Auction, Fine and Decorative Arts March 10-11

Transcription

Auction, Fine and
Decorative Arts
March 10-11, 2012
9 a.m.
117 Tunnel Road
Asheville, North Carolina
Preview Friday, March 9, 1–8 P.M.
Early Preview By Appointment
Fully illustrated color catalogue
$35 (Includes U.S. Postage)
$30 at the door
Catalogue available online,
www.brunkauctions.com
brunk
auctions
Post Office Box 2135
Asheville, North Carolina 28802
828-254-6846 • Fax 828-254-6545
auction@brunkauctions.com
Robert S. Brunk, NCAL 3041, Andrew Brunk NCAL 8830, Firm NC 3095
Robert S. Brunk Auction Services, Inc. Since 1983
Lot 558
Cover: Lot 515
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• 385 •
Featured Estates And Collections
Collection of the late Reynolds Price
Property Deaccessioned by the North Carolina Museum of Art
Property of Philip and Charlotte Hanes, Winston-Salem, North Carolina
Estate of the Late Glenn E. and Faye Hicks Jr., Atlanta, Georgia
Estate of the late Patrick H. Booth, Jr., Petersburg, Virginia
Estate of Dr. Joseph Chandler Battaile, Sr., Memphis, Tennessee
Property of a South African Collector
Private East Tennessee Collection
Private Collection, Memphis, Tennessee
Property of a Lady, Paris, France
Private Collection, Tryon, North Carolina
Estate of the Late Mary Whiting Ewing, Chapel Hill, North Carolina
Estate of the late Jane B. Wishner, Hendersonville, North Carolina
Private Collection, Lexington, Kentucky
Private Collection of a Washington, D.C., Gentleman
Private Collection, Maryland
Property From the Estate of the late Charles Dickgiesser
Estate of Bessie Goldner, Phoenix, Arizona
Private Collection, Linville Ridge, North Carolina
Estate of Georg Hilgers, Germany
Private Collection, Nashville, Tennessee
Private Collection, Blowing Rock, North Carolina
•548 •
March 10, 2012 • 9 a.m.
1
Lots 001 - 691
• 163 •
8 • March 10, 2012 • Collection of the Late Reynolds Price
A
llan Gurganus, author of Oldest Living Confederate
Widow Tells All, delivered a eulogy for his colleague Reynolds Price at the American Academy of Arts
and letters in New York City on April 7, 2011. Price, the
James B. Duke Professor of English at Duke, his alma
mater, passed away January 20. Our sincere thanks to
Alan Gurganus for his permission to reprint that eulogy:
Eulogy for Reynolds Price
Storytelling aloud, doing all the accents—(while
incidentally saving some young academic couple’s first
dinner party)—Reynolds Price embodied a narrative
force, a charm unmet before and never likely again.
If his prose came clear and conversational, his conversation could be opulent, allusive. Author of thirtyMariana R. Cook, 1986
seven books in all known genres, his every observation
brought its own character witness: I mean Reynolds’
God-like James Mason bass-baritone. (If that voice told you how one afternoon in Rome in 1961, while Richard
Burton was in another room, Liz Taylor sort of put the moves on beautiful boy Reynolds, the sheer timbre of telling
made you feel an infidel for doubting.)
Reynolds was fluent in Aramaic, at ease in ancient Greek. And he was rightly proud of his North Carolina
memory. Once asked to talk about his first-grade class—Reynolds smiled, “Left to right or right to left?”
His choicest stories, breathed and written, leapt as a birthright from his rural Warren County. Reynolds’
novels benefit from his having memorized all the parables of Christ. Price’s own prose sounds a sweet clear certainty we hear in ‘The Book of Ruth’. Like that work, his fiction typically considers worthy people, secure only in
family ties, tested by death or poverty, folks who, thanks to memory then forgiveness, somehow endure.
Reynolds Price could be a very funny man. His humor was insinuating, cracked, and at peace with the human body. Since the books he loved most were the Bible and Paradise Lost—from those he’d founded a Christian
notion that all of us have fallen but some have visibly slipped, if not lower than others, then a bit more volitionally, strategically. And these become the storytellers, the feelers, the first-rate first-grade rememberers. Reynolds
was all of those combined. Juggling gifts, he was like Isaac Newton tossing all the apples back up.
The worst year of the Depression was 1933, when Reynolds Price appeared in Macon, North Carolina. He
remained an only child till his brother, Bill, the distinguished historian, arrived less than a decade later. But Reynolds remained for that time the single kid among a bevy of great-aunts and grandparents, folks ready to adore and
get him talking. He complied. In early photographs he shines like some MGM feature-player. A dark-eyed pretty
child, he opened into the comic intelligence that forever lit his family’s home. He’d been born a prodigy. For all
that Existence first granted him—then later seemed, via poor health, to withdraw—Reynolds Price remained precocious a full 77 years.
Duke University saw his brilliance at 18 and took him unto itself. After a Rhodes scholarship, and acquaintance with Auden and Spender, the prodigal returned to publish at age 29, A Long and Happy Life. It is still
my candidate for best novel by the youngest person. A short parlous tale of happy people, it loves its young characters into being then absolves them of crimes their own loves require. Most novelists don’t emerge till after 40,
after realizing their own mortality by enduring at least three divorces, after delivering too many eulogies of friends.
But Reynolds seemed born knowing and laughing. His social poise was peerless and the one mistake he ever
readmitted he made in this very building. Reynolds regretted it ever-after: he went to introduce Stephen Sondheim
then said instead “Stephen Spielberg”. He’d rue this slip aloud a dozen times.
Price’s poems and novels understand how a landscape shapes its citizens. His prose has by heart the
names of every bird and wildflower. We likewise feel his deep acceptance of sin and mortality as the very things
that give us all our color.
March 10, 2012 • Collection of the Late Reynolds Price • 9
From the start, people knew him as a boy—if one who had already made literature. Price grew up to be,
with his Bible translations, his poems, plays and essays, an old-fashioned Man of Letters, on Victor Hugo’s scale
of pursuit-production. In this, he resembles our much-missed colleague John Updike. They both danced a Virginia
reel among the genres. Both had so much to say about so many things, they always seemed to be playing doubles
against any single subject.
Reynolds’ state of buoyant blessedness darkened at age 51. The aggressive treatment of a spinal
malignancy killed both the cancer and his ability to walk. Typical of Reynolds to find, almost at once, immobility’s every hidden benefit. Always a closet pasha, he rightly pointed out: most writers would secretly prefer to be
wheeled by some literate young person from their desk to a waiting meal and, after some stimulating (if brief)
conversation, back to the desk again.
I’ll devote just five sentences to his positive influence on me, a fellow North Carolinian 15 years his junior.
Not long after I’d escaped our native state, Reynolds read my first stories and summoned me back from Palo Alto
to teach at Duke. He’d reeled me back, half against my will, to a state I felt belonged to my family, not me. (Being
24, I had Corfu in mind!) This native’s return was eased by my seeing Reynolds’ own lair—its Rembrandt etchings,
ancient Russian icons, death masks of Blake and Keats, and more than a few superb new portraits of—somehow,
naturally—Reynolds Price. I saw how daily he worked. He showed me: talent is never an excuse to coast. Talent
is the one reason to struggle. From Reynolds I learned just three things: how to work, what to write about, and
where.
His home still contains a wall of books, in chronological order, all first editions, each of course, by Reynolds Price. In that glass case, across its nearly 40 titles, there is not a careless or hurried sentence, not a banal
thought, not one image unfelt before being dentally polished and aligned. His is, I think, a truly humane and unified contribution to our literature. It is lasting because it feels as natural, as inevitably breathed-into as some deep
clear Schubert song.
But what we remember best is his warming voice, his total recall, his suave simplicity when relaxed and at
his funniest. Born Depression-poor, rightly praised from the beginning, there was always something of the prince
about Reynolds Price. And, as with worthy royals, visible adversity became, in his hands, a new and deepening
subject. His scope of talent was never insisted on, merely exercised and daily. Not assumed, enjoyed.
11111111
0001
002
003
Reynolds Price’s Vintage Olivetti Typewriter
Four Annotated Books by Reynolds Price
Olivetti Lettera 22, circa 1950s, with original cover
inscribed “Reynolds Price” and original cloth and
zippered case, generally good condition, cover
with separations at seams, zippered case with
surface wear, abrasions, losses at leather handles
and other wear overall
comprising The Laws of Ice, A Private Contentment
(signed on title page), Vital Provisions, The
Foreseeable Future, all inscribed on title page
with notes for corrections, all in good condition
with minor bumps at corners, wear and slight
discoloration to some jackets
Ben Long
(North Carolina/Italy, born
1945)
Estimate: $100 - $200
Estimate: $300 - $500
Price typed almost all of his early books on this
Olivetti, starting with A Long and Happy Life.
Portrait of Reynolds Price, 1985,
signed with monogram lower
right “BL” and inscribed with
title and “Durham 1985/Merry
Christmas! 1997”, graphite on
laid paper, 9-3/4 x 7-1/8 in.
(sight); gilt wood frame, stains,
handling grime, foxing, not
examined out of frame
Estimate: $400 - $600
For additional details and images see our website, www.brunkauctions.com
004
005
006
After Cornelis Janssens Van Ceulen
(or Cornelius Johnson, Flemish/English, 15931661)
Wedgwood Bust of Milton
British School
(19th century)
John Milton, aged 10 years, inscribed at top
“John Milton Aetat 10”, possibly a 17th or
18th century copy, oil on canvas, 12-3/4 x 10
in.; carved gilt and lacquered wood frame by
Alexander Laing, Edinburgh, resurfaced, some
skinning of surface, restretched, lined, several
periods of restoration, retouch throughout,
flaking, abrasions at edges, craquelure; frame
with abrasions
British, late 19th century, black
basalt with impressed mark “Milton/
Wedgwood/F.W. Wyon”, mounted on
socle, 13-1/2 in., excellent condition
Estimate: $400 - $600
Reynolds Price wrote his thesis at Oxford
on Milton, and taught a course on
Milton's poety at Duke for decades
Portrait of John Milton (1608-1674), English
poet, unsigned, oil on copper, 8-1/8 x 6-1/2
in.; gilt wood liner, yellowed varnish, flaking,
abrasions; liner resurfaced
Provenance: Michael Evans Fine Art, Ferndale,
Pennsylvania, purchased 2008 (original
receipt accompanies lot)
Estimate: $200 - $400
Provenance: Phillips, sale No. 306, lot 125
(label verso)
Estimate: $300 - $500
008
Parian Ware Figure of Milton
007
Three English Ceramic Busts
British, 19th century: one of Milton, probably Staffordshire, 9-1/4
in., overall light crazing; two unidentified, probably English authors,
7-1/4 in., overall light crazing, and 8 in., tape residue, generally good
condition
Estimate: $200 - $400
British, 19th century, figure standing beside pillar with a scroll,
“Into the heaven of heavens I have presumed an earthly guest
and drawn ethyreal [sic] air”, 13 in.; lot accompanied by book,
The English Poems of John Milton, Oxford University Press, blue
cloth binding, inscription on front papers “Given to W.S.P.C.
1958” and signed “Edward Reynolds Price, May 1953”, thought
to be Reynolds Price’s first copy of Milton, 6-1/4 x 3-7/8 in.,
figure with failed repair to proper right foot, otherwise good
condition; book in good condition, corners slightly bumped
Estimate: $300 - $600
Reynolds Price was 20 years old when purchased this copy of
Milton's Poems.
009
010
011
Wedgwood Bust of Homer
Spencer and Shakespeare Wedgwood Busts
Wedgwood Portland Vase
British, late 19th century, black
basalt, mounted on socle, 11-1/2 in.,
excellent condition
British, late 19th century, both black basalt: Shakespeare with
impressed Wedgwood mark, 12 in., good condition, minor
surface abrasions; Spencer of heavy construction, impressed
“Spencer” and “Wedgwood”, 15 in., loose on socle with chips
at rim (handle with care)
British, 19th century, fine cameo
decoration on sides and base,
stamped at base “Wedgwood”,
10-3/4 in.; lot accompanied by
descriptive Wedgwood brochure,
scattered surface abrasions,
otherwise good condition
Estimate: $400 - $600
Estimate: $400 - $800
Estimate: $1,000 - $2,000
012
013
014
015
Ben Long
(North Carolina/Italy,
born 1945)
Stephen Spender
(British, 1909-1995)
Stephen Spender
(British, 1909-1995)
Sidney Nolan
(Australian, 1917-1992)
Wallace Kaufman and Reynolds Price, “Chalk
drawing by Stephen Spender at 10 E. 87th
St., NY Summer 1960”, chalk on paper, 11 x
15 in.; wood frame, taped on all sides to mat
verso; frame with abrasions
The Poet Stephen
Spender, by himself,
inscribed at bottom
“To Reynolds with
love from/unsigned
original/Just looking
in a Looking Glass
and thinking of his self
and his other self April
30, 1957”, colored
pencil on paper, 14 x
10 in.; painted wood
frame, taped to verso
of mat, remnants of
tape verso; frame with
abrasions
Illustration for Uncle Grant, for
Encounter magazine, unsigned,
marker on card, 10-1/4 x 12-1/4 in.;
silver gilt frame, taped on all sides to
verso of mat
Portrait of Reynolds
Price, signed and
inscribed lower left “To
Reynolds from where
it all began: with deep
friendship Ben Long/
BL LXXXV”, graphite
and ink wash on brown
paper, 15-1/4 x 111/4 in.; painted wood
frame, toning, taped to
mat verso; frame with
abrasions
Estimate: $400 - $600
Estimate: $200 - $400
Estimate: $400 - $600
Estimate: $200 - $400
016
017
018
Attributed to Sidney Nolan
(Australian, 1917-1992)
William Blake
(British, 1757-1827)
Will Wilson
(California, born 1957)
Inscribed verso “For a Tear is
an intellectual thing”, from The
Grey Monk by William Blake,
possibly signed verso “Nolan”
and “Blake Illustration 21 [21
circled]”, oil on paper, 10-1/8
x 8-1/4 in.; wood frame, good
condition; frame with abrasions
Three engravings from The Book
of Job, circa 1825, includes
plates 1, 4 and 7, signed in
plate, engravings on cream
paper, 7-3/4 x 6-3/8 in. (plate),
13-7/8 x 10 in. (page); matching
gilt wood frames, hinged in with
paper tape verso, light grime
and toning, minor foxing; frames
with abrasions
Peace Offering, depicting the angel
Raphael in Paradise Lost, holding
a dove, signed lower right “Will
Wilson”, oil on canvas, 18 x 14 in.;
fine carved, painted and silver gilt
wood frame by Heydenryk, New
York, good condition
Estimate: $400 - $800
Provenance: Commissioned through
John Pence of John Pence Gallery,
San Francisco, California, 1995
Estimate: $300 - $600
Estimate: $1,500 - $2,500
019
020
021
Margaret Moulton
(New York, late 20th/early 21st
century)
Mariana R. Cook
(New York, born 1955)
John Keats Rosenthal
(Chapel Hill, North Carolina)
Reynolds Price, 1986, signed lower right
in pencil “M. Cook” and inscribed verso
backing, silver gelatin print, unframed,
15-1/8 x 17 in.; rag mat, small points of
retouch, linear indentations
Lydia, Wilmington, North Carolina (or Wrightsville
Beach, North Carolina), 1977, signed lower right
“John Rosenthal” and titled lower left, silver gelatin
print, 12 x 18 in. (image); metal frame, good
condition, not examined out of frame
Estimate: $400 - $600
Estimate: $300 - $500
Untitled (Father with Children), 1992,
edition 10/30 from the series “Side
Effects”, 1988-1993, signed verso
in pencil “Margaret Moulton 1992”,
gelatin silver print, 19-7/8 x 19-3/4 in.
(page); modern frame with TruVu glass,
good condition
Provenance: Opsis, New York,
purchased 1993 (accompanied by
original receipt)
Estimate: $400 - $600
Mariana Cook was the last protégé of
Ansel Adams. She has photographed
notables including the Obamas.
022
Jacob Collins
Kenyan Sunset, 1995, signed
“Collins 95”, oil on canvas, 24 x 42
in.; fine hand-carved and gilt wood
frame by Motyka, good condition;
frame with abrasions
Provenance: John Pence Gallery,
San Francisco, California, purchased
1995 (accompanied by original
receipt)
Estimate: $3,000 - $5,000
023
024
Jacob Collins
Jacob Collins
Larry, 1996, signed lower left “Collins 96”, oil on canvas,
20 x 20 in.; fine hand-carved and gilt wood Arts and
Crafts style frame by Motyka, good condition
Self-Portrait With Beard, signed lower right “Collins ‘95”,
oil on canvas, 25 x 21 in.; fine hand-carved and gilt wood
Arts and Crafts style frame by Motyka, good condition;
Provenance: John Pence Gallery, San Francisco, California
Estimate: $2,000 - $3,000
Provenance: John Pence Gallery, San Francisco, California,
purchased in 1995 (accompanied by original receipt)
Estimate: $2,000 - $3,000
025
John Beerman
(North Carolina, born 1958)
Sound of the Trees #26, 1991, signed
with conjoined “J.B ‘91” lower right, oil
on canvas, 19-7/8 x 24 in.; original wood
shadowbox-type frame, good condition
Provenance: Somerhill Gallery, Chapel Hill,
North Carolina, purchased 1994 (original
Estimate: $2,000 - $3,000
026
027
Danny Robinette
(North Carolina, 1954-2005)
Danny Robinette
Storm Near Rocky Mount, 1992, signed lower right “Robinette
92”, acrylic on canvas, 30 x 36 in.; wood lattice frame, good
condition
Landscape Off Island Ford Road, Iredell County - June, 1990,
signed lower right “Robinette 90”, acrylic on canvas, 40 x 45-1/2
in.; wood lattice frame, good condition
Provenance: Somerhill Gallery, Chapel Hill, North Carolina,
purchased 1992 (original receipt accompanies lot)
Provenance: Somerhill Gallery, Chapel Hill, North Carolina;
purchased 1990 (accompanied by original receipt)
Estimate: $1,000 - $2,000
Estimate: $1,000 - $2,000
Exhibited: Nasher Museum of Art, Duke University, Durham,
North Carolina
Literature: Academic Eye: Reynolds Price Collects, April-May 2001
028
Ben Long
Self-Portrait, signed with monogram “BL” and
stamped with monogram and “Studio Di BF
Long IV”, inscribed “A Difficult moment:/No
Visitors/No Palette/Nothing on the Wall/Only
time & light to fill/The chair/The land/40”,
inscribed verso, probably by Reynolds
Price “even/lateness/pauses/when/it/has/
the/forever/itch/of/custom/a way/of/saying/
friends/exist/in/a/manner/you/know.”, oil on
canvas wrapped on panel, 23-1/4 x 29-1/2
in.; painted panel frame, 5 in. abrasion across
proper left hand; frame with abrasions
Provenance: Purchased from Katherine Gaston
and Anne McKenna, agents of Ben Long, 1985
(original receipt accompanies lot)
Estimate: $3,000 - $5,000
Ben Long majored in Creative Writing at the
University of North Carolina at Chapel Hill.
His close friend and advisor, Reynolds Price,
encouraged Long to focus on fine art after
finishing at Chapel Hill.
029
030
Will Wilson
Charles Weed
(Denmark/Italy/Minnesota, born 1970)
Ted, signed upper left “Will Wilson”, oil on canvas,
14-1/8 x 13-1/4 in.; carved, painted and stained wood
frame by Heydenryk, New York, good condition; frame
with abrasions
Sphinx, 2009, signed upper right “CW”, oil on
panel, 15-3/4 x 11-3/4 in.; fine gilt wood panel
frame, good condition
Provenance: Commissioned through John Pence of John
Pence Gallery, San Francisco, California, 1996
Provenance: Ann Long Fine Art, Charleston,
South Carolina, purchased 2010 (accompanied
by original receipt)
Estimate: $2,000 - $3,000
Estimate: $2,000 - $3,000
031
John Beerman
Open Field, North Carolina,
signed lower right “J. Beerman
‘90”, oil on canvas, 24 x 32 in.;
gilt wood panel frame, good
condition
Provenance: Somerhill Gallery,
Chapel Hill, North Carolina
Estimate: $3,000 - $5,000
032
033
Peter A. Nisbet
(New Mexico/Arizona, born 1948)
Peter A. Nisbet
Black and White, 1995, signed upper right “P
Nisbet” and lower left “PN”, oil on canvas, 29
x 33 in.; fine gilt wood frame, good condition;
First Snow at Cabazon, 1994, signed upper right “P
A NISBET” and signed and titled verso frame, oil
on Masonite, 12 x 16 in.; gilt wood frame, good
Provenance: Frank Croft Fine Art, Santa Fe,
New Mexico, purchased in 1995
Provenance: Frank Croft Fine Art, Santa Fe, New
Mexico
Estimate: $800 - $1,500
Estimate: $500 - $1,000
034
Juliette Aristides
(Washington/New York, born
1970)
Night, 2004, signed lower right
“JA”, oil on canvas, 22 x 16 in.;
parcel gilt and painted wood
San Francisco, California,
original receipt)
Estimate: $500 - $1,000
035
Peter A. Nisbet
Wind and Sand, 1995, signed lower left “PA Nisbet”, oil on canvas,
17 x 24 in.; gilt wood frame, good condition; frame with abrasions
Provenance: Frank Croft Fine Art, Sante Fe, New Mexico
Estimate: $800 - $1,500
036
Jacob Collins
Mia, 1996, signed lower left “Collins ‘96”, oil on canvas, 40 x 26 in.;
fine hand-carved and gilt wood Arts and Crafts style frame by Motyka,
good condition; frame with abrasions
Provenance: John Pence Gallery, San Francisco, California, purchased
1996 (accompanied by original receipt)
Estimate: $4,000 - $6,000
037
038
039
040
John Winship
(Pennsylvania, born 1949)
Ginny Stanford
(Arkansas, 20th century)
Ginny Stanford
(Arkansas, 20th century)
Barry Roal Carlsen
(Wisconsin, born 1957)
The Red House, 1977, signed
lower right “Winship” and
signed and titled verso canvas,
oil and acrylic on canvas, 217/8 x 20 in.; lattice frame, light
abrasions
Portraits of Maine: The
Farmhouse, 1989, signed
lower right “JS 89”,
acrylic on canvas, 18 x
13 in.; lattice frame, good
condition; frame with
abrasions
Burning Bush, signed lower right “© Ginny
Stanford ‘86”, acrylic on canvas, 23-1/4 x 301/2 in.; lattice frame, good condition
The Interrupted Journey,
1999, signed lower right
“BRC” and signed and
inscribed to Reynolds Price
verso, oil on panel, 20-7/8
x 16-5/8 in.; original wood
Provenance: Gallery 30,
Gettysburg, Pennsylvania,
purchased 1977
Estimate: $200 - $300
Provenance: Somerhill Gallery, Chapel
Hill, North Carolina, purchased 1988
(accompanied by original receipt)
Estimate: $400 - $600
Provenance: Somerhill
Gallery, Chapel Hill, North
Carolina, purchased 1989
Provenance: Somerhill
Gallery, Chapel Hill, North
Carolina, purchased in 2002
Estimate: $200 - $400
Estimate: $500 - $1,000
041
042
043
044
045
Mark G. Langeneckert
(Missouri, late 20th/early
21st century)
Robert Wraith
(British, born 1952)
John Craxton
(British, 1922-2009)
Portrait of Artist Charles
Kapsner, Florence,
Italy, 1979, signed
lower right “RW 1979”
and inscribed verso
“Robert Wraith/5
Onslow GDNS./N.
10” and “#47”, oil on
panel, 7-3/8 x 5-1/2 in.;
painted wood frame,
good condition
Dr. Zbyszak Pelczynski,
1950 (MS No. 3796),
unsigned, inscribed
verso, mixed media on
Masonite or panel, 18 x
14 in.; original painted
wood frame, light grime;
Ben Long
(North Carolina, born
1945)
Ben Long
1945)
Andrew, for the fresco
of The Last Supper,
Holy Trinity Episcopal
Church, Glendale
Springs, North Carolina,
signed "BL LXXX", oil
on fiberboard, 8 x 6
in.; wood frame, good
condition; frame with
abrasions
Study for the head of
James, for the fresco of
The Last Supper, Holy
Trinity Episcopal Church,
Glendale Springs, North
Carolina, signed lower right
“BL LXXX…”, charcoal on
paper, 12-5/8 x 9-7/8 in.
(sight); gilt wood frame,
stains, not examined out of
frame; frame with abrasions
The Vision of the Healing
of Reynolds Price (Cure
at Kinnereth), 1994,
signed bottom center “M.
Langeneckert 1994”, pastel
on paper, 9-3/4 x 8- 3/8 in.;
wood frame, not examined
out of frame
Estimate: $200 - $400
Estimate: $500 - $1,000
Provenance: Christopher
Hull Gallery, London,
purchased 1994
(accompanied by original
receipt and certificate of
authenticity)
Estimate: $2,000 $3,000
Exhibited: Christopher
Hull Gallery, London,
Portraits 1942-1992,
October 6-29, 1993
Provenance: North
Carolina Art Society,
The Collector's
Gallery, Raleigh, North
Carolina, purchased
1981 (original receipt
accompanies lot)
Provenance: North Carolina
Art Society, The Collector’s
Gallery, Raleigh, North
(copy of original receipt
accompanies lot)
Estimate: $400 - $800
Estimate: $300 - $600
Exhibited: North
Carolina Museum of
Art, Raleigh, North
Carolina, Drawings For
a Fresco: Ben Long,
Collector's Gallery, June
7, 1981-May 31, 1982
(copy of loan agreement
accompanies lot).
Exhibited: North Carolina
Museum of Art, Raleigh,
North Carolina, Drawings
For a Fresco: Ben Long,
Collector’s Gallery, June
7, 1981- May 31, 1982
(original loan agreement
accompanies lot).
046
Linda Perry Tavernise
Three Scenes of the Vision of the Healing of Reynolds Price (Cure at Kinnereth),
1996, all signed “L. Tavernise”, one inscribed “For Reynolds - A Healing”, pastels
on paper, 8 x 5 in., 14-1/2 x 10-3/8 in. (unframed), and 13 x 7-3/4 in., one with
stain lower left edge, not examined out of frames
Estimate: $400 - $600
Accompanied by Reynolds Price, A Whole New Life: An Illness and A Healing,
Athenaeum, New York, 1994. Pages 42-44 detail the vision “I was in my body
but was also watching my body from slightly upward and behind. I could see the
purple dye on my back, the long rectangle that boxed my thriving tumor. Jesus
silently took up handfuls of water and poured them over my head and back till
water ran down my puckered scar. Then he spoke once - ‘Your sins are forgiven’ and turned to shore again, done with me’”.
047
048
049
050
Ben Long
Study of a Nude, signed lower left
with monogram “BL…XL” and
inscribed “To Reynolds - with great
affection B.”, conte crayon on
paper, unframed, 10-1/4 x 9-1/2 in.,
creases, paper abraded at edges
Gary Michael Weisman
(Pennsylvania, born 1952)
Jacob Collins
Bias, edition 7/12, signed
“Weisman 7/12”, patinated
bronze, 24-1/2 x 14 x 8-1/2
in., painted wood base 3 x
14-1/2 x 13-1/2 in., good
condition
Seated Male, 1995, signed lower
middle “Collins ‘95”, pencil and
chalk on brown paper, 21 x 17
in.; fine gilt wood frame, good
James Lane Casey
(American, late 20th/early
21st century)
Estimate: $200 - $400
Provenance: John Pence
Gallery, San Francisco,
California, purchased 2007
receipt)
San Francisco, California,
purchased in 1997 (accompanied
Estimate: $500 - $1,000
Estimate: $1,500 - $2,500
“The Shirt”, edition 4/10,
signed “Lane Casey 4/10”,
patinated bronze on wood
swivel base, 23-1/2 x 11 x
7-1/2 in., good condition,
minor abrasions
Provenance: Estate of
Raymond Burr, Healdsburg,
California; John Pence
Gallery, San Francisco,
California, purchased 1996
receipt)
Estimate: $800 - $1,200
051
Ben Long
1945)
Portrait of Reynolds Price
Wearing His Academic
Gown from Oxford
University, signed lower
left “BL LXXXVI”, oil on
linen laid on panel, 30
x 23-7/8 in.; fine handcarved, painted and gilt
wood frame, carved by II
Maestro Corniciaio Piero
Francheschie, Florence,
Italy (original receipt
accompanies lot), uneven varnish with resist, abrasions; frame with abrasions;
with Melton College - North Window of the Ante Chapel, Oxford University,
from Ackermann’s History of Oxford, aquatint and etching on paper, 11-3/4 x 10
in., gilt wood frame, toning, not examined out of framelot also accompanied by
Price’s black silk grosgrain and brocade academic gown
Estimate: $2,000 - $3,000
052
Will Wilson
A Year With Reynolds Price, 2002, Reynolds Price
in his kitchen with his assistant, Johnnie Uslaner,
view of Price’s studio behind showing portions of his
collection including lot 164, The Head of Apollo, oil
on linen on panel, 23-7/8 x 23-1/4 in.; 22 kt. parcel
gilt and painted wood frame by Heydenryk, New
York, good condition; frame with abrasions
053
054
Kate Lehman
Ben Berns
(New York, 1936-2007)
Ouessant, 2005, signed lower right
“K LEHMAN”, oil on canvas, 30 x
32 in.; silver parcel gilt and blackpainted frame, good condition;
Lockwood Folly, North Carolina, signed
verso “Ben Berns” and inscribed with title,
oil on canvas, 38-1/4 x 52 in.; lattice frame,
good condition
Provenance: Spanierman Gallery,
New York (label verso); John Pence
Gallery, San Francisco, California,
purchased 2008 (copy of original
Estimate: $1,000 - $2,000
Estimate: $1,000 - $2,000
Provenance: John Pence Gallery, San Francisco,
California
Estimate: $3,000 - $5,000
055
056
057
058
Daniel Graves
(Florence, Italy/New York, born
1949)
Ben Long
Ginny Crouch Stanford
(California/Arkansas, late 20th/
early 21st century)
American School
(20th century)
Afternoon Sky, 2006, signed
lower right “D. Graves 06”, oil on
canvas, 31-1/2 x 23-3/4 in.; parcel
gilt and painted wood frame, good
Provenance: Ann Long Fine
Art, Charleston, South Carolina,
original receipt)
Estimate: $1,000 - $2,000
Via Futa, signed lower left “BL LXXXII”,
ink on paper, 9-1/8 x 13-1/2 in.; wood Morning Comes, from Portraits
frame, floated, stains, creasing
of Maine, 1999, signed lower
right “g stanford 99”, acrylic on
Provenance: Katherine Gaston &
canvas on birch panel, 13 x 16
Anne McKennam, purchased 1985
in.; wood frame, good condition;
(accompanined by copy of original
receipt)
Provenance: Somerhill Gallery,
Estimate: $300 - $500
Chapel Hill, North Carolina,
purchased 1999 (accompanied
Estimate: $400 - $600
Snow Drifts, 1975, printed
1988, titled and signed
indistinctly verso backing,
photograph, 15 x 15 in.
(image); wood frame,
loose, handling creases
at edges; frame with
abrasions
Estimate: $100 - $200
059
060
Rock Crystal Human Skull
Red Marble, Smoky Quartz Carved Skulls
well carved with defined
teeth and eye sockets, 6
in., natural fissures, minor
surface scratches
both well carved with detailed teeth: one
red marble, 5-3/4 in.; one smoky quartz,
4-1/4 in., natural fissures as made, minor
surface abrasions
Estimate: $400 - $600
Estimate: $500 - $700
061
062
Gilt Bronze Monstrance
Gilt Bronze and Jeweled
Monstrance
French, late 19th/early 20th
century, circular window
surrounded by a sunburst
and floral decoration below a
cross, mounted on a circular
base marked “Pustate & Co.”,
17-1/2 in., excellent condition
Estimate: $400 - $600
probably French, late 19th/
early 20th century, central
circular window surrounded
by a sunburst with rhinestones
and red jewels below a cross,
footed base, 25-1/2 in., good
condition, scattered light
corrosion
Estimate: $800 - $1,200
063
Roy Schatt
(American, 1919-2001)
064
065
American School
(late 20th/early 21st
century)
Reynolds Price
James Dean, signed
lower right “T.P.”,
acrylic on canvas,
unframed, 35-3/4 x
23-5/8 in., abrasions
at edge
Vivian Leigh and Sir Laurence Olivier in “Antony
and Cleopatra”, unsigned, watercolor over
pencil, unframed, 5-1/8 x 4-1/2 in., light toning,
pest damage; with autographed photo of Leigh
and Olivier, 6 x 4-1/8 in. photo sight, black
frame, not examined out of frame
James Dean, inscribed “1954
on West 58th St.”, later printing
but prior to 2002, signed lower
left and verso “Roy Schatt”
Estimate: $200 - $300
and stamped verso with
Estimate: $100 - $200
photographer’s stamp and “Not
For Publication/Copyright James
Dean Foundation Trust 1982”,
silver gelatin print, 17-3/4 x
14 in.; metal frame, point of
retouch lower left, hinged at top,
very light toning in borders
066
Reynolds Price
(American, 1933-2011)
Madame Butterfly, played
by Geraldine Farrar with
inscription in Italian, signed
lower left “Price/50”,
watercolor on paper, 13-7/8
x 10-7/8 in.; gilt wood frame,
foxing, toning, taped on all
sides to mat verso
Estimate: $200 - $400
Estimate: $1,000 - $1,500
067
James Earle Fraser
(New York/New Hampshire, 1876-1953)
“Abraham Lincoln (Study)”, cast No. 1, signed “JE
Fraser/No.1/© SU”, foundry stamp “Modern Art
F’DRY.NY”, patinated bronze, 12-1/2 x 7 x 8-7/8 in.,
good condition
068
069
After George E. Bissell
(New York, 1839-1920, late 20th/early
21st century copy)
Edward Henry Corbould
(British, 1815-1905)
Abraham Lincoln, signed verso
truncation, painted cast polymer, 15-3/4
in., good condition
Estimate: $50 - $100
Greek Girl in Native Costume, signed
lower left “Edward Corbould May
1844”, watercolor with body color on
paper laid on card, 12-7/8 x 9-1/2 in.;
gilt wood frame, toning, fading; frame
with abrasions
Estimate: $400 - $800
Provenance: J.N. Bartfield Galleries, New York,
Estimate: $500 - $1,000
070
071
Pair Barcelona Chairs
Barcelona Loveseat
after a design by Mies van der Rohe, modern, chromed frames and
buttoned leather cushions, 29-1/4 x 30 x 30 in., excellent condition,
light surface wear
after a design by Mies van der Rohe, modern, chromed frame
and buttoned leather cushions, 30-1/2 x 59 x 30 in., excellent
condition, light surface wear
Estimate: $800 - $1,200
Estimate: $800 - $1,200
072
073
074
075
Edward Minoff After Velazquez
(New York/California, born 1972)
Giovanni Battista Piranesi
(Italian, 1720-1778)
Portrait of Juan de Pareja (16101670) after the original by Diego
Rodrijuez de Silva y Velazqez
(Spanish, 1599-1660), oil on canvas,
28 x 23-5/8 in.; black-lacquered
frame, good condition; frame with
abrasions
Title page Carceri D’Invenzione
Di G. Battista Piranesi ArchitVene, second edition, published
by Piranesi (III), signed in plate
“Piranesi F” and with number
“1.” upper left, etching and
engraving laid on paper, double
page, one with fleur de lis with
double-circle watermark, 213/8 x 16-1/4 in. (plate), 30-5/8 x
20-3/4 in. (page); modern wood
frame, handling grime, seamed
at center with 1 in. tear in right
margin, corner loss upper right,
3/4 in. tear lower left margin,
tape residue verso, pencil
inscriptions verso
Attributed to Edouard Travies
(French, born 1809, died circa
1868)
Persian Manuscript Page
(Safavid style, late 19th
century)
Nature Morte, partridge,
unsigned, watercolor and body
color on paper, 8 x 11-1/4 in.;
gilt wood frame, water stains,
toning, abrasions to paper, glue
and paper residue verso, hinged
in at right edge with paper tape;
Hero on Horseback Killing
Lion, script in reserve
colophons at top, inscribed
verso “Souk al-Hamidaiyya,
Damascus Syria/From one
who notices the artwork
on the walls, to another.
Your friend, Chas Salmen
8/24/06”, gouache and
gilding on paper, 9-3/8 x
6 in.; black-painted frame,
taped at top at two points,
small abrasions bottom
center, light toning; frame
with abrasions
Provenance: Purchased from the
artist (his first sale of a painting)
Estimate: $1,000 - $2,000
Provenance: Purchased from
“Bompiani, Oxford Sept 67” (on
backing verso)
Estimate: $400 - $600
Estimate: $800 - $1,200
077
Two Manuscript Pages
(Persian, 19th century)
076
Patinated and Polished Brass Chau
Gong
Chinese, modern, hanging on finely
crafted cherry stand, rings with
excellent tone, 49 x 45-5/8 x 2-3/8
in., excellent condition, trestle base
with some surface abrasions
Provenance: Steve Weiss Music,
Willow Grove, Pennsylvania (copy of
Sikandar’s Fight With the
Abyssinians, from the Shāh
Nāmah, 9-3/8 x 5-5/8 in.
(image without border), tear
lower left corner, vertical
stains (lines); Krishna and
Maidens, 6-3/4 x 4-3/4 in.,
flaking, abraded, creases,
gouache and gilding on
paper; matching parcel gilt
wood frames, not examined
out of frames; frames with
abrasions
Provenance: Sanders’
Bookshop, Oxford, England
(both purchased 1961)
Estimate: $300 - $600
Estimate: $300 - $500
Estimate: $200 - $400
078
079
Three Greek Icons
(20th century)
Three Russian Icons
(19th century)
Jesus Washing The Disciples’ Feet, 10-1/2 x 9-1/2 in., limited
crackle; Myrrh-Bearing Women at The Tomb, 11-3/4 x 10-1/4 in.,
craquelure; Nativity, 14-1/4 x 11 in., split upper left, flaking, oil and
gilding on panels
God The Father and The Holy Spirit, Ukrainian, late 19th century,
12 x 9-1/2 in., craquelure, abrasions; St. Peter and St. Paul, 12-1/4
x 10 in., craquelure; Christ Pantocrator with remnants of oklad,
extensive damage to borders and oklad, loss to surface, lacking
batten verso, oil on panels, all with retouch and slightly convex
Estimate: $300 - $600
Estimate: $300 - $600
080
Russian Icon
(19th century)
Terrible Judgment, depicts events from the life of Christ, a fragment from a larger icon, oil and
gilding, 17 x 19-5/8 in., scattered retouch, panel convex and inset into newer pine panel, battens
loose
Provenance: The Temple Gallery, London (label verso)
Estimate: $200 - $400
083
082
Three Russian Icons
(20th century)
081
Russian Icon
(17th century)
The Vladimir Mother of God, parcel
gilt silver embossed oklad, Cyrillic
embossed inscription left of child’s
head, tempera and gilding on panel,
12-1/8 x 10-3/8 in., two battens verso,
panel convex, oklad with reinforced
tacking at edge, darkened pigments
The Descent Into Hell
and The Resurrection,
13-1/8 x 11-1/4 in., 4 in.
split, cupping, cleavage,
flaking, two battens
verso; The Resurrection
of Lazarus, 12-1/2 x 101/4 in., crackle; The Baptism of Christ, 12 x 11
in., crackle, cupping, cleavage, voids at lower
right, panel slightly convex, oil and gilding on
panels
Two Russian Icons
(late 18th century to 2nd quarter 19th
century)
Christ Pantocrator, fragment of an 18th
century icon, 12 x 9-7/8 in., craquelure,
flaking with voids at bottom and upper
left, retouch in face and hands, panel
slightly convex; Christ Pantocrator,
Provinciel, 15-3/8 x 12-3/8 in., panel
convex, pest damage, vertical crack with
retouch, crackle, cupping, cleavage and
flaking at right, tempera on panels, both
with abrasions and chips
Estimate: $300 - $500
Estimate: $300 - $600
Estimate: $1,000 - $2,000
084
Russian Icon
(19th century)
Christ Pantocrator,
flanked by saints,
oil with gilding on
panel, 16 x 11-3/4 in.,
scattered retouch with
larger area in bottom
left corner, vertical
split, verso lacking
battens, panel convex,
crackle, flaking,
abrasions
085
086
Two Russian Icons
(19th century)
Two Greek Icons
(20th century)
Triptych, Christ Delivering a Blessing,
flanked by The Virgin Mary and St.
John the Baptist, cast brass with parcel
enameling, 5-3/8 x 15 in., surface
abrasions, losses to enamel and patina;
Byzantine Cross, Feast Days, Cyrillic
script verso, parcel gilt brass repoussé,
10-1/4 x 5 in., minor surface wear
Noli Me Tangere (Touch Me Not, John
20:17), 17-3/4 x 14 in., crackle, mildew
spotting, cupping, flaking; The Last Supper
(at bottom), and The Diesis (at top), 22-1/4 x
18 in., pest damage, crackle, oil and gilding
on panels, abrasions
Estimate: $300 - $600
Estimate: $400 - $600
Estimate: $200 - $400
087
088
Three Icons
(20th/21st
century)
Three Icons
(19th-20th century)
Christ
Pantocrator,
with the
symbols of
the Four Evangelists, with metal and
enamel riza, Greek, 7-1/4 x 6-5/8
in.; with two small icons: Vladimir
Mother of God, and Christ Pantocrator,
Russian, each 4-3/4 x 4 in., both with
stamp verso possibly for The Byzantine
Museum of Icons, Jerusalem, oil on
panels, abrasions
Dormition of The Virgin, Greek, 14-1/2 x 11-3/4 in., flaking,
crackle length of left side, badly abraded surface; Vladimir
Mother of God, flanked by two figures, Russian, 18-1/4 x
15-1/2 in., panel convex, crackle, lacking battens; Mother
of God, Russian, early 20th century, Cyrillic script verso,
12-3/8 x 10-1/4 in., craquelure, retouch, oil or tempera on
panels
Estimate: $300 - $600
089
Greek Icon
(20th century)
Adoration of the Magi, oil and
gilding on panel, 21-1/2 x 17-1/4
in., panel convex, some creasing in
gilt surface, abrasions
Estimate: $200 - $400
Estimate: $200 - $400
090
091
Ben Long
Study of Jesus for fresco, St. Peter’s
Catholic Church, Charlotte, North
Carolina, 1988, signed lower
right with monogram “BL” and
“LXXXVIII” and inscribed verso,
charcoal and graphite on paper,
21-1/4 x 14-1/8 in.; metal frame,
drip, light handling grime; frame
with abrasions
Continental School
(possibly German, 20th
century)
Corpus Christi, carved wood, 46
in., separations
Estimate: $400 - $600
092
Ben Long
1945)
Study for a Figure, possibly
Jesus, signed and inscribed
lower right “To Reynolds
- Much love B.”, charcoal
on paper, 11-7/8 x 6-7/8
in.; gilt wood frame, toning,
taped to mat verso
Estimate: $200 - $400
Estimate: $300 - $600
093
Ben Long
Jesus, hand study for the fresco
of The Last Supper, Holy Trinity
Episcopal Church, Glendale Springs,
North Carolina, signed lower right
“BL LXXX”, charcoal, silver point
and ink on paper, inscribed verso
“IS hand study Jesus/Charcoal/silver
point, ink/NCNM/Ex…”, 15-3/4 x 11
in. (sight); gilt wood frame, smudges;
Provenance: North Carolina Art
Society, The Collector’s Gallery,
Raleigh, North Carollina, purchased
1981 (original receipt accompanies
lot)
Estimate: $300 - $600
Exhibited: North Carolina Museum
of Art, Raleigh, North Carolina,
Drawings For a Fresco: Ben Long,
Collector’s Gallery, June 7, 1981May 31, 1982 (original receipt
accompanies lot).
094
Ben Long
Three studies of the Executioner in "The Beheading of John the Baptist", for the fresco at the Basilica of
the Montecassino Abbey, Chapel of St. John the Baptist, Montecassino, Italy: one signed "BL LXXVIII"
and inscribed "To Reynolds - with great affection", 11 x 7-1/8 in. (sight), gilt wood frame; one signed
"BL LXXVIII…study for fresco - Abbey of Monte Cassino", 14-3/8 x 10-5/8 in. (sight), wood frame, both
conte crayon and chalk on cream paper, both in good condition; frames with abrasions; one signed,
inscribed and titled lower right "BL/To Reynolds, Much love B Christmas 1981…", charcoal on paper,
10-5/8 x 8-1/8 in., wood frame, taped to mat verso, ink stains, floated, crease at lower left corner, tear
upper right
Provenance: Gifts from the artist, 1981
Estimate: $500 - $1,000
Ben Long is the only non-Italian with work represented at the Abbey.
095
Four Spanish Colonial Devotional Paintings
(19th-21st century)
Retablo-Franciscan Monk, oil on tin, unframed, 19th
century, 13-1/8 x 9-3/4 in., retouch mostly in background
and clothes, grime, abrasion; Retablo - Veil of Veronica, oil
on copper, 19th century, 8-7/8 x 6 in., grime, abrasions,
hole at top; Retablo - Veil of Veronica, oil on canvas on
strainer with wood lattice frame, early 19th century, 5-3/8
x 4-1/4 in., grime, wax accretion, abrasions; Archangel
Michael Defeating Satan, oil on tin, Cuzco School, late
20th/early 21st century, 9-1/4 x 7-1/4 in., carved frame,
uneven surface
096
Spanish Colonial School
(late 18th/early 19th century)
Adoration of the Shepherds, oil on
panel, unframed, 8-3/8 x 6-1/2 in.,
panel convex, abraded surface, chips
and holes
Provenance: Purchased in Chimayo,
Mexico, 1999
Estimate: $400 - $600
Estimate: $400 - $600
097
098
099
Folk Art Sculpture
(possibly Spanish or Spanish
Colonial, early 20th century)
Hans Müller
(Austrian, 1873-1937)
Three Santos: Christ In Glory, 10 x 10-1/4 x 4 in., lacking arms,
repair to rope, repaint on red robe; Mask of a Saint, 9-5/8 x 5 x 4 in.,
retouch at split, eye with chip, pest damage; The Virgin, 11 in., loss
of both arms, repairs and retouch, all with crackle, flaking, abrasions
and chips
Bust of Jesus, signed “H.
Müller”, gilt bronze on marble
base, 6-1/2 in. with base, some
wear to gilt surface
The Archangel Michael
Defeating Satan, carved and
polychromed wood, 19-5/8 x
10 x 6-1/2 in., flaking and losses
to painted surface, one figure
lacking both arms, splits, repairs,
hole at back of head, losses
to feet and hands of angel,
abrasions
Estimate: $400 - $600
Estimate: $400 - $600
Estimate: $200 - $400
100
101
102
103
German School
(19th century)
Portuguese School
(possibly 17th century)
Continental School
German School
Crucifix, patinated bronze
figure, 15-1/2 in., rosewood
veneer and brass-inlaid cross,
33-1/2 in., abrasions to figure,
cross with break, abrasions and
loose brass inlay
Corpus Christi, carved ivory, 6-1/8
in., lacking arms, feet and element
of head (crown?), some vertical
separations
Unusual Reliquary Corpus
Christi, carved wood inset with
bone, 11-1/4 in., losses to foot,
bone inlay, arms and chest,
traces of original polychrome
surface
Corpus Christi, finely carved
ivory figure, 9 in., mounted to
a gilt wood cross with ivory
cartouche inscribed [INRI;] in
a carved and gilt wood frame,
vertical splits in ivory and some
separation at arm joints; frame
with abrasions
Estimate: $300 - $600
Provenance: Harlan J. Berk, Ltd.,
purchased 1992 (copy of original
Estimate: $200 - $400
Estimate: $400 - $600
Estimate: $400 - $800
104
105
106
After Luca della Robbia
(Italian, 1400-1482, 19th century copy)
German School
Carved Stone Head of a Buddha
Les Enfants Chanteurs, #24, a detail from
the side panel of the Cantor of Luca della
Robbia, at the Duomo, Florence, foundry
stamp for “F. Barbedienne Fondeur”, bronze
relief plaque, 10-7/8 x 7-1/8 x 2-5/8 in.,
lower right corner slightly bent, brown
patina, minor abrasions
Ecco Homo, carved wood relief panel, 10 x
10-1/4 x 1 in., extensive pest damage, chips
and losses, remnants of original polychrome
surface
Estimate: $400 - $600
Estimate: $400 - $600
Provenance: Harlan J. Berk, Ltd., Chicago,
Illinois
Thailand, Ayutthaya style (date
undetermined), depicted with downcast
eyes, full lips and curved bow-shaped
hairline, 12-1/4 x 8-1/4 x 8-1/2 in., set on
modern base, no recent damage found, old
losses to ears, not removed from base, base
with cracks
Estimate: $800 - $1,200
107
108
Himalayan Gilded Sculpture of Arapacana Manjusri
Tibetan Figure of Padmasambhava
Tibet or Nepal, gilt bronze with cobalt highlights, marked with
engraved double-thunderbolt design on attached base plate,
6-3/4 x 5 x 4 in., good condition with light surface distress
base metal (copper?) painted gold, back of base with incised Tibetan
inscription, 5-1/2 x 4-3/4 x 3-3/4 in.. dents in platform base, surface wear
particularly to his face, right arm and base
Estimate: $1,000 - $2,000
Estimate: $2,000 - $3,000
108 - detail
109
110
111
Himalayan Silvered Metal Sculpture
Inlaid Copper Figure of Avalokitesvara
Silvered Metal Ceremonial Object
Nepal or Tibet, probably 20th century,
depicting an amorous couple in Yab-Yum
pose, attached base plate with engraved
double-thunderbolt motif, 4-1/2 x 3-3/8 x
2-1/2 in., good condition with light tarnish
and base plate with small dent
Nepal, 20th century, the bodhisattva of
compassion depicted in the pose of royal
ease, 8-3/4 x 5-1/2 x 4-1/2 in., set on
unrelated wooden base, good condition
probably Tibetan, a variation on Eight
Auspicious Treasures depicting a conch shell
with interior head of Buddha and exterior
attached wings, made for use on an altar,
marked with ribbon tied in bow with flowing
tails engraved on base, 9-1/4 x 10-1/4 x 3-1/4
in., tarnished and with light surface wear,
back with several very small dents
Estimate: $800 - $1,200
Estimate: $400 - $600
Estimate: $1,000 - $1,500
112
113
114
Bronze Figure of Krishna
Bronze Figure Ganesh
Blanc-de-Chine Porcelain Figure of Guanyin
India, 20th century, depicted playing a flute, India, 20th century, depicted with coiled
cobra at his feet, 20-1/2 x 13-3/4 x 9-1/2 in.,
on stepped lotus base, 29 x 13-1/4 x 9-1/4
casting flaws and minor surface wear
in., light surface wear and casting flaws
Estimate: $800 - $1,200
Estimate: $300 - $500
Chinese, 20th century, depicting 16-armed
seated Guanyin on high lotus-petal plinth,
13-3/4 x 8-3/4 x 4-1/2 in., small loss at one
fingertip, otherwise excellent condition
Estimate: $200 - $300
115
Tibetan Patinated Brass Visyavajra
20th century, cloverleaf form with
engraved dragon decorations,
7-1/2 x 7-1/2 x 2-1/2 in., good
condition
Estimate: $100 - $200
116
Monumental Bronze Figure of Shiva
India, 20th century, depicted dancing with her left leg raised, 48-1/2
x 42 x 12 in., scattered casting flaws, otherwise good condition
Provenance: Lotus Sculpture, Greenwich, Connecticut, purchased as
Nataraja - The Lord of Dance, 2004 (accompanied by original receipt)
Estimate: $2,000 - $3,000
117
118
Molded Copper Figural Group
Collection of Four Noh Drama Masks
Chinese, late 19th/early 20th century,
depicting beasts on a rocky landscape,
9-3/4 x 9 x 7 in., joint in rock with cracks
and separations, some resoldering at
attachment of animals, other scattered
repairs
Japanese, 20th century: each of carved and painted wood with gesso and mineral colors,
each chisel-signed with Japanese characters on back, largest 8-1/2 in., good condition with
minor surface dirt, paint crazing and chips, the Okina figure with paint lifting at chin
Estimate: $400 - $600
Estimate: $100 - $200
119
Two Steel and Wood Pikes
probably Japanese, 18th or 19th century, 83 in, and 92
in., steel with light surface corrosion, handles possibly
replacements
Estimate: $400 - $600
120
Hanging Scroll
Chinese, late Qing Dynasty, ink and color on paper
depicting an outdoor setting with young lovers, fourcharacter title and signature with artist’s seal, 57 x 20
in., paper toned, mounting and paper-staining, holes to
rollers
Provenance: Bill Price, brother of Reynolds Price,
bought this in Kaohsiung during the summer of 1966,
when he was stationed there in the Navy
Estimate: $200 - $300
121
McKenny and Hall
(Publisher)
(American 19th century)
Three lithographs: ChonoCa-Pe, an Ottoe chief;
Caa-Tou-See, an Ojibway,
stains in margin; Qua-TaWa-Pea, a Shawnee chief,
from History of the Indian
Tribes of North America…,
hand-colored lithographs
on paper, 20-7/8 x 14-1/2 in.; gilt wood frames,
hinged in, taped to cards at top, some handling
creases, foxing
Estimate: $500 - $1,000
122
123
Antoine Tzapoff
(French, born 1945)
Shirt in Bird Quills, 1977, signed lower
left “A. Tzapoff 77”, oil on canvas, 19-7/8
x 20 in.; lattice frame, flaking at edge,
light grime
Antoine Tzapoff
(French, born 1945)
Sank & Fox Military Society, 1977,
signed lower right “A. Tzapoff 77”, oil
on canvas, 22 x 21 in.; lattice frame,
flaking, craquelure, light grime
Provenance: James Reid, Ltd., Santa
Fe, New Mexico purchased 1992
(accompanied by copy of original
receipt)
Provenance: James Reid, Ltd., Santa
Fe, New Mexico purchased 1992
(accompanied by copy of original
receipt)
Estimate: $800 - $1,200
Estimate: $800 - $1,200
124
125
126
127
Maria Blackware Pot
Maria Blackware Vase
Maria Blackware Vessel
Maria Blackware Vase
Southwestern United States, mid
20th century, shoulder with broad
band of rectilinear decoration,
base signed “Marie + Julian”
(Maria Martinez, 1887-1980),
3-3/4 in. scattered light abrasions
from normal wear
Southwestern United States,
mid 20th century, shoulder
with avanyu (water serpent),
base marked “Marie” (Maria
Martinez, 1887-1980), 5-3/4
in., scattered minor surface
abrasions
Estimate: $400 - $800
Estimate: $500 - $1,000
Southwestern United States,
mid 20th century, finely
polished surface, base marked
“Marie Povekea” (Maria
Martinez, 1887-1980), 8 in.;
lot accompanied by thirdprize ribbon, Intertribal Indian
Ceremony, Gallup, New
Mexico, 1972. good condition,
minor surface abrasions
Southwestern United States, mid
20th century, broad midsection
band of rectilinear decoration
including feathers, base marked
“Marie + Santana” (Maria
Martinez, 1887-1980), 8-3/4 in.,
shoulder with several scratches,
other scattered abrasions and
small surface losses
Estimate: $800 - $1,200
Estimate: $1,000 - $2,000
128
129
130
Tsimshian Mask
Moon Mask
Two Northwest Coast Masks
Vancouver, Canada, carved
and painted wood, inscribed
on interior “A tribute to the
story of the adoption of the
hummingbird crest into the
eagle clan by Terry Starr
Tsimshian, Jan. 1996, wood
alder, hummingbird designs
on cheeks and temples”, 14
in., excellent condition
British Columbia, carved and
painted cedar with matching
border, several joined panels,
titled “Kwag-Uillth Moon Jay
Brabant” and dated “6-94”, 21
in. diameter, excellent condition
Canadian, 20th century, both Coast Salish: one carved and painted
cedar, possibly a bear, 9-1/4 in., good condition; one horned figure,
applied copper to eyebrows, nose and eyes, 21 in., two horns loose,
one repaired
Provenance: Coghlan Art,
British Columbia, Canada,
purchased 1996
Estimate: $300 - $600
Provenance: Coghlan Art, British
Columbia, Canada, purchased
1996, (accompanied by original
receipt)
Estimate: $800 - $1,500
Estimate: $500 - $1,000
131
132
133
After Frederic Remington
(New York, 1861-1905, 20th century
aftercast)
Daro Flood
(Arizona, born 1954)
Juan Dell
(New Mexico/Texas, born 1933)
Yaqui Deer Dancer, edition 20/30, signed
“Daro ©”, patinated bronze on wood
base, 27-1/4 in., good condition
The Snake Priest, edition 14/25, signed on
naturalistic base “Juan Dell ©”, patinated
bronze on wood base, 20-1/4 x 13 x 8 in.,
good condition
The Buffalo Horse, signed “Frederic
Remington 90/250”, patinated bronze with
marble base, 35 x 23 x 14 in., good condition
Provenance: Munyon & Sons, California,
purchased 1991 (accompanied by original
receipt)
Estimate: $300 - $600
Provenance: J.N. Bartfield Galleries, New
York, purchased in 1992 (accompanied
by copy of original receipt)
Estimate: $600 - $1,200
Provenance: Lafayette Antiques, Durham,
North Carolina, purchased 1991
Estimate: $400 - $600
134
Lanford Monroe
(New Mexico, 1950-2000)
Winter Evenings, 1994, signed
lower right “Lanford Monroe”, oil
on Masonite, 9 x 11-7/8 in.; handcarved gilt wood frame by B.J.
Archer, good condition
Provenance: J.N. Bartfield
Galleries, New York, purchased
1994 (accompanied by copy of
original receipt)
Estimate: $2,000 - $3,000
137
Michael B. Coleman
(Utah, born 1946)
135
136
Michael B. Coleman
(Utah, born 1946)
Michael B. Coleman
(Utah, born 1946)
Bison, edition 3/30, signed “Michael Coleman 3/30”,
patinated bronze, 13-1/4 x 19 x 6-1/2 in., good condition
Split Horn Ermine Tail
Bonnet, edition 11/30,
signed “Michael Coleman
11/30”, patinated bronze on
green marble base, 15-3/8
in., grime, corrosion on top
of bonnet
Provenance: J.N. Bartfield Galleries, New York (accompied
by copy of original receipt)
Estimate: $2,000 - $4,000
East African Bull, edition 4/30, signed
"Michael Coleman 4/30", patinated bronze,
18 x 32 x 13 in., minor abrasions
Provenance: J.N. Bartfield Galleries, New York
(copy of original receipt accompanies lot)
Estimate: $1,000 - $2,000
Provenance: J.N.
Bartfield Galleries, New
York, purchased 1992
receipt)
Estimate: $1,000 - $2,000
138
Joseph Henry Sharp
(New Mexico/Ohio, 1859-1953)
Taos Moonlight, signed lower right “J.H. Sharp”, oil on canvas, 16-1/8 x 24-1/4 in.; fine modern carved and gilt wood
Arts and Crafts style frame, original stretcher and tacking edge, small points of controlled retouch at left (possibly
consolidant), craquelure; frame with abrasions
Provenance: Mitchell Brown Fine Art, Inc., Santa Fe, New Mexico, purchased in 1998 (accompanied by copy of original
receipt)
Estimate: $25,000 - $35,000 [Reserve: $20,000]
A closely related painting, painted at the same location, sold at John Moran Auctions, November 18, 2003, lot 114B.
139
Pablo Picasso
(Spanish, 1881-1973)
Deux Sculpteurs devant une State, (B.140) from the
Vollard Suite, signed lower right in pencil “Picasso”,
etching on laid paper with “Picasso” watermark,
8-3/4 x 12-1/4 in. (plate), 16 x 17-1/4 in. (page); gilt
wood frame, handling grime, light toning, taped to
mat at two points with various brown tape residue
present verso; frame with abrasions
Provenance: R. E. Lewis Inc., San Francisco,
purchased 1959
Estimate: $2,000 - $4,000
140
Raoul Dufy
(French, 1877-1953)
Wheat Field, edition XX/200, stamped lower right “Raoul Dufy”,
lithograph with “J.B.” blindstamp and watermark, 15-3/4 x 20-1/2 in.
(page); parcel gilt wood frame, floated, wave to paper, foxing; frame
with abrasions
Estimate: $200 - $400
141
142
143
Aristide Maillol
(French, 1861-1944)
Auguste Rodin
(French, 1840-1917)
Attributed to Henry Moore
(British, 1898-1986)
nude from Dialogue des Courtesanes,
signed lower right in stone with
monogram, sepia lithograph on cream
paper, 11-3/8 x 11-1/4 in. with an
additional 3-1/2 in. fold to verso; gilt
wood frame, hinged in, toning
Head of a Man, signed
“Rodin” with foundry mark
for “Alexis Rudier Fondeur
Paris”, patinated bronze
relief plaque, inscribed verso
“25028 qi/13…”, 6-3/4
in. diameter, abrasions,
corrosion
Encounter Cover Design, unsigned, color lithograph in
green with orange, brown and silver marker, doodles
at right edge on matte gloss paper, 10 x 9 in.; chestnut
frame; accompanied by a copy of Encounter #100,
January 1962 edition, edited by Stephen Spender and
Melvin J. Lasky, cover in purple, stains; frame with
abrasions
Provenance: Purchased from Ferdinand
Roten, Baltimore, Maryland, 1964
Estimate: $300 - $600
Estimate: $500 - $1,000
Estimate: $400 - $600
145
John Woodrow Kelley
(Tennessee/New York, late 20th/early 21st century)
Orpheus I, 1998, signed lower left “Kelley”, oil on canvas, 44 x 70 in.; gilt wood
lattice style frame, good condition, original stretcher and tacking edge; frame with
abrasions
144
Pair Classical Greek Style Statues
(After the Antiques of 460-430 BC, 20th century
copies)
Pair of Riace Warriors, A and B, patinated bronze on
Travertine bases, 38 in. and 37-1/2 in., figure with
helmet loose at one foot
Provenance: John Pence Gallery, San Francisco, California, purchased 1996
Estimate: $1,000 - $2,000
Provenance: Eleganza, Ltd., Seattle, Washington,
Estimate: $2,000 - $3,000
146
147
148
French School
Italian School
(20th century)
After Edmond Louis Charles Tassel
(French, active 1870-1900)
Profile Portrait of Antinous, No. 122, with foundry
mark for “F. Barbedienne, Fondeur”, bronze or brass
relief plaque, 13-1/2 in. diameter, abrasions, some
spotting
Nike or Winged Victory, after the antique,
unsigned, possibly after those cast by the
Chiurazzi & Fils Foundry, Naples, Italy,
patinated bronze on black marble sphere
on marble plinth, 24-7/8 in. with base,
green-to-gold patination, abrasions, chips
to base
Portrait Bust of Perseus, unsigned,
bronze relief plaque, 19-7/8 x 13-3/8 x
3 in., abrasions
Provenance: Whitehall Antiques, Chapel Hill, North
Estimate: $200 - $300
Estimate: $400 - $800
Estimate: $300 - $600
149
150
151
152
Albrecht Dürer
(German, 1471-1528)
Albrecht Dürer
(German, 1471-1528)
Albrecht Dürer
(German, 1471-1528)
Albrecht Dürer
(German, 1471-1528)
Christ Before Pilate, (B.31.M.140),
proof impression from the Small
passion, monogram “AD” in
block, woodcut laid on paper, 5
taped in at top verso, tape verso
at bottom corners, stains/foxing,
closely trimmed at right edge,
pencil inscriptions verso, “…proof
- high crown”, paper very thin in
places with ink visible from verso
at center; frame with abrasions
The Incredulity of St. Thomas,
(B.49.M.158), from the Small
Passion, circa 1508-1511,
monogram “AD” in block upper
right, woodcut laid on paper, 5
tape verso at bottom corners,
stains/foxing, small loss to right
edge, taped in at top verso,
pencil inscription verso, surface
abrasion; frame with abrasions
The Mocking of Christ,
(B.30.M.139), from the Small
Passion, circa 1508-1511,
monogram “AD” in block,
woodcut laid on paper, 5 x
3-7/8 in.; gilt wood frame, tape
verso at bottom corners, stains/
foxing, taped in at top verso,
pencil inscriptions verso, paper
thin verso; frame with abrasions
The Ascension, (B.50.M.189 a or
b), from the Small Passion, circa
1508-1511, monogram “AD” in
block lower left, woodcut laid on
paper, 4-7/8 x 3-13/16 in.; gilt
wood frame, tape verso at bottom
corners, stains/foxing, taped in
at top verso, pencil inscriptions
verso, thin area lower left (white
area near foot); frame with
abrasions
Estimate: $600 - $1,200
Estimate: $500 - $1,000
Estimate: $500 - $1,000
Estimate: $600 - $1,200
153
Albrecht Dürer
(German, 1471-1528)
Christ Taken Captive, (B.27.M.136), from the Small
Passion, circa 1508-1511, monogram “AD” in
block lower right, woodcut laid on paper, 5 x 3-7/8
in.; gilt wood frame, tape verso at bottom corners,
small stains/foxing, taped at top verso, pencil
inscriptions verso, flaw in paper or restoration at
Judas’ proper left sleeve; frame with abrasions
Estimate: $500 - $1,000
154
Albrecht Dürer
(German, 1471-1528)
153
Pilate Washing His Hands, (B.36.M.145.), proof
impression from the Small Passion, circa 15081511, monogram “AD” in block lower left,
woodcut laid on paper, 4-15/16 x 3-13/16 in.; gilt
wood frame, tape verso at bottom corners, stains/
foxing, pencil inscription verso, paper very thin in
places, taped in at top verso
Estimate: $500 - $1,000
154
155
156
157
Terracotta Figure of Dionysus
Terracotta Goddess Statuette
Terracotta Bust of Woman
in the 3rd century Greek style, 7 x 5-1/4 x 12-3/4
in., on modern stand, good condition with natural
defects in terracotta and scattered losses probably
as found
Greek, 5th century B.C., 4-1/2 x 1-1/2
x 3/4 in., broken across neck with
small associated chips
Greek, 5th century B.C., terracotta with
pinkish-red color, 9-1/2 x 5-3/4 x 4-1/4 in.,
no recent damage noted
Estimate: $200 - $300
Provenance: H.J. Berk, Chicago
Provenance: H.J. Berk, Chicago, 1987 (copy of
Estimate: $500 - $700
Estimate: $300 - $500
158
159
160
161
Twenty-Two Pound Meteorite
Byzantine Bronze Lamp
Ancient Bronze Herm
Patinated Bronze Head
remaglypted surface (thumbprints),
5 x 7-3/4 in.; lot accompanied by
original receipt “…From Namibia”
excellent condition
probably between 5th and 7th
century AD, handle with cross,
well-defined foot ring, 4 x 6-1/4
in., scattered light corrosion,
possibly lacking a lid
probably Roman, circa 200 A.D.,
depicted with hair down to the
neck, 3-1/2 x 1-1/4 x 1/2 in., no
recent damage found, base with
two rusty nails
Provenance: Sasson Antiques,
Jerusalem, 1983 (copy of receopt
accompanies lot)
Provenance: H.J. Berk,
Chicago, 1992 (copy of receipt
accompanies lot)
possibly 2nd century
Roman, good detail in face
and hair, possibly a severed
head from a statue, 2-1/2
x 2 x 2 in., modern stand,
surface accretion, neck
rough, no recent damage
found
Estimate: $500 - $1,000
Estimate: $500 - $700
Provenance: Evolution Nature
Corps, New York, purchased in
1999
Estimate: $2,000 - $3,000
For a similar example, see
Sotheby’s London, November 8,
1984, No. 3.
Estimate: $300 - $500
162
163
Carved Marble Head of Aphrodite
Ancient Terracotta Head of a Youth
probably Hellenistic, possibly depicting Aphrodite, in carved marble
with her hair in a bun, hollow almond-shaped eyes and mouth
slightly open, 7 x 5-1/4 x 7-1/4 in., all raised on clear Lucite base,
chin and nose with old losses, surface with wear and accretion, neck
drilled for mounting rod
Etruscan, 5th century B.C., after a Greek prototype, colored gray
with red terracotta showing through in hair, 8 x 5-1/2 x 7-1/4 in.,
supported by metal rod extending up from modern black base,
losses and surface wear as found including at bridge of nose
Provenance: H.J. Berk, Chicago, 1995 (copy of receipt accompanies
lot)
Provenance: Royal-Athena Galleries, New York, 1995 (copy of
164
Important Carved Marble Head of Apollo
Roman, circa 125-150 A.D., white marble with curly hair and idealized features and slightly tilted to his left, 11 x 9 x 9 in., modern stand,
base of neck marked in red “36.26” (possibly an accession number), early loss to tip of nose, no recent damage found
Provenance: Ex-American Institution, purchased in 1936 from Ugo and Aldo Jandolo, Rome; Florida Private Collection; Royal-Athena
Galleries, New York, 2000
Literature: Illustrated in Royal-Athena Galleries catalogue, Art of the Ancient World, Volume VII, p. 13. Catalogue entry notes “The head has
idealized features, slightly tilted to his left and with a pensive expression, large eyes, straight nose, and slightly parted full lips, outlined in
a manner suggestive of the treatment seen in bronze sculptures. His hair, carved in masses of thick curls falling over the forehead and neck,
recalls the portraits of Antinous, the companion of the Emperor Hadrian” (catalogue accompanies lot).
165
166
Carved Marble Torso of Satyr
Bronze Leg of Monumental Statue
probably 1st century A.D., carved
blue-veined marble, 21 x 15 x 10
in., lacking head, arms and legs as
found
Roman, patinated green bronze, 19 x 11-1/4 x 4 in., raised on
rectangular black wood base with turntable, old repairs at heel
and at back of ankle, other surface wear and distress as found
Provenance: Royal-Athena Galleries, New York, 2001
Provenance: H.J. Berk, Chicago,
1996
167
Estimate: $30,000 - $50,000
[Reserve: $26,000]
Marble Portrait of Alexander
the Great
165 - detail
Roman, 1st to 2nd century
A.D., in carved white marble,
3-1/2 x 2-3/4 x 2-3/4 in.,
mounted on modern base,
several areas of scuffing and
minor chips revealing bright
marble, otherwise losses and
surface dirt as found, neck
drilled for mounting rod
Chicago, 1987 (copy of
Estimate: $2,000 - $3,000
168
Carved Marble Head of Hephaestion
probably late 4th or early 3rd century B.C., head of a male
wearing princely fillet, probably depicting Hephaestion,
7-1/2 x 5-1/2 x 6-1/2 in., modern base, losses, abrasions and
surface dirt as found, neck drilled for mounting rod
Provenance: Royal-Athena Galleries, New York, 1999
Royal-Athena Galleries catalogue, Art of the Ancient World,
Volume XI, Millennium Edition, January 2000, illustrates
and describes this head: “This nearly life-size bluish marble
head of a youthful prince is believed to depict Hephaestion,
Alexander the Great’s friend and second-in-command.
This sculptural type is known from three other very similar
marble heads including one in the J. Paul Getty Museum.
Our head, the fourth known example, is apparently the
finest preserved” (catalogue accompanies lot).
170
Ancient Terracotta Female
Head
depicted with hair combed
back above forehead and
behind ears, 8-1/2 x 6 x 6
in., raised on a Lucite base
with comb that extends up
into the hollow portion of
the head, extensive losses
and surface dirt as found
169
Ancient Marble Head of Bearded Deity
late Hellenistic, late 2nd century B.C., carved white marble,
5-1/8 x 3 x 2-1/2 in., raised on modern black base, no recent
damage noted, neck drilled for mounting rod
Provenance: Royal-Athena Galleries, New York, 1995 (copy of
Chicago (copies of
receipt and Certificate of
Authenticity accompany
lot)
Estimate: $2,000 - $3,000
44 • March 10, 2012
171
172
173
Roman Marble Head
(2nd century AD or style)
Mosaic of Bird
Luristan Bronze Axe Head
possibly Roman, 200 AD to 300 AD, bird in full
plumage set in composite border, 12-3/4 x 17-3/4 in.
excluding later wooden frame, surface losses and filled
elements, several cracks, loose in frame
1200 BC-1800 BC, ribbed shaft with four butt
spikes, downward-curved blade, old dry surface,
8 in., good condition, one small void on side of
shaft, mounted on later black-painted wooden
display stand
Possibly a Portrait of the
Emperor Caracalla (born
AD 188), 2-1/4 in., on
painted wood base, grime
Provenance: Artemission/
Atticart Ltd., London,
England, purchased
2002 (accompanied by
Certificate of Authenticity
from Atticart Ltd., London);
Estate of the late Dr. Joseph
Chandler Battaile, Sr.,
Memphis, Tennessee
Provenance: Estate of the Late Dr. Joseph Chandler
Battaile, Sr., Memphis, Tennessee
Estimate: $800 - $1,500
Provenance: Private Collection of a Washington,
D.C., Gentleman
Estimate: $400 - $600
Estimate: $300 - $600
174
175
Two Ancient Sculptures
Four Greek Pottery Vessels
one Syrian (Palmyra), possibly 3rd century AD,
limestone funerary relief portrait of a woman, 7-1/4 x 9
x 3-1/4 in.; one Greek, possibly 5th or 6th century BC,
terracotta votive head, 7-3/4 in., completely restored
with heavy remodeling, later white paint patina
two 4th to 3rd century B.C.: Skyphos, white and ocher slip decoration of
quadruped below wave and dot borders, on black ground, 4-3/4 in., several large
repaired cracks, scattered surface losses; Skyphos, each side with an owl flanked
by broad-leaf plants on black ground, 3 in., several large repaired cracks, glue
residue, other surface accretion; Lekanis, antique or antique style, black-painted,
2-3/4 x 8 in., minor surface abrasions; cup with black paint, antique or antique
style, 2 in., minor surface abrasions
Provenance: Estate of the late Dr. Joseph Chandler
Estimate: $300 - $600
Provenance: Estate of the late Dr. Joseph Chandler Battaile, Sr., Memphis,
Tennessee
Estimate: $600 - $1,000
March 10, 2012 • 45
176
177
Attic Red Figure Column Krater
Greek Bell Krater
Greek, attributed to the Painter of Munich 2335, 450-440 BC, painted on one
side with a chiton-clad woman running to the right and on verso with two
himation-clad youths facing a third, 8-1/2 in., good condition overall with crack
and repair at shoulder with some associated retouch, some repairs at handle
attachments, other repairs and restorations consistent with age and use
4th to 3rd century B.C., each side with figure of seated
female (possibly Athena), one with half nude holding a
patera, one seated with two falling patera, two handles
with anthemion decoration below, 8 in., extensive
surface accretion, one handle repaired
Provenance: Sotheby’s New York, May 30, 1986; Private Collection
Provenance: Private Collection
Estimate: $2,000 - $4,000
Accompanied by a letter from Dietrich Von Bothmer, Chairman of the
Department of Greek and Roman Art, Metropolitan Museum of Art, dated August
1986, attributing it to the Painter of Munich, 2335 (Beazley ARV pp. 1161).
Literature: Illustrated Sotheby’s International Price Guide, 1987-1988 edition, p.
598, number 9.
178
Greek Terracotta Kore
(possibly 5th or 6th century BC)
14-7/8 in., encrustations including coral, lacking
arm, repair to neck
179
Provenance: Estate of the late Dr. Joseph Chandler Apulian Red Figure Covered Lekanis
Greek, 4th to 3rd century B.C., lidded with female
profile between palmates, two-handled base, 4-5/8
Estimate: $400 - $600
x 6-1/2 in., one handle and finial repaired, finial
with small chips, scattered surface accretion, uneven
decoration
Estimate: $300 - $600
46 • March 10, 2012
180
181
Three Figural Sculptures
Eight Trilobite Fossils
Greek style Kore, bronze, 7-7/8 in.; Romanesque style head of
a man, marble, 5-1/4 in., grime; Roman style head of a man,
marble, 4-5/8 in., grime
eleven specimens on eight mounts: several small examples of spiny
trilobite, mounts 2 in. to 5-3/4 in., most in good condition
Provenance: Estate of the late Dr. Joseph Chandler Battaile, Sr.,
Memphis, Tennessee
Estimate: $200 - $400
Provenance: Estate of the Late Dr. Joseph Chandler Battaile, Sr.,
Memphis, Tennessee
Estimate: $200 - $400
182
Fossil Kueichousaurus
fine detail including vertebrae and toes, 10-1/2 in., matrix 11 in.
Provenance: Estate of the Late Dr. Joseph Chandler Battaile, Sr., Memphis,
Tennessee
Estimate: $500 - $800
183
184
Fossil Crab
Fossil Tracks
eyes and claws with good detail, crab
3-1/2 x 2-1/2 in., stone 6 in. wide,
good condition
footprints of large three-toed animal in
dark gray matrix, largest footprint 7-1/4
in., matrix 17-1/2 in.
Provenance: Estate of the Late Dr.
Joseph Chandler Battaile, Sr., Memphis,
Tennessee
Provenance: Estate of the Late Dr.
Joseph Chandler Battaile, Sr., Memphis,
Tennessee
Estimate: $400 - $800
Estimate: $200 - $400
For similar example, see Heritage
Auctions, June 8, 2008, lot 38350.
March 10, 2012 • 47
185
Chondrice Meteorite
3.3 lbs. classified as H6, found in Eastern Morocco
in 2000, 4 x 5 in.; lot accompanied by additional
information, excellent condition
186
heavily remaglypted, possibly a Campo (Campo del Cielo, Argentina),
approximately 3-1/2 x 8-1/4 in., excellent condition
Estimate: $400 - $800
Provenance: Estate of the Late Dr. Joseph Chandler Battaile, Sr., Memphis,
Tennessee
Fifteen Pound Meteorite
Estimate: $1,500 - $2,500
187
188
Fossil Dinosaur Eggs
Fossil Dinosaur Egg
probably from China, Cretaceous period,
possibly a Hadrosaur, two eggs with original
stone matrix, 6-1/4 x 12-1/2 in., some loss of
shell, other abrasions and losses
possibly from China, probably a
Hadrosaur from the Cretaceous
period, 6 x 6 in., in original matrix,
surface with cracks and small losses
Provenance: Estate of the Late Dr. Joseph
Chandler Battaile, Sr., Memphis, Tennessee
Provenance: Estate of the Late
Dr. Joseph Chandler Battaile, Sr.,
Memphis, Tennessee
Estimate: $600 - $1,000
Estimate: $300 - $600
189
Four Fossil Ammonite Groups
six Ammonite fossils on four mounts: one single,
Jurassic period, Russian, 2-3/4 in.; one 4 in.; one
with two specimens, each 4 in.; one with two,
Dallas County, Texas, 2-5/8 in., most with some
traces of original iridescent surface
Estimate: $300 - $600
48 • March 10, 2012
191
Fossil Bird
well-defined beak, wings and feet,
bird 6-1/2 in., in matrix 6 x 4-3/4
in., some losses and migration
of parts, matrix with old repaired
cracks
192
Two Fossil Kueichousaurus
one with head folded under proper left front
leg, 7 in., matrix 10-1/2 in.; one Triassic, China,
7-1/4 in., slate-colored matrix, good condition,
lacking some toe details
190
Memphis, Tennessee
Provenance: Extinctions.com; Estate of the Late
Dr. Joseph Chandler Battaile, Sr., Memphis,
Tennessee
Fossil Reptile
Estimate: $400 - $800
Estimate: $500 - $800
probably a Mesosaurus, 18-1/2 in., matrix 23
in., good condition, several losses including
ribs behind rear legs, matrix with plaster
backing
193
Fossil Dragonfly
Estimate: $1,000 - $2,000
German, 160 million years old, finely detailed in
flying position, all legs visible, marked on back
“Jurasic/Solnhoffen/Germany”, wingspan 4-3/4 in.,
in original matrix 17-3/4 in. wide, good condition
The Loch Ness Monster is thought by some to
be an example of a surviving Mesosaurus.
Estimate: $600 - $1,000
194
Fossil Bird
early Cretaceous period, member of Chaomidianzi group, found in Liaoning Province,
complete specimen including distinct head, wing structure and feet, China, fossil 5 in.,
stone 6 x 5-1/4 in., with identification card, good condition
Provenance: Extinctions.com; Estate of the Late Dr. Joseph Chandler Battaile, Sr., Memphis,
Tennessee
Estimate: $1,000 - $2,000
March 10, 2012 • 49
195
196
Fossil Shrimp
Fossil Fish, Three Specimens
three specimens: one with two finely detailed examples, Hajula,
Lebanon, Cretaceous period, matrix 5-3/4 x 3 in.; one Solnhoffen,
Jurassic period, with single specimen, unidentified, matrix 7-3/4
in.; one 4 in. including appendages, matrix 11 in., matrix with one
repaired crack
one Upper Jurassic period, Liaoning Province, China, 4-1/2 in.,
losses, especially to head, matrix 7-3/4 in.; one with fish and
shrimp, matrix 3-1/2 in., good condition; two fish, Eocene period,
Kemmerer, Wyoming, 3-3/4 in. and 3-1/8 in., in amoeboid-shaped
matrix, 8-3/4 in., good condition
Provenance: Solnhoffen, Germany, Extinctions.com; Estate of the
Late Dr. Joseph Chandler Battaile, Sr., Memphis, Tennessee
Provenance: Extinctions.com; Estate of the Late Dr. Joseph Chandler
Estimate: $400 - $800
Estimate: $400 - $800
197
198
Four Fossil Crinoids
Four Fossil Ammonite Groups
Echinodermada, one matrix 4-3/4 in.; one from Cole County,
Oklahoma, matrix 3 in.; one with three partial specimens, 3 in. all
with partial stems
one single, German, 2 in., latex base; one single, 5-1/2 in.; one
group of at least seven, 5 in.; one with some mother-of-pearl
iridescence visible, 2-1/2 in., matrix 6-1/2 in.
Provenance: Extinctions.com; Estate of the Late Dr. Joseph Chandler
Provenance: Estate of the Late Dr. Joseph Chandler Battaile, Sr.,
Memphis, Tennessee
Estimate: $200 - $400
Estimate: $200 - $400
50 • March 10, 2012
199
200
201
202
Mayan Stone Jaguar God Head
(Guatemalan, pre-Columbian)
Primitive Carved Bone Figure
of Man
Byzantine Glass Jug
Timurid Tile Panel
basalt(?) fragment, traces of red
cinnabar, hand clasping braided hair
in back of head, 5 in., portion missing
from top of head, chips
probably Alaska, possibly
19th century, back with early
applied jelly label, 4-3/4 in.,
mounted on Plexiglas stand,
5-3/4 in., good condition with
no recent damage found
6th or 7th century,
translucent blue iridescent
glass with square body and
wheat and cross decoration
in relief, 9-1/2 in., earth
encrusted, loss at handle
Central Asia, 15th century,
interlocking blue-and-white
bowtie-shaped tiles surrounding
octagonal green tiles, 5-1/2 x
9-1/4 in. (sight), mounted in later
wood frame, not examined out of
frame, normal surface crazing and
edge losses
Estimate: $2,000 - $4,000
Provenance: Estate of the late
Dr. Joseph Chandler Battaile,
Sr., Memphis, Tennessee
Provenance: Estate of the
late Dr. Joseph Chandler
Battaile, Sr., Memphis,
Tennessee
Estimate: $300 - $500
Estimate: $400 - $600
Provenance: Private American
Collection since 1970s; Private
Collection of a Washington, D.C.,
Gentleman
Estimate: $500 - $700
203
Three Timurid Star-Shaped Pottery Tiles
Central Asia, 15th century: floral and bird decoration on
cobalt ground, each about 3 in. diameter, surface crazing and
discoloration, one with loss of several points
Provenance: Private Collection of a Washington, D.C.,
Gentleman
Estimate: $400 - $600
For similar examples, see Sotheby’s, October 20, 1994, sale
4622, lot 46.
204
Two Pairs Luster Tiles
Seville, Spain, probably early to mid 16th century: one quatrefoil, one
circular floral form incised verso “Marco”, 10-1/4 (sight), both with
black-painted wood frames approximately 13 x 13 in., surface chips
and repairs
Provenance: Hotel Drouot, lots 358 and 359, October 8, 2004; Dargate
Galleries; Private Collection of a Washington, D.C., Gentleman
Estimate: $500 - $700
Similar to tiles found in Doris Duke’s Shangri La mansion in Hawaii.
March 10, 2012 • 51
205
Safavid Tinned Copper Bowl
Persian, 17th century, finely
detailed arabesque designs,
continuous band of caligraphy at
rim, conforming circular foot ring,
4-3/4 x 8-5/8 in., normal surface
wear and minor dents
Provenance: Private Collection of a
Washington, D.C., Gentleman
Estimate: $500 - $700
For a similar example, see Sotheby’s,
October 7, 2009, lot 103.
206
207
Safavid Tinned Copper Bucket
Large Safavid Tinned Copper Bucket
Persian, 16th or 17th century, entire surface
decorated with bands of floral decoration, large
band of connected inscribed cartouches below
rim, 11-1/2 in., 16 in. including handle, minor
dents, normal surface wear, retains most of
original tinned surface
Persian, 16th or 17th century, extensively
decorated with bands of floral decoration, broad
band below rim with inscribed cartouches, 11
in., 18-3/4 in. including handle with animalhead terminals, base with separations and
possible repair, retains most of original tinned
surface, slight dents, normal surface wear
D.C., Gentleman
Estimate: $600 - $1,200
For a similar example, see Sotheby’s, October 6,
2010, lot 196.
208
209
Indian Gilt Steel Plate
Indian Copper Ewer
Indian, 19th century, quatrefoil plate
with finely detailed gold floral koftgari
decoration, 8-1/4 in., minor surface
abrasions, otherwise excellent condition
Kashmir, 18th/19th century, extensive
floral arabesque decoration with bands of
caligraphy, conforming foot ring, 11 in.,
possible interior repair at rim
Estimate: $400 - $600
Estimate: $400 - $600
Provenance: Weschler’s, Washington, D.C.;
Private Collection of a Washington, D.C.,
Gentleman
Estimate: $600 - $1,200
210
Bronze Casket
Indian, Ragasthan, 17th/18th century,
rectangular form with gabled roof, double hasp
mechanism, detailed surface decoration with
exotic birds, bracket feet, 13-1/4 x 9 x 7 in.
including handle, excellent condition
D.C., Gentleman
Estimate: $500 - $700
For a discussion of similar work see Mark
Zebrowski, Gold, Silver and Bronze From
Moghal India, 1997, plate 481, p. 284.
52 • March 10, 2012
211
212
213
Two Qur’an Folios
Three Fatamid Pottery Water Filters
Seljuk Dynasty Glazed Tile
Ottoman Empire, mid 16th century, both elegant
texts written with gold margins, polychrome
circular verse markers with white Kufic script on
polychrome background, floral motifs and gold
borders, text panel 7-1/2 x 4-1/2 in., sheets 101/2 x 7-1/2 in., minor border tears and browning,
scattered creases and surface smudges
Egypt, 10th/11th century, bases with finely
Kashan (Persian), 13th/14th
detailed decoration, 1-1/4 in. to 2-1/4 in., vessels century, star-shaped with
lacking sides
iridescent gold and blue glaze,
8 in. diameter, surface and edge
Provenance: Private American Collection since
1970s; Private Collection of a Washington, D.C., wear and losses
D.C., Gentleman
Estimate: $500 - $700
Gentleman
Estimate: $400 - $600
For a similar example, see Sotheby’s, October
16, 2001, lot 246.
Provenance: Private American
Collection since 1970s; Private
Collection of a Washington, D.C.,
Gentleman
Estimate: $400 - $600
Sheets from the same Qur’an are in the SacklerFreer Smithsonian Collection.
214
215
Two Ancient Documents
Large Qajar Folio Text in Nastalig Script
Qur’an Maghribi script, North African or Andalusia, Spain, 15th century, diacritics
and vowel points in red, blue, green and gold, two pages, 5-3/4 x 8-3/4 in., in later gilt
wood frame, minor smudges, not examined out of frame; Qur’an folio sheet, Mamluk,
15th century, 8-1/2 x 7 in., some browning, creases and stains, several holes from pest
damage
probably a page from the Shah Nameh, 19th
century, 15 x 9 in. (sight), linen matting, one
side with fine watercolor scene depicting fallen
soldier in body of water, old creases, some
smudges and minor stains, some browning
verso of watercolor scene, not removed for
examination
Provenance: Private Collection of a Washington, D.C., Gentleman
Estimate: $400 - $600
D.C., Gentleman
Estimate: $400 - $600
March 10, 2012 • 53
216
217
218
Indian Tinned Copper Ascet’s (Kaskul) Bowl
Safavid Tinned Footed Basin
late 19th century, boat-shaped with
arabesque floral decoration below band
of caligraphy at rim including “AH 1309”
(1891 AD), cartouche-shaped foot, 6 x 9 in.
excluding iron chain, normal wear to tinned
surface, good condition
Persian, 17th century, hemispheric bowl
on conforming round foot ring, elaborate
arabesque decoration below continuous band
of caligraphy at rim, dovetailed construction,
7-3/4 in. diameter, normal surface wear and
loss to tinning, otherwise excellent condition
Safavid Tinned
Copper Bowl
Estimate: $400 - $800
Estimate: $400 - $600
Estimate: $500 - $700
For a similar example, see Sotheby’s, April 14,
2010, lot 149.
For a similar example, see Sotheby’s,
October 7, 2009, lot 110.
219
Three Safavid Tinned Copper Wine Bowls
219 - detail
Persian, 17th century: one with dovetailed
construction, continuous bands of floral and
geometric devices, one band with four cartouches
cornering broad band of caligraphy (possibly
a date or signatures), 5-1/2 x 8-3/4 in., small
dents to shoulder, slight surface wear, otherwise
good condition; one elaborately decorated with
continuous bands of floral and geometric decoration
below broad band of caligraphy at rim, 4-3/4 x 8-1/2
in., normal surface wear, base with two creases and
two possible repairs, otherwise good condition;
one with continuous bands of floral and geometric
decoration, dovetailed construction, 17th or 18th
century, 5-1/4 x 9 in., normal surface wear, base with
separations and possible repair
D.C., Gentleman
Persian, 17th century, densely decorated
with floral arabesques below continuous
band of caligraphy at rim, 3-3/4 x 8-3/4 in.,
normal surface wear and loss to tinning,
otherwise excellent condition
220
Very Large Safavid
Tinned Copper
Basin
218 - detail
221
220 - detail
Qajar Tinned
Copper Vessel
221 - detail
Persian, 17th century, rounded bowl,
shoulder with band of connected
diamond decoration below broad band of
caligraphy including cartouche (possibly
a date), 7 x 13 in., normal surface wear
with loss to tinning, some tape residue,
minor dents, otherwise good condition
Turkish, 19th century, slightly tapered
cylindrical form with rounded base and
everted rim, small cartouche (probably
signature and/or date) below multiple
floral and geometric bands below
broad band of caligraphy at rim, 6-1/2
x 9 in., normal surface wear, excellent
condition
Estimate: $500 - $700
Estimate: $500 - $700
For a similar example, see Christie’s,
April 24, 1990, lot 426.
Estimate: $1,000 - $1,500
54 • March 10, 2012
223
222
Indo-Persian
Ceremonial Axe
222 - detail
late 18th/early
19th century, finely worked steel with gold
Damascene decoration, elaborate dragon
finial, lunar-shaped blade with caligraphic
inscriptions, 30 in., traces of original gold
decoration, scattered light surface oxidation
Estimate: $1,000 - $1,500
Gold Damascened Steel
Pen Case (Qalamdan)
224
223 - detail
Persian, 19th century, sliding lid with central
cartouche, seated figures flanked by exotic
birds and flowers, sides with hunt scenes,
rabbits, and scroll decoration, 8 in., excellent
condition
Estimate: $400 - $600
For similar examples, see Christie’s London,
April 17, 2007, lot 250.
224 - detail
Qajar Lacquered Papier-Mache Pen Case
(Qalamdan)
Persian, 19th century, top with portraits of
Christian saints, churches in background,
cartouches on sides with figures seated at
table, other figures on horseback, sides
of interior with fine gilt floral decoration
on iron-red ground, 9 in., scattered chips,
surface losses
Estimate: $400 - $600
For a nearly identical example, see
Sotheby’s, June 25, 1985, lot 108, that
example signed “Sha Najaf” and dated
“1272” (AD 1855).
225
226
227
Two Qajar Papier-Mache Pen Cases
(Qalamdans)
Mamluk Revival Brass Tray
Koftgari Decorated Steel Charger
Persian, elaborate engraved decoration
with floral and geometric motifs, 27-1/4 in.
diameter, good condition
probably Persian, 19th century, finely
detailed silver and gold inlay, 15-1/4 in.
diameter, old polished surface, back with
later soldered hanger
Persian, 19th century, both with sliding lids:
one with birds and floral decoration on pale
beige ground, 8 in., scattered surface breaks
with painted restorations; one with fruit
and flowers on yellow ground, interior with
lidded silver inkwell, 8-1/2 in., scattered
chips and losses mostly to sliding end
Estimate: $100 - $200
Provenance: Virginia Collection
Estimate: $300 - $600
Estimate: $100 - $200
March 10, 2012 • 55
228
229
230
Safavid Luster-Glazed Soft Paste Bottle
Three Pieces Islamic Art
Three Pieces Islamic Copperware
Persian, 17th century, cobalt glaze with
luster decoration, dragons and birds, 5 in.,
rim with repairs
Middle Eastern, probably early 20th century,
tinned copper or brass with very fine detailed
decoration with raised cartouches on stippled
ground: pair lidded bottles, each with four
lobes, each lobe with cartouche with exotic
birds and flowers, 17-1/2 in.; with ovoid
vessel, 9-3/4 in., all in good condition
Middle Eastern, early 20th century: lidded
urn with bird finial, relief and inlaid
decoration, silver on copper and brass with
detailed figural scenes, 11-1/2 in., rim and
base with minor dents, otherwise excellent
condition; alms coffer, silver on copper,
rectangular with canted corners, each side
with niche with detailed figures, extensive
silver inlay on copper base, base with door
for emptying, 10-1/4 in., good condition;
censer or brazier, silver on copper, circular
with tripod feet, broad band of cartouches
and medallions with Arabic inscriptions,
13-1/2 in.,
Estimate: $1,000 - $1,500
For a similar example, see Christie’s, April 7, Provenance: Private Collection
2011, lot 138.
Estimate: $300 - $600
Estimate: $600 - $1,200
231
Three Pieces Silver-Inlaid Islamic Art
Middle Eastern, 20th century: circular vessel
with carrying handle, fine copper and silver
inlay on brass body, tapered circular foot,
bands of calligraphy and figures including
one with soldiers on horseback, 15-1/2 in.,
scattered minor dents and slight corrosion;
large circular bowl with conforming foot
ring, elaborate silver inlay on copper
or brass ground, concentric bands of
decoration including men on horseback,
calligraphy and figures in various postures,
several circular medallions, 9-1/2 in.,
scattered minor dents, otherwise good
condition; round bowl with broad band
of figural decoration, copper with silver
overlay, 5-1/2 x 13 in., good condition
232
233
Four Islamic Copper Vessels
Four Islamic Copper Vessels
Middle Eastern, early 20th century: pair
bottle-shaped vessels, flared rims, each with
six raised cartouches with engraved figural
decoration on stippled ground, 9 in.; pair with
similar decoration, 5 in., bases with Arabic
inscriptions, possibly those of the maker, good
condition
Middle Eastern, early 20th century: one
bottle-shaped with six cartouches with
raised and engraved decoration with figures,
8-1/2 in.; one globular, copper with six
oval reserves flanked by arabesques, very
fine raised and engraved decoration with
flowers, 7-1/2 in.; one brass with six arched
reserves with musicians and artisans, 4-3/4
in.; one bowl with very detailed bands of
flowers and huntsmen, 3-1/2 x 6-1/2 in., all
in good condition
Estimate: $200 - $400
Estimate: $600 - $1,000
Estimate: $400 - $800
56 • March 10, 2012
234
235
236
237
Embroidered Panel
Safavid Silk Panel
Embroidered Panel
probably Middle Eastern, 18th or 19th
century, center oval medallion with
temple, surrounded by four circular
designs with metallic trim, stylized
floral background, silk, metallic thread
on silk, burgundy mat, 15-1/2 x 14 in.
(sight); later gold-painted frame, fading,
shattering of silk ground; frame with
abrasions
18th century, alternating
floral diagonal stripes, three
joined panels with fabric
backing, attached to stretcher
with Velcro, 22-1/2 x 42-1/2
in., slight fading and wear,
red stain proper middle right
probably Indian, 19th
century or earlier, central
floral vase within mihrab
niche, multiple floral
borders, silk embroidery
on quilted cotton ground,
silk backing, attached
sleeve for hanging, 68
x 27 in., fading, losses
to silk, repairs, selvedge
wear, splits to silk
backing
Fine Indian
Polychromed
Table
Provenance: A New York Collection
Estimate: $400 - $800
Provenance: Kevorkian
Gallery, Paris, 2000
(accompanied by copy of
certificate); Private Collection
of a Washington, D.C.,
Gentleman
Estimate: $1,000 - $1,500
Provenance: Private
Collection
Estimate: $500 - $1,000
237 - detail
probably Kashmir, late 19th
century, shaped top with fine
painted floral passages on
pierced pedestal with tripod
base and animal-carved feet,
the surface carved, gessoed and
polychromed, top with gesso and
polychroming on fabric ground,
27-1/2 x 20-1/2 in., top slightly
loose on pedestal, scattered
surface wear and paint losses
overall especially at edges of top,
old break and repair at one leg
attachment
Estimate: $1,000 - $2,000
238
Cairoware Silver and Copper Inlaid
Brass Kursi
Syria or Egypt, late 19th century, 33 x
16 x 18-1/2 in., good condition overall,
minor surface wear, polish residue,
lacking several brass rivets, other minor
dents and surface flaws
Washington, D.C., gentleman
Estimate: $4,000 - $6,000
For closely related examples, see
Christie’s, 6 October 2009, lot 297,
and 8 April 2008, lot 153.
238 - detail
March 10, 2012 • 57
239
240
Eight Burmese Silver Items
20th century: bowls, ladle and flatware,
no monograms, tests .900 or better, 30.74
oz.T.; detailed list available
Burmese Silver Box
20th century, elaborate openwork decoration
with figures, unmarked, no monogram, tests
.900 or better, 51.36 oz.T., 4-1/2 x 14-1/4 x 4
in., good condition
Estimate: $500 - $1,000
Estimate: $1,000 - $2,000
241
Turkish Sterling Vase
20th century, swirl base with scroll and
wave decoration, openwork rim, marks
for Nisan, no monogram, .925 fine, 62.51
oz.T., 16-1/2 x 9 in., base bent
242
Carved and Polychromed Architectural Element
242 - detail
India, 19th century, carved from a single heavy beam, Buddha and
other figures in architectural setting, 7-1/2 x 85-1/2 x 4 in., losses especially at corners, other
cracks, surface wear and scattered old repairs
Provenance: Estate of the Late Glenn E. and
Faye Hicks, Jr., Atlanta, Georgia
Estimate: $1,000 - $2,000
Provenance: Collection of the Late Robert O. Burns, Shelby, North Carolina
Estimate: $400 - $600
243
244
Middle Eastern Polychromed Low Table and Stools
Carved and Polychrome Hardwood
Carousel Horse
large charger-form tabletop with incised and
polychrome floral decoration, 46 in. diameter, on
folding mahogany stand, height with stand 20 in.;
with four censer-form tripod stools, 11-3/4 x 14 in.,
good condition, some surface dirt and polish residue,
other paint losses, wear and minor dents, repairs to
joints of stand
Provenance: Estate of the Late Prudence Moor,
Estimate: $400 - $600
probably India, late 19th/early 20th
century, depicted jumping with open
mouth, traces of surface paint, 30 x
57 x 12-1/2 in., poor condition with
extensive cracks, losses and repairs
including at hooves and shoulders,
loss of ears and tail
Provenance: Property of a
Midwestern Collector
Estimate: $400 - $600
245
Moorish Style Hand-Painted Tabouret
20th century, star-form top and bright
polychrome decoration overall, 26-1/2 x
21-1/2 in., good condition with light surface
wear and abrasions
Provenance: Estate of the Late Prudence
Moor, Asheville, North Carolina
Estimate: $300 - $500
58 • March 10, 2012
248
246
247
Two Camel Bone Paintings
Indian School
(Mogul, 20th century)
Indian School
(Mogul, 20th century)
Two watercolors on ivory
depicting musicians, 7-1/2
x 2-1/2 in. and 6 x 2-1/2 in.
(sight); faux bamboo frames,
good condition, not examined
out of frames; frames with
gilding losses
Four watercolors on ivory with
figures, largest 5-1/2 x 3 in., good
condition; frames with surface
losses
Persian, Isfahan, 20th century:
one depicting a mosque and
parade ground, one with gazelle
hunt, each signed and bordered,
5-1/4 x 5-7/8 in.; modern
parquetry-inlaid Persian frames,
5-1/8 x 9-3/8 in., good condition
Estimate: $500 - $700
Provenance: Estate of the late
Memphis, Tennessee
Estimate: $300 - $500
Estimate: $300 - $500
249
250
251
Safavid Folio of Bahram
Gur on Horseback
Safavid Revival Miniature
John Lodge Map of Constantinople
Persian, 19th century,
male and female figures
entwined, ink, watercolor
on paper, heightened with
gold, 6-3/4 x 3-1/4 (sight),
9-3/4 x 7-1/2 (folio), minor
surface abrasions,
toning
British, 1770, “Plan of Constantinople, Places Adjacent and Canal of Black
Sea…1770/Engraved by J. Lodge”, 7-1/2 x 9-3/4 in. (image), in modern frame,
visible fold marks, otherwise good condition; with hand-colored French
engraving of Turkish gentleman dressed in winter attire, titled Ture en Habit
d’Hiver, marked lower right “B. Jollivet”, 5-7/8 x 3-3/4 in. (sight), in modern
wooden frame, both in good condition, not examined out of frames
Provenance: Private
Collection of a Washington
D.C. Gentleman
Estimate: $300 - $500
Persian, probably Isfahan,
mid 17th century, ink and
watercolor scene of two
gentlemen on horseback in
a rocky landscape with a
fire and two bystanders, 131/4 x 7-5/8 in., browning,
several border tears and
tape restorations, small
holes, surface abrasions
(very fragile, handle with
care)
Estimate: $200 - $300
Provenance: Private
Collection of a Washington,
D.C., Gentleman
Estimate: $400 - $600
March 10, 2012 • 59
252
253
254
Raffaele Mainella
(Italian, 1856-1941)
John Joseph Fonseca (or Fonceca)
(British, 19th century)
Continental Baroque Carved
Walnut Side Chair
The Bridal Procession, signed lower right “R.
Mainella” and titled on older backings attached
verso, watercolor and ink on paper, 11-5/8 x
16-7/8 in.; gilt wood frame, minor foxing, toning,
fading, not examined out of frame; frame with
abrasions
A Government House, Madras, India, signed “J.J.
Fonceca/Madras 1861”, watercolor on paper, 25 x
38-3/8 in.; black lacquer and gilt wood frame, light
toning, stain in sky, not laid down, not examined out
of frame; frame with abrasions
Portuguese, Dutch or possibly
Colonial, 18th century, piercecarved crest, original slip
seat with probably original
tooled leather upholstery,
seat frame with through-tenon
construction, 44-1/2 x 22 x
19 in., good condition overall,
minor patches and repairs to
crest rail at joint with stiles,
joints of seat frame with some
cracks and separations, minor
repairs to stretchers, one knee
return replaced, minor pest
damage
D.C., Gentleman
Estimate: $1,000 - $1,500
Estimate: $1,000 - $1,500
John Joseph Fonseca was a major in the Indian army.
Estimate: $800 - $1,200
255
Chinese Export Campaign
Desk and Bookcase
probably Chinese for the
British market , 19th century,
tropical exotic hardwoods,
dentil-molded upper case
with two glazed doors,
stacked double-case lower
section with fitted butler’s
desk, four dovetailed long
drawers with line inlay and
recessed brass pulls, original
turned feet, several areas
inscribed with Chinese
characters, 74 x 39 x 19
in., good condition overall,
sides lacking brass carrying
handles (associated patches),
upper case lacking three
shelves
Estimate: $3,000 - $5,000
256
British-Colonial Tavern Table
possibly Caribbean, 18th century, tropical exotic
hardwood throughout (probably teak), highly figured
two-board top, single dovetailed drawer with heavy
construction and hardwood secondary, 28-1/2 x
64 x 39 in., refinished, possibly lacking battens
for top (several wooden pins and tacking scars in
skirts), drawer with later iron pull, minor sun fading
and finish losses, otherwise excellent condition
with expected wear, shrinkage and minor losses to
turnings
Estimate: $1,000 - $2,000
60 • March 10, 2012
257
258
259
Louis XIV Style Frame
Italian Style Cassetta-Form Parcel Gilt
Frame
Louis XIV Style Carved and Gilt Wood
Frame
probably early 20th century, carved,
gessoed and parcel gilt with sanded frieze
and applied foliate spandrels, interior 473/4 x 62-3/4 in. (rabbet), exterior 61-3/4
x 77 in., depth 4 in., excellent condition
overall, loss to six small applied rosettes,
other minor cracks, surface wear and
surface variation
British or Continental, early 20th century,
carved wood with anthemion and shell
motifs with bellflower and strapwork foliage
decoration on diaper-patterned ground,
interior 42-7/8 x 60 in. (rabbet), exterior
54 x 70-1/2 in., depth 4-1/8 in., good
condition, original gilding, minor damage
to small area at upper inside quadrant at
proper left side with associated retouch
Continental, mid 19th century, elaborate
composition ornament finished in red
bole (formerly gilt), interior 43-1/2 x 60 in.
(rabbet), exterior 52 x 68 in., depth 3-1/8
in., good condition, formerly gilt surface
with scattered cracks, wear and minor
repairs to composition
Provenance: Deaccessioned by the North
Carolina Museum of Art
Estimate: $800 - $1,200
Formerly housed The Merchant of
Dordrecht with Wife and Children by
Nicolas Maes.
260
Regence Style Carved and Gilt Wood Frame
France or Netherlands, early 18th century,
elaborately carved and gilt foliate decoration
on diapered ground, interior 43-5/8 x 55 in.
(rabbet), exterior 52-3/4 x 64-3/4 in., depth
4-1/2 in., resized with infill, retouch and
separations at joints, losses and retouch to
gilding overall, back set with later bracing
Estimate: $500 - $1,000
Formerly housed Jupiter and Mercury in the
House of Philemon and Baucis by Jacob
Jordaens.
Estimate: $1,000 - $2,000
Formerly housed St. Lawrence Distributing
the Goods of the Church by Bernado
Strozzi.
Estimate: $1,000 - $2,000
Formerly housed Peasants Gathered Outside
an Inn by Isack van Ostade.
261
262
Baroque Carved and Gilt Wood Frame
Louis XV Style Frame
British or Italian, late 18th century, boldly
carved and with leaf, fruit twisted ribbon
decoration, acanthus leaf and shield sight
edge, interior 35-1/2 x 46-3/4 in. (rabbet),
exterior 65-1/2 x 54-1/2 in., depth 7-1/2 in.,
very good condition, probably original surface
and size, sight edge profile a later addition,
scattered minor losses and repairs to gilding
and carved elements with minor paint retouch
probably American, 20th century,
composition ornament with metal leaf
and toning varnish in the Louis XV style,
interior 69 x 39-3/4 in. (rabbet), exterior 79
x 49 in., depth 6-3/8 in., scattered losses
and damage at anthemion terminals and at
corners, scattered damage to composition
ornament especially at corners and central
crest, other scattered cracks and paint
retouch
Estimate: $1,000 - $2,000
Formerly housed the Bronzino Workshop
painting Eleonora di Toledo.
Estimate: $1,000 - $1,500
March 10, 2012 • 61
263
264
265
Fine Cassetta-Form “Spanish Herrerra”
Frame
Baroque Carved and Gilt Reverse- Profile
Plate Frame
Baroque Carved, Painted and Parcel Gilt
Frame
Italian or Spanish, 17th century, in trophy
or Spanish Herrerra style with large bead
course on broad fillet at outer edge, frieze
with carved appliqués of coat-of-arms,
shield within shields, carved wood with
gilding and polyhchroming, interior 513/4 x 39-1/2 in. (rabbet), exterior 73 x 61
in., depth 3-3/4 in., warped and with large
losses to some corner appliqués, 2 in. loss
at one molding, separations at joints, minor
pest damage, surface wear and some paint
retouch
Italian, first half 18th century, outer edge
with carved serrated petal-and-dart design,
cavetto sight edge, interior 24-1/4 x 25 in.
(rabbet, exterior 40-1/2 x 41-1/2 in., depth
3 in., repairs throughout including rejoined
corners and regilding, addition of 2 in. wide
sight edge liner covered with brown velvet
Italian, late 18th/early 19th century,
compound profile baroque with leaf, dart
and bud carved ornament, interior 39-5/8 x
42-1/4 in. (rabbet), exterior 50 x 55-1/2 in.,
depth 3 in., resurfaced, scattered chips and
losses to gilding and paint, minor cracks,
scattered edge losses on left side
Estimate: $800 - $1,200
Estimate: $800 - $1,500
Formerly housed Virgin and Child with St.
John the Baptist by Andrea del Sarto.
Formerly housed The Ascension by Barent
van Orley.
Estimate: $1,000 - $2,000
266
267
268
269
Louis XIV Style Carved and Gilt
Wood Frame
Cove-Molded and Gilt Wood
Frame
Cassetta Style Gilt Wood Frame
Newcomb-Macklin Frame
American, early 20th century, ogee
profile with anthemion and flowers
on incised gesso at corners, silk
wrapped and gilt liner, interior 251/4 x 16-1/2 in. (rabbet), exterior
31-3/8 x 22-1/4 in., depth 3 in., very
good condition, possibly expanded,
original gilding
probably American, early 20th
century, interior 46-3/4 x 67
in. (rabbet), exterior 56 x 76
in., depth 4 in., scattered minor
losses and abrasions to gilding,
other surface dirt and staining,
back set with later bracing
multiple profiles in steps to
central frieze with guilloche
pattern in composition, interior
47-1/8 x 39-5/8 in. (rabbet),
exterior 65-1/2 x 47 in., depth
2-3/4 in., excellent condition
with minor surface wear
carved white gold or silver
gilt and painted wood with
incised decoration and
exposed red bole, interior
26-13/16 x 21-3/4 in.
(rabbet), exterior 32 x 27 in.,
depth 2-1/4 in., width 3 in.,
abrasions, some chips
Provenance: Deaccessioned by the
North Carolina Museum of
Provenance: Deaccessioned by
the North Carolina Museum of
Art
Estimate: $800 - $1,500
Estimate: $400 - $600
Formerly housed In the Greenhouse
by John Twachtman.
the North Carolina Museum of
Art
Estimate: $800 - $1,200
Formerly housed Indian Fantasy
by Marsden Hartley.
Estimate: $200 - $400
62 • March 10, 2012
270
271
272
John Speed Map of Surrey, England
Manuscript Map of the Western Hemisphere
17th Century Hemisphere Map
“Surrey, Described and Divided into
Hundreds”, by John Speed, engraved
by Jodocus Hondius, published by John
Sudbury and George Humble, London,
1610 (probably circa 1627 edition), doublepage map with views of Richmond and
Nonesuch Castles and heraldic devices,
hand-colored engraving on laid paper,
related English text verso, 16-1/2 x 21-1/4
in. (page):, 15-1/8 x 20 in. (plate); modern
double-paned wood frame, image loss in
upper right corner (as made), hinged with
cellophane tape, toning, fading, smudges,
small repaired tear at bottom, minor
rippling, two small holes restored with tissue
paper, hand-coloring probably later, pencil
inscriptions verso
unknown cartographer, possibly Werner
Munzinger, publisher unknown, possibly related
to an article published in the German magazine
Magazine for General Geography, 1859, colored
ink on wove paper, 11-3/8 x 18-1/2 in. (image),
21-1/2 x 14-3/8 in. (page); modern painted
wood frame, toning, scattered foxing, margins
hinged with paper tape, stains, fading; frame with
abrasions
Hemisphae Alis Coeli Sphaeri GraRII Bore et Terrae Casceno Phia.,
signed and dated in plate “Henricus
Hondius 1661” (Dutch, 1615-1676),
publisher Petrum Schenk & Gerardum
Valk, Amsterdam, 1661, hand-colored
copper engraving on laid paper with
Arches watermark, 18 x 19-7/8 in.
(plate, 18-5/8 x 20-5/8 in. (page);
carved modern wood frame, loose,
toning, light foxing, smudges, fading,
hand coloring possibly later; frame
with abrasions
Provenance: Private Collection, Asheville, North
Carolina
Estimate: $300 - $600
Provenance: Private Collection,
Estimate: $500 - $1,000
Estimate: $400 - $800
273
274
275
French Map of Southeastern United States
Italian Map of Southeastern United States
Carte De la Partie Sud Des Etats Unis De
L’Amerique Septentrionale, Rigobert Bonne
(French, 1727-1795), Paris, circa 1780,
engraving on laid paper, hand-colored in
outline, 8-3/4 x 13-3/4 in. (plate); modern
carved and painted wood frame, moderate
foxing, toning, ghost images, stains, creases,
rippling, not examined out of frame; frame
with abrasions and losses
Partie Orientale Della Florida, Della
Geiorgia, e Carolina Meridionale, Antionio
Zatta (Italian, 1775-1797), Venice, circa
1780, engraving on laid paper, handcolored in outline, 13 x 17-1/4 in. (plate);
modern carved and painted wood frame
with abrasions and losses, similar to frame
for lot 275, scattered foxing, light toning,
creases, rippling, not examined out of
frame; frame with abrasions and losses
Harold William Rickett, Wildflowers of the
United States
Provenance: Private Collection, Asheville,
North Carolina
Estimate: $200 - $400
six volumes with slip cases (14 books), New
York Botanical Garden, McGraw Hill, New
York, 1966, in original slip cases, most with
original tissues, books in good condition, slip
cases with some soiling and separations
Estimate: $400 - $800
North Carolina
Estimate: $200 - $300
March 10, 2012 • 63
276
277
Rare Spanish Colonial Vargueño
French Romanesque School
(12th century)
probably Ecuador, 17th/18th century, elaborately
mother-of-pearl inlaid fall front opening to a fitted
interior with parquetry gameboard and bone-inlaid
writing board, ten mother-of-pearl inlaid and parcel
gilt drawers, drawer interiors with early floral paint
276 - detail
on pale blue ground, original gilt brass drawer pulls,
16 x 19-1/2 x 12-1/4 in., extensive losses to mother-of-pearl and bone inlay
(many pieces off but present), crack and separation in fall board, other minor
separations at joints, paint losses and wear overall, set with later feet (probably
once fitted with a stand)
St. Martin of Tours, carved sandstone relief, 15-5/8
x 14 x 2 in., repaired crack, old chips and losses to
horse’s legs and border, weathering
Estimate: $2,000 - $4,000
Provenance: Property of a Lady, Paris, France
Estimate: $2,000 - $3,000
278
(19th and 20th century)
Four carved and polychromed
Santos: Madonna, 12 in., loss
to implement; Franciscan
Monk, 8-1/4 in., losses to hand,
repaired neck; Madonna, 7 in.;
Triumphal Christ on a Donkey,
11-5/8 x 10-3/4 x 4 in., chips,
repair to tail, all with flaking,
abrasions
Estimate: $200 - $400
279
280
German School
(19th century or earlier)
Antoine-Marin Mélotte
(Flemish, 1722-1795)
St. Joseph, niche figure,
carved limestone with
imbedded iron hook, 33-1/8 x
11 x 5-3/4 in., chips at base,
lacking iron piece in head
Procession of Gaulish Prisoners, circa 1780, signed lower right with
conjoined “AM”, relief-carved fruitwood, portion of old auction label
verso, 10-3/4 x 19-3/4 in., chips and losses to corners and top, minor
pest damage
Provenance: A New York
Collection
Estimate: $3,000 - $5,000
Estimate: $500 - $1,000
64 • March 10, 2012
281
282
283
284
After Raphaello Sanzio
(or Raphael, Italian, 1483-1520,
an 18th century copy)
Alexander Hyacinthe Dunouy
(French, 1757-1841)
Follower of Rembrandt
British School
(early 19th century)
Veduta del ponte del diavolo
a Sorrento (Devil’s Bridge,
Sorrento), signed lower right
“A.D.”, oil on panel, 13-5/8 x
10-1/2 in.; gilt wood frame, panel
with slight convexity, retouch
along top edge (less than 1
percent of surface affected),
abrasions, craquelure; frame with
abrasions
Portrait of a Bearded Man,
unsigned, oil on panel,
unframed, 10-1/4 x 7-1/2 in.,
retouch in darkened areas,
crackle most likely in varnish
layer, small scattered abrasions
to paint layer, central cleavage,
board slightly warped (convex)
Portrait of a Lady, with erminetrimmed robe, unsigned,
oil on canvas, 36 x 28 in.;
20th century gilt wood and
composition frame, restretched
on old stretcher, lined, some
retouch in face and background
affecting approximately 5-10
percent of surface, crackle,
cupping primarily lower right,
uneven varnish layer; frame with
abrasions
Detail from The Dispute Over
the Sacrament in the Vatican
(Disputa), unsigned, oil on
canvas, 18-1/4 x 14-1/4 in.;
painted and gilt wood and
composition frame, lined with
paste and linen, retouch primarily
at edges and lower right in stone,
crackle, flaking mostly at edges,
yellowed varnish, wax seal verso;
frame with resurfaced areas,
abrasions, loss to composition
Provenance: Porro & C., Milan,
Italy, May 12, 2005, lot 12, one
of a pair; A New York Collection
Provenance: A New York
Collection
Estimate: $800 - $1,500
Glenn E. and Faye Hicks, Jr.,
Atlanta, Georgia
Provenance: Collection of the late
Estimate: $1,000 - $2,000
Robert O. Burns, Shelby, North
Carolina
Estimate: $500 - $1,000
Estimate: $800 - $1,200
285
Attributed to Francesco Vecellio
(Venetian, 1475-1560)
The Madonna and Child, unsigned, oil on
canvas, 25-5/8 x 24 in.; late 15th/early
16th century style painted and gilt wood
frame, stretcher with same construction,
restretched, retouch with controlled
brushwork and 1 to 3 percent of surface
affected, crackle, cupping, cleavage,
stretcher marks, deformations associated
with slack canvas and mechanical impacts
to reverse of canvas
Provenance: Christie’s New York, June
9, 2010, sale No. 2322, lot 240 (labels
verso); A New York Collection
Estimate: $2,000 - $4,000
This composition is after that of his brother
Titian’s Ca’Pesaro’s altarpiece at the church
of Santa Maria Gloriosa del Frari, Venice.
286
Italian School
(19th century)
Madonna del Seddia, after Raphael,
signed verso “Gemalt von Friedrich
Britzger”(?), oil on paper or vellum,
unframed, 13 x 11-3/4 in., yellowed
varnish, stretched on strainer
Estimate: $300 - $600
March 10, 2012 • 65
287
288
289
0290
Follower of Gerrit Dou
(Gerard Douw, Dutch, 16131675)
British School
(19th century)
Attributed to Augustus Wall
Calcott
(British, 1779-1844)
Attributed to Samuel Prout
(British, 1783-1852)
The Pancake Seller, after the
original in the Uffizi Gallery,
possibly a late 18th/early 19th
century copy, oil on canvas, 171/2 x 13-5/8 in.; 19th century gilt
wood frame, restretched, lined
with paste and linen, crackle,
cupping, cleavage, flaking at
edges; frame with losses to gilt
surface
Estimate: $800 - $1,200
Note on letterhead from Country
Life Ltd., London, states the work
might be a “replica by Dou or an
early signed copy…”.
Portrait of a Queen, possibly
Queen Victoria(?), unsigned, oil
on canvas, 33 x 24-3/4 in.; gilt
wood and composition frame,
restretched, lined with paste
and linen, retouch throughout
affecting up to 25 percent of
surface, crackle, cupping, flaking,
bloom within varnish; frame with
abrasions
Glenn E. and Faye Hicks, Jr.,
Atlanta, Georgia
Resting From the Harvest,
unsigned, oil on canvas, 9-1/4 x
7-1/8 in.; 19th century gilt wood
and composition cove-molding
frame, frame plate for “Sir A.
Callcott, R.A….278”, lined,
crackle, cupping, cleavage,
flaking at left, yellowed varnish,
patch verso with related retouch
left of lower middle
Estimate: $800 - $1,200
Estimate: $400 - $600
292
Italian School
(18th century)
291
German or Austrian School
(19th century)
City Square, possibly signed lower left
“Kurtzburg”, watercolor and ink on
paper, 11-1/8 x 16-1/8 in.; gilt wood
and composition frame, laid on card,
foxing, toning; frame resurfaced, loss to
composition
Figures in a Loggia,
unsigned, oil on canvas, 271/4 x 32-3/8 in.; 20th century
gilt wood and composition
frame, restretched, lined with
paste and linen, two periods
of restoration, retouch with
up to 20 percent of surface
affected, crackle, cupping,
overcleaning; frame with
abrasions
Late Charles Smithgall,
Gainesville, Georgia
Estimate: $800 - $1,200
Estimate: $300 - $600
The Church of St. Pierre,
Louvain, Belgium, unsigned,
titled in ink verso panel, 16 x
11-7/8 in.; 20th century gilt
wood frame, retouch mostly
in draw crackle in sky, crackle,
abrasions at edges; frame with
abrasions
Provenance: Private
Collection
Estimate: $800 - $1,200
66 • March 10, 2012
293
294
Frederick Calvert
(British, circa 1785-1844)
Attributed to Thomas Buttersworth
(British, 1768-1842)
Two maritime scenes: Squall off the Coast of Dover, and Fisher
Folk on Shore, Dover, both signed lower left “F. Calvert”, oils on
canvas, each 10 x 14 in.; matching gilt wood frames, restretched,
lined, slightly yellowed varnish, crackle, minor flaking, stretcher
marks; frames resurfaced, abrasions
Pair Harbor Scenes, unsigned, oil on panels, 6 x 8-5/8 in.;
matching gilt wood frames, retouch at edges, crackle, some
“flattening” on one panel, one with some lifting at bottom right,
panels likely recycled from another work, one panel with linen
repair; frame resurfaced
Provenance: The Parker Gallery, London (labels verso); Private
Collection
Provenance: The Parker Gallery, London (labels verso); Private
Collection
Estimate: $2,000 - $4,000
Estimate: $2,000 - $4,000
295
296
Jean Michel Laurent
(French, 1898-1988)
French Boat Aground, with distant frigate, signed
lower right “Jean Laurent”, oil on plywood, 8 x 12
in.; gilt and painted wood and composition frame,
varnish residue at edges, crackle, light grime; frame
with abrasions
William Anslow Thornley
(or Thornbury, British, 1857-1935)
Two maritime scenes: Beached Vessel in the Moonlight, and Quiet Harbor, signed
lower left “WA Thornley” and one indistinctly with a possible “W…”, oil on panel,
5-3/4 x 9-7/8 in.; matching gilt wood and composition frames, yellowed varnish,
craquelure; frame with abrasions
Estimate: $400 - $600
Estimate: $1,200 - $1,800
March 10, 2012 • 67
297
Orlando Norie
(British, 1832-1901)
Ten military views: each title inscribed
in French on paper and taped verso
frame (see detailed listing for titles),
all signed “O. Norie”, includes views
of the Spanish campaign of 18101811 and The Siege of Anvers, 1831,
watercolors on paper, 5-7/8 x 8-3/8 in.;
matching gilt wood frames, tacked to
backing, tape stains through to front
at edges, light toning and fading, not
examined out of frames; frames with
abrasions
Estimate: $1,000 - $2,000
298
British School
(19th century)
Four ornithological studies, water birds and
pheasant: unsigned, pencil and watercolor
with gilt highlights on paper with J. Whatman
watermarks, 4-1/2 x 6 in.; matching gilt wood
frames, taped to verso of mats with cellophane
tape, toning; frames with abrasions
Estimate: $400 - $600
299
British School
(19th century)
Two Hunters Resting, unsigned, oil on canvas, unframed, 40 x 50 in., lined with paste,
scattered light retouch, crackle, cupping, abrasions, stretcher marks, void at right on
dog’s back
Estimate: $2,000 - $3,000
68 • March 10, 2012
300
301
George Morland
(British, 1763-1804)
Attributed to George Morland
(British, 1763-1804)
A Sow and Her Piglets, 1792, signed middle right “G.
Morland/1792”, oil on canvas, 8-3/4 x 10-1/2 in.; 19th century
gilt wood and composition frame, restretched, lined, two periods
of restoration, retouch affecting up to 20 percent of surface mostly
background and some in pigs and fence, crackle; frame resurfaced,
abrasions, loss to composition
Sow of the Improved Breeding Belonging to His Grace the Duke of
Bedford, unsigned, oil on canvas, 19-7/8 x 24-1/8 in.; 19th century
gilt wood and composition frame, restretched, lined, limited retouch
throughout; frame resurfaced, abrasions, loss to composition
Provenance: Sotheby’s New York, December 2, 2005, lot 81 (labels
verso); Private Collection, South Carolina
Provenance: Sotheby’s New York, December 2, 2005, lot 80 (labels
verso); Private Collection, South Carolina
Estimate: $2,000 - $4,000
Estimate: $2,000 - $4,000
302
British School
(19th century)
Two landscapes, both
with cottages by a river,
unsigned, oil on panels,
chalk inscription verso
both “Spiller”, each 3-3/4
x 5-5/8 in.; matching gilt
wood and composition
frames, yellowed varnish,
both panels slightly
convex; frames with
abrasions
Provenance: Private
Collection
Estimate: $400 - $600
303
German School
Two Barnyard Scenes With Chickens, both signed
“N” or “W. Michal”, oil on canvas, 10-1/2 x 8-1/4
in.; matching gilt wood frames, frame abrasions,
stretcher marks, light grime, canvas slightly loose,
one with 1/4 in. puncture on barrel left of middle;
frames with abrasions
Estimate: $400 - $600
March 10, 2012 • 69
304
William Shayer, Sr.
(British, 1788-1879)
The Farmer’s Daughter, signed “W. Shayer” lower
right on stone, oil on canvas, 24-1/4 x 36 in.; 20th
century gilt wood frame, lined, scattered retouch
mostly in sky and at edges affecting approximately
10 percent of surface; frame with abrasions
Provenance: Christie’s South Kensington, June 30,
2010, lot 206; Private Collection
Estimate: $2,000 - $4,000
305
Benjamin Williams Leader
(British, 1831-1923)
On the Lledr, North Wales, signed lower left "B.W. LEADER.1901", oil on canvas,
30-1/4 x 48 in.; gilt wood and composition frame, restretched, lined with wax and
linen, scattered light retouch in sky mostly corners and lower left corner, craquelure
Provenance: Richard Green, London, #P705, purchased 1978 (label verso; copy of
original receipt accompanies lot); Estate of the Late Charles Smithgall, Gainesville,
Georgia
Estimate: $6,000 - $9,000
306
307
308
Peter Moffat Lindner
(British, 1854-1949)
Charles Stuart
(British, active 1854-1904)
European School
Evening-Venice, signed lower left
“Moffat Lindner”, oil on canvas,
label verso “R.J.P” with title
and registration number “971”,
25-1/8 x 30-1/4 in.; gilt wood
and composition frame, original
stretcher and tacking edge,
scattered retouch; frame with
abrasions
Highland Landscape With Figures in a Boat,
signed lower right “Charles Stuart 1886”, oil
on canvas, 30-1/4 x 50-1/4 in.; 20th century
gilt wood frame, original stretcher and tacking
edge, retouch at repair center and center right,
crackle, flaking in cloud at center; frame with
abrasions
Figures by a River, unsigned, oil on canvas, 12-1/2
x 22-3/8 in.; modern gilt wood frame, restretched,
lined, retouch in sky affecting less than 5 percent
of surface, abrasions at edges, slightly yellowed
varnish; frame with abrasions
Estimate: $600 - $1,200
Estimate: $400 - $600
Provenance: Frances Aronson,
purchased in 1979; Estate of
the Late Charles Smithgall,
Estimate: $500 - $1,000
70 • March 10, 2012
309
310
311
Sidney Yates Johnson
(British, late 19th/early 20th century)
European School
(19th century)
Rocky Coastal Scene, signed lower right “S.Y.
Johnson 1907”, oil on canvas, 20-3/8 x 30-1/8 in.;
gilt wood and composition frame, original stretcher
and tacking edge, crackle, cupping, light grime;
some
Panoramic View of a City, unsigned, oil on canvas, 133/4 x 22-3/8 in.; modern gilt wood frame, restretched,
lined, retouch within draw crackle mostly in sky and
affecting less than 10 percent of surface; frame with
abrasions
Themistokles von
Eckenbrecher
(German, 1842-1921)
Estimate: $400 - $600
Estimate: $300 - $500
Norwegischer Wasserfall
(Llettajos) (Norwegian
Waterfall), signed lower
right “T.v. Eckenbrecher,
1904” and verso
on stretcher “T. von
Eckenbrecher” pinx…
Berlin-W. Kurfurstendamm
229”, oil on canvas, 32 x
23-1/4 in.; 20th century
frame, original stretcher
and tacking edge, stretcher
marks, light grime; frame
with abrasions
Estimate: $400 - $800
312
313
European School
(19th century)
Georg Wolf
(German, 1882-1962)
Wagon on a Beach, unsigned, oil on paper laid on
canvas, 8-3/8 x 12-1/8 in.; gilt wood frame, retouch
at edges, bottom right corner; frame with abrasions,
popped corners
Shepherd Tending Sheep, signed lower left “G. Wolf”,
oil on canvas, 23-3/4 x 35-5/8 in.; carved and gilt
wood frame, original stretcher and tacking edge,
grime; frame with abrasions
Estimate: $400 - $600
Estimate: $300 - $600
314
British School
(19th century)
Two portraits: Young Man in Cape, retouch affecting 10 percent of
surface, crackle, cupping, cleavage at fur; Young Man with Pipe,
retouch affecting less than 5 percent of surface, oil on panels, 6-5/8
x 5 in.; matching gilt wood frames, both with craquelure; frames
with abrasions
Provenance: Collection of James R. and the Late Jeanne McCown,
Huntsville, Alabama
Estimate: $100 - $200
315
Albert William Ayling
(British, 1853-1905)
Girl Feeding Birds, signed
lower left “A.W. Ayling”,
watercolor on paper laid on
stretched canvas, 29-3/4 x
21 in.; modern gilt wood
frame, toning, light fading;
Provenance: Purchased at
Phillips Auction, September
8, 1975; Private Collection
Estimate: $400 - $600
March 10, 2012 • 71
316
Jean-Marie Faverjon
(French, 1823-1873)
L’Hiver, allegory of winter, signed lower right “Faverjon”, oil on canvas, 32 x 67-1/2
in.; gilt wood frame, restretched on original stretcher, lined, minor points of retouch
primarily at edges and in sky, crackle, frame abrasions; frame with abrasions
Estimate: $1,000 - $2,000
Jean-Marie Faverjon exhibited at the Salon de Paris 1848-1872. Two paintings, L’Eté
and Le Printemps, are listed in Benezit, Dictionnaire Des Peintres…, volume 4,
suggesting this painting is one of this allegorical group. A partial exhibition label
is verso stretcher with artist’s name, the title of Le Printemps, and with the number
“225”. It is possible the stretchers were switched at the time of lining.
317
Alex de Andreis
(British, 1880-1929)
On Guard, signed lower right “A de Andreis”, oil
on canvas, 31-7/8 x 25-3/4 in.; parcel gilt wood
reverse-profile frame, original stretcher and tacking
edge, crackle, canvas loose; frame with abrasions
Provenance: Christie's London, June 16, 1978, Sale
1028, lot 13 (copy of original receipt accompanies
lot); Estate of the Late Charles Smithgall,
Estimate: $1,000 - $2,000
318
319
320
German School
(attributed verso to Johann
Hummel, German, 1769-1852)
French School
Louis Degallaix
(French, 20th century)
Out of the Sheep Barn, 1901, signed lower left
“Jacquelies”, oil on canvas, original labels verso, one
with inscribed title in English and French, one with
date, 26 x 36-1/4 in.; ornate gilt wood and composition
leaf frame, original stretcher and tacking edge, crackle,
stretcher marks; resurfaced gilt on frame, repairs,
abrasions
Winter Evening on a River, signed lower
right “Degallaix”, oil on panel, inscribed
in chalk verso “Expo”, 16-1/8 x 12-3/4
in.; modern gilt wood frame, chips at top
corners; frame with abrasions
Italian Woman, unsigned, oil
on canvas, 29-1/4 x 24-1/4 in.;
painted and gilt wood frame,
retouch affecting approximately
20 percent of surface, crackle,
cupping, conserved by Massoud
A. Shiraz, Charlotte, North
Carolina; frame with abrasions
Estimate: $1,000 - $2,000
Estimate: $400 - $600
Estimate: $500 - $1,000
72 • March 10, 2012
321
322
Vladimir de Terlikowski
(Wlodzimierz Vladimir de Terlikowski, Polish, 1873-1951)
(Wlodzimierz Vladimir de Terlikowski, Polish, 1873-1951)
Moored Boat, 1932, signed lower right “W. de Terlikowski”,
oil on canvas, 21-3/8 x 28-3/4 in.; original carved and painted
wood frame, original stretcher and tacking edge, crackle, light
grime; frame with abrasions
Provenance: Private Collection, Asheville, North Carolina
Still life with flowers in a vase, Asian figure and goblet, signed and
inscribed upper right “Amore Mercueille Jeane-Francaise - W de
Terlikowski 1923 10/12”, oil on canvas, 23-5/8 x 36-1/4 in.; original
carved, gilt and painted wood frame signed by A. Goude, Paris, original
stretcher and tacking edge, crackle, cupping, cleavage, small points of
flaking; frame with warping, abrasions
Estimate: $2,000 - $3,000
Estimate: $2,000 - $3,000
323
324
325
(Wlodzimierz Vladimir de Terlikowski,
Polish, 1873-1951)
(Wlodzimierz Vladimir de Terlikowski,
Polish, 1873-1951)
Otto Rauth
(German, 1862-1922)
Landscape With Ruins, 1919, “19/
Terlikowski” added lower right in
pen later, painting with floral still life
verso with incised signature “W. de
Terlikowski”, oil on canvas, 17-1/4 x 203/4 in. (sight); modern gilt and painted
wood frame, uneven surface, crackle,
flaking lower right, not examined out of
frame, unstretched, sandwiched with
mats and glass; frame with abrasions
Venetian Bridge, 1922, signed lower right
“W de Terlikowski”, oil on canvas, inscribed
on tape verso strainer “No. 39B” and
possible title in French, 21- 1/4 x 25-1/2
in.; parcel gilt and painted wood frame,
original tacking and strainer, retouch in
sky top center, some crackle, light grime,
painting on verso, uneven, loose surface
likely a result of heavy impasto; frame with
abrasions
North Carolina
North Carolina
Estimate: $1,000 - $2,000
Estimate: $1,000 - $2,000
Landscape With Farm, signed lower right
“Otto Rauth”, oil on canvas, 31-1/2 x 39-3/4
in.; gilt silver frame, original stretcher and
tacking edge, stretcher marks; frame with
abrasions
Estimate: $400 - $600
March 10, 2012 • 73
326
Francesco Bergamini
(Italian, 1851-1900)
The Wedding Procession, signed lower left “F
Bergamini”, oil on canvas, 32-1/2 x 20-1/4 in.;
original gilt wood and composition frame, original
stretcher and tacking edge, crackle, cupping,
stretcher marks, light grime, canvas loose; frame
resurfaced, abrasions, loss to composition
327
Emile Vernon
(British, 1872-1919)
Beauty Gathering Flowers, signed lower right “E Vernon”, oil on canvas, 36 x 26 in.;
gilt wood and composition frame, puncture upper left with paint loss, two drips lower
right, small areas of retouch primarily in background upper right; frame with some
loss to composition
Estimate: $4,000 - $6,000
Provenance: Estate of the Late Glenn E. and Faye Hicks, Jr., Atlanta, Georgia
328
Emilie Chaese
(British, born 1868)
Chansons de printemps after Adolphe William Bouguereau (French, 1828-1905), signed “Emilie
Chaese”, oil on canvas, 52 x 37 in.; gilt wood and composition frame, three patches with
related retouch at tear center and at bottom, retouch at tear center and at bottom, crackle,
stretcher marks; frame with abrasions
Estimate: $1,000 - $2,000
The original painting was acquired directly from the artist, Bouguereau, by M. Knoedler &
Co. and has been held privately since. This suggests that Chaese may have studied under
Bouguereau at some time or that he saw the painting in the Paris Exposition Universalle in 1889.
74 • March 10, 2012
329
Isidore Jules Bonheur
(French, 1827-1901)
Un taureau et un ours, “A Bull and
a Bear”, signed “Isidore Bonheur”,
stamped “401” and with faint Peyrol
foundry stamp, patinated bronze, 9 x
15-1/4 x 6-1/2 in., dark brown patina
with wear to patinated surface, light
abrasion and small dents
Estimate: $12,000 - $18,000
[Reserve: $10,000]
332
Pierre Jules Mène
(French, 1810-1879),
19th century casting)
Three Vienna Bronzes
Brebis, recumbent sheep,
signed “P.J. Mene” and “1865”,
patinated bronze, 5-1/8 x 9-1/2
x 6 in., abrasions, brown to gold
patination
330
Emmanuel Frémiet
(French, 1824-1910)
Provenance: Estate of Bessie
Goldner, Phoenix, Arizonia
Satyr With Bear Cubs, signed on base “E.
Fremiet” and stamped “E. Fremiet/28”,
gilt bronze, 10-1/2 x 21-1/2 x 7 in., wear
to gilt surface, some points of corrosion
Estimate: $4,000 - $6,000
331
Estimate: $500 - $1,000
330 - detail
Songbird, 2-7/8 in., missing one toe,
possible paint retouch; Songbird,
Bergmann mark, 1-3/4 in., missing legs,
glue residue; Monkey Playing Violin,
Schultz mark, 2-1/8 in., violin bow
bent, all with paint wear
Provenance: Estate of Bessie Goldner,
Phoenix, Arizona
Estimate: $200 - $400
333
American School
Girl Studying the Alphabet, unsigned,
alabaster on green marble base, 13-1/2
x 11 x 7-1/2 in., abrasions, grime, chips
Estimate: $300 - $600
March 10, 2012 • 75
334
335
James Pradier
(Swiss, 1790-1852)
Max Kalish
(Polish, 1891-1945)
Reclining Nude, signed “J. Pradier” and inscribed below “V…/30”, foundry mark for Susse
Frères., bronze, 2-1/2 x 7-1/4 x 3-1/2 in., wear to patina, small abrasions or dents, brown patina
Seated Nude Torso, signed “M. Kalish”
and stamped with foundry mark Meroni
Radice Cire Perdue Paris, patinated
bronze, 6-5/8 in., blue/green to black
patination, sticker accretion on base with
some lifting of patination
Estimate: $2,000 - $3,000
Provenance: Proceeds to the Community
Partnership for Pets, Henderson County,
North Carolina
Estimate: $500 - $1,000
336
337
338
Three Patinated Bronze Figures
French School
(19th century)
Four Bronzes
Children: Dutch girl with ivory face,
carrying flowers, 4-7/8 in. including
base, glued; Girl with basket carrying
shoes, signed “Schmitt-Felling” (Julius
Schmitt-Felling, German, 1826-1886), 6
in. including base, chips on base; Boy
with bag, holding pipe, signed on bag “©
Kowalczowski” (Paul Ludwig Kowalczowski,
Polish, 1865-1910), 6-1/4 in. including
base, minor chips to base, black stone
bases, all with wear to patinated surfaces
Phoenix, Arizona
Estimate: $300 - $600
Bronze figure of Asian man in natural setting
with dragon and snake at feet, possibly a pen
stand, unsigned, patinated bronze, 6-1/2 x
7-1/2 x 4 in., wear to patinated surface
Provenance: Private Collection, Memphis,
Tennessee
Estimate: $300 - $500
long-billed water fowl, signed “Bofill”,
stamped with double M over A (Antoine
Bofill, Spanish, 1875-after 1925), 5-7/8
in. including black marble base, chips
to base; figural match safe, signed “J.
Moigniez” (Jules Moigniez, French, 18351894), 4-1/4 in.; rhinoceros paperweight,
stamped “Tiffany RR New York”, 1-1/4 in.;
satyr chased by geese, signed “Besserdich”
(Ruffino Besserdich, European, 19th
century), 4 in., all with wear to patinated
surfaces
Phoenix, Arizona
Estimate: $400 - $600
76 • March 10, 2012
339
340
341
Antonin Mercie
(French, 1795-1875)
Eugene Marioton
(French, 1854-1933)
Art Nouveau Style Shelf Clock
David avant le combat, circa 1880, signed “A.
Mercie” with foundry mark “F. Barbedienne,
Fondeur.Paris”, patinated bronze, 18-1/2 in.,
some points of corrosion, glossy finish
Esmeralda, patinated bronze, 22 in.
including rotating bronze base, corrosion
on goat, abrasions and wear to patinated
surfaces, dents to base and skirt
Estimate: $500 - $1,000
Estimate: $400 - $800
spelter female figural pediment with two
putti below, gilt metal mounts throughout,
marble base, title on label “Premevere After
Bruchon”, with key and pendulum, 25 in.,
minor surface losses, pediment slightly loose
on marble base, otherwise good condition
Estimate: $300 - $600
344
Four Patinated Bronze Figures
342
343
After Giovanni De Martino
(Italian, 1840-1935)
After Annibale De Lotto
(Italian, 1877-1932)
Boy With Crab, signed “De Martino”, Boy Bitten by a Crab, signed “De
patinated bronze, 20th century casting, Lotto” faintly on base, patinated
47-3/8 in., casting flaw on finger, some bronze, 20th century casting, 40-1/2
in., some corrosion, abrasions
pitting and corrosion
Estimate: $400 - $800
Estimate: $400 - $800
Trinhende, circa 1900, (after Victor Heinich Seifert,
Austrian, 1870-1953), with gilt cup and green marble
base, 11-1/2 in. including base, minor chips to base,
wear to gilt cup; Soldier, Alfred Morét (European, 18531913), signed “Morét”, 7-7/8 in., missing spear, corrosion
on legs, label adhered to back of figure; Seated Figure,
Gladenbeck Co., signed “AKT Ges. Gladenbeck, Berlin”,
rose granite base, 4-1/8 in.; Female Beachgoer, green
agate base, 4-7/8 in., minor chips on base, all with wear
to patinated surfaces
Provenance: Estate of Bessie Goldner, Phoenix, Arizona
Estimate: $400 - $600
March 10, 2012 • 77
345
346
347
348
Classical Red Marble
Pedestal
Emmanuel Villanis
(French, 1858-1914)
Carved Marble ColumnForm Pedestal
Italian School
French, late 19th
century, rotating
square top over
column support and
square base, 41-1/2 x
11 in., top with surface
wear, scattered minor
edge and corner chips,
marble with other
natural inclusions
Judith, patinated bronze on
red marble socle, 24-1/2 in.
with base, abrasions, minor
chips and abrasions on base
probably Italian, late
19th century, column
form with floral reserve
in deep relief on a
rectangular plinth, 38 x
12 in., good condition
with light surface dirt
and wear, abrasions,
very minor edge chips,
other natural inclusions,
attachment of column
to base loose and with
adhesive residue
Bust of a Smiling Young Beauty, unsigned,
alabaster, 19 x 16 x 11 in., abrasions
Provenance: Private
Collection, Tampa, Florida
Estimate: $1,500 - $2,500
Provenance: Private
Collection, Tampa,
Florida
Provenance: Private Collection, Tampa, Florida
Estimate: $800 - $1,200
Provenance: Private
Collection , Tampa,
Florida
Estimate: $500 - $700
349
Estimate: $500 - $1,000
Cast Iron Classical Female
Garden Statue
350
possibly French, 19th
century, the contrapasto
figure depicted with
drapery garment, necklace,
ivy and berry garland in her
hair, old weathered surface
with traces of paint, 65 x
15-1/2 x 15-1/2 in., cast
iron filled with concrete,
lacking arms (probably as
made), old loss to earlobes,
extensive surface rust and
weathering consistent with
age and use
Inlaid and Bronze-Mounted
Marble-Top Pedestal
French, late 19th/early 20th
century, circular marble top
over an inlaid mahogany
pedestal set with gilt leaf
and bellflower bronze
mounts, 47-3/8 x 19-1/4
in., marble top probably
replaced, surface wear and
scattered gilding losses,
other separations at joint
Provenance: Private
Provenance: Private
Collection, Memphis,
Tennessee
Estimate: $1,000 - $1,500
Estimate: $1,000 - $2,000
349
350
78 • March 10, 2012
351
Italian School
Harem Girl Leaning on a
Pilaster, inscribed “Made in
Italy”, carved and painted
alabaster with electrified
marble base, 33 in., chips
and abrasions with some loss
to proper right foot, wear to
painted surface, grime
Provenance: Private
Estimate: $2,000 - $3,000
352
Barcelona Style Chrome and Glass Coffee Table
after the design by Mies van der Rohe, late 20th
century, heavy glass square top on X-form base, 17 x
40 x 40 in., good condition with light surface wear
and dirt
Estimate: $400 - $600
353
Fine Bronze-Mounted and
Champlevé Onyx Pedestal
probably French, late 19th
century, cartouche-form top
with red and green onyx,
bronze mounts and multicolored enamel decoration,
capital and top rotate on
square pedestal support, 463/4 x 15 x 15 in., very minor
edge chips, some minor
surface wear to bronze, onyx
with scattered cracks and
natural inclusions, other very
minor cracks and wear
Provenance: Private
Estimate: $4,000 - $6,000
354
Vintage Louis Vuitton Steamer Trunk
interior with original label with serial number 755180,
sides monogrammed in yellow “MB”, 22 x 43-1/2 x 221/2 in., generally good condition, interior with staining
and lacking tray, break and loss to leather strap that
secures lid, numerous early shipping labels, abrasions,
wear, surface distress overall, one small area of loss to
leather at rear corner
Provenance: Descended in the Gilbert Family,
Asheville, North Carolina; Private Collection
Estimate: $2,000 - $4,000
355
Modern Lithograph
(20th century)
Toward, 1968, artist
proof, signed indistinctly
lower right “A. v…1968”,
lithograph on paper, 233/4 x 17-3/4 in.; metal
frame, toning
Provenance: Property of
a South African Collector
Estimate: $50 - $100
March 10, 2012 • 79
356
357
Constantine Kluge
(French, 1912-2003)
Tom Edwin Mostyn
(British, 1864-1930)
Un Olivier dans la lavande, signed lower right “C. Klugé”, oil on
canvas, “F.R.” label verso with registration number “30448”, 24 x
36 in.; carved, painted and gilt wood frame, original stretcher and
tacking edge, minor crackle and cupping mostly at one point above
signature, light grime; frame with abrasions
The Castle, signed lower left “Mostyn” and titled verso, oil on
canvas, 20 x 30-1/8 in.; original wood frame original stretcher and
tacking edge; frame with abrasions
Provenance: Estate of the Late Charles Smithgall, Gainesville,
Georgia
Estimate: $500 - $1,000
Estimate: $2,000 - $4,000
359
358
Salvador Dali
(Spanish, 1904-1989)
Salvador Dali
(Spanish, 1904-1989)
“Ivanhoe”, suite of four, edition 37/150, all signed
“Dali” with blindstamps for Dalart, color lithographs
on Japan paper, 29-1/2 x 21-1/2 in.; metal frames,
mildew and water stains in bottom margin, tape stains
(horse), very light foxing, light toning, fading; frames
with abrasions
Two color lithographs from Dali Discovers
America, 1979, edition of 250: Gateway to the
New World of Gala, and Christopher Columbus
Discovers America, color lithographs, 29-1/2 x
20-3/4 in. (page); matching metal frames, loose,
minor light foxing, very light toning; frames with
abrasions
Estimate: $500 - $1,000
Estimate: $300 - $600
80 • March 10, 2012
360
Joan Miró
(Spanish, 1893-1983)
La Personnage, 1972, edition 2/2, signed “Miró” with foundry stamp for Clementi
Cire Perdue, patinated bronze, 20-1/4 x 25-1/4 x 8-1/4 in., green to brown
patination, remnants of plaster
Provenance: The Pace Gallery, New York City (label on interior); Christie's new
York, November 7, 2002, lot 338; Alvin J. Myerberg; By descent in family
Fifteen important works of art were given by Alvin J. Myerberg to form a portion
of the Nasher Museum of Art Permanent Collection, Duke University. This piece
was retained by the family.
March 10, 2012 • 81
361
Henry Moore
(British, 1898-1986)
Folio Heads, Figures and Ideas, 1958, marked “47” but
a copy from the deluxe edition of 27 copies with an
original ink drawing “Six Seated Figures, 1956 (AG56.52.
HMF2948b), signed later in ink “Moore 57?”, 11-1/2 x 9-1/2
in., glue-tacked at corners to blue backing paper, two small
stains; two auto-lithographs “Thirteen Standing Figures” with
Henry Moore blindstamp, 18-1/4 x 12-3/8 in., glue verso
top edge; “Eight Reclining Figures” with “Hand Mane”
blindstamp, 18-1/4 x 12-3/8 in., glue-tacked at three corners
verso, “with untrimmed registration marks” (comment by
Geoffrey Grigson, published by George Rainbird and The
New York Graphic Society, Greenwich, Connecticut, and
printed by The Curwen Press, London, full morocco binding,
18-7/8 x 13-3/8 in., and plain blue/black fabric-covered
pasteboard slip case, binding with abrasions, grime, fading,
minor wear to corners; slip case with wear, tears, fraying at
edges
Provenance: Private Collection, Nashville, Tennessee
Original Drawing
82 • March 10, 2012
362
Ansel Adams
(California, 1902-1984)
Half Dome & Moon, Yosemite National Park, signed lower right
“Ansel Adams” with artist’s Carmel Studio stamp verso backing
with title, silver gelatin print, 19-5/16 x 14-7/8 in.; original mat
and backing, retouch lower center in shadow of cliff and two
points in sky
Provenance: Purchased from artist circa 1965
Beaux Arts, the fundraising organization for the Fort Lauderdale Museum of Art, held an
exhibition of Ansel Adams' work circa 1965. The consignor was the president of the organization
that year, and picked the artist up at the airport. At the exhibition, the consignor asked Adams to
recommend what she should buy, and he replied either Moonlight in Hernandez, or Half Dome
& Moon. She chose the latter, and it was shipped to her from his studio in Carmel
that year.
March 10, 2012 • 83
363
John Koch Photograph Archive
(American painter, 1909-1978), by photographer Lida Moser (American, born
1920)
17 silver gelatin photographs of John Koch’s Manhattan apartment, spanning from
1954 to 1990, includes portraits of the artist, family and friends, many images with
displayed examples of his artwork and other artworks in the home, all signed verso
in pencil by Lida Moser, many with dates and detailed notes, approximately 13-7/8
x 10-7/8 in. (page); detailed listing available; lot accompanied by reprinted articles
on John Koch and Lida Moser, scattered stains, handling grime, rippling, toning,
minor corner creases and wear, one with adhesive residue and abrasions verso,
some discoloration and retouch; detailed conditions not available
Provenance: Archive of Lida Moser, Photographer
Estimate: $1,000 - $2,000
Lida Moser is a respected photographer with a career spanning 60 years and a
photography style that frequently defies classification. Her works are found in the
permanent collections of the National Portrait Gallery and the Library of Congress
in Washington, D.C., the National Portrait Gallery in
London and the Scottish National Portrait Gallery, to
name a few. Moser was a friend of the realist painter John
Koch and his wife, Dora Zaslavsky. With one exception,
the examples offered here are part of a collection of
images Moser took in the Koch household from 19541974. Another group of images from this same collection
was recently purchased by the National Gallery of Art,
Washington, D.C.
363 - 1 of 17
364
365
366
George Elbert Burr
(Colorado/Arizona, 18591939)
Fred Schimmel
(South Africa./Holland,
1928-2009)
André Van Vuuren
(South African, born 1945)
Trees in the Moonlight,
signed lower left in pencil
“George Elbert Burr”,
drypoint etching, 9-7/8
x 6-3/4 in.; wood frame,
good condition, held in
with corners
Landscape, signed lower
right “Schimmel 94”, oil
on paper, 25-1/2 x 19-5/8
in.; modern black-painted
frame, hinged in; frame with
abrasions
Provenance: Property of a South African Collector
Provenance: Private
Collection
Estimate: $300 - $600
363 - 1 of 17
363 - 1 of 17
Untitled, abstract composition, 1987, signed lower right "Van Vuuren 87",
oil on canvas, 47-1/4 x 86-1/2 in.; silver gilt frame, good condition; frame
with abrasions
Estimate: $800 - $1,200
South African Collector
Estimate: $1,000 - $1,500
84 • March 10, 2012
367
368
369
Regi Bardavid
(South Africa/Egypt, born 1945)
Regi Bardavid
(South Africa/Egypt, born 1945)
Walter Whall Battiss
(South African, 1906-1982)
Bull, unsigned, oil on canvas, 52-1/2 x 57 in.; backpainted frame, good condition; frame with abrasions
Bull, unsigned, oil on canvas, 52-1/4 x 57-1/2 Untitled, signed lower right
“16/30 Battiss”, serigraph on
in.; gilt wood frame, draw crackle, flaking at
paper, 25-1/8 x 17- 3/4 in.;
edges; frame with abrasions
modern gilt wood frame, laid
Provenance: Property of a South African
down, all edges taped verso with
Collector
clear cellophane tape; frame with
abrasions
Estimate: $800 - $1,200
Estimate: $800 - $1,200
Provenance: Property of a South
African Collector
Estimate: $600 - $1,200
370
371
372
Eric Oswald Eatwell
Eric Oswald Eatwell
Eric Oswald Eatwell
Train/Barrels, signed lower right “Eric
Oswald Eatwell 93”, oil on canvas, 351/4 x 50-5/8 in.; silver gilt frame, good
condition
Pedestrians, 2000, signed lower right “Eric
Oswald Eatwell 2000”, oil on canvas, unframed,
26-3/4 x 46 in., original stretcher and tacking
edge, good condition
Unloading at the Train Station, signed lower
right “Eric Eatwell”, oil on canvas, 35-1/2
x 57 in.; gilt silver frame, good condition;
Collector
Collector
Collector
Estimate: $400 - $800
Estimate: $400 - $600
Estimate: $500 - $1,000
March 10, 2012 • 85
373
William Kentridge
Blue Head, 1993-1998, artist’s proof, state 3, signed lower right in pencil “W.
Kentridge”, hand-colored drypoint etching and aquatint with two hand-painted
plates on Velin Arches Blanc paper, inscribed verso in pencil “DK 2853” (David
Krut, Publisher), 40-1/4 x 31 in. (plate), 47-1/4 x 36 in. (page); black-painted frame,
excellent condition, hinged in at top with archival tape, full margins; frame with
abrasions
86 • March 10, 2012
375
376
Deborah Bell
Deborah Bell
Diary IV, 2000, edition 20/20, signed
lower right in pencil “Bell”, drypoint
with color roll and chine colle on rice
paper, 47-1/4 x 34-7/8 in.; painted
wood frame, floated, good condition;
Diary III, 2000, edition 20/20, drypoint
with color roll and chine colle on rice
paper, 47-1/4 x 34-7/8 in.; painted
wood frame, good condition, floated;
African Collector
Estimate: $1,000 - $2,000
Collector
Estimate: $1,000 - $2,000
377
Hendrik Nekhofhe
(Tshivhangwaho Hendrik Nekhofhe, South
African, born 1955)
374
Two carved wood sculptures: Vocalist
#AC20506, signed “T.H. Nekhofhe
‘92” with partial label on base, carved
hardwood, 31-1/4 in., splits in base; figural
group, signed under base and on side “T.H.
Nekhofhe”, 20-1/8 x 9- 1/4 x 5-1/2 in., splits
in wood, irregular finish
Geoffrey Armstrong
Untitled, unsigned, carved hardwoods, 90 in., with
24 x 36 x 36 in. square stainless steel electrified
base, abrasions to wood and base
Collector
Estimate: $4,000 - $6,000
Estimate: $400 - $600
A noted South African sculptor, Armstrong’s largescale work can be seen in an installation at Sabi
Sabi Earth Lodge, Johannesburg, South Africa.
378
Dorothee Kreutzfeldt
(South African, Namibia, born 1970)
Waiting for the Sea, 1998, signed verso “d.
Kreutzfeldt”, acrylic on plywood, 23-7/8 x 70-7/8 in.;
original painted wood frame, good condition
Estimate: $500 - $1,000
March 10, 2012 • 87
379
Sue Williamson
Six mixed media compositions: Picturesqueness, 12/50, 1992; Contemplation, 27/50, 1992; The
Distance Between the Eyes, 37/50, 1992; Dark as Their State of Mind, 15/50, 1992; Not Unworthy of,
26/50, 1992; Texture of the Hair, 25/50, 1992, mixed media with integral etched metal frames, 20-7/8 x
16 in. overall, good condition
Estimate: $2,000 - $3,000
380
Three Pieces Rorkes Drift Stoneware
South Africa, 20th century: pair effigy bowls signed “Elizabeth Mbatha”, inscribed “J-11288” and “J-117-88”; with an effigy ewer or vase signed Uriel Damane and inscribed “J128-88”, excellent condition, one with slight rim flaw as made
Estimate: $300 - $500
381
382
383
384
Zoltán Borbereki Kovács
(Hungarian, 1907-1992)
Gerhard Batha
Falko Warmt
(German, born 1938)
Falko Warmt
(German, born 1938)
Mother and Child, signed “Z.
Borbereki 1963”, patinated
bronze with aged wood base,
15-1/2 x 7-1/2 x 5 in., good
condition
Still Life With Flowers, signed
lower right “Batha”, acrylic on
canvas, 39-7/8 x 30 in.; gilt wood
frame, original stretcher and
tacking edge, good condition;
Abstract Composition, 1995,
signed lower right “Falko Warmt
95”, mixed media collage on
canvas, 54-7/8 x 39-1/4 in.; blackpainted wood frame, original
stretcher and tacking edge
Abstract Composition, signed
lower right “Falko Warmt”,
mixed media collage on canvas,
unframed, 54-3/4 x 39-1/4 in.,
original stretcher and tacking
edge, good condition
African Collector
African Collector
Estimate: $400 - $800
Estimate: $300 - $600
Estimate: $300 - $600
Estimate: $600 - $1,200
88 • March 10, 2012
385
KPM Porcelain Plaque
(German, late 19th/early 20th century)
Psyche Bathing, possibly signed indistinctly in glaze lower right, impressed
K.P.M. mark with scepter and “H” over “H” with incised measurements,
hand-painted, 13 x 7-7/8 in.; original elaborately carved orientalist scenic
frame, dimple in glaze middle right side as made; frame with two chips with
loss to leaves, one leaf with repair
386
Royal Vienna Style Plate
Austrian, late 19th/early 20th century,
seated woman with cupid in garden
setting, cobalt and gilt borders, fine
hand-painted decoration marked
“Schuler”, blue beehive mark verso
under glaze, 8 in., excellent condition
Estimate: $300 - $600
387
388
389
St. Cecilia, stamped verso “KPM” with
scepter, “H”, “4”, incised “A”, hand-painted
porcelain, 9-1/8 x 6-3/4 in.; gilt wood
frame, surface chip on right verso not
affecting painted surface, glaze flaw
upper left
Cupid Sharpening His Arrow, after A.R.
Mengs, verso stamped “KPM” with
scepter and incised “9.6”, hand-painted
porcelain, 9-1/4 x 6-3/8 in.; gilt wood and
composition Florentine style frame, glaze
flaws upper right; frame with extensive
restoration
St. Jerome Kneeling, stamped verso “KPM”
with scepter, “W”, “275”, “223”, “7”, handpainted porcelain, 11 x 8-3/4 in.; gilt wood
frame, very light surface abrasion (not into
glaze)
Estimate: $800 - $1,500
Estimate: $1,000 - $2,000
Estimate: $1,000 - $2,000
March 10, 2012 • 89
390
Fine Sèvres Style Porcelain-Mounted Center
Table
French, late 19th/early 20th century,
centering a finely painted portrait plaque
depicting Louis XVI signed “Vantell 1785”
and with blue Sèvres style mark verso,
surrounded by 17 finely painted portrait
medallions depicting ladies of the court and
an additional medallion with the royal coatof-arms, 31 x 31-1/2 in. including glass top,
frame regilt, one small portrait medallion with crack and repair, otherwise
porcelain in excellent condition with light surface wear and minor gilding
losses
Provenance: Estate of the Late Glenn E. and Faye Hicks, Jr.,
391
Fine Vienna Style Porcelain-Inset
Center Table
late 19th century, table center set
with large hand-painted porcelain
tray depicting an allegory of
music, turquoise border and gilt
highlights, signed “CH Towan(?)”
and surrounded by four oval
medallions depicting putti and cupids, 26 x 27-1/2 x 22-1/2
in., porcelain in excellent condition with light surface wear,
scratches and dirt, small porcelain medallions with some
scratches and with surface dirt/adhesive at edges, some
scratches, surface wear and minor gilding losses, frame
with scattered cracks and losses to composition ornament
especially at feet, extensive surface retouch, some cracks
and separations
Atlanta, Georgia
392
Royal Vienna Style
Charger
late 19th century, central
medallion with classical
figures on veranda,
seated male holding a
lyre, cobalt ground with
gilt and floral borders,
back with blue beehive
mark under glaze, old
paper label “One Plato…
(?)”, 17-1/4 in., good
condition, minor surface
abrasions
Estimate: $500 - $800
393
Empire Style Gilt Bronze Center Bowl
Austro-Hungarian, late 19th/early 20th century, finely cast
gilt bronze mounts with Egyptian winged female busts at
each corner of heavy glass bowl above paw feet, finely
detailed borders, marked on base “Br. Lopenscy/Warszawa”,
4-3/4 x 10 in., good condition, some loss to gilt highlights at
rim, glass interior with minor scratches
Provenance: Private Collection, Madison, Georgia
Estimate: $400 - $800
90 • March 10, 2012
394
Pair Gilt Bronze Empire Candelabra
French, early 19th century, each with
bronze female figure mounted on gilt
bronze pedestal supporting a three-arm
arched candelabra, outer two arms with
spreading bellflowers below, fine old
patination, later electrification, 23 in.
excluding candle sockets, with fabric
shades, good condition, minor surface
losses, retains most of original gilt surface,
bronze figures with old patination,
candelabras slightly loose on pedestals
Estimate: $1,000 - $2,000
395
Fine Pair Sèvres Portrait Urns
French, 19th century, fluted necks, central bands of fine
hand-painted portrait medallions below ornate swagand-tassel mounts, one medallion Louis XIV, one Louis
395 - detail
XV, each with eleven medallions of courtly women identified by name, all on blue ground
with jeweled highlights, gilt bronze mounts including canted corner bases with leaf and vine
decoration, 23-1/2 in., one finial repaired with slight retouch, one other small retouch found,
wear to gilt highlights, otherwise good condition
Provenance: Estate of the Late Glenn E. and Faye Hicks, Jr., Atlanta, Georgia
396
Fine Louis Philippe Carved and Gilt
Wood Mirror
French, 19th century, pierced crest
with central urn flanked by putti
and urn finials, garland ornaments
and central mirror with mirror
surround, 37-1/2 x 14-1/4 x 131/2 in., excellent condition overall,
minor distress to silvering on mirrors,
scattered cracks and repairs to
composition ornament, some areas
of gilding wear and restoration/
retouch
Raleigh, North Carolina
Estimate: $3,000 - $5,000
397
Louis XV Style Bronze-Mounted Lady’s Writing Desk
French, 19th century, leather-lined top and fine ormolu
mounts, single dovetailed frieze drawer with mahogany
secondary, 29 x 37-1/2 x 23-1/2 in., good condition
overall, leather top with some losses and color retouch
and wear, legs with some cracks and repairs, other
scattered veneer flaws
Estimate: $1,000 - $2,000
March 10, 2012 • 91
362
Fine Pair Sèvres Wine Coolers
398
Pair Louis XVI Style Gilt Bronze Candelabra
French, 19th century, tapered shafts with descending beaded
scales below four arched-leaf arms, heavy and fine casting, 19-3/4
in., possibly regilt, formerly wired for electricity (candle cups and
bobeches with filled holes)
Provenance: Private Collection, Raleigh, North Carolina
Estimate: $2,000 - $3,000
French, 19th century, hand-painted reserves
with lovers in a garden, verso with bouquets
of flowers flanked by ornate gilt and blue
ground, handles with busts of Bacchus, fine
gilt bronze bases with leaf and berry design,
mounted on square plinths, 11 in., excellent
condition overall with minor losses to gilt
highlights, surface abrasions, both lacking
mounting screws for rims, interior liners with
scratches
399 - detail
Atlanta, Georgia
Estimate: $4,000 - $5,000
401
Vernis Martin Decorated
Bombé Vitrine
400
Pair Bronze Mermaid-Form Six-Light Sconces
Italian or French, early 20th century, each large scale
with winged mermaids holding foliate-embellished
sconces, traces of original gilding, 32 x 24 x 27 in.,
good condition overall with surface wear, pitting and
some casting flaws
Provenance: Private Collection, Tampa, Florida
Estimate: $2,000 - $3,000
400 - detail
late 19th/early 20th century,
curved glass door and sides,
glass shelves and mirror
back, painted decoration
with courting scenes and
cupids, 71 x 28 x 15-1/2
in., good condition overall,
crack to one glass side panel,
minor losses to some mounts
especially at feet, some other mounts with minor bending and
looseness, some shrinkage to door, other surface wear and
abrasions overall
Atlanta, Georgia
Estimate: $1,000 - $2,000
92 • March 10, 2012
403
402
Louis XV Style Parquetry Inlaid Lady’s Louis XVI Style Fold-Over Writing
or Games Table
Desk
French, late 19th century, rosewood,
mahogany and other veneers, brass
gallery and cast mounts, dovetailed
drawers with oak linings, pull-out
writing board, leather-lined writing
surface, 37 x 39 x 21 in., minor veneer
losses and repairs, some warping
and repairs to veneered gallery, other
scattered flaws
20th century, figured veneers with
marquetry style decoration and
bronze mounts, swiveling fold-over
top, leather-lined playing surface,
30-1/4 x 25-1/2 x 18-1/4 in., edge
wear to top and infill at brass
molding on top, otherwise good
condition
Provenance: Property of a Lady,
Paris, France
Estimate: $600 - $900
Estimate: $300 - $500
404
Pair Louis XV Style Burlwood and Bronze-Mounted MarbleTop Pier Tables
20th century, each with burlwood mahogany and rosewood
veneers, bronze mounts, variegated ocher-to-ivory marble
tops, 34-3/4 x 35 x 16 in., excellent condition with light
surface wear and abrasions
Estimate: $500 - $1,000
405
French Provincial Style Parquetry-Inlaid Dining Table
French, late 19th/early 20th century, parquetry top, floral relief-carved skirts
and leaf-carved legs, 29-1/2 x 50-1/2 x 42-1/2 in., opens to 72-1/2 in. with
single inset leaf, minor pest damage, surface wear and abrasions, leaf with
uncarved skirts as made
405
Estimate: $500 - $700
406
407
408
409
Louis XV Style Marble-Top Bombé
Commode
Pair Directoire Style Caned and
Painted Armchairs
Queen Anne Style Cricket
Table
Chippendale Style Mahogany
Writing Table
late 20th century, variegated green
marble top, painted and inlaid
decoration on walnut veneer,
bronze mounts, 34-1/2 x 51 x 251/2 in., generally good condition,
mounts with some casting flaws,
minor veneer flaws, one drawer
bottom loose
Far Eastern, modern, double caned
backs and seats, distressed painted
surfaces, 41 x 24-3/4 x 23 in., paint
distress and wear largely as made
early 20th century, oak
throughout, circular top over
triangular base with deeply
shaped skirts and pad feet,
27-1/4 x 32-3/4 x 33 in.,
good condition with wear
to feet, light scratches and
stains to top, minor cracks,
abrasions
British, late 19th century,
single dovetailed drawer on
fluted square legs, 32 x 45
x 23-1/2 in., top with minor
sun fading, other light surface
wear and abrasions overall
Paris, France
Paris, France
Estimate: $200 - $300
Estimate: $200 - $400
Estimate: $400 - $600
Estimate: $400 - $600
March 10, 2012 • 93
410
411
Provincial Louis XV Leather-Upholstered
Commode Chair
Flemish Baroque Style Needlepoint
Armchair
French, 18th century, with fine dark
brown leather upholstery and brass tacks,
lid lifting to reveal a faience basin, 32-1/2
x 13-1/2 x 20 in., basin with extensive
losses and repairs, frame with scattered
pest damage, losses and repairs to front
skirt and one foot, other surface stains,
cracking and wear to leather
Continental, early 20th century, carved
mahogany frame set with needlework
upholstery, 55-1/2 x 27 x 34-1/2 in.,
good condition overall, minor break and
repair to one arm support, other light
surface wear, scattered wear and moth
damage to needlework, not examined
under upholstery
Provenance: Property of a Lady, Paris,
France
Provenance: Collection of the late James
R. and Jeanne McCown, Huntsville,
Alabama
Estimate: $400 - $600
412
George III Style Carved and Gilt Wood Pier Table
British, 19th century, white marble top, shelldecorated molded composition skirt over carved
wooden spread-wing eagle form support on parcel
ebonized base, 33-1/2 x 32 x 15-1/2 in., probably
reconfigured, regilt, surface wear and cracks
especially to composition ornament, other minor
repairs
Estimate: $500 - $1,000
Estimate: $500 - $700
415
413
414
Provincial Louis XV Fruitwood Cupboard
Chippendale Style Mahogany Bookcase
French, 18th/19th century, with heart and
flower carved frieze over two doublepaneled doors opening to an open shelved
interior, paneled case sides, removable
pediment, 83 x 43-1/2 x 21 in., scattered
pest damage and associated repairs, minor
repairs to legs, some warping to doors
British, 19th century, three glazed doors
opening to shelved interior (most adjustable),
set on later frame, 80 x 56 x 13 in., frame
associated, cracks and abrasions to moldings,
other restorations and repairs
Estimate: $500 - $700
Estimate: $1,000 - $1,500
Marquetry Inlaid
Secrétaire à
Abattant
415 - detail
Dutch, 19th century,
elaborately inlaid with dolphins, cupids,
urns and flora, four dovetailed long drawers,
drop front opening to a fitted and marquetry
inlaid interior, probably original brass pulls
and escutcheons, 69 x 38-1/2 x 19-1/2 in.,
good condition overall with scattered veneer
cracks, repairs and chips (sides with more
extensive buckling and repairs)
Estimate: $800 - $1,200
94 • March 10, 2012
416
417
418
419
420
Art Nouveau Porcelain
Lamp Base
Tiffany Favrile Vase
Tiffany Favrile Vase
Art Glass Cameo Vase
American, early 20th
century, iridescent dark
plum and purple, base
signed “6715E L.C.
Tiffany Favrile”, 6-3/4 in.,
excellent condition
American, tapered and
paneled, iridescent blue,
marked on base “1551 L.C.
Tiffany Favrile”, base with
paper label, 6-3/4 in., base
with tape residue
Provenance: Private
Collection
Provenance: Private
Collection
probably French, 19th
century, finely worked
polychrome decoration
with peacock in oak
tree with acorns and
leaves, gilt highlights,
unmarked, 12-3/4 in.,
excellent condition
Tiffany Style Stained Glass
Lamp
Estimate: $400 - $800
Estimate: $600 - $1,000
British or possibly
American, circa 1900,
partial mark possibly “O
& B Belleek”, cylinder
form with fine Art
Nouveau decoration, 153/4 in., hole at one lower
edge for cord probably
as made, drilling chip
with no loss to gilding,
secondary hole drilled
in center of bottom and
obscuring mark, very
minor losses to glazing
and gilt, light surface
wear and dirt
Provenance: Private
Collection
Estimate: $400 - $800
American, early to mid
20th century, mushroomshaped shade, 15-1/2 in.,
cast bronze base possibly
depicting underwater plants
with brass mounts on
mosaic glass platform, total
height 20-1/4 in., old dry
patinated surface
Late Dr. Joseph Chandler
Battaile, Sr., Memphis,
Tennessee
Estimate: $300 - $600
the Late Prudence Moor,
Estimate: $300 - $500
423
Silver Overlay Tea Service, Trivet
421
422
Pair Tiffany Favrile Compotes
Two Pieces Tiffany Favrile Glass
American, early 20th century, each with pulledleaf decoration, iridescent blue, green and gold,
one marked “4885D L.C. Tiffany Favrile”, one
marked “8455D L.C. Tiffany Favrile”, about 4 in.,
good condition
American, early 20th century: iridescent blue
cup with hearts and vines, marked on base
“5037C L.C. Tiffany Favrile”, 2-3/4 in.; toothpick
holder, iridescent gold and blue, marked “L.C.T.
N7980”, 2-5/8 in. both in excellent condition
Lenox porcelain, teapot with
three-initial monogram, 5-7/8
in., with matching creamer and
lidded sugar, silver overlay with
vines and flowers; with octagonal
silver overlay clear glass trivet,
unidentified hallmark, 8 in., all in
good condition, trivet with normal
wear and abrasions
Estimate: $800 - $1,200
Estimate: $300 - $600
Estimate: $200 - $400
March 10, 2012 • 95
424
425
426
427
Tiffany Style Stained Glass
Lamp
Three Pieces Art Glass
Fine Loetz Art Glass Vase
Two Pieces Tiffany Art Glass
early 20th century: iridescent gold dish
with paneled sides and ruffled rim,
base marked “Quezel”, 1-3/4 x 3-1/2
in.; vase with pulled-feather decoration
below scalloped rim, base marked
“Quezel-450”, 5 in., large repaired
cracks; paneled vase with leaf and
seed decoration, marked “Gallé” in
decoration, old Sotheby’s label, 11-1/2
in., 1/2 in. rim chip, tape residue on
base
Austrian, late 19th/early
20th century, bottle shape
with iridescent pale blue
designs on amber ground,
base marked “Loetz
Austria”, 8-1/2 in., excellent
condition, minor surface
anomalies as made
American, early 20th century:
small oval compote, opalescent
pale green rim, base marked
“1899 L.C.T.”, 2-1/2 x 4-5/8 in.,
good condition, base with paper
label and tape residue; Tiffany
Cypriot ovoid vase, base marked
“313 L.C.T. Favrile”, 7-3/4 in.,
base with old paper label
shade with detailed floral
decoration, 19 in. diameter,
cast bronze base with applied
stained glass elements and
marked with conjoined
“KT(?)” and “Wuyk(?) 7789”,
total height 27-1/2 in., shade
in good condition, base
possibly reconfigured (sharp
edges on interior of base)
Dr. Joseph Chandler Battaile,
Provenance: Private
Collection, Asheville, North
Carolina
Estimate: $500 - $800
Estimate: $200 - $400
Estimate: $300 - $600
Estimate: $400 - $800
428
429
430
431
Stained Glass Shade
Artist-Signed
Rookwood Vase
Pair Fostoria Queen
Anne Candlesticks
Set of Sterling Overlay Intaglio-Cut Plates
American, yellow roses
on a graduated buff
ground, marks for Rose
Fechheimer, 1903,
9-3/4 in., repair at base
(lacking of crazing),
does not show under
black light
late 19th/early 20th
century, each with
single socket with
finely threaded mounts
hung with prisms
over twisted stem and
swirled base, 18-1/2
in., one socket slightly
loose, otherwise good
condition
grape and leaf design, 14-3/4 x 24
in., scattered cracks
Memphis, Tennessee
Estimate: $200 - $400
Estimate: $200 - $400
all with Wilcox sterling silver overlay
strapwork, glass with fine intaglio thistle
decoration, one 9 in., ten 6 in., one
with rim off but present, otherwise good
condition, normal wear and slight abrasions
Estimate: $200 - $400
Provenance: Private
Collection
Estimate: $200 - $400
96 • March 10, 2012
432
Pennsylvania Chippendale Paint-Decorated Dower Chest
attributed to Centre County, late 18th century, pine throughout, interior fitted with
candle box, original iron strap hinges and lock, painted surface with rich salmon
ground, lid edges with traces of blue, case corners with wrapped heart motifs,
front elaborately embellished with ibis, parrot, leopard, fish, heart and tulip motifs
surrounding two central tablets, all on an mustard/ocher ground, original ebonized
bracket feet, 27-1/2 x 51 x 23 in., surface wear and paint abrasions especially to
front and top (possibly dry scraped?), otherwise good condition, one rear foot
bracket pieced and with replaced brace
A closely related chest, also attributed to Centre
County, is illustrated in Fabian, The PennsylvaniaGerman Decorated Chest, color plate 243. Fabian
notes that it is “one of a small group of chests of a
highly individual character from Centre County.
None of them is inscribed with an owner’s name
or date, but the source of the designs is certainly
the fraktur of Henrich Otto or the Flat Tulip Artist”.
Another example with nearly identical decoration was
sold Christie’s New York, The John Gordon Collection
of Folk Americana, January 15, 1999, lot 237.
433
Pennsylvania Paint-Decorated Dower Chest
late 18th century, poplar throughout, interior till,
original strap hinges, inside of lid with traces of early
fraktur, heavy iron carrying handles, original painted
surface with three-panel design with tulips on bluedecorated ground, 21-1/2 x 50 x 24 in., wear and
losses to paint surface especially top, old losses to
moldings on lid, original feet with extensive wear and
losses, some later blocking
Estimate: $2,000 - $3,000
434
Miniature Blanket Chest
434 - detail
435
Unusual Walnut Spice Cabinet
New England, early 19th century, dome
top and original wire hinges and handwrought lock, dovetailed construction and
original hand-painted finish, front with
grain painting and pale green floral and
leaf decoration, top with flower and leaves
above “L.F.J.”, 10-1/4 x 24-1/4 x 12 in.,
minor surface wear at edges, lacking hasp,
overall good condition
American, 19th century, in the
form of a clock hood set with nine
drawers with porcelain pulls, pine
secondary, original finials, pediment
and feet, 28 x 23-1/2 x 7-3/4 in.,
good condition, scattered surface
dirt, minor loss at central drop of
skirt, minor finish losses and other
flaws
Estimate: $400 - $800
Estimate: $400 - $600
March 10, 2012 • 97
436
American Federal Eagle-Carved Bedstead
early 19th century, in old probably original varnished surface, the
headboard with boldly carved spread-wing eagle, turned and wreathcarved legs, probably poplar throughout, 58 x 56-1/2 x 82-1/2 in., old
surface with wear and abrasions overall, rails lacking bolts
Estimate: $2,000 - $3,000
437
438
439
Two Carved and
Painted AfricanAmerican Figures
Vintage Cow Horn Open-Arm Chair
Patriotic Painted and Stenciled Star- Form Light
American, late 19th/early 20th century,
purple silk headrest and upholstered
seat, 35 x 38-1/2 x 26 in., minor cracks
and surface abrasions and pest damage,
upholstery with stains and wear, probably
lacking one horn at arm
American, possibly Ohio, 20th century, red, white
and blue painted star with yellow stenciled stars,
wood and screen construction with interior lights, 50
x 53 x 9 in., large tears and separations to screens,
molding losses, paint wear and weathering overall
American, late
19th century,
standing males
with extended
hands, red suits
437 - detail Provenance: Estate of the Late Prudence
with tassels, swags
Moor, Asheville, North Carolina
and matching helmets, carved and
painted wood (probably poplar),
Estimate: $500 - $700
one carved on base “PCV”, other
“KR”, 21-1/2 in. and 22 in., good
condition, hands removable, one
with replaced peg, minor surface
abrasions and losses
Provenance: Said to have been a Fourth of July
decoration on the front porch of a home in Ohio
Estimate: $500 - $700
Estimate: $1,500 - $2,500
98 • March 10, 2012
441
New England Queen Anne Dressing Table
440
New England Queen Anne Figured Maple High
Chest
Connecticut, mid 18th century, oak, chestnut, yellow
pine and poplar secondary, 67 x 40-1/2 x 18-1/2
in., excellent condition overall, brasses on lower
three drawers reset or possibly replaced, checks and
minor cracks to feet, one rear ankle with crack and
separation
attributed to coastal Connecticut, 1730-1760,
poplar throughout with dovetailed drawers
and original brasses, probably original skirt
drops, in old surface, 28-3/4 x 33-1/2 x 21-1/4
in., excellent condition throughout, original
brasses, old surface with surface wear and
stains, shrinkage separation to top, scattered
pest damage
Provenance: Miles family of Milford,
Connecticut; Estate of the Late Charles
Dickgiesser, Moline, Illinois
Estimate: $3,000 - $5,000
Provenance: Found in Fairfield County, Connecticut;
Estate of the Late Charles Dickgiesser, Moline, Illinois
444
Estimate: $5,000 - $7,000
American Federal Inlaid Mahogany
Tall Case Clock
442
443
Two Pairs Brass Andirons
Two Federal Cherry One-Drawer Stands
American, early 19th century, both pairs with spur
arches and ball feet: one pair Federal with acorn
finials, 18 in., good condition; one pair classical
form, 20-3/4 in., one with slight separation at base
middle Atlantic states, 19th century: each
with single dovetailed drawer and turned legs,
28-1/2 x 19-1/2 x 16-3/4 in. and 29-1/4 x 181/2 x 17 in., surface wear, cracks and minor
warping consistent with age and use
Estimate: $400 - $800
Estimate: $300 - $500
Case attributed to Benjamin Platt,
Ridgefield, Connecticut, early
19th century, arched and painted
dial with floral spandrels, eightday brass movement, waisted case
with inlaid quarter column and
pinwheel rosettes, 86-1/4 x 20 x
10-1/2 in., refinished, feet probably
trimmed and with interior bracing,
door warped, breaks and repairs to
pediment, other scattered repairs
and restorations, dial paint with
extensive crackle and discoloring
and minor paint losses especially to
calendar wheel, works refurbished
Provenance: Said to have come
from the Bennett House in Weston,
Connecticut (extensive provenance
available); Estate of the Late Charles
Estimate: $1,000 - $2,000
March 10, 2012 • 99
445
Fine Philadelphia Chippendale Easy Chair
Pennsylvania, 1760-1780, arched back and
rolled arms, shell-carved knees, ball-andclaw feet, yellow pine and walnut secondary,
46-1/4 x 37 x 34 in., good condition overall
with some later upholstery bracing, rear
legs set with later nails, wear to front feet,
one front foot with old leveling shim (some
possible loss of height), frame with other
scattered minor patches and screw repairs in
braces, one front corner with two early holes
(no apparent restoration)
Estimate: $6,000 - $9,000
446
447
448
American Continuous-Arm
Brace-Back Windsor Chair
Wrought Iron Candle
Stand
Wrought Iron Candle
Stand
New York, branded
signature “W. MacBride N.
York”, late 18th century, in
old dry paint, 36 x 22-1/2
x 22 in., legs ended out
approximately 5 in., and one
side stretcher replaced
American or British, 18th
century, on adjustable
bridge with two candle
sockets, mounted on
slightly tapered shaft with
brass finial, raised on
four scrolled feet, 32-1/4
in., scattered old rust and
light pitting
American or British,
18th century, adjustable
bridge with small hook
and two brass candle
sockets on central shaft
with brass urn finial,
raised on three scrolled
feet, 65 in., excellent
condition, candle sockets
with slight creases
otherwise excellent
condition
Provenance: Bought of
George Ives, Danbury,
Connecticut about 1918;
Estate of the Late Charles
Estimate: $400 - $600
Provenance: Virginia
Collection
Estimate: $400 - $800
Provenance: Virginia
Collection
Estimate: $500 - $800
For similar examples, see
Schiffer, The Brass Book,
pp. 141-143.
449
American Chippendale Walnut Tall Chest
Pennsylvania or Southern, late 18th century, eight
dovetailed drawers with poplar and yellow pine
secondary flanked by fluted quarter columns, ogee
bracket feet, pegged backboards, backboard with
pencil signature, 67-3/4 x 48 x 25 in. old refinishing,
brasses replaced, original feet and blocking with
some patches and repairs to facings, minor pest
damage to backboards and foot blocking, some wear
and minor repairs to drawer lips
Estimate: $3,000 - $5,000
100 • March 10, 2012
450
American Federal Inlaid Mahogany Linen Press
probably New York, 1790-1810, press or kas of
unusual form with two figured mahogany doors set
with oval band inlay and opening to two interior
shelves (lacking supports), two dovetailed drawers
with original brass pulls, original bracket feet, paneled
back, poplar and white pine secondary, 48-3/4 x 49
x 22-1/2 in., interior shelves lacking supports, original
feet with minor cracks and repairs, some replaced
blocking, minor cracks at hinges, doors with two
small patches from previous pulls, one interior shelf
with holes (for cords), scattered molding repairs and
cracks, other surface wear and stains
Provenance: Family notes record "Van Buskirk Family
of New York City. Came to Wilton the day Washington
died when the Dutch bride married Yankee Sturges.
Bought for Winton collection from Estate of Miss 'Kit'
Sturges the last owner, was long in Sturges homestead
W. Slope of Joe's Hill. The Dutch Bride's first children
were twins who slept on the shelves."; Estate of the
Late Charles Dickgiesser, Moline, Illinois
451
452
453
American Federal Mahogany
Pembroke Table
American Federal
Mahogany Lolling Chair
Inlaid Federal Knife
Box
middle Atlantic states,
early 19th century, figured
mahogany top and leaves,
cherry rails and maple leaf
supports, in old surface,
28-1/4 x 33-3/4 x 22-1/2
in., opens to 42 in., surface
stains and sun fading (color
restoration to one leaf),
otherwise excellent condition
New England, early 19th
century, arched crest,
shaped arms and arm
supports on molded
square legs, 43 x 27 x
29 in., face patches at
top of one leg, legs and
stretchers with some
dog chew, other patches
and repairs to stretchers,
patches and repairs to
arm supports (one largely
replaced), upholstery
with wear and stains,
not examined under
upholstery
British or American,
19th century, urn form
with vertical bands of
inlay, square platform
base with ogee bracket
feet, and leaf and
acorn inlaid spandrels,
27 in., refinished,
scattered small repairs
and losses, finial
repaired
Charles Dickgiesser, Moline,
Illinois
Estimate: $300 - $500
Provenance: Private
Collection
Estimate: $400 - $800
Provenance: Private
Collection, South
Carolina
Estimate: $500 - $700
Estimate: $3,000 - $5,000
454
American Federal Mahogany Sofa
New York, circa 1800, fluted tablet back,
rolled arms and fluted and tapered legs,
37-1/2 x 83-1/2 x 28 in., two front legs with
breaks and repairs, one rear leg currently
loose and with breaks and repairs, exposed
frame appears to be in good condition with
one replaced vertical strut (back panel cut,
other wise not examined under upholstery)
Estimate: $5,000 - $7,000
Literature: Illustrated in Hornor’s Blue Book
of Philadelphia Furniture, plate 411. Hornor
notes it is “an unusually good sofa of quite
severe lines”.
March 10, 2012 • 101
456
Salem, Massachusetts, Federal
Carved Mahogany Wash Stand
455
Massachusetts Federal Mahogany Games
Table
attributed to Salem area, circa 1810,
figured mahogany veneers, reeded, turned
and leaf-carved legs, 28-1/4 x 36 x 18-1/2
in. (closed), good condition with minor
crack and repair at one hinge, minor veneer
cracks to skirt, minor repair at block of one
swing leg, knuckle joint somewhat loose,
other minor surface wear and sun fading
carving attributed to Samuel
McIntire, circa 1810, top shelf
with deeply scalloped skirt,
vine-and-berry carved legs on
star-punched ground, single
dovetailed drawer with original
brass pulls, turned legs fitted
with brass casters, 36 x 24-1/4 x
18 in., lacking skirt under lower
shelf, top with cracks and small
strip patch at back edge, other
minor cracks, shrinkage and
surface flaws
Estimate: $2,500 - $3,500
A work table with related vineand-berry carving attributed to
Samuel McIntire is illustrated
in Dean Lahikainen, Samuel
McIntire Carving and American
Style, figure 4-176. Another
closely related wash stand is
illustrated in The Magazine
Antiques, June 1977, p. 1130.
Estimate: $600 - $900
457
458
American Sheraton Inlaid Mahogany Chest
American Federal Inlaid Mahogany Sofa
New England, early 19th century, mahogany and
birch with white pine secondary, bird’s-eye maple
inlay, 42-3/4 x 41-1/2 x 20 in., refinished, brasses
replaced, minor warping to top, other surface wear
and minor repairs
Philadelphia area, circa 1800, turned and inlaid arm supports on tapered square
legs, horsehair upholstery with brass-tack swag decoration, 34-1/2 x 76 x 27 in.,
frame in generally good repair, sun fading to rear legs, very minor losses to feet,
upholstery with surface wear and scattered tears, not examined under upholstery
Estimate: $600 - $900
Provenance: According to family notes, collected in New Jersey by dealer Harry
Arons; Estate of the Late Charles Dickgiesser, Moline, Illinois
Estimate: $2,500 - $3,500
102 • March 10, 2012
460
Pair Federal Style Carved and Gilt Wood Girandoles
19th or 20th century, each with carved and gilt wood
eagle surmounting miniature bull’s-eye mirror, 12 x 13
in. one eagle head with repair and repaint, otherwise
generally good condition with chips and scattered
retouch to gilt surfaces, backs with heavy yellow paint
Provenance: Estate of the late Patrick H. Booth, Jr.,
Petersburg, Virginia
459
Estimate: $500 - $700
Folwell School Designed Needlework
(Philadelphia, Pennsylvania, early 19th century), woman seated under a tree and
handing fruit to a young girl, dancing boy with bird tied to ribbon, shepherdess
with sheep, thatched-roof cottage in background, one turned gravesite with
markers in front, finely painted facial details, arms and hands painted white, silk,
watercolor and ink on silk, gold braided trim, 22 x 32 in., attached to silk taffeta
background, paper backing with period newspaper and wallpaper patches,
newspaper fragment also attached to stretcher (some fragments off but present,
one fragment refers to professor of music offering services in Philadelphia);
painted glass to appear as eglomisé mat, gold shell and scroll frame, cupping,
cleavage, flaking and abrasions to painted sky, two small stains on boy’s face,
fading, some broken areas of silk in willow tree, lower part of path from cottage
and at top of fruit basket
Provenance: Private Collection, Pittsburgh, Pennsylvania
461
Estimate: $4,000 - $8,000
Collection of Miniature Copperware
For a discussion of Samuel Folwell's designs, see Betty King, Girlhood
Embroidery, Volume II, Alfred A. Knopf, New York, 1993, pp. 378-387.
British and American, 19th and early 20th century:
skillets, lidded kettles and boilers, teapots, coffee
grinders, brass mortar, 3/4 in. to 2 in. (excluding brass
scales), (38 pieces); with custom-made display rack, 101/2 x 21 x 6 in., most in excellent condition
Provenance: Private Collection, South Carolina
Estimate: $1,500 - $2,500
462
Terracotta Portrait Medallion of Benjamin Franklin
marked below shoulder “Nini/1777” (Jean Baptiste Nini, 1717-1786), finely
detailed bust, 6-3/8 in. diameter including black-painted circular frame,
medallion in good condition; frame with 1 in. chip at lower right corner and
losses to gilt with some regilding
Estimate: $1,500 - $2,500
Similar examples are held by the Smithsonian Portrait Gallery and the Walters
Gallery of Art.
March 10, 2012 • 103
463
464
465
466
Seth Thomas Chiming Shelf
Clock
Cast Iron Architectural
Sconce
Gilt Wrought Iron PineappleForm Chandelier
Cast Iron Manhole Cover, Asheville,
North Carolina
American, mid 20th
century, 18th century style
hardwood case, three
chiming options, with key,
14-1/2 in., good working
order at time of inspection,
handle slightly loose,
otherwise good condition
early 20th century, wall
mounted, shaped as torch,
25-1/2 in., textured glass
globe marked “GE” (General
Electric) with urn finial, 21
in., total height 46 in., old
repainted surface, scattered
rust; globe with drips of
concrete, finial with dents and
paint loss
Italian, 20th century, gilt iron
and other metals, six scrolled
arms, leaf-and-tassel base, 26
x 23 in., good condition, minor
dents and bending especially
to bobeches, other scattered
gilding losses and wear
profile of Asheville City Hall, “Asheville”
and “Vulcan”, 23-1/2 in., scattered light
rust and normal wear, otherwise excellent
condition
Estimate: $100 - $200
Estimate: $200 - $400
Burnsville, North Carolina
Estimate: $400 - $600
Provenance: General Motors
plant in Canada
Estimate: $200 - $400
467
468
469
Paint-Decorated Tole Coal
Hod
Set of Five Wrought Iron Garden Chairs
Regency Style Mahogany Extension Table
early 20th century, iron throughout, each with open
backs with confronting dragons, one armchair 40-1/2
x 20-1/2 x 22 in., four side chairs 39-1/2 x 19-1/2
x 19 in., extensive rust and corrosion overall, some
traces of paint, three missing seat straps
British, 19th century, rich reddish-brown mahogany,
turned and fluted legs on original casters, 29 x 55
x 73 in., crank-handle mechanism opens table to
172 in. (five leaves), generally good condition, light
scratches to finish, tape residue to top
Estimate: $200 - $300
Provenance: Sotheby’s, South Africa; Property of a
British or American, late
19th century, floral paint
on black ground, 24-1/2 x
12 x 11 in., good condition,
lacking implements, paint
generally good with normal
surface wear and losses
the Late Prudence Moor,
Estimate: $1,000 - $2,000
Estimate: $300 - $600
104 • March 10, 2012
470
471
472
473
Jerome Shelf Clock
E. N. Welch Shelf Clock
New Haven, Connecticut, 19th
century, ogee mahogany border
flanking original wooden face
above reverse-painted scene
marked “Croton Fountain N.Y.”,
brass works, original Chauncey
Jerome paper label, with two
weights, pendulum and key, 26
in., minor veneer losses, case
with later varnish, scattered
chips to reverse painting, paint
losses to wooden face
Forestville, Connecticut, 19th
century, ogee mahogany
veneer case border,
original hand-painted
face, brass works, original
reverse-painted door with
“Court-House St. Louis”,
original label “E. N. Welch,
Forestville, Conn.”, with key,
pendulum and two weights,
29 in., minor veneer losses
and separations, reverse
painting with chips and losses
(lacking dome of courthouse
and other elements)
Federal Inlaid Cherry and Birch
One-Drawer Stand
American Federal Bird’s-Eye
Maple and Red-Painted Desk
American, 19th century,
dovetailed drawer with pine
secondary, line- and lozengeinlaid top, line-inlaid tapered
legs, 28 x 18 x 19 in., refinished,
replaced brass, break and repair to
one front leg, minor pest damage,
warping and patches to top, other
repairs
19th century, bird’s-eye maple
veneers, poplar and white pine,
fall front with fitted interior and
leather-lined writing surface, old
probably original surface, 53-1/4 x
36 x 22 in.; desk contains various
materials relating to Catlin family
and other theologians, scattered
surface wear and abrasions,
veneer loss at central drawer
Estimate: $200 - $400
Estimate: $400 - $600
Provenance: Said to have
belonged to Reverend Dr. Jacob
Catlin (1758, Litchfield County,
Connecticut to 1826, Berkshire
County, Massachusetts); Private
Collection
Estimate: $200 - $400
474
Estimate: $500 - $700
Indiana Classical Tiger Maple Chest
Catlin wrote several works related
to theological studies.
attributed to Samuel Cammack, Fairmount,
Indiana, circa 1840, highly figured maple,
seven dovetailed drawers with poplar
secondary, back with label “This chest hand
made by Sam’l Cammack for Nathan D.
Wilson at Fairmount. Ind. About 1840…”,
52 x 45 x 24-1/2 in., three pulls are modern
replacements and lacking two more, label
notes chest was cleaned and refinished in
1936, water spotting, abrasions and finish
losses overall
Provenance: Nathan D. Wilson; By descent
in the Wilson family of Indiana
Estimate: $500 - $1,000
475
Seth Thomas Shelf Clock
American, mahogany veneer with quarterhour chime, key wind, with key, 9-1/2 x
20-1/4 in., good working order at time of
inspection, minor surface abrasions
Estimate: $100 - $200
March 10, 2012 • 105
476
American Aesthetic Movement Settee and Chair
New York, possibly by Herter Brothers, circa 1870s, finely carved mahogany frames set with pierce-carved
floral and foliate panels (rosewood?), original casters, modern green upholstery, settee 33 x 50 x 23 in., chair
33 x 26-1/2 x 22-1/2 in., excellent condition overall with light surface wear and abrasions, cracks, minor
abrasions on one stile, upholstery generally good with light wear
Estimate: $1,000 - $2,000
477
478
479
480
American Victorian
Mahogany Desk
Edwardian Inlaid Mahogany
Vitrine
American Paint-Decorated
Windsor Rocking Chair
Two Similar Windsor High Chairs
middle Atlantic states,
19th century, mahogany
and walnut with poplar
secondary, in old probably
original surface, 50 x 33
x 17-1/2 in., surface wear
and abrasions, separations
and shrinkage to doors,
veneer and fretwork losses,
gallery added or replaced
British or American, late 19th/
early 20th century, beveled
glass doors and side panels,
two dovetailed drawers with
mahogany linings, 60-1/4 x
37-1/2 x 14 in., good condition
overall, color retouch to
“ebonized” surfaces, minor
molding repairs, interior lacking
fabric lining
New England, 19th century,
comb-back form with faux
bamboo legs, original grainpainted surface with floraldecorated splats, 41 x 21 x
29-1/2 in., original as-found
condition, surface wear, paint
losses, stains and crackle overall
Estimate: $300 - $500
American, late 19th century: each in
mixed woods with traces of paint, 293/4 x 13-1/4 x 16-1/2 in. and 31 x 121/2 x 18 in., surface wear overall, one
with replaced footrest and breaks and
repairs to crest, other minor repairs
Estimate: $100 - $200
Estimate: $300 - $500
Estimate: $300 - $500
106 • March 10, 2012
481
482
Important Southern
Walnut Pie Safe
Southern Federal Walnut Huntboard
possibly Piedmont Virginia or North Carolina, 19th century, central paneled door
flanked by two drawers with cut nail construction, 43 x 48 x 20-1/2 in., excellent
attributed to
condition, shrinkage and minor warping to top, hinges and lock replaced, other
Tennessee, 19th
481 - detail
minor warping and repairs
century, walnut
throughout with shelved interior, front and sides set with
triple punched tin panels depicting a horse and figure, 46 Provenance: Private Collection, Maryland
x 41 x 17 in., generally good condition, top with stains, Estimate: $5,000 - $7,000
cracks and some later nails, original tins in good condition
with light surface rust and later varnish, refinished with
traces of white paint, door catch replaced, joints slightly
loose, glue residue
Estimate: $5,000 - $7,000
483
Southern Paint-Decorated Pie
Safe
attributed to Mecklenburg
County, North Carolina, 19th
century, walnut(?) and yellow
pine, tall form with dovetailed
backsplash, two doors with
shelved interior, punched tin
on all four sides, tall tapered
legs, white over pale green
paint, 57 x 37-1/2 x 23-1/4 in.,
excellent as-found condition
with surface wear and losses
to paint, corrosion to tins (one
with splits, one with puncture),
lacking door pulls, minor loss to
backsplash, pest damage and
stains, other wear and flaws
consistent with age and use
Mount Airy, North Carolina
Estimate: $3,000 - $5,000
484
Fine Southern Federal Painted Fire Surround
possibly Tennessee, 19th century, poplar throughout
with complex stepped cornice, surface with blue,
red and white faux marbling on gray ground, pegged
and cut nail construction, 68-1/4 x 83-1/2 x 8 in.,
possibly original painted surface (dry scraped?),
outer moldings with top coat of brown, scattered
paint losses and wear, some nail scars, other wear
and abrasions consistent with age and use
Estimate: $1,000 - $2,000
March 10, 2012 • 107
485
486
487
Early American Ladder-Back
Armchair
Southern Federal Walnut Inlaid Tall Chest
American Federal Inlaid Walnut Cellaret
attributed to Piedmont Georgia, early 19th
century, walnut with yellow pine and poplar
secondary, six dovetailed drawers, inlaid bone
kite escutcheons, on original French feet, in
old mellow surface, 55 x 43 x 19-1/2 in., one
kite escutcheon replaced, brasses replaced
(set of glass pulls accompanies lot), feet with
early iron screws and one rear foot laminated
(all probably as made), scattered surface
stains and finish wear, minor losses at feet
possibly Maryland or Virginia, 19th century with
restorations, walnut with walnut secondary and
mahogany veneers, hinged lid opening to inlaid and
divided interior with fittings for twelve bottles, shield
escutcheon, unusual design with case seating into
frame, 28-3/4 x 18 x 13-1/2 in., minor plugged holes at
sides of frame, strip patch to top and bottom boards of
box, scattered cracks and patches to veneers, interior
dividers replaced, strip patches to top and bottom,
minor crack at one hinge, other possible restorations
Provenance: Purchased from Florence and Bill
Griffin, Atlanta, Georgia; Private Collection
Gentleman
Estimate: $2,000 - $3,000
Estimate: $2,000 - $3,000
possibly Southern, 18th/19th
century, in mixed woods
(maple, poplar, ash and
hickory?), woven seat, blockand-turned arm supports, 421/2 x 21-1/2 x 20 in., as-found
condition with pest damage,
loss to top slat, rear feet ended
out approximately 1 in., other
wear and repairs overall
Estimate: $500 - $700
488
489
490
Southern Folk Art Figure of Running Cougar
Two Weathervanes
Federal Cherry Drop-Leaf Table
jaguar or cougar formed of metal depicted
running with one foot on ground, inset eyes,
open mouth and nostrils, 20-1/2 x 42 x 7 in.,
surface rust and corrosion overall, base bent
with separations and extensive corrosion
American: one steel, top with rooster and
hen, white paint, early 20th century, 21
in., paint loss, scattered rust; one copper
with rooster finial above white-painted
directionals, traces of old red paint, 26
in., base mounted to fragment of roof
with asphalt roofing, late 19th/early 20th
century, scattered paint loss, otherwise
good condition
American, 19th century, cherry and other
mixed woods on turned legs, 37-3/4 x 42 x
52 in. (open), 24 in. (closed), surface stains,
wear and finish losses, strip patch to one
leaf, hinges replaced, other repairs
Provenance: Found in a barn in Newport,
Tennessee. May have topped a sign advertising
for a local tavern; Private Collection,
Greeneville, Tennessee
Estimate: $400 - $800
Provenance: Estate of the Late Charles
Estimate: $100 - $200
Estimate: $400 - $800
108 • March 10, 2012
491
Frederick Marquand Coin Silver Tea Service
American, 19th century, urn-form bodies with C-scroll
handles, gadroon borders, 9-1/2 in. teapot with matching
creamer, sugar, marked “FM” (Frederick Marquand,
Savannah, Georgia, working 1820-1826; New York City,
1830-1838), with pseudo hallmarks, no monograms,
61.19 oz.T., (three pieces), small dents, light scratches,
teapot finial bent
Provenance: Griffin Collection, Brunk Auctions, May 30,
2009, lot 144
Estimate: $3,000 - $6,000
Illustrated in Katharine Gross Farnham and Callie Huger
Efird’s article “Early Silversmiths and the Silver Trade in
Georgia”, The Magazine Antiques, March 1971, page
380, figure 2.
492
Rare Coin Silver Dipper
American, 19th century, deep bowl with repoussé and engraved floral and
scroll decoration, turned wood handle with silver tip with ring at terminus for
hanging, unmarked, monogram, 15-1/2 in., good condition, light scratches
Estimate: $1,000 - $2,000
For a similar example, see Ashley Callahan and Dale Couch, Decorative Arts in
Georgia: Historic Sites, Historic Contexts, p. 132, for The Third Henry D. Green
Symposium of the Decorative Arts, Georgia Museum of Art, February 2006.
(six of 17)
(four of 24)
493
494
495
496
New Orleans Coin Silver
Ladle
Hyde & Goodrich Coin
Silver Flatware
New Orleans Coin Silver Spoons
Tennessee Coin Silver Flatware
American, late 18th/early
19th century, shaped
upturned-tipt front
handle, rounded fins,
marks for “H.P. Buckley”,
“N. Orleans” (Henry
Peat Buckley, working
1839-1903), monogram,
5.99 oz.T., 13 in., light
scratches, small dents,
wear
upturned tipt-front fiddle
handles, marks for Hyde &
Goodrich (New Orleans,
Louisiana, working 18161861), twelve 8-3/4 in.
tablespoons, twelve 7-1/2
in. forks, monograms,
51.23 oz.T., (24 pieces),
spoons with dents and
buffed bowls; forks with
losses to tines
American, handles with strawberry
decoration, Lwon Simons (New
Orleans, Louisiana, working 18701880), monogram on backs, 7.95 oz.T.,
8-1/2 in., loss to tips
American, 19th century, knot style
handles, marks for “W.H. Calhoun”
(William Henry Calhoun, working
Nashville, Tennessee, 1839-1860),
includes eight 7-3/4 in. forks, six 7
in. forks, three 5-3/4 in. teaspoons,
monograms, 25.65 oz.T., (17 pieces),
wear and losses to tines, overall wear
Estimate: $300 - $600
Estimate: $300 - $600
Estimate: $1,000 - $2,000
Estimate: $1,500 - $2,500
March 10, 2012 • 109
497
498
499
500
Kentucky Coin Silver
Mint Julep
Charleston Coin Silver Mug
Charleston Coin Silver Mug
Virginia Coin Silver Creamer and Sugar
American, repoussé village
scene, beaded border, marks for
J. E. Spear & Co. (Charleston,
South Carolina, working 18491851), inscribed “Edmund.
Martin.”, 4.67 oz.T., 4 x 4-1/2
x 3-1/4 in., partial mark, small
dents, some wear to decoration
Provenance: Private
Collection
American, 1849, C-scroll
handle, beaded border,
retailer Gregg, Hayden & Co.
(Charleston, South Carolina,
working 1846-1852), pseudo
hallmarks for maker Gale
& Hayden (New York City,
working 1845-1850), also
marked “A”, inscribed “T. L.
Peay”, 5.96 oz.T., 3-1/4 x 4
x 3 in., dents in base, light
scratches, minor wear
American, 1849, paneled bodies with
scroll and foliate decoration, retailer marks
for Mitchell & Tyler (Richmond, Virginia,
working 1845-1866), pseudo hallmarks
for maker Gale & Hayden (New York City,
working 1845-1850), monograms, 32.38
oz.T., covered sugar 7-1/2 x 9-1/2 x 5 in.,
matching creamer 7 x 7 x 3-1/2 in., light
scratches, small dents, sugar with repaired
dent, handles slightly pushed in
Estimate: $400 - $800
Estimate: $400 - $800
tapered sides, reed
border, marks for Henry
Hudson (Louisville,
Kentucky, working 18411880), monogrammed
“MEH”, 4.45 oz.T., 3-3/4
in., dents
The 1850 U.S. Census lists
a Thomas L. Peay living in
Fairfield, South Carolina,
born 1846.
501
502
Set of Five Radcliffe Coin
Silver Spoons
Clark & Co. Coin
Silver Ladle
downturned tipt back fiddle
handles, marks for Thomas
W. Radcliffe (Columbia,
South Carolina, working
1827-1833, 1848-1870,
and Camden, circa 1833),
inscribed “Scott”, 3.87 oz.T.,
6 in., wear and loss to bowls,
dents
American, 19th
century, fiddle-andthread upturned
handle, marks for
Clark & Co. (Francis
Clark & Co., Augusta,
Georgia, working
1822-1852), inscribed
“Peay”, 6.83 oz.T., 133/4 in., light scratches,
some wear
Provenance: Private
Collection, Greer, South
Carolina
Estimate: $200 - $400
Estimate: $400 - $800
Estimate: $500 - $1,000
The 1850 U.S. Census lists an
Edmund Martin living in St.
Peter’s Parish, Beaufort, South
Carolina, born 1796.
Estimate: $500 - $1,000
503
Macon, Georgia, Coin Silver Mug
American, flared rim, applied die-rolled
borders and handle, marks for “G. Boyce”
and “N.Y” (Gerardus Boyce, New York
City, working 1820-1857), inscribed “Jerry
Bowles Macon/Macon 1837”, 3.41 oz.T., 4
x 4 x 3 in., rubber band mark at inscription,
light wear and scratches
Estimate: $400 - $800
Civil War Service Records of Confederate
Soldiers states that Jerry Cowles Macon
(born 1837) was a private in the 4th
Infantry, Company K, in 1861. Promoted
to Captain in May 1863, he died in the
fierce and bloody battle of the Wilderness,
Spotsylvania and Orange Counties, Virginia,
on the 5th of May, 1864.
504
John Winckler
Coin Silver
Spoons
504 - detail
American, pointed handles with
bright-cut engraving, marks for
John Winckler (Charleston, South
Carolina, 1761-1763; Raleigh,
North Carolina, working 17711778; Mecklenburg County,
Virginia, working 1778-1803) or
John Winckler, Jr. (Mecklenburg
County, Virginia, working
1790-1854), inscribed “J. D./G.
A./1808”, 3.42 oz.T., 8-3/4 in.,
(two pieces), wear and minor loss
to tips
Estimate: $1,000 - $2,000
110 • March 10, 2012
505
Charles Willson Peale
(Pennsylvania, 1741-1827)
A Clergyman, said to be Dr. William Schaffer, minister,
circa 1790, unsigned, oil on canvas, 36 x 27 in.;
18th century gilt wood frame, restretched on new
stretcher, lined, retouch at small points in face with
most in background, collar and clothes affecting up to
20 percent of surface, crackle, areas of overcleaning,
restoration by Paul Moro, Inc., New York, 1967, then by
Charles H. Olin, Great Falls, Virginia, 1977 (with copy
of conservation report); frame with some resurfacing
Provenance: Hiram D. Rickert, Yardley, Pennsylvania;
Eunice Chambers, Thomasville, South Carolina, 1962
(accompanied by correspondence); Estate of the late
Philip Hanes with Sotheby's New York, December 2,
2010, lot 132; Property of Philip and Charlotte Hanes,
Winston-Salem, North Carolina
Exhibited: The North Carolina Museum of Art, Raleigh,
North Carolina, loan of the month, June-July, 1967
Literature: Sellers, Charles Coleman, Portraits and
Miniatures by Charles Willson Peale, Transactions of
The American Philosophical Society, volume 42, 1952,
illustrated p. 327, p. 257, Nos. 1026, 244.
506
American School
(19th century)
Portrait of Three Girls, one holding a basket, another
with lid and coins, unsigned, oil on canvas, 28-1/4
x 35-3/4 in.; gilt silver frame, original stretcher and
tacking edge, small points of retouch in face and at
middle left, crackle, cupping, frame abrasions, stretcher
marks; frame with abrasions
Provenance: Estate of the late Philip Hanes with
Sotheby's, New York, January 22, 2011; Property of
Philip and Charlotte Hanes, Winston-Salem, North
Carolina
Estimate: $6,000 - $8,000
March 10, 2012 • 111
507
508
American School
(19th century)
The Cabbage Patch, possibly a view of Long Island, New York,
signed lower left "E.J./75", oil on panel, 10-3/8 x 16 in.; fine
modern gilt wood and composition cove molding frame, two
periods of restoration, retouch in sky and at lower left below
signature, frame abrasions; frame with abrasions
Provenance: Kennedy Galleries, New York City, 1959; Mr. H.
Zaret of Westchester County, New York; Mr. H. Roman, Spring
Valley, New York; Auslew Gallery, Norfolk, Virginia, 1971
(accompanied by correspondence to Philip Hanes and copy
of original receipt); Property of Philip and Charlotte Hanes,
Winston-Salem, North Carolina
American School
(18th century)
Portrait of a Gentleman in Brown Coat, unsigned, oil on canvas,
label verso stretcher "Edmond Randolph attributed to Copley",
9-1/2 x 7-7/8 in.; small points of retouch at cheek and hairline
with some retouch in coat and background affecting 5 percent of
surface, yellowed varnish, restretched, lined, crackle; frame with
loss to composition
Provenance: Property of Philip and Charlotte Hanes, WinstonSalem, North Carolina
Estimate: $1,000 - $2,000
Estimate: $1,500 - $2,000
Purchased as and formerly attributed to Eastman Johnson (Maine,
1824-1906).
511
510
509
American or British School
(19th century)
Profile Portrait, man facing
right; unsigned, oil on canvas,
16-3/4 x 12-1/2 in.; gilt wood
frame, crackle, abrasions,
stretcher marks, grime, canvas
loose, yellowed varnish; frame
with abrasions
Prudence Moor, Asheville,
North Carolina
Estimate: $200 - $400
American School
(19th century)
Folk Art Portrait of George Washington,
unsigned, oil on panel, unframed, 18 x 14-7/8
in., flaking, draw crackle, panel wavy
Provenance: Found in Baltimore by Harry Stone,
1932; Private Collection
Estimate: $400 - $800
Purportedly removed from a fire engine door,
the verso states “This is a fire engine panel, from
Washington No. 1 Fire Company. Place not
specified, but probably Lancaster, York, Hanover
or upper Maryland.
Frederick R. Spencer
(New York, 18001875)
Portrait of Francis Tryon, son of Josiah Tryon (17981886), a major figure in New York’s Underground
Railroad, inscribed verso “painted by F. R. Spencer
Dec. 1848” and titled verso, oil on canvas, colourman
stamp verso canvas for “Theo Kelley, New York”, 341/4 x 27-1/8 in.; gilt wood and composition spandrel,
original stretcher and tacking edge, tears in facial area,
controlled retouch lower left, in face, right side and
lower center, widespread deformations associated with
patch and loose canvas, crackle, cupping, cleavage,
stretcher marks; frame with abrasions and loss to
composition, lacking outer frame
Estimate: $200 - $400
112 • March 10, 2012
512
513
American School
Charles Christian Nahl
(California, 1818-1878)
Portrait of Raymond Henry Jones Perry (1789-1836), in naval uniform,
unsigned, oil on canvas, 24-1/8 x 20-1/8 in.; 20th century carved and
painted frame, restretched, lined with wheat paste and linen, retouch
primarily in background and scattered on face, hair and uniform,
crackle
Portrait of a Woman Seated in a Chair, signed middle right “C.
Nahl.1854”, oil on canvas, 20-1/4 x 16-5/8 in.; original gilt wood
and composition frame, original stretcher and tacking edge,
crackle, cupping, cleavage, stretcher marks, canvas loose, yellowed
varnish, varnish scratched lower right; frame resurfaced with Dutch
metal leaf, abrasions, loss to composition
Provenance: Wiliam F. Payson, Sr., Rhode Island, New York, and New
Hampshire; By descent to Consignor, a direct descendant of Lt. Perry
Estimate: $1,000 - $2,000
Raymond Perry was the brother of Oliver Hazard Perry, first admiral
of the United States Navy
Provenance: Estate of the Late Prudence Moor, Asheville, North
Carolina
Estimate: $1,000 - $2,000
514
Attributed to William Mason Brown
(New York/New Jersey, 1828-1898)
Pastoral Landscape, with figures fishing, unsigned,
oil on canvas, colourman stamp verso canvas “S.N.
Dodge’s…N. York”, 14 x 18 in.; original gilt wood
and composition frame, original stretcher and tacking
edge, patch lower right with minimal retouch, 5/8
in. tear upper right, crackle, cupping; frame with
abrasions, loss to composition and gilt surface
Estimate: $2,000 - $3,000
March 10, 2012 • 113
114 • March 10, 2012
March 10, 2012 • 115
515
Thomas Moran
(Pennsylvania/California, 1837-1926)
Cliffs of Green River - Wyoming Territory, view of Castle Butte with parties of Indians
on horseback, signed lower left “T Moran 1883”, exhibition or artist’s original label
verso frame with title and “$450.00”, watercolor on paper, 28 x 21-1/4 in.; original
late 19th century gilt wood and composition cassetta style frame with acanthus
leaf decoration and corner bosses, inscribed verso in ink “T. Moran”, glue-tacked
at edges, some water spotting, card taped in with partial Boston exhibition labels,
small tear at tree right and 3/4 in. tear at left edge, tape residue verso top edge, light toning (lot accompanied by full condition report by
Elizabeth Schulte, Atlanta, Georgia, available upon request); frame with abrasions, minor loss to composition, wear to original gilt surface
Provenance: Probably acquired from the artist, circa 1890; By descent in family (Full provenance available to purchaser).
Between 1883 and 1895, Cliffs of Green River - Wyoming Territory was likely exhibited and sold. In 1895, the watercolor was
photographed in the dining room of the consignors family residence and appears in a 1910 family appraisal as “matted and in a 6”
ornamental gold frame”. It remained in the family, having moved to the current consigner’s residence in 1937.
This watercolor will be included in the forthcoming catalogue raisonné of the artist’s works being compiled by Stephen L. Good and
Phyllis Braff.
Family Dining Room, circa 1895 with Cliffs of Green River in Situ.
116 • March 10, 2012
516
517
518
George Catlin
(American, 1796-1872)
George Catlin
(American, 1796-1872)
After George Catlin
(American, 1796-1872)
Buffalo Hunt, Chase, plate 5, from
Catlin’s North American Indian Portfolio
- Hunting Scenes and Amusements
of the Rocky Mountains and Prairies
of America, New York, published by
Ackerman’s Lithographic Rooms, circa
1845, hand-colored lithograph on paper,
15-1/2 x 22-3/8 in. (page); painted and
gilt wood frame, tape at all edges, pencil
inscriptions in bottom margin, glue/paper
residue lower right corner in margin,
minor foxing, toning, fading
The Bear Dance, plate 18, from Catlin’s
North American Indian Portfolio - Hunting
Scenes and Amusements of the Rocky
Mountains and Prairies of America, New
York, published by Ackerman’s Lithographic
Rooms, circa 1845, hand-colored
lithograph on paper, approximately 14 x
19-1/8 in.; matching painted and gilt wood
frames, losses to margins, glue-tacked
to verso of mat, trimmed; frames with
abrasions
The Buffalo Dance, plate 8, from Catlin’s
North American Indian Portfolio - Hunting
Scenes and Amusements of the Rocky
Mountains and Prairies of America, New York,
published by Ackerman’s Lithographic Rooms,
circa 1845, hand-colored lithograph, 14 x 191/8 in. (page); painted and gilt wood frame,
laid down with glue, paper residue in margins
and some into image; frame with abrasions
Estimate: $800 - $1,500
Provenance: Mobay Chemical Corporation,
inventory number 010718; Private
Collection
Provenance: Mobay Chemical Corporation;
Private Collection
Estimate: $400 - $600
Estimate: $400 - $600
520
Leonard Howard Reedy
(Illinois,1899-1956)
Two Western scenes: The Outlaw, 8-1/4 x 12 in., and Stage Coach Robbers,
8-7/8 x 11-7/8 in, both titled at bottom in pencil and signed lower right
“Leonard H. Reedy”, watercolor on paper.; matching wood frames, both with
toning and fading, Outlaw laid on card, Robbers with tape verso top edge,
hinged in; frame with abrasions
519
George Catlin
(American, 1796-1872)
Catching the Wild Horse, plate 4, from Catlin’s North
American Indian Portfolio - Hunting Scenes and
Amusements of the Rocky Mountains and Prairies
of America, New York, published by Ackerman’s
Lithographic Rooms, circa 1845, hand-colored lithograph
with gum arabic on paper, 15-5/8 x 22-3/8 in. (page);
painted and gilt wood frame, fresh colors, paper tape
verso all edges
Estimate: $500 - $1,000
Estimate: $1,000 - $2,000
March 10, 2012 • 117
521
522
Leonard Howard Reedy
(Illinois,1899-1956)
Victor Casnelli
(Michigan/Ohio, 1868-1961)
U.S. Cavalry Pursuing Apaches, signed lower left
“Leonard H. Reedy” and titled in pencil at bottom,
watercolor on paper, 8-3/4 x 11-3/8 in.; modern wood
frame, hinged in at top, light toning
Plains Indian Encampment, signed lower right “V. Casnelli”, gouache on paper,
9-7/8 x 20 in.; original early 20th century frame, glue-tacked to backing; frame
with abrasions
Estimate: $400 - $600
Estimate: $800 - $1,200
523
524
525
George Elbert Burr
(Colorado/Arizona, 18591939)
George Burrows
(New Mexico/Oklahoma, died 1994)
Arthur Sarnoff
(New York, 1912-2000)
The Skies of Monument Valley, signed lower
right “Burrows © 88”, oil on canvas, 30 x 40
in.; original wood frame, original stretcher and
tacking edge, good condition
East of Meeker, cowboys with pack horses, signed lower
right and verso “Arthur Sarnoff”, oil on fiber board, 24
x 35-3/8 in.; gilt wood frame, flaking in sky, abrasions;
Estimate: $1,000 - $1,500
Black Canyon, Estes Park,
Colorado, signed lower left
in pencil “George Elbert
Burr”, drypoint etching on
paper, 8-1/4 x 6-1/4 in.
(plate); black wood frame,
good condition
Estimate: $1,000 - $2,000
Provenance: Private
Collection
Estimate: $300 - $600
118 • March 10, 2012
526
527
528
529
Two Zuni Bolo Ties
Two Zuni Bolo Ties
Two Southwestern Bolo Ties
mid 20th century, both
with turquoise, mother-ofpearl, jet and coral inlay on
silver backing: eagle dancer
marked “RSXX”, 3 x 2-1/2 in.;
thunderbird marked “Z”, 3 x
2-1/2 in., possible repair to one
tip, both with light scratches
and wear
mid 20th century, both inlaid
with turquoise, coral, jet
and mother-of-pearl, silver
backing and inlaid stone tips:
snake dancer, 3 x 3/4 in.,
losses to inlay; knifewing,
2-1/2 x 2 in., both with wear
Provenance: Private
Collection
mid 20th century: one with
branch coral and turquoise
nuggets, turquoise and silver
tips, incised “RXXX” and “Z”
verso, 2-3/4 x 1-3/4 in.; one
inlaid with coral, jet, turquoise
and mother-of-pearl on round
silver medallion, hand-shaped
jet tips, 2 in., wear, tarnish to
silver
mid 20th century: one with branch
coral and turquoise nuggets,
turquoise and silver tips, incised
“Kitt” verso, 2-1/2 x 2-1/4 in.; one
turquoise nugget on silver shield
backing, turquoise and silver tips,
stamped “sterling” verso, 3-1/8 x
2-1/2 in., wear, tarnish to silver
Estimate: $300 - $600
Estimate: $300 - $600
Estimate: $400 - $800
Estimate: $300 - $600
530
531
532
533
Two Zuni Bolo Ties
Two Silver Katsina Bolo Ties
mid 20th century: spirit dancer
and knifewing, both with
turquoise, coral, jet and motherof-pearl inlay on silver backing,
dancer 3-3/8 x 2-1/2 in.,
knifewing signed “RR” and “Z”
verso, 2-1/8 x 2-1/2 in., residue
(glue?) and wear to dancer,
wear to knifewing
mid 20th century, probably
Navajo: katsina with wings,
turquoise accents and arrowpoint shaped tips, arrow and
fan mark verso, 4 x 4-1/4 in.;
buffalo katsina with turquoise
eyes and katsina tips, 3-3/4 x
1-1/2 in., wear, light scratches
and polish residue
mid 20th century: one with large
turquoise stone within silver
setting, silver tips, 3-3/4 in.; one
with silver stepped design on
turquoise ground, silver tips,
3-1/8 in., both with wear, brown
residue to silver setting, residue on
stepped design tie
Estimate: $300 - $600
Estimate: $300 - $600
Estimate: $300 - $600
mid 20th century: one
patterned turquoise on oval
silver setting, turquoise and
silver points, 3 x 2-3/4 in.;
one with branch coral and
turquoise nuggets, turquoise
and coral tips, 3-1/8 x 2-1/2
in., wear, tarnish to silver
Provenance: Private
Collection
Estimate: $300 - $600
March 10, 2012 • 119
534
535
Three Southwestern Bolo Ties
Three Zuni Bolo Ties
mid 20th century: one with large
turquoise in a fleur-de-lis silver
setting, 4 x 3 in., missing one
tip; one turquoise with silver
openwork setting, turquoise and
silver tips, 2-1/2 x 3 in.; one
silver medallion with silver tips, 3
x 3-3/4 in., all with wear
mid 20th century, all inlaid with
turquoise, jet, coral and mother-ofpearl: thunderbird inlaid on shield
backing, silver tips, 2-3/4 x 2 in.,
residue; knifewing, silver tips,
2-1/2 x 2 in.; feather design, silver
tips, 3 x 1-3/4 in., all with wear
Estimate: $400 - $800
Estimate: $400 - $600
536
Oviloo Tunnillie
(Kangia, Greenland, born 1949)
Inuit Woman Carrying Stone, 1996, carved serpentinite
stone, base marked indistinctly, 16-3/4 x 11 x 8-1/4 in.,
natural fissures, minor surface abrasions, otherwise good
condition
Estimate: $1,000 - $2,000
536 - detail
Oviloo Tunnillie has works in the National Gallery of
Canada; Winnipeg Art Gallery, Manitoba, Canada; and the University of Lethbridge Art Gallery,
Alberta, Canada.
Exhibited: Marion Scott Gallery, Vancouver, B.C., Canada, Oviloo, August 10-31, 1996 (lot
accompanied by exhibition catalogue and appraisal)
537
538
Harriet Whitney Frishmuth
(New York, 1880-1980)
George Edwin Bissell
(New York, 1839-1920)
Girl With Frog, 1910, #19, signed “Harriet W. Frishmuth Copyright 1910” and
stamped “Gorham Co FOUNDERS OEH”, patinated bronze, 4-1/2 x 6-5/8 x
6-3/4 in., green to brown patination, some loss to patina in base of pool
Bust of Abraham Lincoln, signed “Geo. E. Bissell Sc…”,
and “copyrighted” with foundry mark “Gorham Co./
Founders 047”, bronze, 17-3/4 in., green/dark brown
patina with some wear at nose
Estimate: $3,000 - $5,000
Provenance: The Simmons Company; By gift to former
CFO; Private Collection
Estimate: $4,000 - $6,000
120 • March 10, 2012
539
540
Robert William Wood
(California/Texas/England, 1889-1979)
Robert William Wood
(California/Texas/England, 1889-1979)
New Mexico Desert, circa 1947, signed lower right “Robt. Wood”,
oil on canvas, 25 x 30 in.; original gilt wood and composition
frame, original stretcher and tacking edge, crackle, some cupping,
Rocky Coast at Sunset, signed lower left “Robt. Wood”, oil on canvas,
25 x 30 in.; original gilt wood and composition Arts and Crafts frame,
original stretcher and tacking edge, crackle, stretcher marks; frame
with abrasions
Provenance: Commissioned from the artist, circa 1947 by Bama
Nichols and Claude Collard; By descent in family; Private
Collection
Provenance: DeBruyne Fine Art, Naples, Florida, purchased 2000
(accompanied by copy of original receipt); Private Collection, Linville
Ridge, North Carolina
Estimate: $3,000 - $5,000
541
Susan Minot Lane
(Massachusetts, 18321893)
Boat in Harbor, signed
lower right “S.M. Lane
1884”, oil on canvas, 16
x 9- 7/8 in.; original 19th
century gilt wood and
composition fluted cove
molding frame, original
stretcher and tacking
edge, some retouch at
edge and in sky affecting
approximately 10 percent
of surface, crackle, light
grime; frame with loss to
gilt surface
542
543
Dennis Sheehan
(New Hampshire/
Massachusetts, born 1950)
American School
(19th century)
Surf at Sunrise, signed lower
right “Sheehan”, oil on canvas,
14 x 18 in.; gilt wood frame,
good condition
Provenance: Private
Collection
Provenance: A.R.A. Gallery,
South Hamilton, Massachusetts
Estimate: $400 - $600
Estimate: $400 - $600
Artist Painting in a Landscape, signed lower
left with monogram “H.r.e.”, oil on canvas,
25-1/2 x 43-7/8 in.; modern gilt wood
frame, restretched on new stretcher, lined,
retouch in sky, edges and center affecting
up to 20 percent of surface; frame with
abrasions
Estimate: $300 - $500
March 10, 2012 • 121
544
Christian Von Schneidau
(California/Sweden, 1893-1976)
Spanish Señorita, signed lower right “C. Von Schneidau” and
signed and inscribed verso canvas, oil on canvas, remnant of
old exhibition label verso, 56 x 46 in.; fine carved and 22 kt. gilt
wood frame; lot accompanied by monograph by Janet B. Dominik,
Christian Von Schneidau (1895-1976), 1986, Peterson Publishing
Co., Los Angeles, with an Asian style screen, likely painted by Von
Schneidau and used as a backdrop for this painting, oil on canvas,
62-3/8 x 66 in., (two pieces), original stretcher and tacking edge, 1
in tear at right middle edge, crackle, cupping, abrasion lower right,
Provenance: Private Collection, Linville Ridge, North Carolina
Painted Screen Accompanies Lot
545
546
547
American School
(20th century)
Glen C. Sheffer
(Illinois, 1881-1948)
Molly Luce
(Rhode Island/New York, 1896-1986)
Still life with fruit and wine bottle,
signed with monogram “TDH”, oil
on canvas, 16 x 20 in.; gilt wood and
composition frame, light grime; frame
with abrasions
Two paintings: Lenore, signed lower left “Glen C.
Sheffer”, 12 x 10 in.; Spanish School, unsigned,
11-7/8 x 10 in., crease upper left corner, flaking
lower right, both oil on canvas board; similar
black-painted and gilt panel frames, both with light
grime; frames with abrasions
Untitled, spring landscape, signed lower
right “Molly Luce”, oil on canvas, 22 x
28 in.; restretched on tension stretcher,
light grime; gilt wood reeded cushion
frame; lot accompanied by exhibition
catalogue Molly Luce: Eight Decades of the
American Scene…, Childs Gallery, Boston,
Massachusetts, light grime; frame with
abrasions
Provenance: Estate of the Late Glenn E.
and Faye Hicks, Jr., Atlanta, Georgia
Estimate: $150 - $250
Provenance: Private Collection, Weaverville, North
Carolina
Estimate: $500 - $1,000
Provenance: Purchased at benefit auction
at Asheville Art Museum, circa 1990;
Private Collection
Estimate: $800 - $1,200
122 • March 10, 2012
548
Frederick Judd Waugh
(New Jersey/Massachusetts, 1861-1940)
Monhegan Surf, 1938, signed lower right
“Waugh”, signed and inscribed verso with title
and “No. 2”, oil on panel, 30 x 40 in.; fine
carved and gilt wood Arts and Crafts style frame,
good condition; frame with abrasions
Provenance: Quester Gallery, Greenwich,
Connecticut, purchased 2007 (accompanied
by copy of original receipt); Private Collection,
Linville Ridge, North Carolina
549
Frederick Judd Waugh
(New Jersey/Massachusetts, 1861-1940)
Running Surf, 1937, signed lower right “Waugh”, oil
on canvas board, 30 x 40 in.; 20th century gilt wood
frame, minor mildew spotting top right edge; frame
with abrasions
Provenance: Grand Central Art Galleries, Inc., New
York, No. A313; Sotheby’s Parke-Bernet, New York,
May 10-11, 1974, sale No. 3638, lot 233 (with copy
of original receipt); Collection of the late Leslie C.
Meyer, Greenville, South Carolina; By descent to
consignor
550
Morgan Russell
(California/France, 1886-1953)
Allegory #30, circa 1934, signed verso on canvas “Morgan Russell”, oil over
charcoal, 29-1/2 x 41-1/8 in.; wood frame, restretched, crackle, cupping, cleavage,
light grime, canvas slightly loose; frame with abrasions
Estimate: $400 - $600
Morgan Russell is credited with developing Synchromism, an art movement in
the early 20th century. In 1916, Russell abandoned the movement to paint more
figurative paintings of which this is one.
March 10, 2012 • 123
551
Ernest Thompson Seton
(New York/Canada/England, 1860-1946)
Two wolf portraits: Lobo, The King Wolf of
Curronhaw(?), from life, and Blanca, The
White Wolf of Curronhaw(?), from life,
both signed lower right “Ernest Seton” and
inscribed “Allen W. Hinkel” and titled,
graphite on cream paper, 15-1/4 x 113/4 in.; matching metal frames, toning,
not examined out of frame; frame with
abrasions
552
Craig Bone
(Florida/Rhodesia, born 1955)
Elephant Watering, signed lower right “Craig Bone ‘88”, oil on canvas, 25-7/8 x 45 in.; wood
Estimate: $1,500 - $2,500
Provenance: Private Collection, Lexington, North Carolina
Estimate: $2,000 - $3,000
553
American School
Eagle on a Branch, unsigned, brass, 14-1/2 x 34 x 17 in., black to gold patina
Estimate: $400 - $600
553
554
555
Ten Works of Art
American School
(20th century)
includes engravings, watercolors,
etchings, prints, paintings, four 19th
century, 7 x 6-5/8 in. to 18 x 16
in., most with frames; detailed list
available,
Blacksmith’s Shop, possibly an illustration, signed with
monogram “SM” or “M”, oil on canvas laid on wood panel, 131/8 x 24-5/8 in.; wood frame, uneven varnish layer; frame with
abrasions
Estimate: $100 - $300
Estimate: $300 - $600
124 • March 10, 2012
556
557
Stephen Scott Young
(American, born 1957)
Stephen Scott Young
“ACL”, 1986”, signed upper right “SS Young”, watercolor on paper, 16-1/2 x 29-1/2 in.; gilt
silver frame, good condition, hinged in
“Buckets, Hopetown”, signed upper right “S.S.
Young”, watercolor on paper, 14-1/8 x 13 in.;
gilt wood frame, good condition, hinged in
Provenance: John H. Surovek, Palm Beach, Florida (label verso); Estate of the late Jane B.
Wishner, Hendersonville, North Carolina
Estimate: $5,000 - $7,000
Provenance: John H. Surovek, Palm Beach,
Florida (label verso); Estate of the late Jane B.
Wishner, Hendersonville, North Carolina
Estimate: $4,000 - $6,000
558
559
Stephen Scott Young
Richard Loehle
(Georgia, 1924-2011)
Tanika, 1997, signed lower left “SS Young
‘99” and inscribed lower right “Eleuthera,
Bahamas”, graphite on paper, 14-1/2 x 103/4 in.; gilt wood frame, good condition
Quail Country, signed lower right “R. Loehle”, oil on fiberboard, 30 x
40 in.; original wood frame, good condition
Provenance: John H. Surovek, Palm Beach,
Florida (label verso); Estate of the late Jane
B. Wishner, Hendersonville, North Carolina
Estimate: $3,000 - $5,000
Provenance: Lagerquist Gallery, Inc., Atlanta, Georgia; Estate of the
Late Charles Smithgall, Gainesville, Georgia
Estimate: $1,000 - $2,000
Judge’s Choice Award, The Junior League of DeKalb County, Georgia,
Artist’s Show (certificate verso)
March 10, 2012 • 125
560
561
562
Betty Lee Coburn
(South Carolina, born 1922)
Walter Whitcomb Thompson
(Massachusetts/South Carolina, 18821948)
Walter Whitcomb Thompson
(Massachusetts/South Carolina, 1882-1948)
Clown, signed lower right
“Coburn”, oil on fiber board, 171/2 x 12-7/8 in.; black-painted
frame, craquelure at top
Provenance: Purchased at
Charleston Art Auction,
Charleston, South Carolina;
Property of a Midwestern
Collector
Estimate: $400 - $600
“Down the Road”, South Carolina
Landscape, 1941, signed lower right
“Walter W. Thompson” and titled,
signed and inscribed verso “Christmas
Greetings to Mr. and Mrs…”, oil
on canvas board, 9-7/8 x 8 in.; fine
hand-carved and gilt wood frame,
good condition, crackle; frame with
abrasions
Ebb Tide, tidal marsh with heron, signed lower left “Walter
W. Thompson” and titled and signed verso canvas with
“AESSBK45C 75C”, oil on canvas, 20 x 24 in.; fine handcarved gilt wood frame, original stretcher and tacking edge,
some crackle and cupping, flaking upper left; frame with
abrasions
Provenance: Collection of the late Robert O. Burns, Shelby,
North Carolina
Estimate: $1,000 - $2,000
Provenance: Collection of the late
Robert O. Burns, Shelby, North
Carolina
Estimate: $500 - $1,000
563
Lawrence “Lon” Anthony
(Tennessee, born 1934)
Thinker, signed on stool “L. Anthony ‘65”, white
metal, 18-1/2 in. with wood base, good condition
Estimate: $400 - $600
564
Lawrence “Lon” Anthony
(Tennessee, born 1934)
Triumphal Arch, unsigned, mixed metal, 19 x 11 x
4-1/2 in., good condition
Provenance: Estate of Dr. Joseph Chandler Battaile,
Estimate: $200 - $400
126 • March 10, 2012
565
566
567
568
Pair Meissen Candelabra
Set of Ten Coalport Soup
Plates
Delft Jar or Vase
Set of Eighteen Royal
Worcester Dinner
Plates
German, early 19th century, each base with two
figures representing the four seasons, children holding
flowers, sheaf of wheat, glass of wine, warming hands
over a small fire, each with removable tops with four
arms and sockets, all heavily encrusted with flowers,
grapes and raised designs, blue crossed swords marks
under glaze, Meissen, 1817-1824, 19-1/2 in., one top
with extensive restoration to arms, leaves and other
elements, otherwise generally good condition, minor
losses to leaves and flowers
Estimate: $1,000 - $2,000
British, late 19th
century, elaborate gilt
decoration with pale
green highlights, dark
green printed mark for
Coalport, retailed by
Tiffany & Co., New York,
9-3/4 in., one with crack
and old staple repair,
one with faint 2 in. rim
crack, otherwise good
condition
Dutch, late 18th century,
paneled octagonal format
with extensive blue
decoration, base marked
“JG” over “36”, 12-3/4 in.,
base with faint cracks, glaze
losses at base and rim
Lady, Paris, France
Estimate: $200 - $400
British, late 19th/early
20th century, grape
border decoration
in relief on textured
ground, purple-printed
mark, 10-1/4 in.,
excellent condition
Estimate: $400 - $800
Provenance: Private
Collection
Estimate: $200 - $400
569
570
571
Pair Porcelain Urns, Compote
Seven Herend Figures
Porcelain Dessert Set
pair urns, Continental, hand-painted
scenes with figures in garden settings,
gilt highlights, each with blue
beehive mark, 13-1/2 in., one with
repaired finial, one with small chip on
interior rim of lid; compote shaped
as reticulated basket, encrusted with
porcelain flowers, hand-painted floral
decoration, probably German, 20th
century, 10-3/4 in., two repairs, central
shaft repaired, other losses to petals
and leaves
Hungary, 20th century: rabbits, frog, bear,
elephant, snail and dog, all with blueprinted Herend mark, 2 in. to 5-1/2 in., all
in good condition
British or Continental, 19th century: two
bowls with scalloped rims, fine cobalt and gilt
decoration, 9-1/2 in.; with twelve matching plates,
8-1/2 in., scattered losses to gilt highlights, one
plate with large crack, one with rim chip, one with
small rim crack
Estimate: $300 - $600
Estimate: $300 - $600
Estimate: $200 - $400
March 10, 2012 • 127
572
573
Set of Bronze Nesting
Weights
Set of Bronze Nesting
Weights
German, possibly
Nuremberg, late 17th/
early 18th century,
seven nesting weights
in conforming lidded
572 - detail
bucket, lid with extensive
sharp hallmarks, old patinated surfaces,
1-1/2 in. height closed, 3-1/2 in. width
closed, excellent condition
German, possibly
Nuremberg, late 17th/
early 18th century, eight
nesting bucket-shaped
weights in conforming
573 - detail
lidded bucket, elaborate
carrying handle with shell motifs, lid and
sides with extensive engraved decoration with
shells, lid with numerous hallmarks, fine old
patinated surfaces, 3-1/8 in. including handle,
width 4-1/2 in., good condition
Estimate: $400 - $800
574
Three Brass Candlesticks
pair Dutch, second half 17th century, mid
drip plates, baluster shafts, circular bases,
7-5/8 in., good condition, minor base dents;
one probably Spanish, late 17th/early 18th
century, with baluster shaft raised on square
rimmed base with triangular feet, 5-1/4 in.,
scattered surface losses and abrasions, all
with polished surfaces
Estimate: $500 - $800
Estimate: $500 - $800
576
Welsh Oak Coffor Bach
575
Multiple Oil Lamp Brass
Chandelier
British or Continental, late 18th/
early 19th century, cast brass,
receptacles for seven wicks,
circular border decoration,
10 in., suspended on 31 in.
brass chain, total height 34 in.,
polished surfaces
British, possibly Carmarthenshire, Wales, 18th century,
hinged molded lid, two fielded panels and single
dovetailed drawer, rich probably original surface, 17 x 26
x 13 in., old patch and repair at back of lid and molding
patch at front lip, brasses replaced, one batten replaced
and one with old repairs, base molding replaced, minor
pest damage, other scattered cracks, later nailing and
minor repairs
Gentleman
577
Brass Plate Rack
British, early to mid 19th century, hoof
feet and revolving four-stem rack, 24-1/4
in., several reinforcement repairs, one shaft
slightly bent, minor surface abrasions
Provenance: Private Collection, South
Carolina
Estimate: $300 - $600
Estimate: $2,000 - $3,000
Estimate: $500 - $800
128 • March 10, 2012
578
579
580
Cast Iron Fire Back
Pair Gothic Revival Brass Andirons
Group Brass Items
British, 17th century, rampant lions
flanking heraldic crest below a crown,
dated 1633, 22-1/2 x 26 in., scattered
rust and surface losses, normal wear
British or American, 19th century,
openwork vine and leaf decoration
with animal head mounts, 26 in., good
condition, billet bars with light rust
France
British, late 19th/early 20th century: pair miniature
beehive candlesticks, 5 in.; Gothic fire tool rest, 7 in.;
desk stand with two lidded ink compartments, 11-1/2
in., (four pieces), lacking glass liners, good condition
except as noted
Estimate: $300 - $600
Estimate: $200 - $400
Provenance: Estate of Bessie Goldner, Phoenix,
Arizona
Estimate: $200 - $400
581
582
583
584
Painted Iron and Brass
Garden Bell
Pair Candelabra Style Lamps
Neoclassical Copper Card
Receiver
Brass Sconce, Tongs
Continental, probably
Italian, late 19th/early 20th
century, hand-wrought iron
with painted animals and
human heads (probably
jesters), 11-1/4 in.
excluding chain, scattered
paint loss, rust, lacking
several small elements
Provenance: Private
Collection, Asheville, North
Carolina
20th century, five-sockets
above urn, polished slate and
marble base, 40 in. including
finial, one with repairs to
two arms
Provenance: Private
Collection, Memphis,
Tennessee
Estimate: $300 - $600
late 19th/early 20th century,
copper with circular plate with
hammered, Roman style ground
and large relief medallions, 101/2 in., plate loose on shaft, old
unpolished surface
Estimate: $200 - $400
probably English, late
18th/early 19th century:
sconce of heavy cast
construction with three
scrolled arms, 16 in.,
good condition; with pair
brass pipe tongs, 10-1/4
in., slightly bent, probably
lacking ring at top
Provenance: Private
Collection, South Carolina
Estimate: $400 - $800
Estimate: $200 - $400
March 10, 2012 • 129
585
George III Mahogany
Three-Tier Dumbwaiter
British, late 18th century,
figured mahogany
throughout, three rotating
dished shelves with
turned baluster supports
and tripod base, 401/2 x 23 x 23-1/2 in.,
refinished, minor cracks,
separations and patches
to pedestal base, warping
and minor patches,
one replaced caster
(recessed)
Provenance: Private
Collection, Pittsburgh,
Pennsylvania
586
Pair Inlaid Knife Boxes
Estimate: $500 - $1,000
British, 19th century, based on a design by Thomas Hope, circa 18101820, tapered cartouche form, mounted on square platforms with
compressed bun feet, fully developed interiors with light wood banded
inlaid borders, 25 in., refinished, restorations to lids (interior with later
star), scattered veneer losses, repairs and buckling, variation in height
Estimate: $1,000 - $2,000
587
588
589
Regency Mahogany Wine Cooler
Chippendale Carved Mahogany Marble-Top
Slab Table
George III
Mahogany SlantFront Desk
British, 19th century, octagonal
form with figured mahogany veneers
and brass banding, original tapered
square legs with brass casters,
interior with metal liner, 27 x 17-1/2
x 18 in., generally good condition,
top with repaired crack, minor
warping and stains, metal liner
replaced, other minor repairs
Pittsburgh, Pennsylvania
British, 18th century in part, mahogany and oak
frame with leaf-carved knees and ball-and-claw
feet, set with early variegated green marble
top, 30-1/4 x 32 x 23 in., restored and possibly
altered, knee returns replaced (lacking one),
repairs and minor losses at moldings, refinished,
other patches and restorations
Provenance: Private Collection, Greenville,
South Carolina
589 - detail
British, 18th century, fitted interior, dovetailed
drawers with oak linings, original straight
bracket feet, 40 x 37-1/2 x 21-1/2 in., brasses
replaced, minor repairs to feet, other scattered
cracks and minor repairs
Estimate: $400 - $600
Estimate: $1,000 - $2,000
Estimate: $500 - $1,000
130 • March 10, 2012
590
591
592
Regency Rosewood
Breakfast Table
Regency Rosewood
Tilt-Top Breakfast
Table
Hepplewhite Inlaid Mahogany Five-Drawer
Chest
British, 19th century,
highly figured
veneers, circular
British, 19th century, dovetailed drawers,
pedestal base with
591 - detail
rich brown color, original feet, 38 x 39 x 20carved paw feet, 281/2 in. brasses replaced, scattered veneer
1/4 x 51 x 49-3/4 in., loss to one toe, other
repairs to top and drawer facings, scattered
scattered veneer losses and repairs
foot repairs
Estimate: $500 - $700
Collector
Estimate: $500 - $1,000
rosewood veneers,
pedestal base with
592 - detail
carved paw feet,
28-1/2 x 48 x 47-1/2 in., large crack and
separation to top, scattered abrasions
and finish losses, base with veneer losses,
molding losses to top
Collector
Estimate: $500 - $1,000
593
594
Chippendale Mahogany Mirror
Edwardian Inlaid Mahogany
Revolving Book Stand
British or American, late 19th
century, mahogany throughout
with scrolled ears, crest and
base, 44-1/2 x 23 in., refinished,
separations at some joints,
breaks and repairs with patches
at two ears and two scrolls,
possibly original glazed plate
with losses and distress to
silvering (not removed)
Pittsburgh, Pennsylvania
British or American, late 19th/
early 20th century, figured
mahogany fan and line-inlaid
top, stand fitted with casters,
35-1/4 x 19 x 19 in., cracks,
warping and minor repairs to
top, repair to one strut, other
minor surface abrasions
595
Hepplewhite Mahogany Five-Drawer
Chest
British, 19th century, figured mahogany
veneers and dovetailed drawers on
French feet, 43 x 38 x 19-1/2 in., restored
and possibly reconfigured, replaced
brasses and feet, top with veneer cracks
and warping, other scattered repairs
Estimate: $400 - $600
Estimate: $300 - $500
596
Regency Mahogany
Adjustable Piano Stool
faux bamboo legs, beech
secondary, adjustable seat
with original horsehair
underupholstery (loose),
20 x 15 in., good condition
with surface wear, currently
lacking upholstery
Provenance: Private
Collection
Estimate: $100 - $200
Estimate: $200 - $300
March 10, 2012 • 131
598
Rare George III Mahogany
Grandmother Clock
dial signed "S. Collier, Eccles"
(Samuel Collier, Eccles,
Lancashire, 1750-1806), the
silvered and brass dial also
with foliate engraving and
Tempest Fugit, brass movement,
waisted case with blind-fretwork
pediment, fluted quarter
columns and ogee bracket feet,
pendulum and two weights, 601/2 x 13-1/2 x 8 in., excellent
condition overall, dial with
minor surface wear, losses to
blacking in Roman numerals,
period saddleboard appears
to be a good match, case
lacking bottom board, some
repairs to box base with later
interior bracing, minor veneer
cracks and molding losses and
restorations, backboard formerly
fitted with braces
597
Regency Mahogany Chest
British, 19th century, figured mahogany veneers, five
dovetailed drawers, 44 x 44-1/2 x 20 in., brasses and
rear feet replaced, top reveneered or replaced, scattered
cracks and finish losses
Estimate: $500 - $700
the Ford Museum; Sotheby's
New York, circa 1990 (numeral
inscriptions in several places,
"30.1433.31"); Private
Collection, South Carolina
Estimate: $6,000 - $9,000
[Reserve: $5,000]
From the noted Collier family
of clockmakers, Samuel Collier
(1750-1806), was a clockmaker
in Eccles, Lancashire.
599
Pair Adam's Style Painted
Satinwood Twin Beds
British, late 19th/early 20th
599 - detail
century, each twin headboard
with painted floral swag decoration and highly figured
satinwood veneers, 42 x 39 x 81 in., headboards
with patches and repairs with plugged screws at
rail attachments, footboards with repairs at top of
posts (possibly lacking an element), otherwise good
condition with light surface wear
Provenance: Estate of the Late John Boone, Owensboro,
Kentucky; Brunk Aucitons, September 6, 2008, Lot 500;
Private Collection
Estimate: $400 - $600
600
Chippendale Mahogany
Footstool
British, 18th century, mahogany
with beech secondary, molded
square legs with H stretcher,
16-1/2 x 21-1/2 x 16-3/4 in.,
currently unupholstered, frame
with typical tacking scars and
cracks at leg tops, otherwise
good condition with minor wear
South Carolina
Estimate: $200 - $400
600
132 • March 10, 2012
602
Wyke & Green Shelf Clock
British, late 18th century, circular brass
face marked “Wyke & Green/Liverpool”
and flanked by turned columns, brass
works marked “E. Flet…(?)”, case with
mixed hardwoods including fruitwood
and mahogany, extensive floral and leaf
decoration, top and pediment with brass
finials, sides with fabric behind Gothic
style brass grille, with key, 22-1/2 in.,
works probably replaced, case with
separations (some with old veneer repairs
behind), interior with screw wounds from
earlier contents, working order at time of
inspection
France
Estimate: $800 - $1,500
John Wyke and his brother-in-law, Thomas
Green, worked together 1772-1781 in
Liverpool, England.
601
Queen Anne Walnut and Mahogany Tall Case
Clock
dial signed William Barber, London, early
18th century, engraved brass dial with
elaborate applied spandrels and silvered
chapter ring, molded and fretwork pediment,
eight-day brass movement, 87-1/2 x 21 x
11 in., saddle board replaced, top molding
with dent and minor losses, scattered cracks,
surface wear and minor repairs throughout,
restorations and refurbishing to works
603
Inlaid Mahogany Tall Case Clock
British, 19th century, arched painted dial
depicting sailing ships, inlaid figured
mahogany case set with fluted columns,
82-1/2 x 19-1/2 x 9-1/2 in., saddle board
and finials replaced, dial paint with crackle,
minor flaking and possibly later surface coat,
restorations and refurbishing to works
Provenance: Downshire House Clocks
and Barometers, Camden, Maine, 2006
(accompanied by copy of receipt)
604
Estimate: $800 - $1,200
George III Inlaid Mahogany Barometer
Provenance: Downshire House Clocks
and Barometers, Camden, Maine, 2006
(accompanied by copy of receipt)
British, early 19th century, signed “A. Maspoli & Co. Hull”, broken-arch
pediment and set with central convex mirror, 38-1/2 in., pediment and
finial replaced, lower section with cracks and separations and lacking
some element, top dial lacking needle and has loose glass, silvered dial
with tarnish and two spots, other scattered repairs, mercury present
Estimate: $2,000 - $3,000
Estimate: $300 - $500
March 10, 2012 • 133
605
606
607
608
Georgian Mahogany Tall Case
Clock
George III Inlaid Mahogany Tall
Case Clock
Sheraton Inlaid Mahogany Tall
Case Clock
Irish Regency Tall Case Clock
British, 18th/19th century, the
silvered and brass dial with
engraved sun and dragon
decoration marked “Steward &
Henly”, waisted mahogany case
with scrolled pediment, eightday brass movement, pendulum,
two weights and winder present,
91 x 18-1/2 x 9-1/2 in., works
and case associated, finials
replaced, dial with some dents at
top and light surface corrosion
and tarnish, restorations and
refurbishing to works, cracks,
repairs and restorations to base,
other surface wear and flaws
Scottish, late 18th century,
engraved silvered brass
dial signed “Andrew Bell
Haddington”, waisted case
with line inlay, pendulum,
eight-day brass movement, two
weights and winder present,
84 x 20-1/2 x 9-1/2 in., dial
probably resilvered and with
some possible later engraving,
restorations and refurbishing
to works, case in excellent
condition overall, case uprights
reinforced and bottom board
replaced
British, 19th century, painted
dial with fox hunting scene and
spandrels depicting allegories
of the continents, rosewood and
mahogany carved and inlaid
waisted case, satinwood panels,
eight-day brass movement,
87-1/2 x 21 x 11 in., feet
and bottom board replaced,
restorations and refurbishing to
works
Estimate: $1,000 - $1,500
Provenance: Downshire House
Clocks and Barometers, Camden,
Maine, 2006 (accompanied by
copy of receipt)
Provenance: Downshire House
Clocks and Barometers, Camden,
Maine, 2007 (accompanied by
copy of receipt)
Estimate: $1,000 - $2,000
Estimate: $1,000 - $1,500
painted dial signed “K.
O’Brien, Cork”, circular
white-painted dial with Arabic
chapter ring, eight-day brass
movement, waisted figured
mahogany case, 83 x 191/2 x 9 in. , dial paint with
minor abrasions and flaking,
restorations and refurbishing to
works, case with replaced feet
and extended uprights (period
saddle board), surface wear,
abrasions and scattered repairs
Estimate: $1,000 - $1,500
Lot 609 - No lot
134 • March 10, 2012
610
Georgian Carved Oak Tall Case Clock
British, 18th century, engraved square brass
dial signed “Tho Brewer Darleston”, eightday brass movement, waisted oak case,
with pendulum and two weights, 81 x 20 x
11-1/2 in., case carving a late 19th century
addition, saddle board replaced (works and
case possibly associated), lacking finials,
other scattered cracks and minor repairs
Estimate: $400 - $600
611
George III Style Mahogany Desk and
Bookcase
British, 19th century, removable cornice
over two glazed doors, adjustable shelves,
fitted and inlaid desk interior, dovetailed
drawers, 85-1/2 x 43 x 23-1/2 in., feet and
brasses replaced, probably reconfigured
(three drawers in upper case probably
added), some reveneering
Estimate: $1,000 - $1,500
612
613
614
Hepplewhite Mahogany Butler’s Chest
Regency Mahogany Fold-Over Games Table
British, 19th century, fitted top drawer
with drop front and leather-lined writing
surface, dovetailed long drawers with
ash linings, French feet, 42-3/4 x 43 x 23
in., good condition, surface wear, fading
and stains especially to top, scattered
pest damage to feet and skirt with some
associated repairs, interior lacking one
valance and with later leather
British, 19th century, figured mahogany
veneers, turned legs, rich brown color, 29-1/4
x 36 x 17-1/2 in., opens to 35-1/2 in., break
and repair to one front leg, minor repairs at
hinges, other minor cracks, surface stains
and wear
Hepplewhite Style Inlaid Mahogany BowFront Chest
Estimate: $400 - $600
British, 20th century, banded top and
drawers, French feet, 40-1/2 x 41 x 18 in.,
brasses replaced, drawer fronts with some
veneer bubbling, surface wear and abrasions
Estimate: $300 - $500
Estimate: $500 - $700
March 10, 2012 • 135
615
616
617
Regency Style Mahogany Drum Table
Hepplewhite Style Inlaid Mahogany Sideboard
Figured Mahogany Two-Tier Server
British, late 19th century, four dovetailed
drawers with ash secondary and four false
drawers, leather-lined top and pedestal base,
28-1/2 x 50-1/2 in., generally good condition
with scattered surface wear, repairs at pedestal
connection to top (possibly associated), sun
fading and minor repairs
British, 20th century, dovetailed drawers with
oak linings, figured mahogany veneers, banded
top, central drawer flanked by cellaret drawer
with dividers and single door, 36 x 59-1/2 x 221/4 in., good condition overall, scattered surface
wear, areas of cloudy varnish, abrasions
British, 19th century, two cabinet
doors with open interiors, rich reddishbrown color, 44-1/2 x 48 x 19 in.,
cabinets lacking shelves, minor warping
to doors, possibly once fitted with
backsplash, other surface wear and
stains consistent with age and use
Estimate: $500 - $1,000
Estimate: $500 - $700
Estimate: $500 - $700
618
619
620
Queen Anne Style Figured Mahogany
Bedside Commode
Regency Style Mahogany Four-Tier
Server
George III Style Inlaid Mahogany Breakfast Table
British, late 19th/early 20th century, two
dovetailed drawers over two cabinet doors,
shell-carved legs, 29-3/4 x 21-1/2 x 13-1/2
in., rich old color with surface wear and
stains overall, minor veneer repairs and sun
fading, one drawer back replaced, other
separations and minor flaws
British, 19th century, single
dovetailed drawer with mahogany
linings, original porcelain casters,
47-1/2 x 24 x 16 in., good condition
with minor surface wear, drawer
pulls replaced, separations and flaws
consistent with age and use
Estimate: $200 - $400
Estimate: $500 - $700
British, late 19th/early 20th century, oval top with
banded edge over pedestal base with inlaid legs,
29-3/4 x 43-1/4 x 59-1/4 in., top with sun fading
and scattered repairs to veneered banding, base with
minor crack at one leg
Estimate: $400 - $600
136 • March 10, 2012
621
622
17th Century Embroidered Panel
17th Century Embroidered Panel
English, depicting the biblical tale of King David and Abigail,
background worked in an array of exotic flora and fauna
including a rose, carnation, tulip, a lion and frog by a pond with
a large fish, finely tent-stitched in polychrome silks on canvas,
16 x 12 in. (sight); later gilt sanded frieze and wood frame,
good condition overall, fading, slight losses to bottom edge, not
examined out of frame
English, depicting the biblical story of the banishment of Hagar and
Ishmael by Abraham, angel in cloud top, tent, houses and church
in background, fish in pond bottom right, finely tent-stitched in
polychrome silk, 14-1/2 x 9-3/4 in. (sight); later gilt sanded frieze and
wood frame, good condition overall, losses along edges, probable
repairs proper right edges, losses to proper left corner, fading
Estimate: $1,500 - $3,000
Estimate: $1,200 - $1,800
623
18th Century Mother and Daughter Needleworks
English, two needleworks: at top, a fine silk embroidery of a leopard and a stag
on ivory silk, “S M” stitched bottom, 4-1/2 x 6 in. (sight), written below on gold
mat “Work Done by Sara Mortlock When 9 Years of Age in the Year 1725”,
bottom panel worked in wool and silk with metallic thread, central urn with
flowers flanked by two female figures, snail and butterfly below, 13 x 8-1/2 in.
(sight), written below on mat “Work Done By Sarah Reeve When 9 Years of
Age in the year 1750 She was the daughter of Sarah Mortlock”, both mounted
in a gold mat, later gilt wood frame, good condition overall, slight fading, losses
to inscription on mat
Estimate: $1,200 - $1,800
624
David and Abigail Needlework
probably English, 18th/early 19th century, oval depiction
of the biblical story of King David and Abigail, fine wool
embroidery and watercolor on silk, 15 x 20 in. (sight);
black mat, black-painted frame, slight fading, fabric
slightly bunched in frame indicating it is probably not
glued to backing, not examined out of frame; minor
abrasions to frame
Estimate: $400 - $800
March 10, 2012 • 137
625
626
Two Floral Silk Needleworks
Silk Needleworks, Ladies With Black Hats
probably English, 19th century: one a finely stitched large floral spray on
black silk ground, 15-1/2 x 11-1/2 in. (sight); eglomisé mat, gilt frame,
needlework in good condition, abrasions to frame; one of a bird in a
flowering exotic tree, silk on silk, 13-1/4 x 13-1/4 in. (sight), eglomisé mat,
gold-painted frame, fading, losses to eglomisé mat and frame
English, late 18th/early 19th century: one woman holding
flower and wearing a black hat, silk and ink on silk, fading,
browning of silk, silk ground shattered at top and proper left
side; one woman wearing a bonnet and holding a black hat
decorated with ribbon, silk and ink on silk, fading, overall
shattering of silk ground, each 8-3/4 x 6 in. (sight); both in
later painted wood frames, one frame cracked, the other
broken but still in place
Estimate: $500 - $800
Floral spray needlework in the style of botanical collages by Mary Delaney
(1700-1788).
Estimate: $300 - $600
627
Tapestry Panel
Continental or English, probably 18th century,
covered barge with passengers (possibly
soldiers) traveling down a river, saddled horse
grazing in foreground, distant farms and
mountains, border and later backing, rings
attached to top for hanging, 100 x 40 in., splits,
scattered repairs and fading
Estimate: $1,000 - $2,000
628
Verdure Tapestry Panel
Continental, possibly late 16th/early 17th
century (in part), central panel with house
nestled into the forest, wide floral border, wool
with silk accents, later backing, 103 x 56 in.,
probably part of a larger work, border not
original, fading and wear especially to lower
half, splits and scattered repairs
Estimate: $1,200 - $2,000
138 • March 10, 2012
631
629
Hepplewhite Style Inlaid Mahogany
Sideboard
British, late 19th/early 20th century,
diminutive bow-front form, dovetailed drawers
with laminate bottoms, 33 x 48 x 23-1/2 in.,
restorations to drawer secondary, legs ended
out approximately 2 in. (spade feet replaced),
some later pinning to legs, minor surface wear
Estimate: $500 - $700
630
Chippendale Mahogany Piecrust Tea Table
British, 18th century, single-board top,
pedestal base with slipper feet, old dark
surface overall, 28-1/4 x 28-1/4 x 281/2 in., top reconfigured and probably
associated, minor repairs to battens, other
scattered cracks and surface wear
Estimate: $400 - $600
Set of Four Regency Mahogany Side
Chairs
British, early 19th century, each with
figured walnut(?) and beech frame, backs
set with two brass bosses, upholstered slip
seats, 32 x 14 x 19 in., generally good
repair, some cracks and repairs to upper
stiles, one with breaks to rear stiles, other
surface wear and finish losses
Collector
Estimate: $200 - $400
632
633
634
George III Mahogany Chest-on-Chest
George III Mahogany Linen Press
Georgian Mahogany Tall Chest
British, 19th century, dovetailed drawers
with oak linings, figured mahogany veneers,
71 x 42-1/2 x 23-1/4 in., upper and lower
cases probably associated, brasses, feet and
some moldings replaced, other surface wear
and scattered repairs
British, 19th century, upper case with
paneled doors and five interior slides,
dovetailed drawers with mahogany linings,
78-1/2 x 51 x 24 in., feet and brasses
replaced, minor warping and shrinkage
to upper doors, molding patches and
abrasions
British, 19th century, seven dovetailed drawers
with oak linings on straight bracket feet, 551/4 x 40 x 20-1/2 in., warping to top, feet
possibly restored, brasses replaced, other
cracks, wear and minor repairs
Estimate: $500 - $1,000
Estimate: $500 - $1,000
Estimate: $1,000 - $1,500
March 10, 2012 • 139
635
636
637
Chippendale Mahogany Piecrust Tea Table
Chippendale Carved Mahogany Side Chair
British, 18th century, single-board
mahogany top, tripod base with leaf-carved
knees, oak and beech secondary, 28-3/4
x 31-1/2 x 31-1/4 in., refinished, top with
several holes (from screws coming through),
hinge block with crack and repair
British, third quarter 18th century, mahogany throughout
with carved splat and knees, 37-1/2 x 24 x 22-1/2 in.,
breaks and repairs to splat, pest damage with associated
losses to feet, other repairs; together with a George I style
burlwood shepherd’s crook armchair, early 20th century,
maker label for Tozer, fine needlework-upholstered seat,
37-1/2 x 24 x 22-1/2 in., good condition with scattered
surface wear and abrasions
Chippendale Mahogany
Bachelor’s Chest
Estimate: $500 - $700
Estimate: $500 - $700
British, 18th century, diminutive
scale, figured mahogany, four
dovetailed drawers with oak
linings and brush slide, 34 x
29-1/2 x 19 in., feet and brasses
replaced, otherwise excellent
condition, light surface wear
and sun fading
Estimate: $800 - $1,200
638
639
640
Regency Style Figured Mahogany Cabinet
George III Style Mahogany Chest
British, 19th century, upper case with two
highly figured paneled doors opening to
adjustable shelved interior, lower case with
two doors opening to five dovetailed long
drawers with oak linings and probably
original brass pulls, 83 x 42-1/2 x 23-1/4 in.,
shrinkage cracks and minor warping to doors,
feet replaced, top of lower case possibly
reveneered
British, 20th century, banded top and
drawers on bracket feet, paneled back, 44
x 40 x 22-1/4 in., feet replaced, scattered
abrasions and surface wear, possibly altered
George III Figured Mahogany Five-Drawer
Chest
Estimate: $500 - $700
British, 18th/19th century, dovetailed drawers
and original bracket feet, 39 x 40-1/2 x 20-1/2
in., brasses replaced, probably original feet
with scattered repairs, other surface flaws and
minor repairs
Estimate: $600 - $900
Estimate: $800 - $1,200
140 • March 10, 2012
642
Three Pairs Mother-of-Pearl Opera Glasses
late 19th/early 20th century, 2 in. to 2-3/4 in.
(closed), one with original leather case, one with
later fabric case, all in good condition, one with
chip to one ring mount
Estimate: $200 - $300
641 - detail
641 - detail
641
Gustav Klingert Russian Gilt Silver Sugar Box
641 - detail
Moscow, late 19th century, rectangular with
hinged lid, elaborate scroll and floral enamel decoration, marks for Gustav Klingert, no
monogram, .875 fine, 14.98 oz.T., 4-1/2 x 3-1/2 x 3-1/2 in., good condition, minor loss
to enamel
646
Russian Icon
(19th century)
643
644
645
Champlevé Inkwell
Russian School
Catherine the Great
Russian Coin
Figure on Back of Elk,
unsigned, iron, 6-7/8 in.
including base, lacking
antlers, rust
five Kopek coin dated
1791, 1-5/8 in., average
wear
possibly Russian, domed
lid above square base with
cove molding, original
liner, 4-1/2 in., minor
surface losses, slightly loose
on stem
Late Glenn E. and Faye
Hicks, Jr., Atlanta, Georgia
Lady, Paris, France
Estimate: $100 - $200
Provenance: Private
Collection
St. George Slaying the Dragon, tempera with
gilt highlights on panel, 12-1/8 x 10 in.; modern
wood frame, panel slightly convex and with two
battens verso, central split visible verso, flaking,
craquelure
Estimate: $300 - $600
Estimate: $100 - $200
Estimate: $600 - $900
March 10, 2012 • 141
647
648
649
650
British Sovereign Bracelet
Ten Dollar U.S. Gold Coin
Ten Dollar U.S. Gold Coin
18 kt. gold bracelet with five mounted
British Sovereign 22 kt. gold coins
dated 1906, 1907, 1908, 1914 and
1919, 83.2 grams total gross weight, 7
in. good condition
1881 AU plus
1904 AU
Twenty-Seven U.S. Silver
Dollars
Estimate: $600 - $1,000
Estimate: $600 - $1,000
Blowing Rock, North Carolina
20 Morgan silver dollars,
seven Peace silver dollars,
no rare dates, most in
average uncirculated
condition, some 1921
Morgans AU plus
Provenance: Private
Collection
Estimate: $2,500 - $3,500
651
Silver Dollar Belt
17 Morgan silver dollars
with sterling bezels on
sterling silver chain, one
with engraved backing,
33 in., most of coins VF
or better
the Late Glenn E. and
Faye Hicks, Jr., Atlanta,
Georgia
Estimate: $200 - $400
Estimate: $300 - $600
652
Group Silver Coins
three Morgan silver
dollars (one with
reduced, inscribed
back); four Peace
silver dollars; three half dollars; one Franklin, one Stone Mountain
commemorative, one Columbian Exposition; two Liberty Standing
quarters, one Barber quarter; one Mercury dime; two Barber dimes;
one V nickel; Commonwealth of Nations International Exchange
silver coin (one Troy ounce); one Rupee English coin; one British
Florin two shilling coin dated 1899, total face value US silver coins
$9.55, most in average circulated condition, one Peace dollar BU,
several worn
Estimate: $200 - $400
653
654
655
Gold Charm Bracelet
Gold Charm Bracelet
Gold Charm Bracelet
14 kt. gold bracelet with 21 charms (seven
marked 14kt) including a car, amethyst heart,
cub scout pin and $1 1853 U.S. gold coin,
51.7 grams total gross weight, 7 in., slight
wear
14 kt. gold bracelet with eleven
(eight marked 14 kt.) charms
including a folded dollar bill
encased in gold box, graduation day
charm, opal ring, 47.6 grams total
gross weight, 7 in., wear
14 kt. gold bracelet with 29 charms (nine marked
14 kt.) including a jack-in-the-box, hourglass and
crown, 36.4 grams total gross weight, 7 in., wear
Estimate: $400 - $800
Estimate: $300 - $600
Estimate: $400 - $800
142 • March 10, 2012
656
Platinum, Diamond, Ruby Brooch
ribbon swirl design set with 50 round
brilliant diamonds, .0.3 to .10 cts., color
F-G, clarity VS, 14 straight baguette
diamonds, .06 to .08 cts., color F-G, clarity
VS, total combined diamond weight 3.50
cts., 22 round faceted genuine rubies,
estimated combined ruby weight 1.75 cts.,
“950 Palladium” platinum mount in 1940s
style, total gross weight 14 grams, 1-1/2
x 1-1/2 in.; insurance replacement value
$10,461, with appraisal, good condition
657
658
659
Amethyst, Diamond Pendant
Diamond, Ruby Gold
Brooch/Pendant
Ruby, Diamond Pendant,
Necklace
vintage foliate and floral
openwork design set with
43 round brilliant diamonds,
estimated diamond weight
2.5 cts., color G-I, clarity
VS, seven round faceted
genuine rubies, 14 kt.
(tested) yellow gold mount,
14.2 grams total gross
weight, 2 x 1-1/4 in.;
insurance replacement value
$5,871, with appraisal,
good condition
14 kt. white gold pendant
accented with 17 round
brilliant diamonds, estimated
combined diamond weight
0.5 cts., color G-I, clarity
SI, 32 round faceted
genuine rubies, estimated
combined ruby weight 2.5
cts., suspended from a 14 kt.
white gold 16 in. chain, total
gross weight 12.30 grams;
$3,843, with appraisal, good
condition
Edwardian, early 20th
century, two-tone gold filigree
design with 2.50 ct. oval
faceted amethyst accented
with 57 old European,
round brilliant and singlecut diamonds, estimated
combined diamond weight
1.75 cts., color H-I, clarity
SI-1, later bail, suspended
from “950” 16 in. chain, total
gross weight of pendant 10.8
grams; insurance replacement
value $3,042, with appraisal,
good condition
Provenance: Estate of Mary Whiting Ewing,
Provenance: Estate of Mary
Whiting Ewing, Chapel Hill,
North Carolina
Estimate: $2,000 - $4,000
Estimate: $600 - $1,200
North Carolina
Estimate: $1,200 - $1,800
Provenance: Private
Collection, Hendersonville,
North Carolina
Estimate: $700 - $1,200
660
661
662
Tiffany Ruby, Diamond Ring
Art Deco Ruby, Diamond, Emerald Ring
Platinum, Diamond, Sapphire Ring
central oval faceted genuine ruby,
1.29 cts., accented with ten round
brilliant-cut diamonds, estimated
combined diamond weight 1.52 cts.,
color F, clarity VS-2, 18 kt. yellow gold
mount stamped “Tiffany”, total gross
weight 7.9 grams, size 6-1/2; insurance
replacement value $18,147, with
appraisal, good condition
central bezel-cut Old European diamond, 1.20 ct., color
I-J, clarity SI3-I1, accented with 22 bead-set full-cut and
single-cut diamonds, estimated combined diamond weight
.50 cts., color H-I, clarity SI-2, 18 channel-cut rubies, .50
cts. estimated combined ruby weight, and 10 channel-set
square faceted emeralds, estimated combined emerald
weight .50 cts., polished platinum mount, 8.5 grams total
gross weight, size 6-1/2; insurance replacement value
eternity style with 15 round brilliant
diamonds, estimated diamond
weight .50 ct., color G-I, clarity SI,
15 square-cut sapphires, estimated
sapphire weight .50 cts., gross
weight 3.2 grams, size 6-1/2, good
condition
Provenance: Estate of Mary Whiting
Ewing, Chapel Hill, North Carolina
Provenance: Estate of Mary Whiting Ewing, Chapel Hill,
North Carolina
Estimate: $3,500 - $7,000
Estimate: $2,000 - $4,000
Estimate: $400 - $800
March 10, 2012 • 143
663
Vintage Platinum, Diamond Brooch
59 Old European diamonds, total estimated
weight 2.23 cts., color H-I, clarity VS-2 to SI2, platinum setting and gold pin, total gross
weight 8 grams, 1-3/4 x 3/4 in.; insurance
replacement value $7,250, with appraisal,
good condition
664
Estimate: $1,500 - $3,000
5.27 ct. Diamond Solitaire Ring
cut-cornered, rectangular step-cut diamond in a four double prong setting crown, color
D, clarity VS-2, "950" platinum mount, gross weight 6.90 grams, size 6-1/2; insurance
replacement value $482,442 with appraisal and 2011 GIA report, excellent condition
665
666
Vintage Platinum, Diamond, Pearl Bracelet
Pair Diamond Earrings
over 90 Old European, single, and brilliantcut diamonds, total estimated weight 5.0
cts., color H, clarity SI-1, nine 3.9 mm.
round cultured pearls, 255 freshwater
cultured pearls, platinum setting, total
gross weight 48 grams, 6-1/2 in.; insurance
good condition
clip style with total of 20 round brilliant and
single-cut diamonds, color H-I, clarity VS-2
to SI-1, total estimated combined diamond
weight 2.40 to 2.50 cts., set in 14 kt. white
gold mount, total gross weight 9.7 grams, 1
in.; insurance replacement value $6,138, with
Estimate: $2,500 - $5,000
Estimate: $1,200 - $2,400
667
Diamond, Pearl, Platinum, Gold Necklace
one 7.5 mm. cultured pearl surrounded by
round brilliant and marquise diamonds,
3.25 to 4.0 cts. estimated combined
diamond weight, color G, clarity VS-2 to SI1, platinum central plaque (converted from
a bracelet) suspended from two lengths of
14 kt. yellow gold double rope chain, 22.1
total gross weight, 15-1/4 in.; insurance
figure-eight safety broken
Estimate: $2,200 - $3,200
144 • March 10, 2012
670
Platinum, Diamond, Onyx Brooch
668
669
Emerald, Diamond Pendant
Vintage Pearl, Diamond Earrings
ten round faceted emeralds,
estimated combined emerald weight
2.25 cts., seven round brilliant
diamonds, estimated combined
diamond weight 2.63 cts., color
G-H, clarity VS, set in white metal
mount, approximately 14 kt. white
gold (tested); insurance replacement
value $4,910, with appraisal, good
condition
each with three oval cabochon genuine
emeralds, combined emerald weight 2.25
cts., each with six cultured pearls accented
with two prong-set round brilliant diamonds,
combined diamond weight .12 cts., color
G-I, clarity SI, 14 kt. yellow gold mounts
with French screw-back closures, 1-1/8 x
3/4 in., total gross weight 7 grams; insurance
good condition
Estimate: $1,000 - $2,000
Estimate: $500 - $1,000
vintage platinum pin with 23 round full-cut
diamonds, estimated combined diamond
weight 1.15 to 1.25 ct., color G-H, clarity VS,
accented with black onyx, jointed gold pin stem/
clasp assembly, gross weight 7.9 grams, 2-1/2
in.; insurance replacement value $4,590, with
Provenance: Estate of Mary Whiting Ewing, Chapel
Hill, North Carolina
Estimate: $1,000 - $2,000
671
672
673
Cultured Pearl Necklace
Two Pearl Necklaces
Two Pearl and Gold Rings
73 graduated near-round
cream-rose pearls, 6.5 to 10.0
mm., 14 kt. white gold clasp
with pearl accent, 24 in.;
$5,010, with appraisal, some
wear
one triple strand white and silvery gray cultured pearls with 14 kt.
gold clasp, pearls with good luster and complexion, 16-1/2 in.; one
graduated double strand with platinum and white gold clasp set with
seven Old European cut diamonds, estimated combined diamond
weight .5 ct., color G-I, clarity SI, pearls off-round from 3.2 mm. to
7.85 mm., good luster and complexion, 15 in., good condition
one 14 kt. rose gold set with five
fine quality 5 mm. cultured pearls,
marked “585”, “FINLAND”, gross
weight 5.7 grams, size 6-1/4; one
14 kt. white gold set with seven
cultured pearls (size 7 to 6.3 mm.)
and 12 single-cut diamonds,
estimated combined diamond
weight .33 ct., gross weight 7.9
grams, size 6-1/4, both in good
condition
Provenance: Private
Collection, Burnsville, North
Carolina
Estimate: $1,000 - $2,000
Provenance: Estate of Mary Whiting Ewing, Chapel Hill, North
Carolina
Estimate: $400 - $800
Hendersonville, North Carolina
Estimate: $400 - $800
March 10, 2012 • 145
674
675
Vintage Sapphire, Diamond Brooch
Vintage Platinum, Diamond Bar Pin
four marquise faceted synthetic blue
sapphires with five marquise brilliant-cut,
ten round full-cut and 46 Old Europeancut diamonds, 3.4 cts. total estimated
diamond weight, color F-H, clarity VS,
hand-made pierced millegrain platinum
mount (tested) with yellow gold pin
stem, 11.8 grams total gross weight, 3
in.; insurance replacement value $7,259,
with appraisal, good condition
nine round brilliant diamonds, ten Old
European-cut diamonds, estimated
combined diamond weight 1.0 ct.,
platinum mount with yellow gold pin
stem, 2-1/2 in., gross total weight 7.7
grams; insurance replacement value
North Carolina
Estimate: $800 - $1,600
Estimate: $1,500 - $3,000
676
“Love Knot” Diamond and Gold Ring
hand made 14 kt. white gold in a wrapped-wire
design centering a round brilliant diamond, .73 ct.,
color H-I, clarity SI1-SI2, accented with 13 round
brilliant diamonds, estimated combined weight of
melee 1.0 ct., color G-I, clarity VS-SI, total gross
weight 10 grams, size 4-1/2; insurance replacement
value $7,045, with appraisal, good condition
Estimate: $1,000 - $2,000
677
678
Vintage Garnet Jewelry Suite
necklace, brooch, earrings, bracelet, Bohemian pyrope
garnet on base metal, estimated combined garnet
weight excluding bracelet 28 to 30 cts., 2-3/4 x 2 in.
brooch accented with seed pearls, 14 in. necklace, 3/4
in. earrings with French screw-back closures, 7-1/2 in.
bracelet, (five pieces), good condition
Provenance: Estate of Mary Whiting Ewing, Chapel Hill,
North Carolina
Estimate: $500 - $1,000
Platinum, Diamond, Sapphire Bracelet
vintage platinum bracelet set with 108 Old
European, single-cut and brilliant-cut diamonds, total
estimated diamond weight 2.75 cts., color G, clarity
VS-2, SI-1, three round (.90 cts.) and 12 square
step-cut (.36 cts.) synthetic sapphires, total gross
weight 25.6 grams (including extra links), 6-1/4 in.;
insurance replacement value $9,607, with appraisal,
good condition
Provenance: Estate of Mary Whiting Ewing, Chapel
Hill, North Carolina
Estimate: $2,000 - $4,000
146 • March 10, 2012
679
Diamond, Gold Necklace
14 kt. yellow gold, flat-woven with chevron
point at front, accented with seven prongset round brilliant diamonds, estimated
combined diamond weight 0.5 cts., color
F-G, clarity VS, total gross weight 51 grams,
17 in.; insurance replacement value $5,871,
with appraisal, good condition
680
681
Two Gold and Diamond Spinner Rings
Two Gold and Diamond Rings
both yellow gold with triple circle spinners
marked “14K Mayor’s, 1975”: one with
single .05 ct. diamond, color F-H, clarity
VS, gross weight 6.90 grams, size 6-1/4;
one with 13 round brilliant diamonds,
estimated combined diamond weight .3
ct., color F-H, clarity VS, gross weight 6.2
grams, size 6-1/4, both in good condition
one with floral motif, prong set with two
brilliant diamonds, .30 ct. estimated
combined diamond weight, color I-J, clarity
SI-1, in 14 kt. gold mount, gross weight 6.8
grams, size 5-1/2; one with dome of flowers
en tremblant, set with 17 round brilliant
diamonds, estimated combined diamond
weight .86 ct., color H-J, clarity SI, gross
weight 11.4 grams, size 8, good condition
Estimate: $400 - $800
Estimate: $500 - $1,000
Estimate: $1,000 - $2,000
682
683
684
685
Diamond and Pearl Pin
18 Kt. Gold, Amethyst,
Diamond Brooch
Vintage Bar Pin, Ring
Zenith Gold Pocket Watch
14 kt. white gold ring with rose gold
collet securing fancy-cut genuine
amethyst, 1.8 cts., accented with
24 single-cut diamonds, estimated
combined diamond weight .15 ct.,
color H-J, clarity VS-SI, 4.1 grams,
size 5-1/4; platinum, gold and ruby
bar pin, set with 20 rubies and 11
single-cut diamonds, combined
diamond weight .25 ct., 5.6 grams,
2-1/4 in., (two pieces), good
condition
14 kt. gold case, 73.2
grams total gross weight,
1-7/8 in. diameter, light
scratches
vintage foliage and berry motif,
“berries” are 12 good quality
cultured pearls from 2.5 mm. to 4
mm., white with silvery overtones,
“leaves” are approximately
42 round full-cut diamonds,
estimated combined diamond
weight .75 ct., color H-J, clarity
VS, 14 kt. two-tone gold mount, 2
x 1-1/4 in., gross weight 10 grams,
good condition
cabochon-cut genuine amethyst,
27.50 cts., accented with 12
round brilliant diamonds,
estimated diamond weight
.66 cts., color G-H, clarity VS,
18 kt. gold fruit motif mount,
2-1/2 x 1-1/4 in., total gross
weight 22.80 grams; insurance
replacement value $3,576, with
Whiting Ewing, Chapel Hill, North
Carolina
North Carolina
Estimate: $400 - $800
Estimate: $700 - $1,500
Estimate: $300 - $600
Provenance: Private
Collection
Estimate: $300 - $600
March 10, 2012 • 147
686
687
688
Baum and Mercier Lady’s
Watch
Lady’s Rolex Wristwatch
Gentleman’s 14 Kt. Gold Omega Wristwatch
black face with gilt baton
numerals, dial marked “Rolex/
Oyster Perpetual/Date”, two-tone
18 kt. yellow gold and stainless
band, case 1 in., length 7-1/4
in., in running order at time of
inspection, minor scratches,
14 kt. (tested) yellow gold, marked “Omega”, model number
8902375, mechanical, 15 jewels, woven mesh bracelet, gross
weight (without movement, with crystal) 83.4 grams, 8 x 5/8 in.;
insurance replacement value $5,337, with appraisal, operating at
time of inspection
Estimate: $1,000 - $2,000
14 kt. gold case and leather
band, gold matte dial marked
“Baum & Mercier Geneva”, 7
in., light scratches, replaced
leather band with wear
Estimate: $300 - $600
Estimate: $800 - $1,500
689
Lady’s Diamond and Gold Wristwatch
Hamilton 14 kt. white gold wristwatch accented with approximately 52 round
brilliant and single-cut diamonds, estimated combined diamond weight 1.0 ct.,
color H-J, clarity VS, 22-jeweled movement, gross weight 18.6 grams,
6-1/2 in., in working order at time of examination
Provenance: Private Collection, Hendersonville, North Carolina
Estimate: $500 - $1,000
690
Lady’s Gold, Diamond Wristwatch
set with 38 round brilliant diamonds, combined diamond weight 1.75 cts.,
color F-G, clarity VS, white metal case and bracelet (tests approximately 14 kt.
gold,) European hallmarks, gross weight 30.1 grams, 6-1/4 in., good condition,
operating at time of examination
Estimate: $300 - $600
691
Gold Charm Bracelet
14 kt. gold bracelet with 14 charms (six marked 14 kt.) including a 1903 US
$2-1/2 gold coin, telephone, Zodiac charm, 31.6 grams total gross weight,
7 in., wear
Estimate: $400 - $800

Auction, Fine and Decorative Arts March 10-11

Transcription

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