THE VOICE- Linda Eder`s Official Fan Newsletter

Volume 8- Edition 1
Summer/Fall 2007
Home Page
EDER-tors' Notes
Clint de Ganon
Getting To Know You
Kim Scharnberg
Greatest Hits
CD Signing
Feinstein's
FAN-tastic Feature
Fan Corner
This is a motto that has been running through my head for
the last three months. I wanted to produce my new album
and I am producing it. But who was the idiot who
scheduled the studio time during the summer? Oh, wait…
that would be the producer! That idiot would be me.
For an outdoor, equestrian, gardener, summer, outdoor
party type of person that I am, spending endless days
inside often-windowless rooms has been frustrating. When
I have not been in the studio, I have been on the road
working. Spinning my wheels. What has kept me going is
the music and the feeling that it will all have been worth it
in the end, and thankfully we are almost finished… just in
time for winter.
This has been the summer that never was for me.
I know we had summer because the weeds in my garden
are very mature looking. They enjoyed a stress free
summer sucking up all the nutrients from the soil that was
meant to go to my flowers. I had some nice flowers this
year… by accident. I know we had summer because all
three of my horses are so fat from eating grass all day
long without any exercise. They do run around on their
own every now and then when a horse fly lands in a spot
they can't reach. I know we had summer because Jake somehow managed to grow an inch when I wasn't looking. Now Jake,
he had a summer. He went to parties, to Disney World, to LA. He swam and fished and carried on with total abandon even
though I abandoned him. He did hang out in the studio a few times, and I even got him in the recording booth. He can sing.
He actually likes the new album. So does my father who never really cared for most of the types of albums that I've made.
When I played him a finished track, he actually asked me to play more. That has never happened. Oh, he has always like my
voice, just not my music choices. He likes classical, polka, or "something with a beat."
I did have a little free time here and there — just enough to make me realize what I was missing. I had two weeks off at the
end of August. It was just enough time for me to dig out from underneath everything that had accumulated at home. I live on
a farm and farms take a lot of work. I'm almost looking forward to winter just so I can take a break from weeds and lawn and
everything green that grows rampant.
The hardest part has actually been just leaving my house every day to go to the studio. The sun would be shining, the birds
singing, the pool beckoning, the thought of long trail rides teasing me. The drives into Manhattan became torturous. But once I
was in the studio, all would be forgotten because this album is fun.
I can honestly say that I will play this album on a regular basis the same way I would any current favorite album that I might
purchase. There is a big difference between performance music and radio friendly music. The latter can live happily in your car
stereo no matter what volume. It can be a loud focal point or soft background without losing its impact. The hooks and beats
are infectious and sustain repeated listening without wearing you out. It took a lot of years, but I finally have faith in my ability
to know what works for me in a popular format.
Billy Stein (I'm sure all you Ederettes remember him from playing second keyboards in my band for many years) is my coproducer. It has been a wonderful partnership, and we have both learned from the other and taught the other through the
process of working on this album. For all the hours I have spent, he has spent almost double because of the time it takes to
not just track, but then to manage the tracks in a Pro Tools rig. Pro Tools is the digital format that everyone uses to record
these days. No more tape. I still remember them cutting and splicing the fat multi-track tape from my first album. Nowadays
that is akin to the cotton gin. Computers have taken over the world. It's hard enough to get your mind around the fact that
your voice is faithfully captured on a piece of tape. It's mind boggling to imagine it recreated in 0s and 1s on a computer. Billy
is a master with Pro Tools. The manual that comes with the program is 4 inches thick. A single song can have over a hundred
tracks between the instruments, the vocals, and background vocals, so there are thousands of bits of information to manage,
edit and compress. It can be a nightmare. It can also be your best friend. But is takes time and lots of it.
Billy runs on very little sleep thanks to the Starbucks around the corner… his gas station. I started to drink coffee again during
the sessions just to try and keep up. I'm an old mother with an eight year old and I can't stay up all night like I used to. So I
fell briefly into the coffee trap. In the old rock and roll studio days, some acts had a line in their album budget for drugs. (Of
course, they called it "candy" to get around that.) Well, I think coffee is the new drug and Starbucks is a pusher! Venti
Hazelnut with lots of sugar. Keep 'em coming! Yeah… I was flying! I had caffeine in my veins for about a month until I got
tough with myself and got off the "candy." Billy refuses to give it up. :-) These days I use Starbucks for what they're best for…
the free bathrooms. (good thing to know when you're walking around Manhattan.)
We will finish the album in October and it will be out around February. I've given up my summer, but I've given myself a
birthday present because I finally have a CD that I am completely proud of and will actually play while I'm driving down the
road dreaming of a Venti Hazelnut coffee. You won't hear it until the ground is white and the air freezing, but maybe listening
to it will bring back memories of the summer of '07.
Volume 8- Edition 1
Summer/Fall 2007
Attention, Linda Eder fans! The Summer/Fall 2007 edition of THE VOICE is here for
your reading pleasure! It is packed with great reading and amazing pictures, which
we know you will enjoy.
For Linda, the summer of 2007 turned out to be unlike any other. As you will read
in her letter, there was no time for the activities she usually enjoys at this time of
year... no digging, planting, weeding, riding horses, swimming, spending relaxing
time with Jake, and not having to get up early to make it to the school bus! Those
activities would have to take a back seat to something we are all anticipating... the
new album!
Once again, we have featured Linda's talented drummer, Clint de Ganon, but our
focus "this time around" has a new twist. Not only do we know and appreciate the
magic Clint works on the drums, but also we are now aware that Clint is equally as
talented as a singer. In his interview, Clint discusses his true love of singing, which
goes back to when he was very young, and how he came to make such beautiful
harmony with Linda.
At last… everything you always wanted to know but never had the opportunity to
ask Linda… until now! In Getting To Know You, Linda has answered many of the questions submitted by you, her fans. It
seems like Linda had as much fun answering these questions as you did asking them.
Ever such a loyal supporter of THE VOICE, Kim Scharnberg was very excited to sit down with us for another interview. You'll
learn so much about the process of arranging and orchestrating from Kim, who is a master in these areas.
We received a pleasant surprise this spring with the release of Linda's GREATEST HITS CD. Many of you were able to attend
the CD signing at Barnes & Noble in New York City in conjunction with the release of this new CD, and the EDER-tors were
happy to be able to capture the moment on film.
When the last edition of THE VOICE was published, we all were eagerly anticipating Linda's return to Feinstein's. Since those
triumphant two weeks back in May, many of you have written your glowing reviews of the time you spent listening to Linda
enthrall you with a wonderful selection of songs in that very intimate venue. We believe, after reading these reviews, that
some of you should think about writing professionally!
This edition of THE VOICE includes a new recurring section, FAN-tastic Feature. Our first
contributor is Barry Fisher, who reflects on the birth of his love of music and his journey to
appreciation and love of Linda's music.
In Fan Corner, you truly outdid yourselves this time! Your reviews and messages to Linda
greatly refliect just how much Linda and her music mean to you.
To Linda: We appreciate all the time you spent working on
your "jobs" for THE VOICE during this very busy time in your
life, as you to prepare to wow your loyal fans with another
CD. You give so much of your time and talent to all of us, and
this is what makes you so special and unique among
celebrities. Thank you for your continued support of THE VOICE.
To Clint de Ganon: It's always a pleasure catching up with you at shows, and doing another
interview with you was a special treat! Thank you for your time and for sharing your story with Linda's fans.
To Kim Scharnberg: We're so glad we were able to "arrange and orchestrate" this interview with you! As always, thank you
for your insights. You're a great friend of THE VOICE!
To Barry Fisher: You amazed us with your wonderful writing!
To Ronni and Dave Hart: It is such a joy working closely with you. It's hard to believe that we're beginning our sixth year as
"EDER-tors" already! Thank you for always being so helpful and kind. Here's to many more editions in the years to come!
To Jill Siegel, Jeffery Osborne, and Andy Brattain: Thank you for all your "behind the scenes" efforts in helping us to get
the job done!
To Linda's Fans: Thank you for all your contributions to THE VOICE. We write this newsletter for you, and you provide us with
your pictures and such amazing writing. Please check out the Future Issues page for more info on how you can get involved.
We couldn't do it without you!
Happy reading!
Warmest regards,
THE VOICE EDITORIAL STAFF
Amanda Christensen (Webmistress and Editor), Ellen Jacobs (Editor) and Lori Phelan (Editor)
THE VOICE Team
Jill Siegel, Amanda Christensen, Linda Eder and Ellen Jacobs (not pictured: Lori Phelan)
Volume 8- Edition 1
Summer/Fall 2007
"One of the best things about Clint is his
passion for life. It translates to everything
he does. He plays the drums with fire and
energy and with great joy. It's a known
fact that all anyone in the band has to do is
bring up a current event that has some
controversy, and Clint is right there ready
to dig right down to the heart of the
matter. He has heart. It's a lucky singer
who gets to have someone like Clint at the
drums. He's a true artist who will always
give you one hundred percent of his talent
and his heart."
Anyone who wants to catch up with Clint de Ganon had better be
turbo-charged. Drumsticks in hand, he can often be seen jumping
Linda and Clint
into a taxi to get from a rehearsal to a recording session… find him
three hours later on the number one train heading uptown to make the downbeat of the Broadway smash hit, HAIRSPRAY…
call him on his cell phone and you might get him when he's on a five minute break at an early morning TV shoot. Clint's
resume includes more than one thousand recording sessions and seventy-five tours. No wonder he's hard to keep up with.
Clint began studying drums at the age of six in his hometown of Hastings-on-Hudson, New York. His early musical education
included lessons with the New York Philharmonic's Roland Kohloff and Buster Bailey. He was tutored by legendary jazz
drummer, Mel Lewis, and then studied extensively with Sonny Igoe and Gary Chester. Before he finished high school, Clint had
logged countless hours on the bandstand, played for Buddy Rich and Elvin Jones, and was even presented with Gene Krupa's
drumsticks.
After high school, Clint was awarded a scholarship to continue studies with Kohloff at Manhattanville College. It wasn't long
before he became one of the most sought after drummers in New York City. Clint's natural versatility helped to create his
resume, and his resume certainly reflects that versatility; he has been associated with everyone from The Colorado Symphony
to the Blues Brothers Band. Marin Alsop, conductor of the Colorado and Baltimore Symphonies, describes Clint as "an
exceptional musician, a rare artist who is a joy to work with and collaborate with."
In addition to all of his freelance work, Clint splits his time on the road between two accomplished artists: The great Linda
Eder, of course, and the legendary Art Garfunkel. 2007 was a year full of travel with Art, consisting of multiple tours of the
States, Europe, and even Hong Kong.
Some of the other artists with whom Clint has worked include: Billy Preston, David Pack, Kid Rock, Dionne Warwick, Mark
Cohn, Ann-Margret, Tom Chapin, Judy Collins, Cissy Houston, Edgar Winter, Fantasia,Tom Scott, Michael Franks, Blood Sweat
& Tears, and the Saturday Night Live Band. Says pianist and composer Bob James, "He's a great musician. He's played with
New York's best and enhanced the music of many, many diverse artists. I'm proud to count him among my favorites of the
true pros that I've worked with over the years."
Guitarist Hiram Bullock featured Clint on five recordings with his band, a power trio that presents the playing and singing of
Clint, Hiram, and David Letterman bassist, Will Lee. The band has toured the United States, Europe, and Japan.
John Tropea, another guitarist, has a New York all-star ensemble that features Clint as well as Blues Brothers saxophonist, Lou
Marini, and bassist, Anthony Jackson. John describes Clint as "a most special musician who never forgets the musical side of
the drums. He's an asset and I am proud to have him at the drums in my band."
If you want to catch Clint after playing HAIRSPRAY, you will have to chase him down 52nd Street to his car. He has to get
home to pack his bags for a four-day tour with Linda Eder & the Boston Pops. Says Linda, "The day Clint joined the band we all
got an infusion of life and energy and heart. There is so much talent and joy in his playing that it radiates and affects us all. I
am always amazed when I watch and listen to Clint play; he makes it look so effortless, even when he is bringing down the
house. And when the song calls for just the caress of subtle rhythm, he's there... he is a dream to sing with." (above bio by
David Finck)
THE VOICE EDER-tors recently had the pleasure of chatting with Linda's multi-talented drummer/vocalist, Clint de
Ganon, as he traveled to New York City for an evening performance of the Broadway musical, HAIRSPRAY.
VOICE: Hi, Clint! Thanks for taking the time out of your commute to talk with us!
CLINT: Oh, no problem… it's my pleasure.
VOICE: So what's new and exciting? Have you been working on Linda's new album?
CLINT: Yes. I just finished a session for Linda recently. Billy Stein was producing, and a Grammy-award winning engineer
named Neil Dorfsman was there too. Both of them were doing a great job and were a pleasure to be around. As was Linda, of
course. She was even-tempered and productive, which is what you want in the studio. And very much hands-on with this one.
The record's coming along, and I think it will be a good one.
VOICE: That's great news! Will we hear you quite a bit on the new album?
CLINT: To the best of my knowledge I'll be on a few tunes. Billy used another drummer as well that he's worked closely with
over the years.
VOICE: Linda's fans have been very positive about hearing your recent duet with Linda on "Both Sides Now." Did you ever
have any formal voice training?
CLINT: Yes, I have. I've studied several times over the years, starting in college. There's a teacher that I still go to from time
to time in Manhattan named Greg Drew. I'm due to go back.
VOICE: Were you part of a band when you were first starting out? Did you sing and also play drums?
CLINT: Yes. The truth is that I've always loved to sing and I always sang a lot as a kid. I did have a band when I was in my
early teens, and I once sang "Mississippi Queen," a song by Mountain. It was a battle of the bands. There were four bands, and
we came in tied for third! I wonder if it was my voice?! But the playing/singing thing didn't really happen much until I joined a
New York area band called NiteSprite. It became a useful skill for me in that band. I could bring in virtually any tune of any
genre that I wanted to sing. They were good musicians, and they'd transcribe it into my key, and we'd do it on the job. Almost
never a rehearsal. Trial by fire. I did that for years — all kinds of songs — and it
was my best vocal training.
After that, I sang background vocals while playing drums for singer Michael Franks,
and then for saxophonist Warren Hill. When I joined the Hiram Bullock Band, which
was a power trio featuring Hiram on guitar, David Letterman's bass player Will Lee
(who's also done some singing/playing on Linda's records), and myself, 90% of the
material was vocal. We all sang, each of us some leads, and lots of 3-part stuff. It
was a great band. We did about 20 tours to Japan and Europe.
VOICE: Did you do any recording with them?
CLINT: Yes, I did five or six records with that band. Even when I was no longer
with the band, Hiram would still ask me to record on whatever the next reord was…
a nice compliment.
Linda and Clint "goofing off"
backstage at Westbury.
Occasionally I'd do a recording session just as a singer, but most people obviously
know me as a drummer and that's what's been the most active and the most
developed. Sometimes, unfortunately, the singing thing takes a hiatus, and it's
always a little sad for me when it does. Any gig I do is much more interesting to
me if I can sing as well as play.
VOICE: How did Linda discover that you are such a brilliant singer?
CLINT: You are very kind.
VOICE: You're great!
CLINT: Linda had some songs that she wanted to do live where it required
background vocals. I don't recall exactly what the first one was that she
brought in and how that came about. But I do remember it was at a time
when Peter Calo was in the band, and he sang, as did Billy Stein. On this
particular song, there was a vocal that echoed her lead, and my voice sat
well with this part. There was one time when we did that particular song on
The Rosie O'Donnell Show and it was just Linda, piano, cello, and me
singing the background vocal. No drums at all.
VOICE: Was the song "If I Should Lose My Way?"
CLINT: Was there a background vocal in it, do you remember?
VOICE: At parts… not throughout the whole song, but at parts.
CLINT: It's entirely possible.
VOICE: It's a really soft, slow song so it wouldn't really require drums.
CLINT: Right. I think that was the song. I wish I could say for sure, but that was a number of years ago. Since then, when
there's a song introduced that had any harmony at all, I would jump on it. There was a point when Linda started to do "Both
Sides Now" with Michael Feinstein in their show as a duet.
Because that song was her suggestion, and because she felt stylistically she could move that song into her own show, she
simply asked me if I wanted to sing it with her. I said yes, of course. So she continues to sing it as a duet in both shows, with
a revolving male vocalist!
VOICE: We were going to ask you if Linda had a hard time convincing you to sing a duet with her, but I guess we already
know the answer to that!
CLINT: Again, like I said, the more that I can sing on any gig, the more I will. I really love to sing so she didn't have to try
hard! [All chuckle!]
VOICE: Was it intimidating to sing with Linda's amazing voice at first, or was it very comfortable?
CLINT: I remember being intimidated at first. But not by Linda. It
was because one of the first times I sang it was at Feinstein's, and
Michael was in the audience listening. I'm not sure if he even knew
the song was going to be sung. And he sings it beautifully. So the
most intimidated I felt was in Michael's presence, not Linda's.
The other hurdle to get past, and I mostly have, is that people
come to see Linda Eder. They want to hear this "Herculean"
vocalist, and I am anything but that. However, Linda's incredibly
graceful and supportive, and the song is a kind of gentle one
anyway, so I became increasingly comfortable with it.
I guess I'm a little more confident now. People within and outside
of the band have said positive things, and make the comment that
our voices blend well. I came to realize that there actually was a
nice blend, which is something that's either there or it's not.
VOICE: Can we expect to hear any more duets with Linda in the
future?
Clint jammin' on stage at Westbury, NY.
CLINT: Well, it has been discussed. Linda has mentioned that she
would like to do more duets, and time will tell. It would be fun for me if she did.
VOICE: That would be great! You two sound amazing together!
CLINT: Well, thank you! It's entirely her call. If she wants me to sing, I'll sing.
VOICE: Do you sing with other performers right now or are you a "Linda Eder exclusive?"
CLINT: Yes, I'm singing with Art Garfunkel in his band. And there's a contemporary jazz group led by guitarist John Tropea. In
Japan, where we'll be going again in October, I sang several duets each night with Kenya Hathaway, daughter of the late,
great Donny Hathaway.
VOICE: Is it challenging singing and playing drums at the same time? Kind of like walking and chewing gum?!
CLINT: … which hopefully most of us have mastered by this time. [All laugh!] Singing and playing drums is the only way that I
have ever done it. If I've sung 1,000 times, then 995 of them have been behind the drums. So if I'm singing and not behind
the drums, it's really weird. With no drums to hide behind, I feel like I'm standing there with no pants on. [All laugh!]
VOICE: Can you tell us about some of the drum solos you've done in concert? (a la "Some People") How do those come
about? Is it your idea creatively? How much freedom are you given when performing in concert?
CLINT: Lots of freedom. With "Some People," I could basically play
whatever I wanted. Linda would say "play a solo in this part," and then it's
up to me as to what to play. It's been a while since we've actually done
that song, however.
There are a couple of different bands that I get to solo in, including Art
Garfunkel's band. With him, I play a solo every night on the famous Simon
& Garfunkel tune, "Cecilia."
VOICE: We were wondering if you might be doing any more drum solos
with Linda.
CLINT: With Linda, there's been no discussion of that. I don't know
whether there'll be one introduced or not. Linda is leaning a little more
toward pop-based material, and there's a little less likelihood of a drum
solo. But who knows.
VOICE: We'll stay tuned. How long have you been playing HAIRSPRAY on
Broadway?
CLINT: I've been playing HAIRSPRAY since its inception. It came to
Broadway just over five years ago, and I did it prior to that… where there
was a rehearsal process and then six weeks in Seattle. I created the drum
book for the show, as I did for (the musical) FOOTLOOSE. Both
soundtracks won Grammys.
From that, there have been other projects with the composer, Marc
Shaiman, not the least of which was the HAIRSPRAY movie.
VOICE: We were going to ask you about that… that was
one of our questions! Can you tell us a little more about the
movie?
CLINT: Approximately a year ago, Marc wanted
to have the core rhythm section of HAIRSPRAY the show be the
rhythm section for HAIRSPRAY the movie. So he brought us to
Toronto, Canada, last year, and we recorded for a week.
We did all the music that we could do at that point. They'd just
hired Chris Walken and Michelle Pfeiffer, and not all of the keys
were set nor all of the choreography complete. So we did about
Linda and Clint duet "Both Sides Now."
90% of the music that appears in the soundtrack. (By the way, our own David Finck is quite an aficionado on Broadway
choreography. Over the years, he's had many collaborations with choreographers, and he's got some very evolved opinions
about the subject. You should ask him about that in your next interview.)
Anyway, that soundtrack reached No. 1 on iTunes, No. 1 on Amazon, and No. 2 on Billboard. I'm very happy with how it all
came out, and I'm proud of that work. It's not just underscoring; it's a collection of songs, which alongside the screenplay,
define one half of a hit movie.
VOICE: Have you been able to see the movie yet?
CLINT: I have seen the movie. In fact, I went to the premiere. Somebody described it as "Hairspray the musical on speed."
Fast moving without a second of downtime. It's very good.
VOICE: Did you get to talk to Christopher Walken at all? Did you tell him he needs more "cowbell?" [All chuckle!]
CLINT: It's funny that you mentioned that. The "cowbell" skit from Saturday Night Live is such an inside skit for musicians.
It's funny to many, but it's hysterical to musicians, precisely because it is so inside.
Anyway, during rehearsals for the finale in the movie, Marc Shaiman went up to Chris Walken, stuck a drumstick and cowbell
in his hands, and told him to play. And he did, but it just didn't make it into the final cut.
VOICE: That's great! Did you record with any of the stars?
CLINT: No. It was only the instrumentalists recording with the composer, the musical director, and various people from New
Line Cinema.
VOICE: Going back to the Broadway show, how do you keep it fresh for yourself night after night… keep it from becoming
boring?
CLINT: There are two things to do. The first is to make sure I'm not there eight shows a week. You simply have to get out of
there, no matter how creative you are about approaching the show.
The other is that, because I've been lucky to do pop-based shows that require real playing, I can be creative with beats, drum
fills, and little solo passages. That helps to keep things fresh not only for me, but hopefully for the other musicians and actors
as well.
VOICE: How does the hierarchy of subbing work when you're
doing gigs other than HAIRSPRAY? How do you sub out when you
are going to be performing with Linda?
CLINT: The process is for me to call and train subs I think would
be capable. They come in and are deemed acceptable. At that
point, I can have one, two, or more subs that the conductor is fine
with. Then I can leave and do what I need to do somewhere else.
That's how that works.
VOICE: How does it work when you need subs for Linda's gig?
on my foot, and incapacitated me. I couldn't walk.
CLINT: Well, for example, when Linda played Wolftrap this past
Sunday (July 29th), I had just finished a concert with Art
Garfunkel in Peoria, Illinois. While at the airport, a road case fell
So now I have a situation where I can't play even if I wanted to… what do I do? There are two drummers who have subbed for
me before on Linda's gig, and thank God one of them was free that day. So it becomes necessary from any number of different
standpoints to make sure that there are people who can cover for you.
VOICE: What effect has the increasing use of digital music had on you as a drummer as opposed to other musicians?
CLINT: It depends on the music. Studio work in general has decreased for all musicians by about 95%. Drummers were the
second to be replaced in that world, preceded only by string players. It's quite sad, but mechanized music seriously infiltrated
records, television and movies. The truth is that many of us who once enjoyed a healthy dose of studio work, now consider it
icing on the cake.
I do a lot of live playing. I guess I always did. And gigs like Linda's are rare and something to be valued. She hasn't sacrificed
size or quality with her band; it's still a full band of high level players. She's exceptional in that regard.
But because of the devolvement of studio work, the bar was dramatically
raised for musicians doing Broadway. This is because many of those same
musicians became available to the "other" work that allowed us to stay
within our own zip code. For better or worse, some of the best musicians in
the free world can be found sitting in orchestras playing those shows.
The mechanization of music has indeed threatened Broadway, however.
It's been a weapon that producers like to scare us with during negotiations.
Very few producers would resist the idea of replacing a live orchestra with
a pre-recorded one.
However, as it stands, the live orchestra still continues on Broadway.
That's because the ticket buyer still wants and expects it and actors want
and expect it. So given all of this... outside of the conductor, the drummer
is still the most scrutinized player in the band during the hiring process.
And that's to the producer, the composer, the musical director, and the
director/choreographer (see Finck). The drummer's also in on the whole
development process prior to the hiring of the rest of the band.
A friend of mine once used the analogy of Amtrak to describe the relationship between a musical director and a drummer. He
would say, "There's a conductor, and then there's an engineer." Conductors dictate queues and tempos, etc., but drummers
engineer the entire feel of a band at almost every moment of the performance. So as long as they're hiring live musicians, it
may be a long time before you see a drummer being replaced.
VOICE: That's great for you!
CLINT: Yes. Not being extinct is a good thing. But all of these things change rapidly… you never know what's going to happen.
VOICE: The last time that we interviewed you, you told us your favorite Linda song was "The Bells Of Saint Paul." She really
doesn't sing that any more, so do you have a new favorite song?
CLINT: She still sings it when we have Christmas concerts.
VOICE: That's true. So is it still your favorite song?
CLINT: You know… I couldn't really tell you what my favorite song is. I'm
sorry… that's not a good answer… but I really don't have a specific favorite.
Linda's show seems to be in kind of a transition today, and I'm not sure
where we're going. I have a feeling that she would like to bring in some of
the songs she's been recording, and I hope she does do that.
VOICE: We're sure all of the fans hope that too! [All laugh!] Thanks again
for your time today… before you go, would you like to give the fans any
additional updates on your career?
CLINT: Let's see… I have a tour of Japan coming up in October with John
Tropea's Band. And I just finished recording for David Finck, who did an
amazing job as a player/producer on a jazz record for guitarist John Basile.
Prior to my sessions for Linda, I did a workshop for a different show in the
making, CATCH ME IF YOU CAN, based on the movie. That could happen as
early as next summer.
Clint takes a bow in the spotlight at Westbury, NY.
About four or five months of this year, I was on tour with Art Garfunkel.
And, of course, Linda has some busy months down the line. I'm toying with doing my own record. I get charged and then I get
distracted by just being a side-man for everyone else. We'll see what happens.
Fellow musician and friend, David
Finck, had this to say about Clint...
"Clint de Ganon is one of the most sought
after musicians in New York. And for good
reason. He has impeccable rhythm, a clocklike accuracy that you can rely upon. He has a
rich, full, clear, sound on every voice of his
instrument. And, most importantly, Clint has
great ideas. He is one of the very few
drummers who hear an entire composition
rather than just his part. He effortlessly
makes subtle changes in sound and feel from
one section of a piece to another, always
understated, feel oriented, and song oriented.
And the result is always a more powerful
rendition of a piece of music.
Clint's vocabulary is rich. He is comfortable in
more musical situations than you can count.
It is no accident that his skills have been
requested by literally dozens of artists for
recordings and tours. In the last year alone,
he has played for Art Garfunkel, Linda Eder,
John Tropea, John Basile, and the list goes
on.
Among Clint's most impressive credits are the
hours he has logged on Broadway. His
enthusiasm and skill have made him the most requested drummer in that arena. Choreographers simply love him.
The relationship between choreographers and drummers is a special one. Clint's ability to meet their needs and
the needs of dance captains has never left him without employment in the theater. It isn't easy. While still holding
the responsibility for maintaining a great rhythmic feeling in the pit, he must accurately accentuate the hits, kicks,
and falls of the dancers as requested by the choreographer. Only a handful of players are truly masters of this skill
and without question, Clint is at the top of the list."
Volume 8- Edition 1
Summer/Fall 2007
Ever wonder what Linda's favorite color is? Or her favorite flavor of ice cream? What about her favorite book or television
show? Does she prefer Winter or Summer? … if you've ever wondered about any of these little details, now we have the
answers for you! Here, Linda answers 101 questions from her fans in "Getting To Know You."
FANS: What is your favorite color?
LINDA: Green.
FANS: What is your favorite vacation destination?
LINDA: I had the most fun in Greece.
FANS: What is your favorite day of the year?
LINDA: August 23, the day my son was born.
FANS: What is your favorite season?
LINDA: Spring, spring, spring!
FANS: What is your favorite movie?
LINDA: Baby Boom.
FANS: What is your favorite type of movie?
LINDA: Romantic Comedy or Mystery Thriller.
FANS: Who is your favorite actor?
LINDA: For looks… George Clooney. For acting ability… Anthony Hopkins.
FANS: Who is your favorite actress?
LINDA: For looks… Angelina Jolie. For acting ability… Judy Dench.
FANS: What is your favorite stage play?
LINDA: I don't have one.
FANS: What is your favorite Broadway musical outside of JEKYLL & HYDE?
LINDA: LES MISERABLES.
FANS: What is your favorite TV show?
LINDA: Grey's Anatomy.
FANS: Who is your favorite late night TV host?
LINDA: None.
FANS: What is your favorite book?
LINDA: Lord of the Rings Trilogy.
FANS: Who is your favorite author?
LINDA: Don't have one.
FANS: What is your favorite sport?
LINDA: Horseback riding.
FANS: What is your favorite sport to watch?
LINDA: Tennis.
FANS: What is your favorite professional sports team?
LINDA: Vikings.
FANS: What is your favorite restaurant entree?
LINDA: Calamari.
FANS: What is your favorite NYC restaurant?
LINDA: Henry's (for reasons that have nothing to do with food or atmosphere).
FANS: What is your favorite home-cooked meal?
LINDA: Smorn (it's a cheap Austrian dish that I grew up eating).
FANS: What is your favorite dessert?
LINDA: Apple Crisp.
FANS: Do you have a favorite flavor of ice cream?
LINDA: Mint Chocolate Chip.
FANS: What is your favorite ethnic food?
LINDA: Burritos.
FANS: What is your favorite wine?
LINDA: Pinot Grigio.
FANS: What is your favorite snack food?
LINDA: Corn Chips and Salsa.
FANS: What was your favorite childhood toy?
LINDA: Johnny West Doll collection (horses and dolls).
FANS: What is your favorite piece of jewelry?
LINDA: A silver ring in the shape of a horse head and neck.
FANS: When you were a child, did you have a favorite item that you just had to have to get to sleep?
LINDA: I had authentic Austria feather covers back before down comforters became the norm. Mine were made by my
relatives in Austria.
FANS: What is your favorite flower?
LINDA: Blue Hydrangea.
FANS: What is your favorite perfume?
LINDA: Fendi.
FANS: If you could have one "super power," what would it be?
LINDA: To fly.
FANS: What is your motto?
LINDA: When you turn your back, make sure that people talk well of you.
FANS: What was your first job?
LINDA: Washing dishes in a restaurant… by hand!
FANS: What is the last book you read?
LINDA: Starter Wife.
FANS: When you buy a new "work" dress, do you have a favorite designer?
LINDA: Dane.
FANS: Did you design any of your gowns?
LINDA: No.
FANS: What do you do with your old gowns?
LINDA: Give them away. Keep some for Halloween.
FANS: Do you like to cook?
LINDA: Yes, but not on a regular basis.
FANS: What meal do you cook the best? (What is your "specialty?")
LINDA: You'd have to poll ten of the people I cook for. I have no idea.
FANS: Since your father was a chef, is there a favorite family recipe he passed down to you?
LINDA: Yes, but it's not the fancy stuff he learned in cooking school. It's the cheap every day meals that his family grew up
eating after the war.
FANS: When you have multi-night concerts, what do you do during the days?
LINDA: If it is in the same location, then I get out a little more. If I have to travel each day, then I
don't do much but relax.
FANS: What do you like to do on your days off?
LINDA: You name it. Ride, garden, go out with friends, sit on my deck.
FANS: What is your dream role?
LINDA: It doesn't exist because my dream role would not be to recreate a part that has already been done.
FANS: Who (male, female or group) would you really like to record a song with?
LINDA: John Ondrasik or Michael Bubble.
FANS: Did you ever get to meet Bruce Willis like you wanted to back in your Star Search days?
LINDA: Never… and now he's old. :-)
FANS: Do you participate in any dressage competitions?
LINDA: Don't have the time right now.
FANS: Did you have a date for your high school prom?
LINDA: Yes, a boy who was not from our school. Very daring, don't you think?
FANS: Have you ever gone to one of your class reunions?
LINDA: No. My loss.
FANS: If you could live anywhere in the world, where would it be?
LINDA: On a thousand acres in Montana.
FANS: If you weren't an entertainer, what would you do for a living?
LINDA: I would have enjoyed being a vet.
FANS: Do you like board games?
LINDA: No. I like fun thinking games.
FANS: Do you enjoy roller coasters?
LINDA: Yes. I'm scared out of my mind but I love it.
FANS: Have you ever or would you ever go skydiving?
LINDA: Are you kidding?
FANS: Do you like reality TV?
LINDA: Some of it. Hate most of it.
FANS: What would you do if you won the lottery?
LINDA: Set all my family up for life and then try my best to put the rest to good use. I would, of
course, buy some real toys.
FANS: If you had a time machine, would you go to the future or to the past?
LINDA: I would only go to the past. I would love to do that.
FANS: What "famous" living person would you like to have dinner with?
LINDA: Peter O'Toole.
FANS: What "famous" dead person would you like to have dinner with?
LINDA: Hitler… so I could poison him.
FANS: If you met Barbra Streisand, what would you say, other than hello?
LINDA: I would apologize for all the critics who wrongly compare me to her. Then I'd ask her what
it was like to kiss Robert Redford.
FANS: Are you aware of your impact on fans?
LINDA: I am because I read their letters and I listen to their stories. Some are quite amazing.
FANS: Do they have an impact on you?
LINDA: Sometimes when I'm down and ready to give up the rat race, they keep me going.
FANS: What is the one thing you can't live without?
LINDA: Someone who is happy to see me.
FANS: If you were a tree, what kind of tree would you be?
LINDA: I would be a willow.
FANS: If you could be reincarnated as an animal, which animal would you choose?
LINDA: An eagle.
FANS: Who do you consider to be your hero?
LINDA: My Dad.
FANS: Besides your voice, what do you feel is your best asset?
LINDA: My mind is my best and my worst asset.
FANS: What is the best thing Jake has brought to your life?
LINDA: He has allowed me to be okay with the idea of not living forever. I understand my role more now… my part of the
circle.
FANS: What is your greatest fear?
LINDA: Having to leave Jake too early.
FANS: What is your greatest memory?
LINDA: The day Jake was born.
FANS: Besides the people and animals you love, what is the one thing that always brings a smile to
your face?
LINDA: A cool breeze on a really hot day.
FANS: If there was one thing you could change about yourself, what would it be?
LINDA: I would be two inches shorter!
FANS: If you could trade places with anyone in the world for just one day, who would it be?
LINDA: The President. What I could do in a day…!
FANS: What is the greatest advice anyone has ever given you?
LINDA: You need three things to be happy… "Someone to love, something to do and something to look forward to."
FANS: Looking back on your life so far, what was your favorite age?
LINDA: 10.
FANS: What is the greatest lesson your parents taught you?
LINDA: Be kind to people.
FANS: This question is usually for men, but we're asking because someone dared us so here it goes... boxers or briefs (on
men, of course)?
LINDA: Boxer style briefs.
FANS: What do you want to be remembered for?
LINDA: Making a difference in some people's lives.
FANS: You seem to have so many talents. Is there anything that is difficult for you to do?
LINDA: Math.
FANS: What do you love most about Minnesota?
LINDA: Cold, clean, crisp winter air.
FANS: Did you like the bitter cold winters in Minnesota when you were a child?
LINDA: No, because it was not good horseback riding weather.
FANS: What three words do you think best describe you?
LINDA: Proud, calm, empathetic.
FANS: Who, if anyone, made you nervous when you were going to meet them for the first time?
LINDA: Lots of people. Sammy Davis, Jr. and Liza Minnelli in a limo at the same time.
FANS: Do you prefer coffee or tea?
LINDA: Love coffee, but try not to drink it. I think it's very bad for people.
FANS: What do you typically eat for breakfast?
LINDA: The heaviest whole grain, whole kernel bread I can find with cheese or peanut butter. Lately
I'm on an oatmeal kick. I also eat fresh eggs from my chickens.
FANS: What color is your toothbrush?
LINDA: Blue.
FANS: What brand of toothpaste do you use?
LINDA: Sensodine.
FANS: What brand of shampoo do you use?
LINDA: Always changing.
FANS: Do you blow dry your hair or let it dry natural?
LINDA: Both.
FANS: What brand of makeup do you use?
LINDA: Mac, Chanel.
FANS: Do you make your bed every day?
LINDA: Yes.
FANS: Do you read before you go to sleep?
LINDA: No.
FANS: Do you sleep with socks on?
LINDA: No.
FANS: Do you like the beach?
LINDA: Not really.
FANS: Do you swim when you are at the beach?
LINDA: I prefer to swim in a lake or a pool.
FANS: What is your biggest pet peeve?
LINDA: People who don't move one inch when they are walking the opposite way on a sidewalk. They expect you to do all the
moving.
FANS: What makes you laugh really hard?
LINDA: My boyfriend's sense of humor.
FANS: What is the most exotic thing you have ever eaten?
LINDA: Octopus.
FANS: If you were stranded on a deserted island, what three things would you like to have with
you?
LINDA: A cell phone, a lantern, my boyfriend.
FANS: What's the most spontaneous thing you have ever done?
LINDA: Bought each of my parents a car.
FANS: Do you ride your horses every day?
LINDA: Too busy.
FANS: Have you enjoyed reading and answering questions from the fans?
LINDA: Some of them really made me think!
Volume 8- Edition 1
Summer/Fall 2007
"Kim and I go way back to almost the beginning.
I'll never forget my first time meeting this gentle
giant, and I will certainly never forget the first time
I got to hear one of his orchestrations come to life.
I will always be amazed by people who can hear 70
parts at once in their heads before anyone has ever
played a note. All you have to do is give him an
idea of what you want and he comes back with
magic."
Linda and Kim
Linda Eder's voice is unrivaled. A voice as spectacular and majestic as hers requires
an equally magnificent complement of musical expression. Her musicians are some of the most talented in the business, but to
take her songs to the heights they achieve, the magic of a gifted creative individual often comes into play. That man is none
other than orchestrator, arranger, and special friend of THE VOICE, Kim Scharnberg.
We talked with Kim recently about his work with Linda and creating magic in the music industry.
VOICE: Is there a difference between an "arrangement" and an "orchestration" or are they synonymous?
KIM: It used to be one and the same since the person who did the arrangement also usually did the orchestration… the
orchestrating part was just assumed. Broadway especially has changed that and as well as some other mediums like records
and live shows. The arranger is the person who puts the song into its final form and who might suggest some other musical
lines or parts other than the vocal. Sometimes I'll get a very detailed four or five line sketch from an arranger, and sometimes
I'll just get a basic lead sheet with their name on it taking credit. As an orchestrator, I'll then write out parts (a score usually)
for whatever instruments have been hired to realize the music. I'll often add my own lines or change things, sometimes with
approval, sometimes not. If it's a big change like "how about a soft ending instead of a big ending?" I'll definitely run it by the
artist and/or the arranger, songwriter and producer.
VOICE: Please tell us about the process of arranging/orchestrating a song and a Broadway show.
KIM: I get hired and I do the work and then sit back and wait to collect royalties and praise… it's easy! Haha! Seriously
though… I've mainly been hired to be the orchestrator on Broadway shows (even though arranging is sometimes part of it) so
I'll describe that. I'm usually involved very early in the process when songs are just getting written and the music team (the
composer, the music director, who is usually the arranger, and sometimes the lyricist) will sit down and talk about the "sound"
of the show and sometimes what instruments will be in the pit. Often times we'll do demos of the songs that might have some
idea of what the orchestrations will be, but it's usually just to help sell the show to investors and to attract the rest of the
creative team. When it's finally ready to go to Broadway or the out of town tryouts before Broadway, the music director writes
the arrangements of the songs and starts to give them to me. It gets fast and furious at this point with things coming in
sometimes every hour. E-mail has made this all much faster! Sometimes I'm waiting for other decisions to be made… where
the choreographer wants hits or where the scene change might be longer or what key the diva wants the song in… [smiles] I
then write it for all of the instruments that will be in the pit, trying to get the exact right combination for whatever mood is
supposed to be taking place on stage. During previews of a new show, it's all about revisions… see what's working and what
needs to be changed and refining my work… that's the best part of theater since I don't get that opportunity in recording. After
that it hopefully gets played thousands of times and it gets back to the "sit back and wait" part!
VOICE: Has the advent and growing prominence of digital /electronic
music affected your creative process as an arranger/orchestrator?
KIM: Yes. Sometimes it's lessened the job of what we do and/or flat out
replaced it, but I prefer to look at it as glass-half-full. Technological
changes have always been a part of theater and of music and it's not going
away, so I think it's better to embrace it! Use it for good and not for evil! I
think live musicians are a very important part of live theater (I hope most
of your readers agree!), so electronics can best be used to enhance them
rather than replace them. There are certain sounds that can only be
achieved on electronic instruments, so it's not like the oboe player is going
to get some cool synthesizer sound by changing reeds! I just hope that
producers and patrons alike still appreciate what orchestrators and live
musicians can do for a long time into the future!
VOICE: Which instruments are the most difficult/easiest for you in
preparing an orchestration?
KIM: Probably the rhythm section … piano, bass, drums and other
keyboards because I like to give the players enough creative freedom to
add their own things but still enough guidance so I get what I want.
Easiest? The trombones!
VOICE: How does the process of creating "dance mixes" out of Linda's
songs work? Who chooses what songs to turn into dance mixes? Does
Linda give direction on them? Have you worked on any?
KIM: This is almost completely out of the realm of what I do… but I can
find out who is great at it! Linda's current coproducer, Billy Stein, is a
genius on all of this so he'd be a good one to ask!
Photo by Sonja Zinke
VOICE: We definitely will speak to Billy about it soon. Do you have any
insight into the dance mix of "Something To Believe In" which is included on the Greatest Hits CD?
KIM: I thought it sounded pretty cool and it brought a bigger audience to what Linda does… so… no!
VOICE: More questions for a future interview with Billy! Did you formally study music arranging or did it just come naturally as
a musician?
KIM: Yes, even though I was a trombone major (with extra training as Santa Claus of course). I took all of the arranging
courses at the Eastman School of Music. I studied with Rayburn Wright and Manny Albam and it was a priceless education!
VOICE: Can you tell us a little about the knowledge you gained from these two men that has helped you in your career?
KIM: From Manny, it was about the way he would write charts… every single part would make sense and be interesting to play
even if you're the 3rd or 4th player in a section. His own charts were brilliant! From Ray, it was about the process and the
business… how to be a professional, run sessions, be on time, a lot of the basics. I still hear his voice in my head every time I
write an arrangement guiding me in what I should or shouldn't be doing.
VOICE: From where do you draw your inspiration as a creative individual?
KIM: Lots of different places… music is an amazing thing and sometimes it can just inspire itself — one note leads to another
and then another! Plus I think it's important to put myself in
touch with whatever emotion the song is trying to express,
so if it's an up-tempo, happy song… more coffee and let's
go! But if it's a darker, more brooding or even sad song I
have to be willing to go there too. To me, passion is the
whole deal and I have to try and put that into every single
thing I write!
VOICE: Do you find it more difficult to approach a darker,
more brooding, or sad song than those that are more uplifting? Are the up-tempo, happy songs more to your liking since those
are more your own personality?
KIM: Ha! Maybe I fool people but the darker, brooding things are usually much easier for me! Maybe it's just because they're
usually slower, meaning they're shorter too! Plus I can do all those weird things I like to try in those slower songs.
VOICE: Do you prefer to arrange original songs or make "old songs new?" Is one more challenging than the other?
KIM: I like both since they're different challenges. With a new song, I'm able to put my own spin on what it is, which is always
fun and not very restrictive. With an older song, especially a well known one like "Impossible Dream" or "The Man That Got
Away" or something like those, I feel the need to say something new… express a different point of view if possible. Maybe it's
just reharmonizing it or finding a unique way to look at the lyrics, but there's always a sense of history looking over my
shoulder too!
VOICE: On new songs, do you get much input from composers or lyricists before you begin your creative work?
KIM: Each situation is unique… sometimes lots, sometimes too much, sometimes not much and sometimes not enough! It's
the same way with the songs I'm given… sometimes they are very specific and all the inside lines are there or implied versus
other songs when the chords aren't even there and the melody isn't completely set. Usually the lyrics will guide me and really
good lyrics like Jack Murphy's are inspiring!!! (Jack — I'll take the usual 10% for that compliment — check or cash please)
VOICE: What is the most complicated arrangement you ever worked on? The most fun?
KIM: The hardest ones are always the simplest ones! Back when I'd write
with pencil there was always a lot of eraser shrapnel on the desk from the
"easy" charts… there are fewer notes or choices to make so each one has to
be absolutely perfect. I guess for me it's all part of the craft so each song
has its own challenges and hopefully, in the end, they're all fun! I have to
say that hearing Linda sing pretty much anything for the first time with a
band or orchestra is always a thrill and makes any sweat or short nights
totally worth it!
VOICE: Can you be specific and name one that was the most complicated
and one that was the most fun?
KIM: Hold on and let me go look at my CDs to answer this… I'll stick to Linda songs.
Hardest: "I Am What I Am." Most fun: "Here Comes Santa Claus/Santa Claus Is Comin' To Town!"
VOICE: Awesome! We love those arrangements! What is your favorite song on Linda's Greatest Hits CD of the songs you
worked on?
KIM: Wow, hard question! I like so many of the things that I worked on for different reasons, but I'd probably have to say
"Vienna" since we did that on her very first album and then rerecorded it later. I've always loved that song and think it's a
great example of blending pop and symphonic. Too bad she can't sing it and that none of her fans like it… [winks] Oh, well!
VOICE: It's been wonderful chatting with you. Now to uphold our "Voice tradition," can you tell us about your current
projects?
KIM: I've been commissioned to write several original compositions lately… three for smaller chamber groups and one for
symphony orchestra which is very creative and fun for me! A big project right in front of me is a rock version of Handel's
MESSIAH that is being filmed for a PBS special with the Boston Pops in September! It headlines Jon Anderson (from Yes),
Belinda Carlisle (the GoGos), Adam Pascal (RENT, etc.) and a soon-to-be-named female singer. Jason Howland and his wife,
Dani, are the main creative forces behind this along with Billy Stein… all Linda colleagues! I'm coproducing… which means I'm
sharing in some of the creativity of the work, and also adding my ears during rehearsals and when we're mixing the material. I
get to share my point of view as the "orchestra guy." I'm also orchestrating and arranging the project so look for it on TV this
holiday season and then a full tour a year from this November!
Volume 8- Edition 1
Summer/Fall 2007
Released on October 8, 2007, by Rhino Records, Linda Eder GREATEST HITS is available exclusively at Barnes & Noble through
October 2007. If you haven't secured a copy yet, don't delay! Once they're sold out, they're gone… and this is a CD you don't
want to miss! The disc features many of Linda's fan favorites as well as some other gems you may not have heard in a while.
To commemorate its release, the EDER-tors of THE VOICE decided to take a closer look at these "greatest hits!"
Track # 1
"DON'T RAIN ON MY PARADE"
Originally recorded for BROADWAY MY WAY (February 2003)
From the Broadway musical FUNNY GIRL
Music by Jules Styne
Lyrics by Bob Merrill
FUNNY GIRL opened on March 26,1964, at the Winter Garden Theatre and ran for 1,348 performances.
The original principals in the cast included Barbra Streisand, Sydney Chaplin, Kay Medford, and Danny Meehan.
Before Barbra Streisand won the leading role in FUNNY GIRL, it was turned down by three actresses.
After five opening night postponements, three directors, four title changes, and numerous script revisions, the show was
a great success.
Linda credits Barbra Streisand as being one of her inspirations as a singer. She has the utmost respect and admiration
for her and sings "Don't Rain On My Parade" in her concerts as a tribute to this great singer.
Track #2
"I WANT MORE"
Originally recorded for IT'S TIME (April 1997)
Music by Frank Wildhorn
Lyrics by Jack Murphy
Jack Murphy tells THE VOICE: "Frank gave me the melody and asked me to write a 'Don't Rain On My Parade' type lyric.
I heard something different and wrote the lyric that currently exists. He said it wasn't what he had in mind but, before I
discarded it, I read/sang it for Linda in her kitchen. She said, 'What are you nuts?! This lyric is perfect... it's exactly
what I want!' Needless to say, the lyric stayed."
When Linda first began performing "I Want More" in concert, she told this story while the band played the opening few
notes softly in the background. She would end saying "this is an anthem for women everywhere!" as the music would
swell and she'd dive into the first verse.
Also in concert, the last note of this song was often a "battle" between Linda and her drummer to see how long she cold
hold the note as the drummer improvised playing. Fans began to time how long Linda could hold the final note!
Track #3
"UNUSUAL WAY"
Originally recorded for BROADWAY MY WAY (February 2003)
From the Broadway musical NINE
Music and Lyrics by Maury Yeston
NINE first opened on May 9, 1982, at the Richard Rodgers Theatre and played for 732 performances.
The original principals in the cast included Liliane Montevecchi, Raul Julia, Anita Morris, Karen Akers, and Shelly Burch.
NINE was revived in the Spring of 2003 starring Antonio Banderas.
NINE is based on Frederico Fellini's Film, 8-1/2, an adaptation from the Italian version by Mario Fratti.
NINE won five Tony Awards in 1982 including Best Musical.
The recent revival won the 2003 Tony Award for Best Revival of a Musical.
As part of her BROADWAY MY WAY Concert Tour, Linda sang "Unusual Way" was part of a medley with Stephen
Sondheim's "Losing My Mind."
Track # 4
"MAN OF LA MANCHA (I, DON QUIXOTE)"
Originally recorded for IT'S TIME (April 1997); also included on BROADWAY MY WAY (February 2003)
From the Broadway musical MAN OF LA MANCHA
Music by Mitch Leigh
Lyrics by Joe Darion
MAN OF LA MANCHA first opened on November 22,1965, at the ANTA Washington Square Theatre and played for 2,328
performances.
The original principals in the cast included Richard Kiley, Joan Diener, Irving Jacobsen and Ray Middleton.
Six years prior to its stage debut, it premiered as an original drama written for television starring Lee J. Cobb as Quixote
and Eli Wallach as Sancho. It aired under the title I, Don Quixote.
MAN OF LA MANCHA was originally booked into an off-Broadway theatre and was ignored by everyone but the audience.
The production was a critical success and within four months was transferred to the Martin Beck.
Rex Harrison was cast as the original lead and backed out. Richard Kiley took over the role and won the Tony for Best
Actor in a Musical.
MAN OF LA MANCHA was revived four times, most recently in 2002 starring Brian Stokes Mitchell, at the original
Broadway theatre, the Martin Beck.
On June 21, 2003, the Martin Beck was renamed in honor of Al Hirschfeld, a
caricaturist-cartoonist best known for his artwork in the theatre community.
The date of the theatre re-naming and dedication was to be Hirschfeld's 100th
birthday, but sadly he died in January 2003 just 5 months shy of his 100th birthday.
Linda has performed "Man Of La Mancha (I, Don Quixote)" on numerous television
and public appearances, always delighting her audience with that incredible, almost
ethereal, high note.
Olympic and World Figure Skating Champion Katarina Witt skates to Linda's version
of this song and has often performed it live with Linda singing.
The song has become a staple of Linda's live concerts; Linda first performed it live as
part of a medley of "men's songs."
Track #5
"WHAT KIND OF FOOL AM I ?"
Recorded for BROADWAY MY WAY (February 2003)
From the Broadway musical STOP THE WORLD - I WANT TO GET OFF!
Music and Lyrics by Leslie Bricusse and Anthony Newley
STOP THE WORLD - I WANT TO GET OFF! first opened on October 3, 1962, at the Shubert Theatre and played for 555
performances.
Leslie Bricusse and Anthony Newley wrote the show in only 8 days!
The original principals in the cast included Anthony Newley and Anna Quayle.
The female lead in the show was named for Leslie Bricusse's wife, Evie.
The 1978 revival starred Sammy Davies, Jr. in the role of Littlechap.
Linda first performed "What Kind Of Fool Am I?" as part of a medley including "Come Rain Or Come Shine" and "I Don't
Know How To Love Him."
This medley "stopped the show" when Linda performed it at the PBS concert "My Favorite Broadway: The Leading
Ladies."
"What Kind Of Fool Am I?" won the 1962 (5th Annual) Grammy Award for Song of the Year.
Track #6
"SOME PEOPLE"
Originally recorded for BROADWAY MY WAY (February 2003)
From the Broadway musical GYPSY
Music by Jules Stein
Lyrics by Stephen Sondheim
GYPSY first opened on May 21,1959, at the Broadway Theatre and played for 702 performances.
The original cast starred Ethel Merman as Rose.
This musical is called GYPSY instead of ROSE, even though it is about Rose, because Gypsy Rose Lee herself stipulated
that she wanted the title to be GYPSY. In order to use her memoirs, the producers had to follow her wishes.
Originally Stephen Sondheim was supposed to write both the music and lyrics, but Ethel Merman refused to work with
an untried composer.
Gypsy was revived on Broadway three times, most recently in 2003 starring Bernadette Peters in the role of Rose.
When Linda sang "Some People" as part of her BROADWAY MY WAY Concert Tour, the song often featured an
improvisational drum solo by Clint de Ganon that drove the audience wild!
Track #7
"BRING ON THE MEN"
Originally recorded for THE COMPLETE WORK "JEKYLL & HYDE: THE GOTHIC MUSIC THRILLER" (January 1995)
From the musical JEKYLL & HYDE
Music by Frank Wildhorn
Lyrics by Leslie Bricusse
Although a "fan favorite," "Bring On The Men" was cut from the Broadway production of JEKYLL & HYDE.
"Bring On The Men" was replaced with "Good 'N' Evil" on Broadway.
Every production of the show before Broadway, and since Broadway, has included "Bring On The Men."
Track #8
"ANTHEM"
Originally recorded for BROADWAY MY WAY (February 2003)
From the Broadway musical CHESS
Music by Benny Andersson and Bjorn Ulvaeus
Lyrics by Tim Rice
CHESS originated as a successful record album, featuring Elaine Page, before it became a stage production.
CHESS opened on Broadway on April 28,1988, at the Imperial Theatre and played for 68 performances.
The first theatrical production of CHESS was much more successful, opening in London's West End in 1986 where it
played for three years to critical and audience acclaim.
The successful West End production starred Elaine Paige in the lead role of Florence.
The original Broadway cast included David Carroll, Philip Casnoff, Judy Kuhn and Harry Goz.
Although successful in London, the show lost six million dollars in New York.
CHESS was produced as a concert in 2003 as a benefit for the Actor's Fund of America.
Josh Groban sang "Anthem" in the role of Anatoly at the concert.
Track #9
"OVER THE RAINBOW"
Originally recorded for IT'S TIME (April 1997);
also included on BY MYSELF: THE SONGS OF JUDY GARLAND (October 2005)
From the film THE WIZARD OF OZ, 1939
Music by E. Y. "Yip" Harburg
Lyrics by Harold Arlen
"Over The Rainbow" was written for Judy Garland to sing in The Wizard of Oz.
"Over The Rainbow" is No. 1 on the Recording Industry Association of America and the National Endowment for the Arts'
"Songs of the Century" list.
The song also placed No. 1 on the American Film Institute's "100 Years, 100 Songs" list.
"Over The Rainbow" won the Academy Award for Best Song in 1939.
"Over The Rainbow" has additional lyrics and verses; however these were cut from the movie and therefore are often
not included in popular recordings of the song.
The number of artists who have performed or recorded the song is too numerous for us to list here — it's in the
thousands!
Track #10
"HAVANA"
Originally recorded for IT'S NO SECRET ANYMORE (September 1999)
Music by Frank Wildhorn
Lyrics by Jack Murphy
When Linda performs "Havana" in concert, she encourages audience members to "whoop and trill" along. Arrrrrrrreba!
"Havana" was originally intended to be part of a musical by the same title.
Other songs to be included in HAVANA also appeared on IT'S NO SECRET ANYMORE — they are "Why Do People Fall In
Love," "Never Dance," and "This Time Around."
"Why Do People Fall In Love" is offered as a popular ringtone by most wireless phone providers.
After a long absence, Linda began performing "This Time Around" in concert again in 2007.
Jack Murphy tells THE VOICE: "'Havana' was the title song of a show that never got written... until now. The show has
been re-imagined with a new book by Pulitzer Prize winning playwright Nilo Cruz, music by Frank and lyrics by yours
truly. Maybe we'll finally get it done, but no matter what happens I find it hard to believe that anybody, and I mean
ANYBODY, is going to sing it 'better than Eder' — sorry the lyricist in me just couldn't resist."
Track #11
"A NEW LIFE"
Originally recorded for THE COMPLETE WORK "JEKYLL & HYDE: THE GOTHIC MUSIC THRILLER" (January 1995);
included on BROADWAY MY WAY (February 2003)
From the Broadway musical JEKYLL & HYDE
Music by Frank Wildhorn
Lyrics by Leslie Bricusse
JEKYLL & HYDE opened on Broadway on April 28,1997, at the Plymouth Theatre and played for 1,543 performances.
The original Broadway cast starred Linda Eder, Robert Cuccioli, Christiane Noll, Rob Evan, George Merritt and Barrie
Ingham.
The production was nominated for four Tony Awards.
Linda Eder won a 1997 Theater World Award for Outstanding Debut Performer in NYC.
JEKYLL & HYDE was the longest running musical ever to play at the Plymouth Theatre.
In 2005, the Plymouth Theatre was renamed the Gerald Schoenfeld Theatre, in honor of the long-time chairman of the
Shubert Organization (owners of the theatre).
Although included on the BROADWAY MY WAY album, since the album's release Linda has performed "A New Life" in
concert only a handful of times. Most notably was her February 2003 Carnegie Hall appearance — "A New Life" received
a near-10-minute standing ovation!
Track #12
"VIENNA"
Originally recorded for LINDA EDER (1991, Angel Records);
Re-orchestrated and recorded in 1999 on IT'S NO SECRET ANYMORE
Music by Frank Wildhorn
Lyrics by Gary Benson
VIENNA was the title of the early UK release (1989) of Linda's first album
(self-titled, 1991).
"Vienna" was recorded and released as a popular dance mix single.
"Vienna" features a spectacular musical break, during which Linda turns her
back to the audience and allows the musicians to take center stage.
Following this musical break, Linda has "trademarked" a special pose for
those big notes — arms stretched out! It's unmistakable.
Track #13
"SOMEONE LIKE YOU"
Originally recorded for THE COMPLETE WORK "JEKYLL & HYDE: THE GOTHIC MUSIC THRILLER" (January 1995); Included on
IT'S TIME (April 1997); also included on LINDA EDER (1991) as a bonus track
From the Broadway musical JEKYLL & HYDE
Music by Frank Wildhorn
Lyrics by Leslie Bricusse
Lyrically, there are two different versions of "Someone Like You" — one speaks of unrequited love and the other of a
love realized and returned.
Many consider "Someone Like You" to be Linda's "signature song," yet someone very close to the show would disagree.
(TEASER: stay-tuned to the next edition of THE VOICE for more!)
Track #14
"I AM WHAT I AM"
Originally recorded for BROADWAY MY WAY (February 2003)
From the Broadway musical LA CAGE AUX FOLLES
Music and Lyrics by Jerry Herman
LA CAGE AUX FOLLES opened on Broadway on August 21,1983, at the Palace Theatre and ran for 1,761 performances.
The original cast included George Hearn, Gene Barry, Jay Garner, John Weiner, Elizabeth Parrish, Leslie Stevens, William
Thomas Jr. and Merle Louise.
Composer/Lyricist Jerry Herman took home the 1984 Tony Award for Best Musical Score for LA CAGE AUX FOLLES.
Herman is honored in the Songwriters Hall of Fame and is the only composer to have had three musicals which ran more
than 1,500 consecutive performances on Broadway.
LA CAGE AUX FOLLES was revived in 2004 and took home the 2005 Tony Award for Best Revival of a Musical.
The English translation of LA CAGE AUX FOLLES is "Birds of a Feather."
LA CAGE AUX FOLLES is based on a French film by Jean Poiret (same title, 1978) and was again adapted for the screen
in 1996 with the Robin William's hit The Birdcage (also starring Gene Hackman and Nathan Lane).
The members of the LA CAGE AUX FOLLES chorus are the ones who initiated the backstage fundraisers that became the
backbone of Broadway Cares/Equity Fights AIDS.
Since its founding in 1987, BC/EFA has raised more than $77 million for critically needed services for people with AIDS,
HIV or HIV-related illnesses.
Atlantic records released Linda's version of "I Am What I Am" as a single including 7 dance mixes. The song swept the
club scene and is still popular today.
Track #15
"SOMETHING TO BELIEVE IN"
Originally recorded as a pop-ballad for IT'S TIME (April 1997)
Music & Lyrics by Frank Wildhorn
"Something To Believe In" was produced as a music video.
"Something To Believe In" was released as a dance mix on a single that also included dance mixes of "Never Dance."
(November 1999)
For the longest time, Linda would close all of her live shows with this song.
Just one month after the September 11 attacks, Linda performed "Something To Believe In" in New York City as past of
the Columbus Day Parade. It was a galvanizing moment for many. She also performed "God Bless America."
Volume 8- Edition 1
Summer/Fall 2007
In celebration of the release of her GREATEST HITS CD, Barnes & Noble Booksellers - Lincoln
Center, New York City, hosted Linda Eder for a CD signing on May 9th.
The crowd anxiously awaits Linda's arrival...
...she's here!
She signed...
...and signed...
...and signed!
Fan Lara Tupper from New York and Linda
Fan Tony Imgrund from Nebrask and Linda
Fan Tracy Cusumano from New York and Linda
Fan Donald DelSeni from New York and Linda
Fan Erin Kettwig from California and Linda
Fan Patty Huss from New York and Linda
Fan Gail Andahazy from New Jersey and Linda
Fan Flip Shulman from New Jersey and Linda
Fan Gabriella Greco from New York and Linda
(Gabby is standing on a chair!)
Fan Trish Burns from New York and Linda
Fan Pat C. from New York and Linda
Norman Saban from New York and Linda
Lisa Gwasda, Choir Director at the Celia Cruz Bronx High School of Music, is a long-time Linda
Eder fan. She was thrilled to be able to share her love of Linda's music with her students on a
special "class trip" to the CD signing!
Lisa Gwasda writes...
Fan and Teacher Lisa Gwasda from New York and
Linda
I was in my graduate choir class one evening following the CD
signing and my student, Luz, called me. She had called to tell
me that she couldn't stop listening to Linda's GREATEST HITS
CD. She told me that she said to her mom, "Don't you LOVE
this? Doesn't it make you wanna dance?" Her mom said, "Yes!"
Luz replied, "See mommy, I'm gonna be a Broadway singer,
ok?" lol! This girl is in 10th grade, and I kid you not when I say
she has an amazing voice for Broadway. She originally came to
me as a dancer who wanted to sing. By the time she graduates
from high school in two years, she's going to have any choice
of college she wants! I just find it so inspiring to see how
amazed she is with Linda because she now reminds me of ME
when I discovered her! I'm so glad that she is inspired in a new
way. I'll have to treat her to a concert next time Linda is in the
NYC area.
Sabrisky Inocente, Violin Major, writes…
Meeting Broadway Star Linda Eder was an amazing experience.
She's a beautiful person! She has a musical talent to be
admired. I got to take pictures with her and had her sign my
CD. She told me to try to pursue everything I wanted and to
hold on to my musical talent because music is a beautiful thing!
Meeting her has been an inspiration for me to keep my musical
interest and have a life long connection with my instrument,
the violin. Thanks to Ms. Gwasda who made this experience
possible!
Fan and Student Sabrisky Inocente and Linda
Jaret Hewitt, Voice Major, writes…
Meeting Linda Eder was a wonderful yet unforgettable
experience that I got to share with my teacher and friends. She
has an amazing powerful voice that will continue to inspire me
as a vocalist throughout my studies as a voice major at Berklee
and throughout my musical career!
Fan and Student Jaret Hewitt and Linda
Luz Estevez, Soprano, writes…
My experience at the Linda Eder CD signing was great! At first I
wasn't really into it because I knew nothing about her (but
what she looked like because Ms. Gwasda has a picture of her
posted right in the middle of the chorus room). I also have
never heard her music, but after hearing the song "Don't Rain
On My Parade" on Ms. Gwasda's I-Pod, I was totally amazed
and couldn't wait to meet her! After meeting her, I was even
more amazed because she has such a great personality. After
leaving the CD signing, I ate and went straight home to listen
to the album. I have learned a few of the tracks like: "Man Of
La Mancha," "What Kind Of Fool Am I," "Some People," and my
favorite one, "Don't Rain On My Parade." Linda has actually
inspired me to become a Broadway singer!
Fan and Student Luz Estevez and Linda
Amy Vargas, Soprano and star of WEST SIDE STORY
writes…
Linda Eder was and still is my music teacher's idol. To meet the
person who inspired my teacher with her fiery passion for
music was a great honor for me!
Fan and Student Amy Vargas and Linda
Jamie Flores, Voice and Piano Major, student at Julliard
Prep. and Tony in WEST SIDE STORY writes…
Meeting such an extraordinary performer as Linda Eder is one
of the most inspirational and great experiences of my life!
Fan and Student Jamie Flores and Linda
Fan and Student Neisha Streete and Linda
Fan and Student Frankie Perez and Linda
Class photo!
The EDER-tors hang out with fellow fans at the CD signing.
Pictured (l to r) are: Judi McCabe, Gail Andahazy, Ellen Jacobs,
Amanda Christensen, Gabrilla Greco, and Tracy Sirani.
Volume 8- Edition 1
Summer/Fall 2007
Linda Eder made her triumphant return to Feinstein's at the Regency on May 1st. Linda performed her show, entitled This Time
Around, for two weeks to the delight of her fans both new and old. In celebration of the release of her GREATEST HITS album,
Linda performed some old favorites along with new, soon-to-be classics.
Here, the fans report back to THE VOICE on what their concert experience was like This Time Around!
Kathy Mervine from Pennsylvania writes…
"A Little Bit Of Heaven"
My husband, Bob, and I had the good fortune to attend Linda's opening night of "This Time Around" at Feinstein's. What an
unbelievable evening! To experience Linda in such an intimate venue is a must for every Linda fan. Linda has never looked or
sounded better, and her mix of songs was the best. I know we all always want to hear her do "Vienna," "Man Of La Mancha,"
etc., but I can't really even say I missed them "this time around" because her selections were so varied and satisfying. She ran
the gamut of "belts" and "ballads," and it was great to hear "I Want More" and "Big Time" again. I have to say that "It's All For
You" and "Blue Skies" are becoming two of my very favorite Linda songs. (Linda, you just have to record these two!)
We have been very lucky to see Linda in concert many, many times, but seeing her at Feinstein's was such a unique
experience… it was almost like having her sing in your own living room. Linda is beautiful, charming, funny, and genuine.
These qualities, combined with her exquisite voice, made for an unforgettable evening.
And to Linda, thank you for you kindness, your humor, your charm, and for taking us to a place, musically, that we otherwise
could never experience. For that hour or two onstage, you make us forget the problems of the world and let us experience a
little bit of heaven.
Cathy McLeod from Michigan writes…
"Far from home but worth the trip!"
I had the pleasure of attending the show at Feinstein's on Thursday, May 3rd, and enjoyed it completely. The room was a very
intimate room so we could see and hear Linda very well. She seemed very relaxed and happy (except for missing her little
boy, Jake) and told cute stories about being a Mom in the entertainment business… getting up in the morning and wearing
pajamas to the bus stop! Very funny and familiar! The songs were wonderful (I really loved "Storybook" and "Bring On The
Men"). I was surprised and pleased to hear the strong songs in the smallish room. The show was well worth the trip to New
York City. Thanks a lot, and I am looking forward to a show in Michigan sometime (hint, hint)!
Pat and Dick Cooper from New Jersey write…
"Good friends and fabulous music... who could ask for anything more!"
We saw Linda on Friday night at Feinstein's. The show was fabulous! She did some of the old stuff mixed with a few from IT'S
TIME, including "I Want More" and "Big Time." She looked great, as always, and even sang a special "What Are You Doing The
Rest Of Your Life?" for our anniversary. (There were also a couple of other anniversary celebrants there.) My wife and I
enjoyed the company of two other Linda Eder Message Board members, Trish and Deena, who we met for the first time at the
show. It seems that Linda has only really great people as fans! This was our third trip to Feinstein's, but it won't be our last!
Now we are looking forward to her show in Philly in June! We can't wait!
Lou Cabibi from New York writes…
"Oldies but goodies..."
I attended the 15th show of Linda's 16-show engagement at Feinstein's. Last night (May 12th) Linda went deep into her bag of
goodies and reminded us all of why we fell in love with her and her music in the first place.
By singing oldies but goodies like "I Want More," "Big Time," (a real show stopper) and the sexiest version of "Bring On The
Men" I have heard to date, memories came flooding back. By this time, I was saying to myself, "How can her voice hold out for
so many shows?" Especially knowing the way Linda doesn't hold back. But she was right on her game.
So I thought back to 1999 when I first saw Linda at Westbury… how she blew the roof off with these tunes… and last night she
proved that eight years later, her voice is as strong and powerful as ever! The audience went wild over these songs. Come to
think of it... if Linda sang Manfred Mann's "Do Wa Diddy Diddy Dum Diddy
Do," we'd still be blown away by her talent.
The intimacy of Feinstein's was a new experience for me. Luckily, I could
not have been seated any closer. I was practically sitting on Clint de
Ganon's lap! We had a nice chat before and after the show. I had to
compliment him on his fantastic voice and how much I enjoy his duet with
Linda on "Both Sides Now," which also was in this show.
As the evening came to a close, I heard the first few notes of Linda's
encore, "This Time Around." This was always one of my favorites, but I
have to admit I did not think Linda was going to be able to hit that long,
loud, last note after 15 shows... but, of course (thankfully), she proved me
wrong and again I realized just why her fans love her and her music the
way we do.
Steven Koller from California writes…
Fan Lou Cabibi and Linda
"This Time Around, A Storybook Evening With Linda Eder"
The first time around, for me at least, was back in 1994 at the Cinegrill (now Feinstein's) in Hollywood. I had recently
relocated to Los Angeles from five years abroad in Vienna, Austria, where my father was raised. A singer friend of mine in
Houston had been going on and on about this woman named Linda Eder since she had taken that town by storm. He had sent
me the first JEKYLL & HYDE album, and I was impressed. So when I saw her name appear on the billboard outside the
Hollywood Roosevelt Hotel, I bought a ticket. Now, I was not in the best place in my personal life, as I had recently ended a
long-term relationship (my first) that had begun while I lived in Vienna. But I was thrilled to forget about all my problems and
watch this amazingly talented and beautiful singer enthrall a room full of strangers for 90 minutes.
And then it happened... "Watching the rain fall in Vienna, pictures of another time...." Let me tell you, there is nothing more
pathetic than a grown man sobbing in his own puddle of sweat and tears under a cocktail table in a room full of people.
Suddenly, the full meaning of "killing me softly with her song" came rushing to me. After I picked myself up and washed
myself off, I was the last person to exit the venue. I thought I would just sneak out of the hotel. But no, there she was, this
tall beauty, who had bewitched, bothered and bewildered me for almost two hours, receiving her newfound fans. I couldn't
resist. I didn't know what I would say to her, but I had to at least make an attempt at expressing my amazement, but to no
avail. When she took my hand, I lost all power of speech in any and all languages. But she was so full of life, laughter, and
light, and had obviously handled befuddled fans before. I walked away thinking, "I may have just met the most gifted person
in the world." Thirteen years later, both Linda and I have been through many individual and collective ups and downs (who
hasn't?) from the lows of war, divorce, and 9/11 to the highs of conquering Broadway, Carnegie Hall, children, and new loves.
Throughout those years our paths have crossed many times, mostly at concerts, or in theatres, but also on a chance plane ride
from San Francisco to Los Angeles. Like Linda, I was excited to revisit the past when she announced her return to Feinstein's
before she embarks on a new journey and to help celebrate Linda's greatest hits, and what hits they have been. A trip to New
York was planned around the event and tickets were arranged. A week later, I was at the drug store near my home in Los
Angeles, and I saw the most peculiar stuffed animal. I couldn't believe my eyes. It was a large, rather rotund horse, which sat
on its hind legs and had Quarter Horse stitched onto its belly! It was a type of "piggy bank," and when you put a quarter into
the slot in its back, it neighed. I bought it without thinking twice. I invited two cousins of mine who live in New York to come to
the concert with us. They had never seen Linda before.
We arrived at the Loews Regency at 10:30 p.m. on Friday, March 11th. We were seated at the table literally adjacent to the
stage. I was very hungry and was glad to have a chance to eat, and the food was quite good. We had champagne followed by
red wine. My one cousin, Vicki, has a very unique and infectious laugh, and it did cross my mind that she might find something
amusing and maybe we shouldn't be sitting so close to the stage, and right in front of Craig [Linda's boyfriend], no less. But
before I could even give that a second thought, a vision in blue crepe de chine floated through the tables and made her way to
the stage to rapturous applause. Linda stepped onto the stage and glanced my way with the sweetest look of "oh, you're
here." I was on cloud nine. Then she sang and sang, wonderful songs. We were so close I could see the small capillaries in her
neck fill with blood as she hit the big notes. And spying her gorgeous legs through the sheer part of the beautiful dress, I
realized that she and Angelina Jolie (who I once had lunch with during the shooting of "Mr. & Mrs. Smith") have very similar
physicalities. I don't think I have ever seen Linda looking more lovely. "Blue Skies," "If I Could," and the duet of "Both Sides
Now" were some of the standouts. Linda was so vivacious and chatty. She flirted with John Oddo on piano; she gave fans
knowing glances in the audience; and she focused her attentions on Craig during the love songs… it was really a sight to
behold. She dedicated "If I Could" to a couple seated with Craig, and to my cousin, Dawn, a mother of two. Well, I guess Linda
connected with all the mothers in the audience. Dawn was in tears and said, "I have never seen a singer so effortlessly
amazing." All the greats make it look easy, and there is no denying that Linda loves what she's doing. Then it happened. Linda
playfully started singing "Bring On The Men" in her funny voice. The audience was with her, laughing right along. Of course,
my cousin, Vicki, was the loudest. But when it came to "a rose by any other name, the perfume and the prick's the same,"
well, that did it. Vicki got one last enormous breath and began to cry because she was laughing so hard and trying not to. The
whole audience was cracking up and Linda started to giggle herself and stopped the song. "I can't continue like this," she said,
and I gestured to Linda that I didn't know this howling creature next to me. We all were able to stifle the laughs long enough
for Linda to finish her showstopper, and what a finish it was. She has so much fun with that song and imparts so much joy
when performing it. That it was cut from her Broadway debut was the biggest mistake in modern musical theatre history. I
liken it to cutting "Don't Rain On My Parade" from FUNNY GIRL.
But I shan't digress. "Storybook" was another gem she chose to shine, and she apologized for her "mediocre" French to a
French group seated close to the stage. But the lady of the group declared it to be "parfait!" How lucky could we get! I felt as if
Linda had just performed at a private dinner party in my own home. Like all Linda concerts, it ended too soon, but not without
a triumphant version of "This Time Around." After all the Linda Eder concerts I have been to, that was a first, and she nailed it.
After all was said and sung, I realized I forgot to hand over the Quarter Horse Bank stuffed animal to Linda. So I asked the
maitre d' if Linda had already left. After all, it was past 1:00 a.m. and I was tired and I wasn't even on stage! He asked me
what my name was (everyone at Feinstein's was extremely polite and very pleasant!) and said he would be right back. A
moment later he said, "Please come with me." He led my entourage and me into the backstage area where Linda was. I went
immediately to beg for forgiveness for bringing my laughing tribe, and Linda looked at me and said, "Are you kidding? It made
the show." I introduced her to my cousins, and she introduced them to Craig. This time around, thirteen years later, I was able
to express to Linda that she is the greatest star of our generation, that she has done Judy proud, and that she is the light in so
many of our lives. I have had the privilege to see and hear this woman sing, and she has welcomed me back time and again. I
can introduce new people to "the voice" and share the memories of so many special times with loved ones that Linda,
unbeknownst to her, has made possible. What have I done in my life so right to deserve so much? From the most still part of
my soul, I humbly say… Miss Eder, I thank you!
Guy Halladay from New York writes…
"A Storybook Experience!"
First of all, I had no intention of going to this show at Feinstein's. It wasn't on the Fall/Spring tour list when it came out last
September. After last year's Carnegie Hall "Blowaway" {I snagged box seats right over the stage}, and NJPAC
"Superperformance," I found myself addicted to the Linda Eder syndrome. You know, when you can't get "enuf-a-her live." I
had to see her again! But the nearest, soonest venue was Englewood on March 31, 2007! I bought tickets immediately in Row
D. The months from September to March couldn't go by fast enough. It was during this "dry spell" that the Feinstein dates
were announced. Geeze, how can I justify that? Two Eder Events six weeks apart? So I sadly convinced myself not to call for
tickets. Well, that didn't work. By the time I called, the tickets were gone. My mood bleak, I was on the message board one
day and a fellow Eder Addict posted tickets for sale. I had to have them! I pounced on the keyboard and got them! Thank you,
Jody Mothershead! I love you more than you'll ever know!
May 12th arrives and I am like a caged animal. Who cares if it's a beautiful
day… 8:30 p.m. cannot come fast enough. I arrive at the Regency at 6:00
p.m. I meet fellow Linda Eder Message Board members… the infamous
Mitch and long suffering dear Vera, Janet and Rachel, Lou and Mike. We're
having idle chit-chat in the lobby when who walks up to say hello but...
you guessed it… Linda Eder! She couldn't have been sweeter and cheerfully
granted me a photo. I was in heaven. I could have gone home right then.
I didn't go home. I witnessed from two tables away a Linda Eder I hadn't
seen before. She really is driving her own bus! Ms. Eder evoked every
emotion… with "Blue Skies" because she likes it and "If I Could" because
she's Jake's dedicated adoring mother. This will be her next signature
song! Her duet with Clint de Ganon of "Both Sides Now" was very
charming. She sang "Storybook" again with Andy Ezrin on the accordion,
which was extremely delightful. "Big Time" in big voice and "Bring On The
Men" in that comic voice rounded out the evening. I am positive I left
songs out. However, it's hard to retain it all when the brain is on overload.
There was no "Don't Rain On My Parade," "Man Of La Mancha," "Someone
Like You," or "Vienna," and there was no need for them. All Linda Eder fans
have heard them before and have them in their homes to hear anytime. It
was great to hear some old and some new music from "The Voice!"
Fan Guy Halladay and Linda
When first seated, I remembered that I had a load of quarters in my
pocket and put them on the stage. Pets Alive still needs the money folks. Linda's sound guy (sorry I can't remember his name)
told me that since the stage was so small he would take them to Linda and make sure she knew where they came from. At the
end of the evening, he came looking for us and said, "Linda would like to meet you backstage." I thought, "That's too bad
because I'm gonna die before I get there!" Luckily it was a short walk.
I can't tell anyone how much this event means to me. It's a euphoric takeover, an out of body experience. When I walked out
of the Regency, it was raining. The car was two long blocks away. So what, I had just had the time of my life and I walked the
two blocks in the rain humming "Storybook," and I swear Andy was playing the accordion.
Ronni Shulman from New York writes…
"Musings On Linda Eder At Feinstein's"
I was elated when I read that Linda Eder would perform at Feinstein's at the Regency Hotel. I had seen Linda and other singers
there, and I knew that it was a small and intimate room with hardly a bad seat. Small venues allow you to see the expressions
of the singers and band, perhaps even make eye contact. It's more of an enveloping experience than concerts in large concert
halls. The last time I saw Linda in concert was in Carnegie Hall, from the vantage point of a box way back, stage right. Then I
read that Linda was going to tailor her repertoire to the room at Feinstein's. "Oh, no," I thought. "Did that mean that Linda,
arguably the greatest living 'belter,' would limit herself to quiet, cabaret-type songs? Would she rein in that incredible voice for
those sophisticated Manhattan audiences?" I love the ballads, too, but let's face it — the sing-out-loud "Vienna," "I Am What I
Am," "Don't Rain on My Parade" singer is a better Eder!
Her opening number, "I Want More," put me at ease. This was the singer I was hoping to hear. She hit the rafters with her
powerful voice, rousing everyone in the room… perhaps even upstairs in the hotel. Even my husband, whom I dragged along,
was on the edge of his seat. (It's not that my husband doesn't like Linda. It's just that he lacks the music appreciation gene;
he fell asleep at a Santana concert when we were in college!)
The concert was a mix of favorites old and new, a compilation of songs to commemorate the new Barnes & Noble Linda Eder
GREATEST HITS CD. It included such gems as "Storybook," "Over The Rainbow," and "On The Street Where You Live." The
band was terrific. I couldn't keep my eyes off the gorgeous drummer, Clint de Ganon, who also exhibited a great singing voice
during the duet, "Both Sides Now."
The cabaret format, in Linda's hands, turned out to be a perfect venue. The high volume songs were intense. The ballads were
mesmerizing and personal (including the beautiful "What Are You Doing the Rest of Your Life," which she dedicated to her
boyfriend, Craig).
The sassy comments and off-the-cuff comments were both funny and genuine. There was none of the pseudo-sophistication of
so many cabaret performers. No diva-like posturing. She was self-effacing… not easy for such a beautiful woman to do
convincingly. But she did it. She was pitch perfect, literally and figuratively.
"Bring On The Men," the would-be showstopper from JEKYLL & HYDE (had it not been cut from the show) brought down the
house. Even my husband stayed awake! My only regret was that Linda didn't sing "Vienna." I figured maybe she was trying to
move on. A new man. A new record company. A more extensive touring schedule. Even a stint at being blonde.
So if dropping the omnipresent "Vienna" is part of the transition, I'll deal with it — for now, at least. Heck, she takes the time
to meet with her fans after her shows. She couldn't have been nicer when I met her and her sister in her dressing room a few
years ago at the performing arts center where I work.
Linda is a genuinely kind, down-to-earth person. She's so nice and incredibly talented that I tell everyone I know to go out and
buy her CDs and see her shows. I'm proud that I'm responsible for adding to her legion of fans — if just by a handful. Even my
teenage daughter added a couple of Linda songs to her iPod. That's a huge testament.
I want everyone to know about Linda Eder! It excites me to see exultant audiences hoot and cheer and wildly applaud. But
then I think again. Maybe I don't want that. I want to see Linda at Carnegie Hall and at Feinstein's. Call me selfish, but I want
both.
Andrea Cotton from Connecticut writes…
"Feinstein's May 2, 2007"
Because of an impending business trip, I wasn't sure that I could make Linda's engagement at Feinstein's until the last minute!
I really wanted to go but I was also hesitant about the expense, and I knew I couldn't ask my husband to go to another
concert as he had already taken me to Easton the week before for a Two For The Road show. But I just couldn't miss it, so
finally I cleared my schedule, called up my great Russian friend, Tanya, and got reservations for Tuesday, May 2nd.
Tanya had never heard Linda sing and only knew about her because of my continual Linda chatter. But she gladly agreed to
meet me at the Regency. I took the train into the city from Connecticut, took the subway up to the Regency, and met Tanya in
the lobby around 6:30 p.m. I was slightly intimidated, since we were two women without a male escort and I didn't really
know the Feinstein's routine, although I had been there last year for Linda's concert with my husband. Tanya, with her far
more worldly experience, calmed my nerves and took charge. She chatted away to the maitre d', who led us to a great table.
Actually, all the tables are fine since the room is small.
We really splurged on Caesar salad, filet mignon, a bottle of wine, desserts, etc. My worldly friend didn't seem so worldly when
she saw the prices, but I knew what to expect. I was treating anyway, so I tried to get her to forget the prices and just enjoy
the experience! Finally, dinner was over, our table cleared, and the show was about to begin.
What to say? Linda was magnificent. The real treat for me was hearing songs that I have rarely or never heard her sing live,
like "This Time Around," "Storybook" and "If I Could." Old standards like "Both Sides Now" and "Bring On The Men" were
superb. Tanya loved the oldies like "Blue Skies" and "Just In Time." The best part was introducing another friend to Linda's
wonderful voice and charming personality!
After the concert, I had the pleasure of meeting Stevek from the message board and his friend. He had posted on the board
that he would be loud in his appreciation of Linda, and I managed to pick him out right away! It is always fun to meet other
fans.
At the end of the evening, I happily caught a cab, dropped Tanya at her apartment, and walked into Grand Central as happy as
a clam. After all my agonizing, I was so happy that I had gone to Feinstein's. The evening was magical. Now it's on to
Wilmington in October and Boca Raton in December!
Trish Burns from New York writes…
"Take Me Back To Manhattan..."
Friday, May 4th… couldn't wait for the day! After much back and forth correspondence and planning, Deena and I set off from
our respective homes (very early in the morning!) for the city that never sleeps! We both arrived safely, found our room to be
quite nice, and after we excitedly met each other, set about getting ready to see the main attraction… Ms. Linda Eder herself!
We arrived at Feinstein's and strolled in, looking for our other pair of partners in crime. I recognized them even before the
maitre d' pointed them out! The lovely and gracious Pat and Dick Cooper were already on hand, keeping our table warm for us!
Dinner was fabulous, but a mere diversion, as we anxiously awaited the words we were dying to hear… but we had to wait a
bit longer due to some snafu with the sound system. LOL! Oh, the suspense, the agony! Finally, there it was "just in time,"
that highly anticipated announcement: "Ladies and Gentlemen… please welcome Miss Linda Eder!" Welcome her we did, and
then some! Linda sashayed into the room, looking gorgeous in a periwinkle blue cocktail dress and her first pair of Jimmy Choo
shoes that I still haven't seen! (Darn that piano, anyway!)
From the first note of "The Man I Love," we were in heaven! And, when Linda announced that this show would be a
retrospective of many of her greatest hits, well, that was a thrill for me! And, great they were, down "The Street Where You
Live," through a "Storybook," right to the "Big Time." (Linda even invited us to get up and form a kick line, should we so
choose. I'm very glad to say… no one took her up on it! LOL!) After enjoying our time under some very "Blue Skies," it finally
was that time of the night… and after rousing versions of "Bring On The Men" and "This Time Around," our magical evening at
Feinstein's was all too soon at an end! We very reluctantly rang Linda off with a thunderous standing ovation and vowed we
would do it all again… "Next Time Around!"
Linda, you were absolutely fabulous and looked stunning, and I do love the experience of your show in such a small and
intimate venue! Thank you is not enough for the joy of seeing you perform and what you give to us by sharing your talent and
a little bit of your life with us. And, from my perspective, thank you for singing so many of the songs I have always wanted to
hear you do live. I can now die a happy woman! I would like to take this opportunity to thank my three new friends, Deena,
Dick, and Pat for responding to my message and allowing me to share such a wonderful evening with them! Here's to next
year!
Steve Kiesendahl from Pennsylvania writes…
"Feinstein's at the Regency May 07"
This was my second time seeing Linda at Feinstein's. It is such an intimate setting, and the sound is crystal clear. I went with
three friends who had seen Linda before, and we were all pumped for the concert. There was a couple from Philadelphia who
was sitting next to us who had never seen Linda before. The tables are very close at Feinstein's, so it is easy to start a
conversation with people nearby.
Of course, they had questions about Linda and had heard great things. I told them I drag everyone I know to Linda's concerts
all over the Northeast, and I have every CD Linda ever recorded. I was joking with them about how my friends and family call
me the "Linda Eder stalker" because I never stop talking about her. (Don't worry, Linda, I am harmless.) They really had high
expectations after I ranted and raved throughout the entire dinner.
After dinner, Linda was announced in the usual understated way…. "Ladies and Gentleman, please welcome Linda Eder." As
usual, Linda looked gorgeous and my new friend spoke out loudly and said, "Wow, she is beautiful!" Linda sang for 80 minutes
without a break. She was in top voice and brought back some songs that I had not heard in a while in honor of her newly
released GREATEST HITS CD. Some of the highlights for me were some of the songs she has not sung in a while, "I Want
More," "Bring On The Men," and the finale, "This Time Around," brought the house down. The incredible range, clarity and
beauty of her voice just amazes me every time I see her. Of course, I cheered loudly after every song, which is a little
awkward in that small room but I can't help myself!
My new friends were very impressed and immediately became fans. The Linda Eder Stalker strikes again! The rest of crowd
cheered right along with me, and everyone raved as we were leaving. Another incredible performance!
Gabriella Greco from New York writes…
"Memories For A Lifetime!"
I thoroughly enjoyed Linda's run at Feinstein's at The Regency. There is always something magical when Linda walks out on
stage to perform… but at Feinstein's, I felt that there was something extra special. Maybe it was because she was performing
in Manhattan, which is a city full of energy in itself, or perhaps it was because it was a smaller venue. Whatever the reason, I
loved every minute spent during "This Time Around."
I was able to see the show three times. My favorite show was the late show on May 5th. This show was special because my
best friend, Chrissie, her mother, Linda, and my Aunt Mary all attended the show with me that night, and anyone who knows
me, knows that Aunt Mary was the one who first introduced me to Linda's music. It was thrilling to experience this show with
her.
We got to our seats and before we knew it, the infamous announcement
occurred, "Ladies and Gentlemen, would you please welcome… Linda
Eder!" I don't know if it was because we were sitting at the front table and
she was practically going to be in our laps, but I became more
overwhelmed with "butterflies" than I normally do at Linda's shows. My
heart was racing so fast from sheer excitement that I thought I was going
to drop to the floor. Well, Linda walked out looking absolutely stunning!
She wore this gorgeous periwinkle cocktail dress accompanied by her very
first pair of Jimmy Choo's, which I must say were fierce! I loved them!
(Linda, when they don't fit anymore, can I have them to put on display?)
The set list was a mixture of "Linda songs," many of which were from her
previous albums. These songs were a treat to hear because it had been a
while since she had sung many of them in her shows. There were also
some Judy songs and new ones mixed in as well. Some of the highlights
were hearing her sing "Storybook," which made you feel like you were
traveling through a fairytale; "Bring On The Men," which brought out
Linda's quirky, fun and contagious sense of humor and her laugh that we
all love; and "It's All For You," which is an old Judy classic that Linda
interpreted with sheer delicacy and perfection. It felt like Judy's ghost was
in the room singing right along with her. An added treat was when she
dueted with her drummer, Clint de Ganon, on "Both Sides Now." I have to
admit this definitely has become my concert favorite. I also loved hearing
her rendition of "If I Could" because every time I hear that song, it makes
me think of my mom.
Fans Mary Talarico and Gabrilla Greco with Linda
Before we knew it, that time came again to say goodnight, but before we did, Linda treated us to an encore performance of my
all-time favorite "Linda song" and the title of her show, "This Time Around." I was so happy that I cried over just the sheer joy
of hearing Linda sing it live.
After the show was over, we were able to go "backstage" to say hello. It was really special because I was finally able to
introduce Linda to the woman who first introduced me to Linda's music so many years ago. It was apparent that they hit it off,
but I can't remember the conversation because, well, I was just in complete awe that the two women in my life who have been
my primary inspirations, both personally and professionally, were not only finally in the same room together, but having a full
blown conversation. It was great! I can't wait for them to meet again!
Linda, the evening of May 5th was such a special experience. You are always so kind and generous. Most of my fondest
memories are from your shows, and the memories that were created that evening will remain in a special place in my heart
forever. Thank you.
Tracy Sirani from New York writes…
"An Amazing Singer With A Heart Of Gold!"
My husband and I attended Linda's concert at Feinstein's on Saturday, May 12th, at 11 p.m. Linda was amazing, as usual! The
venue was so small that you felt like you were right up on stage with her. We were entertained the entire time and really
enjoyed the intimate atmosphere that Feinstein's had. With seating for approximately 140 people, it certainly was the most
unique concert we have ever experienced. Linda looked stunningly beautiful (no surprise!) and she sounded wonderful. This
was her last concert after a ten day run, yet she still gave her all to be sure she put on the best show for everyone in
attendance. And every single person there appreciated it! Linda performs effortlessly, and she has the kindness and generosity
that many of today's performers lack. She creates a wonderful rapport with her audience, and we cheer her along every step
of the way. When you have someone who can entertain an audience, you have a great performer. But when you have an
amazing singer with a heart of gold and a true love for her fans, you have Linda Eder. She is in a class all her own. So I would
like to personally thank you, Linda, for everything you are and everything you do.
Volume 8- Edition 1
Summer/Fall 2007
I am always fascinated where people disclose the ten CDs they
would bring with them if they were stranded on a desert island. As
the owner of approximately 2,000 CDs, encompassing a wide
variety of music, the task of dwindling them down to a mere 10
would be daunting to say the least. However, there is one thing I
can say with absolute certainty… a Linda Eder CD or two would be
included among them.
My love of music did not begin with Linda. Rather, it began sitting
on the piano bench next to my mother listening to her play. Ever
since those very early days, I always wanted to be a piano player
and have total admiration for those who have mastered the
artistry of the instrument. As for live musical performances, that
love affair has grown and cultivated over several decades with the
assistance of many different artists. For me, however, there was
one defining moment in time. A moment from which all of my
adult musical tastes have evolved. A moment which changed my
life forever. That moment took place in June, 1975 when I stepped
inside the Minskoff Theatre on Broadway and saw Bette Midler's
Clams on the Half Shell Revue with Special Guest Star Lionel
Hampton.
Fan Barry Fisher and Linda
Never before had I seen an artist who affected me in the way Bette Midler did that evening. I was a very young and very
impressionable high school senior. Although I liked a few of Bette's recordings, I had no idea as to the evening that awaited
me. As many of you who have seen Bette perform know, she is bawdy, tasteless, vulgar, trashy and flashy… often at the same
time! And at all times, she is brilliant. That night was no exception. I had never seen an artist connect with her audience the
way Bette connected with hers. I was literally blown away as Bette lifted the roof of the Minskoff Theatre and took me to a
high I had never before experienced. I instantly became one of Bette's hard-core fans and, to this day, I always acknowledge
this evening as being the beginning of my true musical education.
At the start of the second act, Bette was joined on stage by the legendary jazz vibraphonist Lionel Hampton. I have to admit
that on that particular evening, I did not know who Lionel was, but his ear-to-ear grin along with the speed with which the
mallets flew across the vibes gave me a hint that I was witnessing a true musical genius perform. I had no idea that Lionel had
been part of the legendary Benny Goodman Quartet and the musical history they had made on the stage of Carnegie Hall back
in January, 1938. It was the first time that jazz was ever performed in Carnegie Hall and it was the very first time that black
and white musicians played on the Carnegie stage together. Without them doing so first, Linda Eder and all the jazz and pop
stars who followed might never have set foot upon the Carnegie Hall stage.
A few years later, in about 1977 or 1978, Earl Wilson, who used to write the Broadway
column each evening for the New York Post, made mention of an Australian singersongwriter named Peter Allen. He described Peter Allen as the "male Bette Midler." That
was all I needed to hear to go out and purchase a Peter Allen record. Because of Bette,
I was already enjoying the works of Barry Manilow (her former musical director) and
Melissa Manchester (who was one of her original back-up singers), and now I was
about to become a fan of an Australian born cabaret performer who had been
discovered in Hong Kong by Judy Garland and was later married to Liza Minnelli.
A photo Barry took of Bette Midler at
the Copacabana engagement in New
York in January 1978
Peter had just released a live double album titled It Is Time For Peter Allen, and indeed
it was. Peter was within a few years of making musical history upon the New York
Stage when he became the first male to dance with the Radio City Music Hall Rockettes
upon its great stage. Over the next 13 years, until his untimely death from AIDS in
1992, Peter became the toast of New York and his performances were always sold out.
Like Bette, he remembered his roots and the smaller rooms he played. In the late 70's,
Bette did an engagement at The Copa and Peter also did one in the mid 80's. These
huge stars who could, and did, sell out much larger venues, returned to smaller rooms
to give their fans the intimacy that is missing from a large venue. For us Linda Eder
fans, this means Linda playing Feinstein's instead of Carnegie Hall or Radio City Music
Hall.
Long before there ever was a Feinstein's, Michael Feinstein first came to my attention in large part because of Peter Allen.
Michael was a relatively new performer who was hitting the New York cabaret scene in the 80's. Like Peter Allen before him,
Michael lured me further into the world of New York cabaret with his very first album recorded live at the Algonquin Hotel. The
first time I saw Michael Feinstein perform live was when he made his Broadway debut in his own one-man show at the Booth
Theatre in 1988. He was nothing short of sensational. I was fascinated by his connection to Ira Gershwin and particularly loved
to hear him perform the music of the Gershwin brothers. I had been raised listening to the music of Gershwin along with Irving
Berlin, Cole Porter, Rogers and Hart and all the other artists who composed the phenomenal Great American Songbook.
Although I always loved the Great American Songbook, it was definitely not a hip thing to do when I was in my 20's. However,
like that old tie at the bottom of the drawer that you particularly love, if you hold onto to it long enough, it will come back in
style. I, for one, am thrilled that the Great American Songbook is back in style and being introduced to a whole new generation
of audiences.
After learning that Michael had worked for Ira Gershwin, I happened to take note of Michael's relationship with Rosemary
Clooney, Ira's next-door neighbor who lived in the very house that had been owned by George Gershwin. Years earlier, I had
seen Rosemary at Westbury on the same bill as Tony Bennett and Count Basie. However, back then, I was not a Rosemary
Clooney fan and didn't appreciate her artistry. However, I do recall thinking that her selection of songs was excellent…
something that was a hallmark of any Rosemary Clooney performance. It wasn't until a number of years later when I saw
Michael and Rosemary perform together at Westbury Music Fair that I became a true Rosemary Clooney fan and realized just
how brilliant an artist Rosemary was.
In the 1980's, as my musical tastes began to develop, I began to
appreciate many of America's great vocalists. Included among them were
the great Ella Fitzgerald, Sarah Vaughan, Mel Torme, Frank Sinatra, Tony
Bennett, Barbara Cook, and, indeed, Rosemary Clooney. Watching and
listening to Rosemary perform in her later years was totally captivating.
She had an uncanny ability to read a lyric. She felt it, she lived it, and she
poured her heart and soul into it.
The very last time I saw Rosemary perform live was in October, 2001. All
of America was still in shock over 9/11 and particularly those of us in the
New York area. I recall that Rosemary took the stage and said she was
thrilled to be back among us and to see first hand that we were alright. In
closing her show that night, she announced that she was going to sing an
Irving Berlin song. Most audience members assumed she meant "White
Christmas." Instead, she sang "God Bless America." The entire audience
stood up and joined Rosie for a very emotional and heartfelt rendition. It
was one of the last performances she ever gave and I was grateful to be
there. One of my musical regrets is that I never got to see Rosemary at
Feinstein's, the room that she opened.
Barry chats with John Oddo after Linda's show at
Feinstein's in May
Irving Berlin said it best when he wrote "I Love A Piano," for indeed I do. Every time I saw Rosemary perform, I took note of
the fantastic pianist on stage with her. I loved watching John Oddo perform and I loved to listen to his work on Rosemary's
recordings. I am thrilled that John and Linda have joined forces, and it is wonderful that Linda never fails to mention his many
years with Rosemary when she introduces him.
As the years have passed, my musical life has come full circle. My six degrees of separation have gone from Bette Midler to
Peter Allen to Michael Feinstein to Rosemary Clooney to John Oddo to Linda Eder. Bette Midler has recorded the Rosemary
Clooney songbook, John Oddo is working with Linda Eder, Linda is recording the songs of Judy Garland, and in one of the best
moments of all, Michael and Linda are performing on stage together and closing their show with Peter Allen's "I'd Rather Leave
While I'm In Love."
I have to admit that I first fell in love with a photograph of Linda Eder, not her magnificent voice. It was the photo on the
cover of IT'S TIME… that orange dress and enticing smile. At the same time I was purchasing the album of another female
vocalist, Christine Andreas, because it contained a cover of a Peter Allen song, I also purchased IT'S TIME. Little did I know
these two artists were "musically related" since Christine had starred in Frank Wildhorn's THE SCARLET PIMPERNEL. Two very
different, but wonderfully gifted singers.
Like Bette Midler had done so many years before, my first listening of IT'S TIME
put me into orbit and sent me bouncing among the stars. WOW! Where did that
voice come from? Long before Linda released BY MYSELF, I had been a fan of Judy
Garland's and I loved the strong voice that Judy had… a "belter" as she was known
in the business. Now I had found Linda and I knew that although she was not as
well known as Judy, she was an equally gifted vocalist, if not better. Linda's ability
to sustain a note is amazing. I'm still blown away by the final notes of recordings
such as "I Am What I Am" and "By Myself," despite having listened to them
hundreds of times.
I have now had the privilege of seeing Linda perform approximately 16 times, and
in August I will see her again when she does her annual summer turn at Westbury
Music Fair. My record to date is seeing Peter Allen perform approximately 25 times,
and I am hopeful that Linda and I will break that record in the coming years. Even
though they have their own music tastes, I have taken my daughters, now 21 and
18 years of age, to see Linda perform at Carnegie Hall and her Christmas show at
the Gershwin. I think it is important to expose the next generation to great music
so that when the so called "hits" of today are long forgotten, they will hopefully
recall some of the music that they were introduced to by their father. To
paraphrase a classic, "In time the Rockies may crumble… but Gershwin is here to
stay." In fact, last Christmas when I couldn't find Linda's Christmas CD, much to
Linda Eder and Michael Feinstein's
my surprise, my older daughter had it in her room. When I asked her what it was
Two For The Road Show
doing there, she replied that it was her favorite Christmas CD. I knew there and
then that by exposing them to Linda, I had done something right.
Like all Linda Eder fans, I am drawn to the voice, the songs, the beauty, and the person. I love Linda's genuineness, and I had
the opportunity to discover that first hand this past May when I met and spent several minutes with her outside Feinstein's
after one of her performances. She was gracious and charming, just the way all of her fans have described her to be when she
greets them at the various stage doors after a performance. For me, it was a special moment with a special lady and one that I
will not soon forget.
In these days of star after star making headlines for behaving badly, it is refreshing to see someone like Linda with down to
earth values whose main priority in life is not being a celebrity but a mother to her young son. If her stage banter is any
indication, Linda realizes that in ten years her concert fans will still be filling the halls to see her perform, but her son's tender
years will be gone and he'll be heading off to college.
As I write this, I am finding it hard to put into words what makes Linda Eder special to me. Why am I a fan? It is not easy to
describe feelings, and the feelings that I experience each time I hear Linda sing is what makes her special. Her act is not
flashy, it is not bawdy, and she doesn't dance. Linda simply does what she does best… she sings. As her audience, we sit
spellbound as we are drawn to that voice. It is that voice that sends shivers down my spine as I sit there mesmerized. Each
venue has its own special character, but when we get to hear Linda sing in a small venue such as Feinstein's, it is extra
special. To be so close. To be so intimate. To be so expensive! It was wonderful to hear Linda sing some special songs that she
doesn't often perform (such as "Storybook" and "Bring On The Men") and some that she has not yet recorded (such as "Blue
Skies"). It was a most special evening reminiscent of a small dinner party where the host gets up and performs a few numbers
for her close friends as they sit around the piano, having a few drinks and a few laughs.
Since seeing Linda in May, my new/old favorite song of hers has been the title of her most recent show, This Time Around.
Beautiful lyrics, beautiful arrangements, and Linda's gorgeous vocals, soft at first building to that full throttle finish. I love to
rediscover a song that I've heard before and connect with it in a way that I previously hadn't. I am writing this article while
sitting poolside in Phuket, Thailand, where my stepson will be married later today. No, he is not Thai, nor is his bride. They are
actually both from Melbourne, Australia, and simply decided to have a destination wedding. And what a destination this is!
Having their wedding on my mind this week made me appreciate the lyrics of "This Time Around" even more. Whether it's a
fist love, a second love, or a fifth love, its lyrics speak of what everyone
wants in their life… a true and permanent love. Hopefully, my stepson and
his bride have found that.
One of the great things about music is that you can listen to a recording
over and over again and still enjoy it as much the one hundredth time as
the first time. As a matrimonial lawyer, my days are full of conflict and
stress. For me, music is what relieves me of daily stress and causes me to
relax. If I were an addict, music would be my drug. Music has also become
my hobby. I love finding new artists to listen to and to find the interconnection that often exists between artists
Over the years, it has given me great pleasure to introduce friends and
colleagues to the artists whom I love. Linda is currently at the top of the
list, and I anticipate that she will stay there for some time to come. Linda
is one of my favorite topics of conversation at cocktail parties, and I love
introducing people to her recordings and performances. In fact, my wife is
Australian and Linda is not known in Australia. However, upon moving here
and listening to Linda sing, she has become a huge fan. Linda personifies
all of the qualities of a great artist and a great person. It is to her credit
that she has continued the musical traditions of such great artists as
Barbra Streisand and Judy Garland while cutting her own musical path. So,
as I continue to listen to all of Linda's past recordings, I eagerly await her
new CD and her future performances.
Linda is true to the words of "I Am What I Am." She is her own
extraordinarily talented performer with her own unique style, voice and
A photo Barry took of Linda during her This Time
persona. I love who and what Linda is and thank her for the many
Around Show at Feinstein's
wonderful musical moments she has given me and those I have yet to
experience. As Linda sang at Feinstein's, "The Best Is Yet To Come" and I can't wait. I just can't wait!
Barry Fisher is a Linda Eder fan and music aficionado from New York. He can be reached at bjli22@aol.com.
Volume 8- Edition 1
Summer/Fall 2007
Roberta Silva from Huntsville, Alabama, meets "The Voice"...
Pictured below with Linda is Roberta Silva from Huntsville, Alabama. She was Linda's competition for Week 5 on STAR
SEARCH almost twenty years ago. Roberta sang "Unforgettable," and Linda sang "Come In From The Rain." She
contacted the EDER-tors of THE VOICE and asked us to help to put her in touch with Linda, which we were more than
happy to do. She was able to meet Linda after one of her Atlanta concerts this past year, where these pictures were
taken.
After meeting Linda and getting to spend some time with her reminiscing, THE VOICE EDER-tors received this note from
Roberta:
"I did in fact get to attend Linda's concert in Atlanta, and she sounded wonderful and looked
great, as well. It was so good to see and hear her again! We visited for a while, catching up on events in our lives over
the past almost twenty years. Linda went back and watched the tapes to refresh that night on STAR SEARCH in her
mind. Thank you for arranging the meeting for me."
Ellen Lux from Maryland writes…
The first time we (my husband and I) heard you
sing was on Star Search. My husband said he
wanted to call Star Search and become your
financial backer. He was serious. We love to
take rides in the evening after work and talk
and listen to you sing. This is how we relax. If
we stay home, the TV goes on and we don't
make time. For years, we've done this three
nights a week. It works for us and you are with
us. Your voice is… well, you have heard it many
times from others, but words can't say enough.
Your voice is the best we have ever heard. You
have given us hours of joy. We have seen you
on stage four times, and I have met you once
back stage in Baltimore. I have never been a
person to write to a celebrity or want to meet
them. After hearing you sing, I was hooked. I
hope I will be able to meet you again. Thank
you so much. Yours are the only CDs in my car.
I just read your letter about your change and
new CD. I haven't been on the site for a while.
Work had me busy. I can only say with a voice
like yours, whatever you sing and whatever
changes you will make, it can only be great. I
look forward to the CD. I have all your CDs.
Most importantly, stay well because health
comes first.
Fan Steven Koller and Linda
Marcia Friedlander from Maryland writes…
I was privileged to attend your concert in Englewood, New Jersey on
March 31, 2007. Believe me, no one could tell you were less than
110%. You are amazing. I drove four hours alone from Baltimore to
see you in March, and it was well worth the trip.
I just returned from seeing you and Michael yesterday, June 1, 2007 at
the Keswick Theatre in Pennsylvania. This time, my 89-year-young coworker accompanied me. She, too, thinks you're amazing. I was front
row center... one who "knew all the words." You two are so fantastic
together. When are you going to make a "duet" CD?
I've now seen you and Michael together in concert four or five times,
and I've seen you solo about five or six times. Your voice excites me
and keeps me on the edge of my seat at all times. I cannot believe
that one lovely lady has a voice that can (and does) thrill thousands of
fans a night. You are the very best, and I have become one of your
most ardent fans.
My only regret is we've never met. I would love to meet you and
perhaps get a picture and an autograph. We'll see what happens at the
next concert that I'm able to attend. I already have a ticket (a gift
from my sister) to see Michael in concert here in Baltimore on
November 2, 2007. I do hope that you will be coming back to
Baltimore in the not too distant future.
Until then, keep on singing. Thank you for the many hours of music
and happiness you've put in my heart, and the smile you and your
music have put on my face. After your concert, my hands hurt from
applauding, and my face aches from smiling. You surely do light up my
life. God bless you. Thank you.
Fan Trish Burns and Linda
Ryff Wolf from California writes…
Dear Ms. Eder,
This is the first time in my entire life that I've written to a performer. I usually think that people like you who are so
busy, so talented, and so engaged with life could never have time to read all the mail they must get. But I must tell you
how much I admire you and your incredible, sent-from-up-above talent.
The first time I ever heard you sing, I had no idea to whom I was listening. It was on a radio station in Los Angeles that
played Show Tunes and Pop recordings that theater professionals had recorded. This is a moment that will forever live in
my memory. The track was "Bridge Over Troubled Water," and as I was driving home from work listening, I suddenly
realized that I was holding my breath and that tears were running down my cheeks. I actually had to pull over and stop
until the song was finished. As I sat there, awe-struck, I prayed that the radio station would announce who had been
singing. No such luck. It took a whole week to find out who you were! And when I found out your name, I ran to Tower
Records and bought the two Linda Eder albums they had in stock. I began listening, once again in utterly awe-struck
silence… this from a man who only listened to Barbra Streisand and Judy Garland.
I genuinely became a die-hard Linda Eder fan when I received the studio recording of THE SCARLET PIMPERNEL. It
remains, to this day, one of my favorite show albums. Your rendition of that stunning song, "When I Look At You," was
played over and over and over again until I knew every note, every phrase, every breath. What a joy. I flew from Los
Angeles to New York City specifically to see JEKYLL & HYDE, luckily from about seventh row center, and there you were.
Well, since then, I've been fortunate enough to see you in concert three times and gave my mother-in-law tickets to see
you last fall in Pennsylvania, after having introduced her to your recordings. The first time I saw you in concert, we were
sitting very close to the stage at the Wiltern Theatre in Los Angeles surrounded by celebs, and when you started singing
"Don't Rain On My Parade," I stiffened and caught my breath because I thought, "What? Who could ever sing this as well
as Barbra?" Needless to say, when you hit that last phrase, knocking it through the roof with the entire audience
standing and screaming like kids at an Elvis concert, I realized that there is now someone on Earth who can sing as well
as the greatest singer of a generation. That's meant to be a huge compliment to you, Ms. Eder, and I hope you take it as
such. You don't, in any way, emulate Streisand, but you both have enormous range, fidelity to pitch, exquisite phrasing,
and miraculous lung power. Thank you for bringing such a tremendous amount of joy to my life as you do to millions of
others.
I'll always be a fan, and I'll always remember that breathtaking moment when I first heard Linda Eder's otherworldly
voice. You make the world a better place to be in. Thank you.
EDER-tor Amanda Christensen introduces her fiancé, Mike Feliu,
to Linda. Mike says, "I really enjoyed the CDs my beautiful
fiancée played for me, especially GOLD, but nothing could have
prepared me for how awesome Linda was live. She's amazing! I
was completely blown away by the strength and beauty of her
voice. Then in addition to being incredibly talented, she was SO
nice! And I admit I was a little nervous meeting her (it was like
"meeting the family" all over again, haha!) but I didn't need to
be. She was very gracious and friendly. I'm looking forward to
the next concert and I am definitely a fan of 'The Voice' now!"
Linda and close friend Maureen Smith put down their
margaritas long enough to pose for a picture backstage at
Feinstein's! Maureen tells THE VOICE, "As those who were there
know... Linda is the ONLY performer who actually looks forward
to hearing the sound of crickets coming from the audience! Of
course, with Linda, you only hear the "crickets" once the
thunderous applause dies down so it's a win-win for her... and
for all of us."
Victoria Botwininck from New York writes…
Hi there!
Just another update on a night with Linda! Last year for my birthday I "dragged" my husband in the car for four hours to
see Linda at The Proctor Theatre. He is not the music enthusiast that I am! This year I thought I might not get the same
treat. However, I got him to take me to Feinstein's in the city! We went on the actual day of my birthday, May 8th (46!),
and I was so excited! I had seen Linda twice last year, once with Michael Feinstein. Well, we had such a great time!
Honestly, the menu wasn't that great, but I would have paid the same for a glass of water to hear Linda sing! A few days
later, I noticed that she would be singing on Long Island in August. How lucky can a girl get! Needless to say, I will be
taking my mom, as my poor husband needs a break from all of this excitement! You know, I waited all my life to see
Barbra in concert. I have now seen her three times! I feel truly blessed. To have found another living icon in Linda is a
double blessing! I feel relieved knowing that for the rest of my days, I will have a singer to look forward to enjoying! You
can rest assured that I will be at several concerts a year, always with a different companion, as I feel exposing someone
to the talents of Miss Eder is a priceless gift. I do hope to one-day get the honor of having a photo of Linda, and to let
her know in person how much I appreciate her talent.
By the way, I loved the fact that the people where I work finally got smart! This past Christmas season, Macy*s
Roosevelt Field played several songs by Linda Eder while their customers ran around in a frenzy! Every time her songs
came on, I stopped and told whoever was near me who Linda was and that they must watch out for her! I told them that
that was my gift to them! Just thought you would like to know that Macy*s taste is improving!
Well, see you in August! By the way, I just bought Streisand's latest CD, and she is singing one of Linda's songs... we
have come full circle now! Bye for now.
Gill and Linda Harris from South Carolina write…
Connie Achman from Minnesota writes…
Hi! We have been following you for about 12 years since
we saw JEKYLL & HYDE in Columbus, Ohio. We live in
South Carolina now and, when I saw you were with the
Atlanta Symphony last week, we had to go. You were
worth the long drive. What a fabulous concert. We were
in the top row of the balcony and your voice came
floating up just as beautifully as it did in JEKYLL &
HYDE. We wish you the best.
I have been a fan of Linda's since the 80's when she was a
local artist in Minneapolis. In fact, she was a featured
performer at several events sponsored by my employer at the
time, so I was fortunate to get to know her. I remember Linda
as a very warm person, and, obviously, a very talented one. It
was great watching her on Star Search and then on Broadway.
From everything I've read on the Web site, she is still a real
person who deserves all the success she has achieved!
Fans Alicia and Nick Horbachevsky with Linda
Fan Dottie Dempsey and Linda
Pat and Dick Cooper from New Jersey write…
EXTRA! EXTRA! Report From The Keswick… Dynamic Duo Strikes Again!
They were spectacular! Even the band members were "into it." This was the fourth "Two Fer" we have seen. It was also
the best Two For The Road show to date. Starting with the first off-stage notes of the now traditional "Some Enchanted
Evening," it became a magical night. These two friends have polished up the program, enhanced arrangements, and
played off each other to the sheer delight of everyone. (John, if you did all the charts, they were… well, Wow! To those of
us who know a little bit about music, it was a very special night. Thank you.)
They have rebalanced the show with a bit more on the side of
duets, but still leaving plenty of "red meat" for us Linda lovers. It
was also a Michael night, with quite a few of his fans jumping out
of their seats as well. There was a couple behind us who had never
even heard of Linda. By the second half, they forgot all about
Michael. When Linda finished belting out "Parade," the woman
(over the standing ovation), literally shouted to her husband, "Did
you hear that? Did you hear that?" Their banter on stage was the
smoothest we have seen. In her segment, she was typical Linda.
You know, that lady we all love and admire. Talking to us, not "at"
us, and sharing comments about Jake and school schedules. She
even got Craig to do his "Cricket Thing." (Don't ask!)
As I had said somewhere before, the obvious chemistry between
these two friends is so powerful, it just jumps off the stage. My
wife is a tough critic, but when Jake's mommy does "If I Could," it
never fails to get her all teary eyed. Sometimes it seems that she really doesn't understand the power that she has to
affect so many of our lives in such a profound way, but how can she not? We don't care. As long as she can sing a note,
we'll be there! I'm sure she does know that!
It also turned out to be a really lucky night for us. Linda came out after the show, spent time, took pictures, signed some
stuff, and just seemed very comfortable to be there with her adoring admirers. She is, very simply, a great Lady!
Now we have to start all over going through withdrawal until the next show that we can reach. How did we ever get this
"hung up" on a singer?
Malcolm Ball from Texas writes…
Hello, Linda! This is shaky ground for me, as I just finished listening to your rendition of "Over The Rainbow" and was
knocked out cold! I am sorry to admit this, but I believe this is the first time I have ever heard you, at least that I know
of. I played guitar on the road in the 70s and 80s but got off the road around 1985 (total burnout, going nowhere
syndrome), took seven years off, and went home to my folk's ranch in Idaho to get my head back together. Between
punching cows and farming, I started learning classic tunes for solo guitar in my spare time. As a kid growing up, I had a
crush on Judy so "Over The Rainbow" was one of the first I tackled, and I have always collected different versions of it. I
have to say after hearing you… wow! In 2000, I started driving rock tours (Cher, Tina, U2, Stones) until last April when I
broke my back doing an after-show load-out. I have been home here in Austin, Texas since, trying to heal up and going
to college for the first time at 50 years old. (Never say never!) Kind of let my chops go the last few years, but after
hearing you tonight, I am getting inspired again. I am going to finish listening to that album while doing my homework.
When are you coming to Austin? Growing up on a ranch, I've never lost my love of horses, and it's good to see you share
that interest. Gonna run now. Take care and good luck to ya.
Fan Tracy Sirani and Linda
Fan Linda Durnin and Linda
Liz from Georgia writes…
Hi Linda!
I always loved St. Patrick's Day until St. Patrick's Day 2004. You see that is the day that my sweet, red-headed, Irish
mother shed her earthly shell to set her spirit free, and I miss her every day. My mother was a musician and quite an
accomplished pianist. I have tickets to your show here in Atlanta Saturday night and will be bringing the spirit of my
mother with me. I know there will be many tears shed that night as I wrap my heart and spirit in the notes you set free
knowing they will reach my mom.
My husband is from Wisconsin and in the medical field as am I. My 82-year-old father now lives with us since loosing my
mother. My father used to sing in nightclubs. He was called the Frank Sinatra of Oneanta. He watches your videos on
"Ladies Of Broadway" and "Love Songs" DVDs, but he isn't physically able or comfortable enough to accompany me to
see you Saturday night. Believe me, how I tried to get him to agree to come along, especially when I saw you were
doing Garland (his all time favorite)! We live on a small lake where we like to fish, and my husband fishes in small bass
tournaments. We have two four-legged furry children, and I like to volunteer my time to animal causes.
It seems we have much in common. It was my dream to be a Broadway singer. I just wanted you to know that I will be
soaking up every note you sing Saturday, and thank you for bringing many hours of enjoyment to our lives.
Keith Andreotta from New Jersey writes…
I saw Linda last night in Ocean Grove, New Jersey and it was truly amazing. Linda has a way of singing directly to my
soul. There were several times during the performance that I felt myself welling up with tears, just from the absolute joy
of hearing her singing. Strange, right? Although I thought Michael Feinstein was fabulous, I felt like I didn't get enough
Linda. She was truly amazing! She has such a gift and I, as well as all those in attendance last night, was truly blessed to
have been able to hear her.
Noelle Incorvaia from New Jersey writes…
Dear Linda:
My husband Leo and I came to your concert in April at the State
Theatre in Easton, Pennsylvania. You, of course, looked and
sounded beautiful. Michael and you really have quite a comfort
level with each other on stage. It looked like you were really
having a good time. Yes, of course, we enjoyed the concert
immensely, but the highlight of the evening was going to the stage
door and waiting for you to come out to greet your fans. I was so
appreciative that you agreed to take a picture with me and sign
two autographs. I told you that you really helped me through a
very tough year. I found myself going back and forth to New York
City to Sloan Kettering for doctor's appointments, and you were
my company on those long tough drives. Your voice and your
beautiful lyrics kept my spirits up. Yes, I cried and I laughed and I
rocked out with you in my car. You are truly an elegant, classy and
very beautiful woman inside and out, and I appreciate you sharing
your gift with all of us who adore you. Thanks, Linda.
Fan Gabriella Greco and Linda
Fan Jaclyn Golden and her sons, Little Eder-fans Nicholas and
Alexander Golden, with Linda
Volume 8- Edition 1
Summer/Fall 2007
FUTURE ISSUE
THE VOICE IS BY THE FANS FOR THE FANS!
The Winter/Spring 2008 issue of THE VOICE is due out in February. As always, we look forward to your submissions and
feedback.
We're especially interested in fan photos, short messages to Linda and suggestions for future articles. If you would like
to be a contributing reporter to THE VOICE, we welcome your reviews and fan stories for consideration.
We're also working on a few exciting features for upcoming issues of THE VOICE and WE NEED YOU!
Funny Faces On Film!
It happens to the best of us… you're posing for a photograph and then something goes awry! You sneeze, or you laugh, or
something else catches your attention. Suddenly, a rather funny moment is caught on film! Do you have a picture of Linda, or
anyone in the "Linda Eder musical family," where one of these funny faces appears? If so, we want to see your pictures/hear
your stories!
Please send submissions electronically to lethevoice@comcast.net.
Or mail to:
THE VOICE
P.O. BOX 20180
BALTIMORE, MD 21284-0180
The deadline for submissions is Wednesday, January 9, 2008.
Please keep an eye on the Linda Eder Message Board for further announcements.
We look forward to hearing from you!
Volume 8- Edition 1
Summer/Fall 2007
Printing Tips and Disclaimer
THE VOICE is best viewed electronically using Internet Explorer at a screen resolution of 1024 x 768. A special note about
viewing the newsletter online with AOL- if pictures appear blurred, distorted or are not loading, please try refreshing the page.
If pages are still not displaying properly, we recommend that you view the newsletter using an alternate browser.
If you would like to keep a copy of the Summer/Fall 2007 issue of THE VOICE for your personal Linda collection, we
recommend that you download the printable version (.pdf) which you can access here.
If you would like to print individual pages directly from your Web browser, you may need to adjust your print margins, as
individual printers will vary by personal preferences/settings. To adjust print margins using Internet Explorer, go to “File” in
the menu bar, select “Page Setup,” and adjust the margins as appropriate (but be sure to remember your original settings
should you want to change the margins back!).
THE VOICE prints best with background colors enabled. To enable the printing of background colors in Internet Explorer, go to
“Tools” in the menu bar, select “Internet Options” and then click on the “Advanced” tab. Scroll to the “Printing” section and
check the box for “print background colors and images.” Click “Apply;” click “OK.”
If you are experiencing problems printing THE VOICE, please e-mail us and we will try to help you (if we can!).
THE VOICE is a non-profit publication that has been compiled by the fans of Linda Eder. Our sole purpose is to promote her
career, recordings, concert appearances, and to support and show appreciation for Linda Eder. By submitting materials to THE
VOICE, the submitter claims that materials are original works and are not otherwise copyrighted. The publisher reserves the
right to edit submitted materials. No part of this publication may be reproduced without prior permission of the publisher of
THE VOICE.
We would love to hear from you! Please write to THE VOICE at lethevoice@comcast.net
or feel free to share your comments in THE VOICE section of the Linda Eder Message Board.
The Voice is best viewed at 1024x768
© 2007 Linda Eder & The Voice, All Rights Reserved