Pavilion 21 MINI Opera Space

Transcription

Pavilion 21 MINI Opera Space
Pavilion 21 MINI Opera Space
Munich, Germany
ENTWURFSSKIZ
Spengergasse 37
1050 Vienna, Austria
T +43 (0) 1 546 60- 0
F +43 (0) 1 546 60- 600
office@coop-himmelblau.at
www.coop-himmelblau.at
Pavilion 21 Mini Opera Space
© Duccio Malagamba
Munich, Germany, 2008–10
Program: Performance space
Competition: 2008
Start of planning: 2009
Start of construction: 2010
Completion: 2010
Costs : 2.1 Mio Eur NET
Gross floor area: 560m²
Client:
The Free State of Bavaria represented by The Bavarian State Opera
Munich, Germany
0
75
150
225ft
1 | 3000
0
15
30
45
60
75m
3k
0
10
20
30
40
50m
SITE PLAN
Acoustics:
ARUP, London, UK
General Contractor (Steel Structure):
Frener & Reifer Metallbau GmbH, Augsburg, Germany
COOP HIMMELB(L)AU Wolf D. Prix & Partner ZT GmbH PAVILION 21 MINI OPERA SPACE
´SCUSE ME WHILE I KISS THE SKY´
JIMI HENDRIX, PURPLE HAZE
FREQUENZAUSSCHNITT
FREQUENCY SECTION
SONAGRAMM
SONAGRAM
BESTIMMT DIE GRÖSSE DER SPIKES
DETERMINES THE SIZE OF THE SPIKES
NON HO TIMOR: VERRÓ!
WOLFGANG AMADEUS MOZART, DON GIOVANNI, ATTI II, SZENE 15 / SCENE 15
FREQUENZAUSSCHNITT
FREQUENCY SECTION
SONAGRAMM
SONAGRAM
BESTIMMT DIE RICHTUNG DER SPIKES
DETERMINES THE DIRECTION OF THE SPIKES
SCRIPTING-KONZEPT / SCRIPTING CONCEPT
Pavilion 21
SCRIPTING-KONZEPT
SCRIPTING CONCEPT
Pavilion 21 Mini Opera Space
The task which Coop Himmelb(l)au had to solve with
our design was to create a space with 300 seats (or
700 standing spectators) for experimental performances of the Bavarian State Opera. The Pavilion
should be dismountable, transportable and remountable and make the respective urban space distinctive
through its shape.
Mass and therefore weight are the decisive criteria
for good acoustics. The conception of the Pavilion
21 MINI Opera Space therefore had to overcome a
contradiction: to design a lightweight construction
which must allow to be disand re-assembled quickly,
but which at the same time meets the acoustical requirements of a concert hall. The result are elements
which are on the one hand the spatial transformation
of sound sequences, and which on the other hand
develop sound reflecting and absorbing properties
through their pyramid-like shape: “Soundscaping”.
Our strategy to achieve soundscaping comprises
three steps: Firstly, to realize the shielding effect
between square and street, secondly, to shape the
geometry of the Pavilion in such a way that the surface deflects noise, and thirdly, to design the surface
of the Pavilion in such a way that it reflects and absorbs sound.
As a starting point towards the abstraction of music
into spatial form, a sequence from the song “Purple
Haze” by Jimi Hendrix and a passage from “Don Giovanni” by Mozart were transcribed. Through the analysis of frequence sections from these pieces of music
and through the combination with the computer generated 3D model, the sequences are translated into
pyramidal “spike constructions” by means of parametric “scripting”.
In order to implement the objectives of the interior
spatial acoustics, the interior wall and ceiling surfaces were fitted with a combination of perforated absorbing and smooth reflecting sandwich panels. The
flooring of the Pavilion is carried out as a reflecting
even “stage floor”. Sound reflecting, parallel wall and
ceiling surfaces are avoided and are therefore tilted
or skewed.
COOP HIMMELB(L)AU Wolf D. Prix & Partner ZT GmbH PAVILION 21 MINI OPERA SPACE
© Duccio Malagamba
AKUSTISCH REFLEKTIERENDE FLÄCHEN
ACCOUSTICALLY REFLECTING SURFACES
AKUSTISCH TRANSPARENTE / ABSORBIERENDE FLÄCHEN
ACCOUSTICALLY TRANSPARENT/ ABSORBENT SURFACES
AKUSTISCH ABSORBIERENDES PANEL
ACOUSTICALLY ABSORBING PANEL
AKUSTISCH SEMI-ABSORBIERENDER BODEN
SEMI-ABSORBING FLOOR
HINTERGRUNDGERÄUSCH (VERKEHRSLÄRM, ARBEITSLÄRM)
AMBIENT SOUND (TRAFFIC NOISE, WORK NOISE)
SCHALL WIRD NACH OBEN REFLEKTIERT
SOUND REFLECTED UP AND AWAY
ABSORBIEREND
ABSORBING
IN N EN
SC H AL
E
IN TE R
N AL SK
IN
KEIN SCHALL WIRD NACH UNTEN REFLEKTIERT
NO SOUND IS REFLECTED DOWNWARDS
KONZERTHALLE
CONCERT HALL
REFLEKTIEREND
REFLECTING
ALFONS-GOPPEL-STRASSE
Pavilion 21
AKUSTISCHES VERHALTEN / FASSADENSCHNITT
ACOUSTICAL PROPERTIES FAÇADE / FAÇADE VERTICAL SECTION
COOP HIMMELB(L)AU Wolf D. Prix & Partner ZT GmbH PAVILION 21 MINI OPERA SPACE
© Duccio Malagamba
© Duccio Malagamba
COOP HIMMELB(L)AU Wolf D. Prix & Partner ZT GmbH PAVILION 21 MINI OPERA SPACE