The Brothers Breakell Produce a Bumper Crop
Transcription
The Brothers Breakell Produce a Bumper Crop
centered on community. family. you. september 2009 The Brothers Breakell Produce a Bumper Crop by Jill Hufnagel photos by Mary Anne Marx When now 10-year-old Jackson Breakell went on a kindergarten artichoke. Jackson explains, “They take a long time to grow and it field trip out to Apple Ridge farms, something powerful took root. may not make it. But I sure would like to see it.” This year they’ve There, he was mesmerized by tree after tree of fresh, ripening fruit. also grown cantaloupes and cukes, along with their first-ever stab at Jackson recalls, “I loved experiencing the joy of growing something grapes and pumpkins. you could eat.” It was after that trip that mom Lauren suggested Of the veggies they’ve grown, Jackson has found that “summer they start a little plot of their own. A gardening newbie and self- squash are the best. We love them. One plant with enough sunlight proclaimed city girl, Lauren helped Jackproduces up to two dozen squash.” While son plant from seed flowers, tomatoes, tilling one day, they stumbled across an and carrots that first year. For Lauren, the enormous old squash shell. When they impetus was simple: ”I wanted a tomato. A opened it, inside were ten seedlings. real tomato.” While the carrots were a no“So,” says Lauren, “we grew them right go, the rest of the garden was a success. there. Reduce, reuse recycle.” Two years later, older brother Thomas The family’s commitment to that model was invited to participate in a fourth grade is central to their approach to living and 4-H gardening competition. While Thomas gardening. In years past during periods wasn’t especially interested, Jackson was of drought, the family has saved their thrilled at the prospect. Together, the brothshower water and used this simple grey ers entered the contest, which culminated water approach to keeping their garden in judging by a master gardener and a 1st thriving. Composting, too, makes fertile place win for the brothers Breakell. product of their everyday waste—from cofFast forward a few more years and that fee grounds to vegetable peelings and the Alex and Jackson Breakell show off the fruits of tiny plot has quadrupled in size, thanks to their labor. new corn-based packaging. And no pestithe family’s growing interest in Jackson’s cides. Ever. In the works is a rain barrel crop. This year, he enlisted brother Alex, 19, and the two buddied project, all of which has grown out of what Lauren jokingly calls up to create a tex-mex garden full of peppers, tomatoes, corn, and husband Stan’s “slowly brainwashing us to become more green.” even black beans! Their big coup: they’ve successfully started an Another piece of the familial camaraderie evident in their back — Continued on page 6 Circle the Block Party ‘09: same funky music, only cooler. See you October 3rd at 3! She Said... Brent Stevens publisher brent@southroanokecircle.com Jill Hufnagel editor jill@southroanokecircle.com Amy Takacs, Creative Outlet graphic designer amy@creative-outlet.com Lisa Bowers advertising representative lisa@southroanokecircle.com 353.2380 Mary Anne Marx photographer maryannemarx@hotmail.com 345.6279 Johnny Meidlinger internet kung fu The South Roanoke Circle 2707 Richelieu Avenue Roanoke, VA 24014 540.293.2114 southroanokecircle.com Our intent is to provide a neighborhood publication that celebrates community and fosters connection among neighbors. In so doing, we seek to strengthen the neighborhood bond, to encourage our children to share their voices, and to nurture a future of collective growth. Finally, we wish to share in the discovery of the people and places that make this neighborhood thrive. ~ We reserve the right to refuse publication of any material we deem unsuitable for this venue and/or our readership. copyright 2009 Writing Associates, LLC all rights reserved. This summer we took our fam—our three kiddies and my parents—up North to the Big City. First to Providence and then to the real thing: Boston. As I quickly discovered, we were the country mice. And we all had our own curious and telling fascinations with our newfangled urban surroundings. In preparation for a long van ride and a week’s worth of hotel stays, I put together backpacks for each of the kids full of stuff designed to keep them occupied. The best laid plans. I know, I know. It’s all so obvious. But what did take hold were some paperback journals I got for the boys. In the pages inside was a space for them to draw a picture and below it were a few lines for a caption. I had envisioned them full of colorful line drawings of the postcard sights. Instead, what compelled each member of our traveling band was so very at odds with mama’s snapshot visions. Henry’s journal has a drawing of a sink with a bug in it, followed by hastily scrawled cranes, and a mountain of what we guessed was salt that he spied while on the interstate. Of course it does. The idea of scaffolding over a pedestrian walkway was mesmerizing to this little small-town boy. (Am I in hot water for thinking Roanoke a small town? Can I get an out if I’m a D.C. sprawl native?) And every green space was an opportunity: to run, to let loose of hovering adult chaperones, to take in this little oasis of vegetation in the surrounding skyscrapers. For Cole, it was all the smoking--and the cigarette butts. Walking hand in hand with me over a city block in Boston, he decided to count the butts he spied in this single stretch of concrete. When he hit 72, his counting off almost sing-songy in sync with our steps, I felt my stomach turn. I visually panned out to attempt to estimate the number of butts across the city’s breadth. Yikes. Or in Cole’s lingo: “DUSGUSTING!” For Scarlett, it was the fashion. Sitting at a sidewalk café for dinner one night, she drank it in, along with her hip Boston bubble tea. The street-length skirts, the funky jewelry, the glamour of it all. She spoke only to lean into my shoulder, hand cupped, and whisper: “Did you see how beautiful her skirt was?” and “Oh wow. I just love that hair. Don’t you?” Truth be told, I felt a little green. For my mom, it was the subway. Between the crowds and the filth, the whole shebang threatened to send her. While she never did confess it, I’m fairly certain she had visions of tiny hands come untangled from big ones, of doors set to auto-pilot separating a lone wee one from our pack. Of tears and police officers and kinder lost and found on the platform. Or maybe it was a simple case of the heebie-jeebies thanks to all that sweat-to-sweat contact. After all, it was summer in the city. And for my dad it was the hotel mini-bar. If he was astounded at the $7 bottle of Evian, he was downright flabbergasted at the $15 container of chocolate covered raisins. “Look at this thing. 7 ounces. Come on.” He revisited this conversation more than once, each time with fresh amazement and an enthusiasm that matched. When he flipped through the room service menu, complete with $8 coffees, well, I think you can imagine. For me, I think I was most compelled by this glimpse into what made each of them stop and take notice. It became a sort of education about my travel companions. What they observed, I observed. And I observed that seven people in a minivan pulling up to a big city hotel is a clown-car like sight, no matter how you slice it. I observed that trolleys and taxis and elbowto-elbow subway rides are not for the weak at heart. I observed that 7-11 ice creams while sitting on the steps of a statue in Providence make for a beautiful snapshot. I observed that in order to steer this crew, I had to slow my pace about five notches, hang beside them, and listen in on their own experiences of this urban adventure. And for me--a mach speed kind of gal, a crazed multi-tasker on steroids--I observed that when I slow down, I actually . . . well, observe. around town! Found at the corner of 27th St and Crystal Spring: woman’s engraved gold cuff bracelet. Call 580-0370 to identify. Found on the Crystal Spring Playground: a “Leatherman” pocket knife and multipurpose tool. Call 343-3267 to identify. 2 The Jefferson Street Realist By David S. Bowers When your kid goes and breaks a bone, it changes your life--especially if it happens in the summer. Then it changes your summer; and that, my friends, is just not cool. Our boy is fearless when it comes to physical challenges. I’m stunned he made it to the age of eight before fracturing something or another. He was goofing around at the pool, doing some kind of trick jump off the side, and WHAMO he whacked the top of his foot on the top of the wall. Ding-a-ling broke three, maybe four, metatarsals in his right foot. In layman’s terms: he messed himself up real good. The added shame of this, other than the fact that it hurt badly for awhile, was that he did it the night before the City-County swim meet. Some of you know that Noah is a pretty fair swimmer. It disappointed quite a number of people that he couldn’t participate in the meet. Kids are funny, though. The night of the accident, after we got home from the x-ray and heard from Dr. John that he would need a cast the next day, Noah burst into sobs and said “I want to swim in the meet! Can’t I swim anyway?” Brave little soldier, makes Daddy so proud! I’m hoping that was his true, deep down, honest feeling about it, because by the next morning he had moved on. In fact, I don’t remember the exact words, but he said something like, “Oh good, now I don’t have to swim!” As a parent who wants his son to be happy, I don’t want to push him if he doesn’t like swimming. Don’t want to force him through the soon to come two-and-a-half hour practices, sometimes twice a day. But as a swim fan, and a future provider of college funds, I really, really hope he keeps it up. You know what I mean? You want to nudge your kids in what you think is the right direction, but by eight or nine, it’s obvious they have their own ideas, too. He would choose baseball over swimming any day of the week. For now, we will just keep up with both. Back to the broken foot: the other ironic thing about this incident is that he was doing the same goofy jump into the pool that his mother had scolded him to stop doing earlier in the day. Therefore, the first autograph on his cast said, “Listen to your Momma! Love, Momma.” When asked why he did it anyway, he replied, “I forgot.” Super. That’s like Steve Martin’s line, “I forgot armed robbery was illegal.” I forgot. How in the world are we going to keep him out of trouble if he’s using that kind of logic? Then again, this is the same boy who, when getting his cast the day after his injury and the doctor asked him if it hurt, he asked, “Where?” So maybe when he says, “I forgot,” he really forgot. All the more reason we need that swim scholarship. He hasn’t complained about having the cast, and seems to be taking it with a positive attitude. My son’s the kind of boy that might bawl his eyes out if you tell him we ran out of Spaghetti-Os, but he just says, “OK whatever” when you explain that he just hosed the rest of his summer. That’s a healthy attitude toward the big picture, so that bodes well for his long term outlook. Very much like his Granddaddy Boschen. We keep the itching to a minimum with a nightly Benadryl, and he’s now in a waterproof cast, so he can bathe and go to the pool. He’s even enjoying hopping around like a kangaroo. He moves so fast on one leg I’m scared he’s going to pitch forward and go head first into the concrete. Two weeks after the break, he is now allowed to use a cast shoe, and put weight on it, but he prefers hopping and dragging himself around. The next question is: do we go on our beach trip as planned? For now we are leaning toward going, but this is the first time I ever bought trip insurance, so it would not be a financial loss if we cancelled. It might send me over the edge to cancel, because I’ve never needed a vacation more in my entire life. On the other hand, if he gets sand in that cast, I can only imagine the torture that might cause: an irritated, whiny boy, and rattled, tormented parents. We got some rubber thing that you put over the cast and suck the air out, which we are told works great to keep out the sand. But it’s huge. Looks like a big whale flipper. He says it looks funny. Uh oh. Vanity alert! Tween years rapidly approaching! Side note along those lines, we have noticed this year that Noah is more concerned about what he wears for different occasions. Usually his choices are completely misguided, but that he actually cares shows that he is changing. Kid will be staring at himself in the mirror combing his hair for an hour before we know it. Writing this made me think of this Springsteen lyric: “And I combed my hair till it looked just right and commanded the night brigade I was open to pain and crossed by the rain and I walked on a crooked crutch I strolled all alone through a fallout zone and came out with my soul untouched I hid in the clouded wrath of the crowd, when they said “sit down” I stood up Ooooh, growin’ up” There’s my little boy hobbling on his crutch, but taking it like a man; learning lessons at the pool, but not listening to his Momma; hopping around like a goofy kangaroo, but worried that he’s wearing a cool shirt. So maybe this injury has been inconvenient for his parents, but for Noah it was a meaningful transition. Growin’ up, alright, yes indeed he is growing up. David is a 40ish working husband and father of one. He’s quick to tell you how things ought to be, but real slow to do anything about it. Listen to your Momma! Love, Momma Circle the Block Party ‘09: same funky music, only cooler. See you October 3rd at 3! 3 4 Old Locomotive Finds New Locale The last of its kind and the only one left that was built here in Roanoke, the 1151 steam locomative has been sitting on the tracks at the Virginia Scrap Metal & Iron Co. since 1950. It was moved on August 21st from the South Roanoke location on Jefferson Street to the Virginia Museum of Transportation, where it should feel right at home, so close to its birthplace in 1911. The Class M2c 1151 engine was built at the N&W East End Shops. The former workhorse will now rest again, its restoration hinged on future funding. Photos by Mary Anne Marx 5 Continued from page 1 — yard project is the natural relationship among the boys and the garden. Jackson loves to garden and 12-year-old brother Thomas wants to be a chef when he grows up. He likes using the gardenfresh ingredients as inspiration—and the rest of the family enjoys trying out his local fare. The most recent endeavor—making bread and butter pickles, which the boys have been eating by the jarful. This summer, they have also had to put their heads together to attempt to combat their most recent challenge: a backyard bunny, who has been nibbling on their bounty. Together, the boys have tried all sorts of schemes to foil the rabbit’s handiwork: roof slate fencing, snares care of Alex’s innovations, dog patrol, even sprinkling the hair they saved from their last cuts to attempt to throw off the rabbit’s interest. “Once,” laughs Jackson, “ I even touched him, but then he sprang off as fast as his legs would carry him.” While the bunny continues to elude them, Jackson and his brothers remain steadfast in their gardening. As the plot has grown, so have their plans. Next year, they’re considering adding a blueberry bush. And as for next year’s theme, they’re taking requests! Circle the Block Party ‘09: same funky music, only cooler. See you October 3rd at 3! All proceeds benefit local charities so please come on out to support local non-profit organizations in our valley! Outdoor concerts are held at the Downtown Roanoke Rail Car Lot on Salem Avenue between 1st St. & Jefferson. Must be 21. www.firstfridaysroanoke.com Sept. 4th: Worx Charities benefitting: Ronald McDonald House, Child Health Investment Partnership (CHIP) of the Roanoke Valley, Clean Valley Council, Children’s Trust, Roanoke Adolescent Partnership, Children’s Home Society, Bradley Free Clinic, Council of Community Services, Roanoke Valley Interfaith Hospitality, League of Older Americans, Apple Ridge Farm, St. Francis Service Dogs Oct. 2nd: The Kings Charities benefitting: Mental Health America of Roanoke Valley, VA Jason Project, Conflict Resolution, Greenvale School, Camp VA Jaycee, Commonwealth Catholic Charities, YWCA, Western VA Foundation (Center in The Square), Adult Care Center, Roanoke Adolescent Partnership Marketplace Positions available TENOR and BASS Section leaders Need a NANNY, just call ANNIE! References available upon request. Will sit at your home. Please call 375-7302 if interested, and ask for Annie. St. John’s Episcopal Church in downtown Roanoke seeks a tenor and bass section leader for the St. John’s Choir. Mature musicianship, high sight-reading skills and community team participant are all required. Solos are a fringe benefit but not expected. Additional services at Advent/Christmas and Lent/ Easter in addition to Wednesday evening and Sunday rehearsals and services. Fair and competitive wages offered. Inquiries and a job description request should be sent to Minister of Music, David Charles Campbell at Episcopalorganist@Cox.net. Are you keen on clean? Annie will clean your house top to bottom. Just give her a call at 375-7302 and your house will sparkle. 6 A Brief History of Fructose Corn Syrup It’s the latest most talked about controversial ingredient in our foods, the topic of debates between nutritionists and medical researchers on one side and food processors and marketers on the other. It’s a sticky, sweet, syrupy substance that has infused its way into a vast variety of foods consumed by the majority of people living in developed and developing countries. It is derived, of course, from the food which comprised the staple of the Native American diet and which was completely unknown to the Europeans who “discovered”, explored and ultimately settled the North American continent. Early American settlers would not likely have survived without the sustenance provided by corn. They learned how to grow corn because it was a reliable crop. Gradually, corn came to be valued not just as a means of subsistence but also for its ability to be dried and transported. It became not just a dependable food crop but a commodity to be traded. Chemical fertilizers, introduced in the late 1940’s, gave corn crops a huge boost. Hybrid corn grows especially well with the help of chemical fertilizers. Farmers could produce greater and greater quantities of corn. For awhile, they experienced a heydey, until they ran head first into the unyielding economic principle of supply and demand. More available corn meant more competitive pricing which meant less profit per bushel. Before long, farmers were losing money on each bushel of corn brought to market. Which brings us to corn’s next big boost...government subsidies. When Uncle Sam intervened to make up for the deficit, farmers had the incentive they needed to continue growing corn, even when there was clearly a surplus. Something had to be done with that mountain of corn. Enter high fructose corn cyrup.. Admittedly, I have oversimplied a great deal, but I’m writing an article, not a book, and I need to get to my main topic at some point. For a fascinating and comprehensive history of corn the plant, corn the crop, and corn the commodity, read Michael Pollan’s excellent book, The Omnivore’s Dilemma. Even if you have never given corn a thought beyond how much you loved listening to the kernels pop and watching the aluminum rise when you held your Jiffy Pop over the campfire, The Omnivore’s Dilemma is worth your time. Now, onto the current bad boy of the nutrition scene: high fructose corn syrup (HFCS). Food scientists learned to extract it from the surplus of corn sometime in the 1970’s. It is derived from corn starch by using enzymes to yield glucose and more enzymes to convert about half that glucose into fructose. HFCS is almost chemically identical to table sugar; each is about half glucose and half fructose. What makes HFCS so attractive to food manufacturers is that it has a longer shelf life than sugar, it maintains moisture better than sugar does, and it is cheaper than sugar. The same food product can be produced for less money, hence more profit for the food processor. Now all that corn can be put to use. For better or worse depends on where you are in the food processing chain. Since the 1980’s, HFCS has been the main sweetener in most soft drinks and is very common in many processed foods, including breakfast cereals, salad dressings, yogurts, and peanut butter. Accord- Hippocrates’ Corner ing to Michael Pollan, the average American’s intake of HFCS by Alise Magnuson, M.D. has climbed from 45 Guest Contributor pounds per year in 1985 to 66 pounds today. That’s in addition to our usual consumption of all other sugars. This increase is not only because we tend to eat larger portions and drink bigger gulps than we once did, but also because HFCS has become ubiquitous. Just try to find a loaf of bread in an average chain grocery store that does not have HFCS as one of its first 5 ingredients. I looked at no less than 5 brands before I found a loaf that did not contain HFCS. Of course, my corn-fed kids complained that it tasted weird. Not coincidentally, the prevalence of obesity has increased signficantly since the 1980’s. Presently, 3 out of every 5 Americans is overweight. One out of every 5 is obese. The prevalence of obesity among young people has been increasing at an alarming rate for the past 25 years. A number of chronic, debilitating and costly illnesses, once diagnosed only in adults, are becoming more common in teens and children in the U.S. and around the world. For example, adultonset diabetes is now more commonly referred to as Type II diabetes or insulin-resistant diabetes because it is no longer a disease seen exclusively in adults. Research regarding the specific ill effects that HFCS may have on our metabolism and our overall health is still in its infancy and is currently inconclusive. Current research does support the theory that the prevalence of HFCS in our food supply is directly responsible for the obesity epidemic. However, overly zealous claims about HFCS being “unnatural” or a “poison” only detract from the real problem, which is that we eat too much sugar, including too much high fructose corn syrup, and too much processed food in general. Cutting back a bit would be a good thing for most of us, except of course for the food processing industry and the corn farmer. It would be a bit ironic if we allowed a substance derived from the plant that is credited with keeping our ancestors alive through lean winters to become one of the ingredients that ultimately fattens and debilitates a vast majority of our population. We do have a choice. We can drink fewer soft drinks and other sweetened beverages. We can buy less processed food and more locally grown food. We can prepare more meals at home using fresh ingredients. Even just one more home-cooked meal a month could make a difference. Basically, we can all afford to eat a little less and move a little more. Alise Magnuson has lived in Roanoke for seven years and has been a pediatrician since 1995. She is trying to practice what she preaches about nutrition and exercise but is not quite ready to give up chicken tenders. 7 KidSpeak Principal Profile Brighter Futures Name: Kathleen Tate School: Crystal Spring Years teaching: 36 How did you get here? Transferred to Crystal from Round Hill Montessori What inspires you? Gardening – working in the dirt! What exhausts you? Whiny people What’s your secret indulgence? Retail Therapy What’s your favorite book? Moby Dick What’s your best school memory? Annual school picnic to Kennywood Amusement Park And your worst? teacher Being scolded by my first grade What would your classroom theme song be? “Shout” Junior Kindergarten 3 - Grade 12 How would you spend the perfect summer day? At any beach. s!DVANCEDCOLLEGEPREPARATORYCURRICULUM sCOLLEGEPLACEMENT s&OREIGNLANGUAGEINSTRUCTIONBEGINNINGIN*UNIOR+INDERGARTEN s%XTENSIVEATHLETICANDlNEARTSOFFERINGS s%XTENDEDDAYBUSSERVICEANDlNANCIALASSISTANCEAVAILABLE What’s your down the road dream? Retirement – lots of time with my husband and grandchildren To schedule a tour, or for more information, please contact Deborah C. Jessee at 540-989-6641, ext. 330, or DJESSEE NORTHCROSSORG. Discover the Possibilities Cats in the ‘Hood by Olivia DeMattia, Ansleigh Graeff and Taylor Summerlin The kids used their imaginations. 8 KidSpeak The Time Machine: It’s that time again . . . back to school shopping!!! Please take advantage of those sales and help U.S. Kids Care’s Mission School Supply Drive 2009 It’s our 5th year of helping out kids in the Roanoke Valley get a great start to the school year Recipients this year include: Children of Immigration & Refugee Ser vices Head Start Interfaith Hospitality Net work The Presbyterian Community Center The Boys & Girls Club of Roanoke Collection day is at Crystal Spring Elementary Black top and someone will be there to collect while U.S. Kids Care members go out into the neighborhood to collect supplies. September 6th • 1:30 - 3:30 pm SCHOOL SUPPLIES NEEDED: new or slightly used backpacks • graph paper • pencils pens • dividers • folders • ruled paper (college and wide) calculators • erasers • organizers/binders pencil boxes/cases • rulers • spiral notebooks protractors/compasses • markers crayons (16 or 24 pack) • glue sticks • Elmer’s glue Marble Composition books • colored pencils index cards • Kleenex • Scissors (blunt or sharp) An Invitation to Write With Me . . . by Claire Winters It was a stormy night. You had just finished your new invention. You invited your friends Amy, Joe, and Frank over to try and guess your new invention. “Is it a duplicator?” asks Amy. “No,” you say. “Is it a transformer?” asks Joe. “No,” you say again. “Is it a super calculator?” asks Frank. “No,” you say yet again. “Then what is it?” Amy, Joe and Frank ask. “It’s a time machine!” you say. “Awesome!” says Amy. “Cool!” says Joe. “Amazing!” says Frank. “Do you want to use it?” you ask. “Do we ever!” they say. “Well, then we have to have a sleepover,” you say. “Okey-dokey artichokey!” they say. That night, all of you have the same dream. You’re back in the time of the Knights of the Round Table. You meet wizards and sorceresses. You fight dragons, giants, goblins and trolls. You learn spells and potions. Then, it is time to say good-bye. Then you wake up. It is time to have breakfast. You have waffles and bacon to eat. You have o.j. and water to drink. Then it is time to try out the time machine. You race to the basement. You go to the time machine. You say the password to make the door open up. You step inside and close the door. Then you’re at ........ It’s up to you to finish it! Why? Because it’s a cliffhanger! A cliffhanger is a story that you get to end. Just you! You don’t have to get help from parents. You can make it totally up! When you’re done, you can e-mail it to me. I’ll put it in the next newspaper. My email address is mmwinters@yahoo.com. You can address it to Majorie Winters or Claire Winters. Claire Winters is a second grader at Crystal Spring Elementary School. When she is not writing her book reviews for the South Roanoke Circle, you will usually find her reading. She also loves to play with her twin brother Jack, her dog Izzie, and her hamster Hammy. Her other interests include dance, piano, gymnastics, soccer, tennis, skiing and snowboarding. Now it’s your turn. 9 Kate Ericsson, M.T., M.Ed. On-Site Computer Repair & Upgrades Custom Built Computers Reading specialist and private tutor Residential & Commercial www.monsterpconline.com 540.915.1655 kate.ericsson@cox.net PC DOCTOR (540) 819-6862 10 Photographer Barry Wolfe: Swapping the Putter for the Lens Palette Profiles: a series of articles profiling neighborhood artists By Lillian King Meidlinger Take out your Ukrops discount card and give it a good look. The photographs of Roanoke sites that you see were done by South Roanoke’s very own Barry Wolfe. Photography is not, however, Barry’s day job. He has been a dentist for nearly 40 years, specializing in periodontics. A Baltimore native, Barry was a Speech and Drama major at the University of Virginia, then went to dental school at the University of Maryland. After that he was in the Airforce for two years and then spent another two years studying his specialty at the University of Kentucky. He came to Roanoke in 1974 because his first partner’s wife was from Roanoke. Barry’s current practice, Wolfe and Penn Limited, is located on Starkey Road. Barry’s interest in photography began when he was in dental school. It was mostly a family hobby though he did have his own darkroom. However, for many years the majority of Barry’s pastime activities revolved around golf and obsessively so (“which is pretty much the way I do everything,” quips Barry). He was involved in playing, administration, volunteer activities, and ended up being president of the state golf association. Still, though golf was his obsession, photography was always an interest of Barry’s. In 1997, he received a mass mail invitation to a one-day photography workshop put on by Gerlach Nature Photography at the National Wildlife Federation in Washington, DC. He went just for fun as part of a getaway weekend to DC. That’s when Barry got the bug. “”I was just absolutely blown away; it was incredible,” he says. After the workshop in DC, Barry went to a one-week workshop in the upper Peninsula of Michigan (also led by the Gerlachs). One morning while sitting outside in a field, waiting for the light to come up. Barry had an epiphany. He declared, “This is more fun than golf!” That was it. Barry’s obsession began switching from golf to photography (“same disease, different hobby,” he muses). He found himself thinking about taking pictures as he was on the golf course. The hobby got really serious and Barry sought out more formal training. He attended workshops all over the country and beyond. Barry started with the “conventional stuff”. That is, he was using film and making his own black and white prints at home. Color was more problematic, as he was having slides processed and printed elsewhere. Though he had no experience with computers, Barry suddenly realized and was attracted to the fact that with a computer you could print you own color prints. Then he began thinking “why use film when I could capture things digitally?”. At this point, his art really exploded into mostly color work. Barry had to learn about computers and purchased a Macintosh with the same exact set up as his sonin-law so he could ask for help when needed. He went to Missoula with the Rocky Mountain School of Photography and learned about PhotoShop for photogra- phers. It was through opportunities like this that he got to be pretty competent with what he wanted to do on computer. As far as what he was photographing, the “subject matter changed as my experience grew,” Barry says. In the beginning, he did a lot of macro photography (tiny things blown up big). He took pictures of lots of flowers, which was nice but didn’t really do it for him. Eventually his vision “evolved into visual appreciation of small parts of a big picture.” Now, almost all of Barry’s work is of common items viewed differently. The art is colorful, bold, and uncluttered. Barry has always been one to look at the minute detail of things, perhaps because of his dental training where he is used to looking at small things in obsessive detail. He has no formal training in composition but has always just taken pictures of the way he sees things. “It may change, and I will let it change as it changes,” says Barry. His interest is in following his own vision, not pleasing a particular audience. “If someone likes it, great; if they don’t, that’s fine, I still do. I am not producing for an audience, I am producing for me.” For Barry, photography is a peaceful, calming creative outlet that he can do when and if he wants. Nevertheless, Barry has found an audience. The interior designer/architect of the Stonewall Jackson Inn in Staunton is a good friend of Barry’s. She had the idea to decorate the hotel with architectural details of Staunton. She knew Barry’s work and liked it so Barry went there to take pictures for the hotel’s decor. He created the digital files but had no involvement in printing or framing and so signed them digitally. Little did Barry know the pictures were going to be huge, and so his name is too. His pictures are the sole art of the hotel: they appear in every room and public space. Barry often finds subjects for his art as he walks for exercise, taking note of things that catch his eye then returning to capture the sight with his camera. Most recently he has been finding the forms of letters and numbers in natural things and is making a collection of these. Barry and his wife, Libba, are avid travelers and now their travel is planned around desired photographic shoots. They have traveled all over the United States, to Tanzania, New Zealand, Argentina, and the Antarctic. Most recently they two spent two weeks in Paris. “It is really a blast for me, I just have a great time,” says Barry. Barry does all his own printing, matting, and framing in his home on Avenham Avenue. He has his own business and sells his art primarily through Signature Nine Gallery. (NB: Signature Nine recently moved to a new, downtown location at 301 S. Jefferson Street - go check it out!) 11 12 Jocks on Your Block by Kate Ericcson When you put the word “aerial” in front of ballet, all notions of this traditional dance form go out the window. Satin toe shoes give way to rappelling cables, long and lithe bodies to athletic ones of all shapes and sizes, and a hushed performance hall to the outside wall of a public building. Suspended in space, dancers push past the boundaries of known ways to move in gravity as they rappel and dance on a wall. Aerial dance is an offshoot of modern dance that has been in practice only for the past 15 years. There is no established technique or training method as of yet, and that is were Jenefer Davies, Dance Artistic Director at Washington and Lee is stepping in. She led and directed the first spring term aerial dance class at W&L that culminated in a public performance last May. She only accepted 12 students, all of whom had to be dancers or athletes. “I had to turn away a W&L Aerial performers in “So High” featuring music of the same name by John Legend. The piece was choreogood many people who weren’t graphed by Kenneth Hopkins (center) with assistance physically fit enough. Because from Emily Wallace (left) and Ellie Hanson (right). we only had six weeks to put this together, I needed people who missed the other 2 that Jenefer directed in Roanoke during were already athletes or dancers. her tenure as Executive Artistic Director of Roanoke BalIt would have been harmful to the stulet Theater, you can see the entire W&L spring performance dents’ bodies to do the very taxing work that features Emily on YouTube at: http://www.youtube.com/ required of aerial without having some level wlunews of fitness to begin with,” said Jenefer. Kate studied modern dance in college as well, but never perOne of the selected dancers was a South Roanoke native and W&L graduate: Emily Wallace. Graduating with an Art History formed on the side of a building. major and dance minor, Emily was thrilled to be in the company of swimmers, runners, basketball players and dancers selected to join the spring term class. Even though the first day of class was devoted to disclaimers and the immediate building of arm and core strength, Emily felt lucky to be part of “a dance form of the future,” she said. “The most amazing thing to me was what the non-dancers had to offer. This is such an athletic form of dance, and they contributed in amazing ways. The basketball player dribbling his ball up the building was my favorite,” said Emily. The training and preparation for the two performances was rigorous. They spent 5 weeks training in a “black box” theater inside, experimenting with wires and harnesses and doing exercises to develop skill and confidence in the dances that they choreographed themselves. “Everyone noticed they were stronger by the end of the class,” said Emily. There was only one week of outside training with the professional rigging company, ZFX, which is one of the top two industry leaders in the country in aerial work. “They have rigged Peter Pan and Mary Poppins on Broadway among countless other musicals. They were amazing to work with and since they’d never rigged anything like our show, they contributed in an artistic way and were as excited as we were about the results,” added Jenefer. What Emily didn’t expect, other than so many sore muscles and long hours of training, was the reception of the show. “We stopped traffic when we were performing,” said Emily. “People saw what we were doing, parked their cars, and came over to the grassy area to watch us dance with their mouths wide open.” Washington & Lee is one of the few universities to support this experimental form of dance, and Jenefer intends to keep researching and publishing with experiential classes like Emily’s. This year’s class was supported by a Mellon Foundation grant but will need to be renewed through another source of funding the next time. Jenefer plans to offer the class every other year as she continues to research and present on aerial dance at a national level. Working in Nantucket this summer, Emily plans to look for a job in the art history field doing art administration or education. She has every intention of continuing to dance, but realizes that it will most likely be on terra firma. If you were not able to see the spring performance at W&L, or 13 14 Economics 24014 Unified Managed Accounts: A Peek into the Future by Paul J. Higgins, Vice President, UBS Financial Services Inc. As investors have gained a greater appreciation for paying a fee for ongoing advice and investment management services rather than commissions, they have been generally met with mutually exclusive options. Individuals today can typically choose from among advisory programs that may include mutual funds or separate account money managers that provide personalized and professionally managed portfolios or ETFs, to name a few. When deciding which program to choose investors usually consider relative advantages and disadvantages of each investment type and the amount available for investment. Typically each investment program has its own account, which results in separate statements and performance reporting. That’s beginning to change. Recent innovations now allow investors to combine these options into one account and receive a single, comprehensive statement and quarterly performance report that incorporates all of the account holdings. These accounts are called Unified Managed Accounts (UMAs). Participating in a UMA usually begins with a questionnaire to determine your personal investment objectives and tolerance for market risk. Based on your answers, an asset allocation comprised of multiple asset categories (e.g., stocks, bonds, cash) is presented. Once you agree upon an allocation, or modify it to your satisfaction, it’s time to select the appropriate investments. Individuals work with their financial advisor to determine an appropriate investment vehicle for each asset class comprising the asset allocation recommendation. For instance, do you fill the large cap equity allocation with a mutual fund, ETF or a separate account manager? Once the investor has implemented the asset allocation recommendation with ETFs, mutual funds and separate account managers, he or she will begin to receive statements and quarterly performance reports that typically will detail the performance of each individual investment as well as the complete portfolio. An important feature of a UMA is a rebalancing service. Too often, investors who started out properly diversified find that they have drifted away from that allocation due to the different performance results of the individual components of the portfolio. For example, the outperformance of stocks relative to bonds will cause an allocation to become more weighted to stocks, increasing the overall risk of that portfolio. Rebalancing is the exercise of periodically reviewing the portfolio to see where it has drifted away from its initial allocation and selling the positions that have become overweighted. The cash proceeds are then used to buy more of those positions that had become underweighted. While rebalancing neither assumes a profit nor guarantees protection against a loss, it serves two important functions. It helps to manage portfolio risk by ensuring that better performing and potentially more risky positions do not become too great a portion of the portfolio. It also serves as a discipline to buy investments when they are cheaper and sell those when they are more expensive. UMA accounts typically offer to automatically rebalance the portfolio based upon prescribed triggers (e.g., when a position is plus or minus 10% from its initial allocation) and on a periodic basis--typically annually, though more frequent rebalancing may be available. The future has indeed arrived with the advent of UMA accounts, and investors have every reason to be excited. Paul Higgins is a Vice President with UBS Financial Services and a Principal of the Trinity Wealth Management Group. He can be reached at 540-855-3381 or paul.higgins@ubs. com. It is important that you understand the ways in which we conduct business and the applicable laws and regulations that govern us. As a firm providing wealth management services to clients in the U.S., we are registered with the U.S. Securities and Exchange Commission (SEC) as an investment adviser and a broker-dealer, offering both investment advisory and brokerage services. Though there are similarities among these services, the investment advisory programs and brokerage accounts we offer are separate and distinct, differ in material ways and are governed by different laws and separate contracts. It is important that you carefully read the agreements and disclosures that we provide to you about the products or services we offer. While we strive to ensure the nature of our services is clear in the materials we publish, if at any time you seek clarification on the nature of your accounts or the services you receive, please speak with your Financial Advisor. For more information, please visit our website at www.ubs.com/workingwithus. The information contained in this article is based on sources believed reliable, but its accuracy cannot be guaranteed. This article is for informational and educational purposes only and should not be relied upon as the basis for a purchase decision. 15 Sunday, September 13, 2009 9:15 am 10:30 am Continental Breakfast and Sunday School for all ages Worship followed by BBQ and Potluck Luncheon South Roanoke United Methodist Church 4+FòFSTPO4Ut Senior Minister: Pastor “Stan” Wright :PVUI.JOJTUFS1BVMB$PLFS+POFT www.srumc.com The Purpose of Religion Sermon Series by Pastor “Stan” Wright Join us for KickOff Sunday Our New Pastor Pastor “Stan” Wright Director of Music Ministries Richard D. McClure Instrumental Ensemble Handbells Chancel Choir and Praise Team For Parents Children’s Ministries Youth Ministries Parents of Young Children Monthly activities for fellowship Jelly Bellies (2-1/2 - preK) Wed. 1:15 pm Featuring The ABC’s of the Bible Sundays 5:30 pm Monthly Fun Activities • Retreats • Service Projects …especially for Moms…. “M.O.P.S.” (Mothers of Preschoolers) Meeting September 15, 11:30 a.m. Junior Mints (K-grade 2) Tues. 3 pm and Peanut M&M’s (grades 3-5) Thurs. 3 pm Featuring The Great Bible Race