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DA
Y
1
MONDAY, MARCH 24 2014
AT FILMART
www.ScreenDaily.com
Editorial +852 2582 8959
Advertising +852 2582 8958
DA
Y
1
MONDAY, MARCH 24 2014
AT FILMART
www.ScreenDaily.com
Editorial +852 2582 8959
Advertising +852 2582 8958
Desen teams with Weta
on 3D epic Zhong Kui
Jamie Marks Is Dead
Celluloid Dreams
acquires Jamie
Marks Is Dead
BY JEAN NOH
France’s Celluloid Dreams has
picked up international rights on
Sundance competitor Jamie Marks
Is Dead and is launching sales at
Filmart.
Carter Smith’s follow-up to The
Ruins is a supernatural drama
adapted from Christopher Barzak’s
novel, One For Sorrow. The film centres on Adam and Gracie (Cameron
Monaghan and Morgan Saylor)
who are haunted by deceased classmate Jamie Marks (Noah Silver).
Judy Greer and Liv Tyler co-star.
Celluloid Dreams president
Hengameh Panahi said: “All the
elements are miraculously aligned;
an amazingly singular talented
director to promote worldwide,
plus the creative and dedicated
producers Alex Orlovsky and
Hunter Gray of Verisimilitude.”
Other producers include Jacob
Jaffke, Omri Bezalel and Carter
Smith at Verisimilitude Productions, which made the feature in
association with Mountaintop Productions, Kings County Productions
and KGB Media. UTA Independent
Film Group negotiated the deal on
behalf of the film-makers.
BY LIZ SHACKLETON
China’s Desen International Media
has brought on board top VFX
houses including Peter Jackson’s
Weta Workshop for $27m 3D fantasy adventure Zhong Kui: Snow
Girl And The Dark Crystal.
Acclaimed Hong Kong DoP
Peter Pau is serving as producer,
DoP and VFX director on the film,
which is currently shooting in
China with Chen Kun, Li Bingbing,
Winston Chao, Jike Junyi and Bao
Beier heading the cast. Desen’s Ann
An is executive producing.
“This will be a unique, orientalstyle visual feast that will raise the
bar in terms of storytelling, performances, photography and VFX,”
said Pau, who is working with 3D
stereographer Vincent E Toto
(Dredd).
Zhao Tianyu (The Law Of Attraction) is directing, while Guo Junli
(Gone With The Bullets) headed the
screenplay team. The story is based
on Tang Dynasty hero Zhong Kui,
who struggles between his desire
to bring justice to mankind and his
love for a seductive demoness.
Pang, Mining to develop Polaroid
BY LIZ SHACKLETON
US-based Story Mining & Supply
Co (SMS) is teaming with Pang Ho
Cheung and Subi Liang’s Making
Film Productions to develop and
produce an adaptation of Zhang
Youyou’s memoir Polaroid Stories,
to be directed by Pang.
Zhang’s forthcoming book follows a young woman who deals
with her insecurities surrounding
sex and relationships by taking a
job assisting a famous photographer, who is capturing intimate pictures of couples on Polaroid film.
Universe unveils Chan duo
Universe Films Distribution is
unveiling four new projects at
Filmart, including a $12m action
film from Benny Chan, and Adrian
Kwan’s drama Little Big Master,
which Chan will produce.
Based on a true story, Little Big
Master follows an enthusiastic
headmaster who runs a kindergarten
regardless of low pay. It is scheduled
to start shooting in May.
Chan’s new project as director is
described as a “Midnight Run-style
Li Bingbing
Weta Workshop is providing
character and scenery design for
the film, while its sister company
Park Road Post works on compositing. The film is one of the first
Chinese films to use full performance capture, which will be handled by leading Korean VFX house
Macrograph (Journey To The West:
Conquering The Demons).
Other behind-the-scenes talent
includes action choreographer
Jacky Yeung, production designer
Kenneth Mak, costume designer
Shirley Chan and editor David Wu.
The producers are in talks with
studios for international distribution of the project, which is scheduled for release on February 19,
2015.
action comedy” set in Hong Kong
and mainland China. He expects to
start shooting the as-yet-untitled
project after production has
wrapped on Little Big Master, for
delivery in 2015.
Universe is also selling Herman
Yau’s $9m action film Time To
Explode (working title) and James
Yuen’s $5m romantic comedy Paris
Holiday, starring Louis Koo and
Fiona Sit.
Liz Shackleton
Pang Ho Cheung
Pang and Liang brought the project to SMS and will produce with
SMS’s Jeffrey Sharp and Evan
Hayes. SMS’s director of Asia, Jane
Yu, will executive produce. The team
plans to develop the project with a
US screenwriter for translation into
Chinese. Village Roadshow Pictures
Asia is in talks to join the project as
co-producer and financier under its
strategic alliance with SMS.
Making Film Productions also
produced Pang’s Aberdeen, one of
HKIFF’s two opening films.
SMS was established by producers Sharp (Boys Don’t Cry) and Jim
Kohlberg (The Music Never
Stopped) last year to produce films
and TV based on content sourced
from authors and their publishers.
Huayi introduces Women Who Flirt
BY LIZ SHACKLETON
Beijing-based Huayi Brothers is
launching sales on Pang Ho
Cheung’s Women Who Flirt and
Mabel Cheung and Alex Law’s
$12m historical drama A Tale Of
Three Cities at Filmart.
Starring Huang Xiaoming
(American Dreams In China) and
Zhou Xun (Cloud Atlas), romantic
comedy Women Who Flirt is currently in post-production for a tentative July release.
Pang and Subi Liang produced
the $7m film.
Currently in production with
Nansun Shi producing, A Tale Of
Three Cities stars Tang Wei and
Sean Lau Ching-wan in a story that
is loosely based on the experiences
of Jackie Chan’s parents in China in
the turbulent 1930s.
Huayi’s slate also includes Peng
Sanyuan’s $10m drama Strays,
starring Andy Lau and Jing Boran,
and Gu Changwei’s $7m romantic
drama Love On The Cloud, starring
Angelababy and Chen He, about
love in the age of smartphone technology and social apps.
TODAY
Hot titles: Korea, page 16
NEWS
Pan-Asia Academy expands
Hong Kong, Busan and Toyko outline
Academy plans
» Page 4
REVIEWS
The Midnight After
Fruit Chan’s opening night film
proves a quirky apocalyptic horror
» Page 10
FEATURE
Hot titles
Screen profiles Korean cinema
highlights
» Page 16
SCREENINGS
» Page 19
M-line brings
Innocent Thing
BY JEAN NOH
Korea’s M-line Distribution is
launching sales at Filmart on Kim
Tae-kyun’s upcoming suspense
melodrama Innocent Thing. Starring Jang Hyuk (The Flu) and Cho
Bo-ah in a dangerous teacher-student relationship, the film is set to
open in Korea on April 10.
The company is also selling Song
For Youth (working title), an omnibus of school drama shorts starring
K-pop idols. In post-production, the
film features Lee Dong-hae from
Super Junior, Nam Ji-hyeon from
4Minute and Song Seung-hyun
from FT Island. M-Line is also selling Mostofa S Farooki’s Ant Story.
9ers digs Grave
Mourning
Korea’s 9ers Entertainment is
launching sales on mystery horror
film Grave Mourning (working title),
produced by JupiterFilm (The Face
Reader) and backed by new
distribution company Little Big
Pictures. Directed by Oh In-chun,
Grave Mourning features Kang
Ha-neul (TV’s The Heirs), Kim
So-eun (TV’s Boys Over Flowers) and
Kim Jung-tae (Miracle In Cell No.7).
Currently in production, the film
follows a psychic boy as he unravels
a gruesome mystery about his
classmates’ disappearance.
9ers is also launching sales on
the human-rights drama Apostle,
directed by Kim Jin-moo.
Jean Noh
NEWS
Emperor
gets Two
Thumbs Up
Hong Kong-based Emperor
Motion Pictures (EMP) is
launching sales on Soi Cheangproduced comedy drama Two
Thumbs Up at Filmart
Currently in post-production,
the film tells the story of aspiring
gangsters who impersonate
policemen in order to commit a
robbery, but end up working with
the police to catch a gang of
more dangerous criminals.
The film’s strong ensemble
cast includes Francis Ng, Simon
Yam, Leo Ku, Patrick Tam, Mark
Cheng and Christie Chen.
The film marks the directorial
debut of well-known scriptwriter
Lau Ho Leung, whose credits
include EMP’s The Great
Magician and Triple Tap. He was
also a co-writer on Painted Skin
and EMP’s upcoming Kung-fu
Jungle, starring Donnie Yen. Soi
Cheang recently directed
Chinese New Year smash hit The
Monkey King.
EMP has also added two
romantic dramas — Chen
Sicheng’s Beijing Love Story and
Snow Zou’s With Or Without — to
its Filmart slate. Starring
Nicholas Tse and Gao Yuanyuan,
With Or Without was filmed in
Beijing and New York. Beijing Love
Story, starring Tony Leung Ka-fai
and Carina Lau, was recently a
big hit on the mainland.
Liz Shackleton
HKIFF, Busan and Tokyo
to expand Academy
Finecut takes
off with Night
Flight sales
By Jean Noh
By Jean Noh
The Asian Film Awards Academy
(AFAA) celebrated its inauguration last night with Moet-AFA
Special Award Rising Star of Asia
winners Chiaki Kuriyama and
Kim Nam-gil.
AFAA is a joint initiative of the
Hong Kong, Busan and Tokyo film
festivals.
“This is a unique and historic
collaboration between three major
film festivals in Asia. AFA is now
becoming a truly pan-Asian event,
which is the whole point of the
exercise,” said Roger Garcia, executive director of Hong Kong International Film Festival Society
(HKIFFS).
Garcia added that they were
Roger Garcia
looking into moving the awards
ceremony to different cities in
coming editions.
“AFAA is also a professional
academy drawn from the film
industry with a baseline of anyone
who has been nominated to the
AFAs being eligible for membership. We’re planning to undertake
events such as masterclasses and
possible mentorships for young
film-makers, and thinking about
having a relationship with AMPAS
and BAFTA. Different countries in
Asia such as Japan or Korea have
their own academies, but the
strength of the thing comes when
it’s a combination,” he said.
AFAA executive committee’s
Wilfred Wong Ying-wai, chairman
of HKIFFS, director of Busan
Film Festival Lee Yong-kwan, and
director general of Tokyo International Film Festival and TIFFCOM
Yasushi Shiina were on hand to
celebrate the collaboration.
HAF film-makers get Greenlight
By Liz Shackleton
The inaugural Operation Greenlight pitching event for young
film-makers will be held during
this year’s Hong Kong — Asia
Film Financing Forum (HAF).
Six film-makers have been
invited from the Hong Kong Film
Development Council (FDC)’s
First Feature Film Initiative to present their projects to sales agents,
distributors, producers and investors on March 25 during HAF.
Each film-maker will be guided
by a mentor from the local film
industry.
FDC’s First Feature Film Initiative funds projects from promising new talents across two
groups: students and professionals. The six directors selected for
Operation Greenlight are from the
professionals group and comprise: Chan Tai-lee with black
comedy Blossom Afresh (mentor
John Chong); Lee Cheuk-pan’s
drama Crabby Kitty’s 3rd World
Adventure (Flora Goh); Nicky
Cheuk’s family drama Don’t Look
Back In Anger (Derek Tsang);
Brian Hung’s drama Mali Mali
Hung (Teddy Robin); Vincent Ho
and Cotin Law’s romantic comedy
Once Upon A Wonderland (Eddie
Chan) and Sharon Lam’s horror
When I Come To Me (Winnie
Tsang).
Operation Greenlight is jointly
organised by Create Hong Kong,
FDC and Hong Kong International Film Festival Society
(HKIFFS).
Korean sales agent Finecut has
announced a raft of deals at
Filmart, led by Lee Su-jin’s awardwinning Han Gong-ju and Berlinale queer film Night Flight.
Rotterdam Tiger Award winner
Han Gong-ju sold to France (Dissidenz), UK and Ireland (Third
Window Films) and Spain (Mediatres).
LeeSong Hee-il’s Night Flight
sold to Hong Kong and Macau
(Sun Entertainment) and Taiwan
(Joint Entertainment).
Box-office hit The Attorney sold
to Hong Kong and Southeast Asia
(Edko Films) and Taiwan (Joint
Entertainment), while thriller
Hide And Seek sold to Germany
and Austria (Edel Germany).
Yeon Sang-ho’s animated feature The Fake, recent winner of the
Oporto best screenplay award,
sold to Spain (Mediatres).
Upcoming thriller Haemoo (aka
Sea Fog), executive produced by
Bong Joon-ho, pre-sold to Taiwan
(Filmware International).
Lee Ju-hyoung’s Tokyo Audience Award winner Red Family,
produced by Kim Ki-duk, sold to
Southeast Asia (Astro). Kim’s
Moebius also sold to Sweden and
Finland (Njutra Films).
Noh Young-seok’s thriller
Intruders sold to Malaysia and
Brunei (Hwa Yea Multimedia).
Spy film Iris: New Generation
sold to Japan (Nettai Museum).
EFP breaks
Filmart record
Mei Ah Entertainment unveils
Unforgotten, On Fallen Wings
By Jean Noh
By Liz Shackleton
Hong Kong’s Mei Ah Entertainment is producing new projects
from Soi Cheang, director of Chinese New Year hit The Monkey
King, and veteran film-maker
Joe Ma.
Soi is directing futuristic thriller
Unforgotten (working title) about
two police officers working in the
Memory Investigation Department (MID) who read victims’
memories to reveal details of the
suspects. The $12m film is in preproduction.
Meanwhile, Ma’s On Fallen
Wings is a 3D fantasy thriller set
on a campus where a student is
investigating the disappearance of
his girlfriend. The $8m project is
also in pre-production.
Mei Ah is also selling Jonathan
Li’s $2m crime drama Black And
White (working title), also in preproduction, and Shi Chang’s
$2.5m comedy mystery Live@Love
(working title), which is currently
shooting.
Produced by Yuan Fang Film
Production, Live@Love stars Yang
Chin-hua and Liu Yi-hao in the
story of a female private detective
who shocks her partner by using
fortune-telling techniques to
solve cases.
Black And White, produced by
Local Films Production, stars
actor-director Juno Mak (who
directed last year’s horror hit,
Rigor Mortis) and Babyjohn Choi
(The Way We Danced) in the story
of two undercover cops, one of
whom is a turncoat while the
other has lost his memory.
n 4 Screen International at Filmart March 24, 2014
The Huntresses packs a punch
Showbox’s martial-arts comedy The Huntresses is making its
international premiere at Filmart today (see market screenings, page
22). A trio of sexy bounty hunters — Ha Ji-won (Haeundae), Gang Ye-won
(Quick), K-pop group Brown Eyed Girls member Ga-In (Closer To
Heaven) — run into an old enemy in the action film.
Jean Noh
European Film Promotion (EFP)
through Film Sales Support (FSS)
is supporting a record-breaking
number of 32 sales agents at
Filmart, representing 42 European films from 15 different countries. It marks an increase of 11
companies and 12 more films
compared to 2013.
“Apart from a steady group of
French companies who are regulars to the market and to FSS,
newcomers such as Media Move
from Poland are alert to recognise
the importance of one of Asia’s
most important trade events.
“The beauty of the European
Pavilion is its one-stop shop
opportunity where buyers from
Asia can pick up films from across
Europe,” said Susanne Davis, FSS
project director.
Drama
(in post-production)
Louis Koo
Gigi Leung
Eric Tsang
Miriam Yeung
Ng Man-tat
Carrie Ng
Directed by Pang Ho-cheung
ZOMBIE FIGHT
Thriller
C L U B (inZombie
post-production)
Andy On
Jessica C.
Philip Ng
Directed by Joe Chien
SUN ENTERTAINMENT CULTURE LIMITED
ABERDEEN
Room 404 - 409,
Honour Industrial Centre,
6 Sun Yip Street,
Chai Wan, Hong Kong
T +852 2247 9388
SPL II
Tony Jaa
Wu Jing
Get Outta Here
Action
Vampire Thriller
(in pre-production)
(in post-production)
Simon Yam
Max Zhang
Directed by Cheang Pou Soi
F +852 3003 6474
movie@suneg.com
www.suneg.com
Alex Lam
J.Arie
Directed by Nick Leung
Booth 1D-C01
HKTDC RAYMOND YIP
Welcome
On behalf of the Hong Kong Trade Development Council (HKTDC), welcome to the
Hong Kong International Film & TV Market (FILMART), Asia’s largest entertainment
market and one of the world’s most important entertainment industry events. This
18th edition features more than 770 exhibitors from 32 countries and regions. That’s
a new FILMART exhibitor record.
More than 6,500 buyers from about 50 countries and regions are expected to take
part in the four-day event, 24-27 March.
More than 30 group pavilions are participating, including new pavilions from Russia, as well as the Chinese
mainland’s Guangdong, Shandong and Sichuan provinces.
FILMART highlights include TV World. The eighth edition presents more than 360 exhibitors from around the
world. The theme of TV World’s International Forum, ‘New Era of Asian Reality Shows’, focuses on the wave
of reality TV shows sweeping Asia, with expert speakers from the broadcast industry examining the essential
elements for creating successful reality shows. This year’s FILMART conferences range from the power of online
media to a spotlight on digital entertainment and a look at the Asian film industry’s next generation.
Other highlights include Locations World, promoting location shooting and related services in a variety of
countries, including Cambodia, Korea, Malta and South Africa. The Business of IP Zone is also returning,
with lawyers, auditors and other specialists providing intellectual property trading and advice on management
services.
More than 70 special events, from film premieres and cocktail receptions to award presentations and other
networking events, will take place during FILMART.
FILMART is part of Entertainment Expo Hong Kong. Celebrating its 10th anniversary this year, Asia’s
leading entertainment industry gathering presents nine multimedia events showcasing film, television, digital
entertainment and music.
I wish you all the best of business at FILMART 2014.
Raymond Yip
Assistant Executive Director
Hong Kong Trade Development Council
■ 6 Screen International at Filmart March 24, 2014
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CMY
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Directed by
David Lam
Louis Koo Gordon Lam Dada Chan Michael Wong
C
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Produced by
John Chong
International Sales: Ms. Alvina Wong: alvina.wong@pegasusmovie.com (+852-9227 9999)
Ms. Kat Yeung: kathy.yeung@pegasusmovie.com (+852-9387 9237)
1E-C01
Booth Location
REVIEWS
HAF profiles, page 14
Reviews edited by Mark Adams mark.adams@screendaily.com
Blind Massage
HKIFF In brief
R100
Dir/scr: Hitoshi Matsumoto. Jap. 2013.
100mins. I See It My Way
Cult Japanese film-maker Hitoshi Matsumoto
delivers another delightfully oddball film with
the subtly titled R100, which follows the travails of a genial Japanese family man whose
liking for S&M sees him pursued by an
increasingly strange band of leather-clad
dominatrixes. Matsumoto pushed boundaries
with his challenging and impressive earlier
films — such as Big Man Japan and Symbol —
and here presents his variation on the sex
comedy… not that there is any sex on show.
The film is a strange and often very funny
offering, never quite as it seems, from a director in control of his subject matter. Matsumoto
can always be relied on to deliver something
rare, challenging, entertaining and bizarre.
Mark Adams
CONTACT FREE STONE PRODUCTIONS
www.stonefreeproductions.com
Journey To The West
Dir: Tsai Ming-liang. Fr-Tai. 2014. 56mins.
Asian Premiere — Master Class
The question “How slow can you go?” is
answered with sublime poise (quite literally)
by actor Lee Kang-sheng in Tsai Mingliang’s extraordinary Journey To The West (Xi
You), a film that may well be the last word in
‘Slow Cinema’. A follow-up to the Taiwanese
director’s 2012 short Walker — which originally formed part of the portmanteau film
Beautiful 2012 — Journey takes the same
premise, a Buddhist monk walking at something slower than tortoise pace, relocates it to
Marseille and introduces the always fascinating wild card of Denis Lavant. The words
‘hypnotic’ and ‘mesmerising’ are overused
with regard to such abstract cinema, but the
words genuinely apply in this remarkable
venture that is more like a performance or
installation art project than an ‘art film’.
Jonathan Romney
CONTACT URBAN DISTRIBUTION
www.urbandistribution.com
Tamako In Moritorium
Dir: Nobuhiro Yamashita. Jap. 2013. 78mins.
I See It My Way
A gently quirky film that recalls the oddball
charm of his 2005 film Linda, Linda, Linda,
Nobuhiro Yamashita’s engaging and sweetly
beguiling Tamako In Moratorium is a laidback pleasure, revelling in its modest dramatic
movements and driven by an almost expressionless — but engaging — lead performance
by young Maeda Atsuko as genial slacker
Tamako. She is a delight as a 23 year old
floundering around, looking for direction but
also content with her father’s love and attention. Her subtle eye movements or changes in
posture tell as much about her character as
lines of script or exaggerated gestures, with
the film ultimately an understated gem.
Mark Adams
CONTACT BITTERS END INC
info@bitters.co.jp
n 10 Screen International at Filmart March 24, 2014
Reviewed by Fionnuala Halligan
Tui Na, the Chinese title of Blind Massage, is a form
of therapy often practised in China’s medical massage centres for the blind. There are more than
50,000 licensed blind masseurs in China, and Bi
Feiyu’s bestselling novel, which Ma Yingli has
adapted for the big screen, focuses on the lives and
loves of the practitioners in one such Nanjing centre. It is not difficult to figure out why Lou Ye (Mystery, Suzhou River) was attracted technically to this
project, and his rich use of light and darkness
helps create a strong visual ebb and flow, from jarring moments of high melodrama to the more gentle, blurred edges of love.
With the book well-known in China, coupled
with some bravura performances from his actors,
Blind Massage stands to perform well in the local
marketplace. International reaction may be more
divided, however, with some likely to want a more
coherent piece. While on the one hand, Lou abandons restraint to push the envelope visually in an
exciting — if occasionally confusing — way, Blind
Massage also has a tendency to trip over into high
melodrama. With so many of the ensemble cast
given a bloody resolution to their stories, Lou’s
screenplay can often seem careless, throwing away
the credibility he has worked so hard to earn.
Blind Massage fields an ensemble cast including
some sighted actors, notably Lou Ye’s regular collaborators Guo Xiaodong and Qin Hao. Spring
The Midnight After
Reviewed by Flossie Topping
The Midnight After is a quirky apocalyptic horror
from Hong Kong indie director Fruit Chan. Adapting the web-series turned bestselling novel Lost On
A Red Mini Bus To Tai Po by a writer who goes by
the pen name Pizza, the film follows 17 Hong
Kongers as they travel by nightbus to Tai Po, a market town on the outskirts of the city.
Things become mysterious when the bus passes
through a tunnel, and emerges into a completely
deserted street. The group soon starts to question
whether they may be the last 17 people alive.
Set against a backdrop of neon lights and whizzing traffic, Chan and cinematographer Lam Wahtsuen capture the bustling city in all its glory.
However, it is the diverse characters that make the
film so engaging, with a potbellied gambler (Lam
Suet), a cokehead (Sam Lee) and a psychic insurance saleswoman (Kara Hui) brought together to
discuss their fate in an abandoned Michelinstarred restaurant.
Black comedy comes in bursts when the characters start to be killed off in odd circumstances,
some contracting the plague and others simply
turning to stone and crumbling into dust. Odder
still, the group find the only clue they have been
given by their mysterious enemy is the lyrics to
David Bowie’s song Space Oddity, sent to them in
Morse code on their phones.
ASIAN PREMIERE —
MASTER CLASS
Chi-Ger. 2013. 114mins
Director Lou Ye
Production companies
Shaanxi Culture Industry,
Dream Factory
International sales Wild
Bunch, www.wildbunch.biz
Producers Wang Yong, Nai
An, Li Ling
Executive producers Lou
Ye, Nai An, Kristina Larsen
Screenplay Ma Yingli,
from the novel by Bi Feiyu
Cinematography Zeng
Jian
Editors Kong Jinlei, Zhu Lin
Production designer
Du Ailin
Music Johann Johannsson
Main cast Guo Xiaodong,
Qin Hao, Zhang Lei, Mei
Ting, Huang Xuan, Huang
Lu, Jiang Dan
Fever’s Huang Xuan and Huang Lu play the angry
young blind boy Xiao Ma, who kicks off the film
with a botched suicide attempt, and his prostitute
lover, Mann. Mei Ting is Du Hong, the centre’s
beautiful masseuse. They share scenes with blind
actors including Zhang Lei, who has a natural ease.
Guo and Qin play old college friends who are reunited at the centre. Dr Wang (Guo) has arrived in
Nanjing with his partially sighted fiancée Kong, but
their relationship is troubled — her parents will
never accept a blind man as her husband, while his
brother and parents are in trouble with loan sharks.
Dr Sha (Qin), a hopeless romantic, falls for Du
Hong, who is attracted to Xiao Ma in a slightly soapy
scenario. All stories will come to a violent resolution,
though, as Lou’s camera drifts in and out of focus.
“The blind are in the light, while the sighted hide in
the shadows,” concludes the screenplay, and it is a
poignant observation. Lou illuminates and shades
their existence in all their heightened emotions.
ASIAN PREMIERE —
Opening night
HK-Chi. 2014. 124mins
Director Fruit Chan
Production companies
The Midnight After Film
Production, One Ninety
Films Co
International sales
Fortissimo Films,
www.fortissimofilms.nl
Producer Amy Chin
Executive producers
Winnie Tsang, Fruit Chan
Screenplay Chan Faihung, Kong Ho-yan, Fruit
Chan, based on the novel
Lost On A Red Minibus To
Tai Po by Pizza
Cinematography Lam
Wah-tsuen
Editors Tin Sup Fat, ToTo
Production designer
Andrew Wong
Main cast Wong You-nam,
Janice Man, Simon Yam,
Kara Hui, Chui Tien-you,
Lam Suet, Cheuk Wan-chi,
Lee Sheung-ching, Sam
Lee, Cherry Ngan, Melodee
Mak, Jan Curious, Ronny
Yuen, Kelvin Chan
Fans of Chan will warm to his unique sense of
humour and many pop-culture references, such as
having his characters play Candy Crush or indulge
in air guitar with a mop, but for a wider audience,
the randomness of events and gratuitous violence
may leave them pining for a more fixed genre or
plot structure. The Midnight After may be best
suited to a local audience.
In his earlier films, Chan made numerous references to Hong Kong’s relationship to China and its
burgeoning ­identity. The Midnight After continues
that theme, ­delivering a distinct local flavour while
also throwing in ­commentary about Hong Kong’s
zombie-like masses, the lasting effects of the SARS
virus and the 2011 nuclear ­meltdown in Fukushima, Japan.
During the film we are told “Hong Kong doesn’t
do sci-fi”, but Chan has successfully defied genre
conventions here.
WITCH’S BROOK
Adventure, 92 min
INTERFEST
THE MAGIC
TOWER
Historical Fantasy,
77 min
MASTERFILM
STUDIO
TWO WOMEN
Melodrama,
100 min
PRODUCTION
CENTER
HOROSHO
PRODUCTION/
REZO
DISTRIBUTION
METRO
Disaster movie,
126 min
PLANETA
INFORM
GROUP OF
COMPANIES
HAF Profiles
A Nail Clipper Romance
Dance Of Death
Hip Hop Kabul
Dir Jason Kwan
Dir Hitoshi Kitagawa
Dir Fazila Amiri
Project’s country of origin Hong Kong
Project’s country of origin Japan
Project’s country of origin Afghanistan
Hong Kong DoP Jason Kwan is set to make his directorial debut on A Nail Clipper Romance, starring ChineseCanadian actor Shawn Dou.
The story is based on The Nail Clipper Monster, the
pioneering microfilm produced by maverick film-maker
Pang Ho Cheung’s Making Film Productions in collaboration with Samsung and Sina, which achieved more
than 400 million hits within two months of its online
launch in 2010.
Unlike its inspiration, which is more of a serious
drama, the new project is a romantic comedy with a
light-hearted plot. Dou, who made his acting debut in
Zhang Yimou’s 2010 Under The Hawthorn Tree, plays a
womanising young man from Honolulu’s Chinatown
whose life is turned upside down after falling for a mysterious woman with an unusual appetite, who wants to
open a restaurant that serves nail clippers.
Filming will take place in Hawaii. “A Chinese story is
not necessarily set in a Chinese region. Hawaii has a
4.7% Chinese-speaking population but hardly any Chinese films have been set there. I believe this will be a
refreshing experience for our audience,” said Kwan.
The screenplay is by Luk Yee Sum, whose writing
credits include Pang’s box-office hits Love In The Buff
and Vulgaria. Both were shot by Kwan and produced by
Pang and his partner Subi Liang. The pair serve as producers of the new project.
Kwan has built up a large portfolio, from music videos
and TV commercials to films, over the past two decades.
His other recent work as DoP includes Cold War, As The
Light Goes Out and Pang’s Aberdeen, which opens this
year’s Hong Kong International Film Festival.
WY Wong
Japanese director Hitoshi Kitagawa is in pre-production
with his HAF project Dance Of Death. The story follows a
man who, 30 years after murdering his love rival, brings
his wife and daughter to the village Bon festival, declaring that he will dance unto death to atone for the crime.
“I was born as the son of a Buddhist priest and have
been constantly aware of death since childhood. At some
point in my life, I became obsessed with the idea that the
most beautiful way to die is to prove your love by death,”
says Kitagawa.
The director’s previous films include Damn Life,
which won the Grand Prize at Pia Film Festival and was
in Busan’s New Currents competition as well as Tokyo’s
Japanese Eyes section. His short, A Fallen Apple, played
in Cannes.
Kitagawa says Dance Of Death will be in line with his
previous films in the sense that “something beyond good
and evil, and human sinful nature, will be portrayed”.
But this time he will also depict love through the body of
a man dancing, which is both physically and visually
captivating.
He adds that the film could be shot anywhere in the
world. “I think it would be best if something typical of
the region, such as historical landscape, local culture and
residents’ faces, add atmosphere to the film,” he says.
Producer Akiko Yukawa, whose credits include Suite
Dreams and A Fallen Apple, says they are looking for an
appropriately charismatic dancer/actor, who is tough in
body and spirit, and they are “not limited to Japan”.
Production company and music ltd publishes music
and produces films and videos such as Kazuhiko Ogura’s
Tokyo Komaotoshi.
Jean Noh
Hip Hop Kabul is a documentary feature that tells of the
struggles and dreams of Afghanistan’s first female rapper, Paradise Sorouri. Over the course of two years, the
film follows her courageous, emotional and thoughtprovoking musical journey in the patriarchal society of
Afghanistan.
“We have been documenting her live performances at
major international concerts. Through this film I aim to
promote her as a female role model challenging the traditional role of Afghan women and introducing Afghan
rap as a new genre of artistic expression in Afghanistan,”
says director Fazila Amiri.
Most of the film has been shot in Kabul and other cities in Afghanistan including Jalalabad, Herat and Bamiyan. Amiri is seeking funds to complete the final 30 days
of shooting, followed by post-production.
Amiri’s short films Paaizeb and Gerreh screened at
Montreal World Film Festival 2010 and Atlantic Film
Festival 2011 respectively; Hip Hop Kabul is her first feature documentary.
Hong-Kong born producer Paul Lee is producing the
film under Kabuli Camera, a production company
founded in Afghanistan in 2013 to present contemporary
views of Afghanistan to both the national and a larger
international audience.
Lee has previously directed and produced short films
such as Thick Lips Thin Lips (1994), which won a silver
award at Hong Kong Independent Short Film and Video
Awards, and The Offering (1999), which screened at Berlin International Film Festival. He also made documentary These Shoes Weren’t Made For Walking, which
screened at Chicago International Film Festival in 1995.
Hip Hop Kabul is Kabuli Camera’s first project.
Nandita Dutta
A Nail Clipper Romance
Dance Of Death
Hip Hop Kabul
Producers Pang Ho Cheung, Subi Liang Production
company Making Film Productions Budget $4.9m
Finance raised to date $3m from Making Film
Productions Contact Subi Liang subi@making-film.
Producer Yukawa Akiko Production company and
music ltd Budget $100,000 Finance raised to date
$10,000 (from and music ltd) Contact Yukawa Akiko
Producer Paul Lee Production company Kabuli
Camera Budget $250,000 Finance raised to date
$20,000 Contact Fazila Amiri fazila.amiri@yahoo.
com
com
n 14 Screen International at Filmart March 24, 2014
yukawa@andmusic.co.jp
Screenings, page 19
The Sea
Dir Simon Chung
The Honeygiver Among
The Dogs
Project’s country of origin Hong Kong
Dir Dechen Roder
Project’s country of origin Hong Kong
I Miss You When I See You
Hong Kong director Simon Chung’s I Miss You When I
See You looks at the reconnection of two old school
friends after a long separation. Although they are now
worlds apart — one is a successful professional in Hong
Kong and the other, in Canada, suffers from depression
— their rekindled gay relationship unleashes a complex
set of emotions.
“The story can be seen as a summation of some of the
themes and preoccupations that I’ve been developing in
my work over the past 15 years,” says Chung. “For example, the two main characters are named after the leads in
my short, Stanley Beloved, and the storyline can be seen
as an attempt to probe the fate of these characters 15
years later.”
Chung started writing the script two years ago and it is
now in its fifth draft. Although it will be shot on location
in Hong Kong and Vancouver, the film has a modest
budget of $300,000, including a grant received from
Hong Kong Arts Development Council last year.
Chung is working for the first time with Jacqueline
Liu, who is producing through her new production company Playhouse. Her previous producer’s credits include
Butterfly, August Story and Plastic City.
After graduating from Toronto’s York University,
Chung has worked in various capacities in Hong Kong’s
film and TV industry. His short films have earned him
multiple international film awards, while his feature
works include Innocent, End Of Love, which premiered at
Berlin in 2009, and more recently Speechless. He is also a
founding member of independent film distributor Ying
E Chi.
WY Wong
Project’s country of origin Bhutan
The Honeygiver Among The Dogs is a mystery-drama as
well as a love story between an undercover detective,
Kinley, investigating the case of a missing Buddhist nun
in a remote village in Bhutan, and his only suspect,
Choden, a young woman labelled the village ‘demoness’
due to her solitary and seductive ways.
Kinley soon finds himself torn between suspicion and
intense attraction to Choden. He slowly realises her stories of historical dakinis (enlightened Buddhist women of
supernatural powers and wisdom) might provide the
clues needed to complete the investigation. Currently in
pre-production, the film will be shot in Bhutan’s capital
Thimpu and a small village in central Bhutan.
“The film brings to light lesser-known stories of historical women from our culture, so it’s very specific and
yet has universal themes of mystery, compassion and
finding your ‘truth’,” explains Roder, who is looking for
international funding and distribution at HAF. “Many of
the investigative tools used by the detective are not at all
scientific but based on visions, stories and intuition.”
After making several short films, The Honeygiver
Among The Dogs marks Roder’s feature debut. Her short
film Original Photocopy Of Happiness was screened at
Brussels International Independent Film Festival in 2011
and won a special jury mention at Hong Kong Independent Film & Video Awards in 2012.
Bhutan-based Dakinny Productions, founded by
Roder in 2009, is producing the film. The male lead, Kinley, will be played by Bhutanese actor Jamyang Jamtsho
Wangchuk, who played the 14-year-old Dalai Lama in
Jean-Jacques Annaud’s Seven Years In Tibet (1997).
Nandita Dutta
Dir Philip Yung
Hong Kong director Philip Yung deals with the real-life
massacre that took place on board a Chinese fishing
boat, Lu Rong Yu no. 2682, in his new project The Sea.
The story follows the 30 men who set sail from northern China on a two-year fishing voyage at the end of
2010. Their long and lonely trip was cut short when
some of the men, dissatisfied with their pay and working
conditions, turned against the ship’s captain. The mutiny
triggered a series of cold-blooded killings lasting six
months, after which only 11 of the men returned alive.
Screenwriter San Shi carefully researched the tragedy
and completed a first draft of the script. She feels she has
a connection to the crew members, who came from near
her birthplace in Shandong province.
Yung says he was shocked when he first heard the
story from her. “The storytelling will be precise yet poetic
in portraying the nightmare-like reality on board the
ship,” he says.
Xstream Pictures’ Chow Keung, who regularly collaborates with Chinese film-makers Jia Zhangke and Yu
Lik Wai, will produce the film. Since 1997, Chow has produced 28 Chinese films and documentaries with co-producers worldwide, including Jia’s Still Life, which won
the Golden Lion at Venice in 2006.
Yung is currently prepping his third feature, Port Of
Call, winner of the 2011 HAF award for a Hong Kong
project, with production scheduled to start later this year.
His previous works include Glamorous Youth, May We
Chat and documentary All Right With The World, while
his recent writing credits include Rigor Mortis and As The
Light Goes Out.
WY Wong
I Miss You When I See You
The Honeygiver Among The Dogs
The Sea
Budget Producers Jacqueline Liu Production
companies Playhouse Budget $300,000
Finance raised to date $64,000 from Hong Kong Arts
Development Council Contact Simon Chung
Producers Dechen Roder Production company
Dakinny Productions Budget $90,000 Finance raised
to date $10,000 (from Dakinny Productions)
Contact Dechen Roder dakinny@yahoo.com
Budget Producers Chow Keung Production
companies Xstream Pictures Budget $2m
Contact Philip Yung yungtszkwong@yahoo.com.hk
darshanchung@gmail.com
March 24, 2014 Screen International at Filmart 15 n
FEATURE BUZZ FILMS
10 Minutes
Dir Lee Yong-seung
Screening in the Indie Power section at Hong Kong
International Film Festival (HKIFF), Lee Yongseung’s debut feature made its world premiere last
October in Busan’s New Currents competition,
where it picked up the KNN audience award and
Fipresci prize, and went on to an international premiere in Berlin’s Forum last month. The story of a
young man getting ready to pass the tests for his
dream job as a TV producer, the film follows his
dilemma when he is offered a stable job that will
better help him support his family.
Contact Lotte Entertainment
Hot titles:
Korea
Korean cinema continues its strong run at home
and abroad. Jean Noh profiles some of the highlights
Night Flight
Dir LeeSong Hee-il
Director of films such as White Night and No Regret,
LeeSong Hee-il’s gay-themed Night Flight made its
world premiere in Berlin’s Panorama section last
month and is screening in HKIFF’s Indie Power
section. A film about isolated minorities, Night
Flight tells the story of three friends who grow apart
when they reach high school, a place of betrayal
that risks leading them to disaster. Lee Jaejoon and
Kwak Siyang make their feature debuts.
Contact Finecut
cineinfo@finecut.co.kr
One For All, All For One
r333@lotte.net
Dir Park Sa-yu, Park Don-sa
Confession aka Good Friends
Headed for the upcoming Jeonju International Film
Festival’s Korean Competition, where it will make
its international premiere, Korean-Japanese documentary One For All, All For One is co-directed by
Park Sa-yu and Park Don-sa. Despite the Japanese
government’s discriminatory policy not to support
Korean schools in the country, the rugby team of
Osaka Korean High School heads into competition
under the slogan of ‘One, Trust, Victory’.
Dir Lee Do-yun
Currently in production and set to wrap in April,
Confession (aka Good Friends) is the feature directorial debut of Lee Do-yun. Starring Ji Sung (Whatcha
Wearin’), Ju Ji-hoon (I Am The King) and Lee
Kwang-soo (The Scent) as best friends since childhood, the film follows what happens when one of
them is asked by another’s mother to stage a robbery at her illegal gambling arcade as part of an
insurance scam.
Contact Indiestory
kay@indiestory.com
Contact United Pictures
dannylee@upictures.co.kr
Thread Of Lies
The Fatal Encounter
Set for a market premiere screening at Filmart,
Thread Of Lies opened at the top of Korea’s box
office on March 13. Directed by Lee Han (Punch)
and starring Kim Hee-ae (The 101st Proposition),
Ko Ah-sung (Snowpiercer, The Host), Kim You-jung
(Commitment) and Kim Hyang-gi (A Werewolf Boy),
the film is based on the bestselling novel Elegant
Lies. After her youngest daughter’s suicide, a
mother and her elder daughter set out to solve the
mystery of her death, insinuating themselves into
the life of the girl who bullied her.
s
Contact CJ Entertainment lhj0524@cj.net ■
Dir Lee Han
Dir Lee Jae-kyoo
Directed by Lee Jae-kyoo, who is best known for his
TV series credits including Beethoven Virus and The
King 2 Hearts, The Fatal Encounter is a historical
drama of palace intrigue featuring the politically
embroiled King Jeong-jo, his dedicated servant
Gap-soo and mysterious assassins. The film stars
Hyun Bin (Late Autumn and TV series Secret
Garden), Jung Jae-young (The Plan Man, Confession Of Murder), Cho Jung-seok (The Face Reader,
Architecture 101) and Han Ji-min (The Plan Man).
Contact Lotte Entertainment
Night Flight
r333@lotte.net
For The Emperor
Dir Park Sang-jun
Currently in post-production, For The Emperor is a
crime action film directed by Park Sang-jun (Bank
Attack). The film stars Lee Min-ki (Very Ordinary
Couple) as a disgraced ex-baseball player who joins
a loan-shark ring headed by Park Sung-woong
(New World), and meets the seductive bar owner
Lee Tae-im (Days Of Wrath).
Contact United Pictures
dannylee@upictures.co.kr
One For All, All For One
10 Minutes
Thread Of Lies
Miss Granny
Miss Granny
Dir Hwang Dong-hyuk
Currently on release in Korea, Miss Granny has
clocked up more than 8.5 million admissions and is
set for a market premiere screening at Filmart. Starring Shim Eun-kyung (Masquerade, Sunny), the
comedy is directed by Hwang Dong-hyuk (Silenced,
My Father). When 70-year-old Mal-sun’s hysterical
temper lands her daughter-in-law in hospital, her
family decides to put her in a nursing home. Before
she goes, Mal-sun has her photograph taken at a
studio and is transformed into her 20-year-old self.
She changes her name and decides to join her
grandson’s band.
Contact CJ Entertainment
lhj0524@cj.net
■ 16 Screen International at Filmart March 24, 2014
Events
10:15 - 12:oo
Multiplying Your
Revenue: The Power of
Online Media
Venue Stage, Hall 1, Hong
Kong Convention and
Exhibition Centre
Moderator Michael Rosser,
Screen International
Speakers Gong Yu,
founder and CEO of
QIYI.com; Andy Green,
chief operating officer
and co-founder, Distrify;
Marc Scarpa, founder
and executive producer/
director, Simplynew;
Allen Zhu, senior vicepresident, Youku Tudou
As viewers increasingly
turn online to consume
content, this discussion will
explore how film industry
players can benefit from
these new opportunities.
Topics covered will
include film acquisition,
advertising and interaction
with audiences through
these new channels as well
as what the future might
hold in this challenging
international space.
11:00 - 12:00
The Release
Conference of
Integrated Film Project
Venue Studio, Hall 1,
Hong Kong Convention
and Exhibition Centre
11:30 - 12:15
National Base for
International
Cultural Trade Joint
Announcement Press
Conference — 2014 New
Movies
Venue Event Room,
Hall 1, Hong Kong
Convention and
Exhibition Centre
12:15 - 12:30
National Base for
International
Cultural Trade
Joint Announcement
Press Conference
— ‘Adventure of
Geocentre’
Venue Event Room,
Hall 1, Hong Kong
Convention and
Exhibition Centre
12:30 - 13:30
A&B Contract Signing
Ceremony and Press
Conference
Venue Studio, Hall 1,
Hong Kong Convention
and Exhibition Centre
13:00 - 14:00
Dream of Hainan —
‘The Three Six Lane’
Press Conference
Venue Event Room,
Hall 1, Hong Kong
Convention and
Exhibition Centre
Aberdeen: Asian press conference at 15:00
n 18 Screen International at Filmart March 24, 2014
13:30 - 14:30
‘Z Storm’ Press
Conference
Venue Stage, Hall 1, Hong
Kong Convention and
Exhibition Centre
14:30 - 16:30
Taiwan Party
Venue Studio, Hall 1,
Hong Kong Convention
and Exhibition Centre
15:00 - 17:00
‘Aberdeen’ Asian Press
Conference
Venue Event Room, Hall
1, Hong Kong Convention
and Exhibition Centre
15:30 - 17:30
2014 Media Asia
Presentation
Venue Stage, Hall 1, Hong
Kong Convention and
Exhibition Centre
16:00 - 18:00
Chinese Production:
Appealing to Global
Audiences
Venue Meeting Rooms
S226-S227, HKCEC
17:15 - 18:30
Entertainment Expo
Hong Kong — 10th
Anniversary Opening
Ceremony
Venue Convention Foyer,
Level 1, HKCEC
Screenings
» Screening times and venues
are correct at the time of going to
press but subject to alteration
Gouda, Hisako Manda,
And Hiroki Matsukata.
Uzumasa is considered the
Hollywood of Japan. It has
produced many ‘Jidaigeki’
films — period dramas
featuring sword fights.
These films wouldn’t be
what they were if it were
not for the ‘Kirareyaku’,
actors whose main job is to
be killed by the lead star,
actors who never enjoy the
limelight. Using Charlie
Chaplin’s film “Limelight”
as an underlying theme,
this is an admirable story
told with melancholy and
soul.
09:30
Three charmed lives
(Taiwan) 83mins. Drama.
HKIFF Industry
Screenings @ Filmart.
Dir: Chang Chen, Jung
Woo-sung, Francis Ng.
Key cast: Shih ChinHang, Wang Hsin-Yuan,
Andy Choi, Woo Sangjeon, Cheng Taishen,
Zhang Xinyuan.
Three of east Asia’s most
celebrated actors direct
three films about three
desperate men.
Meeting Room N101A, HKCEC
09:45
Meeting Room N209-N210,
HKCEC By invitation only
Man from Reno
(US) 111mins. Drama,
horror/suspense,
organised crime. Eleven
Arts. Dir: Dave Boyle.
Key cast: Ayako Fujitani,
Kazuki Kitamura, Pepe
Serna.
Japanese mystery author
Aki Akahori takes a trip
to San Francisco to escape
the press tour for the
latest book in her famous
‘Inspector Takabe’ series.
Feeling lonely and
vulnerable, she begins an
affair with a mysterious
traveller from Reno who
is staying in the same
hotel. Her new lover is
charismatic and charming
but disappears abruptly
from the hotel, leaving
behind his suitcase and a
trail of questions.
12:00
Filmart
10:30
Quiet Bliss
(Italy) 127mins. Drama.
Intramovies. Dir:
Edoardo Winspeare.
Key cast: Celeste
Casciaro, Laura
Licchetta, Gustavo
Caputo, Anna
Boccadamo, Barbara De
Matteis.
Four women take refuge
in the country following
Meeting Room N111-N112,
HKCEC By invitation only
Animation. Hong Kong
Digital Entertainment
Association.
Shadow days
Meeting Room N204-N205,
HKCEC
(China) 96mins. Horror/
suspense, organised
crime. HKIFF Industry
Screenings @ Filmart.
Dir: Zhao Dayong.
China’s one-child policy
and its repercussions loom
large in the latest work by
Zhao Dayong, best known
for his sprawling and
singularly enlightening
documentaries about life
on the fringes of
contemporary China.
Meeting Room N101B, HKCEC
By invitation only
10:00
1st Animation Start-ups
Support Programme
Highlights
(Hong Kong) 90mins.
19th ifva Awards
Highlights (Youth &
animation Category)
» Blind Vision
Boonie Bears: To the
Rescue!
(China) 90mins. Action/
adventure, animation,
children’s. All Rights
Entertainment. Dir: Ding
Liang.
The story starts when two
boxes are switched
mistakenly in the middle
of a stormy night. The
lives of Bald and his
friends, the Bear Brothers,
change dramatically.
the closure of their small,
family-run business,
overwhelmed by the
economic recession.
Working the land and
trading products —
against all expectations
— gives them the chance
of a fresh beginning
and the possibility of a
new life.
Meeting Room N211-N212,
HKCEC
Jing. Key cast: Chow Yun
Fat, Nicholas Tse.
Meeting Room N201A, HKCEC
Life After Beth
(US) 90mins. Comedy.
XYZ Films. Dir: Jeff
Baena. Key cast: Aubrey
Plaza, Dane DeHaan,
John C Reilly, Anna
Kendrick, Molly
Shannon.
Zach is devasted by the
unexpected death of his
girlfriend, Beth. But when
she comes miraculously
back to life, Zach takes of
advantage of the
opportunity.
Theatre 1, HKCEC
Theatre 2, HKCEC
Venus Talk
From Vegas To Macau
(Hong Kong) 93mins.
Action/adventure, drama.
Mega-Vision Project
Workshop. Dir: Wong
(South Korea) 108mins.
Drama, romance. Lotte
Entertainment. Dir:
Kwon Chil-in. Key cast:
Uhm Jung-hwa, Moon
So-ri, Jo Min-soo.
A story about three women
at full bloom in their
40s, who openly seek
and enjoy lust, passionate
love and sex.
Meeting Room N201B, HKCEC
10:30
Quiet Bliss
See box, left
10:45
Night Flight
(South Korea) 144mins.
Drama. CinemaDAL.
Dir: Leesong Hee-il.
Key cast: Kwak Si-yang,
Lee Jae-joon.
Three teenage boys who
were once close friends
grow apart when they go
to high school: Yong-ju
hides his true sexual
identity; Gi-woong
becomes the leader of
the school gang; and
Gi-taek turns into an
obsessive fan of comic
books. Tired of the
constant malicious
bullying by Gi-woong’s
gang, Gi-taek betrays
them by disclosing that
Yong-ju has been in love
with Gi-woong for years.
Surrounded by the
insecure boundaries of
school and wounded by
betrayals, the boys are
driven towards catastrophe.
Meeting Room N202-N203,
HKCEC
11:30
Beautiful 2014
(China) 106mins. Drama.
The Hong Kong
International Film
Festival Society. Dir:
Zhang Yuan, Kang Je-kyu,
Christopher Doyle, Shu
Kei. Key cast: Li Quan, Lv
Yulai, Moon Chae-won,
Koo So, Lip Ching-man,
Wong Pak-hei, Erica
Yuen, Yau Hawk-sau.
Affairs of the heart,
matters of humanity, a
wonderful world.
Meeting Room N101A, HKCEC
11:45
Homeland
(Japan) 118mins. Drama.
HKIFF Industry
Screenings @ Filmart.
Dir: Nao Kubota. Key
cast: Kenichi Matsuyama,
Seiyo Uchino, Yuko
Tanaka, Sakura Ando,
Yoji Tanaka.
Jiro returns to his home
near Fukushima nuclear
plant and begins to
cultivate the land.
Meeting Room N101B,
HKCEC
Uzumasa Limelight
(Japan) 103mins. Action/
adventure, drama. Eleven
Arts. Dir: Ken Ochiai.
Key cast: Seizou
Fukumoto, Chihiro
Yamamoto, Masashi
(Hong Kong) 3mins.
Animation. Hong Kong
Arts Centre. Dir: Leecat
Ho.
» Hong Kong Station
(Hong Kong) 3mins.
Animation. Hong Kong
Arts Centre. Dir: Wong
Wai-Ho.
» I am not a Superhero
(Hong Kong) 21mins.
Drama. Hong Kong Arts
Centre. Dir: Jonathan
Tam.
» Kidnap
(Hong Kong) 8mins.
Drama. Hong Kong Arts
Centre. Dir: Mok ChuiShan, Yip Tsz-Ching,
Kiang Tin-Long, Lee
Suet-Ying, Yip Yuen-Ting,
Wong Ka-Chun.
» Tale of Rebellious
Stone
(Hong Kong) 13mins.
Animation. Hong Kong
Arts Centre. Dir: Ng KaiChung, Ng Tsz-Ching.
» Yao Dao Police Call
(Hong Kong) 15mins.
Drama. Hong Kong Arts
Centre. Dir: Wong ChunPong.
» YETI
(Hong Kong) 3mins.
Animation. Hong Kong
Arts Centre. Dir: Joe
Kwun.
Meeting Room N109-N110,
HKCEC
40 days of silence
(Netherlands) 86mins.
Drama. HKIFF Industry »
March 24, 2014 Screen International at Filmart 19 n
SCREENINGS
Screenings @ Filmart.
Dir: Saodat Ismailova.
Key cast: Rushana
Sadikova, Saodat
Rahminova, Barohad
Shukurova.
The story of four women
in Central Asia at key
moments in their lives,
discovered through their
different ages.
My Dear Girl, Jin-young
See box, left
13:45
The White Storm
(Hong Kong, China)
134mins. Action/
adventure. Universe
Films Distribution
Company. Dir: Benny
Chan. Key cast: Louis
Koo, Nick Cheung,
Sean Lau, Lo Hoi Pang,
Yuan Quan.
Tin, Chow and Wai are
partners in the Narcotics
Bureau. The three have an
opportunity to capture
notorious durglord EightFaced Buddha in
Thailand. During the
operation Tin’s team is
annihilated and he is
forced to choose one
survivor between Wai and
Chow. The destiny of the
three is now twisted.
Meeting Room N111-N112,
HKCEC
Blind massage
(China) 115mins. Drama.
HKIFF Industry
Screenings @ Filmart.
Dir: Lou Ye. Key cast:
Uo Xiaodong, Qin Hao,
Zhang Lei, Mei Ting,
Huang Xuan, Huang Lu.
At a massage centre run
by the blind in Nanjing,
damaged bodies find relief
beneath sensitive fingers. A
new couple come to work
at the centre. The others
are drawn to them.
Theatre 1, HKCEC
Boonie Bears: To the
Rescue!
(China) 90mins. Action/
adventure, animation,
children’s. All Rights
Entertainment. Dir: Ding
Liang.
Meeting Room N204-N205,
HKCEC
Flowing stories
(Hong Kong) 87mins.
Documentary. HKIFF
Industry Screenings @
Filmart. Dir: Tsang Tsui
Shan. Key cast: Yu Tam
Kiu, Lau Sui Kiu, Lau
Hing Wah, Lau Mei Lan,
Lau Mei Ying, Lau Kam
Wah.
A story of change, the
migration of Hong Kong
people and the
unknowability of the future.
Meeting Room N201A,
HKCEC
Little Brother
(Kazakhstan) 95mins.
Children’s, Drama. All
Rights Entertainment.
Dir: Serik Aprymov. Key
cast: Aidos Bektemir,
Alisher Aprymov, Almat
Galym, Dokdurbek
Kydyralier, Muiat Omaror.
Yerken lives in a small
village, lost in the
mountains. Abandoned by
his father at only nine
years old, he lives alone
following the death of his
mother. One day, his
brother returns home.
Filmart
13:45
My Dear Girl, Jinyoung
(South Korea) 102mins.
Drama, romance.
Indiestory. Dir: Andrew
Lee. Key cast: Kim Kyuri, Park Won-sang.
Jin-young, an aspiring
screenwriter who is also a
30-year-old virgin, is
continually rejected by a
film production company
Unfortunately, his stay is
brief.
Meeting Room N102-N103,
HKCEC
The Satellite Girl and
Milk Cow
(South Korea) 81mins.
Animation, Children’s,
drama, romance.
Indiestory. Dir: Chang
Hyung-Yun. Key cast:
Yoo Ah-In, Jung Yu-Mi .
Il-ho, the satellite
KITSAT-1, is launched into
space. She observes Earth
and becomes curious about
the human heart. Kyungchun, an aspiring
musician, is heartbroken
and turns into a milk cow
when his longtime love
interest, Eun-jin, starts to
date another guy. Then
one day Kyung-chun is
attacked by the
Incinerator, which tracks
down those with a broken
heart. At that moment
Il-ho falls from space and
becomes human by
n 20 Screen International at Filmart March 24, 2014
Meeting Room N101A, HKCEC
as she pushes her
screenplay about zombies.
Jin-young meets director
Hwang, a senior
alumnus who she really
dislikes. But he finds her
script interesting and
decides to make it into a
film. From then on, real
film-making and love
come to Jin-young.
Meeting Room N202-N203,
HKCEC
magical forces. And she
ends up staying at Kyungchun’s place. Gradually,
the two become close and
Il-ho begins to slowly
understand the human
heart.
Meeting Room N104-N105,
HKCEC
The Second Coming
(Hong Kong) 85mins.
Drama, horror/suspense.
All Rights Entertainment.
Dir: Herman Yau. Key
cast: Don Li Yat Long,
Joey Leong, Maggie Shiu,
Kenny Wong.
Ming and his wife Jen live
a quiet and ordinary life
with their 13-year-old
daughter Lucy, while their
20-year-old son Sunny is
at medical school overseas.
Everything seems just
perfect until Ming
accidentally knocks down
Lucy with his car just
before her 14th birthday.
From that point on, Lucy’s
behaviour turns bizarre,
escalating into violence.
Dark and hidden secrets
are unveiled one by one
and the family is forced to
confront their past — that
deep down they have never
been able to forget or
forgive themselves. The
truth sees twist after twist
of shocking terror.
Theatre 2, HKCEC
12:15
God’s Pocket
(US) 88mins. Comedy,
drama. Electric
Entertainment. Dir: John
Slattery. Key cast: Philip
Seymour Hoffman,
Christina Hendricks,
John Turturro, Richard
Jenkins.
When Mickey’s crazy
stepson Leon is killed in a
construction ‘accident’,
nobody in the workingclass neighborhood of God’s
Pocket is sorry he is gone.
Mickey tries to bury the
bad news with the body,
but when the boy’s mother
demands the truth, and a
local reporter starts sniffing
around, Mickey finds
himself in a darkly comedic
life-and-death struggle. A
body he can’t bury, a wife
he can’t please and a debt
he can’t pay.
agnes b. CINEMA – Hong
Kong Arts Centre
13:00
Amazing
(China) 105mins. Drama,
romance, sci-fi, fantasy.
China Film Promotion
International. Dir:
Sherwood Hu. Key cast:
Huang Xiaoming, Amber
Kuo, Kim A Joong, Eric
Mabius, Stephen Fung,
Charles Chen, Crystal
Huang.
Ice, a talented video-game
programmer, is also a
basketball fan and plays
the game with his colleages
Hu Jiao and Xiao Hei.
However, the team is soon
dismissed by the newly
appointed CEO, who is
going to develop a brand
new online basketball
game called Amazing. Ice
is the only one to stay. But
right before Amazing is
released, Ice notices a bug
that is potentially harmful
to the gamer.
(Indoesia) 74mins.
Horror/suspense. BIC
Production. Dir: Nayato
Fio Nuala. Key cast:
Evan Sanders, Masayu
Anastasia, Cinta Dewi,
Munajat Raditya.
Andika and Tarina decide
to settle in Bandung after
an accident that nearly
cost their lives. Andika
agrees to buy an old house
from someone named
Lukman because it’s quite
large and the price is
cheap. But Andika doesn’t
realise the owner of the old
house still haunts and
terrorises anyone who
stays there.
Meeting Room N206-N207,
HKCEC
Meeting Room N204-N205,
HKCEC
13:45
Carrotman
(Japan) 30mins.
Animation. PA Works.
Dir: Masayuki Yoshihara.
Key cast: Saori Hayami,
Toshiyuki Morikawa, Rie
Kugimiya, Kikuko Inoue,
Mami Koyama, Takehiko
Higuchi.
Carrotman makes a
sudden appearance when
Mari tries to eat a food
that she dislikes. Carrot,
bell pepper and milk turn
into the mystical creature.
Mari tries to overcome the
problem by using her
weird magic.
Meeting Room N211-N212,
HKCEC
14:00
Chasing The Demon
Early Autumn
(Japan) 95mins. Drama.
Chubu-Nippon
Broadcasting Co.
Dir: Masato Harada.
Key cast: Koji Yakusho,
Noriko Nakagoshi.
A widower, Matsubara
feels empty since his
daughter’s marriage and
seeks solace in a class
reunion in Kyoto.
Meeting Room N201A,
HKCEC
The Fatal Encounter
(Promo Screening)
(South Korea) 105mins.
Drama. Lotte
Entertainment. Dir: Lee
Jae-Kyoo. Key cast: Hyun »
Screen Daily.indd 1
2/7/2014 12:25:16 PM
Bin, Jung Jae-Young, Cho
Jung-Seok.
One year into King Jeongjo’s reign, a fated day
unfolds around a man
who must live, a man who
must kill, and a man who
must protect.
16:00
After School
Midnighters
Meeting Room N109-N110,
HKCEC
Fly, Dakota, Fly!
See box, below
House of Magic
(Belgium, France)
85mins. Animation.
StudioCanal. Dir: Ben
Stassen.
Seeking shelter from a
storm, abandoned young
cat Thunder sneaks into a
mysterious mansion owned
by retired magician
Lawrence, aka The
Illustrious Lorenzo.
Lawrence shares his fairytale world with many
animals and a dazzling
array of automatons and
gizmos capable of
whipping up breakfast
while rolling out a
spectacular song-anddance routine. He soon
makes Thunder feel
welcome, but Jack the
rabbit and Maggie the
mouse start plotting to get
him kicked out. When
Lawrence ends up in the
hospital, his nephew tries
to trick him into selling
the house. But its ragtag
inhabitants develop a
spooky strategy to defend
their home. They turn the
house into a haunted
mansion, using Thunder
as their secret weapon.
Theatre 2, HKCEC
Filmart
14:00
Fly, Dakota, Fly!
(Japan) 110mins.
Drama. Niigata
Prefecture Film
Commission
Association. Dir: Seiji
Aburatani. Key cast:
Manami Higa, Masataka
Kubota.
January 14, 1946. A
mere five months after
the end of the Pacific
War, a British Army
VIP plane, Dakota,
made an emergency
landing near a small
Five little heroes study at
Hero School.
Meeting Room N209-N210,
HKCEC
Kamihate Store
(Japan) 107mins. Drama.
Open Sesame Co. Dir:
Tatsuya Yamamoto. Key
cast: Keiko Takahashi,
Susumu Terashima,
Kento Hukaya.
People often buy a oneway ticket to the hamlet of
Kamihate. Chiyo, the
owner of a local shop, is
also seeking a way out
from her sorrow, looking to
avoid that long walk to
the cliff from which there
is no return.
Meeting Room N102-N103,
HKCEC
The Little Heroes
(Japan) 50mins.
Animation. Heart Bit.
Dir: Takeshige Kominato.
Once Upon A Forest
(France) 79mins.
Wild Bunch. Dir: Luc
Jacquet.
Film-maker Luc Jacquet
invites the viewer into a
never-before-seen world of
natural wonder and
staggering beauty – the
world of the primeval rain
forest.
Meeting Room N111-N112,
HKCEC
village on Sado Island.
The villagers were
surprised and confused
at the arrival of British
soldiers who had been
their enemies only five
months prior. But the
villagers were committed
to the Sado spirit of
altruism, and by
fostering a friendship
and solidarity that
transcended national
borders, they made the
Dakota fly once again.
Meeting Room N201B,
HKCEC
14:15
Twelve Nights
(Taiwan) 98mins.
Documentary. Media
Link (HK). Dir: Raye
Liu.
This documentary follows
the plight of some 450
dogs brought to a single
animal shelter during
the winter of 2013.
Policy dictates that any
animal not adopted
within 12 nights will be
destroyed. Only around
10% of residents will find
homes.
Meeting Room N101B, HKCEC
National Base for
International Cultural
Trade Hit Shows
120mins. National Base
For International
Cultural Trade.
Meeting Room N104-N105,
HKCEC
n 22 Screen International at Filmart March 24, 2014
Violette
(France) 139mins.
Drama. Doc & Film
International. Dir:
Martin Provost. Key cast:
Emmanuelle Devos,
Sandrine Kiberlain,
Olivier Gourmet.
Born out of wedlock early
in the last century, Violette
Leduc meets Simone de
Beauvoir. An intense
lifelong relationship
develops between the two
women authors, based on
Violette’s quest for freedom
through writing and on
Simone’s conviction that
she holds in her hands the
destiny of an extraordinary
writer.
Theatre 1, HKCEC
14:30
Fountain Pen
(Japan) 59mins. Drama.
TAKAOcan Dream
Company. Dir: Tohru
Ichikawa. Key cast:
Hiroyuki Watanabe.
Saburo is a writer and a
murder suspect. Kaoru, is
a housewife who cares for
her mother but is tired of
life. They both come from
Tokyo and run into each
other at Himi station in
rural Japan. This fleeting
moment will start to
change and refresh their
lives.
Meeting Room N211-N212,
HKCEC
14:45
The Rice Bomber
(Taiwan) 118mins.
Drama. HKIFF Industry
Screenings @ Filmart.
Dir: Cho Li. Key cast:
Huang Chien-wei,
Nikki Hsieh, Michael
Changi.
With the agricultural
industry declining rapidly,
a farmer created 17
harmless rice bombs to
wake the conscience of the
government.
agnes b. CINEMA! Hong Kong
Arts Centre
15:30
Killers
(Indonesia, Japan)
137mins. Action/
adventure, horror/
suspense. XYZ Films.
Dir: The Mo Brothers.
Key cast: Kazuki
Kitamura, Oka Antara,
Rin Takanashi, Luna
Maya, Tara Basro.
In Tokyo, a serial killer is
murdering women and
posting his violent crimes
online. In Jakarta, a rogue
vigilante uploads his
murder spree for the world
to see.
Meeting Room N209-N210,
HKCEC
15:45
Out of Inferno
(Hong Kong, China)
107mins. Action/
adventure. Universe
Films Distribution
Company. Dir: Oxide
Pang, Danny Pang.
Key cast: Louis Koo,
Sean Lau, Sinje Lee,
Chen Si Cheng.
A serious fire occurs at a
busy commercial tower.
Keung, an ex-firefighter
who quit three years ago,
rediscovers his repressed
passion for saving lives.
Theatre 2, HKCEC
(Japan) 95mins. Action/
adventure, animation,
children’s, comedy.
MontBlanc Pictures Co.
Dir: Hitoshi Takekiyo.
Key cast: Koichi
Yamadera, Hiromasa
Taguchi, Haruka
Tomatsu, Sakiko Uran,
Minako Kotobuki.
Mysterious phantoms
move in the night within
the science room of a
prestigious elementary
school. On the school’s
open day, three
kindergarten girls find an
unfortunate human
anatomic model in the
science room and get up to
some mischief. That night,
the anatomic model bursts
into a frenzy of rage for
the embarrassment the
girls put him through
during the day. With the
help of his skeletal buddy,
they invite the three girls
to come to the school at
midnight, and make
preparations for their
revenge.
Meeting Room N211-N212,
HKCEC
The Deadly Bullet
(China) 94mins. Action/
adventure. China Film
Promotion International.
Dir: Ren Pengyuan.
Key cast: Pu Bajia.
In the waning years of the
Qing Dynasty, a
performance of the opera
‘Farewell My Concubine’
takes place at the
provincial capital’s largest
theatre. Provincial
governor Etuo has come
especially to see the play,
but things go wrong when
the King of Chu, a
character in the play,
suddenly stabs the
governor. The governor’s
chief bodyguard, Ye
Dewen, attacks in turn,
killing bystanders as he
tries to reach the assassin,
forcing the King of Chu to
risk his life to defend the
innocent Chen Zilia.
Meeting Room N206-N207,
HKCEC
The Huntresses
(South Korea) 107mins.
Action/adventure,
comedy. Showbox/
Mediaplex. Dir: Park Jaehyun. Key cast: Ha
SCREENINGS
Ji-won, Gang Ye-won,
Son Ga-in.
As a child, Jin-ok
witnessed the murder of
her father and narrowly
escaped death. She was
taken under the wings of
Mu-myeong, the man who
saved her life, and trains
in martial arts alongside
two other girls. Ten years
have passed and the girls
are now Joseon’s best
bounty hunters. One day,
Jin-ok is asked to take on
a case for a handsome
reward. Against their
master’s wishes, the trio
accept the job, not
knowing it will lead them
to the man responsible for
the death of Jin-ok’s father.
Meeting Room N102-N103,
HKCEC
Marina
(Belgium, Italy) 118mins.
Romance. Media Luna
New Films. Dir: Stijn
Coninx. Key cast: Matteo
Simoni, Evelien Bosmans,
Luigi Lo Cascio.
The love story behind a
song, which makes the
whole world shake and
whistle. This film is based
on the childhood memories
of singer Rocco Granata,
who against all odds tries
to play music and win the
girl of his dreams.
Meeting Room N201A, HKCEC
Press only
Miroku
(Japan) 87mins. Drama.
Open Sesame Co.
Dir: Kaizo Hayashi.
Key cast: Mami Koyama,
Katsuhisa Houki.
Based on the novel of the
same name by Japanese
cult writer Taruho
Inagaki. Several directors
have tried to adapt the
novel before but previous
attempts have foundered
on the novel’s odd
structure and thematic
complexity. Kaizo Hayashi
has finally brought the
novel to the screen and
remained faithful to its
experimental structure and
philosophical depth. There
are two versions of the
film: one with a score by
Takashi Watanabe; and
the other with dialogue
and sound only, which
allows for it to be projected
with live music as a
mixed-media event.
Meeting Room N111-N112,
HKCEC
The Three Six Lane
Miss Change
(China) 99mins.
Romance. China Film
Promotion International.
Dir: Wong Xing Jun.
Key cast: Cecilia Chang,
Jiang Weiming.
(South Korea) 100mins.
Comedy, drama,
romance. Intercon Media.
Dir: Jung Cho-shin. Key
cast: Song Sam-dong,
Lee Soo-jung, Jung Eunwoo.
The story of two friends, a
lawyer who can’t get a girl
and never wins a case, and
his playboy best friend.
One stormy night they
encounter a gorgeous
woman who transforms
both their lives, literally.
Meeting Room N204-N205,
HKCEC
16:15
Mai’s Journey to Ecchu
Manyo
(Japan) 30mins.
Animation. P.A. Works.
Dir: Masayuki Yoshihara.
Key cast: Kanako
Miyamoto, Yoshitsugu
Matsuoka, Daiki
Nakamura, Mami
Koyama, Susumu Chiba,
Minako Kotobuki,
Natsumi Takamori.
Mai and Hikaru
mysteriously find
themselves in Toyama
during the Nara era. How
will they get back to their
own time?
Meeting Room N109-N110,
HKCEC
Meeting Room N104-N105,
HKCEC
Over the Lover’s
Memory
(Japan) 65mins. Drama.
Hokkaido Cultural
Broadcasting Co.
Dir: Kazuya Goto.
Key cast: Manami Higa,
Seiji Fukushi.
A ski jumper is seriously
injured during a
competition and loses his
memory.
Meeting Room N101B, HKCEC
Santa Barbara
(South Korea) 95mins.
Drama, romance.
Mirovision. Dir: David
Cho. Key cast: Lee SangYoon, Yoon Jin-Seo.
Music director Jung-woo
and workaholic Soo-kyung
are attracted to each other
but are parted. They meet
again by chance and
together leave for
California to work on
commercial music. Jungwoo doesn’t want to miss
this second chance, so he
asks her to join him on a
winery tour.
Salvage Mice
Meeting Room N202-N203,
HKCEC
Meeting Room N201B, HKCEC
16:30
Mea Culpa
(France) 90mins. Action/
adventure. Gaumont.
Dir: Fred Cavaye. Key
cast: Vincent Lindon,
Gilles Lellouche, Nadine
Labaki.
Franck and Simon are
both good cops. They
work as partners. But
their lives take a tailspin
when Simon, driving
drunk, causes a tragic
car accident. A few years
later, having left the
police force, he is forced
to take matters into his
own hands when his
family is in danger.
Meeting Room N101A,
HKCEC
(Japan) 82mins. Action/
adventure. Hiroshima
Home Television Co.
Dir: Ryuta Tasaki.
Key cast: Mitsuki
Tamura, Julia Nagano.
In Hiroshima, the city of
human empathy, Mai
steals treasures and
returns them to their
original owners under the
name of ‘Salvage Mice’.
However, her longtime
companion Malik betrays
her and she is then placed
on the most wanted list.
17:00
WOOD JOB!
(Japan) 116mins.
Comedy. Tokyo
Broadcasting System
Television. Dir: Shinobu
Yaguchi. Key cast: Shota
Sometani, Masami
Nagasawa, Hideaki Ito.
Yuki is 18, a take-life-asit-comes young lad just
out of high school, where
he has failed his university
entrance exams and been
dumped by his girlfriend.
Looking at pamphlets
outlining other options he
might follow, he is
captivated by a girl
pictured in one of them
and signs up for a year as
a ‘green’ trainee, learning
the basics of forestry. A
month of basic training
later, he ends up in
Kamusari, in the wooded
mountains of rural Japan.
His instructor/landlord/
mentor Yoki is a wild
man, the work is hard,
dirty and dangerous, and
Yuki is desperately looking
for a way to escape when
he realises that the girl in
the picture, Naoki, is living
right there in the village.
Theatre 1, HKCEC
17:15
I Sell Love
(Hong Kong) 104mins.
Drama. Ignite
Productions. Dir: Kevin
Chu. Key cast: Rose
Chan, Chau Pak Ho, Liu
Kai Chi.
Pretty undergraduate
Tiffany starts compensated
dating, considering it a
personal choice — but
every choice has a price.
agnes b. CINEMA – Hong
Kong Arts Centre
18:00
Buakaw: Boxer, Legend,
Legacy
(Germany) 47mins.
Documentary. KSM.
Dir: Timo Runge, Gerrit
Staron. Key cast: Sombat
Banchamek.
“I really did not expect to
become the champion. I
just wanted to represent
my country, Thailand,
with honour.” These are
the words Sombat
Banchamek, better known
as Buakaw, uses to
describe the day his life
changed. As a young boy
he started to practise
Thailand’s national sport
Muay Thai. He won his
first fight, remained in the
sport and finally clinched
the K1 Max World
Tournament. Two years
later he repeated this
success. He started as one
of many — today he is the
most famous Muay Thai
fighter in his country.
Meeting Room N101B, HKCEC
18:15
Silver Spoon
(Japan) 113mins. Drama.
Tokyo Broadcasting
System Television. Dir:
Keisuke Yoshida. Key
cast: Kento Nakajima,
Alice Horose, Tomohiro
Ichikawa, Haru Kuroki.
Yugo Hachiken flees from
the high expectations and
stress of an elite
cosmopolitan education
into the vast and fertile
fields of Hokkaido’s
Obihiro highlands,
enrolling in an
agricultural high school
because it offers him an
escape. Flanked by peers
who have clear goals and
dreams of the future, Yugo
struggles with the harsh
reality of life on the farm.
But it is the perfect place
for an aimless youth to
embark on a journey of
self-discovery through toil,
friendship and young
romance.
Meeting Room N201B, HKCEC
What’s going on with
my sister?
(Japan) 107mins. Comedy,
Drama. Kadokawa
Corporation. Dir: Yuki
Aoyama, Koen Ikki.
A cranky baby sister, a
rookie big brother and a
girl ghost take us to a
never-before-seen fetish
world.
Meeting Room N201A, HKCEC
18:30
3D Lost in Wrestling
(Hong Kong, InnerMongolia) 99mins.
Drama. Gold Harbour
International Films. Dir:
Casey Chan. Key cast:
William Chan, Zhao Ke,
Li Feier, Naoko
Watanabe, Li Yixin,
Sechengoo, Zheng Pei Pe,
Lau Siu Ming.
Mongolian wrestler Na
Ren takes part in a
women’s wrestling event in
Japan. Once there, she is
intrigued by Boss, the
show’s host, who organises
a women’s mud wrestling
championship. It is a sad
awakening for Na Ren,
who realises her childhood
friend Chi Na Si, once a
sumo player, is now Boss.
Theatre 2, HKCEC By
invitation only
Abuse of Weakness
(France) 104mins.
Drama. HKIFF Industry
Screenings @ Filmart.
Dir: Catherine Breillat.
Key cast: Isabelle
Huppert, Kool Shen,
Laurence Ursino,
Christophe Sermet,
Ronald Leclercq.
A charismatic conman
takes advantage of a film
director who is recovering
from a stroke.
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Meeting Room N101A, HKCEC
March 24, 2014 Screen International at Filmart 23 n
Sargent-Disc
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