Pavilion 21 MINI Opera Space
Transcription
Pavilion 21 MINI Opera Space
Pavilion 21 MINI Opera Space Munich, Germany ENTWURFSSKIZ Spengergasse 37 1050 Vienna, Austria T +43 (0) 1 546 60- 0 F +43 (0) 1 546 60- 600 office@coop-himmelblau.at www.coop-himmelblau.at Pavilion 21 Mini Opera Space © Duccio Malagamba Munich, Germany, 2008–10 Program: Performance space Competition: 2008 Start of planning: 2009 Start of construction: 2010 Completion: 2010 Costs : 2.1 Mio Eur NET Gross floor area: 560m² Client: The Free State of Bavaria represented by The Bavarian State Opera Munich, Germany 0 75 150 225ft 1 | 3000 0 15 30 45 60 75m 3k 0 10 20 30 40 50m SITE PLAN Acoustics: ARUP, London, UK General Contractor (Steel Structure): Frener & Reifer Metallbau GmbH, Augsburg, Germany COOP HIMMELB(L)AU Wolf D. Prix & Partner ZT GmbH PAVILION 21 MINI OPERA SPACE ´SCUSE ME WHILE I KISS THE SKY´ JIMI HENDRIX, PURPLE HAZE FREQUENZAUSSCHNITT FREQUENCY SECTION SONAGRAMM SONAGRAM BESTIMMT DIE GRÖSSE DER SPIKES DETERMINES THE SIZE OF THE SPIKES NON HO TIMOR: VERRÓ! WOLFGANG AMADEUS MOZART, DON GIOVANNI, ATTI II, SZENE 15 / SCENE 15 FREQUENZAUSSCHNITT FREQUENCY SECTION SONAGRAMM SONAGRAM BESTIMMT DIE RICHTUNG DER SPIKES DETERMINES THE DIRECTION OF THE SPIKES SCRIPTING-KONZEPT / SCRIPTING CONCEPT Pavilion 21 SCRIPTING-KONZEPT SCRIPTING CONCEPT Pavilion 21 Mini Opera Space The task which Coop Himmelb(l)au had to solve with our design was to create a space with 300 seats (or 700 standing spectators) for experimental performances of the Bavarian State Opera. The Pavilion should be dismountable, transportable and remountable and make the respective urban space distinctive through its shape. Mass and therefore weight are the decisive criteria for good acoustics. The conception of the Pavilion 21 MINI Opera Space therefore had to overcome a contradiction: to design a lightweight construction which must allow to be disand re-assembled quickly, but which at the same time meets the acoustical requirements of a concert hall. The result are elements which are on the one hand the spatial transformation of sound sequences, and which on the other hand develop sound reflecting and absorbing properties through their pyramid-like shape: “Soundscaping”. Our strategy to achieve soundscaping comprises three steps: Firstly, to realize the shielding effect between square and street, secondly, to shape the geometry of the Pavilion in such a way that the surface deflects noise, and thirdly, to design the surface of the Pavilion in such a way that it reflects and absorbs sound. As a starting point towards the abstraction of music into spatial form, a sequence from the song “Purple Haze” by Jimi Hendrix and a passage from “Don Giovanni” by Mozart were transcribed. Through the analysis of frequence sections from these pieces of music and through the combination with the computer generated 3D model, the sequences are translated into pyramidal “spike constructions” by means of parametric “scripting”. In order to implement the objectives of the interior spatial acoustics, the interior wall and ceiling surfaces were fitted with a combination of perforated absorbing and smooth reflecting sandwich panels. The flooring of the Pavilion is carried out as a reflecting even “stage floor”. Sound reflecting, parallel wall and ceiling surfaces are avoided and are therefore tilted or skewed. COOP HIMMELB(L)AU Wolf D. Prix & Partner ZT GmbH PAVILION 21 MINI OPERA SPACE © Duccio Malagamba AKUSTISCH REFLEKTIERENDE FLÄCHEN ACCOUSTICALLY REFLECTING SURFACES AKUSTISCH TRANSPARENTE / ABSORBIERENDE FLÄCHEN ACCOUSTICALLY TRANSPARENT/ ABSORBENT SURFACES AKUSTISCH ABSORBIERENDES PANEL ACOUSTICALLY ABSORBING PANEL AKUSTISCH SEMI-ABSORBIERENDER BODEN SEMI-ABSORBING FLOOR HINTERGRUNDGERÄUSCH (VERKEHRSLÄRM, ARBEITSLÄRM) AMBIENT SOUND (TRAFFIC NOISE, WORK NOISE) SCHALL WIRD NACH OBEN REFLEKTIERT SOUND REFLECTED UP AND AWAY ABSORBIEREND ABSORBING IN N EN SC H AL E IN TE R N AL SK IN KEIN SCHALL WIRD NACH UNTEN REFLEKTIERT NO SOUND IS REFLECTED DOWNWARDS KONZERTHALLE CONCERT HALL REFLEKTIEREND REFLECTING ALFONS-GOPPEL-STRASSE Pavilion 21 AKUSTISCHES VERHALTEN / FASSADENSCHNITT ACOUSTICAL PROPERTIES FAÇADE / FAÇADE VERTICAL SECTION COOP HIMMELB(L)AU Wolf D. Prix & Partner ZT GmbH PAVILION 21 MINI OPERA SPACE © Duccio Malagamba © Duccio Malagamba COOP HIMMELB(L)AU Wolf D. Prix & Partner ZT GmbH PAVILION 21 MINI OPERA SPACE