Digital MeDia Pros - Creative Planet Network

Transcription

Digital MeDia Pros - Creative Planet Network
2013 Show Guide
anD
Digital MeDia Pros
for
ConferenCe September 25-27, 2013
exhibits September 25-26, 2013
L.A. Convention Center | Los Angeles, CA
creative
PLANET
network.com
www.dvexpo.com
creative
PLANET
network.com
Produced by:
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with
c atc h the
JOrDan
L a r r y JO
>>> The Official Podcast of Digital Video Expo 2013
tune in Thursdays 6-7 PM Pacific
DigitalProductionBuzz.com
subscribe to the podcast through iTunes
Get all the news now and in your digital future!
Connect with leading industry professionals from
around the world. Join award-winning hosts Larry
Jordan and Michael Horton every Thursday night
(6-7 p.m. PST). Ask questions during the show in our
live chat, and get the BuZZ podcast on iTunes.
Listen to all our special DV Expo 2013 coverage at
DigitalProductionBuzz.com.
For advertising or sponsorship opportunities
contact Patrick Saxon at Patrick@LarryJordan.biz
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WE L C OM E / /
use our hashtag #dvexpo to share all the happenings of the show floor
Come As You Are
One of the best things about attending Digital Video Expo is that
you can completely customize your experience. You decide what
you want to learn and how much time you have to learn it.
If you want three days of intensive hands-on training in our
L.A. Post|Production Conference, you can opt for that. If you’d prefer an afternoon series of panels focused on producing video for
multiple screens, you can attend Video Edge Live.
If you’d like guidance on creating, financing, distributing and monetizing your
content, you can sign up for the Pro Media Conference and attend the sessions in
room 406A. Or if you’re interested in learning about emerging production and postproduction technologies, attend the Pro Media Conference sessions in room 406B.
And if want insight on new tools for imaging, you can attend one of Canon’s free
educational sessions.
Maybe you want to hear from creative professionals about their projects and
production techniques—you can get that from two days of free presentations at the
Center Stage theater on the show floor. And if you want to try out new products from
companies like Panasonic, Adobe, Sony, JVC and AJA, you can spend time with the
exhibitors in our informal, conversational setting.
While you’re at the Convention Center, would you like to attend a networking
event, screening or user group meeting? You can do that, too. Maybe you’d be interested in winning a prize at one of our twice-daily drawings, and, really, who wouldn’t
be? Just be on the show floor when they happen.
There is so much going on at this year’s Digital Video Expo, I think there’s literally something for everybody. (See pages 4-10 of this show guide for schedules.)
You can get three days of information, interaction and inspiration — exactly the way
you want to get it.
EXPO HOURS
Wednesday, September 25
11:00am – 6:00pm
Thursday, September 26
10:00am – 5:00pm
INSIDE
ProMedia Conference . . . . . . . 4-5
Center Stage Schedule. . . . . . . . 6
Canon Training. . . . . . . . . . . . . . . 7
VideoEdge Live!. . . . . . . . . . . . . . 7
I look forward to seeing you here!
LA Post Production
Best,
Conference. . . . . . . . . . . . . . . 8-10
Floor Plan. . . . . . . . . . . . . . . . . . 11
S H O W M A N A G E M E N T:
Cristina Clapp
Digital Video magazine, Digital Video Expo
310.429.8484 cclapp@nbmedia.com |
Exhibitor Listings. . . . . . . . . 12-15
Twitter: @digitalvideomag
Carmel King
Executive Vice President
cking@nbmedia.com
703.852.4602
Jacqueline Gospodinoff
Sales Director
jgospodinoff@nbmedia.com
212.378.0493
Kathy Paton
Operations Manager
kpaton@showessentials.com
732.749.3018
Eric Trabb
VP/Group Publisher
etrabb@nbmedia.com
212-378-0400 ext 532
Evan Hart
Expo Manager
ehart@nbmedia.com
703.852.4618
Lucy Kim-Brown
Event Marketing Coordinator
lbrown@nbmedia.com
212.378.0443
Cristina Clapp
Editorial Director,
Conference Chair
cclapp@nbmedia.com
310.429.8484
Tom Leader
Sr. Marketing Manager
tleader@nbmedia.com
212.378.0438
Produced by:
NewBay Media
28 East 28th Street
12th Floor
New York, NY 10016
212.378.0400
Steve Palm
CEO, NewBay Media
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P R O MEDIA CONFERENCE
Wednesday, September 25th, 2013
ROOM 406A
ROOM 406B
Three-Point Lighting for On-Camera Talent & Interviews with LED
Lighting Fixtures
Pat Grosswendt
This session will discuss achieving proper portrait or modeling lighting using
some of the features that are unique to the modern LED lighting fixtures.
9:00 AM
10:00 AM
How to Navigate that Reality Job: Everything You Need to
Know But Didn’t Think to Ask
Cirina Catania
If you want to know more about documentary and reality production,
whether for network, the web or independent distribution, this
presentation will inspire you to pursue your dreams and provide the
answers to your questions about landing and keeping that coveted job.
The Evolving Role of the Cinematographer in the Digital and Virtual Age
Director of Photography Yuri Neyman, ASC
Director of Photography Jason Knutzen
Director of Photography Vilmos Zsigmond, ASC
The panelists and their colleagues are working together at the Global
Cinematography Institute to further the advances of digital and virtual
cinematography in the motion picture industry and are implementing the
creation of a new discipline, “Expanded Cinematography.”
11:00 AM
Independent Documentary Filmmaking
Khaled Sayed
Khaled will show you the best way to plan your independent
documentary from getting ideas to production, post production, what
to use for equipment, how to market your film using social media, and
self distribution.
The 4K Question
Odin Lindblom
Many independent filmmakers believe that 4K production is unaffordable
and unimportant; in reality, we are on the verge of a sequel to the SD/HD
acquisition evolution. Drawing on his experience from his 4K documentary,
Bikeman Begins, Odin will discuss technical, creative, and budgetary
challenges and solutions of 4K production.
12:00 PM
Crowdsourcing and Crowdfunding for Filmmakers
Claude Shires
Claude Shires will take audiences through a history of crowdfunding,
highlighting its successful use in the field of entertainment. This talk
will offer a look at crowdfunding as an audience-building tool, and
concept validation. Claude will also give insight on crowdfunding as a
potentially disruptive force in television.
On-Set Image Control
Director of Photography Yuri Neyman, ASC
Director of Photography Jason Knutzen
The methodology and techniques for a cinematographer to “control” the
image after it has been shot is a process which began in 1938 by Director of
Photography Leon Shamroy, ASC, and has continued into modern times with
Apple’s iPhone and iPad apps being used on-set today. This presentation
will explain a brief history of cinematographer’s attempts to previsualize the
results of their filming, and will demonstrate workflows and methodology of
systems used today for on-set color corrections.
2:00 PM
Sell Me a Story: Building Your Own Fan Base in the Digital Economy
Colleen Wainwright
Through a series of real-life examples and actionable principles,
Colleen Wainwright, aka The Communicatrix, will show, not tell, you
how to do just that. You’ll learn the nuts and bolts of crafting and
selling the story around your story using branding, marketing, and
modern audience-building tools.
3:00 PM
Everything You Wanted to Know about Copyrights
But Were Afraid to Ask
M.M.Le Blanc, Professor, Los Angeles Film School
Entertainment Business Bachelor Program
Recent court cases relating to the Digital Millennium Copyright
Act are changing how digital media producers are being affected
by laws about online content and copyright and trademark
infringement. Hear about innovative best practices for
documentary filmmakers in using copyrighted works without
licensing. See how to use the U.S. Copyright Office online
registration process to protect your digital media.
4:00 PM
4:30 PM
Creating the Next Generation of Content
Jordi Matsumoto
This session will chart the move from the world of 30 seconds spots
to fully funded content. Now, more than ever, the need to engage
audiences with non-promotional material is important. Marketers and
brands must find a way to break through the clutter by not being the
clutter. Jordi will make the case for non-branded content, differentiating
between online and TV content, and the need for strategic distribution.
Profit From Your Media Library Using Multi-Platform Distribution
5:00 PM
5:30PM 6:00 PM
Jay Phelps
Jay Phelps, lead developer for Pivotshare, will take you on a practical
tour of the steps and best practices necessary to convert existing
as well as future media holdings into an optimized, multi-platform,
revenue-generating network.
Making the Most of Waveform Monitors in Post
Steve Holmes
This session will cover using Waveform Monitors in Post for scene matching
and color gamut testing, and using Luma Qualified Vector for secondary
color matching. You will come away with an understanding of the tools and
techniques you can use to make scene matching easier.
Get the Most from Your Media
Sam Bogoch, CEO, axle Video
A panel of industry experts led by Sam Bogoch will discuss today’s best
practices in shared storage and media asset management. Topics to be
covered include: standalone drives vs. shared storage, SAN vs. NAS shared
storage, migrating media to tape systems based on standards like LTFS,
or cloud-based archives, remote browsing of high-res media, minimizing
system installation and training time
Expediting Ingest From Multiple Camera Original
Media Formats, Efficiently
Richard Carroll, Post Production Supervisor,
MarVista Entertainment
Many video producers unite footage from multiple cameras into a single
project space, but face delays and complexities when moving footage out of
the camera and into the production workflow. This session is a case study of
MarVista Entertainment’s innovative workflow for digital dailies and review
& approval using cloud computing to dramatically expedite the process on
projects. Implementing this workflow has resulted in routinely having dailies
up and ready to watch 24 hours earlier on average.
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PRO MED IA CONFERENC E
Thursday, September 26th, 2013
ROOM 406A
ROOM 406B
How to Make Money Live Streaming
9:00 AM
Production as a One-Man Band
Michael Brueggenmeyer
A walkthrough of equipment choices, planning, scheduling, shoot
logistics, lighting and camera, directing talent, and an overview of
editing. Learn how to schedule your shoot, do beautiful lighting on
a budget, and avoid pitfalls, like not budgeting time to upload video
to the web.
Philip Nelson – Moderator
Mike Rotman – President and Founder of Streamin’ Garage
Victor Borachuck – Director and Executive Producer of Jupiter Return
Brian Sheil – Founder and Producer of Entertainment Services LA
As popular as streaming media is, many producers still struggle to monetize
their content. This discussion, coming from leaders who have emerged from
the trenches successfully, will include an introduction to live streaming
video content and a variety of ways you can make money from it.
Best Practices for Internet Streaming to Desktops,
Set-Top Boxes and Mobile Devices Globally
Chance Mason, EVP Internet Media, Haivision
Learn the best practices of efficiently delivering your high quality live and
on-demand content over the public Internet. Learn how to stream your live
and on-demand events, seminars, conferences, and training to audiences
on every platform, at any time, with the best possible user experience. You
will learn about Adaptive Bitrate (ABR) streaming, Multi-Bitrate (MBR)
streaming, what to look for in an online video platform (OVP), the benefits
of live cloud transcoding, and different player technologies.
10:00 AM
Sink or Swim? Navigating Today’s
Turbulent Waters as a Content Creator
Walt Jones, Producer/Filmmaker
Gain critical insights into how the latest technologies are being
used, how they’ve already transformed the way we do business and
how to connect your content to the right audience. Whether you’re
a producer, director, writer, editor or other content creator, this
session will give you the tools you need to successfully navigate the
road ahead.
11:00 AM
How to Market and Sell Your Movie Without the Middle Man
Jason Brubaker
Finding a traditional distribution deal is increasingly challenging.
Nobody knows this better than Jason Brubaker. After failing to garner
a traditional distribution deal for his first feature, he figured out how
to market and sell his movie online. With his easy to follow, step-bystep system, Jason shows independent filmmakers how to maximize
movie profits without the middle man.
The Second Screen Phenomenon: How Streaming Is Personalizing the
Viewer Experience on Multiple Screens
Jamie Sherry
Content consumers have begun complementing their viewing experiences by
using connected, portable devices while watching traditional TV. To interact
in real-time with the content they are consuming, audiences are using their
second screens to look up additional information on the programs they watch,
catch up on missed broadcasts using video-on-demand, interact via social
media, and seek out details about advertisements that appear on TV. The
session will focus on how to leverage the second screen trend by using simple
multiformat video streaming workflows.
1:00 PM
Kickstarter Is Easy
Dan Abrams
Kickstarter is easy...if you know what to do. Dan will lay out what
makes a great Kickstarter project, what elements your project should
contain, and how financing can be relatively easy if you’re willing to
work at it. Learn how to structure your pitch, rewards, and video, and
find out how Kickstarter can be a test of your project’s future success.
Simplifying the Complexity of Live and On-Demand Video Workflows
Ken Brueck
In this session, we address the challenges of streaming live and on demand
adaptive video to multiple platforms and devices by moving the workflow
from hardware-dependent infrastructure to software and cloud-based
infrastructure. We will demonstrate how to eliminate complexity instead
of managing it, with a simpler, more scalable approach that significantly
reduces costs.
2:00 PM
120 Significant Social Media Facts and Figures
Walter Davis
Video is essential to targeted social media campaigns and can project
your message worldwide with a very low budget. You will learn: 120
facts and figures about social media, how to target more than 300
social media networks and choose the ones that most effectively work
for your enterprise, how to streamline your online media, and the best
way to use video in online marketing.
Cloud-Based Production Management
John Corser
What are the option, drawbacks and benefits to web-based entertainment
production management software? Which ones are designed specifically for
the film and television industry? Can these softwares effectively centralize
your production information and provides secure access from your
computer, cell phone, or wireless device?
3:00 PM
Digital Capitalization - VOD
Krys Cameron
There are many variables that make for a true revenue making strategy
via VOD. The Internet is just one of those variable platforms...but
not the total solution. Learn how to market your media effectively
without giving your media away after it’s gained popularity. Learn the
factors involved to create a winning formula to execute your bottom
line effectively. See what it takes to gain the attention of media
aggregators with a focus on TV and cable distribution.
Live Field Encoding Best Practices
Scott Grizzle
You don’t need to spend millions of dollars to have a great looking image for
the web. If you shoot it right, you will have images that will stand up for the
web and broadcast. This session will be an open discussion from the field
and back to post, dealing with how to get that extra pop and best practices.
We will cover codecs including the adaptive and non adaptive, containers,
and delivery. Do you need a CDN or can you handle yourself? When
purchasing equipment what should you be looking for in a camera mount
encoder, a portable or even a flypack?
4:00 PM
Campaigns, Capital and Community for Video Creators
Josef Holm
TubeStart CEO Josef Holm discusses the power (and potential
problems) of funding your video projects, including the best platforms
to use, the different business models available and range of ways to
capitalize on your content.
TBD
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f r e e Events
EXPO SCHEDULE
Expo Hall Open: Wednesday, 11:00am – 6:00pm | Thursday, 10:00am – 5:00pm
WEDNES DAY
25
September
to produce flawless live events and deliver
your message to viewers on every corner of
the globe, on laptops, iPads, mobile phones
and connected TVs.
11:30 AM – 12:30 PM
Backstage
Filmmaking with Freefly Systems Movi
12:30 PM – 1:30 PM
Backstage
Business Tips to Keep Your Production
Company “in Business”
Presenter: Gail Mooney
There are plenty of seminars out there that
teach the “tools” of video as well as how to
use those “tools” – from the DSLR to the RED
and everything in between. But what seems to
be lacking in many workshops is teaching the
fundamentals of sound business practices of
video production. Gail will provide some key
tips to keep you from making some business
mistakes that could put you out of business
before you even get started.
1:30 PM – 1:45 PM
Backstage — Prize Drawings
2:00 PM – 3:00 PM
Best Practices for Live Streaming
Alden Fertig
Do you have a strategy for live video? Live
streamed events are emerging as one of the
most engaging ways to reach your potential
customers, your audience, and even your
own employees. From webinars to company
meetings, to concerts and sporting events,
there are many events that can be streamed
live to reach a broader audience. But video
production for live streaming is different
from producing recorded videos or short
web clips. What sort of personnel, equipment and other considerations are there
when producing live streamed events?
Streaming live and in HD is easier than ever
before when you choose the right tools and
follow these best practices. In this session Ustream’s live streaming guru, Alden
Fertig will share tips and tricks gained from
over 10 years of producing live content
for broadcast and the web. He’ll discuss
in-depth the technical workflows required
THURSDAY
26
September
10:30 AM
3:00 PM – 4:30 PM
NewFilmmakers: Short Film Festival and
Filmmaker Q&A
Join a talented panel of filmmakers who
will screen their work and discuss their
creative and technical approaches in this
informative, interactive session. Presented
by NewFilmmakers Los Angeles.
4:30 PM – 5:30 PM
Creating Original Video Projects on a Budget of Zero
Presenter: Scott Essman
Using the new short jazz film “Trane and
Miles” as a model, the writer-director-producer will explain each stage of the process,
from crucial first casting decisions, to finding
equipment to be loaned, to crewing up with a
mixture of professionals and students, to finding a location and props, to partnering with
a film school for support, to writing a script
within the parameters of possible production,
to shooting 10 pages per day over a weekend,
and managing postproduction, including the
writing and recording of an all-original jazz
musical score with notable musicians.
5:30 PM – 5:45 PM
Backstage — Prize Drawings
Backstage
Touch the Future of Live Production with
Sony’s New Anycast Touch Switcher
Tablets, smartphones and PCs harness
the power of touch. Why not a live production switcher? Sony created the AWS-750
Anycast Touch live content producer with
incredibly intuitive touchscreen control and
live-streaming capability. Here’s your opportunity to get a firsthand look at this new,
powerful, all-in-one switcher.
11:30 AM - 11:45 AM
Backstage —
­ Prize Drawings
12:00 PM – 1:00 PM
Backstage — LA Post Production Keynote
1:00 PM – 2:00 PM
Backstage
How to Be Unstoppable
Shawn Tolleson
Join Career Strategist Shawn Tolleson for a
class to learn practical tools for how to be
unstoppable. We’ll do exercises, individual
and group coaching. You’ll leave having a
crystal clear vision for your career and powerful, practical strategies for accomplishing
it. You’ll leave inspired, highly focused, and
with a new sense of clarity and direction.
5:00 PM – 6:00 PM
VideoEdge Live! Reception on the Exhibit
Floor, sponsored by Ustream
í
Wednesday
Af ter-Hours Events
6:00 PM
LAPPG Group Meeting
Room 406A
6:00 PM
LAdobe
Room 406B
2:00 PM – 3:30 PM
New Media Film Festival
Join a talented panel of filmmakers who will
screen material that combines the interactivity of new technologies and formats for media
and cinema, exemplifying the power of the
cinematic arts to inspire and transform. Presented by the New Media Film Festival.
3:30 PM – 4:30 PM
TBD
4:30 PM - 4:45 PM
Backstage — Prize Drawings
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free Events
CANON Camera Training
WEDNESDAY
25
September
Canon EOS C300 A-Z Camera
Operation Workshop
10 AM – 1 PM, Room 404 A
Suny Behar:
Canon expert and
Director of Photography, Suny Behar will
guide you through the
intricacies of digital
cinema acquisition with
the EOS C300.
This is your chance to learn from the
pros and get the very same expert
EOS C300 training provided to IATSE
members. This session was originally produced to familiarize camera
department professionals with EOS
C300 setup and operation, and is being repeated by popular demand at DV
Expo West.
The EOS C300 has
quickly become one
of the most popular
digital cinema cameras in the world,
and this one-day
course is intended
EOS C300
to give you the tools
necessary to operate this versatile
production workhorse, including;
become the
camera of choice
for independent
productions. This
year at DV Expo,
Canon is offering
you an opportunity to master its
EOS C100
many features with
Canon expert and Director of Photography, Suny Behar.
• Menu, buttons and cameras setup
• Workflow and Canon XF Utility
• Special Recording modes, gamma
settings, custom pictures
• Tips on WiFi operation, assignable
buttons, photos, etc.
Join us for this intensive EOS C100
workshop where you’ll learn how to
take full advantage of the technology
behind this incredibly versatile camera.
Using a mix of classroom instruction
and practical shooting examples with
third party accessories, Suny will show
you how to get the most from an EOS
C100 on your next shoot including;
THURSDAY
26
September
Canon EOS C100 Intensive Workshop
10 AM – 1 PM, Room 404 A
Suny Behar:
Canon’s EOS C100 has quickly
VI D E O E D GE LIVE!
• Camera Configuration and Setup
• Gamma Choices and Color Basics
• External Recorders
• Workflow Overview
Wednesday, September 25th
Room 405
Video Edge Live Summit is a new, engaging conference program designed for professionals who produce and deliver online video for media
and entertainment, enterprise, educational, and government applications. The interactive, informative event consists of four panel discussions, each featuring a combination of end users, industry experts and manufacturers.
Panel topics include:
1:00 PM
Real-World, Real-Time Production For Live Streaming
This session focuses on the technical aspects of managing a live
production--including cameras, audio recording, switchers, still
stores, titling, effects generators, mixers, encoders, and broadcast
and streaming systems. With an emphasis on the challenges created and solutions available for those working in a live production
environment, this panel provides an informative overview for those
working in sports, education, corporate, government, and houses of
worship.
2:00 PM
Content Management for Every Screen
With audiences that now expect on-demand and mobile video, you
need to evolve the strategies (and tools) you use to you publish your
content--video, graphics, text and imagery--to meet new standards
of consumption. We’ll give you an understanding of the steps needed
to prepare your media for every viewer and every screen, from management to optimization and through to distribution.
3:00 PM
The Future of Video Platforms and Content Delivery
We’ll discuss solutions for streaming, encoding, recording, managing, and distributing video in this conversation about all aspects of
content transport. Panelists will address each component of the
video streaming workflow, with an emphasis on technical issues
such as bandwidth use, how to maximize video quality and keep
video streams consistent across varying networks.
4:00 PM
Exploring Cloud-Based Video Services for Media & Entertainment
You’ll gain perspective on the range of possibilities for cloud-based
file sharing and creative collaboration and how to best manage,
monitor and distribute content using this technology. We’ll explore
how to best keep your creative world in sync, and give you real-world
views on best practices for using the cloud to manage both internal
and external projects and productions.
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LAP P C Conference Program
L A PPc
WEDNESDAY
25
September
Post-Production
Techniques & Secrets
Room 409A
____________________________________
9:00 AM – 10:15 AM
Getting the Best Keys: A Complete
Greenscreen Workflow for Adobe, Apple
and Avid
Rich Harrington
The key to a great green screen is a
combination of how you shoot and how you
post process your material. Learn how to
complete the scene with Post Production
techniques in Adobe After Effects, Photoshop,
and Premiere Pro. Learn how to composite
your footage against a new digital background
plate, match the color and exposure, adjust
focus, and perform keying for motion. You’ll
even learn how to use 3D cameras and lights
to enhance the final composite.
____________________________________
10:30 AM – 11:45 AM
Advanced Tracking, Stabilizing, and
Rotoscoping Techniques in After Effects
Eran Stern
All the various methods of marring
elements to live footage. Solve challenging
shots when elements go out of the frame,
pan through screen and don’t comply
with standard planes. Learn up close and
detailed about Mocha - a planner tracking
software which comes bundled with After
Effects. In addition you’ll expand your
knowledge on three-dimensional tracking
using the Camera Tracker. After this
session nothing can escape you!
____________________________________
1:00 PM – 2:15 PM
Designing Compelling Title Sequences
Eran Stern
In this session you will learn the important
rules about designing a title sequences
using After Effects. What are the basic
design rules and how to choose colors and
fonts. We’ll also look at different methods for
creating synthetic backgrounds and discuss
periodic and repeated elements that lie at
the heart of most Motion Graphics pieces.
____________________________________
2:30 PM – 3:45 PM
Photoshop for Video Editors - 10
Techniques You Need to Know
Rich Harrington
Join Photoshop expert Richard Harrington
(author of Photoshop for Video) and learn
how to harness the latest features in
Photoshop CC to create better graphics for
video projects. From filtering video clips and
creating backgrounds for keying to advanced
wide angle repair and using camera raw on
video, there’s a lot of powerful tools. Rich
will show you how to open up video files and
still files and retouch them with Adobe’s
powerful image editor and share his favorite
10 techniques to save you time and automate
your workflow.
____________________________________
4:00 PM – 5:15 PM
Hot Effects for Commercials and Promos
Eran Stern
In this session, we’ll take a closer look
at promos and commercials which were
created using After Effects. You will be
exposed not only to the technical side of the
work, but should also learn how to access
various projects. Your brain is going to
explode with ideas and inspiration that will
lead you to create an impressive result even
if the budget is not high. This is a unique
opportunity to peer into the processes
behind the scenes of the world of motion
design, and understand how things work in
the professional television market.
____________________________________
Digital Video Production
Room 409B
____________________________________
9:00 AM – 10:15 AM
Track: Digital Video Production
Directing Challenges - Working with
Professional and Non Professional Talent
Abba Shapiro
Working with non-professional talent is
one of the greatest production challenges.
Whether interviewing a CEO, a child, or just
the person-on-the street, this seminar will
show you how to get the sound bite you need
and have your subject look and sound their
best. (This course will NOT cover advanced
techniques such as interviewing mimes and
small animals.) We’ll also cover the benefits
of working with professional talent as on
camera hosts and in narrative performances.
____________________________________
10:30 AM - 11:45 AM
Time Floats By: Timelapse Production &
Post
Rich Harrington
DSLR’s can produce amazing video. However,
they can take even better pictures. In this
session you will learn to create dynamic
time-lapse video and use photographic
techniques to achieve amazing dynamic range
and super high resolution. We will cover long
exposure, raw processing and compositing
with real-time. Audience: Filmmakers and
photographers interested in pushing the
envelop with time lapse creation.
____________________________________
1:00 PM – 2:15 PM
The Art of Strategic Budgets for Video
Producers and Directors
Richard Harrington
For many, the art of budgeting is a black
art. Instead, they settle on a BONSOP
approach (back of napkin/seat of pants) to
craft their financial plan. It doesn’t have
to be this way. Join Rich Harrington as he
explores the world of budgeting by laying
out the nuts and bolts of budgets and
proposals for video projects. Learn how you
can break down a project into a practical
budget. You’ll also master how to identify
deliverables and estimate time and labor.
____________________________________
2:30 PM – 3:45 PM
Writing Great Scripts
Abba Shapiro
If there is nothing on the page…there is
nothing on the screen. In this session
we’ll examine the script strategies for
Corporate Videos, Narrative productions,
and Documentaries. We’ll examine how to
best work with your writer and your client…
and if you are the writer how to best deal
with both the production company and their
client. ...and what if the client thinks they
are a writer.
____________________________________
4:00 PM – 5:15 PM
Production Gotcha’s: Where things may go
horribly “wrong” and how to avoid them
Abba Shapiro
If you have a contingency plan – you wont
need it; however, if you do not…well….all
bets are off. In this course we’ll explore
some of the things you can and should
do prior to production that will keep your
production on-schedule and within budget;
Simple steps to take for both local and out of
town shoots. And what can be done if things
do go wrong.
THURSDAY
26
September
Post-Production
Techniques & Secrets
Room 409A
____________________________________
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LA PPC Conference Program
9:00 AM – 10:15 AM
Unlocking Adobe Premiere Pro CC
Advanced Techniques
Rich Harrington
There’s a ton of features added for
professional and advanced editors in the
last two updates to Adobe Premiere Pro.
Join Adobe Master Trainer Rich Harrington
as he unlocks the best tools and hidden
secrets Learn how to work faster with the
redesigned and customizable user interface.
Work in realtime with the enhanced Mercury
Playback Engine. Stay organized with new
media management tools. Learn about other
improvements like audio sync, multi camera
editing, improved trimming behavior, and
video adjustment layers.
____________________________________
10:30 AM – 11:45 AM
From Expert to Master: Best FCP X Tips &
Techniques
Abba Shapiro
Final Cut Pro X changed the way editors
worked. This course will take the show
editors lesser known FCPx techniques and
tricks to allow them to edit faster and more
creatively. We will also cover the latest
features that have been added since the
application was first launched.
____________________________________
2:30 PM – 3:45 PM
Best Editorial Tips for Media Composer
Michael Krulik, Avid
This course focuses on Media Composer
version 7, it will highlight and show changes
to the software over the years. We’ll review
the interface and basic editing techniques
before moving on to trimming, fine-tuning
the edit, adjusting audio, adding transitions,
adding titles, and outputting your finished
project. This tips and tricks course is the first
step in mastering Avid Media Composer 7, the
standard editing system used by professionals
in the film and television industries.
____________________________________
4:00 PM – 5:15 PM
Fixing Problematic Audio with Adobe
Premiere Pro and Audition
Robbie Carman
In this fast-paced session, learn practical
techniques for getting your audio to
sound better and how to fix and restore
the quality of problematic clips. Specific
topics include mastering the track and clip
mixers in Premiere Pro, using submixes
and mixer automation modes, as well as
using Adobe Audition for noise reduction,
healing audio, better speed changes, ADR
and loudness assessments.
Digital Video Production
Room 409B
____________________________________
9:00 AM – 10:15 AM
Managing Crews and Clients
Abba Shapiro
Here’s a secret: The real job of a producer
in not managing the production ….it is
managing the people involved in the
production. In this session we’ll cover
everything from managing your clients,
your crew, and your talent (BTW – actors
like to be called talent.) … to managing
your editors and all the other people that
help you get your programs done on time
and within budget.
____________________________________
10:30 AM – 11:45 AM
The Perfect Handoff: Production
Techniques for Successful Post Production
Robbie Carman
For many, the art of budgeting is a black
art. Instead, they settle on a BONSOP
approach (Fix It In Post? How about do it
right in the field first! In this session, learn
about practical techniques that you can
employ in the field so you can work quickly
and more effeciently in post production.
Specific topics include: audio and green
screen techniques, particle shooting tips
to optimize color grading in post as well as
how get the most metadata from the field
to team members in post.
____________________________________
2:30 PM – 3:45 PM
A Complete Camera Package - Essential
Gear for Your Next Production
Jem Schofield
In this session we will break down
and discuss that equipment (camera,
lenses, lighting, audio gear, etc.), which
are the problem solvers on most of my
productions. The things that produce
predictable results and that save me and
my crews time on set.
____________________________________
4:00 PM – 5:15 PM
Audio Recording for Small Productions
Jem Schofield
This session will discuss and demonstrate
simple and effective audio set-ups
for small productions and take the
mystery out of audio in production. It will
concentrate on using shotgun & lavaliers
(for interior and exterior shoots), and also
discuss preamps and single & double
system sound solutions.
Premiere Pro
Day 1: Wednesday, September 25th
9: 00 AM – 5:15 PM
Day 2: Thursday, September 26th
9:00 AM – 5:15 PM
Premiere Pro for Experienced Editors:
2-Day Certification Prep Class
Room 410
John Schick
In two days, this course teaches
experienced editors how to navigate Adobe
Premiere Pro and gives insights on how to
use Adobe Premiere Pro within the Creative
Suite Production Premium workflow.
FRIDAY
27
September
Full-Day “Focus-On” Workshops
____________________________________
9:00 AM – 5:00 PM
(1 hour lunch break at 12:00 PM)
Room 409A
FOCUS ON: Color Correction & Grading
Robbie Carman
Frustrated with color correction? Don’t
know where to get started? In this full day
session, learn the essentials of color theory
and how to use video scopes. Discover the
power of primary corrections to balance
shots and then how to fine tune details
with secondaries. Get practical grade
management techniques so you can quickly
match shots together and master workflow
with editorial applications. If you’re new
to color correction or need some insights
to help you take your grading work a step
further this session is for you.
____________________________________
Room 409B
FOCUS ON: Lighting, Shooting &
Conducting Interviews
Jem Schofield
This full day workshop will focus on best
practices when lighting, shooting and
conducting interviews. It will discuss and
demonstrate certain “rules” or “agreements”
that can be followed to help you consistently
shoot great looking, great sounding and
natural interviews. Topics for this workshop
will include scouting locations, working
with large and small sensor cameras, lens
choices, different camera & lighting set ups,
two camera set ups, camera movement,
metering for light ratios and repeatability,
controlling light and working with and
successfully conducting interviews with
talent. It will also include live demonstrations
of various equipment and set ups along with
hands-on audience participation.
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Conference Sched ule At-a-Glance
Wednesday, September 25, 2013
Room 409A
Room 409B
Room 410
Post Production Techniques &
Secrets
Digital Video Production
Certification Prep
9:00 AM 10:15 AM
Getting the Best Keys:
A Complete Greenscreen Workflow for
Adobe, Apple, & Avid
Rich Harrington
Directing Challenges — Working with
Professional and Nonprofessional Talent
Abba Shapiro
10:30 AM 11:45 AM
Advanced Tracking, Stabilizing, and
Rotoscoping Techniques in After Effects
Eran Stern
Time Floats By:
Timelapse Production & Post
Rich Harrington
12:00 PM 1:00 PM
Lunch Break
1:00 PM 2:15 pm
Designing Compelling Title Sequences
Eran Stern
The Art of Strategic Budgets for Video
Producers and Editors
Rich Harrington
2:30 PM 3:45 PM
Photoshop for Video Editors —
10 Techniques You Need to Know
Rich Harrington
Writing Great Scripts
Abba Shapiro
4:00 PM 5:15 PM
Hot Effects for Commercials & Promos
Eran Stern
Production Gotcha’s: Where things may go
horribly “wrong” and how to avoid them
Abba Shapiro
Premiere Pro for
Experienced Editors:
Certification Prep Class
John Schick
Day 1 of 2
Thursday, September 26, 2013
Post Production Techniques &
Secrets
Digital Video Production
9:00 AM 10:15 AM
Unlocking Adobe Premiere Pro CC
Advanced Techniques
Rich Harrington
Managing Crews & Clients
Abba Shapiro
10:30 AM 11:45 AM
From Expert to Master:
Best FCP X Tips & Techniques
Abba Shapiro
The Perfect Handoff: Production
Techniques for Successful Post Production
Robbie Carman
12:00 PM 1:00 PM
FMC KEYNOTE ON DV EXPO SHOW FLOOR:
Center Stage
1:00 PM 2:15 PM
Lunch Break
Certification Prep
2:30PM 3:45 PM
Best Editorial Tips for Media Composer
Michael Krulik
A Complete Camera Package: Essential
Gear for Your Next Production
Jem Schofield
4:00 PM 5:15 PM
Fixing Problematic Audio with Adobe
Premiere Pro and Audition
Robbie Carman
Audio Recording for Small Productions
Jem Schofield
Premiere Pro for
Experienced Editors:
Certification Prep Class
John Schick
Day 2 of 2
Friday, September 27, 2013
FULL-DAY “FOCUS ON” WORKSHOPS
9:00 AM 12:00 PM
Room 409A
Room 409B
FOCUS ON:
Color Correction & Grading
Robbie Carman
FOCUS ON:
Shooting & Lighting Interviews
Jem Schofield
12:00 PM 1:00 PM
1:00 PM 5:00 PM
Lunch Break
FOCUS ON:
Color Correction & Grading
Robbie Carman
FOCUS ON:
Shooting & Lighting Interviews
Jem Schofield
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Exhibitor Booths & Floor Plan
Adobe Systems.....................................418
Alzo Video..............................................411
American Cinematographer...............421
Anton/ Bauer........................................301
ASMP.....................................................423
Avid........................................................316
Axle Video..............................................322
Azden Corporation...............................401
BBS Lighting.........................................428
Beachtek Inc.........................................210
Canon....................................................201
Carl Zeiss..............................................214
Datavideo Corporation.........................229
Dracast..................................................405
Freefly Systems....................................329
Future Media Concepts........................422
G- Technology.......................................213
IABM......................................................419
Infortrend..............................................324
International Supplies..........................306
IO Industries..........................................312
JVC Professional Products..................200
Levels Beyond.......................................414
Libec Sales of America........................309
Litepanels.............................................301
Marshall Electronics............................207
MCA-I.....................................................403
Miller Camera Support, LLC...............209
NewBay Media......................................230
NewFilmmakers LA.............................215
Newtek/ TS Computers.......................216
OwlDolly................................................228
Panasonic..............................................217
Petrol.....................................................301
Pixelflow................................................319
Redrock Micro......................................206
Robert Hall & AssociatesTax Consultants..................................314
Ruige......................................................223
Sachtler.................................................301
Samy’s Camera....................................222
Student Filmmakers............................317
Swit Electronics USA...........................315
The Secrets to Film Distribution.........415
Ustream................................................323
Video Symphony...................................416
Vinten.....................................................301
Visual Buddha.......................................428
Vitec Videocom.....................................301
WD.........................................................408
Zylight....................................................318
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E x hi b itor Directory
Booth # 418
Adobe Systems
www.adobe.com
345 Park Avenue | San Jose, CA 95110
408-536-6000
Info@adobe.com
Adobe is the global leader in digital marketing and digital media solutions. Our tools and
services allow our customers to create groundbreaking digital content, deploy it across media and devices, measure and optimize it over
time, and achieve greater business success. We
help our customers make, manage, measure,
and monetize their content across every channel and screen.
Booth # 411
Alzo Video
www.alzovideo.com
32 Stony Hill Rd suite E | Bethel, CT 6801
203-744-7909
drew@alzodigital.com
ALZO VIDEO (alzovideo.com) offers BREAKTHROUGH LOW PRICES on energy efficient
LED, and FLUORESCENT video lights, video
lighting kits, DSLR rigs and grip equipment for
studio and location video production. The ALZO
line of DSLR video equipment includes camera
rigs, shock multi-mounts, camera stabilizers and
accessories. Our professional grade equipment
is very affordable and perfect for ENG and small
video production crews. We are the manufacturer and sell direct on the Internet and our
customers enjoy the savings.
Booth # 421
American Cinematographer
www.theasc.com
1782 n orange drive |
Hollywood, CA 90028-4307
323-969-4333
customerservice@ascmag.com
American Cinematographer, the oldest and
most respected magazine in the film industry,
will be exhibiting its current issue and selling valuable reference books for filmmakers,
including the new American Cinematographer
Manual -10th edition. Show-only discounts on
books and subscriptions will be available. Visit
us online at: www.theasc.com.
Booth # 301
Anton/ Bauer
www.antonbauer.com
14 Progress Drive | Shelton, CT 6484
203-929-1100
info@vitecvideocom.com
Anton/Bauer is recognized as the world’s innovator and a premier provider of batteries,
chargers, lighting and other key mobile power
systems for the professional broadcast, digital
cinema/video and healthcare industries.
Booth # 423
ASMP
www.asmp.org
150 North 2nd Street | Philadelphia, PA 19106
215-451-2767
info@asmp.org
ASMP, the premier trade association for still
and motion photographers, gives members
a strong competitive edge and advocates
for your interests in contracts, Congress
and the courts. Get member discounts and
benefits that add to your bottom line; health
and equipment insurance designed for your
needs; real-world business information you
can trust; a unified voice that’s looking out for
your interests and an international network of
peers who’ve got your back. Over 7500 of your
professional colleagues are already working
smarter together. Visit us at booth 423 and
www.asmp.org.
Booth # 316
Avid
www.avid.com
75 Network Drive | Burlington, MA 1803
978-640-6789
social@avid.com
Avid creates the digital, audio, and video
technology that creative professionals use to
make the most listened to, most watched and
most loved media in the world – from the most
prestigious and award-winning feature films,
music recordings, and television shows, to live
concert tours and news broadcasts.
Booth # 322
Axle Video
www.axevideo.com
38 the Fenway | Boston, MA 2215
617-262-9222
info@axlevideo.com
Axle Video is making media management
radically simple. Our award-winning axle
2013 software works with the storage you
already own, and existing folder structures
and workflows. It’s very intuitive and works
from any laptop or iPad web browser. You
can browse, search, play, annotate and
create selects, and send subclips to FCP7,
FCPX or Premiere Pro. axle 2013 is priced at
$1,295 for 5 users, plus $295 per year support. Axle’s Pro version, announced at IBC,
adds support for MXF Op-Atom and AAF
workflows; come find out about our axle
Gear, GearStack, and axle Gear for Adobe
Anywhere software/hardware solutions.
Booth # 401
Azden Corporation
www.azdencorp.com
200 Valley Road, Ste 101 | Mt Arlington, NJ 7856
973-810-3070
sales@azdencorp.com
Azden manufactures professional quality
audio solutions provided by a diverse range
of portable mixers, shotgun microphones, and
wireless systems all at affordable price points.
From broadcast news and industrial video to
event production and independent film, Azden
products perform.
Booth # 210
Beachtek Inc.
www.beachtek.com
480 Osprey Avenue | Kelowna | V1Y 5A5 |
Canada
778-478-9872
info@beachtek.com
Beachtek makes audio adapters that allow
our customers to connect professional audio
recording equipment and microphones to their
cameras. We have been designing and building
these camera/microphone accessories since
1997 and consistently rank throughout the world
as one of the best and most popular solutions
for the semi-pro and professional videographer.
Booth # 201
Canon
www.usa.canon.com
1 Canon Park | Melville, NY 11747
631-330-5000
ldoumanis@cusa.canon.com
Canon U.S.A. Inc., a world leader in professional imaging, delivers innovative products and
comprehensive solutions designed to provide
the high-quality performance and advanced
features professionals in multiple markets need
to capture, process, and reproduce their visions.
Booth # 214
Carl Zeiss
www.zeiss.com/cine
One Zeiss Drive | Thornwood, NY 10594
914-747-1800
photo@zeiss.com
The Carl Zeiss Camera Lens Division designs
and manufacturers some of the finest cinematography lenses in the world, including the
MasterPrime, UltraPrime & DigiPrime lenses.
On display will be the second generation
Compact Prime CP.2, the new full frame Compact Zoom CZ.2 and the SLR lenses for still
and video capture.
Booth # 229
Datavideo Corporation
www.datavideo.us
7048 Elmer Ave | Whittier, CA 90602
562-696-2324
sales@datavideo.us
Datavideo manufactures high quality, cost effective products for live production and broadcasting. Products include: mobile studios, video
switchers, monitors, recorders, vector scopes,
portable Teleprompters, CG software, chromakey, format converters and a variety of video
production accessories to help simplify any size
production. Datavideo is a world-wide company
with offices in North America, Europe, and Asia.
For more information about Datavideo products
please see www.datavideo.us.
Booth # 405
Dracast
www.dracast.com
23 Las Colinas Ln #110 | San Jose, CA 95119
408-229-9222
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Exhibitor D irectory
sales@dracast.com
Dracast produces professional grade LED lighting solutions for studios, filmmakers, photographers and more. Dracast was founded on the
belief that high quality professional broadcast
products should be affordable. The aim is
to design a wide range of LED lighting that
incorporates user friendly preferred features.
We believe that these essential products required by many photographers, videographers,
professionals, and amatures alike should be
easy to operate and tailored for any budget.
At Dracast, we design and manufacture our
own products. Our products are designed and
engineered in USA and manufactured in our
own facility. Dracast is headquartered in San
Jose, California.
Booth # 422
Future Media Concepts
www.fmctraining.com
23046 Avenida de la Carlota |
Laguna Hills, CA 92653
949-215-0111
info@fmctraining.com
FUTURE MEDIA CONCEPTS, INC. is the nation’s
premier digital media training organization
providing manufacturer-authorized training in
Mac IT and mobile Apps development. FMC
provides in-class, on-site and online training
options for IT professionals, Apps developers
and digital media professionals engaged in the
creation, management and delivery of digital
content.
Booth # 213
G- Technology
www.G-Technology.com
3538 Hayden Ave. Second Floor, South |
Culver City, CA 90232
1-310-287-5203
info@g-technology.com
G-Technology’s roots are deeply ingrained in
delivering premium storage solutions for audio/
video production, photography and the professional content creation market. From storing,
transferring, editing and distributing content,
G-Technology makes the workflow simpler, better and faster. G-Technology’s high-performance
portable and desktop drives, flexible transfer/
edit solutions and fast RAID systems are all built
for professional content creation environments
where performance and reliability are paramount. Because G-Technology holds itself to the
highest standards, its products can be found in
premiere post-production facilities worldwide.
Booth # 419
IABM
www.theiabm.org
PO Box 2264 | Reading RG31 6WA
United Kingdom
+44 1684 450030
info@theiabm.org
The IABM is the international trade association representing around 80% of the global
turnover in the broadcast technology sup-
ply sector. As the industry association, we
promote the industry as a whole and actively
represent our members’ interests, providing a
unique range of services that bring the international supply community together and help
member companies maximise their potential
in the marketplace.
Booth # 306
International Supplies
www.internationalsupplies.com
945 West Hyde Park Blvd. | Inglewood, CA 90302
310-672-9090
info@internationalsupplies.com
Importer, distributor and marketer of leading
products and innovative tools for the industry,
including AirBox Lights, Dougmon, LUMOS by
DMLite, Nexto DI, Photo Clam, The Ready Rig,
and Varavon.
Booth # 312
IO Industries
www.ioindustries.com/provideo
12-1510 Woodcock St | London |n6h5s1 |
Canada 5196639570
sales@ioindustries.com
IO Industries Inc. designs cutting-edge digital
video equipment. Since 1991 we have focused
on providing our customers with high performance and high quality solutions for all types
of digital video applications. Our products are
proudly designed and built in Canada, at our
headquarters in London, Ontario.
Booth # 200
JVC Professional Products
www.pro.jvc.com
1700 Valley Rd | Wayne , NJ 7470
973-317-5000
proinfo@jvc.com
JVC Professional Products Company, a
division of JVC Americas Corp., is a leading
manufacturer and distributor of HD broadcast and professional video equipment, full
line of studio and field broadcast monitors,
along with graphic display monitor technology, super-contrast D-ILA projectors, 4K D-ILA
projectors for use in simulation and advanced
visualization. Analog and IP network security
cameras, digital recorders, monitors and accessories for video surveillance.
Booth # 414
Levels Beyond
www.reachengine.com
2710 Walnut St. | Denver, CO 80205
303-495-2424
info@levelsbeyond.com
Reach Engine, by Levels Beyond, is a content
utility platform is use by the world’s most
sophisticated media companies. Our mission is
to unleash the power and possibilities of video,
graphics, text, and images onto every platform
to engage audiences and drive revenue. Solving the largest and most complex content management problems for the biggest media and
sports brands in the world, we’ve perfected a
simple system that goes far beyond a digital
asset management (DAM) system. By both
managing and delivering your content, Reach
Engine liberates your creative team and leads
your business successfully and fearlessly into
the future.
Booth # 309
Libec Sales of America
www.libecsales.com
20695 Western Ave | Torrance, CA 90501
310-787-9400
info@libecsales.com
New RSP series is launched at NAB 2013 and
now available in the market. This is fully adjustable counterbalance “balance stabilizer machanism”.Counter balance range for 850 is up to 44
lbs and 750 is up to 31 lbs.
Booth # 301
Litepanels
www.litepanels.com
14 Progress Drive | Shelton, CT 6484
203-929-1100
info@vitecvideocom.com
Litepanels was founded in 2001 and pioneered
LED lighting for professional movie-makers and
broadcasters. Emmy® award-winning technology provides flicker-free, color accurate, fully
dimmable light that is trusted by the world’s
foremost media organizations.
Booth # 207
Marshall Electronics
www.Marshall-usa.com
1910 E. Maple Ave. | El Segundo, CA 90245
310-333-0606
sales@lcdracks.com
Marshall Electronics is a leading manufacturer
of LCD rack mount and camera-top monitors
for broadcast, multimedia, video, film, and
news professionals worldwide. Marshall offers
a large assortment of technology including IP
cameras, audio monitors, professional microphones, outdoor field monitors, In-Monitor
Display (IMD), Quad Viewers, converters, standalone post monitors and DSLR cameras to
capture HD video.
Booth # 403
MCA-I
www.mca-i.org
PO Box 5135 | Madison, WI 53705-0135
888-899-6224
info@mca-i.org
MCA-I is an international, member-driven
organization that offers video and multimedia
professionals the connections and advanced
training opportunities needed to succeed in
a quickly changing and highly competitive
communications environment. We are a 501c(3)
organization. Charitable contributions to MCA-I
are tax deductible.
Booth # 209
Miller Camera Support, LLC
www.millertripods.com
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E x hi b itor Directory
216 Little Falls Road, Unit 15-16 |
Cedar Grove, NJ 7009
973-857-8300
info@millertripods.us
Miller Camera Support, LLC has been designing
and manufacturing camera support equipment
for close to 60 years with a product range that
can support camera packages in the ENG news
market, sports, film, educational and corporate
fields. In addition to our full range of fluid heads,
we will be featuring our new, rapid lock, 75 &
100mm Solo tripods.
Booth # 230
NewBay Media
www.nbmedia.com
28 East 28th Street | New York, NY 10016
212-378-0400
ehart@nbmedia.com
At the Content Center of the World’s Most
Dynamic Industries — Music, AV/Pro Audio,
Consumer Electronics/Gaming, Video &
Broadcast, and Education. We connect and
inform millions of constituents in these markets
through our award-winning content, integrated
media capabilities, and high-profile networkbuilding, informative events. Our unparalleled
reach provides marketing partners with exciting,
engaging, and effective targeted communities,
and connects them with decision makers and
influencers across these markets.
Booth # 215
NewFilmmakers LA
www.nfmla.org
1438 N. Gower St., Box 83 |
Hollywood, CA 90028
323-521-7385
info@nfmla.org
NewFilmmakers Los Angeles (NFMLA) is a
non-profit organization designed to showcase
innovative works by emerging filmmakers from
around the world, providing the Los Angeles
community of entertainment professionals and
film goers with a constant surge of monthly
screening events. NFMLA provides a forum
where filmmakers can be recognized for their
contributions, have open audience discussions
about their projects and connect with industry
professionals for insight on distribution, production, acquisition and representation.
Booth # 216
Newtek/ TS Computers
www.tsc-video.com
11300 Hartland St | North Hollywood, CA 91605
818-760-4445
videosales@vgn.com
NewTek Elite Partner, Livestream Platinum
Reseller. Selling the leading hardware to
complete all your broadcasting/ recording and
streaming needs.
Booth # 217
Panasonic
www.panasonic.com/provideo
3330 cahuenga blvd. west | los angeles,
CA 90068
323-436-3777
pbtsinfo@us.panasonic.com
Panasonic markets a wide range of HD
camcorders, studio cameras, remote control
cameras, integrated PTZ cameras, production
tough monitors, HD video switchers, solid-state
recorders and digital media.P2 Debuting at DV
Expo is the new AJ-PX5000 P2 HD camcorder
and AJ-PD500 compact P2 HD recorder.
Booth # 301
Petrol
www.petrolbags.com
14 Progress Drive | Shelton, CT 06484
203-929-1100
info@vitecvideocom.com
Petrol Bags™ provides professional bags offering unique protection, and superior personalization & portability for production equipment.
Innovative design & rugged construction
using quality materials ensures Petrol Bags™
offer lifetime attractiveness, optimal carrying
comfort and maximum storage. Our extensive
product range transports your gear safely and
provides the ultimate protection.
Booth # 319
Pixelflow
www.PixelFlow.com
PO Box 330 | San Mateo, CA 94403
877-793-5691
Info@PixelFlow.com
PixelFlow is a cloud review and delivery platform that strengthens customer relationships,
promotes teamwork and increases production
value. The ideas behind the PixelFlow process
originated from user groups, industry experts
and users just like you. The platform delivers
simple, yet highly effective features for entrepreneurs, studios, post houses, enterprises, visual
effects labs, animators and those who sell video
over the web. The service is easy to use and can
be run as as part of your existing website. The
essence of PixelFlow is an optimal experience
for your customer, faster delivery times and a
professional presentation.
Booth # 206
Redrock Micro
www.redrockmicro.com
PO Box 271395 | Flower Mound, TX 75027
888-214-3903
info@redrockmicro.com
Redrock Microsystems, LLC was founded in 2004
by a group of avid digital filmmakers whose
desire to produce high quality movie images
without access to huge budgets led them to
start Redrock Micro: a company committed to
the express purpose of bringing cinema-quality
accessories to market at revolutionary prices.
Redrock Micro designs and sells a line of high
quality cinema accessories for independent
filmmakers, film educators and students, and
budget-conscious moviemakers.
Booth # 314
Robert Hall & Associates- Tax Consultants
www.roberthalltaxes.com
300 W. Glenoaks Blvd. #200 | Glendale, CA 91202
818-242-4888
jennifer@roberthalltaxes.com
Located in Los Angeles County since 1971,
Robert Hall & Associates - Tax Consultants has made a name for itself in the heart of the
Entertainment Industry. By understanding the
atmosphere of the industry, Robert Hall & Associates has developed a preparation method that
is used specifically for entertainment professionals, aiming to increase profitability and decrease
liability. Incorporating services and IRS audit
representation also available.
Booth # 223
Ruige
www.ruige.com/en
17800 Castleton St., Suite230 | City of Industry,
CA 91748
626-217-3999
ruige-us@ruige.com
RUIGE, the manufacturer of professional LCD
monitors, has over 12 years experience in the
monitor industry. RUIGE products are widely used
for film and TV previous photography and the
post production and broadcast. Our lastest products (patent pending) “Carry on monitor” will
become the blink on DV Expo. Both products are
innovative products, they bring the convenience
for field shooting and post-production. We have
received good feedback from Film equipment
rental companies and professional dealers.
Booth # 301
Sachtler
www.sachtler.com
14 Progress Drive | Shelton, CT 6484
203-929-1100
info@vitecvideocom.com
Sachtler, founded in 1958 by cameraman Wendelin Sachtler, is a worldwide market leader in
premium camera support systems for cinematography and television production, its name a
symbol of top quality and reliability for decades.
Engineered in Germany.
Booth # 222
Samy’s Camera
www.samys.com
12636 Beatrice St | Los Angeles, CA 90036
800-321-4726
info@samys.com
Since 1976 Samy’s Camera has been the leader
in Sales and Rentals of the highest quality
imaging products and the ultimate resource for
the professional. Serving the community in Los
Angeles, Culver City, Playa Vista, Pasadena, Orange County, Santa Barbara, and San Francisco.
Booth # 317
Student Filmmakers
www.studentfilmmakers.com
1123 Broadway Suite #307 | New York, NY 10010
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Exhibitor D irectory
212-255-5458
welch.k@studentfilmmakers.com
Booth # 315
Swit Electronics USA
www.swit.us
4300 Stevens Creek Blvd. , Suite 230 |
San Jose, CA 95129
408-260-8258
info@swit.us
SWIT is a leading supplier specializing in
developing and manufacturing products for the
broadcast industry. SWIT has gained great reputation worldwide for its outstanding and innovative products over the years. SWIT has a wide
variety of products ranging from LCD monitor,
Rack mount monitor, Li-ion battery, charger,
adapter, on-camera light, mini converter, multiviewer, and accessories, etc. Quality, Reliability,
Creativity and Compatibility are what you can
find in SWIT, the trusted brand and choice.
Booth # 415
The Secrets to Film Distribution
www.Distribution.LA
Waverly Drive | Los Angeles, CA 90039
323-662-8877
courshon@yahoo.com
The powerful Program that assists Producers &
Directors with learning everything they need to
achieve successful distribution for their movie or
documentary. Forget theory, that’s useless. This
Program is the nuts & bolts REAL information for
success, with Producers achieving distribution
through Warner Bros., Sony Pictures, Lionsgate,
etc. No other producer in the world teaches the
powerful information contained in this Program.
If you’ve accomplished the Herculean task of
making a movie or documentary -- or you intend
to -- it’s time to learn how to actually get it INTO
the marketplace, SUCCESSFULLY.
Booth # 323
Ustream
www.ustream.tv
410 Townsend St | San Francisco, CA 94107
415-489-9400
support@ustream.tv
Ustream is the leading video technology
platform for live business communications. The
company, founded in 2007, had a vision to bring
live online broadcasting technology mainstream;
Ustream was originally created to connect
military service members to family and friends
across the world. Since then, the company has
established itself as a socially-fueled video platform for broadcasters of any size to easily reach
an infinite audience and share experiences in
real-time.
Booth # 416
Video Symphony
www.videosymphony.com
266 East Magnolia Blvd | Burbank, CA 91502
818-557-7200
info@vs.edu
Video Symphony, Pro School of Media Production, is an Industry leader in providing professional training and certifications in Editing,
Audio Engineering, New Media Production &
Motion Graphics. Video Symphony is the #1
Avid authorized education center worldwide
offering certification programs in Adobe, AVID
Media Composer, Cinema 4D, Final Cut Pro,
Maya & Pro Tools. We are nationally accredited by the Accrediting Council for Continuing
Education & Training (ACCET). FREE Training
for Studio Employees — visit booth # 416 to
find out how to receive up to 56 hours of digital
media training at Video Symphony (some restrictions may apply).
Booth # 301
Vinten
www.vinten.com
14 Progress Drive | Shelton, CT 06484
203-929-1100
info@vitecvideocom.com
Vinten® camera supports R&D investment
means the pan and tilt heads, tripods and
pedestals enable camera operators to easily
manage payloads weighing up to 264.5lbs.
Vinten supports have Global awards, including
TV Technology, TVB Europe, the GTC and the
Royal Television Society.
Booth # 301
Vitec Videocom
www.vitecvideocom.com
14 Progress Drive | Shelton, CT 06484
203-929-1100
info@vitecvideocom.com
Vitec Videocom (an operating division within the
Vitec Group) brings together some of the most
respected, sought-after and innovative brands in
the industry: Anton/Bauer, Autoscript, Litepanels, OConnor, Petrol, Sachtler, Vinten and Vinten
Radamec. It acts as an endorsing brand for
these market-leading broadcast, movie and provideo products, encouraging multi-brand system
sales and simplifying the way that partners and
customers worldwide do business.
Booth # 408
WD
www.wd.com
3355 Michelson Dr., Ste 100 |
Irvine,CA 92612
949-678-7000
alan.parry@wdc.com
WD (www.wd.com), a Western Digital company,
is a long-time electronics innovator and storage
industry leader. Setting storage technology
standards, the company’s reliable, high-performance hard disk drives and solid state drives
keep users’ data accessible and secure from
loss. Its storage technologies are deployed in a
wide range of computing, embedded systems
and consumer electronics applications, as well
as in its own storage systems. From the secure
platform of the company storage systems
to networking products and media players,
the company provides products that simplify
people’s digital lives, enable their connected
homes and enhance their small businesses.
Booth # 318
Zylight
www.zylight.com
10718 McCune Ave | Los Angeles, CA 90034
978-244-0011
info@zylight.com
Zylight is a leading manufacturer of intelligent
LED lighting instruments for the film and video
production industry. Its easy-to-use lighting
system is based on state-of-the-art technologies,
producing fully calibrated, bright white light of
any color temperature, as well as any color, forever eliminating gels. Full wireless control, DMX
integration and AC or DC power options are all
included. The Zylight LED system is truly the most
unique and flexible lighting system available.
Thank you to our Media and Association Partners
American Cinematographer
Bay Area Women in Film and Media
Broadcast Equipment Guide
Digital Cinema Buyers Guide
Digital Cinema Society
Digital Media World
Digital Production Buzz
Future Media Concepts
HD Video Pro
Holly Shorts Fest
Hollywood Post Alliance
ICG Magazine
Independent Filmmakers of the
Inland Empire
Internet Video Magazine
Iranian Film Festival
LA Adobe User Group
LA Shorts Festival
LAFCPUG
Los Angeles Post Production
Group (LAPPG)
MCA-I
MovieMaker Magazine
NewFilmmakers LA
Post Production Buyers Guide
ProductionHUB
Professional AV Buyers Guide
Punto Magazine
SCRI International, Inc.
SMPTE
Sound & Picture
Student Filmmakers
Universal Film Magazine
Video Symphony
Videomaker
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