Autumn 2016 - Hirmer Verlag

Transcription

HIRMER
PUBLISHERS AUTUMN 2016
PAINTING AND DRAWING
LIFESTYLE IN PRE-MODERN
JAPAN: FASHION, STAR
CULT AND SEX
THE WORLD’S FIRST COMICS – JAPANESE COLOURED WOODCUTS IN THE
17TH TO THE 19TH CENTURIES
MANGA AND ANIME – THE
LATEST DEVELOPMENTS OF
JAPANESE COMICS AND
CARTOONS
HOKUSAI X MANGA
Ed. Sabine Schulze,
Nora von Achenbach,
Simon Klingler
Essays by S. Schulze,
N. v. Achenbach, S. Klingler,
J. Berndt, J. Singer
240 pages,
227 colour illustrations
21× 28 cm, softcover with
flaps, stay open binding
£ 24.00
978-3-7774-2667-9
July 2016
JAPANESE POP CULTURE SINCE 1680
Early Japanese popular culture, in the form of the coloured woodcuts of artists
like Hokusai and Kuniyoshi, achieved world fame after Japan's opening. The
pop culture of today, from manga to anime, has also conquered the globe. Now
the sheets and books of woodcuts by the most famous renowned ukiyo-e
artists confront the visual mass media in the comics and cartoons of modern
Japan.
The high-quality Japanese woodcuts and graphic novels from the 17th to the 19th centuries
are products of an urban popular culture in pre-modern Japan, in which clothing, stage stars,
myths, monsters, sexuality and commerce were the governing factors. The publication shows
Exhibition
Hamburg | Museum für Kunst
und Gewerbe Hamburg
the enchanting imagery of both historical and contemporary pop culture in Japan, which
today focuses on manga and anime. Short texts spotlight the art of the woodcut in the Edo
10.06.– 11.09.2016
period, such as the famous shunga sheets, together with selected excerpts from manga,
www.mkg-hamburg.de
including those by Jirō Taniguchi and Inio Asano as well as the current developments in the
manga phenomenon in the Japan of the 21st century.
Utagawa Kuniyoshi, ‘The Hero
Izumo no Imaro’, Japan, Edo,
1834/35, MKG Hamburg
Double-page spread taken
from the publication
OYASUMI PUNPUN
© 2007 Inio ASANO
/SHOGAKUKAN
3
PAINTING
POINTILLISM AS THE
BEGINNING OF MODERN
PAINTING
A COLOURFUL SURVEY OF
THE DAWN OF A NEW AGE
MAJOR AUTUMN
EXHIBITION IN VIENNA
WAYS OF POINTILLISM
Ed. Klaus Albrecht Schröder
Essays by M.-L. Bernadac,
C. Grammont, K. A. Schröder,
H. Widauer
256 pages
23.5 × 28.5 cm, hardcover
£ 28.00
978-3-7774-2634-1
October 2016
SEURAT, SIGNAC, VAN GOGH
With their pioneering method using dots, the artists of Pointillism no longer
directed their gaze only towards the imitation of reality. In their paintings
between 1886 and 1930 their dots, colour and light assumed an independent
existence to create masterpieces of unprecedented brightness and colour
diversity.
The works by the inventors of
this technique, Georges Seurat
Exhibition
Vienna | Albertina
16.09.2016–08.01.2017
www.albertina.at
and Paul Signac, marked the
beginning of this exuberant
outburst of colour. Works by
Henri Matisse, Pablo Picasso,
Carlo Carrá, Karl SchmidtRottluff, Piet Mondrian and
Paul Klee demonstrate how
artists made a study of
Pointillism during the 20th
century. Vincent van Gogh
contributed to the way that
modernist painters abandoned
Pointillism. More than 100
selected works, including
paintings, watercolours and
drawings, illuminate the dawn
Vincent van Gogh,
Interior of a Restaurant, 1887,
of a new era which this art
Otterlo, Kröller-Müller Museum
movement was responsible for
Théo van Rysselberghe,
Seated Nude, 1905, Vienna,
bringing about: the beginning
Albertina, Collection Batliner
of modern painting.
5
PAINTING
MAJOR CULTURAL EVENT
FOR THE SECOND HALF OF
THE YEAR
EXQUISITE SELECTION OF
WORKS WITH PIECES BEING
SHOWN IN GERMANY FOR
THE FIRST TIME
CREATED IN COOPERATION
WITH THE WORLD’S MOST
IMPORTANT COLLECTIONS
THE SPANISH GOLDEN AGE
Ed. Staatliche Museen
zu Berlin, Kunsthalle der
Hypo-Kulturstiftung
336 pages
24 × 29 cm, hardcover
£ 38.00
978-3-7774-2526-9
July 2016
PAINTING AND SCULPTURE IN THE TIME OF VELÁZQUEZ
Velázquez, El Greco, Murillo – the golden age of Spanish art positions the most
famous artists of the 17th century within the history of painting, while still
allowing us to discover new aspects of the most brilliant era of an empire
which once prided itself on the fact that within its boundaries the sun never
seemed to set.
Through the examples of the artistic centres of Toledo, Valencia, Sevilla and Madrid this
Exhibitions
Berlin | Gemäldegalerie
volume opens our eyes to Spain’s “Siglo de Oro”. Its artistic production was indissolubly
01.07.–30.10.2016
linked to a profound change in politics and society: Spanish art reached its high point at a
www.smb.museum
time in which what had previously been the most powerful country in Europe was facing a
Munich | Kunsthalle der
Hypo-Kulturstiftung
continuous loss of its power. However the King, the Church and the aristocracy demanded
25.11.2016–26.03.2017
pictures which would defy the new realities. This book is a formidable invitation to make
www.hypo-kunsthalle.de
the acquaintance of this important era of European art history through selected works of
painting, sculpture and drawing.
Bartolomé Esteban Murillo,
Vol-au-vent Eaters, c. 1670/75,
Munich, Alte Pinakothek
Juan Bautista Martinez del
Mazo, The Artist‘s Family,
c. 1664/65, Vienna, Kunsthistorisches Museum
7
PAINTING
FIN-DE-SIÈCLE VIENNA
ENCOUNTERS MUNICH’S
‘PAINTER PRINCE’ FRANZ
VON STUCK
A MUST FOR FANS OF
FRANZ VON STUCK
SIN AND SECESSION
Ed. Agnes Husslein-Arco,
Alexander Klee
Essays by A. HussleinArco, A. Klee, E. Mendgen,
J. Kennedy, M. Th. Brandlhuber, S. Lehner
English-German edition
304 pages
23 × 28.5 cm, hardcover
FRANZ VON STUCK IN VIENNA
Franz von Stuck’s erotic paintings, especially “Die Sünde” (Sin), were controversial not only because of the choice of subject; his image concept and the
way he presented the Munich Secession set the standard, particularly for
Vienna. The catalogue offers an opportunity to examine von Stuck’s works as
a whole and in relation to each other.
Von Stuck’s influence and his function as a role model in Vienna have hitherto only been
considered en passant. This is surprising as he had his first extensive solo exhibition in the
£ 28.00
978-3-7774-2693-8
August 2016
Künstlerhaus in Vienna as
early as 1892. Von Stuck,
who was one year younger
Exhibition
Vienna | Belvedere
01.07.–09.10.2016
www.belvedere.at
than Gustav Klimt, was a
shooting star of his era and
had become famous at an
early stage as a result of
the portfolio “Allegorien
und Embleme” (Allegories
and Emblems) as well as
the “Karten & Vignetten”
(Cards and Vignettes). The
catalogue offers an opportunity to examine Franz von
Frühling (Spring), c. 1912,
Stuck’s graphic works,
private collection, photograph:
paintings and sculpture
© Galerie Katharina Büttiker
alongside the photographs
Tilla Durieux als Circe (Tilla
Durieux as Circe), c. 1913,
photograph: private collection;
Both works: Franz von Stuck,
private collection
he used as well as the
wide-ranging effect of his
oeuvre on Viennese art.
9
PAINTING 11
KEY WORKS OF GERMAN
PAINTING DURING THE
1960s
THE FIRST MONOGRAPH ON
BASELITZ’S LEGENDARY
EARLY WORKS
MAJOR INTERNATIONAL
EXHIBITION IN FRANKFURT,
STOCKHOLM, ROME AND
BILBAO
GEORG BASELITZ – THE HEROES
Ed. Max Hollein,
Eva Mongi-Vollmer
Essays by U. Fleckner,
M. Hollein, A. Kluge,
E. Mongi-Vollmer, R. Shiff
168 pages
In 1965/66 Georg Baselitz created the monumental series “The Heroes” and
“New Types”, which he presented in wild colour and with defiant style. By
turning his attention towards the tradition of representational painting, his work
formed a striking contrast to the trends towards abstraction and Expressionism
prevailing during the 1960s, thereby embarking on his own unique path.
With his sceptical basic attitude towards post-war Germany, Baselitz (* 1938) emphasised
£ 32.00
978-3-7774-2568-9
July 2016
in his works the ambivalent aspects of the present in which he lived. His “Heroes” appear
correspondingly contradictory: their military fatigues are in tatters and their failure as
deeply engraved as their resignation. The contrast to the success story of Western Germany’s
Exhibition
Frankfurt am Main |
Städel Museum
economic miracle could hardly be more sharply defined, but there is more at stake: with
30.06.–23.10.2016
artist’s self-assertion and determination of identity that were at stake and that Baselitz
www.staedelmuseum.de
formulated so forcefully.
Stockholm | Moderna Museet
this group of works the artist reflected his own position in relation to society. It was the
12.11.2016–19.02.2017
www.modernamuseet.se
Rome | Palazzo delle
Esposizioni
04.03.–11.06.2017
www.palaexpo.it
Bilbao | Museo Guggenheim
30.06–05.11.2017
www.guggenheim-bilbao.es
Georg Baselitz, The
Shepherd, 1966, Museum
Frieder Burda, Baden-Baden,
© Georg Baselitz 2016,
photograph: Jochen Littkemann
Georg Baselitz in his studio in Berlin, 1966, photograph: © Elke Baselitz
CONTEMPORARY ART
PUBLICATION TO ACCOMPANY
THE EXHIBITION IN THE
MUSÉE D’ART MODERNE DE
LA VILLE DE PARIS
COMPREHENSIVE SURVEY
OF THE EARLY WORK OF THE
ARTIST DUOS
WITH NUMEROUS COLOUR
ILLUSTRATIONS AND A
POSTER
EVA & ADELE
Ed. Musée d‘Art Moderne de
la Ville de Paris
English–French edition
168 pages
120 colour illustrations,
including a foldout
14.5 × 21 cm, hardcover
£ 32.00
978-3-7774-2614-3
October 2016
YOU ARE MY BIGGEST INSPIRATION
The exhibition “You Are My Biggest Inspiration” in the Musée d’Art Moderne de
la Ville de Paris is the first comprehensive solo show of the early work of the
radical artist duo EVA & ADELE. In addition to their very first joint work, the
video installation HELLAS, the publication shows for the first time early key
works which focus attention on the Gesamtkunstwerk EVA & ADELE.
EVA & ADELE come from the future. They started their joint work in 1989 with the 7-channel/
video HELLAS, which symbolises the finding and fusing of the two solo artists to created an
Exhibition
Paris | Musée d‘Art Moderne
de la Ville de Paris
artistic identity. Since their “Hochzeit Metropolis” in 1991 the couple strolls with the same
costumes and theatrical appearance as a permanent, life-long and worldwide performance at
09.09.2016–26.02.2017
the principal events of the art world such as the documenta in Kassel, the Biennale in Venice
www.mam.paris.fr
and the major art fairs. The books shows examples from their early painting, drawing, sculpture
and video.
EVA & ADELE – ADSILA
144 pages
67 illustrations
EVA & ADELE, Polaroid
Diary 1991–2005, Detail,
©VG Bild-Kunst, Bonn 2016
£ 16.00
978-3-7774-2322-7
13
a+b
a
=
a
b
CULTURAL HISTORY
WHAT DO THE SHELLS OF
NAUTILUS SNAILS, PINEAPPLE, MARILYN MONROE’S
FACE AND AN ASTON MARTIN HAVE IN COMMON?
THE LONG OVERDUE VISUAL
MANUAL ON THE GOLDEN
MEAN FOR ALL FIELDS OF
KNOWLEDGE
THE “DIVINA PROPORTIONE” IN MATHEMATICS,
NATURE, ART, ARCHITECTURE AND DESIGN
DIVINE, GOLDEN, INGENIOUS
Ed. Lieselotte Kugler,
Oliver Götze
Essays by W. Beinert,
A. Beutelspacher, M. Braun,
W. Busch, C. Erbar, K. Fendius,
J. Fingerhut, H. Fladt,
O. Götze, P. Hirschmiller,
H. Höge, B. Högner,
M.-L. Kinne, M. Kuhn, P. Leins,
M. Lauer, D. Lordick,
T. Niemeyer, K. Schillinger,
F. Schütz, E. Spiekermann,
P. Zizka
THE GOLDEN RATIO AS A THEORY OF EVERYTHING?
Does a mystic, divine formula lie behind everything that is beautiful? For
centuries the golden mean has been a subject of endless fascination. The ratio
of the proportion can be seen in Nature; it runs through artistic design processes and it affects our perception of our surroundings. But how much of this
apparent “world formula” is true, and how much of it is myth?
The history of the golden mean begins with Euclid in the 3rd century BC. But it was only in
the 19th century that it was raised to the universal constant of beauty. From this point
onwards the “golden section” was described in flora and fauna; the famous Fibonacci
number. It determines the growth of the pineapple; and Le Corbusier optimised architec-
192 pages
17 × 23 cm, softcover
£ 24.00
978-3-7774-2692-1
October 2016
ture by means of the Modulor. But does this art-historical phenomenon really play a
universal role in the organisation of our world? Authors from all fields analyse the Golden
Mean with regard to function, demonstrability and relevance, also by means of current
examples from art and design as well as in comparison with the DIN and the tatami
measurement.
Hanna Roeckle, Aquarius, Gemini, 2014, © 2014 Hanna Roeckle
Exhibitions
Berlin | Museum für
Kommunikation
08.09.2016–28.02.2017
www.museumsstiftung.de
Frankfurt | Museum für
Kommunikation
17.03.–27.08.2017
www.mfk-frankfurt.de
Le Corbusier, Modulor,
© FLC / VG Bild-Kunst Bonn,
2016
15
Boxing Bandages
and head guards
Kid Gavilán
Yampier Hernández
Bronze medal at the 2008 Olympic
Games in Beijing
Luis Oliva Gener, 64 kg
Sonny Leon
from Venezuela
(2nd. f. l.)
and Puppy
Garcia (2nd f. r.)
Gimnasio de Boxeo, Centro Havana
Father and Son,
Rafael Trejo Gym, Havana Vieja
Emilio Correa Bayeux
Bronze medal at the 2005 World Boxing
Championships in Mianyang, silver medal
at the 2008 Olympic Games in Beijing
PHOTOGRAPHY
17
THE CULTURE OF A SPORT:
FROM GREEK BRONZE
STATUE TO HOLLYWOOD
BLOCKBUSTER
CUBA’S BOXING IN ALL ITS
ASPECTS: FROM YOUTH
WORK ON THE STREETS TO
OLYMPIC WINNER
EXPRESSIVE PORTRAITS
OF THE ATHLETES, TRAINERS, MANAGERS AND FANS
BOXING CUBA
Ed. Michael Schleicher
Photographs by Katharina Alt
Introduction by Charles
Schumann
Essays by Petra Giloy-Hirtz,
Michael Schleicher & Claudia
Strand
184 pages
£ 28.00
978-3-7774-2612-9
June 2016
Exhibition
Munich | Museum Fünf
Kontinente
13.05.–11.09.2016
www.museum-fuenf-kontinente.de
F. l. to r.: Yosbani Veitía,
52 kg, Silver medal at the World
Boxing Championships 2015 in
Doha; Robeisy Ramírez, 56 kg,
Gold medal at the 2012 Olympic
Games in London; Armando
Martínez, 60 kg;
Julio César La Cruz, 81 kg,
Gold medal at the 2011 World
Boxing Championships in Baku,
2013 in Almaty and 2015 in
Doha
All colour photographs:
© Katharina Alt
FROM BACKYARDS TO WORLD CHAMPIONSHIP
Boxing is the top popular sport in Cuba and part of its cultural identity. The
martial arts, often represented as warlike in form, acquire here an unexpected
elegance, speed and technical perfection. This publication reflects the Cuban
love of sport, from youth work in the back yards of Havana to the preparations
for the Olympic Games. At the same time it tells the story of this fascinating
world sport.
★
Cuba’s pride in its boxers and its sports tradition remains unbroken. Boxing schools and
national boxing idols happily granted the photographer Katharina Alt access to their training
facilities and private homes in order to record life in and around the sport and the contests.
The photos provide an impressive record of the arduous preparations for a fight and continue
until the boxers are saved by the gong in the final round.The text by author and journalist
Michael Schleicher is divided into twelve rounds and shows how the sport has changed since
Antiquity. Motifs, aesthetics and boxing language occur today in art and culture and are thus
an omnipresent witness to the fact that “Boxing is life itself”, according to Joyce Carol Oates.
PHOTOGRAPHY
FOCUS ON FOUR PROMINENT CONTEMPORARY
PHOTOGRAPHERS FROM
AFRICA
A NEW INTERPRETATION OF
THE GENRE OF PORTRAIT
PHOTOGRAPHY
SURPRISING IMAGERY OF
GREAT APPEAL
Cover: Saïdou Dicko, Le Tour
du Faso 1 (The Faso Tour 1),
from the series Le Voleur
d’ombres (The Thief of the
Shadows), 2007, Five
chromogenic prints, each
40 x 60 cm (15.7 × 23.6 in.)
Courtesy the artist
Ed. The Miriam and Ira D.
Wallach Art Gallery, Joshua I.
Cohen, Sandrine Colard and
Giulia Paoletti
Essays by J. I. Cohen,
S. Colard, G. Paoletti,
Introduction by Z. S.
Strother
128 pages
£ 24.00
978-3-7774-2632-7
September 2016
Exhibition
New York | Miriam and Ira D.
Wallach Art Gallery, Columbia
University in the City of New
York
07.09.–10.12.2016
www.columbia.edu/cu/wallach
THE EXPANDED SUBJECT
NEW PERSPECTIVES IN PHOTOGRAPHIC PORTRAITURE
FROM AFRICA
From 19th-century studio practice through the independence era, African photography has best been known for modes of portraiture that crystallise the sitter’s
identity and social milieu. Even portraits by contemporary artists are often
interpreted as windows into African realities. This exhibition reconsiders African
contemporary photographic portraiture by presenting four practitioners whose
concerns range well beyond questions of social identity. Sammy Baloji, Mohamed
Camara, Saïdou Dicko and George Osodi expand their subjects’ interpretive
possibilities, exemplifying a new creativity and versatility in portrait-making.
While each artist employs different strategies, they all challenge the assumption that
photographic portraits serve as mirrors of the “self”. Baloji’s montages dislocate the
subject historically; Camara probes the boundaries of the portrait genre; Dicko expresses
uncertainty at the possibility of representation; and Osodi engages his subjects as plat-
George Osodi, The Marketers,
from the series Lagos
forms for political commentary. The four artists enlist portraiture as a point of departure
Uncelebrated, 2006, Courtesy
for exploring subjectivity, history and photographic form. “The Expanded Subject” offers
the artist and Z Photographic
new insights into the expressive and conceptual range of African photo-portraiture today.
Ltd.
Mohamed Camara, Eh oui,
voici ma future femme (And
Yes, Here Is My Future Wife),
from the series Souvenirs,
2010, Chromogenic print, 27.9
× 37.3 cm (11 × 14.7 in.),
Courtesy the artist and
Galerie Pierre Brullé
Sammy Baloji, Untitled 17,
from the series Mémoire
(Memory), 2006, Archival digital photograph on satin matte
paper, 60 x 167 cm (23.6 x
65.7 in.), Courtesy the artist
and Axis Gallery
19
20
PHOTOGRAPHY
ROLAND FISCHER’S LATEST
XXL PHOTO PROJECT
AN INTIMATE LOOK INTO
THE FEELINGS AND
THOUGHTS OF PEOPLE IN
ISRAEL TODAY
AN EXCITING CONTRIBUTION
TO GERMAN-ISRAELI
FRIENDSHIP WITH TEXTS BY
MOSHE ZUCKERMANN AND
BERNHARD WALDENFELS
ROLAND FISCHER
TEL AVIV – ISRAELI COLLECTIVE PORTRAIT
How should you portray a collective? Roland Fischer shows us in his latest
large-format photo project. 1,000 students from Tel Aviv University agreed to
take part and to be photographed by him. The result is a multi-faceted collective portrait of Isreal's new generation and at the same time a series of fascinating individual portraits.
Roland Fischer’s famous large-format collective portraits of various sections of Chinese
society were exhibited at numerous international venues. His latest work led him to Israel
Ed. Björn Vedder
Essays by B. Vedder,
B. Waldenfels, M. Zuckermann
200 pages
82 colour illustrationse
24.8 × 31.2 cm, softvover
£ 24.00
978-3-7774-2623-5
July 2016
to Tel Aviv University. He placed a total of 1,000 individual portraits of students side by side
to create an overall composition which reveals both the individual and the collective. This
volume reproduces not only the “Israeli Collective Portrait”, but also documents its
creation. Essays by Moshe Zuckermann, Bernhard Waldenfels and Björn Vedder as well as
quotations from the interview film produced parallel to the photo project “A Normal Day On
Rothschild Boulevard” round out the volume.
Roland Fischer, Israeli Collective-Portrait, 2015, © VG Bild-Kunst, Bonn 2016
Exhibition
Freising | Schafhof –
Europäisches Künstlerhaus
June 2016
PHOTOGRAPHY
A TRIBUTE TO THE MAYA
CULTURE
OUTSTANDING FEATURES IN
OVERSIZE FORMAT
A UNIQUE EXAMPLE OF
PORTRAIT PHOTOGRAPHY
ÚLTIMOS TESTIGOS
Ed. Christine Kron
Photographs by Serge Barbeau
THE LAST MAYAN REBELLION IN YUCATÁN
English-SpanishGerman edition
Between 1847 and 1935 the Maya on the Yucatán peninsula rebelled against
their oppression and were eventually defeated by Mexican troops. The Canadian photographer Serge Barbeau has visited the descendants of those Maya
rebels. This volume reproduces in oversize format his expressive portraits
documenting their desire for independence.
96 pages
£ 39.95
978-3-7774-2619-8
August 2016
Serge Barbeau, who has lived in Mexico for many years, visited the descendants of those
militant Maya. They continue to experience the consequences of the dispute to this day and
Exhibition
Munich | Museum Fünf
Kontinente
lead a life full of economic, social and cultural disadvantages. The full-page portrait
01.07.2016–05.01.2016
engraved in the faces of the portrait subjects, the oldest of whom was 107 years old. Their
www.museum-fuenf-kontinente.de
photos are full of detail and show in a moving way the traces of life which have become
tales remind us of the exploitation, forced labour and the confiscation of land at the time
and document the desire for independence which remains unbroken to this day. They also
tell of their deep roots in their faith, which unites the Maya heritage and the Christian
religion. An impressive act of homage to the Maya of Yucatán.
Gregoria Peña Canul, 95 Years
Anastasio Estrada May, 105
Years; Both Photographs:
© Serge Barbeau
21
CULTURAL HISTORY
SENSATIONAL: THE FIRST
COMPREHENSIVE VIEW OF
ART IN THE MONASTERIES
OF WESTERN TIBET
REMARKABLY BEAUTIFUL
VIEWS INTO TEMPLES IN
WHICH CAMERAS ARE
OTHERWISE PROHIBITED
DETAILED TEXTS WITH THE
RESULTS OF THE LATEST
RESEARCH
GUGE – AGES OF GOLD
Peter van Ham
368 pages
460 colour illustrations,
2 fold-outs
28 × 28 cm, hardcover,
dust-jacket
£ 38.00
978-3-7774-2668-6
November 2016
THE WEST TIBETAN MASTERPIECES
During the 10th century Buddhism blossomed in the far west of Tibet into
unexpected magnificence and greatness. In breathtaking views of temple
complexes that are no longer accessible to Western cameras, this volume
shows for the first time anywhere in the world the masterly relics of that
incomparable era that have survived to the present day, from both the Indian
and the Tibetan side of the old Kingdom of Guge.
The rulers of the Kingdom of Guge were patrons of the arts who invited Indian scholars to
translate the texts of the Buddha into Tibetan, thereby preserving the teachings. At the same
time they had a large number of temple complexes built and ornamented to create unique
artworks by master craftsmen from Kashmir. Until well into the 17th century Guge experienced two golden ages in which the West Tibetan artistic style was perfected in monasteries
like Tholing, Tsaparang and Dungkar. Together with “TABO – Gods of Light: The Indo-Tibetan
Masterpiece” this volume represents a unique overall view of the monastery art of Western
Tibet.
Offering goddess that
praises the Buddha‘s enlightenment, cave sanctuaries,
11th century, West Tibet.
Photograph: courtesy of R.
Dompnier, 2004
Tabo – Gods of Light
With an essay by Gerald
Kozicz and an introduction by
Tsenshap Serkong Rinpoche
308 pages
2 fold-outs
28 × 28 cm, hardcover,
dust jacket
£ 38.00
978-3-7774-2326-5
23
24
CONTEMPORARY ART
VISIONARY ARCHITECTURAL
CONCEPTS FOR THE CONSTRUCTION OF WASTEDISPOSAL PLANTS AND
FACILITIES
A SYNTHESIS OF ART AND
ARCHITECTURE
THOUGHT-PROVOKING
IDEAS AND SUGGESTIONS
FOR SOLUTIONS FOR
DEALING WITH THE WASTE
PRODUCED BY OUR CONSUMER SOCIETY
CATHEDRALS FOR GARBAGE
WINFRIED BAUMANN
With his artistic works, the sculptor Winfried Baumann (* 1956) evokes questions of social responsibility and the perception of contemporary social forms.
His subjects are highly topical both as regards content with respect to social
and urban-planning visions, and also formally as they cross the borders
between fine art and applied design.
For over thirty years the sculptor Winfried Baumann has focused his attention on the
ecological problems which are increasingly advancing to become a question of survival
Ed. Institut für moderne Kunst
Nürnberg
With an essay by Harriet Zilch and
an introduction by Bazon Brock
English–German edition
360 pages
£ 28.00
978-3-7774-2613-6
July 2016
for civilised society. Refuse, slag from the burning of refuse, waste oil and other waste
products from our consumer society are materials which he has been using since the
mid-1980s for his three-dimensional works and large-scale installations. In his very
extensive group of works “Cathedrals for Garbage” Winfried Baumann examines, for
example, waste-disposal plants for large urban spaces, with the protection and marking
of nuclear contaminated sites, waste-disposal facilities for large urban spaces and
intermediate urban spaces and with the subject of urban mining.
Double-page spread taken from
the publication (The Guardians of
Fukushima, Pylons of the Temple of
Isis at Philae)
ARCHITECTURE
A FANTASTIC REDISCOVERY
OF THE EXPRESSIONIST
HERITAGE OF THE
RHINE-RUHR REGION
A WELL-PLANNED REFERENCE WORK WITH INDEX
AND MAPS
ARCHITECTURE FROM
BOCHUM, BOTTROP, DORTMUND, DUISBURG, DÜSSELDORF, ESSEN, GELSENKIRCHEN, HAGEN, COLOGNE,
MÜNSTER, OBERHAUSEN
AND ELSEWHERE
FRAGMENTS OF METROPOLIS – RHINE | RUHR
Ed. Christoph Rauhut /
Niels Lehmann
Foreword by Paul Kahlfeldt
English–German edition
240 pages
30 specially drawn maps
£ 24.00
978-3-7774-2567-2
July 2016
EXPRESSIONIST HERITAGE OF THE RHINE-RUHR REGION
The architecture of Expressionism marks the starting point of the discipline
in the Golden Twenties – also in the urban cityscape of the metropolises of the
Rhine-Ruhr region. This volume documents for the first time in a complete
overview all the buildings in the region which still exist and shows a completely new perspective on a familiar region – a fascinating rediscovery in terms of
sheer volume.
Enthusiasm for the Expressionist metropolis, an architecture by complexity, verticality
and a sense of drama, also embraced the urban landscape of the Rhine-Ruhr region
during the 1920s. The Expressionist fragments which have survived to this day bear
witness to a determined love of form and a rich and skilful treatment of colour, material
and light. The volume documents in contemporary photographs and plans 155 buildings
in Bochum, Bottrop, Dortmund, Duisburg, Düsseldorf, Essen, Gelsenkirchen, Hagen,
Cologne, Münster, Oberhausen and elsewhere. A detailed index and clearly drawn
maps complete this reference work.
Fragments of Metropolis
Berlin [2nd Edition]
Ed. Niels Lehmann,
Christoph Rauhut
£ 24.00
978-3-7774-2678-5
Modernism London Style
Ed. Niels Lehmann,
Christoph Rauhut
£ 39.95
978-3-7774-8031-2
25
26
CULTURAL HISTORY
FASCINATING EVIDENCE
OF THE EXCELLENT TEXTILE
ART OF THE MIDDLE AGES
OUTSTANDING EXAMPLE
OF THE CHRISTIAN REINTERPRETATION OF
ISLAMIC ART
NEWLY PHOTOGRAPHED
FOR THE PUBLICATION
THE CHASUBLE OF THOMAS BECKET
A BIOGRAPHY
The so-called chasuble of Thomas Becket (1118–1170) is one of the most
magnificent medieval textiles in the Mediterranean region. Richly decorated
with ornaments, fabulous animals and figures in lavish gold embroidery with
Arabic inscriptions, this precious liturgical garment provides impressive proof
of the re-utilisation of the Islamic arts in the Christian world.
Venerated as a relic of St Thomas of Canterbury, the chasuble was produced in SpanishMuslim workshops and probably reached Italy as a donation to the Cathedral of Fermo in
about 1200. Despite its outstanding artistic quality and fascinating history, this magnificent
garment has never hitherto been the subject of a detailed study. Richly illustrated with
numerous details, this volume investigates the meaning of the inscriptions and motifs,
Ed. Avinoam Shalem
A publication of the Bruschettini
Foundation for Islamic and Asian
Art
Essays by M. Ali-de-Unzaga,
B. Borkopp-Restle, D. Jacoby,
M. Járó, G. Liberati, U. Nilgen,
R. Schorta, A. Shalem
304 pages
180 colour and
b/w illustrations
22.5 × 30 cm, hardcover,
dust-jacket
£ 85.00
978-3-7774-2519-1
November 2016
examines manufacturing techniques and the function of the chasuble, traces its
“biography” and places it within the historical context of the political, economic and
cultural situation in the Mediterranean region.
The Chasuble of Thomas Becket
PAINTING
SENSATIONAL FIND OF A
PREVIOUSLY UNKNOWN
PAINTING BY THE VENETIAN
RENAISSANCE PAINTER
TITIAN
NO COMPARABLE DISCOVERY
OF AN EARLY WORK BY
TITIAN FOR THE PAST 100
YEARS
KEY WORK FOR THE UNDERSTANDING OF TITIAN’S
EARLY WORK AND THE
START OF A NEW AGE OF
PAINTING
TITIAN
Artur Rosenauer
64 pages
£ 32.00
978-3-7774-2639-6
August 2016
THE GRIMANI RISEN CHRIST. AN EARLY MASTERPIECE
Titian was the most important Venetian artist of the sixteenth century. His
paintings are among the most-admired works in collections and museums
worldwide. This volume shows for the first time a sensational find: his early
painting “The Grimani Risen Christ”, which was in the possession of one of the
most important family collections in Venice.
Christ stands on the tomb like an emperor of Antiquity. An impressive scene, but it is not
only the pose which captivates the viewer. The spectacular element lies in the boldness
with which the dramatic Easter morning sky in the background is represented. This detail
demonstrates the genius with which Titian exploited the colours and their full potential: “In
this spectacular detail, the medium of paint is exploited to its highest potential. It is as if
the light embodies a supernatural energy causing the shroud to billow and Christ’s
pennant to flutter.” In addition it has been possible to penetrate to the origins of the
picture. It was in the possession of the Grimanis, one of the most illustrious patrician
families and the most important collectors in Venice at the time.
Double-page spread taken
from the publication
27
28
PAINTING
MASTERPIECES FROM 900
YEARS OF ART HISTORY
TEXTS BY INTERNATIONAL
AUTHORS
KUNSTMUSEUM BERN
MASTERPIECES
The Kunstmuseum Bern owns one of the most important art collections in
Switzerland. Since the foundation of the Staatliche Kunstsammlung in Bern in
1809 and the opening of the first museum building in 1879 the collection has
grown continuously and has attained world renown. Over 170 masterpieces of
the collection are assembled in a single publication for the first time and made
accessible to a broad public through new art-historical analyses and numerous colour illustrations.
The Kunstmuseum Bern houses prestigious works of Swiss and international art from the
late thirteenth century until the present day. The collection contains over 3,000 paintings
Ed. Matthias Frehner,
Valentina Locatelli
Essays by H. Eipeldauer,
U. Fleckner, M. Frehner,
M. Haldemann, A. Hüneke,
V. Locatelli, K. Schmidt, B. Stutzer,
R. Koella, C. Wagner et. al.
460 pages
£ 45.00
978-3-7774-2629-7
October 2016
and sculptures and 48,000 works on paper and videos, including, for example, masterpieces
by Duccio di Buoninsegna, Paul Cézanne, Salvador Dalí, Ferdinand Hodler, Ernst Ludwig
Kirchner, Franz Paul Klee, Franz Marc, Henri Matisse, Meret Oppenheim, Pablo Picasso and
Felix Vallotton. The works assembled in this volume are presented with full-page illustrations and are re-examined by some 70 international authors. A historical survey describing
the development of the museum and its collection opens and introduces the publication.
Ferdinand Hodler, The Stockhorn Mountains and Lake Thun,
1904, Legat Walter and Hedwig
Scherz-Kernen, Muri bei Bern
1942
Albert Anker, Portrait of Marie
Anker, 1881, Legat Charlotte
Quinche, Neuenburg, 1974
Both works: Kunstmuseum Bern
PAINTING
NEW ARTIST’S MONOGRAPH
IN A BIBLIOPHILE VOLUME
PRODUCED IN CLOSE
COOPERATION WITH THE
LEOPOLD MUSEUM, VIENNA
RICHARD GERSTL
Diethard Leopold
72 pages
£ 11.95
978-3-7774-2622-8
July 2016
The art academy failed to recognise his talent; he rejected the contemporary
art scene in Vienna; and his visionary work was largely neglected during his
lifetime: the painter Richard Gerstl (1883–1908), whose creative period lasted
for just four intensive years, is regarded today as one of the most important
representatives of Austrian Expressionism for his portraits and landscapes.
With his early pictures “Self-Portrait against a Blue Background” and “The Sisters Karoline and Pauline Frey” Richard Gerstl began to create an oeuvre which was well ahead of
his times and which made him one of the pioneers of Abstract Expressionism. In 1906
Gerstl met the musician Arnold Schönberg. He embarked upon an affair with the latter’s
wife Mathilde, who briefly left her husband but then returned to him in 1908. Gerstl not
only lost his lover but was also socially isolated; he committed suicide during that same
year. His work sank into oblivion and it was only twenty years later that it was presented to
the public by the Viennese art dealer Otto Kallir-Nirenstein for the first time: Gerstl had
never exhibited his paintings during his lifetime.
Portrait of Henryka Cohn,
1908, Richard Gerstl, Leopold
Museum, Viennal, Leopold
Museum, Wien
29
30
PAINTING
FERNAND LÉGER AND THE
INTERACTION BETWEEN
PAINTING AND ARCHITECTURE
PAINTINGS FOR EVERY DAY
– MURALS FOR PUBLIC AND
PRIVATE SPACES
A FUNDAMENTAL WORK
ON THE BASIS OF UNPUBLISHED SOURCE MATERIAL
FERNAND LÉGER
PAINTING IN SPACE
Ed. Katia Baudin
“The goal should be an understanding by all three parties: the wall, the architect
and the painter”, observed the French artist Fernand Léger (1881–1955) in 1933.
His projects reveal a willingness to try out new things and demonstrate his
striving to extend painting beyond the boundaries of the easel and to integrate it
into the social, everyday space. They shed new light on one of the influential
artists of the twentieth century.
Essays by J. Barsac, K. Baudin,
Y. Dziewior, D. Gay, J. v. d. Heer,
R. Jubert, G. Lista, P. Mandt,
P. Mennekes, K. Michel, D. Severo,
S. Wilson
Fernand Léger, known for his Cubist paintings and his representational works of the
£ 38.00
978-3-7774-2594-8
August 2016
mechanical period, was a trained architectural draughtsman who from the early 1920s
312 pages
22.5 × 27 cm, softcover
with dust jacket
until the end of his life made an intensive study of the interrelationships between painting
and space. He was convinced that the social and psychological dimension in the use of
colour contributed to a better integration of modern architecture into everyday life and
human existence. In close dialogue with architects like Wallace K. Harrison and Le Corbusier
Exhibition
Köln | Museum Ludwig
09.04.–03.07.2016
www.museum-ludwig.de
he produced fascinating, often unexpectedly experimental and frequently abstract projects
for houses, flats, churches, ships and world exhibitions.
Fernand Léger, Composition,
1953, Museu Coleção Berardo,
Lisbon, © VG Bild-Kunst, Bonn 2015
DRAWING
LUDWIG MEIDNER, A
GERMAN EXPRESSIONIST
IN EXILE IN LONDON
VISIONARY SCENES OF
WAR, DESTRUCTION AND
THE HOLOCAUST BY A
JEWISH ARTIST
SARCASTIC, MORDANT
COMMENTS CARICATURING
THE NAZIS
EAVESDROPPER ON AN AGE
Ed. Museum Giersch der
Goethe-Universität in
cooperation with the
Jüdisches Museum der Stadt
Frankfurt
Essays by S. Behr,
L. Berankova, D. Leykam,
B. Möckel, M. Padberg,
E. Riedel, B. Sander
240 pages
£ 38.00
978-3-7774-2586-3
July 2016
LUDWIG MEIDNER IN EXILE
Apocalypse, the city, war, religion, the portrait, exile and existential trauma –
Ludwig Meidner (1884–1966) is regarded as one of the outstanding artists of
German Expressionism. With the accuracy of a seismograph he recorded in his
pictorial and literary works the shocks which reverberated through his time.
To mark the 50th anniversary of the death of the Jewish artist Ludwig Meidner attention
has been focused on the works produced during his period of exile in London between
1939 and 1953 – sketchbooks, watercolours and charcoal and chalk drawings produced
under the most difficult conditions. They represent an intense mixture of internal experience and contemporary commentary. With merciless directness and symbolic condensation the works tell of terror, isolation, persecution and destruction as well as a grotesquely
absurd world which Meidner spotlighted in an idiosyncratic way, combining mockery with
mordant humour and sarcasm with bizarre exaggeration.
Exhibition
Frankfurt am Main | Museum
Giersch der GoetheUniversität
20.03.–10.07.2016
www.museum-giersch.de
Die Nazis (The Nazis),
1940/42, © Ludwig MeidnerArchiv, Jüdisches Museum der
Stadt Frankfurt am Main;
Photograph: Ursula Seitz-Gray
Rolltreppe (Escalator), ca.
1945, Kunstforum Ostdeutsche
Galerie Regensburg, Photograph: Wolfram Schmidt
Both works: Ludwig Meidner
31
CONTEMPORARY ART
HOMAGE TO A GREAT
WITNESS OF OUR AGE
CATALOGUE RAISONNÉ
OF SOVAK’S PRINTED
GRAPHICS AND COLLAGES
FROM 1994 UNTIL THE
PRESENT DAY
WORKS IN MUSEUMS INCLUDING THE ALBERTINA,
THE COLLECTION OF
PRINTS AND DRAWINGS IN
BERLIN, THE GUGGENHEIM
MUSEUM AND MOMA
SOVAK
Ed. Ulrike Lorenz, Anna
Friedrichson
Essays by A. Friedrichson,
T. Köllhofer, U. Lorenz,
N. Smolik
176 pages
£ 28.00
978-3-7774-2687-7
October 2016
CLEAR VISION[S]
Pravoslav Sovak (*1926) is one of the most important graphic artists of our
time. With his drawing skills and delight in technical experimentation he
focuses his critical attention on society and institutions. Sometimes he lets us
immerse ourselves in travel and landscape impressions. A reading book and
catalogue raisonné in one, this volume traces Sovak’s multi-layered oeuvre
since 1994.
The artist from Bohemia is a path-blazer for Postmodernism and an unparalleled master of
graphic techniques. With virtuoso skill he combines complex processes from etching to the
rarely used helioogravure. With his finely balanced nuances he allows virtually every print to
Exhibition
Mannheim | Kunsthalle
Mannheim
become an original. Sovak’s pictorial themes, from the sterility of the media society or the
elemental experience of nature in the wilderness to an autobiographical collage, entrance
02.09.–23.10.2016
viewers with a crystalline precision of design. Clear, almost minimalistic structures,
www.kunsthalle-mannheim.de
networks and grid lines predominate, convincing the viewer with their fine obfuscation and
powerful objectivity.
Installation Imaginaire – Central Park Blue Intrance, 1995
Durchblick, 1988–1997
Both works: Kunsthalle
Mannheim. Photographs:
Kathrin Schwab © Pravoslav
Sovak
33
34
PAINTING
THE OEUVRE OF MAX
MANNHEIMER, CREATED
UNDER A PSEUDONYM
ABSTRACT PICTURES FULL
OF EXUBERANT DELIGHT IN
EXPERIMENTATION
PAINTINGS FROM THE
LIFE’S WORK OF ONE
OF THE OUTSTANDING
PERSONALITIES OF
OUR TIME
MAX MANNHEIMER
THE MARRIAGE OF COLOURS
Max Mannheimer (* 1920) survived the Holocaust as a Jew in a concentration
camp. His moving life history has been published in several books in different
languages. However, few people are aware of his paintings, which were created under his Hebrew name “ben jakov”. This volume assembles a selection of
70 of his works.
Ed. Gottfried Knapp
Edition Jürgen B. Tesch
144 pages
£ 32.00
978-3-7774-2637-2
October 2016
Max Mannheimer’s oeuvre follows his poetic motto “I marry colours”. Starting from a
completely independent artistic position, since 1955 he has demonstrated tremendous
pleasure in experimentation and has created a total of more than one thousand works. His
dynamic abstract paintings and drawings are signed “ben jakov” (Son of Jakob) in memory
of his father, who was killed in concentration camp. They bear witness to the horror as
well as the joy of an eventful life. Together with an introductory essay by Gottfried Knapp,
the publication provides for the first time an overview of the paintings of Max Mannheimer
which have been created away from the public eye.
Max Mannheimer, Hopeful
Breakthrough, undated, 1990s
Max Mannheimer
PAINTING
AN UNUSUAL ARTISTIC
VOICE OF THE TWENTIETH
CENTURY
TEXTS BY INTERNATIONAL
EXPERTS
ZORAN MUSIC
Ed. Gaia Regazzoni Jäggli
Essays by K. de Barañano,
J. Clair, S. Contini, F. Gualdoni,
M. Pasquali, G. Regazzoni
Jäggli, G. Soccol
English-Italian-German
edition
200 pages
THE BRAGLIA COLLECTION
Far from current trends, the painter and graphic artist Zoran Music (1909–
2005), a native of Slovenia, created an oeuvre that is as moving as it is unusual
and that evokes in radical manner a reflection on the inner essence. Music
was represented at the Biennale in Venice as well as the documenta and
received numerous international awards, including the Prix de Paris.
With 68 works from the Swiss Collection of Gabriele e Anna Braglia, this volume presents
a representative insight into Music’s oeuvre, which is characterised by frugal means and
£ 28.00
978-3-7774-2686-0
October 2016
concentration on a mere handful of subjects: the gaunt landscapes of Dalmatia and Italy,
bright and luminous vedute of his elective home town of Venice and dark, shadowy pictures
of people. Music’s art was formed by his experiences in Dachau concentration camp, “this
Exhibition
Lugano | Fondazione Gabriele
e Anna Braglia
great lesson” through which he “discovered the truth”. In 1970–1975 he transformed the
29.09.–10.12.2016
witness to human tragedy.
www.fondazionebraglia.ch
Zoran Music, Motivo dalmata,
1952, Fondazione Gabriele e
Anna Braglia, Lugano, photograph: Christoph Münstermann,
© VG Bild-Kunst, Bonn 2016
experiences he underwent there in his famous series “We Are Not the Last”, a universal
35
CONTEMPORARY ART
SURVEY OF THE ENTIRE
OEUVRE OF THE INTERNATIONALLY FAMOUS ARTIST
FABULOUS WORKS FULL
OF DEVOTION TO NATURE
FIRST MONOGRAPH ON
JANAINA TSCHÄPE IN
CLOSE COOPERATION
WITH THE ARTIST
JANAINA TSCHÄPE
264 pages
£ 38.00
978-3-7774-2633-4
November 2016
FLATLAND
The paintings, drawings, photographs and video installations of Janaina
Tschäpe are inspired by the female body. The artist’s subject complexes are
landscape, death, renewal and transformation. Viewers of her multi-layered
works feel as if they have been transported into a dream world of primeval
landscapes, ambiguous signs and exotic vegetation.
Tschäpe (*1973 in Munich) grew up in Brazil; her first name is that of a Brazilian water
goddess. Thus it is no coincidence that the female figure will mostly be found at the centre
of her photographs and performances. Inspired by nature in Brazil, they are often framed
by organic forms or embedded in flowing waters and form their own artistic cosmos.
Tschäpe also links lines and forms with each other in her paintings to create a network of
interconnections. Janaina Tschäpe lives and works in New York and Rio de Janeiro and has
established an international reputation through exhibitions in museums including the
Guggenheim in New York and the Centre Pompidou in Paris.
Girl Watching a Bird in the
Horizon, detail
Ballgame Still III
Both works: © Janaina Tschäpe
37
38
CONTEMPORARY ART
UNIQUE WORK COMPLEX BY
THE SCULPTOR GABRIELA
VON HABSBURG, IN ONE
VOLUME FOR THE FIRST
TIME
REPRESENTATIVE SURVEY
OF HER ARTISTIC OEUVRE
FULL PAGE REPRODUCTIONS OF THE ARTWORKS
GABRIELA VON HABSBURG
2016 – 1996
For the first time a single volume assembles a work complex from the oeuvre of
Gabriela von Habsburg which has not been shown before. The sculptures, some
of them made of metal or stone in different formats and some of them immovable, introduce the artist’s works in the public space that are scattered across
the United States and throughout Europe. Lithographs, photos of the artist
working on her artworks and of her studio round out this exquisite volume.
Since earliest times the performing arts have always been one of the most important forms
of expression for mankind. With her sculptures Gabriela von Habsburg follows a new
Ed. Elmar Zorn
Essays by Manfred Schneckenburger, Dieter Ronte, Wieland
Wiegand and Elmar Zorn
240 pages
24.5 × 31.5 cm, hardcover,
dust jacket
£ 32.00
978-3-7774-2617-4
July 2016
approach in the politicisation of aesthetics, uniting her work as ambassador, politician
and creative artist. Her many years as an ambassador for the Republic of Georgia in Berlin
are reflected in the choice of the fall of the Iron Curtain as a subject for the execution of her
unusual sculpture monument at Sopron and the Rose Monument of Tbilisi, an act of homage
to the bloodless revolution there. A profound and exclusive glimpse into the work of a
committed sculptor.
Gabriela von Habsburg,
Horseshoe and Wheel Fountain,
2007, Astana, Kasachstan
CONTEMPORARY ART
IMPRESSIVE LIGHT INSTALLATIONS FULL OF BEAUTY
AND POETRY
PRESENTATION OF THE
EXPANSIVE WORKS IN
LARGE FORMAT
FIRST PUBLICATION OF HER
LATEST WORKS AND AN
OVERVIEW OF HER OEUVRE
GRIMANESA AMORÓS
Ed. Beate Reifenscheid
Essay by Andreas Backoefer
and an interview between
Grimanesa Amorós and Tim
Goossens
128 pages
£ 24.00
978-3-7774-2648-8
October 2016
OCUPANTE
The work of the prize-winning Peruvian-American light artist Grimanesa
Amorós is characterised by organic forms and an instinctive approach. The
basis of her fascinating sculptures lies, however, in the natural sciences,
social history and critical theory. Research and feeling establish a form of
communication in her works.
The expansive sculptures and video installations of Grimanesa Amorós have already been
shown all over the world: from Mexico to Tel Aviv and from Beijing to Times Square in
New York. She presented her latest works, “OCUPANTE” and “GOLDEN SECRET ROOM”,
in the Ludwig Museum Koblenz. The artist creates playful light installations which are so
Exhibition
Koblenz | Ludwig Museum
enigmatic that they permit interpretations on different levels. Together with an overview
14.02.–10.04.2016
of her work, this volume reproduces the works in large-format illustrations, thereby
www.ludwigmuseum.org
Grimanesa Amorós,
Ocupante, 2016, Ludwig
Museum, Koblenz, Photograph: Amorós Studio, © VG
Bild-Kunst, Bonn 2016
reproducing their fluidity and luminosity.
39
40
CONTEMPORARY ART
BIG, POWERFUL COLLECTION OF PICTURES – THE
OPUS MAGNUM OF
ALBRECHT GEHSE
UNIQUE INSIGHT INTO THE
THOUGHTS OF A REMARKABLE ARTIST
A MUST FOR LOVERS OF
CONTEMPORARY ART
ALBRECHT GEHSE – TURMOIL
50 PICTURES OF THE WORLD – A CYCLE
In his cycle Albrecht Gehse reveals in 50 exciting pictures a world in which
dream, nightmare and reality are combined in a comic, frightening but above
all mysterious way. In these brilliant, large-format works, society and history
are shown in settings which elude all traditional iconography.
Albrecht Gehse grants the viewer insights into his thoughts and his worldview. United by a
masterly painting style which extends from illusionistic representationalism via rapid
virtuoso sketches to true explosions of colour, the artist leads us into scenes in which
Ed. Christoph Stölzl
Essays by A. Gehse, C. Stölzl,
M. Thiede
156 pages
35 × 37 cm, hardcover, dust-jacket
£ 32.00
978-3-7774-2674-7
October 2016
great uproar appears to reign. Faces from politics are on view; natural phenomena flash to
Exhibition
Berlin | Gasometer Schöneberg
the fore; architecture and theatrical spaces come and go; mass scenes alternate with
08.05.–09.07.2016
snapshots. And the artist himself is repeatedly present in this painterly interpretation of
www.euref.de
the world of the present. Brief comments on the cycle lead us through the events.
Albrecht Gehse in his studio in
Eiswerder, Berlin, 2015
Bundeskanzler a.D. Helmut Kohl
(Former Federal Chancelor Helmut
Kohl), 2003
Both works: Albrecht Gehse, © VG
CONTEMPORARY ART 41
THE LATEST WORKS BY THE
SWISS ARTIST
WITH TEXTS BY AND A CONVERSATION WITH THE ARTIST
HIGH-QUALITY FEATURES
WITH PRINTED LINEN BINDING AND BOOK PAPER
INSIDE
THOMAS HUBER
Ed. Stephan Berg
With texts by Thomas Huber
and an interview between
Stephan Berg, Thomas Huber
and Wolfgang Ullrich
200 pages
29 × 23 cm, linen
ON THE HORIZON
What is the place of painted pictures? What is their relevance? And what is
their reality? Thomas Huber is an internationally acknowledged painter whose
cool picture constructions, mostly devoid of humans, circle around these questions. In meticulously composed, surreal-looking scenarios he creates a world
of paradox combinations and reflections that challenge reality.
Thomas Huber (*1955) mostly creates pictorial spaces with an architectural character. In
£ 32.00
978-3-7774-2684-6
October 2016
them he has been sounding out the various forms of appearance and effect for more than
thirty years. This volume presents mainly recently created works by the artist, who was
born in Zurich and now lives in Berlin. They refer to the horizon as a constant of all
Exhibitions
Bonn | Kunstmuseum
26.09.2016–08.01.2017
www.kunstmuseum-bonn.de
Rennes | Musée des
Beaux-Arts
2017
www.mbar.org
Betonmonument
(Concrete Monument), 2010
Studio mit Notausgängen
(Studio with Emergency Exits),
2011
Both works: Thomas Huber,
private collection/photograph:
Winfried Mateyka, Berlin, © VG
pictures constructed using perspective and as a metaphor for a boundary between the
visibility of the motif and the invisibility of the associated dialogue. Texts by and a conversation with Thomas Huber demonstrate the systematic pictorial theories of the artist.
42
CONTEMPORARY ART
FIRST MONOGRAPHIC
PUBLICATION ON MARIA
BEYKIRCH
EXPRESSIVE AND YET
POETIC PICTURES REFLECT
HER PASSION FOR DANCE
50 SELECTED WORKS FROM
THE LAST TEN YEARS OF
HER CREATIVE WORK
MARIA BEYKIRCH
PAPER DANCES
Pictures of poetic power and joie-de-vivre and characters, syllables of words
and digits hidden in layers of painting: Maria Beykirch fires the imagination
more vividly than most other artists with her drawings and paintings and
conjures up in the eyes and minds of viewers an infinite succession of
imaginary worlds.
Inspired by her teacher of many years, the Austrian artist Giselbert Hoke, she developed
the special gouache mixed technique for her works, which are often multi-layered. In her
gestural pictures – sometimes contemplative and sometimes full of movement, the artist
Ed. Jürgen B. Tesch
With an Introduction by
Gottfried Knapp
112 pages
24.5 × 30 cm, hardcover,
dust jacket
£ 32.00
978-3-7774-2572-6
July 2016
reveals traces of places, events and encounters she has experienced. Maria Beykirch’s
training as a dancer in particular is reflected in her work, which expresses her exuberant
joy in dance. At the same time her works convey her powerful longing for peace in meditation. Maria Beykirch lives and works in Munich and in Chiemgau, where she has already
established a reputation with her exhibitions.
Die Verwandlung
(Metamophosis), 2012
Sonntagmorgen
(Sunday Morning), 2009
Both works: Maria Beykirch
SCULPTURE 43
IMPRESSIVE HUMAN
IMAGES THAT FASCINATE
BUT ALSO IRRITATE
INTERNATIONAL PRESENCE
IN GALLERIES AND AT THE
PRINCIPAL ART FAIRS
“WOODEN FIGURES THAT
DELIGHT US WITH THEIR
PERFECTION”
SÜDDEUTSCHE ZEITUNG
MARIO DILITZ
128 pages
70 colour and b/w illustrations
£ 24.00
978-3-7774-2702-7
October 2016
SCULPTURES
The main subject in the creative work of the sculptor Mario Dilitz (b. 1973)
from Tyrol is to give expression to the human form, to convey and translate the
language it speaks. In doing so he combines old sculptural knowledge and
technical perfection with contemporary topics, thereby creating sculptures of
great intensity and attractiveness.
Upright, standing in the space with both feet firmly on the ground, the mostly life-sized
figures in wood and bronze dominate the sculptural work of Mario Dilitz. His sculptures
polarise; they impress and disturb in equal measure. Their aesthetic beauty and perfection
stand in contrast to a profound expression of the uncertainty of human existence. In
high-quality photographs and telling studio views this volume introduces the artist’s
fascinating work and provides a lively insight into the artistic development and process of
creation of Dilitz’s unusual sculptures.
The artist's studio
photograph: Kilian Blees,
© Mario Dilitz
44
CONTEMPORARY ART
A FEAST OF COLOURS FOR
THE EYE
ABSTRACT ART FULL OF
MEDITATIVE CHARACTER
FIRST COMPREHENSIVE
MONOGRAPH OF ANDREA
BISCHOF'S WORKS
ANDREA BISCHOF
COLOR TRUTH
Andrea Bischof is one of Austria’s most important contemporary artists and
has made a name for herself through the subtleness of the colouration and
exceptional harmony of her compositions. She achieves this through weeks of
patiently juxtaposing dazzling tones that. The alluring interplay between
surface and depth literally makes the pictures begin to breathe and pulsate.
Bischof has always felt a strong affinity with French art and, in her work, continues in the
footsteps of the Impressionists, Nabis and Fauves. Like the Abstract Expressionist artists
Bischof has also made a close study of the fulminant late work of the great French master
Claude Monet. This volume portrays Bischof’s development form the monochrome works
of her early period and the arcane depths of her “Reflections”, over the experimental
Ed. Stephan Koja
Essays by Stephan Koja,
Irina Katnik
Introduction by Carl Aigner
Including an interview between
Andrea Bischof and Wolfgang
Huber-Lang
104 pages
£ 19.95
978-3-7774-2647-1
July 2016
works on paper to the strongly coloured, expressive large-formats of the magnificent
“Pulsations” series. An interview with the artist and a lavishly illustrated biography
complete this overview.
Andrea Bischof,
Pulsation #38, 2012
Andrea Bischof in her studio in
Vienna, photograph: Bodo Hassel
CONTEMPORARY ART
FIRST PUBLICATION OF
THE NEW WORKS CYCLE
BY MONIKA FIORESCHY
CONTEMPLATIVE-ABSTRACT
WORKS FILLED WITH A
CLEAR COLOUR AND FORMAL
LANGUAGE
ATTRACTIVE DESIGN IN
SLIM OVERSIZE FORMAT
MONIKA FIORESCHY
Essays by Bazon Brock
240 pages
£ 32.00
978-3-7774-2616-7
July 2016
STRIP-CUT-COLLAGE
Tearing, cutting, shredding in order to reassemble the elements and create
something new: strip by strip the Austrian artist Monika Fioreschy applies
lengths of torn paper to her canvases, thereby creating large-format abstract
works filled with a harmonious formal language and offering an unexpected
wealth of detail when observed more closely.
Paper is the main medium used in the new cycles of works by Monika Fioreschy, whereby
the strength of her works lies in the reduction of materials and forms. Line by line our
eyes follow the course of the collages; the observer is seduced into reading her art. The
strict regularity of the works is interrupted by changes in colour, the arrangement of the
folds, gaps and overpasting, whereby the real wealth of detail only becomes evident
through intensive study. In his essay accompanying the full-page reproductions of the
works, art theorist Bazon Brock explains how Fioreschy’s training in classic weaving skills
can be rediscovered in these works and the role they play in the artist’s oeuvre as a whole.
© Monika Fioreschy
45
46
CULTURAL HISTORY
MINIATURES FROM THE
BAROQUE PERIOD IN THE
TANSAY COLLECTION
This catalogue is the first publication ever devoted to
17th-century portrait miniatures. The little-known but
particularly impressive miniature painting of the Baroque
age is presented with the aid of 120 works from the Tansey
Collection, one of Europe’s leading private collections of
miniatures. The works can be compared with each other in
original-size and colour reproductions, as well as many
detail enlargements. Foremost specialists in this art sector
have contributed detailed and richly illustrated introductory
essays. The book allows a comprehensive insight into the art
of miniature painting in this magnificent era.
Ed. by Bernd Pappe,
Juliane Schmieglitz-Otten
Photographs by Birgitt
Schmedding
Essays by H. Boeckh, N. LemoineBouchard, C. Marcheteau de
Quinçay, G. Walczak
400 pages
£ 49.95
978-3-7774-2638-9
December 2016
A BRIEF HISTORY OF
HIRMER PUBLISHERS
This attractively designed publication documents the
work of Hirmer Verlag during the past 65 years. True to
the motto “Art books that set standards,” the publishers
have always worked in the service of art, upholding their
determination to maintain the very highest quality. A
book about those who make books and those who sell
them, about book art and art books, about partnership
with museums and loyalty to authors.
80 pages
100 colour and b/w
illustrations
23 x 27.5 cm, hardcover
Opening: 11.11.2016
www.tansey-miniatures.com
ALL THE BEAUTY AT HAND
Ed. Thomas Zuhr
Essays by Aenne and Albert
Hirmer, G. Knapp, M. Krüger,
N. Maak, K. Segler and T. Zuhr
Exhibition
Celle | Bomann-Museum Celle
£ 14.95
978-3-7774-2618-1
October 2016
TITLES RECENTLY PUBLISHED
NOLDE, KLEE & DER BLAUE REITER
The Braglia Collection
232 pages, 142 colour illustrations
978-3-7774-2497-2
£ 32. 00
Painting
EGON SCHIELE
Almost a Lifetime
306 pages, 200 illustrations
978-3-7774-2407-1
£ 32.00
Painting
CHAGALL TO MALEVICH
The Russian Avant-Gardes
978-3-7774-2577-1
£ 32.00
Painting
The Russian Avant-Garde, which brought about an artistic revolution
between 1905 and 1934, represents one of the most fascinating chapters
in the history of 20th-century art. Artists like Malevich, Kandinsky and
Chagall are highly esteemed the world over. But this movement was much
more diverse than is generally realised. For the first time this artistic
wealth is being presented in a major sequence of pictures.
EMIL NOLDE
The Great Colour Wizard
978-3-7774-2466-8
£ 11. 95
Painting
PICASSO.MANIA
340 pages, 394 colour illus.
978-3-7774-2520-7
£ 39. 95
Painting
ANDY WARHOL
The LIFE Years 1949 – 1959
24 × 32 cm, hardcover with dust jacket
978-3-7774-2438-5
£ 25. 00
Drawing
JOHN BALDESSARI
The Städel Paintings
978-3-7774-2449-1
£ 36 . 00
Contemporary Art
JOAN MIRÓ
Wall Frieze Mural
978-3-7774-2452-1
£ 30. 00
Painting
47
BACKLIST
48
DRAWING NOW
232 pages, 180 illus.
978-3-7774-2434-7
£ 36.00
Contemporary Art/Drawing
BERNARD SCHULTZE
A Bright Wisp, a Glistening Wind
978-3-7774-2420-0
£ 25. 00
Painting/Sculpture
F.C. Gundlach Collection
23.5 x 32 cm, hardcover
978-3-7774-2516-0
£ 32.00
Contemporary Art
TELEGEN
Art and Television
23 × 32. 5 cm, hardcover
978-3-7774-2444-6
£ 36. 00
Contemporary Art
PIERRE HUYGHE
plus 160 miniature illustrations b/w
20.6 × 28 cm, softcover with flaps
978-3-7774-2249-7
£ 39.00
Contemporary Art
CLIFFORD ROSS
Through the Looking Glass
29. 5 × 31 cm, hardcover with dust jacket
978-3-7774-5301-9
£ 45. 00
Glass Art
PRIX N
ÉDITIO
ART RS
CTO
DIRELUB
C
0
2
AL
SON
PER VIEWS
R
E
T
IN
JEAN PAGLIUSO
Poultry Suite
112 pages, 45 tri-tone photographs
24 × 30.5 cm, hardcover with dust jacket
978-3-7774-2379-1
£ 30. 00
Photography
AN ARTIST´S LIFE
by Eleanora Antinova
978-3-7774-2538-2
£ 19. 95
Contemporary Art
STRONG WOMEN FOR ART
In Conversation with Anna Lenz
978-3-7774-2149-0
£ 19. 95
Biography
MY LIFE WITH ALEXANDER
ARCHIPENKO
208 pages, 84 illus.
978-3-7774-2248-0
£ 17. 00
Biography – Sculpture
BACKLIST
OSKAR SCHLEMMER
Visions of a New World
978-3-7774-2304-3
£ 45. 00
Painting – Sculpture
HUNDERTWASSER
Japan and the Avant-Garde
256 pages, 106 colour and 101 b/w illus.
23. 5 × 28. 5 cm, softcover
978-3-7774-2044-8
£ 39. 95
Painting
T
BES IAN
TR
AUST BOOK
AR 13
20
NUDE MEN
From 1800 to the present day
24. 5 × 29 cm, hardcover
978-3-7774-5851-9
£ 39. 95
Painting
ESPRIT MONTMARTRE
Bohemian Life in Paris around 1900
320 pages, 290 colour illus.,
978-3-7774-2197-1
£ 45. 00
Painting
BEST-R
E
SELL
GUSTAV KLIMT
Drawings
978-3-7774-4951-7
£ 45. 00
Drawing
NORDIC ART
The Modern Breakthrough 1860-1920
260 pages,
154 mostly colour illus., 1 map
978-3-7774-7081-8
£ 45. 00
Painting
CANALETTO
Bernardo Bellotto paints Europe
978-3-7774-2247-3
£ 39. 00
Painting
VELÁZQUEZ
24 × 28 cm, now available: softcover
978-3-7774-2496-5
£ 32. 00
Painting
EUROPE IN VIENNA
The Congress of Vienna 1814/1815
408 pages, 364 mostly colour illus.
978-3-7774-2324-1
£ 38. 00
Painting/History
The Pinakothek Museums in Bavaria
Treasures and Locations of the
Bavarian State Painting Collections
15 x 21 cm, softcover with flaps
978-3-7774-2544-3
£ 9.95
Painting
2ND N
O
EDITI
49
BACKLIST
50
RUSSIAN LACQUER
978-3-7774-2429-3
£ 45. 00
Decorative Arts
PRECIOUS CUFFLINKS
From Pablo Picasso to James Bond
978-3-7774-2423-1
£ 34. 00
Decorative Arts
THE POWER OF LINE
978-3-7774-2498-9
£ 32.00
Cultural History
SCHERMULY
Catalogue Raisonné
24. 5 × 30 cm, hardcover
978-3-7774-2437-8
£ 80. 00
Painting
THE ART COLLECTIONS
Museum Wiesbaden
22 × 26.5 cm, softcover
978-3-7774-2464-4
£ 30.00
Painting
BERLINISCHE GALERIE
Museum of Modern Art
978-3-7774-2462-0
£ 39. 95
Contemporary Art
Gerhard Richter–Brigid Polk
Königsklasse III
19.5 × 26 cm, softcover
978-3-7774-2507-8
£ 14.95
Painting
RONI HORN
Portrait of an Image
104 pages, 50 colour photographs
978-3-7774-2098-1
£ 15. 00
Photography – Installation Art
ORI GERSHT
Forces of Nature
978-3-7774-2440-8
£ 25. 00
Contemporary Art
PAVEL FEINSTEIN
978-3-7774-2447-7
£ 25. 00
Contemporary Art/Painting
BACKLIST
BESTOK
O
ARTB 2016
2015–
FILA
F
IImages Take Flight
Feather Art in Mexico and Europe
F
1
1400–1700
4
24 × 30 cm, hardcover, dust jacket
978-3-7774-2063-9
39,95 £
Cultural History
VODUN
African Voodoo
English-French edition
236 pages, 124 colour illus. and
74 b/w photographs
978-3-7774-4031-6
£ 60. 00
Sculpture – Tribal Art
Thirty-three scholars look at these unprecedented feather
artworks that circulated all around the world in the 16th and
17th centuries from a range of vantage points including art
history, anthropology, collecting and global history, natural
history, archeology and conservation. Planned to complement a
major international exhibition held at the National Museum of Art
(MUNAL) in Mexico City in 2011, the book is organized thematically
and includes ca. 300 color plates illustrating feather mosaics with
their astonishing details, as well as relevant paintings, sculptures,
drawings, engravings, books, European illuminated manuscripts,
Mesoamerican codices, and studies of natural history.
TSHOR D
LISTE RT
AL A
TRIB AWARD
BOOK 014
2
NUKUORO
Sculptures from Micronesia
280 pages, 308 colour and b/w illus.
24. 5 × 30. 5 cm, hardcover with dust
jacket
978-3-7774-2028-8
£ 50. 00
Sculpture – Tribal Art
FISH HOOKS OF THE PACIFIC ISLANDS
374 pages, 10 fold-outs, 341 colour and
31 b/w illus.
978-3-7774-4931-9
£ 130. 00
Tribal Art
BUDDHA IN THE YURT
Buddhist Art from Mongolia
English-Russian edition, 2 volumes
In total: 840 pages, 554 colour illus.
24 × 28.5 cm, hardcover, slipcase
978-3-7774-4351-5
£ 120. 00
Cultural History
EARLY CAPITALS OF ISLAMIC CULTURE
The Artistic Legacy of Umayyad
Damascus and Abbasid Baghdad
(650–950)
23. 5 × 26. 5 cm, hardcover
978-3-7774-2244-2
£ 22. 00
Cultural History
TABO - GODS OF LIGHT
The Indo-Tibetan Masterpiece
308 pages, 405 colour
978-3-7774-2326-5
£ 38. 00
Cultural History
FROM SAMOA WITH LOVE?
Samoan Travellers in Germany
1895-1911. Retracing the Footsteps
224 pages, 176 mostly colour illus.
978-3-7774-2239-8
£ 34. 00
Cultural History
ORNAMENTAL DESIGN PRINTS
128 pages, 145 b/w illus.
978-3-7774-2156-8
£ 29. 95
Decorative Arts – Graphic Design
51
BACKLIST
52
Networks of Construction
360 pages, 94 illustrations in colour,
161 b/w illustrations
21 x 28.5 cm, hardcover with dust-jacket
includes a construction plan
978-3-7774-2539-9
£ 39.95
Architecture
BEST-R
E
SELL
FRAGMENTS OF METROPOLIS
Expressionist Heritage in Berlin
978-3-7774-2678-5
£ 20. 00
Architecture
2nd Ed.
Singapore´s Building Stock
Approaches to a multi-scale documentation and analysis of transformations
24 x 31 cm, hardcover
978-3-7774-2540-5
£ 32.00 October 2016
Cultural History – Architecture
MODERNISM LONDON STYLE
The Art Deco Heritage
216 pages, 379 b/w photographs
978-3-7774-8031-2
£ 39. 95
Photography – Architecture
BEST TURE
ITEC
ARCHBOOK
L
NCIA
FINA ES
TIMER2013
SUMM
ENGINEERING DESIGN
Made in Wuhan, China
English-Chinese-German edition
978-3-7774-2029-5
£ 19. 95
Architecture
MUSEUM ISLAND BERLIN
978-3-7774-4441-3
£ 45. 00
Cultural History – Architecture
Niklas Maak
LE CORBUSIER
The Architect on the Beach
978-3-7774-3991-4
£ 17. 95
Architecture
Niklas Maak
LIVING COMPLEX
From Zombie City to the New Communal
978-3-7774-2410-1
£ 17. 00
Architecture
RUST RED
The landscape Park Duisburg-Nord
978-3-7774-2427-9
£ 32. 00
October 2016
Architecture
Roland Fischer
Façades
25 x 31.5 cm, now: softcover with flaps
978-3-7774-2559-7
£ 22.00
Architecture
2ND N
O
EDITI
BACKLIST
BEST-R
E
SELL
Grey Matter(s)
34 x 28 cm, hardcover
978-3-7774-2576-4
£ 39.95
2nd Edition
Photography
„TOM JACOBI HAS REDUCED OUR WORLD TO
ITS ESSENCE. OUR BLUE PLANET IS ACTUALLY
A GREY ONE. NO FIREWORKS OF COLOURS, NO
DISTRACTION, JUST PURE CONTEMPLATION AND
MEDITATION. IT‘S A MARVEL. WELCOME TO TOM'S
WORLD.“
BRYAN ADAMS
BMW – 100 Masterpieces
240 pages,
250 illustrations in colour and b/w
32 x 27 cm, linen, dust-jacket
978-3-7774-2523-8
£ 39.95
September 2016
Design
THE MINI STORY
978-3-7774-2372-2
£ 45. 00
Design
DED!
AWAR SSE
GRO
E
I
D
"
2016"
ROLLS-ROYCE MOTOR CARS
32 × 27 cm, hardcover cloth over boards,
bookmark
978-3-7774-2193-3
£ 50. 00
Design
BOOK
E
OF TH
YEAR 4
201
ADAC
Mr Radley Drives to Vienna
A Rolls-Royce Silver Ghost crossing
the Alps – 1913 & 2013
152 pages, 108 illustrations in
colour and b/w
978-3-7774-2346-3
£ 25.00
Design
BOOK
E
OF TH
YEAR 6
201
ADAC
BENJAMIN KATZ:
GEORG BASELITZ AT WORK
144 pages, 93 b/w photographs
978-3-7774-2054-7
£ 29. 95
Photography
JOSEF SUDEK
The Legacy of a Deeper Vision
288 pages, 210 photographs
978-3-7774-5291-3
£ 45. 00
Photography
BEST-R
E
SELL
MAURICE WEISS
Facing Time
128 pages, 55 colour photographs
978-3-7774-2242-8
£ 32. 00
Photography
Christine Ljubanovic
Conversation Portraits
Photo-Suites 1974–2014
164 pages, 61 duplex illustrations
24 x 31 cm, soft cover
978-3-7774-2528-3
£ 25.00
Photography
53
HIRMER PUBLISHERS
54
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All prices and title details are subject to
change without notice. Information correct
as of May 2016. Every effort has been made
to contact copyright holders. Where the
attempt has been unsuccessful, the publisher
would be pleased to hear from the person
concerned.
Illustration front page: Utagawa Hiroshige,
Fukagawa Susaki und Jumantsubo, detail,
series: One Hundred Famous Views of Edo,
Japan, Edo, 1857, MKG Hamburg. Taken from
the publication: Hokusai x Manga (see page 3)
Illustration back page: Jusepe de Ribera,
The Vision of Belshazzar, detail, 1635, Milan,
Galleria Arcivescovile. Taken from the publication: The Spanish Golden Age (see page 7)
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www.hirmerpublishers.co.uk
www.hirmerpublishers.com www.hirmerverlag.de

Autumn 2016 - Hirmer Verlag

Transcription

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