Influence of Foreign Movies on Cultural Practices among
Transcription
Influence of Foreign Movies on Cultural Practices among
Influence of Foreign Movies on Cultural Practices among Undergraduates in Selected Universities in Nigeria PhD Pre-Field Presentation By Ebony Olatunde Ola OKETUNMBI (PG/11/0232) Supervised by Professor Anjuwon J. Akinwande Babcock University, Ilishan-Remo, Nigeria 30th January 2014 Observing Contemporary Undergraduates in Nigerian Universities: (evidences of, in alphabetical order) *Casual sex indulgence + *Contempt for constituted authorities + * Disregard for due process + * Disdain for elders + * Imported dress code + * Inclination to aggression + * Love of ‘the easy life’ + * Mimicking of foreign role models + * Strange manners of speaking + * Unwholesome attitudes to work = ??? Authority (Cont.): Daine (2006) “Student’s exposure or lack of exposure to foreign films influences their beliefs about other cultures.” Sokale (2007) “The culture of violence in foreign movies culminate in proportional violent acts by teenagers in Nigeria.” DNR Syed (2010) “Television is an electronic carpet which seems to transport millions of persons each day to far off places.” 1.2 Statement of the Problem Scholars have incessantly and consistently indicted foreign movies of viewers’ enculturation to the detriment of local cultures. They claim that foreign movies sometimes culminate in undesirable changes in cultural practices among members of particular cultures. Empirical studies, such as Semiu (2011), support the indictment and reveal that “Western films significantly influence the attitudes and general lifestyles of Nigerian youths since most of them cannot resist the contents of foreign films and they practice Western values promoted in Western films at the expense of native cultures.” 1.2 Statement of the Problem (cont.) The Daniel Ohikhena aeroplane stowaway saga is a fresh evidence that frequent exposure to foreign movies undeniably influences behaviour. However, there is inadequate research attention on the influence of foreign movies in stimulating undesirable cultural changes among specific demographic components of Nigeria. Since cultural imperialism poses serious challenges to the purity and sustainability of the Nigerian culture, research efforts in that direction is imperative. Therefore, this study proposes to investigate the role of foreign movies in cultural practices among undergraduates in the country. 1.3 Objectives of the Study General objective: to determine the influence of foreign movies on cultural practices among undergraduates in Nigeria. Specific objectives: 1,2,3,…8 as follow. 1.3 Objectives of the Study (Cont.) 1. To determine the types of foreign movies undergraduates in Nigeria prefer and why; 2. To determine the predominant themes in the types of foreign movies undergraduates in Nigeria prefer; 3. To determine the predominant dramatis personae in the types of foreign movies undergraduates in Nigeria prefer; 4. To determine whether undergraduates in Nigeria are heavy viewers of foreign movies; 5. To determine whether frequency of exposure to foreign movies influences dress code, speech mode, and adoption of behavioural role models among undergraduates in Nigeria; 6. To determine whether frequency of exposure to foreign movies stimulates violence among undergraduates in Nigeria; 7. To determine whether undergraduates in Nigeria prefer foreign cultural practices and why; 8. To determine whether there is a correlation between frequency of exposure to foreign movies and cultural practices among undergraduates in Nigeria. DNR 1.4 Research Questions 1. Which types of foreign movies do undergraduates in Nigeria prefer and why? 2. What are the predominant themes in the types of foreign movies undergraduates in Nigeria prefer? 3. What are the predominant dramatis personae in the types of foreign movies undergraduates in Nigeria prefer? 4. Are undergraduates in Nigeria heavy viewers of foreign movies? 5. Does frequency of exposure to foreign movies influences dress code, speech mode, and adoption of behavioural role models among undergraduates in Nigeria? 6. Does frequency of exposure to foreign movies stimulates violence among undergraduates in Nigeria? 7. Do undergraduates in Nigeria prefer foreign cultural practices and why? 8. Is there a correlation between frequency of exposure to foreign movies and cultural practices among undergraduates in Nigeria? 1.5 Research Hypotheses H0 1: Foreign movies do not influence cultural practices among undergraduates in Nigeria. H0 2: There is no correlation between frequency of exposure to foreign movies and cultural practices among undergraduates in Nigeria. 1.6 Significance of the Study Useful reference material to parents and guardians who are concerned about the continuity of their cultural heritage. Contribution to knowledge on mass media contents effects. Encourage reviews of the status of the NBC Code and its stipulations on local-foreign content. Inspire other mass media scholars to study the influence of foreign movies on other populations. 1.6 Significance of the Study (Cont.) Motivate bureaucrats and policy makers to work concertedly towards sustenance of beneficial aspects of Nigeria’s cultural heritage and elevation of the country’s movies industry to worldclass standards. Offer counsellors and authorities a deeper insight into the sources of influence of students’ behaviours. Promote the enforcement of the NBC Code as it pertain to movies. Remind stakeholders in Nollywood to find and attain the means of minimizing the competitive edge of foreign film industries. Shed more light on the roles of foreign movies in the cultural transmission and cultural imperialism processes. 1.7 Scope and Limitations of the Study Scope: Investigation of the influence of the independent variable, foreign movies, on the dependent variable, cultural practices (predominant dress code, language preference, worldview, conduct towards elders, subjects of conversations, and manners of speaking) among undergraduates in selected universities in Nigeria. Limitation: 1.Study environment (Academic, not social, religious, home) 2. Univariate, not multivariate (individual differences, social categories, ignorance, upbringing, and peer influence) Univariate study = Measures interplay Single dependent variable + Single independent variable Multivariate study = Measures interplay Multiple dependent variables + Single/multiple independent variable(s) 2.1 Theoretical Framework 1. Cultivation theory 2. Cultural imperialism theory 3. Theory of mass media hegemony Postulation of Cultivation Theory: Simulation of reality on television proportionately influences perception of reality among heavy viewers. The longer the period of exposure to the world as portrayed on television, the more closely one would take television as a true mirror of reality. Relevance: If true, it is likely that frequent portrayal of Western culture as the ideal life in foreign movies will influence undergraduates preferred cultural practices. It influenced the RQs 5, 6, 7, and 8. Postulation of Cultural Imperialism Theory: Powerful nations and economies culturally invade less powerful countries and consequently impose foreign practices on local cultures. Relevance: If true, the theory suggests that undergraduates in Nigeria may be under a cultural siege due to pervasive exposure to foreign movies mediated Western culture. It influenced RQ 8. Postulation of Theory of Mass Media Hegemony: In a capitalist society, the elites dominate social subordinates based on consensus by both classes. Relevance: If this is true, then undergraduates in Nigeria may be unwittingly ‘consenting’ to the domination of foreign movies mediated Western culture despite the threat to the purity and sustenance of the local culture. It influenced RQ 7. 3.1 Research Design Based on triangulation, Research design = Descriptive survey + Analytic survey + Content-analysis + Observation methods. Triangulation: Borrowed concept from marine navigation where using more than one reference point or signal source enabled navigators to pinpoint an object’s exact location. Authority: Wimmer and Dominick 2011: 49; Osuala 2005: 183; Merrigan and Huston 2004: 50 3.1 Research Design (Cont.) Relevance: It is “...the use of both qualitative methods and quantitative methods to fully understand the nature of a research problem” and “...supplementing observational data with data gathered by other means.” (Wimmer and Dominick, 2011: 49, 126) 3.2 Populations of the Study Primary Population: 1.6 million undergraduates in public and private universities located in Nigeria Secondary Population: All types of Hollywood/European movies popular among undergraduates in Nigeria 3.3 Samples Sizes From Primary Population: 1,250 undergraduates in Nigeria From Secondary Population: 20 most popular Hollywood/European movies among undergraduates 3.4 Sampling Techniques For Primary Population: Multi stage proportionate cluster sampling Determining Proportion and Cluster ? Sampling Tools: 1. Sampling Frame 1 (NUC Federal) 2. Sampling Frame 2 (NUC State) 3. Sampling Frame 3 (NUC Private) 4. Balloting Bag/Number Table 3.1 Distributions of Universities in Nigeria by Ownership Type Ownership Type University Type and Frequency Generalist Total Specialist Federal 22.5% (n = 29) 8.5% (n = 11) 31.0% (n = 40) State 20.9% (n = 27) 8.5% (n = 11) 29.5% (n = 38) Private 37.2% (n = 48) 2.3% (n = 3) 39.5% (n = 51) Total 80.6% (n = 104) 19.4% (n = 25) 100% (N = 129) Therefore, ownership ratio of federal: states: private generalist universities in Nigeria = 29: 27: 48 = 1:1:2. Source: Researcher’s analysis of data obtained from the National Universities Commission (NUC)’s website. Table 3.2 Sampling Process in the Study Stage 1 Sampling Activity Adoption of three university clusters according to ownership types of federal, states, and private with the aid of sampling frames 1, 2, and 3. 2 Selection of 10 universities by proportionate cluster sampling in the current federal: states: private ownership ratio of 1:1:2. 3 Selection of 125 respondents from each of the 10 selected universities by simple random sampling. Thus, sample size = 125 respondents × 10 universities = 1,250 Source: Researcher’s conceptualization of sampling process in the study 3.4 Sampling Techniques (Cont.) For Secondary Population: Purposive sampling technique by simple frequency analysis 3.5 Research Instruments 1. Structured questionnaire (Survey) 2.Structured code-sheet (Content-Analysis) 3. Structured observation-guide (Observation) 3.6 Validity and Reliability of Research Instruments Questionnaire: Two consecutive pilot-tests on a test and re-test basis among 5% (n = 63, N = 1,250) of primary respondents. Observation-guide: Test and re-test among 5% (n = 63, N = 1,250) of primary respondents. Code-sheet: Test and re-test on popular movie genres 3.7 Administration of Instruments/Data Gathering Procedure Questionnaire: Self-administration in each of selected 10 universities Observation-guide: self-completed based on observations of the respondents’ behaviours Code-sheet: self-completed based on analyses of contents of respondents’ foreign movies preference 3.8 Methods of Data Analysis Tools: *Statistical Package for Social Scientists (SPSS) *Chi square statistics *Simple percentages *Cross-tabulations Presentation: pie-charts, bar graphs, et cetera
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