canadian musicals - Touchstone Theatre

PRODUCED BY
10 days of Performances, Showcases,
Masterclasses, Discussion, and Development
June 12–21
Granville Island, Vancouver
touchstonetheatre.com/
productions/in-tune-2015
Facebook.com/InTuneCanadianMusicals
Twitter.com/InTuneCanada
THE ART OF
CANADIAN
MUSICALS
WELCOME
KEYNOTE/CABARET
In Tune kicks off with a fantastic mash-up of an inspiring
keynote speech and a buoyant cabaret featuring hidden
treasures from the Canadian songbook.
FRIDAY, JUNE 12, 8pm
KEYNOTE
In 2010 we had an idea to do something that would help fill a noticeable gap in the
culture of theatrical development work in this country. In Tune was conceived as a
way to support a grassroots renaissance for Canadian musical theatre, and to start
a discussion about what more could be done for original creation in the genre. Just
five years from that ‘idea’ moment, so much has already changed. Like-minded
colleagues have launched new programs across the country, and the range of
opportunities for musical theatre creators has greatly expanded. We’re proud to
be one player in this new movement, which is intent on giving Canadian musicals
their place in the sun.
Renowned Canadian composer, actor, and educator Marek Norman speaks on
“The Future of Canadian Musical Theatre.”
In Tune is a Vancouver-based biennial event that develops and showcases new
Canadian musicals, and supports the artists engaged in creating and performing
them. Produced by Touchstone Theatre and the Arts Club Theatre Company, it
features 10 days of performances, showcases, masterclasses, discussion, and
development. This is the third time we’ve produced the event, and every time it
changes. We are always looking to find structures and activities that both respond
to, and stimulate, the creative community around us.
Mr. Norman co-produced (with his wife, Barbara Barsky) the Canadian premiere of
Stephen Sondheim’s ASSASSINS, which garnered five Dora Mavor Moore Awards,
including Best Production and Musical Direction. Their company, Reprise
Concerts, produced classic works in concert format including COMPANY,
ANYTHING GOES, ROAR OF THE GREASEPAINT/SMELL OF THE
CROWD, and GUYS AND DOLLS.
2015 marks the first time we have presented a finished work. We are pleased to
welcome Theatre Passe Muraille’s production of Rob Kempson’s The Way Back
To Thursday. This beautifully original work not only found its way to production,
but also found success when it premiered in Toronto in 2013. As our Lead
Presentation we hope it will seed some national alliances, and inspire more
movement of new work around the country.
However you engage with In Tune – as an audience member, a creator, a producer,
or a performer – we welcome you. There is a lot here to enjoy. Whether it’s the
insight of a master teacher, the spark of greatness glimpsed in a showcase, or the
power of community problem-solving at a discussion event, we encourage you to
take it all in. Thanks so much for your support!
Katrina Dunn (Artistic Director of Touchstone Theatre) &
Rachel Ditor (Literary Manager of the Arts Club Theatre Company)
In Tune Co-Producers and Co-Curators
Marek Norman is considered one of Canada’s most versatile theatre artists. A multi-award-winning composer/actor/producer, his
performance credits include Canadian premieres of CLOSER THAN EVER and FALSETTOS, world premieres of AMELIA (by John Gray)
and THE DEATH OF VON RICHTHOFEN … (by Des McAnuff).
Marek has created over 40 original scores for theatre productions. His musicals include DRACULA, EMILY, LARRY’S PARTY, THE
GREAT ADVENTURE, and most recently, WANDERLUST (in collaboration with Morris Panych), which received its world premiere at
the Stratford Festival. Other works include THE TIN SOLDIER and OLIVER SUTTON IS A SISSY for the National Tap Dance Co., THE
LOVER (a film-ballet), and opening/closing ceremonies for The Canada Games, Bridgefest (PEI), and Special Olympics – for which his
anthem, “Along The Way”, has become the organization’s main theme.
IN TUNE TEAM
Laurie-Ann Goodwin
PRODUCER
As an educator, Marek continues to work with many of Canada’s
young writers of musical theatre.
Rae Steinberg
PRODUCER AND ASSOCIATE CURATOR
Annie Jang
MARKETING AND MASTERCLASS
ADMINISTRATION
Jodi Smith
PUBLICITY
Kristen Johnson
GRAPHIC DESIGN
Adrian Muir
PRODUCTION MANAGER
Scott Zechner
ASSISTANT PRODUCTION MANAGER
Lisa Goebel, Jamie King,
Naomi Vogt & Veronique West
ASSOCIATE PRODUCERS
With the support of the staff
of Touchstone Theatre and
the Arts Club Theatre Company
Cover: Photo by Michael Cooper
CABARET
In Tune has asked a handful of the country’s leading musical theatre movers and shakers to select a single song from a
Canadian musical that they think deserves more stage time and notoriety. See our guest curators introduce their choices,
and then hear them performed by some of the city’s finest musical theatre interpreters.
Directed by Peter Jorgensen and emceed by Katrina Dunn and Rachel Ditor
Waterfront Theatre
By Donation
Questions about any of our events?
Go to www.touchstonetheatre.com/productions/in-tune-2015 for answers and contact information.
IN TUNE 2015
1
CMTWC CONCERT
PITCH SESSION
SUNDAY, JUNE 14, 7pm
BLAME CANADA!
MONDAY, JUNE 15, 4pm
A Concert of the Canadian Musical Theatre Writers Collective
After sold-out concerts in New York and Toronto, BLAME CANADA!
makes its West Coast debut! Hosted by local theatre legend Jay
Brazeau and featuring an array of Vancouver’s top musical theatre
performers, BLAME CANADA! is an evening featuring work by the
members of the Canadian Musical Theatre Writers Collective (CMTWC).
Staged in concert style, this show is an amazing and rare opportunity to hear
exciting new work from Canadian musical theatre creators in other regions
and those living outside the country. Featuring Musical Direction by Kevin Michael Cripps.
Pitch Your Musical at In Tune!
Jay Brazeau
Avail yourself of a great opportunity to jumpstart the next stage of your musical theatre project.
Participants can raise awareness about their in-development or tour-ready work, by presenting it to
an audience of producers and presenters. There are ten confirmed local producers and presenters,
including Katrina Dunn, Cory Philley, Donna Spencer, and Jovanni Sy, and several from outside the region,
including Toronto’s Mitchell Marcus and Barrie’s Arkady Spivak. Pitches can be a launchpad for forging
partnerships, obtaining commissions or residencies, and booking tours.
The Post at 750
ABOUT CMTWC
The objective of the Canadian Musical Theatre Writers Collective (CMTWC) is to build a vibrant, interconnected
community of musical theatre composers, lyricists, and librettists from across Canada. By showcasing Canadian talent
and bringing the work of Canadian writers to a national audience, the CMTWC fosters the exchange of artistic expression
between musical theatre writers from across the country and helps develop a uniquely Canadian voice for musical theatre.
CMTWC is the largest organization devoted to supporting and promoting the work of Canadian musical theatre writers.
The Collective includes more than 100 Canadian composers, lyricists, and librettists, with members located all across
Canada and in major centres globally. CMTWC’s projects include regular meetings for sharing work, masterclasses with
experts working in the field, and a series of concerts featuring the work of their members.
HOW TO APPLY
Applications are open to all Canadian musical theatre projects.
Application Criteria:
• Each pitch must be no longer than 10 minutes. It is suggested that you leave 2 minutes for a Q&A session
at the end of your presentation.
• A maximum of 2 people may present each pitch. It is recommended that these presenters be artistically
To learn more, visit www.cmtwc.com
involved with the project.
• Pitches may include audio/visual aids. An acoustic or electric piano will also be available if there is a desire
The Waterfront Theatre
to include the live performance of a song.
• Successful applicants must participate in a mandatory pitch session day-of rehearsal on June 15 from
By Donation
12pm – 3pm at The Post at 750.
• Successful applicants, if they are not Vancouver-based, must be able to provide their own travel and
accommodation.
CMTWC was founded by Vancouver’s own
Landon Braverman and Joseph Trefler
• A maximum of 8 projects will be selected by a jury comprised of the In Tune curation team.
Go to touchstonetheatre.com/productions/in-tune-2015 for further information and the application form.
Landon Braverman is a New York City-based composer, originally hailing from Vancouver, BC. His musicals
include QUEEN OF THE WEST (winner Best Score and Best Musical – Manhattan Theatre Mission) and
CHOICES (award winner at WVMTF, Top 10 Finalist Ken Davenport Short Play Competition). His music has been
featured at Lincoln Centre, 54 Below, NYMF, and across North America. He is an alumnus of Mount Allison
University and the Graduate Musical Theatre Writing Program at NYU-Tisch.
Application Deadline: May 30, 2015 at 5pm P.S.T.
Joseph Trefler is a New York-based composer-lyricist, originally from Toronto, Ontario. He has written a
number of musicals, including UNDERGROUND, LADY LATE NIGHT, A LADYLIKE MURDER and most recently
MEN WITH MONEY with bookwriter-lyricist Bill Nelson. He composed the scores for HONEY I’M HOME!, an
interactive film exhibit (Scotiabank Nuit Blanche), and THE MUSIC BOX, a short dance-film. Joseph received
his Bachelor of Music from the University of Toronto and an MFA from the Graduate Musical Theatre Writing
Program at NYU-Tisch.
IN TUNE RAFFLE
Landon Braverman
and Joseph Trefler
2
IN TUNE 2015
Support In Tune by purchasing a raffle ticket at any event from
someone with an In Tune badge. The winning ticket captures
a prize package worth over $1000 full of bling, services, and
coaching sessions for the musical theatre professional!
IN TUNE 2015
3
SHOWCASES
See and hear substantial excerpts of some of the hottest new musicals
currently in development, two per night in staged reading form.
MONDAY, JUNE 15, 8pm
TUESDAY, JUNE 16, 8pm
THE BEST LAID
PLANS: A MUSICAL
ROUTE 66: THE
MUSICAL
A COUPLE. A ROAD. AMERICA.
Book by Vern Thiessen
Music and Lyrics by Benjamin Elliott
and Anton Lipovetsky
Based on the novel by Terry Fallis
Directed by Peter Jorgensen
A Project of Touchstone Theatre and
Patrick Street Productions
By Rick Antonson and Shawn Macdonald
Directed by Robert McQueen
A burned-out political strategist’s plan to get out of politics by
managing an unelectable candidate in a federal election is
thrown into turmoil when the plan backfires.
A 30-something couple travel down America’s legendary highway
and are pulled into a world America almost forgot.
Vern Thiessen, Benjamin Elliott,
Anton Lipovetsky, and Peter Jorgensen
“I write speeches for the Liberal Party,
remember? Fiction is my specialty.”
&
“You’ll never truly understand America
until you drive Route 66. Old Route 66.
All of it.”
ONEGIN
LOVE BOMB
By Amiel Gladstone and Veda Hille
Inspired by the Poem by Pushkin and the Opera by Tchaikovsky
Directed by Amiel Gladstone
An Arts Club Theatre Company Silver Commission
Book and Lyrics by Meghan Gardiner
Music and Additional Lyrics by Steve Charles
Directed by Renee Iaci
A Project of shameless hussy productions
The sweeping 19th century epic about passion, duels, and bad
timing, reimagined for the modern stage by two of the creators
of Do You Want What I Have Got?: A Craigslist Cantata.
A concert of emotion rips through Justine’s first performance in
years. Because of one uninvited guest, her music takes on a life
of its own.
Amiel Gladstone and Veda Hille
Rick Antonson, Shawn Macdonald,
and Robert McQueen
&
2014 Winner of the StageWest Pechet Family Musical Award
Revue Stage
By Donation
4
IN TUNE 2015
“When will the devil
come for you?”
“What’s the next song, that
angry electric one?”
Meghan Gardiner, Steve Charles,
and Renee Iaci
Revue Stage
By Donation
IN TUNE 2015
5
LEAD PRESENTATION
THEATRE PASSE MURAILLE’S HIT PRODUCTION OF
THE WAY BACK TO THURSDAY
Book, Music, and Lyrics by Rob Kempson
Hollywood films and Rock Hudson inspire the musical
relationship between a grandmother and her gay grandson
as they struggle to connect through his coming of age.
A FINISHED WORK RUNNING JUNE 18–21, 8pm THURS–SAT, 2pm SUN
Starring Rob Kempson and Valerie Hawkins
Piano: Chris Tsujiuchi, Cello: Samuel Bisson
Orchestrations by Scott Christian
Directed by Briana Brown
Musical Direction by Chris Tsujiuchi
Original Production Design by Beth Kates
Associate Lighting Designer: Sandra Marcroft
Dramaturgy by Samantha Serles
DEVELOPMENT STORY
After performing songs from the piece around Toronto and at Theatre Passe Muraille’s Crapshoot series, Rob first pitched
this piece in development to Artistic Director Andy McKim as part of their ‘Pitch Andy’ program. The piece was then
presented twice in excerpt at the Buzz Festival, and then Rob produced two independent workshops (with support from
Theatre Passe Muraille). Throughout the process, the team was the most important part – with Scott Christian, Astrid Van
Wieren, Briana Brown, and Beth Kates making significant contributions to the creation and development of the piece.
Revue Stage
Tickets: vancouvertix.com or call 604.629.8849 ~ $30/$25
Samuel Bisson – Cellist
A versatile soloist, chamber musician
and orchestral player, Samuel has
performed with the Gryphon Trio
and performs regularly as part
of the Passport Duo. He is the
principal cellist with the Sneak Peek
Orchestra (Toronto) and the Scarborough
Philharmonic Orchestra. Samuel is an active studio session
musician and performer/arranger in a variety of music genres, and
has collaborated with artists such as Drake, Sarah Brightman, and
members of Barenaked Ladies and Our Lady Peace. He composed
the score to the award-winning short film NUIT BLANCHE, as
well as the soundtrack to the Mandarin-language feature film
LOVESICK.
Briana Brown – Director
Briana is a playwright and director.
Selected directing credits include: THE
WAY BACK TO THURSDAY (Theatre
Passe Muraille), PITCH BLONDE (Next
Stage Festival), and assistant directing
the Canadian premiere of TRUE LOVE
LIES with Brad Fraser. Selected writing
credits include: THE CONCESSIONS (Touchstone Theatre’s Flying
Start Program in association with Playwrights Theatre Centre and
Firehall Arts Centre), ALMOST, AGAIN (Best of Fringe, Toronto),
and CASSANDRA (Canadian fringe tour, Winnipeg’s FemFest, and
published in One for the Road anthology). Briana completed her
MFA in Creative Writing at UBC, and will be directing her short play
WAIT, for Theatre SKAM.
Valerie Hawkins – Performer
Val has a long history of performing
in professional theatre. Highlights
include 3 years on Broadway in the
mega musical RAGTIME, the 2013
season at the Stratford Festival, as well
as touring North America and Hawaii
in LES MISÉRABLES for Mirvish. Originally from Newfoundland,
Val has also enjoyed many a wonderful summer in beautiful PEI
performing for the Charlottetown Festival. Val trained operatically
in NYC for more than 6 years with Shari Anderson (known for
masterclasses at Juilliard and universities across North
America). In between gigs Val teaches voice and acting in
NYC and across Canada.
Rob Kempson – Performer and Creator
Rob is a theatre artist and educator. A
graduate of Queen’s University, Rob
was most recently seen starring in his
Dora-nominated musical THE WAY
BACK TO THURSDAY (Theatre Passe
Muraille). Creator/Director: #LEGACY
(Harbourfront Centre), IN MY OWN SKIN
(YRDSB), THE HV PROJECT (Community), INTERSECTIONS (TDSB
Arts Co-Op), EXPLICIT (Rhubarb Festival). Director: SONGS FOR
A NEW WORLD (Claude Watson). Assistant Director: SHE LOVES
ME (Thousand Islands Playhouse). He was a member of the
2014 Stratford Festival Playwrights’ Retreat and is currently the
Associate Artistic Director at the Thousand Islands Playhouse.
More info at www.robkempson.com or
@rob_kempson on Twitter.
Chris Tsujiuchi – Musical
Director/Pianist
A graduate of Sheridan College’s
Musical Theatre Performance
program, Chris’ musical direction
credits include A MISFORTUNE (Next
Stage Festival), HAIR (FirstAct Productions), ONE SONG GLORY
‘10 ‘11 & ‘12 (ActingUp Stage), A JOYFUL NOISE (co-composer/
lyricist, Smile Theatre), MICKEY & JUDY (Toronto Fringe), and
BARE: THE CANADIAN PREMIERE (WatersEdge Productions).
Chris has worked as an accompanist and teacher at Sheridan
College, Randolph Academy, and George Brown College. He has
toured extensively with the
Nathaniel Dett Chorale
as a singer, and with
Sharron Matthews as an
accompanist/arranger.
He can be seen in
his biannual “CHRISTERICAL” cabarets
at Buddies in Bad
Times Theatre.
Check the lobby for biographies of Scott
Christian, Beth Kates, Sandra Marcroft
and Samantha Serles.
Theatre Passe Muraille – Canada’s First Theatre for New Work
Founded in 1968, Toronto-based Theatre Passe Muraille is Canada’s first theatre company for developing and producing
new Canadian work. They operate out of a designated historical building, the former Nasmith Bakery and Stables. True to
name, productions also take place “beyond walls” at site-specific locations across Toronto. Theatre Passe Muraille is known
for developing innovative and daring Canadian theatre, but they also exist to support their community. From encouraging
independent and emerging artists and multicultural work, to inspiring their staff and artists to work collaboratively, Theatre
Passe Muraille works to ensure all voices are represented on their stage.
“NNNN”
— Now Magazine
Thank yous: Astrid Van Wieren, Scott Christian, Andy McKim and Theatre Passe Muraille, Ashlie Corcoran, the Thousand Islands Playhouse, and Katrina Dunn
and Touchstone Theatre. Our wonderful Donors: Philip Akin, Chrstine Baker, Linda Bakker, Joan Belford, Marnie Bradshaw, William Cahoon, Peter Chemens, Ashlie
Corcoran, Ron Crago, Judith Dallimore, Evelyn & Carman Fischer, Blair Francey, Mary Fraser, Agnieszka Gagne, Karen Gilodo, Gail Hamblin, Susan Hillery, Roy
Hood, Lynn Manning, Anne Marriott, Sally Jo Martin, Donna McCorquodale, Scott Milligan, Wendy Oliver, Allan Orr, Gail Packwood, Elizabeth Sheffield,Judy Smith,
Deoborah Turnbull, Andrew Usher, Carolyn Whiteside, Lorraine & Robert Winger, and Rhonda Zwingerman.
“endearing and complex”
— Mooney on Theatre
“a promising debut”
— Toronto Star
6
IN TUNE 2015
IN TUNE 2015
7
SCHEDULE & VENUES
Don’t forget to purchase a ticket for the In Tune Raffle! Prize Package with lots of bling worth over $1000!
SUN, JUNE 14
MON, JUNE 15
TUE, JUNE 16
10:00am
12:00pm
Working
Group on
Story and Score
Carousel Theatre
10am
Hein and
Sankoff
Masterclass
FROM PAGE
TO PREMIERE
Creators &
Producers
Studio 1398
9:30am – 5pm
2:00pm
4:00pm
WED, JUNE 17
THU, JUNE 18
Caroline
Humphris
Masterclass
THE MUSICAL
DIRECTOR’S
ROLE IN
NEW WORK
Musical
Directors
Studio 1398
9:30am – 5pm
Robert
McQueen
Masterclass
SOMETHING
OLD AND
SOMETHING
NEW
Performers
The Post at 750
9:30am – 5pm
Daniel Maté
Masterclass
TELLING OUR
LIVES IN SONG
Youth
Studio 1398
9:30am – 5pm
SUN, JUNE 21
Arnold
Mungioli
Masterclass
IN THE
AUDITION
ROOM
Performers
The Post at 750
9:30am – 5pm
Musical
Directors’
Roundtable
The Post at 750
12pm
Songwriters’
Salon with
Veda Hille
Studio 1398
12pm
The Way Back
To Thursday
Closing
Revue Stage
2pm
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There is a mix of paid and free parking on Granville Island. Free parking stalls are
available and vehicles are limited to occupy one stall, once per day, and subject to the
maximum posted time limit, after which vehicles must be parked in a pay parking stall.
Free Parking restrictions are enforced from 7am to 7pm, 7 days a week.
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Studio 1398
1398 Cartwright Street
The Post at 750
110–750 Hamilton Street
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The Waterfront Theatre
1412 Cartwright Street
There is meter parking on the street at The Post at 750, and a reasonably priced lot
under the library across the street.
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Carousel Theatre
1411 Cartwright Street
PARKING
M
1
The Way Back To Thursday
Revue Stage
8pm
om
1
The Arts Club Revue Stage
1601 Johnston Street
The Way Back
To Thursday
Post-Show
Talkback
Revue Stage
8pm
H
VENUES
The Way Back
To Thursday
Opening
Revue Stage
8pm
r
Granville Island
Duranlau
Route 66/
Love Bomb
Showcase
Revue Stage
8pm
Onegin/The
Best Laid Plans
Showcase
Revue Stage
8pm
ou
Keynote/
Cabaret
Waterfront
Theatre
8pm
ch
ar
ds
8:00pm
Ri
BLAME
CANADA!
CMTWC
Concert
Waterfront
Theatre
7pm
Musicals
for Young
Audiences
Panel
Discussion
Revue Stage
5:30pm
Jukebox
Musicals
Panel
Discussion
Revue Stage
5:30pm
7:00pm
IN TUNE 2015
Robert
McQueen
Masterclass
AT THE HELM
OF A MUSICAL
Directors
Studio 1398
9:30am – 5pm
SAT, JUNE 20
Pitch Session
The Post at 750
4pm
5:00pm
8
FRI, JUNE 19
Ex
SAT, JUNE 13
THE POST AT 750
This is Touchstone’s new permanent home, shared with the PuSh Festival, Music on
Main, and DOXA. It is an innovative creative hub for the community in the heart of the
downtown core, and has two rehearsal halls as well as offices for the four groups.
750 Hamilton is set back from the sidewalk in the 700 block of the street. Just south
of the JJ Bean kiosk you will see a set of stairs going up towards a red sign that says
750. Follow this path until you are at the door, then call 110 on the entry phone.
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Downtown
Cambie Br.
FRI, JUNE 12
Se
ym
9:30am
IN TUNE 2015
9
MASTERCLASSES
To register, contact Annie at
admin@touchstonetheatre.com or 604.709.9973
Spend a day with a master teacher and infuse your
work with new skills and inspiration.
SATURDAY, JUNE 13, 9:30am – 5pm
FROM PAGE TO PREMIERE ~
SANKOFF AND HEIN
For Creators and Producers
Canadian wunderkinds Sankoff and Hein come to In Tune fresh off the world premiere of their second musical at the
prestigious La Jolla Playhouse, and on their way to New York to workshop their third. A married writing team, Irene and
David will share lessons they’ve learned, and things they wish they’d known. From idea to page to stage, they discuss
ways to survive and thrive as creators in an extremely competitive field. Topics include creating authentic work that is
marketable, the power of true stories, showcasing work on both sides of the border, self-producing without blowing your
bank account and your nerves, successful collaboration with other artists, creating demos, pitching shows, the importance
of guilds, grants, lawyers, and agents . . . and why it never hurts to ask. Participants will share and discuss their own
material – anything from a pitch or synopsis to selections of an in-progress work.
David Hein and Irene Sankoff wrote, produced and starred in MY MOTHER’S LESBIAN JEWISH WICCAN WEDDING which was
picked up by Mirvish Productions, extended five times, and has now earned rave reviews and multiple “Best Musical” awards at the
New York Musical Theatre Festival and across North America. Their second musical, COME FROM AWAY, tells the true story of
when 38 planes from around the world were diverted to Gander, Newfoundland on 9/11. Developed at Goodspeed Musicals and The
Canadian Music Theatre Project, it was the hit of the NAMT Festival of New Musicals in New York City – and will receive a worldpremiere at the La Jolla Playhouse in San Diego. Their newest musical, MITZVAH, tells the story of a family whose son has autism, and
a mother who fights to give him a Bar Mitzvah. It will be workshopped in New York and Toronto this summer.
Studio 1398
$145+GST
FRIDAY, JUNE 19, 9:30am – 5pm
AT THE HELM OF A MUSICAL ~
ROBERT MCQUEEN
For Directors
In this fast-paced overview of the unique challenges of directing for musical theatre, Robert leads you through creating
a new production, from first contact with the libretto and score through to opening night. He begins with general skills:
production concept, pre-production collaboration with the creative team, and casting. He then moves to skills unique to
the genre: sharing the rehearsal room with the music director and choreographer, working with actor/singers, running
technical rehearsals, and growing through previews. Robert will share his vast knowledge through the lens of one
example. The musical Caroline, or Change will be the class’ focal point for discussion, and participants will be asked to
familiarize themselves with the book and score in advance. An ideal class for musical theatre performers wanting to move
into directing, emerging directors wanting to learn more about the genre, and for old dogs who just want to learn some
new tricks.
Studio 1398
$145+GST
SATURDAY, JUNE 20, 9:30am – 5pm
SOMETHING OLD AND SOMETHING NEW ~
ROBERT MCQUEEN
For Performers
THURSDAY, JUNE 18, 9:30am – 5pm
THE MUSICAL DIRECTOR’S ROLE IN
NEW WORK ~ CAROLINE HUMPHRIS
For Musical Directors
Musical direction is a neglected area of musical theatre training. Caroline Humphris, one of the UK’s most prominent musical
directors, has mentored many young MDs and believes that working with composers on developing new material offers
invaluable instruction. It involves taking part in the process of assembling a musical, learning how varied and complex that
can be, and how much adaptation and flexibility is required from the MD, both as a musician and often as a mediator between
composer, performer and director. Caroline’s masterclass will start with a practical session on the MD skill set, focussing
on conducting from the keyboard and coaching songs with actors. Participants will then be paired with one of three local
composers to work an unfinished song under Caroline’s supervision, culminating in a group workshop. This class is a rare
opportunity for local musical directors to learn new approaches and get feedback from a true master.
Caroline Humphris is a renowned Music Director, Supervisor, Orchestrator, and Arranger based in the United Kingdom. For the Menier
Chocolate Factory, she conducted and/or supervised over six major productions, most notably the Olivier Award-winning, Tony-nominated
SUNDAY IN THE PARK WITH GEORGE (West End/Broadway), Trevor Nunn’s productions of A LITTLE NIGHT MUSIC (West End/Broadway/
Budapest) and ASPECTS OF LOVE, and LITTLE SHOP OF HORRORS (West End/UK Tour). Caroline worked with Richard Maltby and
David Shire in developing their musical TAKE FLIGHT, and she also created the Menier Musical Theatre Courses programme. West End
conducting credits include PASSION, WHISTLE DOWN THE WIND, and MADDIE. Her most recent work includes the new musical THIS IS
MY FAMILY by Tim Firth (Sheffield Theatres/UK Tour 2014), as Arranger, Orchestrator and Music Director, RAGS (Gala, Lyric Theatre), WIND
IN THE WILLOWS (Royal & Derngate), and DADDY LONG LEGS (St. James Theatre).
Studio 1398
10
IN TUNE 2015
Robert’s latest take on his much-loved song performance class allows you to tackle two styles side by side. A small
group of participants will work on two songs each, one drawn from the classic musical theatre repertoire, and one from
contemporary composers. You choose one song from the work of composer/lyricists Lorenz Hart and Richard Rodgers,
Richard Rodgers and Oscar Hammerstein, or Betty Comden and Adolph Green. The second song must come from the
work of composer/lyricists Adam Guettel, Michael John LaChiusa, or William Finn. Robert will use his characteristic mix of
insight, support, and challenge to help you tackle the technical hurdles of the songs, and master the performance styles
the pieces demand. Reinvigorate your song binder and stretch your range with this new twist on the teaching work of one
of Canada’s most sought after directors and singing coaches. Both songs will be worked and presented during the class.
The Post at 750
$145+GST
Robert McQueen has worked across the US, Canada, and internationally as a director, dramaturg, and teacher. On
Broadway, Robert was the Associate Director of MAMMA MIA and directed the US National, Las Vegas, Mexico
City, San Paulo, and Buenos Aires companies of the show. He was also the Resident Director on the National
Tour of the Hal Prince and Susan Stroman production of SHOWBOAT. Recent Canadian credits include Acting
Up Stage’s productions of THE WILD PARTY, FALSETTOS, THE LIGHT IN THE PIAZZA, CAROLINE, OR CHANGE
(Dora nomination), and THE MAN OF LA MANCHA for the Stratford Festival. Interesting international projects
include CAROUSEL in Tokyo, and WHERE ELEPHANTS WEEP in Cambodia. Robert has worked as a dramaturg
on new musicals and operas in both Canada and the US, and currently leads Acting Up Stage’s NoteWorthy program.
He has been invited to teach his masterclasses all over the world.
$145+GST
IN TUNE 2015
11
MASTERCLASSES
SATURDAY, JUNE 20, 9:30am – 5pm
TELLING OUR LIVES IN SONG ~
DANIEL MATÉ
For Aspiring Theatre Songwriters Aged 13–17
Musical theatre allows us to bring characters to life and share them with audiences in a thrilling way. Meanwhile, each of
us is a character. We all have highs and lows, loves and hates, hopes and fears, and plenty of quirks. Our lives are great
material for musical storytelling. Daniel’s workshop will explore the basics of writing a great musical theatre song, through
the lens of our own lived experience. In a fun and dynamic session, Daniel will draw on his years of experience working
with youth to teach collaboration, how music and lyrics work together, and mining our own lives to create vivid, authentic
characters an audience will really relate to. Participants will learn about rhyme schemes, song structures, and the main
types of theatre songs, from the “I-Want” song to the grand finale. The day concludes with a mini-presentation of the
song(s) the group has created.
Daniel Maté is a composer-lyricist whose work has been honoured with the Edward Kleban Prize, the ASCAP Foundation Cole Porter
Award, and a Jonathan Larson Grant. He wrote music and lyrics for the song cycle THE LONGING AND THE SHORT OF IT (5 Carbonell
nominations), MIDDLE SCHOOL MYSTERIES, and THE STORY OF JO-BETH, and recently began work on a new musical entitled YOU
DON’T KNOW ME, FROM ADAM. He wrote lyrics and book for THE TROUBLE WITH DOUG and is the lyricist of HANSEL AND GRETL
AND HEIDI AND GÜNTER, a current commission for Chicago Shakespeare Theater. He has presented his work in a solo concert at the
Kennedy Center (DC) and numerous NYC venues. He holds an MFA from NYU/Tisch in musical theatre writing. After ten years in New
York, Daniel recently moved back to his hometown of Vancouver, where he now lives with his fiancée Tanya.
Studio 1398
$80+GST
DISCUSSION
SUNDAY, JUNE 21, 12pm
SONGWRITERS’ SALON
WITH VEDA HILLE
Immerse yourself in the creative process of one of our region’s most revered
and distinctive songwriters. Veda’s recording career stretches back to 1992,
with songs exploring the natural world, the trickiness of love, and the constant
threat of tragedy. A regular collaborator with theatre and dance artists, Veda’s
unique sound took the musical theatre world by storm with Do You Want
What I Have Got?: A Craigslist Cantata, created with Bill Richardson and Amiel
Gladstone. Craigslist premiered at the Arts Club in 2012, and since then has
met with rave reviews across Canada. Currently, Veda is creating Onegin with
Amiel Gladstone, which is set to premiere in the Arts Club’s 2015/16 season.
In this intimate Salon, Veda takes you through the creation stages of some of
her eclectic projects, and then fields your questions about any aspect of her –
or your – songwriting technique.
FRIDAY, JUNE 19, 5:30pm
Studio 1398
Jukebox musicals combine the draw of familiar songs with the surprise of original story or conceptual
elements. They are both popular and tricky to create. Trickiest of all can be the legal and artistic
relationship with the creators or rights holders of the songs used as the musical score. In this panel
moderated by In Tune Co-Curator Rachel Ditor, panelists share the experience they gained as they
navigated these issues on their own projects. Learn about the challenges of creating in the jukebox world
and get inspired by some fantastic success stories. The panel also features a playwrights’ agent, and an
intellectual property lawyer for a legal perspective.
SUNDAY, JUNE 21, 9:30am – 5pm
IN THE AUDITION ROOM: WHAT YOU
NEED TO KNOW ~ ARNOLD J. MUNGIOLI
For Performers
Tired of second-guessing what is wanted from you in the audition room? In a fulsome exploration of the performance
of song for audition purposes, Broadway Casting Director Arnold Mungioli clarifies those expectations in a visceral
and tangible way. His renowned coaching will help you up your game, and give you a way of tackling any material with
significantly enhanced methods, attitude, and style. This class builds on what you already know, respecting the talent you
possess, while working with you to create more positive results. The focus is on helping you to book more of the roles
you want, as Arnold works one-on-one with each participant on their audition material. His perspective demystifies show
business in general and musical theatre in particular, as the day’s triumphs and epiphanies identify a new path for your
day-to-day audition life. Participants must come to the class with a fully-prepared song.
Arnold J. Mungioli is a Broadway Casting Director, Audition Coach, and Teacher, with over thirty years of experience in the
professional theatre and entertainment industries. As a Casting Director, Arnold is currently represented by A WALK ON THE MOON,
a new musical directed by Michael Greif, Bill T. Jones’ upcoming SUPER FLY THE MUSICAL and FELA! (Broadway and international
tours), JIM HENSON’S DINOSAUR TRAIN (Canadian/American tour), Robert Wilson’s ZINNIAS: THE LIFE OF CLEMENTINE HUNTER,
and two large-scale musicals in development in Toronto. Arnold has served as Executive Director of Casting for Disney Theatrical
Productions, and Senior Vice President of Casting and Creative Development for Livent. He is on faculty at NYU’s Tisch School of the
Arts, and has taught masterclasses in North America and abroad. Arnold has received two Artios Awards from the Casting Society of
America, and is currently working on an audition book and video blog for actors.
The Post at 750
12
IN TUNE 2015
$145+GST
JUKEBOX MUSICALS
PANEL DISCUSSION
By Donation
SATURDAY, JUNE 20, 5:30pm
Revue Stage
MUSICALS FOR YOUNG AUDIENCES
PANEL DISCUSSION
Musicals for Young Audiences have a growing market and are increasingly innovative and musically
sophisticated. Moderated by In Tune Co-Curator Katrina Dunn, this panel is populated by a broad
selection of producers and creators with experience in youth-based programming. It discusses the
unique characteristics of writing and composing for young audiences. We look at what TYA producers
are seeking and how can you fit your project into their creation cycles. Animated by some great case
studies from the careers of the panelists, expect a lively discussion exposing the creative potential in
this stream of musical theatre.
Revue Stage
photo of Veda Hille
IN TUNE 2015
13
DEVELOPMENT
OTHER STUFF
Five fantastic local projects are getting development
support through In Tune with no public showing.
YOUTUBE MUSICAL
ELBOW ROOM CAFÉ:
THE MUSICAL
In the spring of 2015 the producers of In Tune solicited ideas from the community for an original 10-minute YouTube musical,
to be promoted and disseminated as part of In Tune’s official programming. We asked for a new, original musical written and
composed specifically for YouTube, making use of the elements that define video, as opposed to live performance. The finished
work had to contain 50% musical material, all of which must be original.
POLLY AND THE
PENTHOUSE
Book & Lyrics by Dave Deveau
Music & Lyrics by Anton Lipovetsky
Workshop Directed by Peter Jorgensen
Fresh off a sold-out workshop production
at Studio 58, the creators of Elbow Room
Café: The Musical are reworking the piece
towards a professional premiere. A musical
celebration of one of Vancouver’s iconic
eateries, we follow the whimsy and heart
of café owners Patrice and Bryan as they
manage the hectic world of their restaurant
and its patrons.
Book and Lyrics by Sally Stubbs
Dramaturgy by Katrina Dunn
Dave Deveau
and Anton Lipovetsky
Part local history, part coming-of-age story,
Polly and the Penthouse follows a young
woman in her journey through the world of
Vancouver’s iconic Penthouse Nightclub. Full
of fascinating true tidbits and encompassing
a wide range of musical styles, Polly’s early
book draft is getting
dramaturgical support
designed to solidify
its structure.
CHORDS OF
FAME
By Harrison Mooney with
Original Music by Bryan Binnema
Dramaturgy by Rae Steinberg
CARRY ON
By Sarah Harrison, Kerry O’Donovan, Nick Preston,
Clara Rose, Deborah Vogt, and Andrew Wade
Workshop Directed by Andy Toth
Produced by Awkward Stage Productions
In Tune is congratulating the winners of Awkward
Stage’s “SMACKDOWN! The 24 Hour Musical
Contest,” with support for their next stage of
development. Set at the YVR baggage claim,
Carry On examines the convergent lives of
weary wanderers and the baggage they
carry. Sometimes all you can do is hurry up
and wait.
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IN TUNE 2015
See it at www.youtube.com/user/touchstonetheatrevan after June 5
screening at the opening Keynote/Cabaret on June 12
SATURDAY, JUNE 20, 12pm
THE CHARIOT CITIES
Ever since Jack Stackhouse and Wendy
Brownlee met thirty years ago, they’ve been
better at being a band than a family. Now their
kids are grown with music careers of their
own and they all need to figure out how to
be more than just a band. After a successful
run at the 2014 Vancouver Fringe, the book
of The Chariot Cities is getting dramaturgical
support for its newest draft.
The winning selection, Finding Face Time, is a musical about connecting in a world that is not always grounded in reality.
It’s the story of two people whose relationship has evolved solely through video dating, and it is told entirely through a Skype
conversation. The creative team consists of Deborah Vogt, Nick Preston, Sarah Harrison, Kerry O’Donovan, Andrew Wade,
Natasha Zacher, Erin Palm, and Terry Marriot. The team received a $1000 prize to be used for writing, composing, rehearsing,
filming, and editing.
Sally Stubbs
Written and Performed by Zachary Stevenson
Direction and Dramaturgy by TJ Dawe
Harrison Mooney
and Bryan Binnema
Zachary and TJ are working on a one-man
show exploring the life and music of Phil
Ochs – protest singer, social activist, and
friend and contemporary of Bob Dylan.
His ability to write brilliant
topical songs ran neck
and neck with his
relentless inner
demons.
Zachary Stevenson
MUSICAL DIRECTORS’ ROUNDTABLE
Following up on an exciting and fulsome session at In Tune 2013, this roundtable is an exclusive session for local and visiting
musical directors to discuss the unique aspects of their role in the process of creating and producing musicals. Open to both
new and accomplished MDs, topics explored at the roundtable include the musical director’s skill set, instrumentation and
reductions, and the development of stronger infrastructures and networks for the profession.
The Post at 750
WEDNESDAY, JUNE 17, 10am
WORKING GROUP ON
STORY AND SCORE
Dramaturgs in musical theatre can be an excellent resource for book writers and composers, as they help to move a new
work through a series of drafts and iterations. But often the music and the book develop in radically different ways and on
different timelines. How then does the dramaturg keep one element in step with the other as the two languages develop
towards the common goal of a finished work? A group of seasoned creators, led by the Arts Club’s Rachel Ditor, will grapple
with this question through the lens of their individual experiences, and create a set of best practices for sharing and further
consideration. Email outreach@touchstonetheatre.com for admission information.
Carousel Theatre
IN TUNE 2015
15
SUPPORTERS
26
$
In Tune Inner Circle
Our Inner Circle is a cherished group of individuals who share our aspirations for the future of Canadian musical theatre, and
want to play a role in making it happen. Each Inner Circle member donates a minimum of $500 and is welcomed into select
readings, development sessions, and meetings with artists. As our event is biennial, donations made at In Tune 2015 will
continue to be recognized for two years, right into In Tune 2017. Here’s a profile of an Inner Circle member:
Forward-thinking Susan Dickson taught high school for years, including the respected drama program at Magee
Secondary. In 2013 she did something rare and wonderful – she co-produced a new Canadian musical at her high
school, helping it to grow through a rehearsal process, and through feedback from the audience. Courtenay
Ennis and Roger Haskett’s FRANKLIN FALLS, which was workshopped at In Tune 2011, features a number
of interesting high school-aged characters. It was a fantastic match for her students and allowed them the
amazing experience of contributing creatively to a new work.
If you’d like to join In Tune’s Inner Circle, or support us with a donation of any size, email LaurieAnn at gm@touchstonetheatre.com, call 604.709.9973, or talk to anyone wearing an In Tune badge
during the 10 days of events. Donations of $20 or more will be recognized with a tax-deductible receipt.
Photo Courtesy Theatre Calgary
Bonnie Mah – Lead Donor
Ben Elliott as Antipholus & Dawn Petten as Dromio
INDIVIDUALS
2015 Photo & Image Design: David Cooper & Emily Cooper
Season Sponsor
Benedict Campbell as King Lear
In Tune thanks our many supporters.
We couldn’t do it with out you!
TICKETS
FROM
Bard Ad
Susan Dickson
Howard Family Stage
VENUE SPONSOR
The Goodwin
Family Foundation
HOTEL SPONSORS
PRINT SPONSORS
EQUIPMENT SPONSOR
June 4 to September 26
bardonthebeach.org • 604-739-0559
16
IN TUNE 2015
John Murphy as the Earl of Essex.
Shakespeare image © National Portrait Gallery, London
FOUNDATIONS
Luisa Jojic as Rosaline & Josh Epstein as Berowne
GOVERNMENT
Media Sponsors
TOUCHSTONE THEATRE’S 40TH ANNIVERSARY SEASON
Celebrating Four Decades of Essential Canadian Plays
2015/16
SEPTEMBER 17 – OCTOBER 3
JUNE 2 – 11
THE BEST LAID PLANS:
A MUSICAL
HOW TO SURVIVE AN
APOCALYPSE
by Jordan Hall
A World Premiere from our Flying Start
program at the Firehall Arts Centre
Photo of Kerry Sandomirsky and Michael Kopsa by Tim Matheson
Based on the novel by Terry Fallis
Book by Vern Thiessen
Music and lyrics by Benjamin Elliott
and Anton Lipovetsky
The World Premiere of a new musical
with a cure for Canada’s political malaise,
at the York Theatre
Produced in association with the
Playwrights Theatre Centre and the
Firehall Arts Centre
Produced with Patrick Street Productions
MARCH 29 – APRIL 10
LATE COMPANY
by Jordan Tannahill
A remount of last season’s hit at the
Evergreen Cultural Centre and the Vancity
Culture Lab
Watch for more details at www.touchstonetheatre.com
GET $5 OFF PREMIUM SEATS!
Valid for performances June 18–July 1. Use promo code 8304. Offer expires June 30
STARTS JUNE 18!
season
sponsors
“UNBRIDLED JOY”
—Hollywood Reporter