual Giving 44 Tributes and Memorials 46 The Encore Circle 48 The Verdi Society 52 Board of Directors 54 House Policies 56 The Atlanta Opera Staff 5 dennis hanthorn - Zurich General Director Cover Photo: Dallas Duncan Franklin 1575 Northside Drive, N.W. Building 300, Suite 350 Atlanta, GA 30318 www.atlantaopera.org ©2010 ARIA is published by The Atlanta Opera TAO09 AIDA.indd 4-5 2/8/10 11:12:30 AM 6 MESSAGE FROM THE ZURICH GENERAL DIRECT OR DENNIS HANTHORN (J.D. SCOTT) For just the third time in the Atlanta Opera’s 30-year history, we are pleased to present to you Verdi’s triumphant Aida, an opera that for many epitomizes the dramatic, musical and spectacular qualities that continue to attract people to grand opera. Our production, conducted by Yoel Levi, features the role debut of Mary Elizabeth Williams, last seen on the Atlanta Opera stage in our 2005 production of Porgy and Bess. Rounding out this outstanding cast is Italian tenor Antonello Palombi, baritone Mark Delavan, our “Dutchman” from last season’s production of The Flying Dutchman, mezzo-soprano Elizabeth Bishop and Atlantan Morris Robinson. With you, I look forward to seeing and listening to this masterpiece of the opera repertoire. AD rate, as you have come to expect from The Atlanta Opera. Representatives from Atlanta Opera Ticketing Services will be in the lobby at both intermissions to help you with your season ticket renewals and purchases. Thank you for choosing to attend today’s performance. We hope you’ll share your opera experience with family and friends. The final production in our 30th anniversary season, Mozart’s The Magic Flute, will be enjoyable for opera aficionados and novices, young and old. Please bring your family, invite a friend and join us! By now, you’ve no doubt heard about our exciting 2010-2011 season of three operas – Puccini’s beloved La bohème, Gershwin’s American classic Porgy and Bess, and Mozart’s funny and poignant Così fan tutte. Though we only will be presenting three productions Dennis Hanthorn instead of four next season to ensure the Zurich General Director long-term financial health of our company, I The Atlanta Opera can assure you the artistic quality will be first- TAO09 AIDA.indd 6-7 2/8/10 11:12:30 AM 8 MYTHS & FACTS ABOUT THE ATLANTA OPERA MYTH: It’s “business as usual” at The Atlanta Opera. FACT: The Board of Directors was proactive and made the decision to cut a production for the 2010-2011 season, freeze salaries, reduce operating expenses and leave unfilled staff positions open. We are “making do” with less, and, as always, are being fiscally prudent and good stewards of our finances. MYTH: Ticket sales cover all the costs of the opera. FACT: In order to ensure that prices are affordable, ticket sales cover only 1/3 of production expenses. People like YOU make additional donations that generously subsidize the rest of the cost to make this possible. Low-priced, subsidized tickets make it possible for anyone who wants to see opera to afford it! MYTH: “Someone” will help and make a donation. FACT: Do not assume that “someone” will support the opera, because in fact, YOU are that “someone” on whom we depend. Your financial support is now more important than ever before to help us meet our operating expenses and continue to provide outstanding productions and educational outreach programs for our community. We are doing what we can on our end, but we cannot do it alone! Please invest in the future of The Atlanta Opera today so we can continue to thrill, educate and inspire you for years to come. Make your tax-deductible donation online at www.atlantaopera.org or mail your gift to: The Atlanta Opera 1575 Northside Drive NW Bldg. 300, Suite 350 Atlanta, GA 30318. Thank you! Mary K. Roarabaugh Director of Development FACT: YOU are important to The Atlanta Opera’s success. music Giuseppe Verdi conductor Yoel Levi libret to Antonio Ghislanzoni director Trevore Ross World Premiere: Khedivial Opera House, Cairo, December 24, 1871 European Premiere: La Scala, Milan, February 8, 1872 American Premiere: Academy of Music, New York, November 26, 1873 Sung in Italian with English supertitles Approximate Running Time: 3 hr, 15 min There will be two 20-minute intermissions, and a brief pause between Acts III and IV. Aida ............................................................................................. Mary Elizabeth Williams Amneris .....................................................................................................Elizabeth Bishop Radamès ................................................................................................ Antonello Palombi Amonasro ...................................................................................................... Mark Delavan Ramfis ...................................................................................................... Morris Robinson King of Egypt ............................................................................................ Kenneth Kellogg Messenger .................................................................................................... Timothy Miller Priestess ..............................................................................................................Amy Little Choreographer – Rosa Mercedes Assistant Director – David Paul Sets designed by Phillip Silver Provided by the New Orleans Opera Association Costumes provided by A.T. Jones Lighting designed by Donald Thomas Chorus prepared by Walter Huff Costumes coordinated by Joanna Schmink Wigs and Makeup designed by Sue Sittko Schaefer Assistant Conductor and Musical Preparation by Craig Kier English supertitles by James Meena Supertitles operated by Ellen Chamberlain Pianos provided by Kawai 2009-2010 season sponsor AT&T production sponsors Atlanta Music Festival Association opening night performance sponsor The Coca-Cola Company A 30th Anniversary Salute to our Production and Artist Sponsors. TAO09 AIDA.indd 8-9 2/8/10 11:12:30 AM 2009-2010 10 SEASON SPONSORS SYNOPSIS act i Egypt, during the reign of the pharaohs. At the royal palace in Memphis, the high priest Ramfis tells the warrior Radamès that Ethiopia is preparing another attack against Egypt. Radamès hopes to command his army. He is in love with Aida, the Ethiopian slave of Princess Amneris, the king’s daughter. Radamès dreams that victory in the war would enable him to free her and marry her (“Celeste Aida”). But Amneris loves Radamès, and when the three meet, she jealously senses his feelings for Aida. A messenger tells the king of Egypt and the assembled priests and soldiers that the Ethiopians are advancing. The king names Radamès to lead the army, and all join in a patriotic anthem. Left alone, Aida is torn between her love for Radamès and loyalty to her native country, where her father, Amonasro, is king (“Ritorna vincitor”). She prays to the gods for mercy. In the temple of Vulcan, the priests consecrate Radamès. Ramfis orders him to protect the homeland. a rt i s t s p o ns o r s The Appearance of Elizabeth Bishop: Mr. William Snyder and Mr. Louise Peneguy The Appearance of Mark Delavan: The Mary and Charlie Yates Family Fund The Appearance of Kenneth Kellogg: Mr. and Mrs. Michael Keough The Appearance of Amy Little: Mr. and Mrs. William Tucker The Appearance of Timothy Miller: Mr. and Mrs. David Dorman The Appearance of Antonello Palombi: Mr. and Mrs. Gregory Johnson The Appearance of Morris Robinson: Ms. Martha Thompson Dinos The Appearance of Mary Elizabeth Williams: Mr. and Mrs. Robert Woodward Conductor Yoel Levi: The Carl and Sally Gable Music Director and Conductor Stage Director Trevore Ross: Mr. and Mrs. Stewart Searle III TAO09 AIDA.indd 10-11 11 prisoners to be overruled and for them to be freed. The king grants his request but keeps Amonasro in custody. The king declares that as a victor’s reward, Radamès will have Amneris’s hand in marriage. act iii On the eve of Amneris’s wedding, Ramfis and Amneris enter a temple on the banks of the Nile to pray. Aida, who is waiting to meet Radamès in secret, is lost in thoughts of her homeland (“O patria mia”). Suddenly Amonasro appears. Invoking Aida’s sense of duty, he makes her promise to find out from Radamès which route the Egyptian army will take to invade Ethiopia (Duet: “Rivedrai le foreste imbalsamate”). Amonasro hides as Radamès enters and assures Aida of his love (Duet: “Pur ti riveggo, mia dolce Aida”). They dream about their future life together, and Radamès agrees to run away with her. Aida asks him about his army’s route, and just as he reveals the secret, Amonasro emerges from his hiding place. When he realizes that Amonasro is the Ethiopian king, act i i Radamès is desperate about what he has done. Ethiopia has been defeated, and Amneris waits While Aida and Amonasro try to calm him, for the triumphant return of Radamès. When Ramfis and Amneris step out of the temple. Aida approaches, the princess sends away her Father and daughter are able to escape, but other attendants so that she can learn her slave’s Radamès surrenders to the priests. private feelings (Duet: “Fu la sorte dell’armi”). She first pretends that Radamès has fallen in act iv battle, then says he is still alive. Aida’s reactions Radamès awaits trial as a traitor. He believes leave no doubt that she loves Radamès. Aida to be dead but then learns from Amneris Amneris, determined to be victorious over her that she has survived. Amneris offers to save rival, leaves for the triumphal procession. At him if he renounces her rival but Radamès the city gates the king and Amneris observe refuses. Brought before the priests, he remains the celebrations and crown Radamès with silent to their accusations and is condemned a victor’s wreath (Triumphal scene: “Gloria to be buried alive. Amneris begs for mercy, but all’Egitto”). Captured Ethiopians are led the judges will not change their verdict. She in. Among them is Amonasro, Aida’s father, curses the priests. Aida has hidden in the vault who signals his daughter not to reveal his to share Radamès’s fate. They express their identity as king. Radamès is impressed love for the last time (Duet: “O terra, addio’) by Amonasro’s eloquent plea for mercy while Amneris, in the temple above, prays for and asks for the death sentence on the Radamès’s soul. Courtesy of Opera News 2/8/10 11:12:30 AM PROGRAM 12 G A L I N A V I S H N E V S K AYA , N O T E D A I D A O F T H E 1 9 6 0 S , IN A COSTUME OF HER OWN DESIGN. NOTES E N R I C O C A R U S O S A N G R A D A M È S I N AT L A N TA I N 1 9 1 0 A N D 1 9 1 2 . Of all operas, Verdi’s Aida is the one that most successfully finds a balance among the different elements while allowing them to retain their distinctive character. Arias, ensembles, orchestral passages, dance, scenic spectacle, choruses, private scenes and public scenes, are all present and balanced against one another with surpassing dramatic skill. The libretto describes the action as taking place “in the time of the reign of the Pharaohs”; in fact the story is simple, with some stock situations (a love triangle, royalty in disguise) and characters, dressed up in Egyptian settings to enchant the public, which has loved it from the beginning. In Aida, Verdi perfected the form of Grand Opera pioneered by Meyerbeer and Rossini some 40 years earlier. Compared to Don Carlos, Aida has enough truly popular touches (the Triumphal March in Act II, the big arias for soprano and tenor, the heavenly Tomb Scene, Amneris’s Judgment Scene) to have earned for itself the principal place in the repertoire of every opera house worldwide. TAO09 AIDA.indd 12-13 AD Verdi composed the opera on lavish commission from the Khedive of Egypt, working from a plot scenario by the Egyptologist Mariette Bey and Camille du Locle, a co-librettist of Don Carlos, upon which the libretto of Antonio Ghislanzoni was based. The premiere had to be delayed by a year when the sets and costumes were trapped in besieged Paris during the Franco-Prussian War. The opera finally opened at the Cairo Opera House on December 24, 1871; its European premiere soon followed, at La Scala on February 8, 1872. The piece came to New York in 1873 and to London (with Adelina Patti as Aida) in 1876. For a Paris production in 1880, Verdi expanded the ballet in the Triumphal Scene; we are presenting the original version here in Atlanta. A film version from 1953 features Sophia Loren as Aida and Lois Maxwell – Miss Moneypenny from the James Bond movies – as Amneris, 2/8/10 11:12:31 AM Insurance PROGRAM 14 NOTES Risk Management with the dubbed voices of Renata Tebaldi Thebom, Fiorenza Cossotto and Rita Gorr as Amneris; and Cornell MacNeil, Leonard and Ebe Stignani. Warren and Michael Bohnen as Amonasro. One hundred years ago, one of the most imThe Atlanta Opera has presented the piece portant chapters in opera in Atlanta began twice before, with Camellia Johnson and Inwhen Aida opened the first regular Metrodra Thomas taking the title role. politan Opera tour here. On May 4, 1910, a crowd of over 7,000 people crowded the old In many Verdi operas, including Aida, it is Civic Auditorium to hear a stellar cast that the loud moments that stick in the audience’s included Enrico Caruso, Johanna Gadski, ear. But really to hear the magic of the piece, Pasquale Amato and Louise Homer. The per- and to understand what distinguishes Verdi formance kicked off what was at the time the from other composers, we need to go to the highest-grossing week in Met history. In the quieter moments, especially the two duets decade following the First World War, lucky for Aida and Radamès. In Act III, listen Atlantans got to hear both Claudia Muzio and to Aida’s beautifully extended, seductively Rosa Ponselle sing the title role; later Zinka floating lines when she asks Radamès to Milanov, Martina Arroyo and Birgit Nilsson come away with her; and in Act IV listen to all sang it here. Other notable artists who the entire final scene, which in its delicate orperformed Aida in Atlanta include Giovanni chestration conveys great majesty and peace. Martinelli, Carlo Bergonzi and Giacomo Lauri-Volpi as Radamès; local star Blanche by Eric Mitchko Zurich understands your everyday battles, be it on stage or in real life. We believe that supporting the arts makes a difference in any community.It is in much that same spirit we’re committed to making a positive difference in your world with insurance solutions. We are also pleased to recognize Dennis Hanthorn’s contributions by endowing the Zurich General Director of The Atlanta Opera, which is proudly celebrating its 30th season. www.zurichna.com Here to help your world. In the United States, coverages are underwritten by member companies of Zurich in North America, including Zurich American Insurance Company. Certain coverages not available in all states. Some coverages may be written on a non-admitted basis through licensed surplus lines brokers. Risk engineering services are provided by Zurich Services Corporation. *patent pending. TAO09 AIDA.indd 14-15 2/8/10 11:12:32 AM MEET 16 THE CAST September of 2008 he conducted Nabucco at the Stade de France in Paris for 60,000 people, with live television broadcast in Europe. Yoel Levi With the ASO, he conducted Mozart’s The Conductor Atlanta Opera Debut: Magic Flute, The Abduction from the Seraglio, and Bartok’s Bluebeard’s Castle. Recent perHansel and Gretel, formances include La traviata, Nabucco and 2007 Maestro Yoel Levi is the Principal Guest Madama Butterfly in Holland, Belgium and Conductor of the Israel Philharmonic Or- Italy. Mr. Levi has made 40 recordings on chestra, which he led on a United States tour different labels with various orchestras, inin 2004. In addition, he is Music Director cluding the Cleveland Orchestra, London Emeritus of the Atlanta Symphony Orches- Philharmonic and the Philharmonia Ortra and Music Adviser to the Flemish Radio chestra. Thirty of these are with the Atlanta Orchestra. In September 2005, Levi became Symphony Orchestra for Telarc. the Principal Conductor of the Orchestre National d’Ile de France. Yoel Levi was MuTrevore Ross sic Director of the Atlanta Symphony from Director 1988 to 2000. His impact on the orchestra Atlanta Opera Debut: was summed up by Gramophone Magazine, The Marriage of as follows: “Yoel Levi has built a reputation Figaro, 2008 for himself and for his orchestra that is increasingly the envy of the big five American Stage director Trevore Ross is earning vast counterparts in New York, Philadelphia, attention in his young directing career. ReCleveland, Boston and Chicago.” His con- cently, he directed Opera Carolina’s Aida, ducting engagements have included appear- Palm Beach Opera’s L’Italiana in Algeri, ances with orchestras in London, Paris, Ber- Atlanta Opera’s Le nozze di Figaro, assisted lin, Budapest, Rome, Frankfurt, Munich, David Cronenberg on Los Angeles Opera’s Korea and Japan. In North America, he has American Premiere of The Fly conducted by conducted the New York Philharmonic, Placido Domingo, and directed Connectiand the orchestras of Boston, Philadelphia, cut Opera’s Don Giovanni as well as Rigoletto Cleveland, Chicago, Los Angeles, Pitts- for the Opera Company of North Carolina. burgh, San Francisco, Washington, Toronto Upcoming, he will direct Otello at Opera and Montreal, among others. His operatic Carolina, Faust at the Opera Company of credits include Puccini’s La fanciulla del West New Jersey, and Carmen for Arizona Opera. at the Teatro Comunale in Florence, Carmen He also will be joining the directing staff at Lyric Opera of Chicago, The Makropoulos of the Los Angeles Opera for the 2010/2011 Case in Prague, Tosca at the Puccini Festival season opening with the World Premiere at Torre del Lago, and Puccini’s Edgar with of Il Postino. A native of South Carolina, the Orchestre National de France (which Mr. Ross started his directorial career as an was recorded on the Radio France label). In Opera America Fellow, which led him to the summer of 2008, he led the New Zea- several residencies across the nation in the land Symphony Orchestra on a highly ac- 2001/2002 season. claimed tour throughout New Zealand. In TAO09 AIDA.indd 16-17 MEET THE Mary Elizabeth Williams, Aida Atlanta Opera Debut: Serena, Porgy and Bess, 2005 Mary Elizabeth Williams is receiving critical acclaim in signature lirico-spinto soprano roles. Opera News said, “Verdi sopranos are in no danger of extinction if Mary Elizabeth Williams continues to progress. She is a major discovery, with a voice of luxurious, warm beauty and sensitive musicianship, outlining phrases with delicacy.” Engagements this season include Leonora in Il trovatore in debuts with both Seattle Opera and Opera Poznan, Tosca in her New Orleans Opera debut, and a return to the Michigan Opera Theatre as Tosca. Her engagements from the 2008-2009 season included her Spoleto Festival U.S.A. debut as Goddess of the Waters in Amistad, her Michigan Opera Theatre debut as Cilla in Margaret Garner, her Indianapolis Opera debut as Leonora in Il trovatore, and her debuts with Arizona Opera and Virgina Opera as Tosca. In concert, she will perform Beethoven’s th Symphony with the Greater Bridgeport Symphony Orchestra. Ms. Williams made her Kentucky Opera debut in the 2007-2008 season in Il trovatore. Recent noted engagements include Countess in Le nozze di Figaro in a production that toured France and Belgium, Donna Elvira in Don Giovanni as a member of the young artist program at Seattle Opera, and the Countess at the International Institute of Vocal Arts in Israel. As a member of the prestigious Centre de Formation Lyrique at the Opéra National de Paris, Ms. Williams performed with Thomas Hampson in concert at the Théâtre du Châtelet, and won the Lyric Artist prize given every year by the Bastille’s Cercle Carpeaux. The Philadelphia native has CAST 17 been a semi-finalist in the Metropolitan Opera National Council Auditions and is a graduate of Iowa’s Luther College, where she sang her first operatic role, the title role in Puccini’s Suor Angelica. Elizabeth Bishop Amneris Atlanta Opera Debut American mezzo-soprano Elizabeth Bishop has been praised by Opera News for her “gorgeous voice” and is in equal demand for both opera and concert performances across the country. Elizabeth Bishop’s 2009-10 season engagements include Second Norn in Götterdämmerung, Meg Page in Falstaff and Gertrude in Hamlet, all for Washington National Opera; Verdi’s Requiem with Utah Symphony and New Jersey Symphony Orchestra; and Mahler’s Das Lied von der Erde with the Alexandria Symphony Orchestra. Her engagements for the 2008-09 season included her return to the Metropolitan Opera to sing Second Norn, Ma Joad in The Grapes of Wrath with Pittsburgh Opera, and Magdalene in a concert performance of Die Meistersinger with the Concertgebouw in Amsterdam. She also appeared as soloist in Verdi’s Requiem with the Saint Louis Symphony Orchestra, Mahler’s Lieder eines fahrenden Gesellen with the Portland Symphony Orchestra and Mahler’s Symphony No. 2 with the Florida Orchestra. Her roles at the Metropolitan Opera include Fenena in Nabucco, Venus in Tannhäuser, and Mère Marie in Dialogues des Carmelites. Ms. Bishop, a former Adler fellow, has returned to San Francisco Opera for many roles. Other notable U.S. engagements include Fricka in Die Walküre with Washington National Opera; Octavian in Der Rosenkavalier with the Atlan- 2/8/10 11:12:32 AM MEET 18 THE ta Symphony and Donald Runnicles; appearances as both Santuzza in Cavalleria rusticana and Sara in Roberto Devereux with Washington Concert Opera; Waltraute in Götterdämmerung with Dallas Opera; Offred in the North American premiere of Poul Ruders’s The Handmaid’s Tale with Minnesota Opera; and multiple appearances with L.A. Opera. International opera credits include Eboli in Don Carlo with Genoa’s Teatro Carlo Felice, and Mère Marie with Deutsche Oper Berlin. Ms. Bishop’s concert stage performances include Tippett’s A Child of Our Time, under the baton of Roger Norrington and Ligeti’s Requiem, under Esa-Pekka Salonen with the Los Angeles Philharmonic. She has performed Mozart’s “Coronation” Mass, and both Wagner’s Wesendonck Lieder and Liebestod with the Atlanta Symphony Orchestra; and Berlioz’s Les Nuits d’été with the New Jersey Symphony Orchestra. Antonello Palombi Radamès Atlanta Opera Debut Italian tenor Antonello Palombi performs around the world to tremendous acclaim. “The most pleasant surprise was the discovery of a very fine new tenor in Antonello Palombi, whose singing in rehearsals had set the rumor mills abuzz. It’s all true: Here is a tenor with that exciting, emotion-stirring, head-turning Italianate sound, and he ignited the show whenever he was on-stage ... here’s betting he will be in considerable demand in this country,” says the Seattle Times of his American debut as Dick Johnson in La fanciulla del West. Most recent European engagements from the past few seasons include Radamès in Aida at Teatro alla Scala and Deutsche Oper Berlin; Luigi in Il tabarro TAO09 AIDA.indd 18-19 CAST at Teatro alla Scala; Don Alvaro in La forza del destino and the title role in Andrea Chénier with the Deutsche Oper Berlin; Faust in Mefistofele with Israeli Opera; Calaf in Turandot in Napoli, Cagliari and Genoa; Calaf in Turandot in Caracalla; Dick Johnson in La fanciulla del West in Copenhagen; Cavaradossi in Tosca in Helsinki; Andrea Chénier in concert with Oper Frankfurt; and Des Grieux in Manon Lescaut at the Deutsche Oper Berlin, Oper Frankfurt and in Munich. Mr. Palombi is now in demand with houses around the North America, including most recent performances as Canio in Pagliacci with Seattle and Dallas Opera; Don Alvaro in La forza del destino and Radamès in Aida with Baltimore Opera; Cavaradossi in Tosca with the Cincinnati Opera, New Orleans Opera and Baltimore Opera; and Radamès in Aida with Michigan Opera Theatre, Palm Beach Opera and Seattle Opera; and Manrico in Il trovatore with Seattle Opera. Future engagements include Cavaradossi in Tosca at Opera Colorado and Michigan Opera Theatre; and the title role in Otello at Cincinnati Opera, among multiple other engagements abroad. Mark Delavan Amonasro Atlanta Opera Debut: Scarpia, Tosca, 1997 A charismatic vocal force, American baritone Mark Delavan is sought after by opera houses throughout the United States and abroad for his dramatic, powerful voice, daring performances and commanding stage presence. Mr. Delavan’s repertoire spans over 40 roles, including the title roles of Rigoletto, Gianni Schicchi, Simon Boccanegra and Sweeney Todd, as well as such signature roles as Jochanaan and Iago. He has collaborated with such conductors as James Levine, Sir Andrew Da- MEET THE vis, Sir Charles Mackerras, Zubin Mehta, Michael Tilson Thomas, Antonio Pappano and Fabio Luisi. Last summer, Mr. Delavan performed Jochanaan in Salome in Barcelona at the Gran Teatre del Liceu, and Jack Rance in La fanciulla del West for the Danish National Opera. Of note this season is Mr. Delavan’s debut in Wagner’s Die Walküre in the role of Wotan, with both the Deutsche Oper Berlin and San Francisco Opera. Mr. Delavan made his role debut as Wotan in the San Francisco Opera’s June 2008 production of Das Rheingold, which launched the company’s new Ring Cycle. In October, he performed the title role of the Pittsburgh Opera’s production of Verdi’s Falstaff. This spring, he will appear in two further productions with the Deutsche Oper Berlin: as Scarpia in Tosca, and as Wotan in Das Rheingold. Mr. Delavan has sung at the world’s most important opera houses, including the Metropolitan Opera, San Francisco Opera, Los Angeles Opera, Royal Opera House, Covent Garden, Berliner Staatsoper, Bayerische Staatsoper, Lyric Opera of Chicago, New York City Opera, Santa Fe Opera and Washington National Opera. His festival credits include the Spoleto Festival (U.S.A.), Edinburgh Festival and the Saito Kinen Festival. Morris Robinson Ramfis Atlanta Opera Debut Mr. Robinson is a graduate of the Metropolitan Opera Lindemann Young Artist Development Program, and made his debut at the Metropolitan Opera in Fidelio. He has since appeared there as Sarastro in Die Zauberflöte (both in the original production and in a new children’s English version), the King in Aida, and in roles in Nabucco, Tannhäuser, and the CAST 19 new productions of Les Troyens and Salome. He has also appeared at the Aix-en-Provence Festival, Florida Grand Opera, Pittsburgh Opera, Opera Company of Philadelphia, Seattle Opera, Cincinnati Opera, Boston Lyric Opera, Opera Theater of St. Louis, and the Wolf Trap Opera. His many roles include Osmin in Die Entführung aus dem Serail, Sparafucile in Rigoletto, Grand Inquisitor in Don Carlos, Timur in Turandot, and Padre Guardiano in La forza del Destino. Also a prolific concert singer, Mr. Robinson has appeared with the Chicago Symphony Orchestra, National Symphony Orchestra, Ft. Worth Symphony Orchestra, Baltimore Symphony, Met Chamber Orchestra, Nashville Symphony Orchestra, São Paulo Symphony Orchestra, and at the Ravinia, Mostly Mozart, Tanglewood, Cincinnati May, Verbier, and Aspen festivals. He also appeared in Carnegie Hall as part of Jessye Norman’s HONOR! Festival. In recital he has been presented by Spivey Hall in Atlanta, the Savannah Music Festival, the National Academy of Sciences in Washington, D.C., the Philadelphia Chamber Music Society, and the Metropolitan Museum of Art. Mr. Robinson’s first album, Going Home, was released on the Decca label. This season, Mr. Robinson returns to the Los Angeles Opera as Fasolt in Das Rheingold. An Atlanta native, Mr. Robinson is a graduate of The Citadel and received his musical training from the Boston University Opera Institute. Kenneth Kellogg King of Egypt Atlanta Opera Debut Kenneth Kellogg, a University of Michigan graduate, just finished his residency as an Adler Fellow at San Francisco Opera. He made his San Francisco Opera debut as the King in The 2/8/10 11:12:33 AM MEET 20 THE Little Prince in 2008 and his War Memorial Opera House debut as Pietro in Simon Boccanegra in 2008. He also recently performed Colline in La bohème, the Voice of the Oracle in Idomeneo, Nikitich and a Police Sergeant in Boris Godunov, the Jailer in Tosca, and Grenvil in La traviata. An alumnus of the 2007 Merola Opera Program, he created the role of Tobias in the world premiere of Thomas Pasatieri’s The Hotel Casablanca. Mr. Kellogg also served as a resident artist at the Academy of Vocal Arts in Philadelphia, where he performed the roles of Don Basilio in Il barbiere di Siviglia; Prince Gremin in Eugene Onegin; Kilian and a Hermit in Der Freischütz; and Count des Grieux in Massenet’s Manon. Mr. Kellogg is a past winner of the Annapolis Opera competition, the Paul Robeson Competition and recently received an Encouragement Award from the Sullivan Foundation. Recent and upcoming engagements include Ferrando in Il trovatore with Eugene Opera, bass soloist in Messiah with the Anchorage Symphony, Die Gezeichneten with Los Angeles Opera and a summer season as a Filene Artist with the Wolf Trap Opera Company. Timothy Miller Messenger Atlanta Opera Debut Timothy Miller is a member The Atlanta Opera Chorus and is an active performer with both national and international credits. Operatic roles include Monastatos and First Armored Man in Mozart’s Die Zauberflöte, Street in Davis’ X: The Life and Times of Malcolm X. In June of 2008, Mr. Miller sang the role of Crab Man in critically acclaimed performances of Porgy and Bess at the Opéra-Comique in Paris and on tour in Luxembourg, Granada TAO09 AIDA.indd 20-21 CAST and Normandy. He has appeared in concert performances of Handel’s Messiah, Bach’s Magnificat, and a concert version of excerpts from Richard Strauss’ Der Rosenkavalier performed with the Atlanta Symphony Orchestra. Mr. Miller is a graduate of Morehouse College and Mannes College of Music. Amy Little Priestess Atlanta Opera Debut: Lula, Cold Sassy Tree, 2008 Soprano Amy Little is one of the most soughtafter and versatile artists in the metro-Atlanta region, with repertoire ranging from opera and oratorio to pops and contemporary Christian concerts. During the 2009-2010 season she returns to The Atlanta Opera as the First Lady in Die Zauberflöte. With a busy concert career, this season she was also featured in the Saint-Säens Christmas Oratorio, Handel’s Messiah and solo concerts of sacred songs and popular standard repertoire. Ms. Little’s engagements in previous seasons have included Inez in Il trovatore, Lula in Cold Sassy Tree with the Atlanta Opera, and Love Simpson in The Atlanta Opera Studio Outreach Tour of Cold Sassy Tree. Other credits include both Countess and Susanna in Le nozze di Figaro, Vivaldi’s Gloria with the Atlanta Baroque Orchestra, Handel’s Messiah, Dubois’ The Seven Last Words of Christ and Mendelssohn’s Elijah. She is also a member of the revered Atlanta Opera Chorus. Originally from Augusta, Ga., Ms. Little received her Bachelor of Music from Shorter College in Rome, Ga., where she studied with John Ramsaur. She currently resides in Atlanta and is a staff singer at Peachtree Road United Methodist Church. In addition to performing, she is also the Associate Director of Youth Music at Peachtree Road UMC and maintains a private voice studio. MEET THE David Paul, Assistant Director Atlanta Opera Debut David Paul is a stage director working on opera and theater stages throughout the United States and abroad. He recently served on the Artistic Staff of the Shakespeare Theatre in Washington, D.C., where he adapted and directed Hamlet and was assistant director for Julius Caesar, Romeo and Juliet, Euripides’ Ion and King Lear. In this time, he also directed Mozart’s The Magic Flute for the Intermezzo Festival in Belgium, as well as directing and coaching for the Metropolitan Opera’s Lindemann Young Artist Development Program and the International Vocal Arts Institute in Tel Aviv, Israel. He has worked as director or assistant director at Perseverance Theater of Alaska, California Shakespeare Theater, Chautauqua Theater Company and the Juilliard School, among others, and spent two seasons in casting at the Metropolitan Opera. A graduate of Columbia University and a native of Hamburg, Germany, Mr. Paul is currently the stage director for the Domingo-Cafritz Young Artist Program at the Washington National Opera, where he recently directed scenes from Falstaff at the Kennedy Center Opera House. Walter Huff, Chorus Master Atlanta Opera Debut: Tosca, 1988 Walter Huff has been Chorus Master for The Atlanta Opera for 22 years. Mr. Huff studied piano with Sarah Martin, Peter Takacs and Lillian Freundlich. He has performed with singers throughout Europe and the United States, and served as coach with the Peabody Opera Theatre, The Washington Opera and Baltimore Opera Company. Mr. Huff has performed in master classes given by renowned singers and pianists such as Sir Peter Pears, Licia Albanese, Eileen Farrell Dalton Baldwin, Leon Fleisher, and Elly Ameling. In 1984, he received Tanglewood’s C.D. Jackson Master Award for Excellence, CAST 21 presented by Seiji Ozawa and the Boston Symphony Orchestra. He has been musical director for The Atlanta Opera Studio, Georgia State University Opera and Actor’s Express. Also, Mr. Huff was one of four Atlanta artists who were chosen for the first Loridans Arts Awards, given to Atlanta artists who have made exceptional contributions to the arts life of Atlanta over a long period of time. In June 2008, the Atlanta Opera Chorus under Mr. Huff’s direction sang critically acclaimed performances of Porgy and Bess at the Opéra-Comique in Paris and on tour in Granada, Normandy and Luxembourg. Craig Kier, Principal Coach/Accompanist Atlanta Opera Debut: Carmen, 2004 Craig Kier is currently the resident principal coach/accompanist and assistant conductor for The Atlanta Opera. Prior to his relationship with The Atlanta Opera, Mr. Kier was a part of Seattle Opera’s music staff for several seasons, serving in a variety of roles including coach/accompanist, chorus master and assistant conductor. He has a wide variety of experience with other companies, including Cincinnati Opera, Opera Colorado, Berkshire Opera, Opera New Jersey, Opera Birmingham and Des Moines Metro Opera. Mr. Kier also spent many years on the faculty of the Opera Theater of the Rockies Vocal Arts Symposium, led by soprano Martile Rowland. Mr. Kier recently made his conducting debut leading Gianni Schicchi in a joint project between Seattle Opera and the Yakima Symphony Orchestra. This season he conducts The Atlanta Opera’s student short performances of Gluck’s Orfeo ed Euridice and Die Zauberflöte. In 2009, he joined the Santa Fe Opera music staff, assisting with their mainstage productions of La traviata and the world premiere of Paul Morvec’s The Letter as well as coaching the apprentice artists. He returns to Santa Fe in 2010 to assist on their mainstage productions of Die Zauberflöte and The Tales of Hoffmann. 2/8/10 11:12:33 AM THE 22 ATLANTA OPERA CHORUS THE ATLANTA OPERA ORCHESTRA 23 c h o rus m a s t er Walter Huff chorus Lynnette Anderson Carla Elaine Atkinson Denise Dimsdale Laura English-Robinson Joan Estep Melissa Fontaine Kathye J. Gary Jennye Guy Valerie Hamm Keli Jackson Melissa Kelly Rebecca Kier Amy Little Lara Longsworth Maria McDaniel Ann Marie McPhail Noelle Miller Miffanwy Mistretta Elise O’Banion Laura Peacock Leanna Pearson Mary Brooke Quarles Jeanne Ann Ratliff Erreka Reed Denise Sims-Lyttle Laurie Tossing Lenna Turner Kristin Vienneau Joyce L. Williams Kimberly Williams Yolonda Williams Carrie Anne Wilson dancers Toni Doctor Justin Evans Clair Faulkner Nick Hagelin Tamara Merritt Irving Nia Lancelin Brian Mason Cory Willis TAO09 AIDA.indd 22-23 chorus J. Robert Adams J. Daniel Altman Kyle Barnes Charles Baugh James Binion, Jr. Keith Blount Chris Boggs Josh Borden Zachary Brown Bradley Candie Christopher S. Connelly Gabriel Couret Christopher J. Deraney Peter Clayton Dickson Melvin Foster Michael Gaare C. Augustus Godbee Timothy Harper Christopher Hawkins Marcus O. Hill Israel Hillery John Irvin Grant Jones Ben Larkin Brett McMichael Timothy Miller Conrad J. Moore Tony O’Dell Timothy Parham Ben Polite Marc Porlier Will Ramseur Jason Royal Iván Segovia Dennis Shuman Gregory Sterchi Trenton Tunnell III Leif Westermark Nima Yazdanpanah John Young, Jr. supernumeraries Gary Babiarz Leon Von Brown Jason Caldwell Lily Chambers Chris Deutschler Joshua Donahue Patrick Donohue Mats Dreyer Rich Dunville Philip Fuller Dean-Carlo Grant DeVario Hannah Matthew Hendrix Macon Hill Jerry Hunter Joel Ishman Dorothy Macdonald Mike Magursky Mike Morin Ben Olasov Bill Pacer Trevor Petty Gill Ritt Bryan Roy Murray Sarkin Peter Seymour Andrea Strickland Tim Stylez Alexander Sund Beth Suryan Carla Sweetwood Carol Tome Jason Tyler Steve Warren Jodi Weiner Bradley Williams Spiro Winsett Brian Work violin Peter Ciaschini, cello trombone Charae Krueger, Principal Mark McConnell, Principal Concertmaster Avi Friedlander, Asst. Principal Edmon Nicholson Richard Brady, Bass Trombone Martin Gueorguiev Lisa Morrison, David Hancock Asst.Concertmaster (Acting) tuba Mary Kenney Donald Strand, Principal Cynthia Sulko Linda Cherniavsky, Principal, Second Violin timpani bass John Lawless, Principal Lyn DeRamus, Principal Rafael Veytsblum, Asst. Principal, Second Violin (Acting) Christina Berman percussion Emory Clements Michael Cebulski, Principal Edward Eanes Kaliya Okuri Karen Hunt Robert Givens Brian Rehm Jeff Kershner Patti Gouvas Sheela Iyengar flute harp Alison James James Zellers, Principal Susan Brady, Principal Steven K. Leonard Jeanne Carere herald trumpets Michele Mariage-Volz Kelly Bryant, Flute/Piccolo John Morrison Sally Wilson Martin Jennifer Marotta oboe Lee Nicholson Paul Poovey Dane Philipsen, Principal Shawn Pagliarini Greg Holland Diana Dunn Patrick Ryan Erica Howard, English Horn Angele Sherwood-Lawless banda Mayu T. Sommovigo Adam Hayes, trumpet cl arinet Mimi Tam David Odom, Principal Hollie Lifshey, trumpet Elonia Varfi Jeanne Heinze Michael Barry, trumpet Raffaela Wahby John Warren, Clarinet /Bass Clarinet Carol Doemel, trumpet Eric Alexander, trombone viol a bassoon Hollie Lawing, trombone William Johnston, Principal Mike Muszynski, Principal Thomas Gibson, trombone Elizabeth Derderian-Wood, Debra Grove Nella Rigell, harp Asst. Principal horn Robert Rieve personnel manager Kathy Wood, Principal (Acting) Julie Rosseter Mark McConnell Julie Spencer Karl Schab David Bradley Joli Wu Alan Brown trumpet Yvonne Toll, Principal Kevin Lyons *STRING SECTIONS ARE LISTED IN ALPHABETICAL ORDER 2/8/10 11:12:34 AM VOLUNTEERS 24 The Atlanta Opera thanks its passionate and dedicated volunteers for their generous donation of time during the first half of our 2009-2010 season. The volunteers listed here participated in one or more activities including: mass mailings, special events, stage crafts, wigs, makeup, artist transportation and office administration. Through dedicated performance of these tasks, volunteers gave support far beyond a monetary measure, for which The Atlanta Opera is deeply grateful! Myriam Acevedo Peg and James Lowman Barbara Ambus William A. Markle Denise Anderson Dan Maslia Joan and Sanford Baskin Mary Ruth McDonald Eric Bender Laura McIntosh Heather Bulla Lorrain and Joseph Mills Charley Burney Sumbul Mirza Debra Caldwell Vermelle Mohmad Jessica Callaham Fatimah Mustafaa Brandon Clivens Stephanie Nixon Jean Cornn Vernon Norris Laura Cox Kim Ong Marilyn Daniels Sonia Oxman Seth Davis Polly Pater Chris Deutschler Alexandra Perrotta Richard Dodder Faye Popper Brad Dorfman Ezi Porbeni Charlene M. Eiffert Zabrina Rios Jessica Ellis Diana Robinson Debra Empting Kristin Sampson Angela Fairley Catherine Sanchez Sonya Faniel Cherylene Sands Genevieve Fink Joyce Schechter Jane Fishman Dan Shumate Ann Fritz Ruth Siegel Gurinder Garcha Virginia Sims Anne Marie “Peg” Gary Verna Slade Devario Hannah Jennifer Spivey Elizabeth Harven Eleanor and Jim Strain Julie Hentz Sharon and Mac Sudduth Cherilyn O. Heyliger Beth Suryan Amy Hightower Katherine Teixeira Kimberly A. Hunter Ruth Vaught Nancy Ickes Mark and Tricia Vogelgesang Carol Jaeger Alice Wade Sache Jones Lafeea Watson W.C. Jones, Jr. Harold Whitney Mary Kitchens Laura Williams Helen and Steve Kraus Ashlei Williams Michael Kraus Jerry Xi AD Virginia J. Lam Sue Lawrence Lydia L. Lee TAO09 AIDA.indd 24-25 2/8/10 11:12:34 AM EDUCATION 26 AND OUTREACH OPERA WORKSHOPS (EMMALEE IDEN) We at The Atlanta Opera understand that sharing the joy of music and theater with audiences of all ages is an integral part of our organizational mission. March may be the official “Music In Our Schools Month,” but The Atlanta Opera has started the celebration early and will continue to celebrate music education all spring. The 2010 Atlanta Opera Studio Tour kicked off the first of February, and school children throughout the Metro region and in other parts of the state have been learning about opera through our lively version of the Hans Christian Anderson classic tale of The Ugly Duckling. For most students, this is their first, and for some it will be their only, experience of opera. The tour continues through March, and includes special performances for homeschool families and children celebrating a teacher work day on Friday, March 12. We are looking forward to seeing old friends and visiting new schools as well this spring! curriculum and provide ample time for students to ask questions. 2009-2010 workshop topics include the following: What is Opera?; Preparing and Auditioning for a Role; Opera Production/ Technical Theater; and Careers in Opera. Opera Trunks provide opera-related resources for the classroom or after-school educator. Each trunk contains recordings of the featured opera, as well as additional books, CDs, activities and costume/prop elements which can make opera come alive for students while weaving its study throughout the various classroom subjects. Trunks can be used by one or several teachers during the rental period. 2009-2010 trunks feature Verdi’s Aida and Mozart’s The Magic Flute. We look forward to continuing to celebrate our 30th anniversary season with our annual Opera Workshops and Opera Trunks provide Opera Family Day on Saturday, March 27 other in-school opportunities for elementary, from 10am-2pm at The Atlanta Opera Center. middle, and high-school students to learn This is a fun event for young families, featuring about opera and the performing arts. Opera performances and demonstrations, crafts, Workshops are appropriate for grades k-12 and interactive costume shop, and more. offer students a more intimate “hands-on” opera experience. Designed for a classroom of students, For information on our educational programs, the workshops allow extensive interaction or to book a performance or workshop, please between students and artists and are tailored contact Emmalee Iden, Education Manager, at to meet the needs of a particular class and its 404.881.8883 or eiden@atlantaopera.org. TAO09 AIDA.indd 26-27 The Atlanta Opera Family Day Saturday, March 27, 2010, 10 am - 2 pm Fun for the whole family! Come learn about and celebrate the art form with The Atlanta Opera through performances, demonstrations, crafts, interactive costume shop and much more! • Grades PreK-3 • $5 Admission • Lunch available for purchase on-site For more information, contact Emmalee Iden, Education Manager, at 404.881.8883 or eiden@atlantaopera.org 2/8/10 11:12:34 AM AD The Atlanta Opera Comprimarios A Membership Group for Young Professionals Interested in socializing, networking, and having fun with fellow arts enthusiasts? Join today for just $25 to receive special ticket deals and invitations to exclusive Comprimarios events all year long! For more information and updated event listings, pick up a copy of the Comprimarios ARIA newsletter in the lobby and follow us online: www.facebook.com/TheAtlantaOpera www.twitter.com/TheAtlantaOpera L E F T : C O M P R I M A R I O S AT A 2 0 0 9 B R AV E S G A M E ; R I G H T : C O M P R I M A R I O S AT O P E N I N G N I G H T O F T H E AT L A N TA O P E R A’ S T H E E L I X I R O F L O V E TAO09 AIDA.indd 28-29 2/8/10 11:12:35 AM MEST SH AE G ES O FR CO I EMT YT HF E O RZ UA RR ITCI H S T GI CE NEEXRCAELL LDEI N RC EC E T OR 30 COMMUNITY PARTNERS The Society for Artistic Excellence membership includes a minimum pledge of $20,000 over three years. The gifts listed below will help The Atlanta Opera build its artistic and financial capacity. The generous donors are enabling our organization to continue to present world-class performances. corporate partners $500,000 or more foundation partners $500,000 or more AT&T Anonymous The Coca-Cola Company The Goizueta Foundation Zurich American Insurance Company $100,000 + new production patron $300,000 + conductor patron ( con t .) $20,000 + Wachovia Bank $10,000 + Georgia Power Foundation, Inc. Anonymous Lucy and John Cook Affordable Equity Partners, Inc. The Rich Foundation Dr. and Mrs. James W. Bland, Jr. Mr. and Mrs. David Dorman Ms. Rebecca Y. Frazer and Mr. Jon Buttrey $5,000 + The Sara Giles Moore Foundation Mrs. W. Harry Willson revival production patron $150,000 + Jane and Don Gatley Anonymous Mr. and Mrs. Carl W. Knobloch, Jr. Ms. Barbara D. Stewart ** artist patron $45,000 + $1 0,000+ Anonymous John L. Hammaker ** $1,000 + The Atlanta Foundation Mr. Harald R. Hansen Montag & Caldwell, LLC Mr. and Mrs. Michael Keough The Arnold Fund Mr. and Mrs. Jack C. McDowell ULTRA Commerical Interiors, Inc. Dr. and Mrs. John O’Shea ** $250 + The Mary Allen Lindsey Branan Foundation Hewatt Electrical Contractors, Inc. Metro Atlanta Arts & Culture Coalition Laser Development $5,000 + Mr. and Mrs. David S. Greene Jerry and Dulcy Rosenberg Candy and Greg Johnson ** Mr. and Mrs. Stewart A. Searle, III Mr. and Mrs. J. Barry Schrenk ** Mr. and Mrs. Baker A. Smith ** Mr. William F. Snyder and Mr. Louis A. Peneguy ** Lynne and Steve Steindel ** Lynne and Steve Steindel ** Mr. and Mrs. William E. Tucker Rhys and Carolyn Wilson ** additional multi-year gifts $15,000 + The Mary and Charlie Yates Family Fund ** conductor patron $20,000 + $50,000 + McMaster-Carr Supply Co. Dr. Alexander Gross and Mrs. Joanne Chesler Gross Charlie and Dorothy Yates Family Fund Wachovia Bank Manulife Financial William E. Pennington ** Bob and Cappa Woodward ** $250,000 + Morgan Keegan & Company, Inc. local & government funding $50,000 + Cobb Energy Performing Arts Centre Foundation Atlanta Music Festival Association $7,500 + Georgia Council for the Arts Anonymous $2,500 + Mr. and Mrs. Shepard B. Ansley ** Dr. Marilyn Stockton Charles Loridans Foundation ChoicePoint Foundation Donald and Marilyn Keough Foundation J. Marshall and Lucile G. Powell Charitable Trust Camp-Younts Foundation Frances Wood Wilson Foundation, Inc. Mr. and Mrs. Timothy E. Sheehan ** Hills Family Foundation $10,000 + National Endowment for the Arts The Home Depot Foundation JBS Foundation Nordson Corporation Foundation Thomas H. Pitts Fund The Price Gilbert, Jr. Charitable Fund The Ray M. and Mary Elizabeth Lee Foundation $2,500 + Middle J Foundation, Inc Publix Super Markets Charities, Inc. Mr. David Boatwright Gertrude & William C. Wardlaw Fund The Laura & Montague Boyd Foundation in honor of $1,000 + Eleanor Huie Strain Dr. & Mrs. W. Brantley Burns in memory of Martha Louise Mason Burns DECEASED ** Atlanta Opera Guild Herbert and Marian Haley Foundation The Mary Brown Fund of Atlanta Mr. and Mrs. John W. Calhoun III * 31 W E W O U L D L I K E T O R E C O G N I Z E M E M B E R S O F T H E S O C I E T Y F O R A R T I S T I C E X C E L L E N C E , W H O H AV E R E N E W E D T H E I R C O M M I T M E N T F O R M U LT I - Y E A R P L E D G E S E N D I N G 2 0 1 1 . T O L E A R N M O R E A B O U T T H E V E R D I S O C I E T Y A N D H O W Y O U M A Y B E C O M E A M E M B E R P L E A S E C O N TA C T $250 + Lubo Fund, Inc. WGBH Educational Foundation PA M E L A B E N S O N O R R A E W E I M E R AT 4 0 4 - 8 8 1 - 8 8 0 1 TAO09 AIDA.indd 30-31 2/8/10 11:12:36 AM DENNIS HANTHORN - Zurich General Director AD A P R I L 2 4 , 2 7 , 3 O , M AY 2 ( M ) , 2 O 1 O A NEW PRODUCTION! F A M I LY P A C K A G E S A V A I L A B L E ! 4 O 4 . 8 8 1 . 8 8 8 5 • AT L A N TA O P E R A . O R G TAO09 AIDA.indd 32-33 2/8/10 11:12:36 AM THE GERSHWINS® by George Gershwin, DuBose & Dorothy Heyward, & Ira Gershwin 2O IO - I I SE A SON THE ATL ANTA OPER A FEBRUARY 26, MARCH I,4, 6(M), 2OII GIACOMO PUCCINI OCTOBER 2,5,8,IO (M), 2OIO Grazia Doronzio Mimì Laquita Mitchell Bess Timothy Blevins NaGuanda Nobles Chauncey Packer Crown Clara Sportin’ Life Keith Lockhart Conductor WOLFGANG AMADEUS MOZ ART Michael Redding Porgy Bryan Hymel Rodolfo Jan Cornelius Musetta Matthew Curran Colline David Gately Director Gregory Vajda Conductor SUBSCRIPTIONS ON SALE NOW! TAO09 AIDA.indd 34-35 APRIL 9,I2,I5,I7(M), 2OII Keri Alkema Fiordiligi Jennifer Holloway Dorabella Matthew Plenk Ferrando Kiera Duffy Despina Jason Hardy Don Alfonso Jose Maria Condemi Kazem Abdullah Director Conductor Visit atlantaopera.org or call 4O4.88I.8885 or 8OO.35.OPERA. 2/8/10 11:12:38 AM ANNUAL FUND 37 Listed on the following pages are donors who contributed cumulative donations of $500 or more to The Atlanta Opera between July 1, 2008 and June 30, 2009. Contributions of under $500 are listed on our Web site, www.atlantaopera.org. The lists reflect gifts from individuals, family foundations, Board of Directors, staff, chorus and orchestra. Please know we value every donor and appreciate your on-going support. maestro fund Mrs. Joseph B. Hutchison Anonymous Mr. James D. Powell Mr. Robert Arogeti Mr. Charles Sharbaugh The John and Nancy Bell Family Foundation, Inc. principal ($2,500 +) Mr. and Mrs. Dan Cathy AD Drs. Michael and Ellen Chalef Ms. Ruth Gershon and Mr. Sandy Cohn Mr. Louis W. Corrigan, Jr. Dr. and Mrs. Arnoldo Fiedotin Barbara and Bill Klineman Mr. and Mrs. Abe Levine Mr. Jeffrey Levine Dr. Robert and Judge Stephanie Manis The Marcus Foundation, Inc. Morris Family Foundation Jerry and Dulcy Rosenberg Michaela and Michael Rosenblatt Mr. William C. Wardlaw Mr. and Mrs. Phillip E. Alvelda Jean and Jerry Cooper Dr. Kristin R. Corgan Jerry Dilts and David MacGilvray Col. and Mrs. Edgar W. Duskin Ms. Dorothy E. Edwards Dr. and Mrs. P. Frank Hagerty Mr. and Mrs. Douglas Hantula Mr. and Mrs. Harry C. Howard Mrs. Joseph W. Jones Mr. Louis L. Lawson Margaret and Hank McCamish The Devereaux F. & Dorothy M. McClatchey Foundation Anna Louise and Beatrice McCormack composer ($10,000 +) Mr. and Mrs. Hugh S. Ripps Anonymous Milton J. Sams Julie and Jim Balloun Morton and Angela Sherzer John and Rosemary Brown Mr. Thomas A. Stevens Thomas and Loraine Williams Foundation Mr. and Mrs. George B. Taylor, Jr. conductor ($5,000 +) Mr. Richard Tigner Mr. Bryan H. Barnes Mrs. Elizabeth Tufts Bennett Mr. and Mrs. Andy Berg Mr. and Mrs. Timothy J. Walsh Mr. W. C. Wyatt, Jr. Dr. and Mrs. Thomas J. Yuschok Dr. R. Dwain Blackston chorus ($1,000 +) Doug and Donna Curling Mr. and Mrs. Ronald R. Antinori Mr. and Mrs. Harry L. Gilham, Jr. Dr. Joseph H. Astrachan Dr. Thomas N. Guffin, Jr. Drs. Joseph C. and Florence C. Barnett Ms. Louise S. Gunn TAO09 AIDA.indd 36-37 2/8/10 11:12:40 AM 38 MESSAGE FROM TA HN E NZUUARLI CFHU NG DE N E R A L DIRECT OR ANNUAL FUND 39 Clinton and Barbara Bastin Jeanie and Albert Marx Mr. Frederick D. Brooks Mr. Charles B. LeBlanc and Mrs. Elsa LeBlanc Mr. and Mrs. C. Duncan Beard Mr. and Mrs. Dan D. Maslia Ms. Marion Bunker Mr. and Mrs. Harry Lembeck Ms. Jan P. Beaves Melissa E. McMorries and Jonathan Simmons Mr. Dan Carithers Dr. Jason Liebzeit Allison Krebs Bensch and Torsten Bensch Mr. Frank M. Monger Mr. James Caswell Richard Lodise and Valerie Jagiella Ms. Pamela Benson Elizabeth Ann “Betty” Morgan Mr. and Mrs. J. Howard Chandler Dr. Jo Marie Lyons and Mrs. Betty C. Lyons Ms. Martha S. Brewer Mr. and Mrs. William A. Parker, Jr. Mrs. Carol J. Clark Douglas W. and Sarah Mabry Ms. Gwendolyn Brooker Mr. and Mrs. Richard P. Perry Mr. Michael Clutter Stanley and Elaine Mager Joanna Buffington Dr. and Mrs. Lawrence Phillips Mr. and Mrs. Alan Colberg Ms. Marge McDonald Dr. J. Bricker Burns Mr. John S. Polascik III Mr. Bruce E. Corrigan Betty B. McKemie Michael and Debra Caldwell Mrs. Elizabeth Pritchett Mr. and Mrs. Michael J. Curry Mr. and Mrs. John McMullan Dr. Bruce Cassidy and Dr. Eda Hochgelerent David Proulx and Joye McElroy Maureen and Michael Dailey Mr. and Mrs. Harmon B. Miller III Mr. David Connell Ms. Barbara Rivenbark Shelley McGehee and Sylvia Debenport Mrs. Rhonda Dawes Milner Ms. Lillianette Cook The Honorable Judge Dorothy A. Robinson Mr. and Mrs. Tom DeBra Ms. Margaret L. Mitchell Dr. John W. Cooledge Mr. and Mrs. George P. Rodrigue Carol and Jerry Demery Ms. Priscilla M. Moran Mr. Randy L. Craven Dawn and Randall Romig Mr. and Mrs. William D. Duckworth Mr. and Mrs. Peter J. Morelli II Mrs. Overton A. Currie John and Barbara Ross Dallas Duncan Franklin Barbara and Mark Murovitz Dr. and Mrs. F. Thomas Daly, Jr. Dr. and Mrs. Mark Rowles Mr. and Mrs. Robert F. Engeman, Sr. Terri and Stephen Nagler Ms. Suzanne Dansby Phelps Sachin Shailendra Mr. and Mrs. John Gam Ms. Carol Niemi Mr. Robert S. Devins Dr. and Mrs. Edwin Slappey Col. and Mrs. Donald M. Gilner Mrs. Amy Wynn Norman Mr. and Mrs. John C. Ethridge, Jr. Dr. and Mrs. Patton P. Smith Mr. and Mrs. Donald Goldstein Mr. Wiley C. Owen Mr. and Mrs. Philip Folger Mr. Fred B. Smith Dr. Edwin Gordon Shawn Pagliarini Peg Simms Gary Yee-Wan and John Stevens Ms. Elizabeth Griffis Ms. Beverley Paquette R. Derril Gay, Ph.D. Ms. Melinda R. Stuk Judge Adele P. Grubbs Ms. Nadeen A. Paul Mr. and Mrs. Emanuel Gluck Dr. Jane T. St. Clair and Mr. James E. Sustman Sylvia Halleck George and Libba Pickett Mr. Thomas Gregory Dr. and Mrs. Michael Szikman Ms. Helen K. Hammonds Dr. and Mrs. Garratt Ponder Mr. and Mrs. and Mrs. George Gundersen Mr. and Mrs. Ben J. Tarbutton, Jr. Dean and Vivian Haulton Mr. David Pylate Mr. Dennis Hanthorn Dr. and Mrs. Terry Taylor Ben and Sarah Hautt Mr. Klaus Rees Mr. and Mrs. Edward J. Hardin Dr. Nicholas Valerio III Mr. George Hickman, III Ms. Karen D. Rider Mr. and Mrs. Richard Hartnig Rae and George Weimer Mr. L. D. Holland Ms. Regena J. Riffey Mr. Michael D. Hastings Wadleigh C. Winship* Ms. Marjorie K. Holler Ms. Heidi M. Rockwood Mr. and Mrs. James Horgan Ms. Bunny Winter and Mr. Michael Doyle James E. Honkisz and Catherine Binns Sidney and Phyllis Rodbell Ann P. and Ezra F. Howington Drs. Martin and Holly York Mr. and Mrs. Nicholas C. Howard Mr. Hervey S. Ross Dr. Karen Kuehn Howell Ms. Sharon Schachter Mr. and Mrs. David C. Huffman Dr. and Mrs. Ronald Hughes sustainer ($500 +) Mr. James Hurtsellers Mr. Clifford E. Schane Lou and Tom Jewell Anonymous Mr. Jason Ingraham Mrs. Helen A. Schellman Mr. and Mrs. Kenneth D. Johnson Judith and Aaron Alembik John A. Isakson Mr. Nicholas Shreiber James M. and Andrea Braslavsky Kane Ruth and Ed Baer Dr. and Mrs. Duke Jackson, Jr. Rev. Thomas B. Shuler Mr. and Mrs. Peter G. Kessenich Mr. and Mrs. Walter Bailey Mr. Doyle P. Jones Mr. Robert Sidewater Dr. Marion Leathers Kuntz Mr. David Baker Ms. Jo Elliott Jones Margaret and Harry Smith Mr. Lewis H. Larson Mrs. Enrique E. Bledel Mrs. Jo W. Koch Mr. Peter James Stelling Mrs. Howard P. Lawrence Mr. Eugene Boeke, Jr. Dr. Lisa A. Tedesco and Mr. David W. Kuehn Ms. Antoinette L. Stewart Ms. Linda L. Lively and Mr. James E. Hugh III Anita and Marshall Brittain Mr. and Mrs. Arnold Kurth Steve and Christine Strong Samantha and William Markle Dr. Harold Brody Mr. and Mrs. Glenn Langford Mr. and Mrs. Frederick A. Stuart TAO09 AIDA.indd 38-39 2/8/10 11:12:40 AM 40 MESSAGE FROM TA HN E NZUUARLI CFHU NG DE N E R A L DIRECT OR Mr. and Mrs. Hugh M. Tarbutton Dr. and Mrs. Kenneth G. Taylor Mr. Richard Thio Mr. James Todd Mr. and Mrs. Charles D. Tuller Mr. and Mrs. Thomas W. Ventulett III Mr. and Mrs. Leroy Walden Dr. and Mrs. James O. Wells, Jr. Ms. Anne Williams Larry and Beverly Willson Mrs. Frank Wilson, Jr. Dr. and Mrs. David Wingert Mrs. Geraldine S. Woodward Ms. Mary L. Yost Mr. and Mrs. John Zellner AD Mr. Roy J. Zingrich and Ms. Sherryl L. Payne In te rm ez zo Spend Intermission with the Zurich General Director and Fellow Opera Lovers! Donate $2500 or more to The Atlanta Opera and have select access to Intermezzo Salon – a complimentary intermission reception where there’s always a glass of wine waiting for you! As a Patron, you will enjoy: • special backstage tours • private events & rehearsals • complimentary valet parking For information, call and speak to a Major Gifts Officer at 4o4.881.8801. NOTE: The Intermezzo Salon is located in the Main Lobby near the concierge desk. TAO09 AIDA.indd 40-41 2/8/10 11:12:40 AM 42 MESSAGE FROM TA HN E NZUUARLI CFHU NG DE N E R A L DIRECT OR ANNUAL FUND Listed below are donors who contributed cumulative donations of $500 or more to The Atlanta Opera between July 1, 2009 and December 31, 2009. Contributions of under $500 are listed on our Web site, www.AtlantaOpera.org. The lists reflect gifts from individuals, family foundations, Board of Directors and staff. Please know we value every donor and appreciate your on-going support. individuals ($25,000 +) ($500 +) Mr. and Mrs. Donald Keough Mr. and Mrs. Michael Barker ($20,000 +) Dr. Asad Bashey corporate ($5,000 +) ($1,000 +) Jane and Don Gatley Genuine Parts Company Herbert and Marian Haley Foundation ($2,500 +) The Wachovia Foundation Lois and Lucy Lampkin Foundation Dr. and Mrs. James W. Bland, Jr. Wendy and Neal Aronson Clinton and Barbara Bastin Dr. J. Bricker Burns ($10,000 +) Mr. and Mrs. Chris M. Carlos Mr. and Mrs. Harmon B. Miller, III Shelley McGehee and Sylvia Debenport ($5,000 +) Heather and Eli Flint Mr. and Mrs. William J. Hayes, III Judith and Mark Taylor H C Design Mr. James Horgan Linda and Richard Hubert Dr. Isabella T. Jenkins ($2,500 +) Mr. Doyle P. Jones Mr. and Mrs. Denis Duncan Mr.Get Kampfer Dr. and Mrs. P. Frank Hagerty Dr. Mary M. Kent Mr. and Mrs. Warren Y. Jobe Mr. and Mrs. Arnold Kurth Margaret and Hank McCamish Mr. and Mrs. J. David Lifsey Mr. William McDaniel Dr. and Mrs. P. Mather Lindsay Georgia Council of the Arts Melissa E. McMorries and Jonathan Simmons Ms. Su So Longman Atlanta Music Festival Association ($10,000 +) Mr. Nicholas Shreiber The Reverend Neal P. Ponder, Jr. The Rich Foundation National Endowment for the Arts Jean and John Wilson Ms. Barbara Rivenbark Zeist Foundation ($1,000 +) Dawn and Randall Romig ($5,000 +) Anonymous foundations ($100,000 +) The Goizueta Foundation ($50,000 +) ($10,000 +) Anonymous ($250 +) Bright Wings Foundation government ($50,000 +) American Recovery and Reinvestment Act The Laura & Montague Boyd Foundation Mrs. Overton A. Currie 43 John and Barbara Ross Mr. and Mrs. Mason Rountree Rev. Mr. Thomas B. Shuler maestro fund Ms. Sandra Ecker Anonymous Heike and Dieter Elsner Mr. Robert M. Franco Ms. Rebecca Y. Frazer and Mr. Jon Buttrey Ms. Barbara K. Hoffman Ms. Louise S. Gunn Mr. and Mrs. Stephen Kuranoff Lou and Tom Jewell ($5,000 +) Mr. and Mrs. Jeffrey N. Levine Mr. and Mrs. Peter G. Kessenich Ann and Gordon Getty Foundation Mr. and Mrs. Ehud Levy Mr. Lewis H. Larson Frances Wood Wilson Foundation, Inc. The Marcus Foundation, Inc. Jeanie and Albert Marx Fraser-Parker Foundation Mr. and Mrs. Teodoro Maus William McDaniel Charitable Foundation The Hertz Family Foundation, Inc. Mr. and Mrs. Michael A. Natbony Mary Ruth McDonald JBS Foundation Jerry and Dulcy Rosenberg Terri and Stephen Nagler in honor of mrs. elizabeth tufts bennett ($2,500 +) Mr. and Mrs. Michael Rosenzweig Ms. Nadeen A. Paul Mr. Roberto Gonzales The Joseph and Felicia Weber Family Foundation John and Barbara Ross Mr. and Mrs. William R. Thurman, Jr. Yee-Wan and John Stevens in honor of walter huff Mr. and Mrs. Harold D. Yudelson Dr. and Mrs. Terry Taylor Mr. and Mrs. Erwin Zaban Dr. Nicholas Valerio III in honor of marc graney The Mary and Charlie Yates Family Fund Mrs. Christina L. Graney The Atlanta Foundation The Arthur M. Blank Family Foundation J. Marshall and Lucille G. Powell Charitable Trust JPMorgan Chase Foundation Camp-Younts Foundation Target Stores TAO09 AIDA.indd 42-43 Mr. Brenn Smith Mr. Peter James Stelling Mr. and Mrs. John C. Thomas Mrs. Frank Wilson, Jr. Mrs. Geraldine S. Woodward Ms. Mary L. Yost in memory of neal e martin bearden Mr. and Mrs. Stanley B. Cohen Rina Rosenberg and Bill Witherspoon 2/8/10 11:12:40 AM 44 MESSAGE FRT O RMI BTUHTEE SZ U&R IMC EHM G O ER N I AE LR SA L DIRECT OR i n m e m o ry of rac h el leh m a nn i n m em o ry o f rache l le hmann Mr. Michael Friedman Dr. and Mrs. James W. Bland, Jr. in memory of nancy taffel Mr. and Mrs. Howard F. Elkins Branch Banking & Trust Co. Dr. Herbert W. Eber Ms. Elizabeth F. Meeker Mr. and Mrs. Steve Wakefield Ms. Marlene Harding Mrs. Joseph B. Hutchison Mr. Alfred D. Kennedy and Dr. Bill Kenny Ms. Virginia Lam Mr. and Mrs. Allen P. McDaniel in memory of betsy hansen Ms. Mary Ruth McDonald Mr. Harald Hansen Mr. and Mrs. Robert Nemo in memory of kit t y anderson Mr. William E. Pennington Ms. Barbara Ann Blakely Mr. Edward Stockman Mr. and Mrs. Mark K. Taylor Mr. and Mrs. Tomlinson C. Ulbricht The Pro-Mozart Society of Atlanta, Inc. in honor of dr. and mrs. james w. bl and, jr. Constance W. Treloar in memory of anne m. colgin Mr. William E. Pennington Elizabeth Morgan Spiegel in memory of mrs. june crawford Dr. James M. Crawford in memory of eric friberg Judith and Mark Taylor Mrs. W. Harry Willson in honor of dr. alexander gross Georgia Dermatology Center in memory of betsy hansen The Mary and Charlie Yates Family Fund in memory of john vernon jones Mr. John A. Chambers Dr. and Mrs. Martin L. Reish Sue and Alan Rothstein Ms. Beth Ruddiman Dr. Robert M. Schultz Ms. Barbara D. Stewart i n m em o ry o f rache l le hmann Jim and Eleanor Strain Dr. and Mrs. Arnold Zweig, M.D. AD in memory of jeff metcalf John L. Hammaker in memory of karina miller Mr. and Mrs. Holcombe T. Green, Jr. John L. Hammaker in honor of mark and ann rowles Mr. Stephen P. Rowles in memory of ryan smith Johannah Smith The Mary and Charlie Yates Family Fund in memory of mrs. steindel Ms. Linda Mattocks in memory of marya gabrielle williams Ms. Marilon Jone P. Williams in honor of cappa and bob woodward Mr. and Mrs. Van Spear in honor of charlie yates Mr. and Mrs. John H. Clark IV Mr. Sam Olens Mr. Joshua Zeller TAO09 AIDA.indd 44-45 2/8/10 11:12:41 AM THE 46 ENCORE CIRCLE Where there’s a will – there’s a way! The Atlanta Opera sincerely appreciates your generous support and belief in our mission of bringing the highest quality opera productions and education to our community. By leaving your legacy to The Atlanta Opera, you will receive the satisfaction of supporting an art form you care deeply about while providing a foundation for the future of opera for generations to come. Creating an estate plan requires advice from a professional. The Atlanta Opera encourages you to consult your advisor to make sure your gift will accomplish your intended goals. We are happy to meet with you to explore the options which are most beneficial to you and discuss how your gift can help preserve the Opera’s future. For further information, or if you have already named The Atlanta Opera in your plans and would like to be a member of the Encore Circle, please contact: Pamela Benson, Major Gifts Officer pbenson@atlantaopera.org 404.591.2921 or Rae Weimer, Major Gifts Officer rweimer@atlantaopera.org 404.343.7125 The Encore Circle The Atlanta Opera established The Encore Circle to recognize and honor those donors who have designated the Opera as a beneficiary in their estate planning. Gifts from these individuals ensure our progress for generations to come. Anonymous Estate of Michael A. McDowell Mr. and Mrs. Shepard B. Ansley Mr. and Mrs. Jack C. McDowell Ms. Mary D. Bray Mr. and Mrs. Craig N. Miller Estate of Anne Moore Colgin Miss Helen D. Moffitt Mr. Robert Colgin Mr. J. Robert Morring Estate of Mrs. Judy Darby Mr. and Mrs. Bertil D. Nordin Ms. Dorothy E. Edwards Clara M. and John S. O’Shea Mr. and Mrs. Dieter Elsner Mrs. Polly Pater Mr. and Mrs. Emanuel Gluck Estate of Mr. Jack Poole Ms. Judy Hanenkrat Mrs. Hazel Sanger Estate of Mr. Albert L. Hibbard Mr. Paul Sanger Estate of Mr. Robert N. Hoehn, Jr. Mr. D. Jack Sawyer, Jr. Mr. Hilson Hudson Ms. Barbara D. Stewart Mrs. Joseph B. Hutchison Mr. and Mrs. Thomas H. Teepen Mr. Alfred D. Kennedy Mr. Richard F. Tigner Estate of Mrs. Alfred D. Kennedy, Sr. Dr. and Mrs. Harold Whitney Estate of Mrs. Isabelle Woolford Kennedy Estate of Mrs. Ruth D. Williams Ms. Corina M. LaFrossia Ms. Bunny Winter and Mr. Michael Doyle Mr. Louis L. Lawson Mr. and Mrs. Charles R. Yates, Sr. Mr. Robert Lee Mays Mr. Charles R. Yates, Jr. and Mrs. Mary Mitchell Yates Mr. and Mrs. Allen P. McDaniel Ms. Mary L. Yost TAO09 AIDA.indd 46-47 AD 2/8/10 11:12:41 AM 48 MESSAGE F R O MT HTEH EV EZRUDRI I CS H O CGI EE N TY ERAL The Verdi Society was created by the Board of Directors to honor those whose philanthropy support and dedication has been instrumental in the growth of The Atlanta Opera. Membership in the Verdi Society is limited to those individuals, corporations and organizations whose gifts have accumulated to $100,000 and above. $1,000,000 + To learn more about the Verdi Society and how you may become a member please contact Pamela Benson or Rae Weimer at 404.881.8801. Charles Loridans Foundation DIRECT OR Atlanta Music Festival Association Georgia Council for the Arts The Goizueta Foundation Mrs. W. Harry Willson The Robert W. Woodruff Foundation, Inc. $500,000 + Anonymous (2) AT&T Dr. and Mrs. James W. Bland, Jr. The Coca-Cola Company Fulton County Arts Council Mrs. Alfred D. Kennedy, Sr.* Wachovia Bank Zurich American Insurance Company $250,000 + Anonymous Atlanta Journal-Constitution** AD David, Helen, and Marian Woodward Fund Mrs. Olga Casteleiro de Goizueta Mr. and Mrs. Holcombe T. Green, Jr. Candy and Greg Johnson The Kendeda Fund Mr. Alfred D. Kennedy and Dr. Bill Kenny Mr. and Mrs. Donald R. Keough Mr. and Mrs. Carl W. Knobloch, Jr. Peggy and Jack McDowell Mr. and Mrs. Arturo Melosi The Rich Foundation Sara Giles Moore Foundation StarEnterprise David, Helen and Marian Woodward Fund Bob and Cappa Woodward $100,000 + American Color Graphics** Mr. and Mrs. Shepard B. Ansley Mr. and Mrs. Ronald R. Antinori The Arthur M. Blank Family Foundation Atlanta Bureau of Cultural Affairs The Atlanta Foundation Bank of America TAO09 AIDA.indd 48-49 2/8/10 11:12:41 AM 50 MESSAGE F R O MT HTEH EV EZRUDRI I CS H O CGI EE N TY ERAL DIRECT OR Mr. Robert O. Breitling, Jr. Mr. and Mrs. Stewart A. Searle Ms. Janine Brown and Mr. Alex J. Simmons, Jr. Mr. William F. Snyder and Mr. Louis A. Peneguy The Coca-Cola Foundation SunTrust Banks, Inc. Mr. and Mrs. Robert Colgin Judith and Mark Taylor Cumberland Community Improvement District The Tull Charitable Foundation Delta Air Lines, Inc.** Turner Broadcasting System, Inc. Mr. Robert S. Devins Thomas and Loraine Williams Foundation Fidelity National Bank Ms. Ruth Dimick Williams Friends of The Atlanta Opera Jean and John Wilson Georgia Power Foundation, Inc. Rhys and Carolyn Wilson Georgia-Pacific Corporation Wadleigh C. Winship* Gertrude & William C. Wardlaw Fund Ms. Bunny Winter and Mr. Michael Doyle Mr. and Mrs. John S. Gillfillan The Mary and Charlie Yates Family Fund Mr. and Mrs. Emanuel Gluck Mr. and Mrs. Joe D. Goodwin Mr. and Mrs. Henry D. Gregory, Jr. John L. Hammaker Mr. and Mrs. William J. Hayes III Mrs. Joseph B. Hutchison * DECEASED ** G I F T S IN KIND AD Industrial Developments International J. Marshall and Lucille G. Powell Charitable Trust The Jim Cox, Jr. Foundation The Junior League of Atlanta The Katherine John Murphy Foundation Mr. and Mrs. Michael A. Klump Livingston Foundation, Inc. Mr. and Mrs. John G. Malcolm The Mary Allen Lindsey Branan Foundation Sally and Allen McDaniel Mellon - Private Wealth Management Mr. and Mrs.* James B. Miller, Jr. Mrs. O. Ray Moore National Endowment for the Arts Clara M. and John S. O’Shea Mrs. Polly N. Pater Mr. William E. Pennington Mr. Jack Poole The Price Gilbert, Jr. Charitable Fund PricewaterhouseCoopers The Residence Inn by Marriott** Mrs. Deen Day Sanders Mr. D. Jack Sawyer, Jr. and Dr. William E. Torres Mr. and Mrs. J. Barry Schrenk TAO09 AIDA.indd 50-51 2/8/10 11:12:41 AM 52 MESSAGE F R OBMO A TR HD E ZU NR ES RAL O F R DI CI RH E G C TE O DIRECT OR officers members ( con t. ) Chairman Emeritus, Mrs. Shepard B. Ansley Ms. Melissa E. McMorries, Taylor English Duma, LLP Chairman, Mr. Gregory F. Johnson, Mr. Richard McPhail, The Home Depot, Inc. Republic National Distributing Company, Inc. President, Mr. Charles R. Yates, Jr., Zurich Financial Services Group Mr. Harmon B. Miller, III, Miller Zell, Inc. Mr. James B. Miller, Fidelity Bank Dr. John O’Shea, Emory Health Systems, retired Vice President, Ms. Barbara D. Stewart, Stewart Economics Mr. William E. Pennington Treasurer, Mr. Michael Keough, DMK International Mr. James D. Powell, KPMG, LLP Secretary, Mr. Robert G. Woodward, King & Spalding Mr. James R. Robinson, Arnall, Golden, Gregory, LLP members Mr. Bruce A. Roth, Roth & Associates, Inc. Mr. Bryan H. Barnes, Deloitte & Touche, LLP Mr. Andy Berg, Homrich Berg Mrs. James W. Bland, Jr. Mr. Montague L. Boyd, III, UBS Financial Ms. Janine Brown, Alston & Bird, LLP Ms. Sharon J. Byers, The Coca-Cola Company Mrs. John W. Calhoun, III The Very Reverend Samuel G. Candler, Cathedral of St. Philip Mr. G. Bert Clark, Jr., Estate Strategies Group, LLC Mr. Mario Concha, Concha Consulting LLC Mr. David Connell, Georgia Power Ms. Martha Thompson Dinos Mr. Denis Duncan, PricewaterhouseCoopers, LLC Mr. Robert G. Edge, Alston & Bird Mr. J. Barry Schrenk, Taggarts’ Driving School Mr. Stewart A. Searle, Strategic Thought Partners Mr. Sachin Shailendra, S G Contracting Mr. Charles Sharbaugh, Paul, Hastings, Janofsky & Walker, LLP Mr. Timothy E. Sheehan, Mellon Private Wealth Management Mr. Baker A. Smith, BDO Consulting Corp. Advisors, LLC. Mr. Steve Steindel Mr. Kessel D. Stelling, Jr., Bank of North Georgia Mr. G. Kimbrough Taylor, Jr., Kilpatrick Stockton LLP Mr. William E. Tucker, Tucker, Midis & Associates, LLC Mr. Timothy J. Walsh, Lanier Parking Solutions Mr. Thomas R. Williams Mrs. Harry Willson, Sunnyland Farms, Inc. Mr. Rhys T. Wilson, Nelson, Mullins, Riley & Scarborough, LLP Mr. Alexander P. Woollcott, Thompson Hine, LLP Ms. Dorothy E. Edwards honorary members Mr. Dieter Elsner, Roedl Langford de Kock LP Mr. Carl I. Gable Mr. Eli Flint, Flight Options Mr. John S. Gillfillan Mr. David Greene, Goldman Sachs & Co. Mrs. Holcombe T. Green, Jr., WestPoint Stevens Dr. Edwin Gordon, The Walker School Mr. Carter Joseph, Empire Distributors Mrs. Joanne Chesler Gross Mr. Donald Keough, DMK International Mr. John L. Hammaker Chairman Sam Olens, Cobb County Board of Commisioners Mr. John Michael Hancock Mr. Mark K. Taylor, HT Group, LLC Mr. William J. Hayes, III, Bain & Company, Inc. Mrs. John C. Wilson Mr. Thomas D. Hills, State of Georgia Ms. Bunny Winter, The Coca-Cola Co., retired Mr. Douglas R. Hooker, PBS&J ex-officio members Mr. John Isakson, Jr., Williams Asset Management Ms. Mary B. James AD Mr. Dennis Hanthorn, Zurich General Director Mr. Michael L. Keough, DMK International Mrs. Carl Knobloch Sally S. McDaniel, Sally S. McDaniel Consulting & Training Mrs. Jack C. McDowell TAO09 AIDA.indd 52-53 2/8/10 11:12:41 AM 54 MESSAGE FROM H TO HE U SZEU R P IOCLHI C GI EE SN E R A L concessions Concession stands are located in the center of the lobbies on all three levels. Food and beverage items are prohibited inside the theatre. Thank you for your cooperation. restrooms Restrooms are located on house right and house left of all three lobbies. Family restrooms are also located on house right of all three lobbies. Mobility-impaired patrons may use any of our restrooms. parking There are 1,000 parking spaces available at a $5 charge per car. Valet service is available for $10. Please be sure to allow enough time for travel to the theatre and parking as there is no late seating. atm There is one Bank of North Georgia ATM located in the grand lobby. DIRECT OR special assistance Persons requiring access assistance are asked to contact the box office at 770.916.2850 for advance arrangements. Audio clarification devices are available to our hearing impaired guests at no charge. This is on a first-come, first-served basis, or you may call the House Manager ahead of time to reserve one 770.916.2828. A limited number of booster seats are also available. All items require a form of identification to be held until the item is returned. cobb energy centre rules & requests • All patrons, regardless of age, must have a ticket in order to be admitted to the performance. Please be aware that not all performances are suitable for children. coat check Coat check is available at the concierge desk. • Infants will not be admitted to adult programs. Parents will be asked to remove children who create a disturbance. emergency information In the event of an emergency, please locate the nearest usher who will direct you to the appropriate exit. • There is no late seating allowed. Closedcircuit monitors are provided in the lobby as a courtesy to latecomers. elevators Elevators are located on each side of the lobbies on all levels. lost and found Lost and Found items are turned into the concierge desk on the day of a performance. To inquire about a lost item, please call the House Manager at 770.916.2828. smoking Smoking is prohibited inside the building. Please use the terrace exit to step outside and smoke. TAO09 AIDA.indd 54-55 AD • Please turn off all cell phones prior to the beginning of each performance. • Please limit conversation during the performance. • Cameras (including use of cell phone camera) and audio & video recording devices are strictly prohibited at all times. • Leaving while the show is in progress is discourteous and we ask that you refrain from doing so. • Please unwrap all candies and cough drops before the performance. 2/8/10 11:12:41 AM 56 MESSAGE FTRHOEM A TT H LA E NZTUAR IOCPHE RGAE NS ET R AA FF L DIRECT OR zurich general director Dennis Hanthorn artistic ⁄ production ⁄ education the atl anta opera costume shop Eric Mitchko, Director of Artistic Administration Joanna Schmink, Costume Coordinator Elecia Crowley, Company Manager Patricia McMahon, Costume Shop Manager Michael Benedict, Production Manager Arienne M. Gascon, Costume Assistant Emmalee Iden, Education Manager Ken McNeil, Wardrobe Supervisor Craig Kier, Principal Coach/Accompanist Synithia Cochran, First Hand Walter Huff, Chorus Master Melinda Brown, Stitcher communications Laury Conley, Stitcher Cristina Vásconez Herrera, Director of Communications Kelly Poor, Receptionist development Mary K. Roarabaugh, Director of Development Gregory P. Carraway, Foundation & Grants Manager Pamela Benson, Major Gifts Officer Rae Weimer, Major Gifts Officer Dzauya Nkuchwayo, Annual Fund Manager Amanda Wilborn, Special Events Coordinator Fiona Leonard, Sticher Brett Parker, Intern seasonal staff John Beaulieu, Technical Director/Master Carpenter Sherrie Dee Brewer, Production Stage Manager Ashley Pollard, Assistant Stage Manager Emily Diller, Assistant Stage Manager Catherine Babb, Properties Master Patricia Tuckwiller, Master Electrician Stephen Dubay, Master Electrician finance ⁄ administration Christina Whitaker, Wig and Makeup Artist Paul Melroy, Senior Director of Finance and Administration J. Montgomery Schuth, Wig and Makeup Artist Bret Busch, Data Operations Manager Nanette Kennedy, Wig and Makeup Artist Adam Jacob, Accounting Manager Aida Scuffle, Wig and Makeup Artist Sarah Hautt, Assistant to the Zurich General Director Christian Ellesmere-Jones, Wig and Makeup Artist marketing Katrina Suhre, Wig and Makeup Artist Shannon K. McClure, Director of Marketing Alice M. Stoner, Assistant Director of Marketing Dallas Duncan Franklin, Creative Services Manager Charles Swint, Audience Development Manager AD Emily Pape, Wig and Makeup Artist Edward Wenzer, Wig and Makeup Artist Jared Hunter, Technical Theater Apprentice Amanda Davis, Technical Theater Apprentice Alan Strange, Ticketing Services Manager Lindsay V.W. Smith, Ticketing Services Associate Rykie Belles, Ticketing Services Assistant cobb energy performing arts centre production staff Michael Cronin, Technical Director Bryan Huggett, Head Electrician Johannes Pikel, Master Carpenter Chris Barber, Audio Engineer TAO09 AIDA.indd 56-57 2/8/10 11:12:42 AM South City Kitchen philosophy utilizing local, organic and seasonal products, whenever possible. 75 5th St., 404214-6740, waterhavenatl.com. M business crowd. Sundays are BBQ Nite. 1144 Crescent Ave. 404-873-7358, southcitykitchen. com. M AMERICAN/STEAKHOUSE Terrace celebrates American heirloom recipes through supporting local and regional farmers, fisherman and producers. It recaptures the pure simple flavors and tastes of natural and organic ingredients while bursting with delicious flavors. 176 Peachtree St. NW, 678.651.2770, ellishotel.com/terrace. D Joey D’s Oakroom Near Perimeter Mall, this stylish steakhouse has a staggering selection of spirits and a hot after-dinner singles scene. 1015 Crown Pointe Pkwy., 770-512-7063, centraarchy.com. P RESTAURANT LISTINGS Looking for a great night out? Try one of these local restaurants before or after the show. For Dinner and a Show packages, visit encoreatlanta.com/offers. Neighborhood codes: A–Alpharetta, B–Buckhead, IP–Inman Park, OFW–Old Fourth Ward, M—Midtown, D–Downtown, P–Perimeter Mall area, SS–Sandy Springs, VH–Virginia-Highland, V—Vinings, W–Westside AMERICAN Canoe Located in Atlanta’s historic Vinings area on the Chattahoochee River where Buckhead meets Vinings. Its original cuisine and distinctive design have already been featured in Bon Appetit, Food And Wine, Gourmet, The Wine Spectator and The New York Times. Canoe, recipient of the prestigious Mobil 4 Star Award, was also selected as one of the “Best New Restaurants” in the country by the James Beard Foundation. 4199 Paces Ferry Road SE, 770-432-2663, canoeatl.com. V (Re-opening late November) Lenox Square Grill offers breakfast, lunch and dinner daily. DJ every Friday and Saturday night till 2am. Private meeting rooms accommodate up to 150. 3393 Peachtree Rd NE, Atlanta, GA 30326, 404.841.2377, lenoxsquaregrill.com. B Livingston Restaurant and Bar It’s hard to beat the location (across the street from the Fox at the Georgian Terrace), and diners get complimentary parking, but the main attraction is the glamour of the main dining room, which has hosted the likes of Clark TAO09 AIDA.indd 58-59 Gable, and the al fresco seating area, which is available in warm weather. 659 Peachtree St. NE, 800-651-2316, livingstonatlanta.com. M Lobby The menu focuses on seasonal fare at this sophisticated American restaurant in the lobby of TWELVE Atlantic Station. 361 17 St., 404-961-7370, lobbyattwelve.com. M ONE.midtown kitchen Dine on fresh, seasonal American cuisine in a club-like atmosphere near Piedmont Park. 559 Dutch Valley Rd., 404-892-4111, onemidtownkitchen.com. M Murphy’s This restaurant has one of the city’s top brunch menus, but it’s known for great peoplewatching and its contemporary comfort food. 997 Virginia Ave., 404-872-0904, murphysvh.com. VH Two Urban Licks “Fiery” American cooking meets live music at this hip hangout. 820 Ralph McGill Blvd., 404-522-4622, twourbanlicks. com. M WaterHaven is an upscale casual restaurant, featuring contemporary American cuisine with local influences. The menu focuses on fresh homemade products with a farm-to-table New York Prime A Prime Time Top 10 USDA Prime Steakhouse known for its wine list, atmosphere and world class service. 3424 Peachtree Rd. NE, 404-846-0644, centraarchy. com. B Prime Enjoy steak, sushi a nd seafood in a festive atmosphere near Lenox Mall. 3393 Peachtree Rd. NE, 404-812-0555, h2sr.com. B Ruth’s Chris Steakhouse A favorite local steak house with multiple locations near shopping and entertainment hotspots. Sides are generous, and the quality of the steaks and seafood is excellent. Three locations: Buckhead, 3285 Peachtree Rd. NE, 404-365-0660; Sandy Springs, 5788 Roswell Road, 404-255-0035; Centennial Olympic Park, 267 Marietta St., 404-223-6500; ruthschris.com. B, SS, D ASIAN FUSION Aja Restaurant & Bar Serving modern Asian cuisine, Aja has a 150-seat patio overlooking Buckhead and a huge lounge, where diners nosh on dim sum and sip mai tais. 3500 Lenox Rd., Ste. 100, 404-231-0001, h2sr.com. B BRASSERIE French American Brasserie (FAB) A reinvention of Atlanta’s famed Brasserie Le Coze, FAB serves a combination of classic French fare and American chops. A covered terrace overlooks the city skyline. 30 Ivan Allen Jr. Blvd., 404266-1440, fabatlanta.com. D The Tavern at Phipps This is one of Atlanta’s hottest after-work spots, and has been singled out for its happy hour and singles scene by Jezebel, InSite Magazine and the AOL City Guide. 3500 Peachtree Rd. NW, 404-8149640, centraarchy.com. B Joël is a chic yet relaxed French restaurant that blends contemporary style with rustic flavors. Responsible for one of Atlanta’s most acclaimed dining experiences, Chef Cyrille Holota guides the kitchen as executive chef, bringing his full-flavored brasserie concept to the menu. 3290 Northside Parkway, 404-2333500, joelbrasserie.com. B AMERICAN/SOUTHERN BREW PUB/GORMET PUB FARE Home Restaurant & Bar Farm-to-table Southerninspired cuisine is served nightly; half-price bottles of wine available every Sunday. 111 W. Paces Ferry Rd., 404-869-0777, h2sr.com. B Gordon Biersch Fresh-brewed beers are a tasty accent to this brewery-restaurant’s hearty pizzas, salads and sandwiches. For a small additional fee, pre-show diners can leave cars in the lot while they’re at the Fox. 848 Peachtree St. NE, 404-870-0805, gordonbiersch.com. M Paschals is known for its exceptional Southern Cuisine, upscale atmosphere, and a retro style that gives customers the perfect southern hospitality experience. Specials include wine and jazz on Thursday evenings and Sunday brunch. 180-B Northside Dr., 404-525-2023, paschalsatlanta.com. D South City Kitchen Midtown With a stylish, Southern-contemporary menu, this DiRoNA restaurant helped make grits hip for the Tap A gastropub offering easy-to-share pub fare and an extensive beer selection. The patio is a great place to chill after work. 1180 Peachtree St., 404-347-2220, tapat1180.com. M CREOLE/CAJUN Parish New Orleans-inspired dishes served with a modern twist and a fully stocked raw bar; a Nawlins-inspired brunch is served on the 2/8/10 11:12:42 AM weekends. Downstairs, a take-away market sells sandwiches, spices, pastries and beverages. 240 N. Highland Ave., 404-681-4434, parishatl.com. IP and killer margaritas. 1186 N. Highland Ave. NE, 404-873-4656, eltaco-atlanta.com.VH EUROPEAN FUSION Goldfish This fun seafood/sushi restaurant has Happy Hour specials Mon-Fri and nightly entertainment in its lounge. 4400 Ashford Dunwoody Rd., 770-671-0100, h2sr.com. P Ecco Esquire Magazine named this casual, European-influenced bistro a “Best New Restaurant in America.” It’s also gotten raves for its killer wine list, wood-fired pizzas, and impressive meat and cheese menus. 40 Seventh St. NE, 404-347-9555, ecco-atlanta. com. M LOLA Bellini bar and restaurant specializing in wood-fired meats and pastas. 3280 Peachtree Rd. NW, 404-892-9292, h2sr.com. B La Tavola Serving classic Italian cuisine for lunch and dinner in the heart of VirginiaHighland. 992 Virginia Ave., 404-873-5430, latavolatrattoria.com. VH ITALIAN Medici Tuscan cuisine served in the typical Tuscan spirit; flexible menu with Tuscanrubbed steaks and a wide selection of antipasti, insalata e zuppes, pastas, hand tossed pizza and bistecches. 2450 Galleria Pkwy., 770-9534500, renaissancewaverly.com. V MEDITERRANEAN ENO Atlanta’s true European Mediterranean inspired restaurant and wine bar, or “enoteca”, has come to epitomize EuropeanMediterranean quality of life in Atlanta. 800 Peachtree St., 404-685-3191, enorestaurant. com. M MEDITERRANEAN/LATIN/ASIAN Shout A young crowd keeps Shout’s rooftop lounge hopping every night. The menu reflects a mix of Mediterranean, Far Eastern and South American influences. 1197 Peachtree St N.E., 404-846-2000, h2sr.com. M MEXICAN El Taco An eco-friendly watering hole serving fresh Mexican food made with all-natural meats TAO09 AIDA.indd 60-993 SEAFOOD/SUSHI SPANISH/TAPAS Noche A Virginia-Highland favorite known for its Spanish-style tapas dishes and margaritas. 1000 Virginia Ave., 404-815-9155, h2sr.com. VH SPORTS BAR STATS A modern sports bar that doesn’t skimp on the quality of its food; five bars and multiple screens are at your service. 300 Marietta St., 404-885-1472, statsatl.com. D STEAK/SUSHI Room This elegant restaurant serves steak and sushi on the ground floor of the TWELVE Centennial Park hotel. 400 W. Peachtree St., 404-418-1250, roomattwelve.com. D AD Strip This sophisticated steak, seafood and sushi restaurant offers an in-house DJ and a rooftop deck. Atlantic Station at 18th St., 404385-2005, h2sr.com. M Twist This lively restaurant has a huge bar, satay station, tapas menu, and sushi and seafood dishes; patio seating is first-come, first-served. 3500 Peachtree Rd. NW, 404-869-1191, h2sr. com. B Ray’s Restaurants Ray’s in the City is the downtown location of the steak, seafood and sushi chain. Ray’s Killer Creek offers an awardwinning Sunday brunch, and Ray’s on the River is one of Atlanta’s most romantic restaurants. All three have excellent food, award-winning wine lists and live entertainment. Ray’s in the City: 240 Peachtree St. NW, Atlanta, 404-5249224; Ray’s on the River: 6700 Powers Ferry Rd., Sandy Springs, 770-955-1187; Ray’s Killer Creek: 1700 Mansell Rd. (at Ga. 400), 770-6490064; raysrestaurants.com. D, SS, A 2/8/10 11:12:43 AM Shhh. Sounds like applause No artificial flavors, no added preservatives. Since 1886. ©2009 The Coca-Cola Company. “Coca-Cola” is a registered trademark of The Coca-Cola Company. TAO09 AIDA.indd 994 2/8/10 11:12:43 AM