catalog

Transcription

catalog

Art
Design 25 February 2016 noon cst
Chicago 1440 W Hubbard St
Auction Preview
18 – 25 February 2016
10 am – 4 pm Monday – Friday
12 – 4 pm Saturday
Sunday by appointment
New York 980 Madison Ave
Selections from the Auction 4 – 25 February 2016
11 am – 6 pm Tuesday – Saturday
Wright
Chicago
New York
wright20.com
Art
Design 25 February 2016 noon cst
Chicago Auction Preview 18 – 25 February 2016
New York Selections 4 – 25 February 2016
101
Wendell Castle
Molar coffee table
USA, 1969/2007 | R 20th Century | gel-coated reinforced plastic, rubber
38 w × 33 d × 23 h in (97 × 84 × 58 cm)
Signed, dated and numbered with applied manufacturer’s mark to underside
‘Castle 07 Molar R 1/25’. This work is number 1 from the edition of 25.
$10,000 – 15,000
Literature Wendell Castle: A Catalogue Raisonné 1958 – 2012, Eerdmans,
pg. 74 Wendell Castle: The Black Edition, exhibition catalog, unpaginated
100
Enrico Castellani b. 1930
Estroflessione
1968 | molded plastic | 11 ¾ h × 11 ¾ w in (30 × 30 cm)
This work is from the edition of 1000 published by Achille
Mauri Editore, Milan.
$2,000 – 3,000
102
Henri Mathieu
floor lamp
France, c. 1970 | aluminum | 7 dia × 40 h in (18 × 102 cm)
$1,000 – 1,500
103
Vija Celmins b. 1938
Ocean with Cross #1
2005 | lithograph on paper | 17 ½ h × 22 ½ w in (44 × 57 cm)
Signed and numbered to lower margin ‘RP 10/10 V. Celmins’.
This work is number 10 from the edition of 10 aside from the edition of 108.
$7,000 – 9,000
Provenance Wright, Post War + Contemporary Art,
26 February 2009, Lot 139 | Private collection, Chicago
104
Sol LeWitt 1928 – 2007
Folded Paper
1 05
Sol LeWitt 1928 – 2007
Irregular Horizontal Bands, Black and Gray
1971 | folded paper | 9 ¾ h × 13 ¾ w in (25 × 35 cm)
2003
Signed and dated to lower right ‘Sol LeWitt Milan 7-71’.
gouache on paper
$15,000 – 20,000
22 ½ h × 30 w in (57 × 76 cm)
Literature Lo Spirito dell’Arte: Opere Contemporanee dalla Collezione
Carlo Cattelani, Castello di Formigine exhibition catalog, unpaginated
Exhibited Lo Spirito dell’Arte: Opere Contemporanee dalla Collezione Carlo
Cattelani, 20 December 2007 – 24 February 2008, Castello di Formigine, Modena
Provenance Cattelani Collection, Modena
Signed and dated to lower right ‘S. LeWitt 03’.
$30,000 – 50,000
Provenance Private collection, Chicago
106
Nick Cave b. 1959
Untitled
c. 1990 | found wooden grate, blown glass, nails, hair, pins and twine
9 ½ h × 30 ½ w × 29 d in (24 × 77 × 74 cm)
This early work is materially aligned with the artist’s work today.
Found objects and assemblage continue to inspire his work.
$10,000–15,000
1 07
Nick Cave b. 1959
Tondo
2009–2011
mixed media including beaded and
sequined garments, fabric and wood
84 dia × 2 ¼ d in (213 × 6 cm)
This work is unique.
$30,000 – 50,000
Provenance Commissioned directly
from the artist by the present owner
108
Ettore Sottsass
Svincolo lamp from the Bau. Haus Collection
Italy, 1979 | Studio Alchimia | laminate, chrome-plated steel,
colored fluorescent tubes | 24 ½ w × 17 ¾ d × 99 ½ h in (62 × 45 × 253 cm)
This lamp is from the edition of 7 produced by Alchimia for the Bau.
Haus Collection. The work features the Abet-print laminate designed
by Paola Navone. Lamp retains its original red fluorescent bulb.
$3,000 – 5,000
Literature The Italian Lamp: 1945 – 1985: A Collection, exhibition catalog, pg. 95
Studio Alchimia: Bau. Haus Art Collection, studio catalog, 1981, unpaginated
Ettore Sottsass Jun.: Designer, Artist, Architect, Höger, pg. 94
Exhibited The Italian Lamp: 1945 – 1985: A Collection, 10 October – 15 November
1985, Furniture of the Twentieth Century, Inc., New York
109
Tom Friedman b. 1965
Untitled
1997 | inkjet print on Arches 88 paper | 21 h × 25 ¼ w in (53 × 64 cm)
Signed and numbered to reverse ‘Tom Friedman P/P III/IV’.
This work is printer’s proof number 3 from the edition of 4.
$2,000 – 3,000
Provenance Phillips de Pury & Luxembourg, New York, 3 January 2004,
Lot 659 | Private collection
110
Ico and Luisa Parisi, attribution
bar cabinet
Italy, c. 1955 | lacquered wood, chrome-plated brass
25 dia × 42 ½ h in (64 × 108 cm)
This polyhedron-shaped bar features three doors concealing storage.
$7,000 – 9,000
111
Valerie Jaudon b. 1945
Carrollton and North Carrollton (two works)
1979 | oil on canvas | 18 h × 18 w in (each)
Signed, titled and dated to verso of each work ‘Valerie Jaudon 1979’.
$5,000 – 7,000
Provenance Holly Solomon Gallery, New York
Private collection, New Mexico
112
Jim Dine b. 1935
Plant Becomes a Fan
1963 – 1973
cast aluminum
26 ¼ h × 15 ½ w × 13 d in (each)
Signed, dated and numbered to base of each element
‘Jim Dine V Jim Dine 1963 – 73’. This work is number
22 from the edition of 26.
$20,000 – 30,000
Literature Jim Dine: The Alchemy of Images, Livingstone,
pg. 135 Jim Dine: Painting What One Is, Shapiro, pg. 141
116
Tejo Remy and René Veenhuizen
prototype Concrete Bench
The Netherlands, 2012 | poured concrete | 31 ½ w × 18 ¾ d × 21 ¾ h in (80 × 48 × 55 cm)
This work is a prototype for the ’t Stekje: Concrete Furniture project.
The bench was created using Remy and Veenhuizen’s Soft Molding
technique where concrete is poured into flexible, textile molds.
$2,000 – 3,000
113
Arthur Siegel 1913 – 1978
Untitled
1977 | photogram | 20 h × 16 w in (51 × 41 cm)
Signed and dated to verso ‘2/77 photogram Arthur Siegel 1977’.
$500 – 700
114
Frederick Hammersley 1919 – 2009
Jelly Centers
1969 | computer-generated ink drawing on paper | 9 ½ h × 11 ½ w in (24 × 29 cm)
Signed, titled and dated to lower edge ‘F. Hammersley Jelly Centers 3/2/69’.
Signed with applied studio label to verso ‘Frederick Hammersley’.
$3,000 – 5,000
Provenance Acquired directly from the artist by the present owner
115
Andy Warhol 1928 – 1987
To Shoe or Not to Shoe (from the À la recherche du shoe perdu portfolio)
c. 1955 | offset lithograph with hand coloring on paper | 10 h × 14 w in (25 × 36 cm)
This work is from the unnumbered edition of approximately 100 printed by Record
Offset Corporation, New York and published by the artist. Sold with a certificate of
provenance issued by The Andy Warhol Foundation for the Visual Arts and Christie’s.
$5,000 – 7,000
Literature Andy Warhol Prints: A Catalogue Raisonné 1962 – 1987, Feldman
and Schellmann, pl. IV.74B, pg. 336
Provenance Andy Warhol Foundation, New York | Private collection, New York
117
Larry Fink b. 1941
Carlos and Tom, New York 1981
1982 | gelatin silver print | 11 ½ h × 18 ¾ w in (29 × 48 cm)
Signed and dated to verso ‘Larry Fink 82’.
$500 – 700
118
Larry Fink b. 1941
Hungarian Ball, New York 1978
119
Andy Warhol 1928 – 1987
Pool Party
1978 | gelatin silver print | 14 ¼ h × 14 ¼ w in (36 × 36 cm)
1986 | stitched gelatin silver prints | 11 h × 14 w in (28 × 36 cm)
Signed, titled and dated to verso ‘Larry Fink Hungarian Ball NYC 1978’.
Sold with a certificate of provenance issued by The Andy Warhol
$500 – 700
Foundation for the Visual Arts and Christie’s.
$15,000 – 20,000
Provenance Andy Warhol Foundation, New York
Private collection, New York
120
David Salle b. 1952
Pointing
1996
oil and acrylic on canvas
84 h × 120 w in (213 × 305 cm)
Signed, titled and dated to verso ‘David Salle Pointing 1996’.
$80,000 – 120,000
Literature David Salle, Galeria Soledad Lorenzo exhibition catalog, ppg. 14 – 15
Exhibited David Salle, 11 April – 11 May 1996, Galeria Soledad Lorenzo, Madrid
Provenance Private collection, New York
121
David Salle b. 1952
Lost Barn Process
1985
oil and acrylic on canvas | 90 h × 100 ½ w in (229 × 255 cm)
$80,000 – 120,000
Literature David Salle, Kardon, pg. 79 David Salle, Fundación Caja
De Pensiones, no. 9, pg. 83 New York Magazine, 21 September 1991,
pg. 40 David Salle: 1979 – 1994, Liebermann, no. 60, pg. 143
Exhibited David Salle, October 1986 – January 1988, Institute of Contemporary
Art, Philadelphia (exhibition traveled to Whitney Museum of American Art, New
York, Museum of Contemporary Art, Los Angeles, Art Gallery of Ontario, Toronto,
Museum of Contemporary Art, Chicago) David Salle, September 1988 – April
1989, Fundación Caja De Pensiones, Madrid (exhibition traveled to Bayerische
Stgaatsgemäldesammlungen, Munich, Tel Aviv Museum of Art, Tel Aviv) New
York Expression, 15 February – 28 April 2002, Kunstmuseum, Bergen
Provenance Mary Boone Gallery, New York | Robert and Adriana Mnuchin,
New York | Pentti Kouri, New York
Vassilakis Takis and the following works exhibited
at Galerie Krikhaar, Amsterdam in 1967.
“The only vision I ever had of magnetism was during a
conversation with Takis (...) in his studio, looking at his little
metal cones hummingly waveringly pulled by like wires straight
at their little magnet fathers: and he, Takis, explained to me that
the stars were all pulled together with myriad thin invisible wires
of magnetism radiating from every star to every other star.”
— Allen Ginsberg
124
122
123
122
Vassilakis Takis b. 1925
Boule
1967
painted wood, Plexiglas, electromagnet, nails
21 ½ dia in (55 cm)
$15,000 – 20,000
Literature Galerie Krikhaar 1963 – 1988, Stork, ppg. 61, 114
Galerie Krikhaar, Uschi, unpaginated Takis, exhibition catalog, cover
Exhibited Takis, 17 November – 16 December 1967,
Galerie Krikhaar, Amsterdam
Provenance Galerie Krikhaar, Amsterdam
Collection of Herman Krikhaar | Thence by descent
123
124
Boule
Boule
1967
1967
29 dia in (74 cm)
23 ¼ dia in (59 cm)
$30,000 – 50,000
$20,000 – 30,000
126
Joe Colombo
Birillo stools, set of four
Italy, 1970 | Zanotta | stainless steel, plastic, vinyl, rubber
18 w × 22 d × 41 ½ h in (46 × 56 × 105 cm)
Signed with molded manufacturer’s mark to underside of each
example ‘Zanotta Mod. Bistro Des. Joe Colombo Made in Italy’.
$4,000 – 6,000
Literature Joe Colombo and Italian Design of the Sixties, Favata,
ppg. 76 – 77 Repertorio 1950 – 1980, Gramigna, pg. 346
125
Theaster Gates b. 1973
Untitled (Bitch, I Made This Pot)
2010 | sumi ink and gold leaf on archival paper
22 h × 30 w in (56 × 76 cm)
$1,000 – 1,500
Provenance Estate of Marianne Deson, Chicago
127
Kara Walker b. 1969
Freedom, a Fable
1997 | offset lithographs and five laser-cut, pop-up silhouettes on paper
9 ¼ h × 8 ¼ w × 1 d in (23 × 21 × 3 cm)
This work is from the edition of 4000 published by Peter Norton Family
Christmas Project, Santa Monica. Lot retains original box and Christmas card.
$1,000 – 1,500
Provenance Private collection
128
Kara Walker b. 1969
Untitled (Monkey Grinder)
2002 | screenprint on paper | 14 ½ h × 17 ¼ w in (37 × 44 cm)
Signed, dated and numbered to lower edge ‘Walker 2002 14/30’.
This work is number 14 from the edition of 30 published
by Kunstverein, Hannover.
$1,500 – 2,000
129
Richard Prince b. 1949
Untitled (Girlfriend)
1993
Ektacolor print
8 h × 5 ¾ w in (20 × 15 cm)
$50,000–70,000
Literature Richard Prince, Spector, pg. 180, illustrates variation
Provenance Glenn Horowitz Bookseller, East Hampton
Private collection
130
Laurie Simmons b. 1949
131
Wendell Castle
Untitled
Cloud shelf
1983 | c-print | 36 h × 29 ¾ w in (91 × 76 cm)
USA, 1969/2007 | R 20th Century | gel-coated reinforced plastic
Signed, titled, dated and numbered to verso ‘Laurie Simmons
66 ½ w × 19 d × 15 h in (169 × 48 × 38 cm)
Untitled #2 1983’. This work is number 2 from the edition of 5.
Signed with applied manufacturer’s mark to reverse ‘Castle 07 1/50 Molar’.
$5,000–7,000
This work is number 1 from the edition of 50.
$4,000 – 6,000
Literature Wendell Castle: A Catalogue Raisonné 1958 – 2012,
Eerdmans, pg. 75 Wendell Castle: The Black Edition,
exhibition catalog, unpaginated
132
Jeff Koons b. 1955
Dom Pérignon Balloon Venus (Magenta)
2013
polyurethane resin
19 ½ h × 13 ¾ w × 18 d in (50 × 35 × 46 cm)
Signed to interior ‘Dom Perignon Balloon Venus by Jeff Koons’.
This work is from the edition of 650 plus 40 artist’s proofs.
Sold with original booklet and custom flight case.
$30,000–50,000
133
Karen Kilimnik b. 1955
Bewitched
1995 | acrylic on canvas | 17 ½ h × 22 ½ w in (44 × 57 cm)
Signed and dated to verso ‘Karen Kilimnik 1995, June 9 95’.
$30,000 – 50,000
Literature Lo Spirito dell’Arte: Opere Contemporanee dalla Collezione
Carlo Cattelani, Castello di Formigine exhibition catalog, unpaginated
Exhibited Lo Spirito dell’Arte: Opere Contemporanee dalla Collezione Carlo
Cattelani, 20 December 2007 – 24 February 2008, Castello di Formigine, Modena
Provenance 303 Gallery, New York | Georg Kargl Fine Art, Vienna
Cattelani Collection, Modena
134
Jeff Koons b. 1955
Balloon Dog (Blue)
2002 | hand-glazed porcelain | 10 ½ dia × 3 ¾ d in (27 × 10 cm)
Numbered to applied publisher’s label to underside ‘105/2300’.
This work is number 105 from the edition of 2300 published by
the Museum of Contemporary Art, Los Angeles.
$10,000 – 15,000
135
Karel Appel 1921 – 2006
Animal
1974 | pastel, pencil and gouache on paper
15 h × 18 w in (38 × 46 cm)
Signed to lower right ‘Appel’. Signed, titled and dated
to verso ‘Appel 74 Animal’.
$7,000 – 9,000
Provenance Taglialatella Galleries, New York
International Fine Arts, Boca Raton | Private collection, Reno
136
Gebrüder Thonet
chaise, model 7500
Austria, c. 1904 | Thonet | lacquered beech, cane, steel
70 w × 26 d × 32 h in (178 × 66 × 81 cm)
$3,000 – 5,000
Literature Casa Thonet: Storia dei Mobili in Legno Carvato,
Massobrio and Portoghesi, pg. 30
137
After Niki de Saint Phalle
tapestry
1980 | woven jute | 56 h × 84 w in (142 × 213 cm)
Woven signature to lower edge ‘AP 1 Niki’. Signed with applied fabric
manufacturer’s label to upper right ‘Number AP-1 Material Jute Made
in Guatemala by Niki San Phalle’. This work is an artist’s proof aside
from the edition published by Bon Art, Guatemala.
$2,000 – 3,000
138
After Niki de Saint Phalle
tapestry
1980 | woven jute | 56 h × 84 w in (142 × 213 cm)
Woven signature and date to lower edge ‘AP Niki 80’. Signed with
applied fabric manufacturer’s label to lower left ‘A Bon-Art Product
For Export Hecho En Guatemala’. This work is an artist’s proof aside
from the edition published by Bon Art, Guatemala.
$2,000 – 3,000
Bruce Nauman, Three Part Large Animals, 1989
© 2016 Bruce Nauman | Artists Rights Society (ARS), New York Digital Image
© The Museum of Modern Art | Licensed by SCALA | Art Resource, NY
This work relates to a series of sculptures that Bruce Nauman
created between 1988 and 1989, including Untitled (Three
Large Animals), in the collection of Tate Britain and Untitled
(Three Part Large Animals), in the collection of the Museum
of Modern Art, New York. Several sculptures from this series
were on view at Nauman’s Texas Gallery exhibition in 1989.
139
Bruce Nauman b. 1941
Untitled (study for Hanging Spinning Cat)
c. 1989
ink on printed paper
11 h × 8 ½ w in (28 × 22 cm)
$15,000 – 20,000
Provenance Acquired directly from
the artist by the present owner
140
Sam Francis 1923 – 1994
Untitled
1 41
Untitled
1963 | gouache on cut-out paper | 10 h × 12 w in (25 × 30 cm)
1989 | acrylic on paper | 22 ¾ h × 32 w in (58 × 81 cm)
Signed and dated to verso ‘Sam Francis 1963’. Inscribed by studio assistant to verso ‘63-079’.
Signed, dated and inscribed to verso ‘Sam Francis For David Love Sam 1989’.
This work is identified with the interim identification number of SF63-079 in consideration
This work is identified with the interim identification number of SF89-251
for the forthcoming Sam Francis: Catalogue Raisonné of Unique Works on Paper. This
in consideration for the forthcoming Sam Francis: Catalogue Raisonné
information is subject to change as scholarship continues by the Sam Francis Foundation.
of Unique Works on Paper. This information is subject to change as scholarship
$20,000 – 30,000
Provenance Private collection, Japan | Yayoi Gallery, Tokyo | Christie’s, New York,
23 September 2005, Lot 141 | International Fine Arts, Boca Raton | Private collection, Reno
continues by the Sam Francis Foundation.
$40,000 – 60,000
Provenance Acquired directly from the artist | Estate of David Cole,
Inverness, CA | Private collection
1 42
Hans Ullrich Bitsch
Series 8600 armchairs, pair
Germany, 1982 | Kusch & Co.
chrome-plated steel, aluminum, rubber
25 ¼ w × 22 d × 31 ¼ h in (each)
$2,000 – 3,000
143
Luigi Ghirri 1943 – 1992
Modena
1973 | c-print | 7 ¾ h × 5 ½ w in (20 × 14 cm)
Sold with a photocopy of a certificate issued
by the Archivio di Luigi Ghirri in 2014.
$2,000–3,000
Literature Luigi Ghirri: Colazione sull’Erba, Galleria Fotografica
Nadar exhibition catalog, unpaginated Luigi Ghirri, Ghirri, no. 56
La Carte d’après Nature, Lange and Demand, pg. 61
Provenance Gift from the artist | Cattelani Collection, Modena
144
Michael Eastman b. 1947
Taos Revisited
1988 | c-print | 35 h × 24 ¼ w in (89 × 62 cm)
Signed, dated and numbered to lower margin
‘Michael Eastman 1/50 1988’. This work is number
1 from the edition of 50.
$1,000 – 1,500
145
Arman 1928 – 2005
Door to Confusion
1993
acrylic and paint tubes with caps on canvas
33 h × 75 ½ w × 4 d in (84 × 192 × 10 cm)
Signed to verso ‘Arman’.
$40,000–60,000
Exhibited 2002, Michelle Rosenfeld Gallery, New York
Provenance Acquired directly from the artist
Michelle Rosenfeld Gallery, New York | Private collection, New York
1 47
Salvador Dali 1904 – 1989
Castor and Pollox candlesticks, pair
1975 | silver-plate | 10 ¼ h × 7 w × 4 ½ d in (26 × 18 × 11 cm)
Signed with impressed manufacturer’s mark to base of one example
‘Salvador Dali Castor 670/2000’. Signed with impressed manufacturer’s
mark to base of one example ‘Salvador Dali Pollux 670/2000’.
This pair is number 670 from the edition of 2000.
$3,000 – 5,000
146
Robert Mangold b. 1937
A Book of Silk Screen Prints portfolio
1977 | screenprint on paper | 11 ¾ h × 27 ¼ w in (each)
Signed and numbered to one example ‘R. Mangold 30’.
This portfolio is number 30 from the edition 300 printed
by Domberger KG, Filderstadt published by Edition Domberger
and Parasol Press S.A., Stuttgart.
$1,000 – 1,500
Sherrie Levine’s Sons and Lovers is from a suite of
thirty-six drawings featuring pairs of silhouetted busts
appropriated from coins and wig advertisements.
Presented in a variety of scales and configurations,
the repetition of these banal images creates tension
through implied relationships and narratives.
Works from the Sons and Lovers series were exhibited
in Douglas Crimp’s iconoclastic exhibition Pictures
at Artist Space, New York in 1977. The title of the exhibition
became enshrined in the term Pictures Generation which
describe a body of works produced in the 1970s and 1980s
by artists such as Levine, Cindy Sherman, Robert Longo,
Richard Prince, etc.
148
Richard Anuszkiewicz b. 1930
Untitled
149
Sherrie Levine b. 1947
Sons and Lovers
1981 | acrylic on handmade paper | 43 h × 43 w in (109 × 109 cm)
1976 – 1977 | fluorescent tempera on graph paper | 21 ¾ h × 27 ¾ w in (55 × 70 cm)
Signed, dated and numbered to lower margin ‘Anuszkiewicz 1981
$10,000 – 15,000
4/15’. This work is number 4 from the edition of 15.For this edition,
the artist painted a small number of hand-made sheets of paper
formed in a specially designed mold.
Literature Lo Spirito dell’Arte: Opere Contemporanee dalla Collezione Carlo
Cattelani, Castello di Formigine exhibition catalog, unpaginated
Exhibited Pictures, September – October 1977, Artists Space, New York
$5,000 – 7,000
Lo Spirito dell’Arte: Opere Contemporanee dalla Collezione Carlo Cattelani,
Provenance International Fine Arts, Boca Raton
20 December 2007 – 24 February 2008, Castello di Formigine, Modena
Private collection, Reno
150
Ray Johnson 1927 – 1995
Untitled (Dear Keith Haring)
1983 | ink on paper | 11 h × 8 ½ w in (28 × 22 cm)
Signed to lower right ‘Ray Johnson 1983’.
Sold with envelope addressed to Stamperia Grafica.
$2,000 – 3,000
(front)
151
Untitled (Pacific Telephone)
c. 1972 | collage on paper | 2 ¾ h × 6 w in (7 × 15 cm)
Stamped signature and inscription to collage ‘Face Collage
by Ray Johnson’. Stamped signature to envelope ‘Ray Johnson’.
Sold with envelope addressed to Tom Frazer.
$1,000 – 1,500
1 52
Untitled (Beautiful Eleanor Antin)
c. 1972 | ink on printed paper | 9 ¼ h × 4 w in (23 × 10 cm)
Stamped signature to envelope ‘Ray Johnson’.
Sold with envelope addressed to Eleanor Antin.
$500 – 700
(verso)
(front)
(verso)
153
Untitled (Andy Warhol’s Spit)
c. 1972 | ink on paper | 3 ½ h × 4 ¾ w in (9 × 12 cm)
Stamped signature and inscription to collage
‘Collage by Ray Johnson’. Sold with envelope
addressed to Michael Cooper.
$1,000 – 1,500
154
Untitled (Dr. Brute’s Spit)
c. 1972 | ink on paper | 3 ¼ h × 6 ¼ w in (8 × 16 cm)
Stamped signature and inscription to collage
‘Coilage by Ray Johnson’. Sold with envelope
addressed to Dr. Brute.
$500 – 700
155
Untitled (Albert Fine’s Spit)
1972 | ink on paper | 3 ½ h × 6 ¼ w in (9 × 16 cm)
Stamped signature and inscription to collage ‘Collage by Ray
Johnson’. Stamped signature to envelope ‘Ray Johnson’.
Sold with envelope addressed to Mr. Baldessari.
$500 – 700
156
158
Untitled (The Classic Garbo)
1 57
Untitled (Ringo and Theo)
c. 1972 | ink on printed paper | 2 ½ h × 3 ½ w in (7 × 9 cm)
c. 1972 | printed paper | 2 ½ h × 4 ¾ w in (6 × 12 cm)
Stamped signature to envelope ‘Ray Johnson’. Stamped
Stamped signature to envelope ‘Ray Johnson’. Stamped
signature and inscription to collage ‘Collage by Ray Johnson’.
signature to collage ‘Fake Collage by Ray Johnson’.
Sold with envelope addressed to Richard Bernstein.
Sold with envelope addressed to Mr. Leo Castelli.
$500 – 700
$700 – 900
Untitled (To Christo)
159
Untitled (Rimbaud)
c. 1972 | printed paper, tape on found photo | 5 h × 3 ¾ w in (13 × 10 cm)
c. 1972 | ink on printed paper | 8 ½ h × 11 w in (22 × 28 cm)
Stamped signature and inscription to front ‘Collage
by Ray Johnson’. Stamped signature to envelope ‘Ray Johnson’.
Sold with envelope addressed to Mr. Doty Curator.
Sold with envelope addressed to Jeanne Youngson.
$700 – 900
$1,000 – 1,500
160
John Cage 1912 – 1992
Untitled
1987 | ink on paper | 3 ¾ h × 6 ½ w in (10 × 17 cm)
Signed and titled to lower margin and to verso
‘John Cage Variations I’.
$1,000 – 1,500
161
H.C. Westermann 1922 – 1981
Untitled (Ding Dong School)
1967 | ink on paper | 10 ½ h × 7 ¼ w in (27 × 18 cm)
Signed and dated to letter ‘Cliff 67’. Sold with envelope
addressed to Mr. William S.
$2,000 – 3,000
162
H.C. Westermann 1922 – 1981
Untitled (You can say that again brother!!)
1970 | ink on paper | 10 h × 8 w in (25 × 20 cm)
Signed to envelope ‘H.C. Westerman’. Sold with envelope
addressed to Mr. William Struve.
$2,000 – 3,000
163
Edward Ruscha b. 1937
Babycakes
1970 | hole punch bound paper, green flocking, silk ribbon
7 ½ h × 6 w in (19 × 15 cm)
This work is from the first edition of 1,200 copies
published by Multiples, Inc., New York.
$2,000 – 3,000
Literature Edward Ruscha: Editions 1959 – 1999, Catalogue
Raisonné, Engberg, vol. 1, ppg. 106 – 107 and vol. 2, no. B11, pg. 125
164
Carl Andre b. 1935
Untitled (ephemera)
1976 | ink on lined paper | 10 ½ h × 8 w in (27 × 20 cm)
Signed ‘Carl Andre’. Inscribed and dated to verso
‘Artists Meeting for Cultural Change — 1976’.
$3,000 – 5,000
165
Carl Andre b. 1935
collection of ten postcards
1974 – 1985 | postcards | 4 ¼ h × 6 w in (each)
Signed and inscribed to the reverse of each postcard.
$2,000 – 3,000
166
Jeffrey-Dale Surfboards custom surfboard
USA, 1964 – 1965 | polyurethane resin over fiberglass
cloth over foam, fiberglass | 21 ¼ w × 112 l in (54 × 284 cm)
Signed with applied manufacturer’s mark to face ‘Customs
by Jeffrey-Dale Surf Boards Santa Ana’. This surfboard features
a built-in, non-removable fin. Surfboard is 3 inches thick.
$5,000–7,000
Exhibited Eternal Summer: The Art of Surf Culture, 29 July – 10 September
2006, The Brevard Museum of Art and Science, Melbourne, FL An Exhibition
of Vintage and Historic Surfboards, December 2009 – February 2010,
Coco Beach Surf Museum, Coco Beach, FL
167
Gerhard Richter b. 1932
Flow
2013 | Diasec mounted chromogenic print on aluminum
17 ¾ h × 17 ¾ w in (45 × 45 cm)
Numbered to verso ‘405/500’. This work is number 405
from the edition of 500 published by HENI Publishing, London.
$8,000 – 12,000
168
Afra and Tobia Scarpa
Bastiano sofa
Italy, c. 1970 | Knoll International | lacquered wood, leather
84 w × 30 d × 27 h in (213 × 76 × 69 cm)
$2,000 – 3,000
169
Paul Jenkins b. 1923
Phenomena Equal Measure of Green
1988 | oil on canvas | 38 h × 51 w in (97 × 130 cm)
Signed to lower right ‘Paul Jenkins’. Signed, titled and dated
to verso ‘Paul Jenkins Phenomena Equal Measure of Green 1988’.
$20,000 – 30,000
Provenance Carone Gallery, Fort Lauderdale
International Fine Arts, Boca Raton | Private collection, Reno
1 70
Philip Guston 1913 – 1980
Untitled (study for Gladiators)
c. 1939 | ink and wash on paper
11 ½ h × 13 ½ w in (29 × 34 cm)
$10,000 – 15,000
Provenance H.W. Janson | Thence by descent
Freeman’s, Philadelphia, Modern & Contemporary Works
of Art, 4 November 2012, Lot 101 | Private collection
by SCALA | Art Resource, NY
Digital Image © The Museum of Modern Art | Licensed
Philip Guston, Gladiators, 1940 | © Estate of Philip Guston
This work on paper is a study for Guston's painting
Gladiators, 1940 in the permanent collection
of the Museum of Modern Art, New York.
Matt Mullican creates and appropriates countless symbols
that he applies to canvases and tapestries in a controlled palette
of black, white, red, yellow, green and blue. These colors each
have associations assigned by the artist; black and white are
connected with the written word, while red invokes the idea
of individual subjectivity. This work hints at legibility, but
is ultimately undecipherable. Each viewer will bring their own
subjectivity to a reading of the work and in the process grapple
with the very ideas that Mullican is engaged with, primarily how
meaning is created and communicated by culturally mandated
channels such as language and by extension advertising,
political discourse, etc.
171
Matt Mullican b.1951
Untitled
1982
cotton applique on cotton
98 h × 96 w inches
$20,000 – 30,000
Literature Documenta 7, exhibition catalog, vol. 2, pg. 235
Inside Art, The New York Times 4 March 1994, Vogel, unpaginated
Exhibited Documenta 7, 19 June – 28 September 1982, Kassel, Germany
Matt Mullican, 4 – 30 December 1982, Mary Boone Gallery, New York
Provenance Mary Boone Gallery, New York | Private collection
1 74
Shiro Kuramata
Furniture in Irregular Forms, Side 1
1970 | Cappellini | lacquered oak, lacquered wood, aluminum,
chrome-plated steel, plastic | 67 ¾ h × 23 ¾ w × 20 ½ d in (172 × 60 × 52 cm)
$7,000 – 9,000
Literature The Work of Shiro Kuramata: 1967 – 1974, Kuramata, ppg. 45 – 47
Shiro Kuramata: 1967 – 1987, Isozaki, ppg. 17 – 18 Shiro Kuramata 1934 – 1991,
Hara et al., ppg. 45, 48, 130 Shiro Kuramata and Ettore Sottsass, 21_21 Design
Sight exhibition catalog, ppg. 30, 169 Shiro Kuramata, Sudjic, ppg. 154, 255
172
Leon Polk Smith 1906 – 1996
Untitled (three works)
1983 – 1984 | graphite and ink on paper | 20 h × 14 ½ w in (each)
Signed and dated to lower edge of each work ‘Leon Polk Smith 83-84’.
$2,000 – 3 ,000
173
Leon Polk Smith 1906 – 1996
Untitled (two works)
1993 | graphite and ink on paper | 14 ¼ h × 20 w in and 20 h × 14 ¼ w in
Signed and dated to lower edge of each work ‘Leon Polk Smith 93’.
$1,000 – 2,000
For his exhibition at the Public Illumination Picture Gallery
in the summer of 1982, artist David Wojnarowicz spray-painted
images using stencils directly on to the walls of the gallery.
He created a series of work using the same stencils, a selection
of which are housed in the permanent collection of the Whitney
Museum of American Art where a retrospective of the artist’s
work will be held later this year.
1 75
David Wojnarowicz 1954 – 2004
Untitled
1982
spraypaint on paper
23 h × 17 w in (58 × 43 cm)
Signed and dated to lower right ‘D. Wojnarowicz 1982’.
$10,000 – 15,000
1 76
Keith Haring 1958 – 1990
Untitled (Honda motorcycle side-covers)
1985 | paint marker on plastic | 4 h × 10 ½ w × 8 ¼ d in (each)
Sold with three certificates of authenticity issued by The Estate of Keith Haring.
$10,000 – 15,000
Provenance Los Angeles Modern Auctions, Modern Art & Design Auction,
7 October 2012, Lot 251 | Private collection, Los Angeles
177
Keith Haring 1958 – 1990
Untitled (motorcycle helmet)
1987 | marker on Yamaha Helmet | 9 ¼ h × 9 ½ w × 12 ½ d in (23 × 24 × 32 cm)
Signed and dated ‘K. Haring 87’. Sold with a certificate of authenticity issued
by The Estate of Keith Haring.
$20,000 – 30,000
Provenance Private collection, Belgium | Private collection, New York
178
Keith Haring 1958–1990
Lucio Amelio poster with drawing
1983/1984 | lithograph on paper, ink on paper
27 ½ h × 18 ½ w in (70 × 47 cm)
Signed and dated to left edge ‘K. Haring 83’. Signed and dated
to face ‘K. Haring 84’. This work is accompanied by a letter of opinion
issued by The Estate of Keith Haring with a seal of authenticity.
$3,000 – 5,000
Provenance Private collection, Malibu | Private collection
179
Christian Schumann b. 1970
Untitled
180
Untitled (from the John Bennett Series)
1993 | mixed media on paper | 32 ½ h × 32 ½ w in (83 × 83 cm)
1967 | acrylic on paper | 10 h × 22 ¼ w in (25 × 57 cm)
Signed and dated to verso ‘Christian Schumann 2/93’.
Signed, titled and dated to verso ‘Sam Francis 1967 John Bennett Series’. This work
$1,500 – 2,000
is identified with the interim identification number of SF67-004 in consideration for the
forthcoming Sam Francis: Catalogue Raisonné of Unique Works on Paper. This information
is subject to change as scholarship continues by the Sam Francis Foundation.
$8,000 – 12,000
Exhibited Sam Francis: Edge Paintings, 1 March – 28 July 2003, Ace Gallery, Beverly Hills
Provenance Estate of the artist | Ace Gallery, Beverly Hills | Private collection, Los Angeles
181
John Baldessari b. 1931
Two Boats (from Hegel’s Cellar portfolio)
1968 | photogravure and aquatint on torn Rives BFK paper with deckle
19 ½ h × 26 w in (50 × 66 cm)
This work is from the edition of 35 printed by Sally Mara Sturman and Mark Sofield,
New York and Iris Editions, New York and published by Multiples, Inc., New York.
$5,000 – 7,000
Literature John Baldessari: A Catalogue Raisonné of Prints and Multiples
1971 – 2007, Hurowitz, pl. 24, ppg. 104 – 105
182
Joan Miró 1893 – 1983
183
Nancy Dwyer b. 1954
Liberté des Libertés (from Liberté des Libertés portfolio)
Middle-Aged Bliss
1971 | lithograph on paper | 18 ¼ h × 13 ½ w in (46 × 34 cm)
1979 | ink and acrylic on paper | 40 h × 26 w in (102 × 66 cm)
Signed and numbered to lower edge ‘Miro XIX/XXIV’.
$6,000 – 8,000
This work is number 19 from the edition of 24 printed by Maeght, Paris
and published by Le Soleil Noir, Paris. Sold with a photocopy of original receipt.
$2,000 – 3,000
Literature Joan Miró The Illustrated Books: Catalogue Raisonné, Cramer,
no. 150, pg. 374
Provenance Galerie Boler, Paris | Collection of Fern and Manfred Steinfeld, Chicago
184
Mike Kelley 1954 – 2012
Untitled (Bowling Ball, Bag, Shirt and Catalog)
1991 | bowling ball, fabric, vinyl, polyester, rayon, printed paper
Engraved signature and number to bowling ball ‘M. Kelley 17/50’. This work
is number 17 from the edition of 50 published by A.R.T. Press, Los Angeles.
This complete set includes a customized bowling shirt, bowling ball, bag
and catalog Mike Kelley by William S. Bartman and Miyoshi Barosh.
$2,000 – 3,000
185
David Barr b. 1939
Structurist Relief No. 32
1968 | enamel construction on panel | 24 h × 29 ½ w × 4 ¼ d in (61 × 75 × 11 cm)
Signed, titled and dated to verso ‘No. 32 May 1968 D Barr’. This work comes
from the Edward McCormick Blair House in Lake Bluff, Illinois; a home designed
by architects William and George Fred Keck in 1955.
$1,000–2,000
Provenance Mr. and Mrs. Edward McCormick Blair, Lake Bluff, IL | Thence by descent
187
Dom Hans van der Laan
bench from Abbey Vaals
The Netherlands, c. 1965 | stained pine, galvanized steel
67 ¾ w × 17 d × 29 ¼ h in (172 × 43 × 74 cm)
$3,000 – 5,000
Provenance Abbey Vaals, The Netherlands | Private collection
186
David Barr b. 1939
Structurist Relief no. 10
1966 | enamel construction on panel | 25 ½ h × 46 ¾ w × 4 ¼ d in (65 × 119 × 11 cm)
Signed, titled and dated to verso ‘Sept. 1966 Structurist Relief No 10 D Barr’.
This work comes from the Edward McCormick Blair House in Lake Bluff, Illinois;
a home designed by architects William and George Fred Keck in 1955.
$1,000–2,000
Provenance Mr. and Mrs. Edward McCormick Blair, Lake Bluff, IL | Thence by descent
189
Victor Vasarely 1906 – 1997
MC 21
1974 | polystyrene | 33 ½ h × 5 ¾ w × 5 ¾ d in (85 × 15 × 15 cm)
Signed to lower edge ‘Vasarely’. Titled and numbered to publisher’s
label on underside ‘MC 21 33/50’. This work is number 33 from the
edition of 50 published by Editions Pyra A.G., Zumikon, Switzerland.
$3,000–5,000
Provenance Private collection, Beverly Hills | Private collection, Reno
188
Victor Vasarely 1906 – 1997
Orion Noir
1970 | polystyrene, polyester resin frame | 41 ½ h × 39 ¾ w in (105 × 101 cm)
Signed to lower right ‘Vasarely’. Signed, titled, dated and numbered to studio label
to verso ‘Victor Vasarely Orion Noir 27/100 June 70’. This work is number 27 from
the edition of 100 published by Editions Pyra A.G., Zumikon, Switzerland.
$5,000 – 7,000
Provenance Gilbert Fine Art Inc., San Francisco | Private collection, Beverly Hills
190
Gino Vistosi
table lamps, pair
Italy, c. 1960 | frosted glass, glass | 13 ½ dia × 14 ½ h in (34 × 37 cm)
$1,000 – 1,500
191
Angelo Mangiarotti
Il Cammino table lamp
Italy, 1972 | Iter | glass, chrome-plated brass, acrylic
22 w × 20 d × 12 h in (56 × 51 × 30 cm)
Signed with applied manufacturer’s label to underside
‘Made in Italy No. 4454’.
$2,000 – 3,000
Literature Light-Lamps 1968 – 1973: New Italian Design,
Ferrari and Ferrari, fig. 68
192
Gijs Bakker
Car mirror
The Netherlands, 2006 | Droog
photograph mounted on mirrored Plexiglas and aluminum
47 ½ w × 39 h in (121 × 99 cm)
Signed and numbered to reverse ‘G. Bakker 10/10’.
$1,000 – 1,500
193
Arturo Gomez Guerra
Slowmobiles, set of four
Mexico, c. 2000 | lacquered wood | 48 w × 19 ¾ d × 27 ¾ h in (each)
Signed with decal studio label to side of each example
‘Slowmobile Arturo Gomez Guerra’.
$1,000 – 1,500
194
Ettore Sottsass 1917 – 2007
Untitled (construction)
c. 1980 | adhesive tape, glass, marbles, wood | 26 h × 39 w × 2 d in (66 × 99 × 5 cm)
This unique work features decorations to each side.
$1,000 – 1,500
Provenance Camard, Paris | Private collection
195
Alain Biltereyst b. 1965
Untitled
2012 | oil on board | 10 ½ h × 7 ½ w in (27 × 19 cm)
Signed, numbered and dated with artist stamp to verso
‘Alain Biltereyst ATB 2012 No 504’.
$1,500 – 2,000
196
Alain Biltereyst b. 1965
Untitled
2012 | oil on board | 11 ½ h × 8 ¼ w in (29 × 21 cm)
Signed, numbered and dated with artist stamp to verso
‘Alain Biltereyst ATB 2012 No 502’.
$1,500 – 2,000
1 97
Roy Lichtenstein 1923 – 1997
Guild Hall East Hampton poster
1980 | screenprint on paper | 27 ½ h × 33 ½ w in (70 × 85 cm)
Signed and dated to lower margin ‘R. Lichtenstein 80’. This work
is from the edition of 1000 of which approximately 200 were signed.
$2,000 – 3,000
198
Arturo Gomez Guerra
Slowmobile
Mexico, c. 2000 | lacquered wood | 48 w × 19 ½ d × 30 h in (122 × 50 × 76 cm)
Signed with decal studio label to side ‘Slowmobile Arturo Gomez Guerra’.
$300 – 500
199
William Steiger b. 1962
Green Machine
2007 | oil on linen | 20 h × 30 w in (51 × 76 cm)
Signed, titled and dated to verso ‘William Steiger Green Machine 2007’.
$2,000 – 3,000
Literature William Steiger Transport, Vine and Gaillard, pg. 12 illustrates this artwork
Provenance Margaret Thatcher Projects, New York
Estate of John R. Eckel, Jr., Houston
200
Tanker Car
201
Wheatpool A & B (two works)
2006 | oil on linen | 20 h × 16 w in (each)
Signed, titled and dated to verso ‘William Steiger Tanker Car 2008’.
Signed and dated to lower right of each work ‘Steiger 06’. Signed, titled
$3,000 – 5,000
and dated to verso of each ‘William Steiger Wheatpool A & B 2006’.
Literature William Steiger Transport, Vine and Gaillard, pg. 123 illustrates this artwork
$2,000 – 3,000
202
Robert Herrmann 1922 – 1996
204
203
Goodyear
Paint Factory
1966 – 1967 | oil on board | 15 ¾ h × 23 ¾ w in (40 × 60 cm)
Signed, titled and dated to verso ‘R. Herrmann 1966-7’.
Signed and dated to edge ‘R. Herrmann 86’.
$2,000 – 3,000
$1,000 – 1,500
Provenance Estate of John R. Eckel, Jr., Houston
View from Library Garden
2 05
Las Meninas – Seattle Style
1956 | oil on board | 14 h × 18 w in (36 × 46 cm)
Signed, titled and dated to verso ‘R. Herrmann
Signed, titled and dated to edge ‘R Herrmann
View from Library Garden 1956’.
Las Meninas - Seattle Style 1987’
$2,000–3,000
$1,000 – 1,500
208
Jorge Pardo b. 1963
Subscription table lamp
2003 | stained pressboard, chrome-plated steel, acrylic
10 ¾ h × 11 ½ w × 8 d in (27 × 29 × 20 cm)
$1,000 – 1,500
209
Jorge Pardo b. 1963
Subscription table lamp
2003 | acrylic, plywood | 11 ¾ h × 13 w × 11 ½ d in (30 × 33 × 29 cm)
$1,000 – 1,500
206
Staten Island Docks
Signed, titled and dated to verso ‘R Herrmann Staten Island Docks 1961’.
$2,000 – 3,000
2 07
New Bank Building
Signed, titled and dated to verso ‘R Herrmann New Bank Building 1963’.
$1,000 – 1,500
210
Jorge Pardo b. 1963
Subscription ceiling lamp
2003 | walnut, pressboard | 12 ¾ h × 9 dia in (32 × 23 cm)
$1,000 – 1,500
211
Charles Biederman 1906 – 2004
Untitled
1934 | oil on board | 17 h × 11 ¾ w in (43 × 30 cm)
Signed and dated to lower right ‘Charles Biederman 5-34’.
Signed, dated and inscribed to verso ‘Chicago 1934 Charles Biederman’.
$4,000 – 6,000
Provenance Acquired directly from the artist | Private collection,
Edina, MN | Thence by descent | Private collection, New York
212
Untitled
1934 | oil on board | 11 ¾ h × 17 w in (30 × 43 cm)
Signed and dated to lower right ‘Charles Biederman 5/34’.
Dated and inscribed to verso ‘Chicago 5/1934’.
$4,000 – 6,000
Provenance Acquired directly from the artist | Private collection,
Edina, MN | Thence by descent | Private collection, New York
214
Marc Newson
Embryo chair
Australia/Japan, c. 1988 | Idée | neoprene, aluminum
33 w × 34 d × 31 h in (84 × 86 × 79 cm)
$3,000 – 5,000
Literature Marc Newson, Rawsthorn, ppg. 26 – 29, 212
Marc Newson, Morgan, ppg. 152 – 153
Provenance Purchased directly from Idée c.1990
Private collection
213
Fernand Léger 1881 – 1955
Les Femmes au perroquet
1952 | lithograph on Arches paper | 16 h × 23 ½ w in (41 × 60 cm)
Signed and numbered to lower margin ‘Leger 61/75’. This work is number 61
from the edition of 110 of which 75 are signed published by Fernand Mourlot, Paris.
$8,000 – 12,000
Literature Fernand Léger: The Complete Graphic Work, Saphire, no. 119
Provenance International Fine Arts, Boca Raton | Private collection, Reno
216
Robert Davis and Michael Langlois
Meth Lab
Signed and dated to verso ‘Robert Davis Mike Langlois 2002’.
$800 – 1,200
Provenance Monique Meloche, Chicago | Private collection
215
Katherine Bradford b. 1942
Long Green Beans
217
Jake Berthot 1939 – 2014
Untitled
1976 | ink and gouache on paper | 29 ½ h × 22 w in (75 × 56 cm)
Signed, titled and dated to verso ‘K. Bradford 1995’.
Signed and dated to lower edge ‘JB 76’.
$400 – 600
$1,000 – 1,500
Provenance Private collection | Palm Springs Art Museum, Palm Springs, CA
Proceeds benefit Palm Springs Art Museum’s acquisition fund.
220
Axel Einar Hjorth
Utö table
Sweden, c. 1930 | Nordiska Kompaniets Verkstäder | laminated pine
27 ½ w × 22 ¼ d × 18 ½ h in (70 × 57 × 47 cm)
$10,000 – 15,000
Literature Axel Einar Hjorth: Möbelarkitekt, Björk, Ekström
and Ericson, pg. 130 discusses series
218
Bernar Venet b. 1941
Gold Saturation with a Red Z in the Center
2003 | acrylic on canvas | 20 h × 20 w in (51 × 51 cm)
Signed, titled and dated to verso ‘Bernar Venet Nov 2003
Gold Saturation with a red Z in the Center’.
$5,000 – 7,000
219
Pablo Picasso 1881 – 1973
Exposition Vallauris
1957 | linocut on wove paper | 27 h × 22 w in (69 × 56 cm)
Signed to lower edge ‘Picasso’. This work is from the edition
of 175 printed by Hildago Arnéra, Vallauris and published
by the Association des potiers de Vallauris.
$1,000–1,500
Literature Pablo Picasso, Volume I: Catalogue of the Printed
Graphic Work 1904 – 1967, Bloch, pl. 1277, pg. 274
222
Nicolaj Diulgheroff and Tullio d’Albisola
Futurist plate
Italy, c. 1935 | Torido Mazzotti | glazed ceramic
14 ¼ w × 13 ½ d × 1 ¾ h in (36 × 34 × 4 cm)
Signed with manufacturer’s mark to underside ‘M.G.A.’.
$1,500 – 2,000
223
Futurist bowl
c. 1935 | Torido Mazzotti | glazed ceramic
3 h × 8 w × 7 ¼ d in (8 × 20 × 18 cm)
Signed with manufacturer’s mark and numbered
to underside ‘M.G.A. 699’.
$1,000 – 1,500
221
Albert Nagele b. 1935
Tetra
Signed, titled and dated to verso ‘Robert Nagele Tetra 72’.
$3,000 – 5,000
Provenance Deson-Zaks Gallery, Chicago | Private collection, Indiana
224
Draenert (Berghof, Landes, Rang)
F1 cabinet
Germany, 1986 – 1987 | bird’s-eye maple, gilt wood, marble, brass
29 ½ w × 15 ¾ d × 92 h in (75 × 40 × 234 cm)
Signed with applied brass manufacturer’s label to reverse ‘Draenert Berghof/Landes/
Rang F1/No.39-100/1987’. This work is number 39 from the edition of 100. Cabinet
features two doors concealing two adjustable shelves and two doors concealing
storage above a drop-front door concealing nine drawers.
$10,000 – 15,000
225
Roy Lichtenstein 1923 – 1997
Sunrise
1965 | offset lithograph on paper | 17 ½ h × 23 ¼ w in (44 × 59 cm)
Signed to lower right ‘rf Lichtenstein’. This work is from the edition
of an unknown size published by Leo Castelli Gallery, New York.
$5,000 – 7,000
Literature The Prints of Roy Lichtenstein: A Catalogue Raisonné
1948 – 1997, Corlett, pl. II.7, pg. 287
226
lidded box
c. 1935 | Torido Mazzotti | glazed ceramic | 2 ½ h × 5 ½ dia in (6 × 14 cm)
$500 – 700
227
Ed Paschke 1939 – 2004
Stripe Head
1990 | mixed media on paper | 11 ½ h × 9 w in (29 × 23 cm)
Signed, titled and dated to lower edge ‘E. Paschke Stripe Head 90’.
$4,000 – 6,000
Provenance Phyllis Kind Gallery, Chicago | Private collection, Chicago
228
Ed Paschke 1939 – 2004
Transitions
1990 | mixed media on paper | 10 h × 13 ½ w in (25 × 34 cm)
Signed, titled, and dated to lower edge ‘E. Paschke Transitions 90’.
$3,000 – 5,000
Provenance Phyllis Kind Gallery, Chicago | Private collection, Chicago
229
Gene Davis 1920 – 1985
Green Dolphin
1973 | acrylic on canvas | 91 ½ h × 85 w in (232 × 216 cm)
Signed, titled and dated to verso ‘Gene Davis Green Dolphin 1973’.
$20,000 – 30,000
Provenance Fischbach Gallery, New York | Private collection, New York
230
Michael Graves
console
USA, c. 1980 | bird’s-eye maple, stained mahogany
23 ¼ w × 11 ½ d × 38 ¼ h in (59 × 29 × 97 cm)
$3,000 – 5,000
231
bottle with stopper
c. 1935 | Torido Mazzotti | glazed ceramic
9 h × 3 ¾ w × 2 ¾ d in (23 × 10 × 7 cm)
$500 – 700
232
Alfred Leslie b. 1927
Untitled
1955 | mixed media on board | 8 ¼ h × 7 ¾ w in (21 × 20 cm)
Signed and dated to upper right ‘Alfred Leslie 55’.
$6,000 – 8,000
Provenance B.C. Holland Inc., Chicago | Private collection, Pinehurst, NC
233
Mario Coppola b. 1934
Untitled No. 4
1983 | watercolor on paper | 6 ½ h × 6 ½ w in (17 × 17 cm)
Signed and titled to lower edge ‘Mario Coppola No 4’.
$1,000 – 1,500
234
Robert Natkin 1930 – 2010
Redding View
Signed to lower edge ‘Natkin’.
$7,000 – 9,000
Provenance Private collection | Palm Springs Art Museum, Palm Springs, CA
Proceeds benefit Palm Springs Art Museum’s acquisition fund.
235
André Dubreuil
Paris chair
France, 1988 | A.D. Decorative Arts Ltd. | flame decorated and welded steel
23 w × 24 d × 36 ¼ h in (58 × 61 × 92 cm)
This example is from the edition of 48 produced by A.D. Decorative Arts Ltd., France.
$7,000–9,000
Literature André Dubreuil: Poet of Iron, Gaillemin, pl. 38
236
André Dubreuil
Paris chair
France, 1988 | A.D. Decorative Arts Ltd. | flame decorated and welded steel
23 w × 24 d × 36 ¼ h in (58 × 61 × 92 cm)
This example is from the edition of 48 produced by A.D. Decorative Arts Ltd., France.
$7,000–9,000
Literature André Dubreuil: Poet of Iron, Gaillemin, pl. 38
237
William Tucker b. 1935
Untitled
c. 1965 | chrome-plated steel | 2 h × 4 ¾ w × 4 ¾ d in (each)
Impressed signature to each element ‘WT & 25’.
$2,000 – 3,000
238
Alan Saret b. 1944
Untitled
1985 | colored pencil on paper | 26 ¼ h × 36 ½ w in (67 × 93 cm)
$4,000 – 6,000
Provenance Damon Brandt Gallery, New York | Private collection, New York
239
Robert Natkin 1930 – 2010
The Dark Side of Dallas
acrylic on canvas | 43 ¾ h × 7 ¾ w in (111 × 20 cm)
Signed and titled to verso ‘Natkin The Dark Side of Dallas’.
$3,000 – 5,000
240
Philippe Starck, attribution
stool
France, c. 2000 | cast aluminum, upholstery
13 w × 17 ½ d × 26 ½ h in (33 × 44 × 67 cm)
$1,000 – 1,500
241
Beverly Pepper b. 1922
Untitled (study for Manhattan Sentinels)
c. 1993 | cast iron, steel | 9 h × 7 ¼ dia in (23 × 18 cm)
This maquette was produced as a study for the site-specific
installation at the Federal Plaza, New York, 1993-1996.
$2,000 – 3,000
2 42
Alfonso Ossorio 1916 – 1990
Mononucleosis
1952 | gouache and India ink on paper | 40 h × 26 w in (102 × 66 cm)
Signed, dated and inscribed to verso ‘A. Ossorio East Hampton Nov. 1952.’
$20,000 – 30,000
Provenance Peridot Gallery, New York | Private collection
243
Frank Gehry
Power Play chair and ottoman
Canada/USA, 1990/1992/1993 | Knoll International | laminated maple
31 ½ w × 30 ½ d × 32 ½ h in (80 × 77 × 83 cm)
Branded signature to underside of ottoman ‘Gehry Knoll 6/03/92 Made
in the USA’ and to underside of chair ‘Gehry Knoll made in the USA 4/16/93’.
Ottoman measures: 235. w × 23.5 d × 8.25 h inches.
$2,000 – 3,000
Literature Frank Gehry: New Bentwood Furniture Designs, Hanks, pg. 60
244
Martin Eder
Untitled (WVZ FACE)
2001/2002 | watercolor on paper | 11 h × 8.75 w inches
Signed and dated to lower right ‘Martin Eder 01/02’.
Signed and inscribed to verso ‘WVZ ME face 02/02’.
$3,000 – 5,000
245
Philip Pearlstein b. 1924
Untitled
2011 | watercolor on paper | 30 ¼ h × 22 ¾ w in (77 × 58 cm)
Signed and dated to lower margin ‘P. Pearlstein 2011’.
$6,000 – 7,000
Proceeds benefit A Brain Tumor and a Dream.
246
Man Ray 1890 – 1976
Narcissus
1971 | bronze, marble | 17 ¼ h × 5 ½ w × 4 d in (44 × 14 × 10 cm)
Signed and numbered to lower leg ‘Man Ray 93/350’.
This work is 93 from the edition of 350.
$3,000 – 5,000
2 47
Paul Cadmus 1904 – 1999
Male Nude #JHB4
c. 1960 | crayon on paper | 25 h × 18 w in (64 × 46 cm)
Signed to lower right ‘Cadmus’.
$10,000 – 15,000
Provenance Midtown Galleries, New York
Michael Rosenfeld Gallery, New York | Private collection
250
Abbott Pattison 1916 – 1999
In Mary’s Garden
bronze | 45 h × 35 w × 18 d in (114 × 89 × 46 cm)
Incised signature, inscription and number to lower edge
‘A. Pattison Firenze 1/1’. Sold with gallery photo of the artwork
and original show announcement with this artwork illustrated.
$3,000 – 5,000
Exhibited Abbott Pattison: The Garden Revisited,
10 October – 1 November, Alwin Gallery, London
Provenance Alwin Gallery, London | Collection of Fern
and Manfred Steinfeld, Chicago
248
Jim Shaw b. 1952
Dream Drawing
1997 | graphite on paper | 12 h × 9 w in (30 × 23 cm)
Signed, dated and inscribed to verso ‘Jim Shaw 97’.
$3,000 – 5,000
249
Jannis Kounellis b. 1936
Untitled
1978 | beeswax and pencil on paper | 16 h × 13 ¾ w in (41 × 35 cm)
Signed to lower right ‘Kounellis’.
$3,000 – 5,000
Provenance Anthony D’Offay, London | Sotheby’s, London,
10 December 1999, Lot 183 | Estate of Marianne Deson, Chicago
251
Benny Andrews 1930 – 2006
Little April
1970 | oil and collage on board | 12 h × 9 w in (30 × 23 cm)
Signed and dated to lower right ‘Benny Andrews 1970’.
$1,000 – 1,500
Provenance ACA Galleries, New York | Private collection
252
The Red Wrap
253
The Wind
1970 | mixed media, oil and collage on canvas | 12 h × 9 w in (30 × 23 cm)
1970 | oil and collage on artist’s board | 9 h × 12 w in (23 × 30 cm)
$1,000 – 1,500
$1,000 – 1,500
256
Michael Graves
lounge chairs, pair
USA, 1980 | Sunar Hauserman | bird’s-eye maple, vinyl, ebonized wood
34 w × 29 d × 29 ½ h in (86 × 74 × 75 cm)
$5,000 – 7,000
Literature Michael Graves Designs: The Art of Everyday Objects, Patton,
pg. 24 Michael Graves: Designer Monographs 3, Buck and Vogt, pg. 19
254
Riccardo Guarneri b. 1933
Mera Come Role M 330
1970 | mixed media on canvas | 28 h × 26 w in (71 × 66 cm)
Signed, titled and dated to verso ‘Riccardo Guarneri Firenze 1970 Mera Come Role M 330’.
$5,000 – 7,000
255
Ivan Capote b. 1973
Amnesia (diptych)
2004 | digital c-print | 19 ½ h × 27 ¼ w in (50 × 69 cm)
Signed and dated to verso of each element ‘Capote ‘04’. This work is an artist’s
proof aside from the edition of 3.
$2,000 – 3,000
257
Michael Graves
settee
1980 | Sunar Hauserman | bird’s-eye maple, vinyl, ebonized wood
53 ½ w × 32 d × 31 ½ h in (136 × 81 × 80 cm)
$5,000 – 7,000
Literature Michael Graves Designs: The Art of Everyday Objects, Patton,
pg. 24 illustrates variation Michael Graves: Designer Monographs 3, Buck
and Vogt, pg. 19 illustrates variation
258
Donald Baechler b. 1956
Untitled
1992 | ink on paper | 11 ¾ h × 8 ¾ w in (30 × 22 cm)
Signed and dated to lower right ‘DB 92’.
$800 – 1,200
259
Untitled
1936 | gouache on paper | 26 h × 20 w in (66 × 51 cm)
Signed, dated and inscribed to lower left ‘Ch. Biederman Paris 12/36’.
$1,000 – 1,500
Provenance Acquired directly from the artist | Thence by descent
260
Herbert Ferber 1906 – 1991
Untitled
1947 | gouache and ink on paper | 10 h × 11 ½ w in (25 × 29 cm)
Signed and dated to lower right ‘Ferber 8-47’.
$1,000 – 1,500
261
Joan Miró 1893 – 1983
Femme à la blonde aisselle coiffant sa chevelure à la lueur des étoiles
(from the Constellations portfolio)
1959 | pochoirs on Arches wove paper | 13 ¾ h × 16 ½ w in (35 × 42 cm)
Signed to lower left edge ‘Miró’. This work is from the edition of 350 printed
by Mourlot Frères, Paris and published by Pierre Matisse, New York.
Sold with a photocopy of the original receipt.
$3,000 – 5,000
Literature Joan Miró The Illustrated Books: Catalogue Raisonné,
Cramer, no. 58, pg. 166
Provenance Galerie Boler, Paris | Collection of Fern and Manfred Steinfeld, Chicago
262
Aaron Young b. 1972
Tumbleweed (Crushed Fence)
2009 | 24 karat gold-plated steel | 25 h × 29 w × 28 d in (64 × 74 × 71 cm)
$12,000 – 18,000
Provenance Acquired directly from the artist | Private collection, New York
263
Pietro Consagra 1920 – 2005
Sottilissime (five works)
1985 | laser-cut steel, marble | 9 ¼ h × 9 w in (largest)
Engraved signature and number to each work ‘91/300 Consagra’.
These works are number 91 from the edition of 300. This complete
set was created for a special commission for Renault Italia.
$3,000 – 5,000
264
Ryan McGinness b. 1972
Untitled (triptych)
2005 | acrylic on paper | 37 ¾ h × 26 ¼ w in (each)
Signed, dated and inscribed to verso of each sheet ‘Ryan McGinness 2005’.
$7,000 – 9,000
Provenance Deitch Projects, New York | Private collection, New York
265
Keegan McHargue b. 1982
Your Future is Bleak
2003 | graphite on paper | 30 ¾ h × 22 ¾ w in (78 × 58 cm)
$700 – 900
Provenance Jack Hanley Gallery, San Francisco | Collection of Themistocles
and Dare Michos, San Francisco and Berlin | Private collection
266
Supulchre
2005 | ink on two sheets of cardstock | 28 ¾ h × 17 ¾ w in (73 × 45 cm)
Stamped signature to lower right ‘Keegan McHargue’.
$700 – 900
267
Six Cold Inches
2004 | graphite on paper | 26 ¼ h × 40 ¾ w in (67 × 104 cm)
$700 – 900
2 70
Victor Roman 1937 – 1995
Untitled
c. 1985 | bronze | 42 ½ h × 52 w × 36 d in (108 × 132 × 91 cm)
Signed and numbered with foundry mark ‘V. ROMAN 2/8 Eerovaim
Foundry’. This work is number 2 from the edition of 8.
$5,000 – 7,000
268
Gertrude Abercrombie 1909 – 1977
Wishing Well
1947 | oil on panel | 5 ¼ h × 7 w in (13 × 18 cm)
Signed and dated to lower right ‘Abercrombie 47’.
$3,000 – 5,000
Provenance Sotheby’s, Chicago, 12 June 2001, Lot 1006 | Leslie Hindman Auctioneers,
Modern and Contemporary Art, 12 December 2012, Lot 1024 | Private collection
269
Gertrude Abercrombie 1909 – 1977
Owl and Moon
1947 | oil on panel | 4 ½ h × 6 ¼ w in (11 × 16 cm)
Signed and dated to lower left ‘Abercrombie 47’.
$3,000 – 5,000
Provenance Gift from the artist | Thence by descent | Leslie Hindman Auctioneers,
Modern and Contemporary Art, 13 May 2013, Lot 1068 | Private collection
271
Christian Adam
salon suite
France, c. 1970 | Pierre Cardin | vinyl over foam
77 w × 45 d × 24 h in (196 × 114 × 61 cm)
Christian Adam’s futuristic drawings and maquettes caught the eye of Pierre Cardin
who asked him to design for his furniture line, Utilitarian Sculptures. Suite includes
sofa and two lounge chairs; chairs measure: 47 dia × 24 h inches each.
$5,000 – 7,000
Literature Pierre Cardin: Fifty Years of Fashion and Design, Langle,
ppg. 150 – 151, 206 Casa Vogue, July-August 1971, pg. 86
272
Paul Jenkins b. 1923
Phenomena
watercolor on paper | 30 ½ h × 42 w in (77 × 107 cm)
Signed to lower edge ‘Paul Jenkins’.
$5,000 – 7,000
273
Nan Goldin b. 1953
Valerie Floating in Sea, Mayreux Island, Caribbean
2001
Cibachrome print
40 h × 60 w in (102 × 152 cm)
Signed, titled, dated and numbered to verso ‘Nan Goldin Valerie Floating
in Sea, Mayreux Island, Caribbean 2001 A.P.2’. This work is an artist’s proof.
$20,000 – 30,000
Literature The Devil’s Playground, Goldin, ppg. 304 – 305
2 74
Peter Coffin b. 1972
Imprints (five works)
2005 | c-print | 4 ½ h × 5 ½ w in (each)
$2,000 – 3,000
Provenance Galerie Perrotin, New York | Private collection, Miami
2 75
Christopher Williams b. 1956
F.W.K.
2011 | archival pigment print on cotton rag paper | 15 ½ h × 11 ¼ w in (39 × 29 cm)
Signed and dated to verso ‘C Williams 2011’. This work is number 1 of 6 artist’s
proofs aside from the edition of 25.
$8,000 – 12,000
Provenance David Zwirner Gallery, New York | Private collection
2 76
Richard Hawkins b. 1961
Untitled no. 14
2000 | oil on printed paper | 10 ¾ h × 9 w in (27 × 23 cm)
$3,000 – 5,000
Provenance Richard Telles Fine Arts, Los Angeles | Private collection
277
Untitled no. 12
278
Moonlight
2000 | oil on printed paper | 11 ¾ h × 9 w in (30 × 23 cm)
$3,000 – 5,000
Signed and dated to verso ‘Hawkins 03’.
Provenance Richard Telles Fine Arts, Los Angeles | Private collection
$5,000 – 7,000
Provenance Richard Telles Fine Arts, Los Angeles
Private collection
280
Tracey Emin b. 1963
My Heart is with you Always
2015 | offset lithograph on paper | 27 ½ h × 19 ½ w in (70 × 50 cm)
Signed and dated to lower edge ‘Tracey Emin 2015’.
This work is from the edition of 500.
$1,000 – 2,000
279
Laurie Simmons b. 1949
Blue Tiled Reception Area
281
David LaChapelle b. 1969
Fish Stick
1983 | c-print | 50 h × 39 w in (127 × 99 cm)
1998 | c-print | 14 h × 11 w in (36 × 28 cm)
Signed, titled and dated to verso ‘Laurie Simmons Blue Tiled
Signed to accompanying studio label ‘David LaChapelle’.
Reception Area #2 1983’. This work is number 2 from the edition of 5.
This work is number 44 from the edition of 50 published
$8,000–12,000
by Reflex, Amsterdam.
Literature Laurie Simmons: Color Coordinated Interiors 1983, Skarstedt
Fine Arts, pl. 12 Laurie Simmons, Bartman and Sappington, pg. 46
$300–500
283
Julie Moos b. 1965
Anne and Bayley (from the Friends and Enemies series)
1999 – 2000 | c-print mounted to foamboard
49 ½ h × 69 ½ w in (126 × 177 cm)
$3,000 – 5,000
282
Nan Goldin b. 1953
284
Loretta Lux b. 1969
Jabalowe under the mosquito net looking at me
Lois 2
2003 | cibachrome print | 30 h × 40 w in (76 × 102 cm)
2000 | cibachrome print mounted to aluminum | 19 h × 19 ½ w in (48 × 50 cm)
Signed, titled, dated and numbered to artist’s label to verso
Signed, titled, dated and numbered to verso ‘Loretta Lux 2000 Lois 2 Ed. 2/7’.
‘Nan Goldin Jabalowe under the mosquito net looking at me 2003
AP 1’. This work is an artist’s proof aside from the edition of 15.
$3,000 – 5,000
$3,000 – 5,000
Provenance Yossi Milo Gallery, Inc., New York | Private collection
Terms & Conditions of the Sale
Terms and Conditions of Sale (“Terms”), as supplemented in
writing or otherwise by us at any time prior to the sale. By
Registering to Bid, Bidding, or otherwise purchasing a Lot
from Wright, you agree to be bound by these Terms. In these
Terms, “we,” “us,” “our,” “Wright” or similar terms mean R.
Wright, Inc. and any of its agents, and “you,” “your,” “buyer”
or similar terms mean a person Bidding on or buying a Lot at
a Wright Auction, Private Sale, Wright Now Sale or otherwise
through us. Please see Section 9 below for the meanings
of capitalized terms or phrases that are not defined elsewhere
in these Terms.
1 Bidding at Auction
Prerequisites To Bid, you must Register to Bid with
us in advance of the sale. In addition to our general
registration requirements, we reserve the right to require
(a) photo identification; (b) bank references; (c) a credit
card; and (d) a monetary deposit (which will be refunded
immediately if you do not submit the highest bid on a lot
and will be applied to any Purchase Price Bid).
Assumed Costs and Risks By Bidding, you understand
that any Bid you submit can and may be regarded as the
Purchase Price Bid for a particular Lot; accordingly, your
Bid constitutes a legally binding agreement to purchase
the Lot in accordance with your Bid if accepted by the
auctioneer. You agree to assume personal responsibility
to pay the Purchase Price Bid, plus the Buyer’s Premium
and any additional charges that become due and payable
in connection with your purchase of a Lot; and that upon
the fall of the auctioneer’s hammer or other indication by
the auctioneer that bidding has closed for a particular Lot,
if your last Bid is the Purchase Price Bid, you agree to
purchase the Lot and assume all risk of loss and damage
to such Lot, in addition to any obligations, costs and expenses
relating to its handling, shipping, insurance, taxes and export.
All sales are final.
Auctioneer Discretion The auctioneer has the right,
in his absolute discretion, to determine the conduct of any
Wright Auction sale, including, without limitation, to advance
the bidding, to reject any Bid offered, to withdraw any lot,
to reoffer and resell any lot, and to resolve any dispute in
connection with such sale. In any such case, the judgment
of the auctioneer is final, and shall be binding upon you and
all other participants in such sale.
Bidding Increments All Wright Auction sales will be conducted
in the following increments, and nonconforming Bids will not
be executed, honored or accepted:
$ 25 to 500
$ 25 increment $ 500 to 1,000
$ 50 increment $ 1,000 to 2,000
$ 100 increment $ 2,000 to 3,000
$ 200 increment $ 3,000 to 5,000
$ 250 increment $ 5,000 to 10,000
$ 500 increment $ 10,000 +
$ 1,000 increment or auctioneer’s discretion
Reserve All Lots may be offered subject to a confidential
minimum price below which the Lot will not be sold (the
“Reserve”). The auctioneer may open the bidding on any
lot below the Reserve by placing a Bid on behalf of the Seller.
The auctioneer may continue to Bid on behalf of the Seller up
to the amount of the Reserve, either by placing consecutive
Bids or by placing Bids in response to other bidders.
Remote Bidding As a convenience to buyers who cannot
be present on the day of a Wright Auction and have Registered
to Bid, we will use reasonable efforts to execute (i) written,
properly completed absentee Bids described on Wright bid
forms delivered to us prior to that sale; or (ii) Bids delivered
to us via the Internet, whether by properly completed Wright
absentee bid forms or, if available, a live bidding service
authorized by Wright. We assume no responsibility for a
failure to execute any such Bid, or for errors or omissions
made in connection with the execution of any such Bid.
If requested prior to a Wright Auction in writing, we will
use reasonable efforts to contact the buyer by telephone
to enable the buyer to Bid by telephone on the day of the
sale, but we assume no responsibility for errors or omissions
made in connection with any such arrangement (including
without limitation miscommunication of instructions given
over the phone or failure to establish a connection prior to
a sale). You acknowledge that there may be additional terms
and conditions governing the use of any third-party service
in connection with Bidding on the Internet, including, but
not limited to, those providing for additional charges and
fees relating to the execution of such Bids. Wright has no
control over, and assumes no responsibility for, the content,
privacy policies, or practices of any third party websites
or services. You expressly release Wright from any and all
liability arising from your use of any third-party website or
services. Additionally, your dealings with such third party
sites, including payment and delivery of goods, and any other
terms (such as warranties) are solely between you and such
third parties. We encourage you to be aware of, and to read,
the terms and conditions and privacy policy of any third-party
website or service that you visit.
2 Payment for and Collection of Purchases
You Pay Buyer Costs If your Bid results in a Purchase Price
Bid (or you agree to pay the purchase price for a Lot as a part
of a Wright Now Sale or Private Sale), you agree to pay the
following charges associated with the purchase of such Lot:
i. Hammer Price (for Auction Sales) or Lot purchase Price
(for Wright Now Sales and Private Sales); ii. Buyer’s Premium
(for Auction Sales)which is 25 % of the Hammer Price (or part
thereof) up to and including $ 100,000; 20 % of the Hammer
Price (or part thereof) in excess of $ 100,000 up to and
including $ 1,000,000; and 12 % of the Hammer Price (or part
thereof) in excess of $ 1,000,000. iii. any applicable sales
tax, late payment charges, storage fees, Enforcement Costs
or other costs, damages or charges assessed in accordance
with these Terms (for all sales) ((i) – (iii) collectively, the
“Buyer Costs”). All purchases will be subject to state sales
tax in Illinois or New York unless the buyer has provided us
with a valid certificate of exemption from such tax.
Payment Procedure You agree to pay all Buyer Costs
immediately following Wright’s acceptance of the Purchase
Price Bid unless other arrangements have been approved
by Wright in advance. If Wright approves of such other
arrangement for payment, Wright may at its discretion
require you to make a nonrefundable down payment on
Buyer Costs. All payments must be made in US Dollars,
in any of the following acceptable forms of payment:
– Cash
– Check, with acceptable identification
– Visa, MasterCard or American Express
Wright reserves the right to charge and collect an
additional 2% of payments made by credit card.
Title and Risk of Loss Title to a Lot purchased in
accordance with these Terms shall not pass to the buyer until
Wright has received the Buyer Costs (including clearance
of checks and wire transfers). We reserve the right to delay
delivery of or otherwise prevent access to any purchased Lot
until Wright has received all Buyer Costs. Notwithstanding
passage of title, risk of loss to a Lot passes immediately to
buyer upon Wright’s acceptance of a Purchase Price Bid.
Security As security for full payment to us of all amounts
due from the buyer and prompt collection of your purchased
Lots in accordance with these Terms, we retain, and the buyer
grants to us, a security interest in any Lot purchased by the
buyer in accordance with these Terms (and any proceeds
thereof), and in any other property or money of the buyer in
our possession or coming into our possession subsequently
(“Security Interest”). We may apply any such money or treat
any such property in any manner permitted under the Uniform
Commercial Code and/or any other applicable law. You hereby
grant us the right to prepare and file any documents to protect
and confirm our Security Interest including but not limited to
a UCC-1 Financing Statement.
Delivery Buyer is solely responsible for collection of
purchased Lots from Wright facilities, including making
arrangements and paying all costs associated with packing
and delivery. We may, as a courtesy to the buyer, provide
or arrange packing, shipping or similar logistical services,
or refer the buyer to third parties who specialize in these
services. Any such services referred, provided or arranged
by us are at the buyer’s sole risk and expense, we assume
no responsibility for any act or omission of any party in
connection with any such service or reference, and we make
no representations or warranties regarding such parties
or their services. You expressly release Wright from any
and all liability arising from your use of any third-party
website or services.
Storage, Abandonment and Related Charges
All purchased Lots not collected from Wright’s facilities by buyer
or buyer’s authorized agents within thirty (30) days following the
Sale Date will become subject to storage fees of not less than
$ 5 per day. A late payment fee equal to 1.5 % per month may
be assessed on any Buyer Costs remaining unpaid thirty (30)
days following the Sale Date. If a purchased Lot has not been
collected from us within sixty (60) days after the Sale Date, and
Wright has not consented to continue to store the Lot, the buyer
will be deemed to have defaulted under these Terms, and, in
addition to any other remedies we may have at law or equity,
we shall be entitled to foreclose on the Security Interest by
selling such Lots and using the proceeds from such sale for any
purpose (including payment of storage fees and administrative
expenses of handling suchmatter), without any further liability
to the buyer. You agree that this remedy is reasonable in light
of the costs Wright would have to incur to continue to store and
process purchased Lots after sale.
Breach If a buyer fails to make timely payment as required in
these Terms, or breaches any other covenant, representation
or warranty in this Agreement, we shall be entitled, in our
discretion, to exercise any remedies legally available to us,
including, but not limited to, the following:
i. cancellation of the sale of the Lot to the non-paying buyer,
including the sale of any other Lot to the same buyer (whether
or not paid); ii. reselling the Lot, at public or private sale, with
or without reserve; iii. retention of all amounts already paid
by the buyer to Wright, which shall constitute a processing
and restocking fee (which you acknowledge would be
reasonable in light of the costs Wright would have to incur
to process your breach and attempt to re-auction or resell
the Lot); iv. rejection of any Bids by the buyer at future
auctions; v. setting-off any amounts owed by Wright to the
buyer in satisfaction of unpaid amounts; and/or vi. taking
any other action we deem necessary or appropriate under
the circumstances.
Confession of Judgment. If you default on payment of one or
more Purchase Price Bids under this Agreement, you hereby
authorize any attorney to appear in a court of record and confess
judgment against you in favor of Wright for the payment of such
Purchase Price Bids and all related Buyer Costs. Accordingly,
the confession of judgment may be without process and for
any amount due on this Note including collection costs and
reasonable attorneys’ fees. This authorization is in addition
to all other remedies available to Wright.
3 Limited Warranty
“As Is”, “Where Is”. Except as expressly stated below,
each Lot is sold “as is” “where is”, with no representation
or warranty of any kind from any party (including Wright
or the consignors of the Lots), express or implied, including
warranties of merchantability, fitness for a particular
purpose and non-infringement. Because you are responsible
for satisfying yourself as to condition or any other matter
concerning each purchased Lot, you are advised to personally
examine any Lot on which you intend to bid prior to the auction
and/or sale. As a courtesy, condition reports for any Lot are
available from Wright prior to the sale, but Wright assumes
no responsibility for errors and omissions contained in any
such report, a Wright Catalogue or other description of a Lot
that may be available on the Wright website. Any statements
made by Wright with respect to a Lot (whether in a condition
report, a Wright Catalogue or on the Wright website), whether
orally or in writing, are intended as statements of opinion
only, are not to be relied upon as statements of fact and
do not constitute representations or warranties of any kind.
Authorship Warranty Subject to the following terms
and conditions, Wright warrants, for a period of two (2)
years following the date of sale, the information presented
in a Wright Catalogue with respect to Authorship of any Lot
is true and correct, so long as the name of the Author is set
forth unqualifiedly in a heading in Bold type in the applicable
and most current Wright Catalogue. The term “Author” or
“Authorship” means the creator, designer, culture or source
of origin of the property, as the case may be, as specifically
identified in Bold type in the applicable and most current
Wright Catalogue, and shall not include any supplemental
text or information included in any other descriptions (whether
or not in the Wright Catalogue).
Exclusions from and Conditions to the Authorship
Warranty Notwithstanding, this warranty is subject to the
following: i. The benefits of this warranty are only available
to the original buyer of a Lot from Wright, and not to any
subsequent purchasers, transferees, successors, heirs,
beneficiaries or assigns of the original buyer. ii. This warranty
shall not apply to any Lot for which a Wright Catalogue
description states that there is a conflict of opinion among
specialists as to Authorship. iii. This warranty shall not
apply to any Lot for which, at the time of sale, the statements
regarding Authorship made by Wright conformed with the
generally accepted opinion of scholars, specialists or other
experts, despite the subsequent discovery of information that
modifies such generally accepted opinions. iv. The buyer
must provide written notice of any claim under this warranty
to Wright (validated by no fewer than two (2) written opinions
of experts whose principal line of business is the appraisal
and authentication of art, antiquities, design objects or other
valuable objects similar to the Lot) not later than thirty (30)
days after becoming aware of the existence of such a claim,
an in any event no later than two (2) years following the date
of sale, and must return the Lot subject to such claim to Wright
in the same condition as at the time of the original sale. Wright
reserves the right to appoint two independent specialists
Index
to examine the Lot and evaluate the buyer’s claim prior to
buyer’s receipt of any remedy pursuant to this warranty.
Buyer’s Only Remedy for Authorship Warranty
Breach The buyer’s sole remedy, and Wright’s sole liability,
under this warranty shall be the cancellation of the sale of
the Lot in question, or (if the sale has already concluded)
the refund of the purchase price originally paid by such
buyer for the Lot in question (not including any late fees,
taxes, shipping, storage or other amounts paid to Wright
in accordance with these Terms). Buyer hereby waives
any and all other remedies at law or equity with respect
to breaches of this warranty.
Limit of Liability In no event shall wright be liable to you
or any third party for any consequential, exemplary, indirect,
special, punitive, incidental or similar damages, whether
foreseeable or unforeseeable, regardless of the cause
of action on which they are based, even if advised of the
possibility of such damages occurring. With respect to any
sale of a lot, in no event shall wright be liable to you or any
third party for losses in excess of the purchase price paid
by you to wright for such lot to which the claim relates.
4 Rescission or Voiding of Sale by Wright
If we become aware of an adverse claim of a third party relating
to a Lot purchased by you, we may, in our discretion, rescind
the sale. Upon notice of our election to rescind a sale, you will
promptly return such Lot to us, at which time we will refund
to you the Hammer Price and Buyer’s Premium paid to us by
you for such Lot. This refund will represent your sole remedy
against us and/or the consignor in case of a rescission of sale
under this paragraph, and you agree to waive all other remedies
at law or equity with respect to the same. If you do not return
such Lot to us in accordance with this paragraph, you agree
to indemnify, defend and hold Wright, its officers, directors,
employees, agents and their successors and assigns, harmless
from any damages, costs, liabilities or other losses (including
attorney’s fees) arising as a result of such third party claim.
5 Copyright Notice
Wright and its licensors will retain ownership of our
intellectual property rights, including, without limitation,
rights to the copyrights and trademarks and other images,
logos, text, graphics, icons, audio clips, video clips, digital
downloads in, and the “look and feel” of, the Wright website
and each Wright Catalogue. You may not obtain any rights
of ownership, use, reproduction or any other therein by virtue
of these Terms or purchasing a Lot. You may not use any
of our trademarks or service marks in any way.
6 Severability
If any provision of these Terms is held by any court to
be invalid, illegal or unenforceable, the invalid/illegal/
unenforceable aspect of such provision shall be disregarded
and the remaining Terms enforced in accordance with the
original document and in accordance with applicable law.
7 Governing Law
These Terms shall be governed by and interpreted in
accordance with the law of the State of Illinois and, by
Registering to Bid or Bidding in the Wright Auction (whether
personally, by telephone or by agent), the you agree to submit
to the exclusive jurisdiction of the state and federal courts
located in Cook County, Illinois in connection with any matter
related to these Terms, the Wright Auction or other sale
of a Lot to you by Wright.
8 Expenses
A
In addition to the foregoing, you agree to pay to Wright or
Seller on demand the amount of all expenses paid or incurred
by Wright and Seller, including attorneys’ fees and court costs
paid or incurred by Wright or Seller in exercising or enforcing
any of its rights hereunder or under applicable law, together
with interest on all such amounts at 1.5 % per month (the
“Enforcement Costs”) within thirty (30) days of the buyer’s
receipt of Wright’s invoice for such Enforcement Costs.
Abercrombie, Gertrude 268 – 269
Adam, Christian 271
Andre, Carl 164 – 165
Andrews, Benny 251 – 253
Anuszkiewicz, Richard 148
Appel, Karel 135
Arman 145
9 Definitions
Baechler, Donald 258
Bakker, Gijs 192
Baldessari, John 181
Barr, David 185 – 186
Berthot, Jake 217
Biederman, Charles 211 – 212, 259
Biltereyst, Alain 195 – 196
Bitsch, Hans Ullrich 142
Bradford, Katherine 215
The following terms have the following meanings: Author
and Authorship have the meanings given in Section 4.
Bidding, Bid or place a Bid means a prospective buyer’s
indication or offer of a price he or she will pay to purchase
a Lot at a Wright Auction which conforms with the provisions
of Section 2. Buyer Costs has the meaning given in Section
3. Buyer’s Premium means the following for any Lot:
(i) 25 % of the Hammer Price (or part thereof) up to and
including $ 100,000; (ii) 20 % of the Hammer Price (or
part thereof) in excess of $ 100,000 up to and including
$ 1,000,000; and (iii) 12 % of the Hammer Price (or part
thereof) in excess of $ 1,000,000.
Hammer Price means the price for a Lot established by
the last bidder and acknowledged by the auctioneer before
dropping the hammer or gavel or otherwise indicating the
bidding on such Lot has closed. Lot means the personal
property offered for sale by Wright, whether at a Wright
Auction, Private Sale, Wright Now Sale or otherwise.
Passed Lot is a Lot which does not reach its reserve or
otherwise fails to sell at a Wright Auction. Private Sale
is a non-public, discrete sale of a Lot (such Lot typically not
being exhibited by Wright). Purchase Price Bid means the
bid submitted by a Buyer for a Lot which is accepted as the
Hammer Price, or in the case of Private Sales or Wright Now
Sales, the price accepted by Wright for the sale of such Lot.
Register to Bid or Registering to Bid means providing
Wright with your complete, accurate contact information
(including address, phone and email) and a current, valid
credit card number (including security code), and (i) in the
case of phone or absentee bidders, a properly completed
Wright bid form and (ii) in the case of online bidders, registration
with such authorized third-party online auctioneer service
providers described on our website on the How to Bid page.
Reserve has the meaning given in Section 2. Sale Date
means, in the case of Wright Auctions, the date of the closing
of bidding for a particular Lot and acceptance of the Purchase
Price Bid for such Lot; in the case of all other sales by Wright,
the date Wright agrees in writing to sell a Lot to a buyer.
Security Interest has the meaning given in Section 3.
Seller means the owner of a Lot offered for sale at
a Wright Auction, Private Sale, Wright Now Sale or other
sale administered by Wright.
Terms has the meaning given in the Introduction to this
Agreement. Wright Auction means the sale of Lots to the
public through competitive bidding administered by Wright
(including sales administered through a third-party Internet
auctioneer authorized by Wright). Wright Catalogue
means the design catalogues published by Wright which
features Lots available at particular Wright Auctions. Wright
Now Sale is a sale of a Lot consigned to Wright by a third
party, either posted on Wright’s website directly or solicited
after a Lot fails to sell at auction.
B
C
Cadmus, Paul 247
Cage, John 160
Capote, Ivan 255
Castellani, Enrico 100
Castle, Wendell 101, 131
Cave, Nick 106 – 107
Celmins, Vija 103
Coffin, Peter 274
Colombo, Joe 126
Consagra, Pietro 263
Coppola, Mario 233
D
d'Albisola and Diulgheroff 222 – 223,
226, 231
Dali, Salvador 147
Davis, Gene 229
de Saint Phalle, Niki 137 – 138
Dine, Jim 112
Draenert (Berghof,
Landes, Rang) 224
Dubreuil, André 235 – 236
Dwyer, Nancy 183
E
Eastman, Michael 144
Eder, Martin 244
Emin, Tracey 280
F
Ferber, Herbert 260
Fink, Larry 117 – 118
Francis, Sam 140 – 141, 180
Friedman, Tom 109
G
Gates, Theaster 125
Gebrüder Thonet 136
Gehry, Frank 243
Ghirri, Luigi 143
Goldin, Nan 273, 282
Gomez Guerra, Arturo 193, 198
Graves, Michael 230, 256 – 257
Guarneri, Riccardo 254
Guston, Philip 170
H
Hammersley, Frederick 114
Haring, Keith 176 – 178
Hawkins, Richard 276 – 278
Herrmann, Robert 202 – 207
Hjorth, Axel Einar 220
J
Jaudon, Valerie 111
Jeffrey-Dale Surfboards 166
Jenkins, Paul 169, 272
Johnson, Ray 150 – 159
K
Kelley, Mike 184
Kilimnik, Karen 133
Koons, Jeff 132, 134
Kounellis, Jannis 249
Kuramata, Shiro 174
L
LaChapelle, David 281
Langlois and Davis 216
Léger, Fernand 213
Leslie, Alfred 232
Levine, Sherrie 149
LeWitt, Sol 104 – 105
Lichtenstein, Roy 197, 225
Lux, Loretta 284
M
Man Ray 246
Mangiarotti, Angelo 191
Mangold, Robert 146
Mathieu, Henri 102
McGinness, Ryan 264
McHargue, Keegan 265 – 267
Miró, Joan 182 – 261
Moos, Julie 283
Mullican, Matt 171
N
Nagele, Albert 221
Natkin, Robert 234, 239
Nauman, Bruce 139
Newson, Marc 214
O
Ossorio, Alfonso 242
P
Pardo, Jorge 208 – 210
Parisi, Ico and Luisa 110
Paschke, Ed 227 – 228
Pattison, Abbott 250
Pearlstein, Philip 245
Pepper, Beverly 241
Picasso, Pablo 219
Prince, Richard 129
R
Remy, Tejo 116
Richter, Gerhard 167
Roman, Victor 270
Ruscha, Edward 163
S
Salle, David 120 – 121
Saret, Alan 238
Scarpa, Afra and Tobia 168
Schumann, Christian 179
Shaw, Jim 248
Siegel, Arthur 113
Simmons, Laurie 130, 279
Smith, Leon Polk 172 – 173
Sottsass, Ettore 108, 194
Starck, Philippe 240
Steiger, William 199 – 201
T
Takis, Vassilakis 122 – 124
Tucker, William 237
V
van der Laan, Dom Hans 187
Vasarely, Victor 188 – 189
Veenhuizen, René 116
Venet, Bernar 218
Vistosi, Gino 190
W
Walker, Kara 127 – 128
Warhol, Andy 115, 119
Westermann, H.C. 161 – 162
Williams, Christopher 275
Wojnarowicz, David 175
Y
Young, Aaron 262
Contact
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Art Design 25 February 2016 noon cst
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