Digital MeDia Pros - Creative Planet Network
Transcription
Digital MeDia Pros - Creative Planet Network
2013 Show Guide anD Digital MeDia Pros for ConferenCe September 25-27, 2013 exhibits September 25-26, 2013 L.A. Convention Center | Los Angeles, CA creative PLANET network.com www.dvexpo.com creative PLANET network.com Produced by: DVE13_ShowGuide.indd 1 01-16_DVExpo 2013 Show Guide CS5 DW FINL EDITS.indd 1 9/9/13 1:45 PM 9/11/13 4:04 PM with c atc h the JOrDan L a r r y JO >>> The Official Podcast of Digital Video Expo 2013 tune in Thursdays 6-7 PM Pacific DigitalProductionBuzz.com subscribe to the podcast through iTunes Get all the news now and in your digital future! Connect with leading industry professionals from around the world. Join award-winning hosts Larry Jordan and Michael Horton every Thursday night (6-7 p.m. PST). Ask questions during the show in our live chat, and get the BuZZ podcast on iTunes. Listen to all our special DV Expo 2013 coverage at DigitalProductionBuzz.com. For advertising or sponsorship opportunities contact Patrick Saxon at Patrick@LarryJordan.biz 01-16_DVExpo 2013 Show Guide CS5 DW FINL EDITS.indd 2 9/11/13 4:04 PM WE L C OM E / / use our hashtag #dvexpo to share all the happenings of the show floor Come As You Are One of the best things about attending Digital Video Expo is that you can completely customize your experience. You decide what you want to learn and how much time you have to learn it. If you want three days of intensive hands-on training in our L.A. Post|Production Conference, you can opt for that. If you’d prefer an afternoon series of panels focused on producing video for multiple screens, you can attend Video Edge Live. If you’d like guidance on creating, financing, distributing and monetizing your content, you can sign up for the Pro Media Conference and attend the sessions in room 406A. Or if you’re interested in learning about emerging production and postproduction technologies, attend the Pro Media Conference sessions in room 406B. And if want insight on new tools for imaging, you can attend one of Canon’s free educational sessions. Maybe you want to hear from creative professionals about their projects and production techniques—you can get that from two days of free presentations at the Center Stage theater on the show floor. And if you want to try out new products from companies like Panasonic, Adobe, Sony, JVC and AJA, you can spend time with the exhibitors in our informal, conversational setting. While you’re at the Convention Center, would you like to attend a networking event, screening or user group meeting? You can do that, too. Maybe you’d be interested in winning a prize at one of our twice-daily drawings, and, really, who wouldn’t be? Just be on the show floor when they happen. There is so much going on at this year’s Digital Video Expo, I think there’s literally something for everybody. (See pages 4-10 of this show guide for schedules.) You can get three days of information, interaction and inspiration — exactly the way you want to get it. EXPO HOURS Wednesday, September 25 11:00am – 6:00pm Thursday, September 26 10:00am – 5:00pm INSIDE ProMedia Conference . . . . . . . 4-5 Center Stage Schedule. . . . . . . . 6 Canon Training. . . . . . . . . . . . . . . 7 VideoEdge Live!. . . . . . . . . . . . . . 7 I look forward to seeing you here! LA Post Production Best, Conference. . . . . . . . . . . . . . . 8-10 Floor Plan. . . . . . . . . . . . . . . . . . 11 S H O W M A N A G E M E N T: Cristina Clapp Digital Video magazine, Digital Video Expo 310.429.8484 cclapp@nbmedia.com | Exhibitor Listings. . . . . . . . . 12-15 Twitter: @digitalvideomag Carmel King Executive Vice President cking@nbmedia.com 703.852.4602 Jacqueline Gospodinoff Sales Director jgospodinoff@nbmedia.com 212.378.0493 Kathy Paton Operations Manager kpaton@showessentials.com 732.749.3018 Eric Trabb VP/Group Publisher etrabb@nbmedia.com 212-378-0400 ext 532 Evan Hart Expo Manager ehart@nbmedia.com 703.852.4618 Lucy Kim-Brown Event Marketing Coordinator lbrown@nbmedia.com 212.378.0443 Cristina Clapp Editorial Director, Conference Chair cclapp@nbmedia.com 310.429.8484 Tom Leader Sr. Marketing Manager tleader@nbmedia.com 212.378.0438 Produced by: NewBay Media 28 East 28th Street 12th Floor New York, NY 10016 212.378.0400 Steve Palm CEO, NewBay Media Digital Video Expo 2013 Show Guide 3 01-16_DVExpo 2013 Show Guide CS5 DW FINL EDITS.indd 3 9/11/13 4:05 PM P R O MEDIA CONFERENCE Wednesday, September 25th, 2013 ROOM 406A ROOM 406B Three-Point Lighting for On-Camera Talent & Interviews with LED Lighting Fixtures Pat Grosswendt This session will discuss achieving proper portrait or modeling lighting using some of the features that are unique to the modern LED lighting fixtures. 9:00 AM 10:00 AM How to Navigate that Reality Job: Everything You Need to Know But Didn’t Think to Ask Cirina Catania If you want to know more about documentary and reality production, whether for network, the web or independent distribution, this presentation will inspire you to pursue your dreams and provide the answers to your questions about landing and keeping that coveted job. The Evolving Role of the Cinematographer in the Digital and Virtual Age Director of Photography Yuri Neyman, ASC Director of Photography Jason Knutzen Director of Photography Vilmos Zsigmond, ASC The panelists and their colleagues are working together at the Global Cinematography Institute to further the advances of digital and virtual cinematography in the motion picture industry and are implementing the creation of a new discipline, “Expanded Cinematography.” 11:00 AM Independent Documentary Filmmaking Khaled Sayed Khaled will show you the best way to plan your independent documentary from getting ideas to production, post production, what to use for equipment, how to market your film using social media, and self distribution. The 4K Question Odin Lindblom Many independent filmmakers believe that 4K production is unaffordable and unimportant; in reality, we are on the verge of a sequel to the SD/HD acquisition evolution. Drawing on his experience from his 4K documentary, Bikeman Begins, Odin will discuss technical, creative, and budgetary challenges and solutions of 4K production. 12:00 PM Crowdsourcing and Crowdfunding for Filmmakers Claude Shires Claude Shires will take audiences through a history of crowdfunding, highlighting its successful use in the field of entertainment. This talk will offer a look at crowdfunding as an audience-building tool, and concept validation. Claude will also give insight on crowdfunding as a potentially disruptive force in television. On-Set Image Control Director of Photography Yuri Neyman, ASC Director of Photography Jason Knutzen The methodology and techniques for a cinematographer to “control” the image after it has been shot is a process which began in 1938 by Director of Photography Leon Shamroy, ASC, and has continued into modern times with Apple’s iPhone and iPad apps being used on-set today. This presentation will explain a brief history of cinematographer’s attempts to previsualize the results of their filming, and will demonstrate workflows and methodology of systems used today for on-set color corrections. 2:00 PM Sell Me a Story: Building Your Own Fan Base in the Digital Economy Colleen Wainwright Through a series of real-life examples and actionable principles, Colleen Wainwright, aka The Communicatrix, will show, not tell, you how to do just that. You’ll learn the nuts and bolts of crafting and selling the story around your story using branding, marketing, and modern audience-building tools. 3:00 PM Everything You Wanted to Know about Copyrights But Were Afraid to Ask M.M.Le Blanc, Professor, Los Angeles Film School Entertainment Business Bachelor Program Recent court cases relating to the Digital Millennium Copyright Act are changing how digital media producers are being affected by laws about online content and copyright and trademark infringement. Hear about innovative best practices for documentary filmmakers in using copyrighted works without licensing. See how to use the U.S. Copyright Office online registration process to protect your digital media. 4:00 PM 4:30 PM Creating the Next Generation of Content Jordi Matsumoto This session will chart the move from the world of 30 seconds spots to fully funded content. Now, more than ever, the need to engage audiences with non-promotional material is important. Marketers and brands must find a way to break through the clutter by not being the clutter. Jordi will make the case for non-branded content, differentiating between online and TV content, and the need for strategic distribution. Profit From Your Media Library Using Multi-Platform Distribution 5:00 PM 5:30PM 6:00 PM Jay Phelps Jay Phelps, lead developer for Pivotshare, will take you on a practical tour of the steps and best practices necessary to convert existing as well as future media holdings into an optimized, multi-platform, revenue-generating network. Making the Most of Waveform Monitors in Post Steve Holmes This session will cover using Waveform Monitors in Post for scene matching and color gamut testing, and using Luma Qualified Vector for secondary color matching. You will come away with an understanding of the tools and techniques you can use to make scene matching easier. Get the Most from Your Media Sam Bogoch, CEO, axle Video A panel of industry experts led by Sam Bogoch will discuss today’s best practices in shared storage and media asset management. Topics to be covered include: standalone drives vs. shared storage, SAN vs. NAS shared storage, migrating media to tape systems based on standards like LTFS, or cloud-based archives, remote browsing of high-res media, minimizing system installation and training time Expediting Ingest From Multiple Camera Original Media Formats, Efficiently Richard Carroll, Post Production Supervisor, MarVista Entertainment Many video producers unite footage from multiple cameras into a single project space, but face delays and complexities when moving footage out of the camera and into the production workflow. This session is a case study of MarVista Entertainment’s innovative workflow for digital dailies and review & approval using cloud computing to dramatically expedite the process on projects. Implementing this workflow has resulted in routinely having dailies up and ready to watch 24 hours earlier on average. 4 Digital Video Expo 2013 Show Guide 01-16_DVExpo 2013 Show Guide CS5 DW FINL EDITS.indd 4 9/11/13 5:09 PM PRO MED IA CONFERENC E Thursday, September 26th, 2013 ROOM 406A ROOM 406B How to Make Money Live Streaming 9:00 AM Production as a One-Man Band Michael Brueggenmeyer A walkthrough of equipment choices, planning, scheduling, shoot logistics, lighting and camera, directing talent, and an overview of editing. Learn how to schedule your shoot, do beautiful lighting on a budget, and avoid pitfalls, like not budgeting time to upload video to the web. Philip Nelson – Moderator Mike Rotman – President and Founder of Streamin’ Garage Victor Borachuck – Director and Executive Producer of Jupiter Return Brian Sheil – Founder and Producer of Entertainment Services LA As popular as streaming media is, many producers still struggle to monetize their content. This discussion, coming from leaders who have emerged from the trenches successfully, will include an introduction to live streaming video content and a variety of ways you can make money from it. Best Practices for Internet Streaming to Desktops, Set-Top Boxes and Mobile Devices Globally Chance Mason, EVP Internet Media, Haivision Learn the best practices of efficiently delivering your high quality live and on-demand content over the public Internet. Learn how to stream your live and on-demand events, seminars, conferences, and training to audiences on every platform, at any time, with the best possible user experience. You will learn about Adaptive Bitrate (ABR) streaming, Multi-Bitrate (MBR) streaming, what to look for in an online video platform (OVP), the benefits of live cloud transcoding, and different player technologies. 10:00 AM Sink or Swim? Navigating Today’s Turbulent Waters as a Content Creator Walt Jones, Producer/Filmmaker Gain critical insights into how the latest technologies are being used, how they’ve already transformed the way we do business and how to connect your content to the right audience. Whether you’re a producer, director, writer, editor or other content creator, this session will give you the tools you need to successfully navigate the road ahead. 11:00 AM How to Market and Sell Your Movie Without the Middle Man Jason Brubaker Finding a traditional distribution deal is increasingly challenging. Nobody knows this better than Jason Brubaker. After failing to garner a traditional distribution deal for his first feature, he figured out how to market and sell his movie online. With his easy to follow, step-bystep system, Jason shows independent filmmakers how to maximize movie profits without the middle man. The Second Screen Phenomenon: How Streaming Is Personalizing the Viewer Experience on Multiple Screens Jamie Sherry Content consumers have begun complementing their viewing experiences by using connected, portable devices while watching traditional TV. To interact in real-time with the content they are consuming, audiences are using their second screens to look up additional information on the programs they watch, catch up on missed broadcasts using video-on-demand, interact via social media, and seek out details about advertisements that appear on TV. The session will focus on how to leverage the second screen trend by using simple multiformat video streaming workflows. 1:00 PM Kickstarter Is Easy Dan Abrams Kickstarter is easy...if you know what to do. Dan will lay out what makes a great Kickstarter project, what elements your project should contain, and how financing can be relatively easy if you’re willing to work at it. Learn how to structure your pitch, rewards, and video, and find out how Kickstarter can be a test of your project’s future success. Simplifying the Complexity of Live and On-Demand Video Workflows Ken Brueck In this session, we address the challenges of streaming live and on demand adaptive video to multiple platforms and devices by moving the workflow from hardware-dependent infrastructure to software and cloud-based infrastructure. We will demonstrate how to eliminate complexity instead of managing it, with a simpler, more scalable approach that significantly reduces costs. 2:00 PM 120 Significant Social Media Facts and Figures Walter Davis Video is essential to targeted social media campaigns and can project your message worldwide with a very low budget. You will learn: 120 facts and figures about social media, how to target more than 300 social media networks and choose the ones that most effectively work for your enterprise, how to streamline your online media, and the best way to use video in online marketing. Cloud-Based Production Management John Corser What are the option, drawbacks and benefits to web-based entertainment production management software? Which ones are designed specifically for the film and television industry? Can these softwares effectively centralize your production information and provides secure access from your computer, cell phone, or wireless device? 3:00 PM Digital Capitalization - VOD Krys Cameron There are many variables that make for a true revenue making strategy via VOD. The Internet is just one of those variable platforms...but not the total solution. Learn how to market your media effectively without giving your media away after it’s gained popularity. Learn the factors involved to create a winning formula to execute your bottom line effectively. See what it takes to gain the attention of media aggregators with a focus on TV and cable distribution. Live Field Encoding Best Practices Scott Grizzle You don’t need to spend millions of dollars to have a great looking image for the web. If you shoot it right, you will have images that will stand up for the web and broadcast. This session will be an open discussion from the field and back to post, dealing with how to get that extra pop and best practices. We will cover codecs including the adaptive and non adaptive, containers, and delivery. Do you need a CDN or can you handle yourself? When purchasing equipment what should you be looking for in a camera mount encoder, a portable or even a flypack? 4:00 PM Campaigns, Capital and Community for Video Creators Josef Holm TubeStart CEO Josef Holm discusses the power (and potential problems) of funding your video projects, including the best platforms to use, the different business models available and range of ways to capitalize on your content. TBD Digital Video Expo 2013 Show Guide 5 01-16_DVExpo 2013 Show Guide CS5 DW FINL EDITS.indd 5 9/11/13 5:09 PM f r e e Events EXPO SCHEDULE Expo Hall Open: Wednesday, 11:00am – 6:00pm | Thursday, 10:00am – 5:00pm WEDNES DAY 25 September to produce flawless live events and deliver your message to viewers on every corner of the globe, on laptops, iPads, mobile phones and connected TVs. 11:30 AM – 12:30 PM Backstage Filmmaking with Freefly Systems Movi 12:30 PM – 1:30 PM Backstage Business Tips to Keep Your Production Company “in Business” Presenter: Gail Mooney There are plenty of seminars out there that teach the “tools” of video as well as how to use those “tools” – from the DSLR to the RED and everything in between. But what seems to be lacking in many workshops is teaching the fundamentals of sound business practices of video production. Gail will provide some key tips to keep you from making some business mistakes that could put you out of business before you even get started. 1:30 PM – 1:45 PM Backstage — Prize Drawings 2:00 PM – 3:00 PM Best Practices for Live Streaming Alden Fertig Do you have a strategy for live video? Live streamed events are emerging as one of the most engaging ways to reach your potential customers, your audience, and even your own employees. From webinars to company meetings, to concerts and sporting events, there are many events that can be streamed live to reach a broader audience. But video production for live streaming is different from producing recorded videos or short web clips. What sort of personnel, equipment and other considerations are there when producing live streamed events? Streaming live and in HD is easier than ever before when you choose the right tools and follow these best practices. In this session Ustream’s live streaming guru, Alden Fertig will share tips and tricks gained from over 10 years of producing live content for broadcast and the web. He’ll discuss in-depth the technical workflows required THURSDAY 26 September 10:30 AM 3:00 PM – 4:30 PM NewFilmmakers: Short Film Festival and Filmmaker Q&A Join a talented panel of filmmakers who will screen their work and discuss their creative and technical approaches in this informative, interactive session. Presented by NewFilmmakers Los Angeles. 4:30 PM – 5:30 PM Creating Original Video Projects on a Budget of Zero Presenter: Scott Essman Using the new short jazz film “Trane and Miles” as a model, the writer-director-producer will explain each stage of the process, from crucial first casting decisions, to finding equipment to be loaned, to crewing up with a mixture of professionals and students, to finding a location and props, to partnering with a film school for support, to writing a script within the parameters of possible production, to shooting 10 pages per day over a weekend, and managing postproduction, including the writing and recording of an all-original jazz musical score with notable musicians. 5:30 PM – 5:45 PM Backstage — Prize Drawings Backstage Touch the Future of Live Production with Sony’s New Anycast Touch Switcher Tablets, smartphones and PCs harness the power of touch. Why not a live production switcher? Sony created the AWS-750 Anycast Touch live content producer with incredibly intuitive touchscreen control and live-streaming capability. Here’s your opportunity to get a firsthand look at this new, powerful, all-in-one switcher. 11:30 AM - 11:45 AM Backstage — Prize Drawings 12:00 PM – 1:00 PM Backstage — LA Post Production Keynote 1:00 PM – 2:00 PM Backstage How to Be Unstoppable Shawn Tolleson Join Career Strategist Shawn Tolleson for a class to learn practical tools for how to be unstoppable. We’ll do exercises, individual and group coaching. You’ll leave having a crystal clear vision for your career and powerful, practical strategies for accomplishing it. You’ll leave inspired, highly focused, and with a new sense of clarity and direction. 5:00 PM – 6:00 PM VideoEdge Live! Reception on the Exhibit Floor, sponsored by Ustream í Wednesday Af ter-Hours Events 6:00 PM LAPPG Group Meeting Room 406A 6:00 PM LAdobe Room 406B 2:00 PM – 3:30 PM New Media Film Festival Join a talented panel of filmmakers who will screen material that combines the interactivity of new technologies and formats for media and cinema, exemplifying the power of the cinematic arts to inspire and transform. Presented by the New Media Film Festival. 3:30 PM – 4:30 PM TBD 4:30 PM - 4:45 PM Backstage — Prize Drawings 6 Digital Video Expo 2013 Show Guide 01-16_DVExpo 2013 Show Guide CS5 DW FINL EDITS.indd 6 9/11/13 5:11 PM free Events CANON Camera Training WEDNESDAY 25 September Canon EOS C300 A-Z Camera Operation Workshop 10 AM – 1 PM, Room 404 A Suny Behar: Canon expert and Director of Photography, Suny Behar will guide you through the intricacies of digital cinema acquisition with the EOS C300. This is your chance to learn from the pros and get the very same expert EOS C300 training provided to IATSE members. This session was originally produced to familiarize camera department professionals with EOS C300 setup and operation, and is being repeated by popular demand at DV Expo West. The EOS C300 has quickly become one of the most popular digital cinema cameras in the world, and this one-day course is intended EOS C300 to give you the tools necessary to operate this versatile production workhorse, including; become the camera of choice for independent productions. This year at DV Expo, Canon is offering you an opportunity to master its EOS C100 many features with Canon expert and Director of Photography, Suny Behar. • Menu, buttons and cameras setup • Workflow and Canon XF Utility • Special Recording modes, gamma settings, custom pictures • Tips on WiFi operation, assignable buttons, photos, etc. Join us for this intensive EOS C100 workshop where you’ll learn how to take full advantage of the technology behind this incredibly versatile camera. Using a mix of classroom instruction and practical shooting examples with third party accessories, Suny will show you how to get the most from an EOS C100 on your next shoot including; THURSDAY 26 September Canon EOS C100 Intensive Workshop 10 AM – 1 PM, Room 404 A Suny Behar: Canon’s EOS C100 has quickly VI D E O E D GE LIVE! • Camera Configuration and Setup • Gamma Choices and Color Basics • External Recorders • Workflow Overview Wednesday, September 25th Room 405 Video Edge Live Summit is a new, engaging conference program designed for professionals who produce and deliver online video for media and entertainment, enterprise, educational, and government applications. The interactive, informative event consists of four panel discussions, each featuring a combination of end users, industry experts and manufacturers. Panel topics include: 1:00 PM Real-World, Real-Time Production For Live Streaming This session focuses on the technical aspects of managing a live production--including cameras, audio recording, switchers, still stores, titling, effects generators, mixers, encoders, and broadcast and streaming systems. With an emphasis on the challenges created and solutions available for those working in a live production environment, this panel provides an informative overview for those working in sports, education, corporate, government, and houses of worship. 2:00 PM Content Management for Every Screen With audiences that now expect on-demand and mobile video, you need to evolve the strategies (and tools) you use to you publish your content--video, graphics, text and imagery--to meet new standards of consumption. We’ll give you an understanding of the steps needed to prepare your media for every viewer and every screen, from management to optimization and through to distribution. 3:00 PM The Future of Video Platforms and Content Delivery We’ll discuss solutions for streaming, encoding, recording, managing, and distributing video in this conversation about all aspects of content transport. Panelists will address each component of the video streaming workflow, with an emphasis on technical issues such as bandwidth use, how to maximize video quality and keep video streams consistent across varying networks. 4:00 PM Exploring Cloud-Based Video Services for Media & Entertainment You’ll gain perspective on the range of possibilities for cloud-based file sharing and creative collaboration and how to best manage, monitor and distribute content using this technology. We’ll explore how to best keep your creative world in sync, and give you real-world views on best practices for using the cloud to manage both internal and external projects and productions. Digital Video Expo 2013 Show Guide 7 01-16_DVExpo 2013 Show Guide CS5 DW FINL EDITS.indd 7 9/11/13 4:08 PM LAP P C Conference Program L A PPc WEDNESDAY 25 September Post-Production Techniques & Secrets Room 409A ____________________________________ 9:00 AM – 10:15 AM Getting the Best Keys: A Complete Greenscreen Workflow for Adobe, Apple and Avid Rich Harrington The key to a great green screen is a combination of how you shoot and how you post process your material. Learn how to complete the scene with Post Production techniques in Adobe After Effects, Photoshop, and Premiere Pro. Learn how to composite your footage against a new digital background plate, match the color and exposure, adjust focus, and perform keying for motion. You’ll even learn how to use 3D cameras and lights to enhance the final composite. ____________________________________ 10:30 AM – 11:45 AM Advanced Tracking, Stabilizing, and Rotoscoping Techniques in After Effects Eran Stern All the various methods of marring elements to live footage. Solve challenging shots when elements go out of the frame, pan through screen and don’t comply with standard planes. Learn up close and detailed about Mocha - a planner tracking software which comes bundled with After Effects. In addition you’ll expand your knowledge on three-dimensional tracking using the Camera Tracker. After this session nothing can escape you! ____________________________________ 1:00 PM – 2:15 PM Designing Compelling Title Sequences Eran Stern In this session you will learn the important rules about designing a title sequences using After Effects. What are the basic design rules and how to choose colors and fonts. We’ll also look at different methods for creating synthetic backgrounds and discuss periodic and repeated elements that lie at the heart of most Motion Graphics pieces. ____________________________________ 2:30 PM – 3:45 PM Photoshop for Video Editors - 10 Techniques You Need to Know Rich Harrington Join Photoshop expert Richard Harrington (author of Photoshop for Video) and learn how to harness the latest features in Photoshop CC to create better graphics for video projects. From filtering video clips and creating backgrounds for keying to advanced wide angle repair and using camera raw on video, there’s a lot of powerful tools. Rich will show you how to open up video files and still files and retouch them with Adobe’s powerful image editor and share his favorite 10 techniques to save you time and automate your workflow. ____________________________________ 4:00 PM – 5:15 PM Hot Effects for Commercials and Promos Eran Stern In this session, we’ll take a closer look at promos and commercials which were created using After Effects. You will be exposed not only to the technical side of the work, but should also learn how to access various projects. Your brain is going to explode with ideas and inspiration that will lead you to create an impressive result even if the budget is not high. This is a unique opportunity to peer into the processes behind the scenes of the world of motion design, and understand how things work in the professional television market. ____________________________________ Digital Video Production Room 409B ____________________________________ 9:00 AM – 10:15 AM Track: Digital Video Production Directing Challenges - Working with Professional and Non Professional Talent Abba Shapiro Working with non-professional talent is one of the greatest production challenges. Whether interviewing a CEO, a child, or just the person-on-the street, this seminar will show you how to get the sound bite you need and have your subject look and sound their best. (This course will NOT cover advanced techniques such as interviewing mimes and small animals.) We’ll also cover the benefits of working with professional talent as on camera hosts and in narrative performances. ____________________________________ 10:30 AM - 11:45 AM Time Floats By: Timelapse Production & Post Rich Harrington DSLR’s can produce amazing video. However, they can take even better pictures. In this session you will learn to create dynamic time-lapse video and use photographic techniques to achieve amazing dynamic range and super high resolution. We will cover long exposure, raw processing and compositing with real-time. Audience: Filmmakers and photographers interested in pushing the envelop with time lapse creation. ____________________________________ 1:00 PM – 2:15 PM The Art of Strategic Budgets for Video Producers and Directors Richard Harrington For many, the art of budgeting is a black art. Instead, they settle on a BONSOP approach (back of napkin/seat of pants) to craft their financial plan. It doesn’t have to be this way. Join Rich Harrington as he explores the world of budgeting by laying out the nuts and bolts of budgets and proposals for video projects. Learn how you can break down a project into a practical budget. You’ll also master how to identify deliverables and estimate time and labor. ____________________________________ 2:30 PM – 3:45 PM Writing Great Scripts Abba Shapiro If there is nothing on the page…there is nothing on the screen. In this session we’ll examine the script strategies for Corporate Videos, Narrative productions, and Documentaries. We’ll examine how to best work with your writer and your client… and if you are the writer how to best deal with both the production company and their client. ...and what if the client thinks they are a writer. ____________________________________ 4:00 PM – 5:15 PM Production Gotcha’s: Where things may go horribly “wrong” and how to avoid them Abba Shapiro If you have a contingency plan – you wont need it; however, if you do not…well….all bets are off. In this course we’ll explore some of the things you can and should do prior to production that will keep your production on-schedule and within budget; Simple steps to take for both local and out of town shoots. And what can be done if things do go wrong. THURSDAY 26 September Post-Production Techniques & Secrets Room 409A ____________________________________ 8 Digital Video Expo 2013 Show Guide 01-16_DVExpo 2013 Show Guide CS5 DW FINL EDITS.indd 8 9/11/13 4:08 PM LA PPC Conference Program 9:00 AM – 10:15 AM Unlocking Adobe Premiere Pro CC Advanced Techniques Rich Harrington There’s a ton of features added for professional and advanced editors in the last two updates to Adobe Premiere Pro. Join Adobe Master Trainer Rich Harrington as he unlocks the best tools and hidden secrets Learn how to work faster with the redesigned and customizable user interface. Work in realtime with the enhanced Mercury Playback Engine. Stay organized with new media management tools. Learn about other improvements like audio sync, multi camera editing, improved trimming behavior, and video adjustment layers. ____________________________________ 10:30 AM – 11:45 AM From Expert to Master: Best FCP X Tips & Techniques Abba Shapiro Final Cut Pro X changed the way editors worked. This course will take the show editors lesser known FCPx techniques and tricks to allow them to edit faster and more creatively. We will also cover the latest features that have been added since the application was first launched. ____________________________________ 2:30 PM – 3:45 PM Best Editorial Tips for Media Composer Michael Krulik, Avid This course focuses on Media Composer version 7, it will highlight and show changes to the software over the years. We’ll review the interface and basic editing techniques before moving on to trimming, fine-tuning the edit, adjusting audio, adding transitions, adding titles, and outputting your finished project. This tips and tricks course is the first step in mastering Avid Media Composer 7, the standard editing system used by professionals in the film and television industries. ____________________________________ 4:00 PM – 5:15 PM Fixing Problematic Audio with Adobe Premiere Pro and Audition Robbie Carman In this fast-paced session, learn practical techniques for getting your audio to sound better and how to fix and restore the quality of problematic clips. Specific topics include mastering the track and clip mixers in Premiere Pro, using submixes and mixer automation modes, as well as using Adobe Audition for noise reduction, healing audio, better speed changes, ADR and loudness assessments. Digital Video Production Room 409B ____________________________________ 9:00 AM – 10:15 AM Managing Crews and Clients Abba Shapiro Here’s a secret: The real job of a producer in not managing the production ….it is managing the people involved in the production. In this session we’ll cover everything from managing your clients, your crew, and your talent (BTW – actors like to be called talent.) … to managing your editors and all the other people that help you get your programs done on time and within budget. ____________________________________ 10:30 AM – 11:45 AM The Perfect Handoff: Production Techniques for Successful Post Production Robbie Carman For many, the art of budgeting is a black art. Instead, they settle on a BONSOP approach (Fix It In Post? How about do it right in the field first! In this session, learn about practical techniques that you can employ in the field so you can work quickly and more effeciently in post production. Specific topics include: audio and green screen techniques, particle shooting tips to optimize color grading in post as well as how get the most metadata from the field to team members in post. ____________________________________ 2:30 PM – 3:45 PM A Complete Camera Package - Essential Gear for Your Next Production Jem Schofield In this session we will break down and discuss that equipment (camera, lenses, lighting, audio gear, etc.), which are the problem solvers on most of my productions. The things that produce predictable results and that save me and my crews time on set. ____________________________________ 4:00 PM – 5:15 PM Audio Recording for Small Productions Jem Schofield This session will discuss and demonstrate simple and effective audio set-ups for small productions and take the mystery out of audio in production. It will concentrate on using shotgun & lavaliers (for interior and exterior shoots), and also discuss preamps and single & double system sound solutions. Premiere Pro Day 1: Wednesday, September 25th 9: 00 AM – 5:15 PM Day 2: Thursday, September 26th 9:00 AM – 5:15 PM Premiere Pro for Experienced Editors: 2-Day Certification Prep Class Room 410 John Schick In two days, this course teaches experienced editors how to navigate Adobe Premiere Pro and gives insights on how to use Adobe Premiere Pro within the Creative Suite Production Premium workflow. FRIDAY 27 September Full-Day “Focus-On” Workshops ____________________________________ 9:00 AM – 5:00 PM (1 hour lunch break at 12:00 PM) Room 409A FOCUS ON: Color Correction & Grading Robbie Carman Frustrated with color correction? Don’t know where to get started? In this full day session, learn the essentials of color theory and how to use video scopes. Discover the power of primary corrections to balance shots and then how to fine tune details with secondaries. Get practical grade management techniques so you can quickly match shots together and master workflow with editorial applications. If you’re new to color correction or need some insights to help you take your grading work a step further this session is for you. ____________________________________ Room 409B FOCUS ON: Lighting, Shooting & Conducting Interviews Jem Schofield This full day workshop will focus on best practices when lighting, shooting and conducting interviews. It will discuss and demonstrate certain “rules” or “agreements” that can be followed to help you consistently shoot great looking, great sounding and natural interviews. Topics for this workshop will include scouting locations, working with large and small sensor cameras, lens choices, different camera & lighting set ups, two camera set ups, camera movement, metering for light ratios and repeatability, controlling light and working with and successfully conducting interviews with talent. It will also include live demonstrations of various equipment and set ups along with hands-on audience participation. Digital Video Expo 2013 Show Guide 9 01-16_DVExpo 2013 Show Guide CS5 DW FINL EDITS.indd 9 9/11/13 4:08 PM Conference Sched ule At-a-Glance Wednesday, September 25, 2013 Room 409A Room 409B Room 410 Post Production Techniques & Secrets Digital Video Production Certification Prep 9:00 AM 10:15 AM Getting the Best Keys: A Complete Greenscreen Workflow for Adobe, Apple, & Avid Rich Harrington Directing Challenges — Working with Professional and Nonprofessional Talent Abba Shapiro 10:30 AM 11:45 AM Advanced Tracking, Stabilizing, and Rotoscoping Techniques in After Effects Eran Stern Time Floats By: Timelapse Production & Post Rich Harrington 12:00 PM 1:00 PM Lunch Break 1:00 PM 2:15 pm Designing Compelling Title Sequences Eran Stern The Art of Strategic Budgets for Video Producers and Editors Rich Harrington 2:30 PM 3:45 PM Photoshop for Video Editors — 10 Techniques You Need to Know Rich Harrington Writing Great Scripts Abba Shapiro 4:00 PM 5:15 PM Hot Effects for Commercials & Promos Eran Stern Production Gotcha’s: Where things may go horribly “wrong” and how to avoid them Abba Shapiro Premiere Pro for Experienced Editors: Certification Prep Class John Schick Day 1 of 2 Thursday, September 26, 2013 Post Production Techniques & Secrets Digital Video Production 9:00 AM 10:15 AM Unlocking Adobe Premiere Pro CC Advanced Techniques Rich Harrington Managing Crews & Clients Abba Shapiro 10:30 AM 11:45 AM From Expert to Master: Best FCP X Tips & Techniques Abba Shapiro The Perfect Handoff: Production Techniques for Successful Post Production Robbie Carman 12:00 PM 1:00 PM FMC KEYNOTE ON DV EXPO SHOW FLOOR: Center Stage 1:00 PM 2:15 PM Lunch Break Certification Prep 2:30PM 3:45 PM Best Editorial Tips for Media Composer Michael Krulik A Complete Camera Package: Essential Gear for Your Next Production Jem Schofield 4:00 PM 5:15 PM Fixing Problematic Audio with Adobe Premiere Pro and Audition Robbie Carman Audio Recording for Small Productions Jem Schofield Premiere Pro for Experienced Editors: Certification Prep Class John Schick Day 2 of 2 Friday, September 27, 2013 FULL-DAY “FOCUS ON” WORKSHOPS 9:00 AM 12:00 PM Room 409A Room 409B FOCUS ON: Color Correction & Grading Robbie Carman FOCUS ON: Shooting & Lighting Interviews Jem Schofield 12:00 PM 1:00 PM 1:00 PM 5:00 PM Lunch Break FOCUS ON: Color Correction & Grading Robbie Carman FOCUS ON: Shooting & Lighting Interviews Jem Schofield 10 Digital Video Expo 2013 Show Guide 01-16_DVExpo 2013 Show Guide CS5 DW FINL EDITS.indd 10 9/11/13 4:59 PM Exhibitor Booths & Floor Plan Adobe Systems.....................................418 Alzo Video..............................................411 American Cinematographer...............421 Anton/ Bauer........................................301 ASMP.....................................................423 Avid........................................................316 Axle Video..............................................322 Azden Corporation...............................401 BBS Lighting.........................................428 Beachtek Inc.........................................210 Canon....................................................201 Carl Zeiss..............................................214 Datavideo Corporation.........................229 Dracast..................................................405 Freefly Systems....................................329 Future Media Concepts........................422 G- Technology.......................................213 IABM......................................................419 Infortrend..............................................324 International Supplies..........................306 IO Industries..........................................312 JVC Professional Products..................200 Levels Beyond.......................................414 Libec Sales of America........................309 Litepanels.............................................301 Marshall Electronics............................207 MCA-I.....................................................403 Miller Camera Support, LLC...............209 NewBay Media......................................230 NewFilmmakers LA.............................215 Newtek/ TS Computers.......................216 OwlDolly................................................228 Panasonic..............................................217 Petrol.....................................................301 Pixelflow................................................319 Redrock Micro......................................206 Robert Hall & AssociatesTax Consultants..................................314 Ruige......................................................223 Sachtler.................................................301 Samy’s Camera....................................222 Student Filmmakers............................317 Swit Electronics USA...........................315 The Secrets to Film Distribution.........415 Ustream................................................323 Video Symphony...................................416 Vinten.....................................................301 Visual Buddha.......................................428 Vitec Videocom.....................................301 WD.........................................................408 Zylight....................................................318 Digital Video Expo 2013 Show Guide 11 01-16_DVExpo 2013 Show Guide CS5 DW FINL EDITS.indd 11 9/11/13 4:09 PM E x hi b itor Directory Booth # 418 Adobe Systems www.adobe.com 345 Park Avenue | San Jose, CA 95110 408-536-6000 Info@adobe.com Adobe is the global leader in digital marketing and digital media solutions. Our tools and services allow our customers to create groundbreaking digital content, deploy it across media and devices, measure and optimize it over time, and achieve greater business success. We help our customers make, manage, measure, and monetize their content across every channel and screen. Booth # 411 Alzo Video www.alzovideo.com 32 Stony Hill Rd suite E | Bethel, CT 6801 203-744-7909 drew@alzodigital.com ALZO VIDEO (alzovideo.com) offers BREAKTHROUGH LOW PRICES on energy efficient LED, and FLUORESCENT video lights, video lighting kits, DSLR rigs and grip equipment for studio and location video production. The ALZO line of DSLR video equipment includes camera rigs, shock multi-mounts, camera stabilizers and accessories. Our professional grade equipment is very affordable and perfect for ENG and small video production crews. We are the manufacturer and sell direct on the Internet and our customers enjoy the savings. Booth # 421 American Cinematographer www.theasc.com 1782 n orange drive | Hollywood, CA 90028-4307 323-969-4333 customerservice@ascmag.com American Cinematographer, the oldest and most respected magazine in the film industry, will be exhibiting its current issue and selling valuable reference books for filmmakers, including the new American Cinematographer Manual -10th edition. Show-only discounts on books and subscriptions will be available. Visit us online at: www.theasc.com. Booth # 301 Anton/ Bauer www.antonbauer.com 14 Progress Drive | Shelton, CT 6484 203-929-1100 info@vitecvideocom.com Anton/Bauer is recognized as the world’s innovator and a premier provider of batteries, chargers, lighting and other key mobile power systems for the professional broadcast, digital cinema/video and healthcare industries. Booth # 423 ASMP www.asmp.org 150 North 2nd Street | Philadelphia, PA 19106 215-451-2767 info@asmp.org ASMP, the premier trade association for still and motion photographers, gives members a strong competitive edge and advocates for your interests in contracts, Congress and the courts. Get member discounts and benefits that add to your bottom line; health and equipment insurance designed for your needs; real-world business information you can trust; a unified voice that’s looking out for your interests and an international network of peers who’ve got your back. Over 7500 of your professional colleagues are already working smarter together. Visit us at booth 423 and www.asmp.org. Booth # 316 Avid www.avid.com 75 Network Drive | Burlington, MA 1803 978-640-6789 social@avid.com Avid creates the digital, audio, and video technology that creative professionals use to make the most listened to, most watched and most loved media in the world – from the most prestigious and award-winning feature films, music recordings, and television shows, to live concert tours and news broadcasts. Booth # 322 Axle Video www.axevideo.com 38 the Fenway | Boston, MA 2215 617-262-9222 info@axlevideo.com Axle Video is making media management radically simple. Our award-winning axle 2013 software works with the storage you already own, and existing folder structures and workflows. It’s very intuitive and works from any laptop or iPad web browser. You can browse, search, play, annotate and create selects, and send subclips to FCP7, FCPX or Premiere Pro. axle 2013 is priced at $1,295 for 5 users, plus $295 per year support. Axle’s Pro version, announced at IBC, adds support for MXF Op-Atom and AAF workflows; come find out about our axle Gear, GearStack, and axle Gear for Adobe Anywhere software/hardware solutions. Booth # 401 Azden Corporation www.azdencorp.com 200 Valley Road, Ste 101 | Mt Arlington, NJ 7856 973-810-3070 sales@azdencorp.com Azden manufactures professional quality audio solutions provided by a diverse range of portable mixers, shotgun microphones, and wireless systems all at affordable price points. From broadcast news and industrial video to event production and independent film, Azden products perform. Booth # 210 Beachtek Inc. www.beachtek.com 480 Osprey Avenue | Kelowna | V1Y 5A5 | Canada 778-478-9872 info@beachtek.com Beachtek makes audio adapters that allow our customers to connect professional audio recording equipment and microphones to their cameras. We have been designing and building these camera/microphone accessories since 1997 and consistently rank throughout the world as one of the best and most popular solutions for the semi-pro and professional videographer. Booth # 201 Canon www.usa.canon.com 1 Canon Park | Melville, NY 11747 631-330-5000 ldoumanis@cusa.canon.com Canon U.S.A. Inc., a world leader in professional imaging, delivers innovative products and comprehensive solutions designed to provide the high-quality performance and advanced features professionals in multiple markets need to capture, process, and reproduce their visions. Booth # 214 Carl Zeiss www.zeiss.com/cine One Zeiss Drive | Thornwood, NY 10594 914-747-1800 photo@zeiss.com The Carl Zeiss Camera Lens Division designs and manufacturers some of the finest cinematography lenses in the world, including the MasterPrime, UltraPrime & DigiPrime lenses. On display will be the second generation Compact Prime CP.2, the new full frame Compact Zoom CZ.2 and the SLR lenses for still and video capture. Booth # 229 Datavideo Corporation www.datavideo.us 7048 Elmer Ave | Whittier, CA 90602 562-696-2324 sales@datavideo.us Datavideo manufactures high quality, cost effective products for live production and broadcasting. Products include: mobile studios, video switchers, monitors, recorders, vector scopes, portable Teleprompters, CG software, chromakey, format converters and a variety of video production accessories to help simplify any size production. Datavideo is a world-wide company with offices in North America, Europe, and Asia. For more information about Datavideo products please see www.datavideo.us. Booth # 405 Dracast www.dracast.com 23 Las Colinas Ln #110 | San Jose, CA 95119 408-229-9222 12 Digital Video Expo 2013 Show Guide 01-16_DVExpo 2013 Show Guide CS5 DW FINL EDITS.indd 12 9/11/13 4:09 PM Exhibitor D irectory sales@dracast.com Dracast produces professional grade LED lighting solutions for studios, filmmakers, photographers and more. Dracast was founded on the belief that high quality professional broadcast products should be affordable. The aim is to design a wide range of LED lighting that incorporates user friendly preferred features. We believe that these essential products required by many photographers, videographers, professionals, and amatures alike should be easy to operate and tailored for any budget. At Dracast, we design and manufacture our own products. Our products are designed and engineered in USA and manufactured in our own facility. Dracast is headquartered in San Jose, California. Booth # 422 Future Media Concepts www.fmctraining.com 23046 Avenida de la Carlota | Laguna Hills, CA 92653 949-215-0111 info@fmctraining.com FUTURE MEDIA CONCEPTS, INC. is the nation’s premier digital media training organization providing manufacturer-authorized training in Mac IT and mobile Apps development. FMC provides in-class, on-site and online training options for IT professionals, Apps developers and digital media professionals engaged in the creation, management and delivery of digital content. Booth # 213 G- Technology www.G-Technology.com 3538 Hayden Ave. Second Floor, South | Culver City, CA 90232 1-310-287-5203 info@g-technology.com G-Technology’s roots are deeply ingrained in delivering premium storage solutions for audio/ video production, photography and the professional content creation market. From storing, transferring, editing and distributing content, G-Technology makes the workflow simpler, better and faster. G-Technology’s high-performance portable and desktop drives, flexible transfer/ edit solutions and fast RAID systems are all built for professional content creation environments where performance and reliability are paramount. Because G-Technology holds itself to the highest standards, its products can be found in premiere post-production facilities worldwide. Booth # 419 IABM www.theiabm.org PO Box 2264 | Reading RG31 6WA United Kingdom +44 1684 450030 info@theiabm.org The IABM is the international trade association representing around 80% of the global turnover in the broadcast technology sup- ply sector. As the industry association, we promote the industry as a whole and actively represent our members’ interests, providing a unique range of services that bring the international supply community together and help member companies maximise their potential in the marketplace. Booth # 306 International Supplies www.internationalsupplies.com 945 West Hyde Park Blvd. | Inglewood, CA 90302 310-672-9090 info@internationalsupplies.com Importer, distributor and marketer of leading products and innovative tools for the industry, including AirBox Lights, Dougmon, LUMOS by DMLite, Nexto DI, Photo Clam, The Ready Rig, and Varavon. Booth # 312 IO Industries www.ioindustries.com/provideo 12-1510 Woodcock St | London |n6h5s1 | Canada 5196639570 sales@ioindustries.com IO Industries Inc. designs cutting-edge digital video equipment. Since 1991 we have focused on providing our customers with high performance and high quality solutions for all types of digital video applications. Our products are proudly designed and built in Canada, at our headquarters in London, Ontario. Booth # 200 JVC Professional Products www.pro.jvc.com 1700 Valley Rd | Wayne , NJ 7470 973-317-5000 proinfo@jvc.com JVC Professional Products Company, a division of JVC Americas Corp., is a leading manufacturer and distributor of HD broadcast and professional video equipment, full line of studio and field broadcast monitors, along with graphic display monitor technology, super-contrast D-ILA projectors, 4K D-ILA projectors for use in simulation and advanced visualization. Analog and IP network security cameras, digital recorders, monitors and accessories for video surveillance. Booth # 414 Levels Beyond www.reachengine.com 2710 Walnut St. | Denver, CO 80205 303-495-2424 info@levelsbeyond.com Reach Engine, by Levels Beyond, is a content utility platform is use by the world’s most sophisticated media companies. Our mission is to unleash the power and possibilities of video, graphics, text, and images onto every platform to engage audiences and drive revenue. Solving the largest and most complex content management problems for the biggest media and sports brands in the world, we’ve perfected a simple system that goes far beyond a digital asset management (DAM) system. By both managing and delivering your content, Reach Engine liberates your creative team and leads your business successfully and fearlessly into the future. Booth # 309 Libec Sales of America www.libecsales.com 20695 Western Ave | Torrance, CA 90501 310-787-9400 info@libecsales.com New RSP series is launched at NAB 2013 and now available in the market. This is fully adjustable counterbalance “balance stabilizer machanism”.Counter balance range for 850 is up to 44 lbs and 750 is up to 31 lbs. Booth # 301 Litepanels www.litepanels.com 14 Progress Drive | Shelton, CT 6484 203-929-1100 info@vitecvideocom.com Litepanels was founded in 2001 and pioneered LED lighting for professional movie-makers and broadcasters. Emmy® award-winning technology provides flicker-free, color accurate, fully dimmable light that is trusted by the world’s foremost media organizations. Booth # 207 Marshall Electronics www.Marshall-usa.com 1910 E. Maple Ave. | El Segundo, CA 90245 310-333-0606 sales@lcdracks.com Marshall Electronics is a leading manufacturer of LCD rack mount and camera-top monitors for broadcast, multimedia, video, film, and news professionals worldwide. Marshall offers a large assortment of technology including IP cameras, audio monitors, professional microphones, outdoor field monitors, In-Monitor Display (IMD), Quad Viewers, converters, standalone post monitors and DSLR cameras to capture HD video. Booth # 403 MCA-I www.mca-i.org PO Box 5135 | Madison, WI 53705-0135 888-899-6224 info@mca-i.org MCA-I is an international, member-driven organization that offers video and multimedia professionals the connections and advanced training opportunities needed to succeed in a quickly changing and highly competitive communications environment. We are a 501c(3) organization. Charitable contributions to MCA-I are tax deductible. Booth # 209 Miller Camera Support, LLC www.millertripods.com Digital Video Expo 2013 Show Guide 13 01-16_DVExpo 2013 Show Guide CS5 DW FINL EDITS.indd 13 9/11/13 4:09 PM E x hi b itor Directory 216 Little Falls Road, Unit 15-16 | Cedar Grove, NJ 7009 973-857-8300 info@millertripods.us Miller Camera Support, LLC has been designing and manufacturing camera support equipment for close to 60 years with a product range that can support camera packages in the ENG news market, sports, film, educational and corporate fields. In addition to our full range of fluid heads, we will be featuring our new, rapid lock, 75 & 100mm Solo tripods. Booth # 230 NewBay Media www.nbmedia.com 28 East 28th Street | New York, NY 10016 212-378-0400 ehart@nbmedia.com At the Content Center of the World’s Most Dynamic Industries — Music, AV/Pro Audio, Consumer Electronics/Gaming, Video & Broadcast, and Education. We connect and inform millions of constituents in these markets through our award-winning content, integrated media capabilities, and high-profile networkbuilding, informative events. Our unparalleled reach provides marketing partners with exciting, engaging, and effective targeted communities, and connects them with decision makers and influencers across these markets. Booth # 215 NewFilmmakers LA www.nfmla.org 1438 N. Gower St., Box 83 | Hollywood, CA 90028 323-521-7385 info@nfmla.org NewFilmmakers Los Angeles (NFMLA) is a non-profit organization designed to showcase innovative works by emerging filmmakers from around the world, providing the Los Angeles community of entertainment professionals and film goers with a constant surge of monthly screening events. NFMLA provides a forum where filmmakers can be recognized for their contributions, have open audience discussions about their projects and connect with industry professionals for insight on distribution, production, acquisition and representation. Booth # 216 Newtek/ TS Computers www.tsc-video.com 11300 Hartland St | North Hollywood, CA 91605 818-760-4445 videosales@vgn.com NewTek Elite Partner, Livestream Platinum Reseller. Selling the leading hardware to complete all your broadcasting/ recording and streaming needs. Booth # 217 Panasonic www.panasonic.com/provideo 3330 cahuenga blvd. west | los angeles, CA 90068 323-436-3777 pbtsinfo@us.panasonic.com Panasonic markets a wide range of HD camcorders, studio cameras, remote control cameras, integrated PTZ cameras, production tough monitors, HD video switchers, solid-state recorders and digital media.P2 Debuting at DV Expo is the new AJ-PX5000 P2 HD camcorder and AJ-PD500 compact P2 HD recorder. Booth # 301 Petrol www.petrolbags.com 14 Progress Drive | Shelton, CT 06484 203-929-1100 info@vitecvideocom.com Petrol Bags™ provides professional bags offering unique protection, and superior personalization & portability for production equipment. Innovative design & rugged construction using quality materials ensures Petrol Bags™ offer lifetime attractiveness, optimal carrying comfort and maximum storage. Our extensive product range transports your gear safely and provides the ultimate protection. Booth # 319 Pixelflow www.PixelFlow.com PO Box 330 | San Mateo, CA 94403 877-793-5691 Info@PixelFlow.com PixelFlow is a cloud review and delivery platform that strengthens customer relationships, promotes teamwork and increases production value. The ideas behind the PixelFlow process originated from user groups, industry experts and users just like you. The platform delivers simple, yet highly effective features for entrepreneurs, studios, post houses, enterprises, visual effects labs, animators and those who sell video over the web. The service is easy to use and can be run as as part of your existing website. The essence of PixelFlow is an optimal experience for your customer, faster delivery times and a professional presentation. Booth # 206 Redrock Micro www.redrockmicro.com PO Box 271395 | Flower Mound, TX 75027 888-214-3903 info@redrockmicro.com Redrock Microsystems, LLC was founded in 2004 by a group of avid digital filmmakers whose desire to produce high quality movie images without access to huge budgets led them to start Redrock Micro: a company committed to the express purpose of bringing cinema-quality accessories to market at revolutionary prices. Redrock Micro designs and sells a line of high quality cinema accessories for independent filmmakers, film educators and students, and budget-conscious moviemakers. Booth # 314 Robert Hall & Associates- Tax Consultants www.roberthalltaxes.com 300 W. Glenoaks Blvd. #200 | Glendale, CA 91202 818-242-4888 jennifer@roberthalltaxes.com Located in Los Angeles County since 1971, Robert Hall & Associates - Tax Consultants has made a name for itself in the heart of the Entertainment Industry. By understanding the atmosphere of the industry, Robert Hall & Associates has developed a preparation method that is used specifically for entertainment professionals, aiming to increase profitability and decrease liability. Incorporating services and IRS audit representation also available. Booth # 223 Ruige www.ruige.com/en 17800 Castleton St., Suite230 | City of Industry, CA 91748 626-217-3999 ruige-us@ruige.com RUIGE, the manufacturer of professional LCD monitors, has over 12 years experience in the monitor industry. RUIGE products are widely used for film and TV previous photography and the post production and broadcast. Our lastest products (patent pending) “Carry on monitor” will become the blink on DV Expo. Both products are innovative products, they bring the convenience for field shooting and post-production. We have received good feedback from Film equipment rental companies and professional dealers. Booth # 301 Sachtler www.sachtler.com 14 Progress Drive | Shelton, CT 6484 203-929-1100 info@vitecvideocom.com Sachtler, founded in 1958 by cameraman Wendelin Sachtler, is a worldwide market leader in premium camera support systems for cinematography and television production, its name a symbol of top quality and reliability for decades. Engineered in Germany. Booth # 222 Samy’s Camera www.samys.com 12636 Beatrice St | Los Angeles, CA 90036 800-321-4726 info@samys.com Since 1976 Samy’s Camera has been the leader in Sales and Rentals of the highest quality imaging products and the ultimate resource for the professional. Serving the community in Los Angeles, Culver City, Playa Vista, Pasadena, Orange County, Santa Barbara, and San Francisco. Booth # 317 Student Filmmakers www.studentfilmmakers.com 1123 Broadway Suite #307 | New York, NY 10010 14 Digital Video Expo 2013 Show Guide 01-16_DVExpo 2013 Show Guide CS5 DW FINL EDITS.indd 14 9/11/13 4:09 PM Exhibitor D irectory 212-255-5458 welch.k@studentfilmmakers.com Booth # 315 Swit Electronics USA www.swit.us 4300 Stevens Creek Blvd. , Suite 230 | San Jose, CA 95129 408-260-8258 info@swit.us SWIT is a leading supplier specializing in developing and manufacturing products for the broadcast industry. SWIT has gained great reputation worldwide for its outstanding and innovative products over the years. SWIT has a wide variety of products ranging from LCD monitor, Rack mount monitor, Li-ion battery, charger, adapter, on-camera light, mini converter, multiviewer, and accessories, etc. Quality, Reliability, Creativity and Compatibility are what you can find in SWIT, the trusted brand and choice. Booth # 415 The Secrets to Film Distribution www.Distribution.LA Waverly Drive | Los Angeles, CA 90039 323-662-8877 courshon@yahoo.com The powerful Program that assists Producers & Directors with learning everything they need to achieve successful distribution for their movie or documentary. Forget theory, that’s useless. This Program is the nuts & bolts REAL information for success, with Producers achieving distribution through Warner Bros., Sony Pictures, Lionsgate, etc. No other producer in the world teaches the powerful information contained in this Program. If you’ve accomplished the Herculean task of making a movie or documentary -- or you intend to -- it’s time to learn how to actually get it INTO the marketplace, SUCCESSFULLY. Booth # 323 Ustream www.ustream.tv 410 Townsend St | San Francisco, CA 94107 415-489-9400 support@ustream.tv Ustream is the leading video technology platform for live business communications. The company, founded in 2007, had a vision to bring live online broadcasting technology mainstream; Ustream was originally created to connect military service members to family and friends across the world. Since then, the company has established itself as a socially-fueled video platform for broadcasters of any size to easily reach an infinite audience and share experiences in real-time. Booth # 416 Video Symphony www.videosymphony.com 266 East Magnolia Blvd | Burbank, CA 91502 818-557-7200 info@vs.edu Video Symphony, Pro School of Media Production, is an Industry leader in providing professional training and certifications in Editing, Audio Engineering, New Media Production & Motion Graphics. Video Symphony is the #1 Avid authorized education center worldwide offering certification programs in Adobe, AVID Media Composer, Cinema 4D, Final Cut Pro, Maya & Pro Tools. We are nationally accredited by the Accrediting Council for Continuing Education & Training (ACCET). FREE Training for Studio Employees — visit booth # 416 to find out how to receive up to 56 hours of digital media training at Video Symphony (some restrictions may apply). Booth # 301 Vinten www.vinten.com 14 Progress Drive | Shelton, CT 06484 203-929-1100 info@vitecvideocom.com Vinten® camera supports R&D investment means the pan and tilt heads, tripods and pedestals enable camera operators to easily manage payloads weighing up to 264.5lbs. Vinten supports have Global awards, including TV Technology, TVB Europe, the GTC and the Royal Television Society. Booth # 301 Vitec Videocom www.vitecvideocom.com 14 Progress Drive | Shelton, CT 06484 203-929-1100 info@vitecvideocom.com Vitec Videocom (an operating division within the Vitec Group) brings together some of the most respected, sought-after and innovative brands in the industry: Anton/Bauer, Autoscript, Litepanels, OConnor, Petrol, Sachtler, Vinten and Vinten Radamec. It acts as an endorsing brand for these market-leading broadcast, movie and provideo products, encouraging multi-brand system sales and simplifying the way that partners and customers worldwide do business. Booth # 408 WD www.wd.com 3355 Michelson Dr., Ste 100 | Irvine,CA 92612 949-678-7000 alan.parry@wdc.com WD (www.wd.com), a Western Digital company, is a long-time electronics innovator and storage industry leader. Setting storage technology standards, the company’s reliable, high-performance hard disk drives and solid state drives keep users’ data accessible and secure from loss. Its storage technologies are deployed in a wide range of computing, embedded systems and consumer electronics applications, as well as in its own storage systems. From the secure platform of the company storage systems to networking products and media players, the company provides products that simplify people’s digital lives, enable their connected homes and enhance their small businesses. Booth # 318 Zylight www.zylight.com 10718 McCune Ave | Los Angeles, CA 90034 978-244-0011 info@zylight.com Zylight is a leading manufacturer of intelligent LED lighting instruments for the film and video production industry. Its easy-to-use lighting system is based on state-of-the-art technologies, producing fully calibrated, bright white light of any color temperature, as well as any color, forever eliminating gels. Full wireless control, DMX integration and AC or DC power options are all included. The Zylight LED system is truly the most unique and flexible lighting system available. Thank you to our Media and Association Partners American Cinematographer Bay Area Women in Film and Media Broadcast Equipment Guide Digital Cinema Buyers Guide Digital Cinema Society Digital Media World Digital Production Buzz Future Media Concepts HD Video Pro Holly Shorts Fest Hollywood Post Alliance ICG Magazine Independent Filmmakers of the Inland Empire Internet Video Magazine Iranian Film Festival LA Adobe User Group LA Shorts Festival LAFCPUG Los Angeles Post Production Group (LAPPG) MCA-I MovieMaker Magazine NewFilmmakers LA Post Production Buyers Guide ProductionHUB Professional AV Buyers Guide Punto Magazine SCRI International, Inc. SMPTE Sound & Picture Student Filmmakers Universal Film Magazine Video Symphony Videomaker Digital Video Expo 2013 Show Guide 15 01-16_DVExpo 2013 Show Guide CS5 DW FINL EDITS.indd 15 9/11/13 4:09 PM 01-16_DVExpo 2013 Show Guide CS5 DW FINL EDITS.indd 16 9/11/13 4:10 PM