ELF STUDY GUIDE Book by Thomas Meehan and Bob Martin
Transcription
ELF STUDY GUIDE Book by Thomas Meehan and Bob Martin
Page 1 ELF STUDY GUIDE Book by Thomas Meehan and Bob Martin Music by Matthew Sklar, Lyrics by Chad Beguelin Based upon the New Line Cinema film Study Guide prepared by Kathy Quayle, Education Coordinator, 2013 The Grand Theatre Study Guide: Elf2013H14 Season Page 2 TABLE OF CONTENTS Curriculum Connections............................................................................................................... 3 The Creators of Elf.......................................................................................................................... 3 Synopsis ............................................................................................................................................... 4 Our Production of Elf.................................................................................................................... 6 Message from the Director........................................................................................................... 6 Interesting Facts............................................................................................................................... 7 Classroom Activities and Elf Trivia............................................................................................ 8 Suggested Resources..................................................................................................................... 11 Theatre Etiquette............................................................................................................................ 12 The Grand Theatre Study Guide: Elf2013H14 Season Page 3 Curriculum Connections Elf supports learning in the subject areas of: The Arts (Music, Visual Arts, Dance, Drama) Language/English/Writers’ Craft Canadian and World Studies Social Studies and Humanities The Creators of Elf Elf is by Tony®-winning book writers Thomas Meehan and Bob Martin and the Tony®-nominated songwriting duo of Matthew Sklar and Chad Beguelin. Thomas Meehan (Book) Thomas Meehan was born in1929 in Ossining, New York. He moved to New York at age 24. He has received the Tony® Award for Best Book of a Musical three times: his Broadway debut Annie (1977); The Producers with Mel Brooks (2001); and he shared the 2003 award with Mark O’Donnell for Hairspray. Additional writing and co-writing theatre credits include Ain’t Broadway Grand, Oh, Kay!, Bombay Dreams, Annie Warbucks, 1984, Young Frankenstein, Cry-Baby Elf, and Limelight: The Story of Charlie Chaplin. Meehan is also an Emmy Award-winning writer of television comedy, and collaborated on a number of screenplays, including: Mel Brooks’ Spaceballs, a remake of To Be or Not to Be; the film adaptation of The Producers, and One Magic Christmas. Bob Martin (Book) Bob Martin was born in 1963 in England and is now a writer, actor, and comedian working out of Toronto, Ontario. He has both performed in and written many TV shows. Martin received the Tony® Award for Best Book of a Musical for Minsky’s and The Drowsy Chaperone. The musical The Drowsy Chaperone was originally written as a wedding present for Martin and his wife, Janet van de Graaf. At the end, he created the “Man in the Chair” character when he got up and read out his notes on the show. Martin has been nominated for the Tony® Award for Best Actor in a Musical, the Canadian Screen Award for Best Comedy Program or Series, the Drama Desk Award for Outstanding Actor in a Musical, and the Canadian Screen Award for Best Performance by an Actor in a Continuing Leading Comedic Role. The Grand Theatre Study Guide: Elf2013H14 Season Page 4 Matthew Sklar (Music) Matthew Sklar, born in Westfield, New Jersey in 1973, is a Broadway composer. He was nominated for the 2006 Tony® Award for Best Original Score for his Broadway debut as the composer for the musical The Wedding Singer. He also composed the music for the Broadway musical hit Elf which broke box office records five of the nine weeks of its limited engagement at the Al Hirschfeld Theatre in 2010-2011. Matthew co-produced the original Broadway cast albums for both shows. He has been a pianist, conductor, and dance music arranger for many productions including Shrek, 42nd Street, Miss Saigon, Les Misérables, Nine and Caroline, or Change and written his own original musicals, which include The Rhythm Club, Judas and Me, and Wicked City. He has been working on Broadway since the age of eighteen. Chad Beguelin (Lyrics) Chad Beguelin was born in 1969 and is an American playwright who wrote the lyrics and book for the Broadway musical The Wedding Singer. He was nominated for two Tony® Awards as well as a Drama Desk Award for Outstanding Lyrics for his work on The Wedding Singer. He wrote the lyrics for the Broadway musical Elf, as well as the book and lyrics for The Rhythm Club and Wicked City. He wrote the books for Disney’s Aladdin and On the Record. Beguelin will make his off-Broadway playwriting debut with Harbor. As a screenwriter, Beguelin sold a script to Grammnet Productions and also worked as a staff writer for Disney’s live action film department in California. Synopsis Based on the popular New Line Cinema Film of the same name, Elf is the wacky, wonderful story of Buddy, a very merry musical at The Grand Theatre this 2013 holiday season. Act I The show opens with Santa at home in front of the TV watching a hockey game, preparing to share the story of Buddy the Elf. We learn that Buddy was an orphan, crawled into Santa’s sack of toys and was accidentally transported to the North Pole one Christmas Eve 28 years ago. The elves at the North Pole raised Buddy and so Buddy believes he is an elf. One day, Buddy learns that he is, in fact, human and that his human father, Walter Hobbs, is alive in New York City! With Santa’s encouragement Buddy embarks on a journey to New York City to meet his father. The Grand Theatre Study Guide: Elf2013H14 Season Page 5 In the big city of New York, Buddy meets his dad Walter, stepmom Emily, and halfbrother Michael at his dad’s office in the Empire State Building. Walter is a busy businessman with little time for family and no time for holiday spirit. Walter has security escort Buddy to the nearest North Pole… in Macy’s Department Store. With cheer and song, Buddy inspires the workers at Macy’s to get into the Christmas spirit as they decorate and prepare for Santa’s arrival. Adding to his excitement, he falls in love with Jovie, a part-time elf at Macy’s. Buddy is very confused the next morning when he meets a fake Santa. After a tousle in Macy’s, Buddy is taken by the police to the Hobbs’ household. Buddy convinces them to write a letter to Santa. On their date, Buddy and Jovie dine on souvlaki and ice skate at Rockefeller Centre. Jovie shares her Christmas dream with Buddy: dinner at Tavern on the Green on Christmas Eve. Buddy promises Jovie that his dad can get them a table. However, Walter is under stress at work. He needs a Christmas story to save his job. When he thinks that he has found it, Buddy unknowingly shreds the manuscript to make fake snow to cheer his father. Frustrated, Walter tells Buddy to pack up and leave. Buddy writes a farewell note to his new family and departs on his own. Act II Buddy, alone and hungry in NYC on Christmas Eve, wanders into a Chinese restaurant filled with disgruntled and disillusioned fake Santas. At the restaurant, the Macy’s manager teaches Buddy that in order to ‘make up’ he needs to give his dad a present. Meanwhile, Jovie has waited for hours outside Tavern on the Green. Buddy arrives very late for their date, admitting that he forgot the date. He seeks her forgiveness by giving her a snowglobe. Emily and Michael find Buddy’s goodbye note and want to help him. They see Santa’s sleigh flying out their window, renewing their belief in all things magical. Everyone ends up at Walter’s office in the Empire State Building. Buddy helps pitch a new story to Mr. Greenway to save his dad’s job, but after Greenway insults Buddy and Michael, Walter stands up for his family and quits his job. The Hobbs family rush to Central Park where Santa’s sleigh has landed, having run out of power from lack of Christmas spirit. Buddy has an idea and borrows Santa’s iPad to meet with New York citizens and remind them of a time when they believed in Santa. With Buddy’s genuine show of optimism and infectious holiday spirit, he brings heart and hope and Christmas to everyone. Musical Numbers include: Sparklejollytwinklejingley, I’ll Believe in You, There is a Santa Claus. The Grand Theatre Study Guide: Elf2013H14 Season Page 6 Our Production of Elf -Director Susan Ferley and Set and Costume Designer Bill Layton found inspiration for set and costume designs in illustrations for children’s books. -Bill Layton’s ideas for the playful set structures were sparked by a colourful, slot-together cityscape toy called MoMA Play Town from the Museum of Modern Art in New York City. -Bill Layton looked to the current chic ensembles and fashion worn in New York City to costume the characters in Elf. -The Grand Theatre’s wardrobe department created 13 sets of elf ears and 13 elf hats for the company of Elf. -Pieces of the elves’ costumes were re-purposed material of Gandalf’s costume in our 2011 production of The Hobbit. -During the nightmare scene, the human-sized toys include a giant Rubik’s Cube made of foam core with struts, an enormous Slinky crafted from 500 ft of clear plastic hose, a gigantic Etch-A-Sketch and a spinning top made of pool noodles, insulating foam, yoga mats and boning made to spin around the actor. -Props created 13 Etch-A-Sketches using layered wood with rounded edges and hand painted logos with gold paint pens and used the tops of pop bottles for the knob! -Santa’s sleigh started as a mobility scooter. The props team striped it back to the bare bones and added a steel frame with wood, foam, and more metal and then two revolving propellers, lights, tail pipe smoke, and a giant bag of toys riding on the back to achieve what you see on stage. Message from the Director I love that within The Grand Theatre’s season, our holiday show is shared by families and includes young theatregoers, many experiencing theatre for the first time. This is a story with great heart that wonderfully engages all ages. In my program notes for both Legally Blonde and Ring of Fire the term hero came up. While Legally Blonde is very playful, Elle Woods stands up against discrimination and prejudice within the story. In Ring of Fire Johnny Cash heroically The Grand Theatre Study Guide: Elf2013H14 Season Page 7 conquered alcoholism and drug addiction that haunted his life. I love that in Elf the children are the heroic ones. It is the children in our lives that remind us of the sense of wonder that our holiday celebrations evoke. This story is about how the children in the family save the parent. It is a contemporary story that reminds us to find balance in our lives. Walter has become consumed by his work. It is Walter’s children who save him and get him off Santa’s naughty list. The fact that one of the children is a 6’4” elf named Buddy definitely contributes to the playful spirit of the story! Music plays an important role. In this story we learn “the best way to spread Christmas cheer is singing loud for all to hear.” Music so beautifully contributes to the spirit of the story and definitely contributes to the celebration of Christmas Spirit. And in our story, Christmas Spirit is necessary to make Christmas fly literally and figuratively. It is a witty story that engages adult audiences on one level, the younger crowd on another and then there are many glorious moments when the whole audience comes together to laugh as one. Let there be music and wonder in your life and in your celebrations this holiday season. Best wishes to all… - Susan Ferley, Artistic Director of The Grand Theatre Interesting Facts -Elf broke box office records five of the nine weeks of its limited engagement at the Al Hirschfeld Theatre in 2010-2011. -Canadian Geography is highlighted in Buddy’s trip from The North Pole to New York City in The Grand Theatre’s production of Elf. There are at least 3 Ontario cities on Buddy’s trip – see if you can spot them! -Matthew Sklar (who wrote the music for Elf) credits his start in composing to his music teacher, who asked him to write a song for his 8th grade graduation. On a whim, Sklar sent the song to Walt Disney Productions, who recorded it for the Mickey Mouse Club! The Grand Theatre Study Guide: Elf2013H14 Season Page 8 Classroom Activities *Activities are grouped by subject, but may have cross-curricular applications. Preshow Activities and Ten Trivia Questions about Elf -Brainstorm a list of popular or traditional holiday songs. Assign students or groups to research origins of some from the list. -View the 2005 film version of Elf. Brainstorm possible adaptations for the stage. -Play elf on a shelf! Hide an elf in the classroom in a new place each day with secret message, holiday fact, or Advent number to countdown to Christmas! -Discuss the role of beliefs in society; the need for something greater than you. Ask students to journal about their personal experiences with imaginary or spiritual beliefs and reflect upon them in the context of their upbringing and current lives. -In pairs, research and create newspaper articles of top Santa themed news stories from around the world. -Have students compare and contrast the world histories of Santa Claus, St. Nick, and Kris Kringle, Sinterklaas, etc. Ten Trivia Questions about Elf 1) Who played Buddy Hobbs in the 2005 movie Elf? Answer: Will Ferrell 2) What toy was Buddy making where he failed to make his daily quota? Answer: Etch-A-Sketches 3) When Buddy leaves the North Pole, he floats away on a patch of ice. Which Christmas classic is this scene taken from? Answer: 1964 animated movie Rudolf the Red Nosed Reindeer 4) What department store does Buddy visit after he is thrown out of his father’s office, Greenway Publishing in Empire State Building? Bonus: In what recent holiday show at The Grand Theatre was store also featured? Answer: Macy’s Department Store Bonus Answer: Miracle on 34th Street, The Musical 5) What’s ‘the best way to spread Christmas cheer’? Answer: ‘Singing loud for all to hear’ 6)In the song Sparklejollytwinklejingley, Buddy’s motto is “To thine own elf be true.” What famous play and playwright are being paid homage? Answer: Hamlet, by William Shakespeare. 7) What does Buddy enjoy for breakfast? Answer: cold spaghetti with maple syrup The Grand Theatre Study Guide: Elf2013H14 Season Page 9 8)In what ways does Buddy try to cheer up the people of NYC and renew their Christmas spirit? Possible Answers: making snow, singing, drinking hot chocolate topped with a chocolate bar, decorating with sparkly things, going ice skating, writing letters to Santa, etc. What group prevents Santa from using flying reindeer and what do they stand for? 9) Answer PETA (People for the Ethical Treatment of Animals) 10)What powers Santa’s sleigh on Christmas Eve? Answer: Christmas Spirit Music Activities -In small groups, select a popular holiday song. Create a presentation of it to perform for the class or create a music video of the song with a Glee-style spin. -Buddy offers a suggestion about singing to Jovie on the skating rink. Buddy advises “Think of the joy you’ll bring if you just close your eyes and sing!” How is this piece of advice helpful to build confidence in shy singers? What are other helpful ideas for shy singers? -Write the lyrics to a new holiday song! Imagine what happens in Elf Part II or compose a number about your favourite traditions of the holidays. Visual Arts Activities* *for fun, play the music of Elf in the background of your classwork! -Select a scene from Elf or major event in Buddy’s story and create a comic strip about it. -Design your own poster for Elf. -Design a new set or recreate the set on a small scale. What elements would you feel are important to include? -Pick a theme from Elf and explore it in a painting or drawing. -Create a photo collage reflecting the cultural/political climate of NYC in 2013. -Designer Bill Layton looked to the fashion of Norway and New York for his inspiration of Elf costumes. Examine current fashion of Norway and New York. With that in mind, redesign costumes for an Elf character of your choice. -Make a snowflake! Visit http://snowflakes.barkleyus.com/to help you create and test your template before you cut it out of white, blue, and silver paper! Dance Activities -Turn your classroom into a winter wonderland. Play The Nutcracker Suite by Tchaikovsky, encouraging your students move about the space in two contrasting ways: the graceful skating rink Rockefeller Centre vs. the hustle and bustle of New York City streets OR the peaceful falling snowflakes of the North Pole vs. the rapid busy elves in Santa’s workshop! *Hint for primary classes: hand out silk scarves for the young students to help express their interpretations of the music. The Grand Theatre Study Guide: Elf2013H14 Season Page 10 -Enjoy an elf slipper dance class! Invite your students to bring in big slippers to dance in! Look at traditional folk dancing of the northern countries for ideas to lead your class. -Write critically about the elements of dance from the performance of Elf that you attended at The Grand Theatre. Consider the choreography, genre of dance, use of space, use of movement vocabulary, choreographic intent of the work, theme, overall effect of the pieces, costume design, lighting, incorporation of props, technical ability of the dancers, emotions/feelings evoked. Compare and contrast your review to other theatre reviews and comments of Elf. -In groups, re-choreograph a dance to a chosen song from Elf. Drama Activities -Divide into groups and create tableaux of scenes from the play. Arrange these in order and perform, turning classroom lights dim and then on for each transition; it adds to the magic! -Choose a character from Elf and create a biography, using real and imagined information. Use this biography to create monologues to be performed. -Imagine an alternate ending to the plot of Elf. Write and act it out. Or perform it as a mime! -Offer students a chance to explore their favourite lead, supporting, or ensemble role from Elf: -How would a Macy’s worker describe work and life in New York before and after Buddy arrived? -Imagine being an elf in Santa’s workshop and growing up with Buddy –What were the challenges and benefits of having a tall non-elf in the North Pole? -Pretend that you are Buddy’s father or stepmother or brother and give an account of the changes Buddy made from his first arrival to NYC until now. -Write a review of the Elf performance you attended. Include a synopsis, themes, and critique of the theatrical elements production (direction, acting, lighting, set, costume, music). Consider including why certain songs and scenes were highlighted. Compare your review to other theatre reviews and comments of Elf. English/Language/ Writer’s Craft Activities -As one of the characters, write a letter to someone who is absent to let them know what is going on in New York City. For example Emily might write to a friend, Michael might write to a school teacher, Walter might write to a fellow businessman. -In groups, research the genre of children’s literature featuring adolescents and power of belief. How does Elf fit into this category? -Have your students pitch a book idea! What holiday story would be the next best seller? Have them create a story board of their idea! -A common theme in holiday stories is transformation (For example, A Christmas Carol, It’s a Wonderful Life, Miracle on 34th Street, The Nutcracker, The Grinch). In Elf, Buddy’s arrival prompts a change in Walter. Write your own holiday story about transformation. The Grand Theatre Study Guide: Elf2013H14 Season Page 11 -Another popular theme in holiday stories is ‘unlikely heroes’. In Elf, the heroes are Walter’s kids, include the most unlikely hero. Compose a new holiday hero story. (Stuck for an idea? Begin with a most unusual title: The ________ that Saved Christmas.) Canadian and World Studies –Draw a topographical map (overhead view) of Manhattan Island, New York City. Include the locations that are mentioned and represented in Elf. -Make a map from The North Pole to New York City, marking the route that Buddy might have taken. Did you include the three Ontario cities spotted during Buddy’s trip? -What NYC places and sights are represented in Elf? Choose one of these places and research its history and interesting facts, then draw, or create a model of it! Social Sciences and Humanities - How does Buddy share his upbeat and positive spirit with others? What are first and final reactions by the people of New York City? -Brainstorm pros and cons of a cheerful optimist and the same for negative realist. Can you find any research to support your thoughts? -Consider the fact that Buddy is on the outside. He doesn’t fit, figuratively or literally, in The North Pole. He has strong beliefs that are not shared by the people of New York City. By the end of Elf, Buddy’s open, giving, and infectious spirit has changed the people of NYC. Have students write a personal reflection on why we as humans create masks, shields, and layers to seemingly protect ourselves even when deep down we might all want to believe. -In groups, discuss the importance of belief for an individual, community, or culture. Can you relate this to Santa’s plight in the story of Elf? Suggested Resources New Line Cinema Film Elf (2003) Written by David Berenbaum, Directed by Jon Favreau Starring Will Ferrell, James Caan, Bob Newhart. The Grand Theatre Study Guide: Elf2013H14 Season Page 12 Theatre Etiquette 1. Are food and drinks allowed in the theatre? No, only bottled water will be allowed in the house. The reason we do not allow food or drinks inside the theatre is because spillage can harm the seats and noise can distract the actors and audience during the performance. For most shows there is usually a 20-minute intermission. Students are able to buy a snack or drink at that time and consume them in the lobby. 2. Can I bring my camera and take pictures? Picture taking and/or recording are not allowed inside the theatre. In addition, it’s important all beepers, cell phones and assorted noise makers are turned off during the performance. 3.Is there a dress code for theatres? There is no dress code for either our MainStage or McManus productions. While some patrons like to dress up, patrons can wear whatever is comfortable. 4. Why aren’t audience members allowed to talk to each other while watching a play? Talking can be distracting to other audience members and also distracting to the actors who want to give the best possible performance. 5. What happens if I arrive late? Late arrivals will be required to wait in the lobby until an appropriate break in the show so as not to disturb the actors or the rest of the audience. 6. What if I have to leave my seat in the middle of a performance? Of course there will be times when you must leave your seat, but we hope you’ll make every effort to stay seated until the intermission. Movement in the audience disturbs the actors and other audience members. If you must leave, please wait for an appropriate break in the show (i.e. scene changes). 7. What happens if a person is misbehaving during a performance? If a person is disruptive to other audience members around them during a performance they may be asked to leave by an usher or our front of house manager. 8. When should I be back in my seat after intermission? Please return to your seat at the end of the 20-minute intermission so that we don’t continue the show without you. The lobby lights will flash to let you know when the intermission is coming to an end. The Grand Theatre Study Guide: Elf2013H14 Season