Document 6493696
Transcription
Document 6493696
Name How to care for Your stringed Instrument (l) fi \\[., llil ',''--llil U il[ fl The bow Violin Storing and Resting .the Instrument The best way to prevent an expensive repair is to always remember that your instrument is made of very thin wood. A good case will give your instrument some protection when it is being carried or transported' Be sure to use a case that fits your instrument well' Your case should have a soft lining and some padding. Cello and bass bags are much lighter io .utty than wooden or fiberglass cases but they do not provide as much protection for the instrument. Never set the cello or bass down hard or suddenly when it is in a bag' When you aren't playing your instrument, keep it in its case and make sure that the latches are securely fastened. The best way to leave a cello case is on its side. lf you leave it standing up, it is easy to knock over, and damage can be sustained even when the cello is in its case' to avoid extreme temperatures and humidity. ln summer a car can get Be very careful O 1992 f . Weston Walch, Publisher Cello very hot very quickly. The trunk of a. car can in summer to melt the varnish' get hot "norgh frack the top, or loosen the glue that holds the instrument together. lf you have air conditioning in yor, .ui, the back seat is a safer place for your instrument to travel. In winter, dry cold air can cause cracks. Use a humidifier in the roorn where you keep your instrument' Keep it in away from heating vents. There are products repair shops to help keep the humidity in your initrument case. lf you live in a dry winter climate, you should use them. During breaks in rehearsal or practice, try to put youi instrument back into its case' lf this is not possible, place the cello and bass so that the bridge is noi likely to be bumpgd' lf placed on the floor, the instrument should rest on its path side with the bridge turned away from the of greatest traffic.lf the bass is placed upright in i corner, the bridge should be.turned toward the walls. Never leave a bass leaning on a chair with the upper ribs leaning on the chair How to Care for Your Musical Instrument luaun&sul lwlsnw tnoL ro! ate) ol rvroH 'rPeB eql o] perrelsuerl eq llr/!\ {;1af unalorled aql'paulnl st 8ed aq} sV'Morf,s qf,pe uo {11af unagorlad;o }unouie 11er-us e Surg -1nd {q el!q/v\ E ur of,uo pa}ef,lrqnl oq plnoqs s8ad aurqreyl 'uosradrrBdel e {q pa11r;a.r eq ot a^Eq {eur {aql pe}}!} r(lpeq ale sSed ;1 18u;11ey uo.r; lsod punos orll dael o1 qrlld leau s8urlls earql raqlo eqt daa) 'a1oq 8ad oql olu! arnlxrur slql IroM'Llloll e ro sraSup' rll!/!r 8ad aql o1{ldde uaq} pup lla/v\ xrtu '11eqr Jolpue ursol poJapttod euos 'deos ,o Jeq {ue uro.r,t deos a1u11 e adeles 'Ilesserau 1; 18ed aql uo aulqs aql #o e)el'loo/vr laals ou4 .ro .radedpups oull ql!/\ uraql u€al) puu eurl e le euo uaql a^ouer ';;ert l!,tlnq Surddr;s e.re s8ad y1 'xoq 8ed eql ro saprs r.;}oq 1e Snus ele {aql leql os panr} {;radord eq plnoqs s8a6 'atr!l P le ouo uraql a8ueqr 's8ur.r1s aql Sur8ueqr uaq1l 'dn -pllnq slql of,npa.r og sd;aq,(e1d no{ atur} r{f,pe s8ur.rls aql Eutdlnn ?ea/v\ p o)uo ltpuqtunql B rll!/!\ #o paderrs aq upf, s8ul.rls aql uo palplnu -nf,f,P sPq lEql ulsou 'luetunJlsul oql uo qsluJs^ aql uor, {erttu 1da1 eq }snur lor{orlp aq} }nq 's8u1.r1s aql uor, ursoJ pup'ugp'asear8 anoua.r llr/!r loqolle ur peddrp r{}o;r y're8uo; ream sSur.rls ueel3 '{er; {eql uaqiv\ Jo aslpl oruof,eq ,(aql uaqrvr parelda.r aq lsnu s8ur.r15 sta; pue stultts ar4 'uosradrrBder urloln e {q A;alerpauulr pa.uede.r eq plnoqs 11 'esoo1 sauo) lsod punos aql Il 'luetunJlsu! ue urnr {1rsea uef, urpr}s aq1'lsod punos e lnoql!/rA luetrlnJFu; aqr {e1d JeAaN 'aSprrq aql uo ;1nd aqr a^allar d;aq ;lrm pue {;qtoolus aplls o1s8urlls aql dgaq llyvr a8p;.rq aql,o sall)lou eql u! allqde.r8 a;rr;1 y'aregd olu! )f,eq pe^ou aq uef, aSpr.rq aql,o reqsllqnd 'qrp6 uorsa714 .f Z66t @ dol aql lpql os s8urrls ar{} }o uorsua} aq} uasool ol a^eq lq8lu nol 'plervuol re, ool pa11nd uaoq s€q atprrq aql 'squnql tno^ Sursn areld olu! If,eq 1r eSpnu ,(llua8 'l 'plenuo; pa11nd uaaq seq a8pr.rq aql ll 'luauntlsut aql lo do1 aql qlli!\ al8ue lq8;.r e urrol plnoqs aSpr.rq aql epls arardlrel aql 'lueunrlsu! aql ol aSetuep pue 8u1.r1s 'o snorJas esnpf, ue) uotsuol s!ql ueqM'lol lo esealar ueppns eql'suaddpq^poq -ue) eql ur learq {;;enguana 1;rrvr a8pr.rq padlent ro ]uoq ,(lpeq y'Sulpuaq lo SuldleM 1ou lprll ernsue ol uauo a8prrq aql )laqf s! t! tsod punos, pue atpug drll 'qsrlod ;ro poo8 p qllm lea{ e a)!/v\} Jo a)uo paqsrlod eq plnoqs poo/!\ aql'luaunrlsut aql lo qstuu eql aSur.uep uEf, pueq oql uo slro pue uorler -rdsled aql'lf,ou sl! utlo!^ p alpueq s{ervr;y 'luaunrlsu! aql lo^qqs!uJs^ oql ql!/!A lf,eluo) olu! euof, lou saop raupal) aql leql lnrelpf, fiaue4xa aB 'Jeupel) utloll Jo lunoue lleuls e ql!/vl pauaduep qlolf, uos p ql!/\^ {1leuors -ef,f,o paupalf, aq ue) sSut.rls pue p.reoqlaSug; eql'luounrlsu! aql;o dol er{} pue 'p.reoq -.re8ur1 's8ur.r1s aql uIoJ,lsnp ulsoJ ;;o adrrvr ol qlolJ Uos e asn '{e1d no{ arull qteg lud|44/n4sul aqt tu1uea13 ';1es.rno{ tdualle plnoqs no{ teqt llede; p }ou s! slql '{;alerpaururg uosledtleder e o} }! a)el 'lueur -nJlsur .rno{ ug $l)erf, {uu errlou no{;1 'lueunrlsug .rno{ }o }no }snp aq} dael dlaq ll!/v\ aaJl lsnp esp) aql Surdaa) 'esef, lno{ }no unnJen lea{ e satu!} lplanas '}ueunJ}su! oq} a8eurep uBr sreded uoJl aJnssard aq1 'aset luaunJlsul .rno{ o}ur f,rsntu ueJf, }ou 06 'raplnoqs aql lP go 1r;ds lq8rur )f,eu aql'uo;11sod slql urorl llel sspq aql ll 'luas (ll) luaunrlsul patulrls rno1 rol are1 ol /noH elec eureN Name How to Care for Your Stringed lnstrument (lll) keep it clean and free of materialthat can damage the hair. The bow hair should be tightened when the bow is being used. Always loosen the bow hair when it isn't being used, leaving just a slight tension. The Bow The bow hair should be clean and fresh and should be rehaired occasionally. Always keep your fingers off the bow hair. Use a good quality rosin frequently. Hold the rosin in one hand. With the bow in the other hand move the hair across the top or corner of the rosin. To provide equal distribution of the rosin over the hair, make sure the hair moves slowly, evenly, and steadily over the rosin. Use only a little. Supplies Needed to Care Stringed Instrument Too much rosin makes a gritty sound. Not enough rosin keeps the hair from engaging properly. Carry the rosin in a plastic bag to O 1992 J. Weston Walch, Publisher 32 for the 1. Soft cloth 2. Violin cleaner 5. Alcohol 6. Petroleum jellY 3. Oil polish 4. Graphite 7. Rosin B. Chalk How to Care for Your Musical Instrument lueunr$ul lwlsnw tnot toJ aJeS ol t oH u!q] 'o uasool .N JP) e lo lunJl .W ') a1rqde.r8 '1 s8ulrp puE If,UJf, 'l 'l sarnleradtley ,o appu sr et raqsrlqnd'qrle6 uolsaM'[ 1.66L @ 'eJpf, rllr/![ ]r elpupr{ pue 'poonr luatunrlsur rno{ }eql Jaquaual s^e/!\lv 's!ql ql!/v\ et!q/v\ E u! af,uo sEed aurqreu ate)lrqnl -'91 -nJ1su! 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Ja/vlsuP paJtof, aql LlllAA uutnlol ual aql u! enlf, qf,ea q)lew :suolpaJto fu11) luaunrlsul patuyls rno1 rot arp) ol /noH atueN