SOUTH COAST HIGHWAY # l o

Transcription

SOUTH COAST HIGHWAY # l o
State of California - The Resources Agency
DEPARTMENT OF PARKS AND RECREATION
H A B S H A E R
UTM:
HISTORIC RESOURCES INVENTORY
A
4w-m
Ser. NO.
N R
30-2651-10-D
X
B
S H L L o c 119~$!Q/37n97/ln
CD
-I
IDENTIFICATION
1. Common name:
South Coast Highway
2. Historic name:
Coast Boulevard
3.
Multiple
Street or rural address:
City
Laguna Beach
4.
Parcel number:
Multiple
5.
Present Owner:
Multiple
City
6.
Present Use:
zip
Oran~e
county
Address:
Zip
Mixed
92651
Ownership is: Public
xx
Private
Same
Original use:
DESCRIPTION
Settlement cottages, Craftsman, Period Revival, Moderne
7a. Architectural style:
7b. Briefly describe the present physicaldescription o f the site or structure and describe any major alterations from i t s
original condition:
South Coast Highway i s t h e primary a r t e r i a l through t h e City o f Laguna Beach which runs
from Broadway S t r e e t i n t h e downtown t o t h e southern c i t y l i m i t s .
Though i t i s
predominantly a commercial thoroughfare now, i t was o r i g i n a l l y devoted 1a r g e l y t o beach
cottages. Many o f t h e o r i g i n a l cottages s t i l l remain b u t are now used f o r commercial
purposes.
Subsequent t o t h e development o f the homes, South Coast Highway became
i n c r e a s i n g l y important as a commercial roadway, and beginning i n t h e mid 201s,
b u i l d i n g s began t o be constructed expressly f o r commercial purposes.
What e x i s t s today i s a v a r i e t y o f b u i l d i n g s d a t i n g from as e a r l y as 1888 i n one case t o
t h e present. The bulk o f homes and b u i l d i n g s itemized here date t o t h e p e r i o d from
1915-35. Most are i n good t o e x c e l l e n t c o n d i t i o n and are w e l l maintained.
A range o f uses and s t y l e s e x i s t s which makes South Coast Highway a unique and dynamic
arterial.
Styles range from e a r l y board and b a t t e n settlement cottages t o Period
Revival commercial architecture. These various s t y l e s were executed on bui l d i n g s used
as homes, apartments, hotels, gas stations, o f f i c e b u i l d i n g s and r e t a i l stores.
Attach Photo(s) Here
8.
Construction date:
Estimated-,
Factual ,1888-1940
9.
Architect
Various
10.
Builder
Various
11.
AV
Approx. property size (in feet)
Frontage
Depth J nn '
or approx. acreage
12.
Date(s) of enclosed photogr&(s)
=
November 1980
13. Condition:
Excellent X ~ o o dX
-F
a iX r Deteriorated
15.
Surroundings: (Check more than one if necessary)
Residential I n d u s t r i a l C o m m e r c i a l
16.
Threats t o site:
None known P r i v a t e development
Other:
Public Works project -
17.
Is the structure:
18.
Related features:
On its original site?
.
Open land
Other:
- N o longer i n existence -
-Scattered buildings -Densely built-up
- Zoning
Moved?
X
Vandalism
Unknown?
SIGNIFICANCE
19. Briefly state historical and/or architectural importance (include dates, events, and persons associated with the site.)
The forerunner of the present Coast Highway was a dirt road extending from Main Beach to
Aliso Canyon. The first entry into the Laguna coast was via Aliso Canyon and Laguna
Canyon; it was natural that a coast route 1 inking these two arteries be developed. The
first cottages and houses in the area were on the coast and, of course, the coast road
was necessary to get people to and from their place of lodging.
It was not until 1926 that the road was paved and officially made part of the Coast
Highway which now runs from the State of Washington to San Diego.
The first buildings to go up along South Coast Highway were board and batten cottages
used for dwelling purposes. The earliest houses in Laguna were along the bluffs
adjacent to Main Beach and access to these was from the Coast Road. Soon the downtown
began to develop as a commercial downtown and Coast Highway was used for commercial
purposes as we1 1.
South Coast Highway now contains a mix of remnant beach houses (many with commercial
storefronts) and commercial buildings including hotels, gas stations, office buildings,
apartments and general commercial use buildings. A cross-section of architectural
styles from early board and batten to Mediterranean and Provincial Revival are present,
making South Coast Highway a veritable sampler of historic architectural styles in
'
2 h a ~ X i h e m oe f the historic resource: ( i f more than one is
checked, number i n order o f importance.]
Arts & Leisure
Architecture 1
Econornic/lndustr~alE x p l o r a t i o n / S e t t l e m e n t
Government
Military
Religion
Social/Education
7
21.
In addition, South Coast Highway is an
important image-making roadway in the
city. It contains many pre-1940 homes
and buildings of architectural and
historic interest which contribute to the
vi 1 1 age character of the city.
Sources (List books, documents, surveys, personal interviews
and their dates).
Orange Co. Assessor ' s Records
Laguna City Directories, 1918-45
South Coast Newspaper
Pioneer Days in Laguna, Ramsey
22.
Date form prepared
By (name)
Organization
Address:
City S a n t
Phone:
- Ka
. .
~ n t a lCnalitian
206 W. 4th St.. Ste. 316
_ a 7 i p
92701
p
.) I
STATE
I
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1
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HIGHWAY
0
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- a
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ROUTE- 60
U. S. 101
ALT.
1.
2.
162 South Coast Highway
1934 (E)
This building has been designated eligible for the National Register.
individual listing.
See
1917 with 1927 remodeling (K)
A two-story brick building with stucco facing. The building has a box plan with
flat roof and the minimum of ornamentation. A tiled canopy string course skirts
the upper girth of the building.
T h i s building has been a landmark on this corner since the time the artists first
started arriving enmass to Laguna. Over the years prior to 1940, the building
housed a variety of commerci a1 businesses and cafes.
m
3.
1918 and 1927 (E)
What was originally a large shingled house at 300-20 was immediately used as a
300-20 and 340
restaurant upon its completion. A large front-facing gable distinguishes the
building; out of this gable on either side rise two wide and high shed dormers. The
steep pitch of the roof and the casement windows are typical of the early Laguna
bui ldings which imparted a village scale and character.
The White House Cafe was first located in the older of the two buildings, 300-20
South Coast Highway, and was built by Claude Bronner, proprieter of the restaurant.
The restaurant did well from the start and was later expanded by the second owner,
Richard Bird, in 1934. At that time a tavern and bar were added so that: the
restaurant extended the entire length from 300-40.
The White House Cafe now
occupies only the later addition to the building and the restaurant and bar have
been cons01 idated into one building.
Second owner Richard Bird bought the White House Cafe for the then astronomical sum
of $86,000. He approached Claude Bronner to sell and, hesitant to do so,
Mr. Bronner arbitrarily placed a high price tag on the business. To his shock,
Bird was prepared to pay the sum in cash, and that was an offer that Mr. Bronner
could not refuse. (See the listing for 758 Manzanita for more information on
C1 aude Bronner. )
PAGE
5 OF 5 2
335
4.
5.
.3Zf South Coast Highway
1927 (E)
individual 1 isting.
See
ca. 1930 (K)
This is a Tudor Revival influenced commercial building built with dual entry to
house two businesses. The central front-f acing gable with half-timbering most
distinguishes the building. The original doors and angled showcase windows are
still in place below.
AS of 1941, this building housed the Pacific Souvenir Shop. Since that time it has
always housed a variety of tourist oriented businesses.
37% South Coast Highway
4
6.
0
1931 (E)
Known as the Heisler Building for its original owner H.G. Heisler, this Provincial
Revival influenced building has graced this corner of Laguna since 1931. The
building is distinguished by a box plan with mansard roof and steep-pitched gables
with a modified turret on the corner. Faced in stucco.and lined with double-hung
windows on the second floor, the building contributes greatly to the village
quality of downtown Laguna.
The building was designed to house two commercial units below and two apartments
above. Beginning in 1935, Rason's Drug Store occupied the corner portion of the
building where the Jolly Roger is now located. Beginning about this same time,
Dr. Conover, an osteopath, established his office here and remained for many years.
Howard Heisler, developer of the building, was an important real estate
entrepreneur in the early days of Laguna. Along w i t h L.C. McKnight he acquired
most of the land which now compromises north Laguna from the Irvine Company and
subdivided it in 1906 under the name Laguna Cliffs. This was the first tract in
Laguna to have water directly piped to each lot, quite an achievement for its time.
This building on South Coast Highway is an important testimony to the memory of an
important Laguna pioneer, H.G. Heisler.
7.
1931 (C)
This is an extension to the Heisler building next door at 400 South Coast Highway.
it was designed in a similar style and also provided residential units upstairs and
commercial space downstairs.
8.
1930 (E)
individual listing.
m
See
a
9.
448 South Coast Highwa.y
1934 (.K )
A two-story commercial building with apartments/offices above. The rectangular
plan building features a single gable roof ornamented with brick pilasters on
either side of the front facade. The building is sheathed in wood overlap siding.
Though not part of the original building, an arcade defined by an arched brick
entry now runs through the center of the building.
In the early 40's Bird's Studio Shops (domestic and imported gifts) attracted many
tourists. Also located fn the lower portion o f the building in the 40's was the
Pepper Tree Cafe owned by Everett Tawney.
<
0
10. 460 South Coast Highway
1930 (K)
A modified Mission Revival commercial building characterized by a box plan, flat
roof and stucco finishing. Three large arches define the front facade and are
separated by pilasters. The main entry is recessed beneath the center arch.
From the late 30's through the 40's the Southern Counties Gas Company was located
here.
11. 470-72 South Coast Highway
1928 (K)
This was a small board and batten cottage originally which was adapted to
commercial use early on. The building has been aesthetically manipulated over the
years, but still retains the majority of its original quality. The side-facing
gables and board and batten siding contribute to the quality of its character.
A variety of shops have been located here including artist Marius Smith's studio
(as o f 1932), The Gift Mart (as of 1935), Kato Art Shop (as of 1941), and Shop of
the Seven Seas (as of 1941).
12.
1902 (K)
A blufftop board and batten house with ocean orientation. The house has a
rectangular plan and single gabled roof. A smaller lean-to addition on the
oceanfront side may originally have been an open porch, The south side of the
house has been refaced in overlap siding and stucco has been applied on the gable
faces. Despite these changes the house still retains its original format and
scale. This is one of three of the oldest remaining cottages from the first
settlement above the main beach.
13.
1902 (C)
On the street side is located a board and batten cottage with a single gabled roof.
On the ocean side in another board and batten cottage, but this one cascades down
the bluff and has a pyramidal roof. These are one of three of the oldest remaining
cottages from the first settlement above Main Beach.
1937 (C)
A Moderne style building which originally housed the Vista Apartments.
The
building is comprised of two stories built into the side of a sloping lot. The flat
roof, rectangular plan and stucco siding are typical of the period. Entry at the
lower level is recessed and defined by rounded corners. The remaining panes of
glass-brick on the upper level are also typical of the style.
,$
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15. 541 south Coast Highway
1887 (K)
From the oceanside one can see a box plan house with a single gabled roof and wide
shed dormer with casement windows. A full porch is recessed below the gable
overhang which is supported by wood posts. A saw-tooth embellishment adorns the
upper portion of the porch. The house appears to be in nearly original condition
and is one of just a handful of homes in Laguna which remain from before 1900. What
was a board and batten cottage was built by Frank D. Collins, a rancher from Villa
Park, as his summer house. The cottage had the first cement lined cistern for
catching rain water.
Beginning in the early 30's artist Nell Coover, known for his etchings, had this as
his studio home. More than 20 years later the house was taken by Majorie Adams
Darli-ng and her husband William as their studio home. Ms. Darling still occupies
the house.
Ms. Darling has been a distinguished artist all her life. She is a portrait artist
who began exhibiting in the first Festival of Arts in 1932 and holds the title of
being the longest continuous exhibitor. William Darling began as a portrait artist
but proceeded to develop a 30-year career as a movie set painter. He won three
Academy Awards for his sets: Calvalcade (1932-33), Song of Bernadette (1943), and
Anna and the King of Siam (1945).
In addition, he designed sets for
Shirley Temple, Sonja Henie, and Will Rogers motion pictures. In 1952 he was
presented a special award by the Motion Picture Academy honoring his excellent
work, an award only bestowed twice in the history of the movie industry.
PAGE 14 c F 52
16.
0
1930 (E)
A b l u f f t o p house w i t h ocean o r i e n t a t i o n distinguished by a box plan w i t h shallow
p i t c h e d r o o f and corner t u r r e t .
The shingled house has a f u l l length veranda
supported by ornamental posts. The c i r c u l a r t u r r e t r i s e s above the main r o o f l i n e
and i s crowned w i t h a conical roof.
The house was designed by l o c a l a r c h i t e c t Thomas Harper f o r Mr. and Mrs. Herman
Eberle. Mr. Eberle was an inventor.
PAGE 2 5 OF 5 2
17. 619 Sleepy Hollow
.
Ca. 1925 (estimate) (E)
A shingled beach house on the blufftop with ocean orientation. The house has a
modified box plan with a hipped roof accented with tiled ridges. Large multi-paned
casement windows are used throughout. Because of the present restaurant use, a
large patio dining area has been added on the ocean side which largely obscures the
main house. What is visible of the house is still largely intact.
What is now the Beach House Inn restaurant was originally the home of western
comedian and actor Slim Summerville. The American character actor, known as the
gagman for Mack Sennett, was born George Summerville in 1892. While he played in
dozens of movies, he claimed Laguna as his primary home. Some of his most notable
film credits include The Beloved Rogue (19271, All Quiet on the Western Front
(1930), The Front Page (1931), White Fang (1936) and Tobacco Road (1941).
1914 (K)
A shingled beach house built into a sloping lot. The house has a single gable roof
with an elongated slope on the south side. Tongue and groove siding i s present on
the first level.
During the 4 0 ' s this served as the home and pottery studio for Claude and Jane
Weddle who produced Weddleware Ceramics. This is one of several potter studios
which were located in the 600 blocks of South Coast Highway and Sleepy Hollow Lane
during the war years.
19.
a
ca. 1925 (estimate) ( K )
A l a r g e two-story clapboard house b u i l t high on a sloping l o t .
The house has a
singled gable r o o f w i t h t h e f r o n t gable face having a continuous band of windows on
t h e second level. The e n t r y i s a t f r o n t center beneath a porch overhang and i s
A smaller s i n g l e gabled
flanked by a l a r g e multi-paned window on e i t h e r side.
b u i l d i n g used as a boutique i s down on t h e s t r e e t level.
1917 (C)
A remnant board and batten cottage b u i l t high on a steep l o t w i t h a commercial
(1944) a d d i t i o n below a t t h e s t r e e t level.
The house i s t y p i c a l o f t h e Laguna
board and batten cottages w i t h i t s gabled r o o f and f r o n t entry.
1931 (K)
The upper portion of the lot contains a multi-gabled board and batten cottage with
large casement windows. The lower street level portion of the lot contains a large
shingled house (now in commercial use) with two ample front-facing gables.
By 1945 the Sleepy Hollow Pottery was established here.
Potters included
Oliver Hill, Thomas Hart, and Eva Henderson.
1024 (C)
A small shingled building which was probably a cottage when first constructed. The
building has a rectangular plan, single gabled roof, and central entry with bay
windows on either side.
Though the original use is unknown, it is known that the building served as the
Sheppard Real Estate office by 1945 and Mary C. Sheppard was the proprieter.
This is a one-story shingled storefront with a stuccoed house in the rear. The
small scale, flat roof and staggered-butt shingles contribute to the vi 11 age
qua1 ity establ ished along South Coast Highway.
I
24.
1917 (C)
The house has a simple
box plan with a shallow pitched gabled roof. It appears that the lot was excavated
to accommodate the lower portion of the building.
By 1940 Gladys Gurley had established her real estate office here.
A two-story board and batten house built on a sloping lot.
e
25.
1921 (C)
~ M o ~ p +M7 3aU W ) M 3 f IA board and batten cottage with box plan and multi-gabled roofline. The house sits
on an elevated lot and faces Coast Highway but has an ocean view to the rear.
26.
1924 (C)
A two-story board and batten cottage with a commercial remodel at the street level.
The original portions of the house are most visible at the second level where a
full porch supported by a wide gable overhang is present.
27.
1915 (K)
A large shingled house with a single-gabled roof and a box plan. The house is
located on the blufftop and has an ocean orientation. Casement windows are used
throughout. A tapered chimney rises up the south face. The house has strong
Craftsman influences and retains most of its original integrity.
This beach cottage was built by the Lantzfs who lived in L.A. This and the cottages
at 881 South Coast Highway and 154 Thalia were a11 built by related family members.
Most notable of these is the house at 154 Thalia which served as the studio home of
artist William Swift Daniell. See the following listing.
a
28.
154 Thalia
1915 (K)
An oceanfront cottage with a rectangular plan and single-gabled roof with a tiled
ridgeline. The cottage incorporates an ocean orientation and is built into the
bluff face. Windows form a continuous band around the frontmost portions.
Artist William Swift Daniel1 originally built this as his studio home. He is
credited with being one of the early artists in Laguna and the one to have the first
one-man exhibition here.
He was known for his watercolor landscapes.
In
Los Angeles where he located his primary home, he ran ,an art gallery beginning in
1911 to sell Southern California paintings.
29.
1928 (C)
A small board and batten cottage with rectangular plan and single-gabled roof
located on the oceanfront portion of the lot. Two chimneys rise out of the center
while casement windows are used throughout. The frontmost portion of the house on
the ocean side is a later addition.
This was built as a beach cottage by Dorothy Lantz whose parents occupied the beach
house next door at 845 South Coast Highway.
30.
901-13 South Coast Hiqhwav
1936 ( E .l
- This building has been determined eligible for the National Register.
individual listing.
0
.
See
31.
1924 (K)
A two-story board and batten house with multi-gabled roof and box plan.
This was
formerly the studio home of Elise Blandamar, an artist who came here from L.A. in
1932 and was known for her pottery work called Yarkely Pottery.
a
1923 (C)
A small beach cottage with box plan and single-gabled roof. While nothing is known
about the origins o f this house, it is typical of those which were loosely strung
out along South Coast Highway during the 20's for use as beach cottages.
PAGE 25 OF 5 2
.
It
.
0
33.
1924 (C)
A small clapboard cottage with multi-gabled roofline. Like the house next door at
961, this is also typical of the many small cottages which once dotted South Coast
Highway in the days before it was a major thoroughfare.
34.
1929 (E)
individual listing.
a
See
35.
0 ,
36.
1926 (K)
A Mediterranean Revival building on a corner lot with a distinguished corner entry
o f arches. While the building has a predominantly flat roof the front wing has a
slight three angled pitch with a large arched window on the front face and a hooded
entry with arched openings.
In 1935 the MacBeth Galleries and Antiques was here; in the early 40's Terrace
Pottery Company was here.
1009 South Coast Hiqhway
1938-39 (E)
individual listing.
See
m
1937 (K)
This is a Provincial Revival building built with the scale and format of a house.
The building is distinguished by steep-pitched counter facing gables with the front
gable being the larger of the two. This .gable features half-timbering and a bay
window while t h e entry is to the side.
Previous enterprises at this location are Austin Trumbell Realtor (as of 1937),
Manfred De Ahna, architect (as of 1940), Sea Side Studio (as of 1941).
While too new to be considered by historic criteria, this building is very much an
architectural part of this block. The Tudor Revival influences and steep-pitched
roof in combination with the recessed entry make this a component part of the
village character buildings in this block.
'
1930 (K)
A one-story brick building with a Hobbit quality.
The box planned building is
topped with a single gable roof sheathed in wood shingles. A smaller gabled
projection with glass walls is on one side while the Cotswold door entry with
masonry embellishment is on the other side.
This building was built for artist Ida Randall Bolles by the contracting firm of
Ropp & Mackey. Originally called Sea Dreams Studio, the building had an apartment
in the rear and studio and commercial space in the front. Ms. Bolles was a
landscape and marine painter who is 1 isted in the 1942 Artist Register in the South
Coast news. Beginning in 1935 realtor Les Chatham had his off ice here.
1937 (E)
individual 1 isting.
See
41.
(date unknown on buildings ) (E)
The Pottery Shack consists of a cluster of remnant board and batten beach cottages.
The business is located on a large corner lot that stretches from Coast Highway to
Glenneyre. The buildings make an "LN formation on the property with the corner
space being utilized for outdoor displays. The buildings are typical cottages with
multi-gabled roofs facing a variety of directions.
Prior to the establ ishment of.the Pottery Shack, the Yum-Yum Tea Room was located
here. In 1936 the Pottery Shack was estdbl ished here. Two brothers, Roy and Van
Childs and their wives, founded the Pottery Shack with $80 worth of mixing bowls,
pots and vases to put on second-hand shelves and third-hand tables. Business was
good during the first years in the summer and after the war. The Pottery Shack
rapidly expanded into an internationally famous tourist attraction. This is one of
several large pottery factories that flourished during the war years in Laguna.
This is the only one which remains and as such is an important Laguna landmark.
42. 1257-59 South Coast Highway
1928 (K)
This i s a board and batten beach house recessed below street grade with a shingled
storefront added at the street level. The storefront features large multi-paned
picture windows and staggered butt shingles for ornamentation.
This is typical o f the way in which many of the early homes along South Coast
Highway were adapted to commercial use. Residential quarters are still located i n
the rear and the front is used for commercial purposes. In 1941 the Leqgett Drug
Store was located here.
1930 (K)
A Mediterranean Revival building with one story in the front and a second story on
the rear portion. The second story has a side-facing gable with tiled roof while
the front story has a front-facing gable with a tiled hood which forms the entry
overhang.
This building originally housed various galleries and antique stores. Among these
were the Gilmore Galleries (as of 1932) and the Treasure Chest (as of 1940). Mary
Maxwell ran the Treasure Chest in which she sold antique jewelry which was bought
by those from all over the region.
(1928-house / 1939 storefront) (K)
This is a beach house recessed below street grade with a stucco storefront. The
house in rear has a multi-gabled roofline while the storefront has a single-gabled
parapet.
In 1941 the Trap Door Dining Room was established here.
0
1928 (E)
individual 1isting.
See
1931 (E)
individual listing.
See
ca. 1939 (estimate) (C)
A simplified Moderne building with a box plan and flat roof. The front facade
consists o f three bays with the center one recessed. Each is delineated by a
fluted pilaster. The building was built to accommodate apartments and was
originally known as the Mitchell Apartments.
a
48. 168 Mountain
1932 (K)
A small single room wood frame cotage with a single-gable roof. A full porch is
located beneath the gable overhang and is supported by wood posts with diagonal
braces.
This building was reputedly one of the Olympic cottages brought to Laguna following
the 1932 Olympics. When the Olympics ended the cottages were put up for sale at a
low price. The Laguna Heights Land Company of Los Angeles bought them along with
land in upper Bluebird Canyon. The cottages were moved here from Los Angeles with
the majority going to Bluebird Canyon. The Coast Inn across the street from this
address incorporated some of the cottages. The one which remains here at 168
Mountain is the most unaltered of the cottages which remain.
49.
50.
m
1929 (E)
individual listing.
See
ca. 1925 (E)
individual listing.
See
51.
0
1938 (K)
This is a cluster of one-story attached shops arranged in a "U" plan. The
bui ldings have hipped roofs with wide eaves which emphasize the Hobbit appearance.
Tiled ridges and gabled dormers also adorn the roof. A strong Cotswold flavor is
imparted through the use of Cotswold doors, ornamental brick foundations, painted
roof shakes and a courtyard garden.
The Art Center, as this is known, started as a beach shack. In 1937 it was rented
by Dorothy Ramsey for $15 per month for use as her studio where she produced
Mexican wood carvings. By 1938, others became interested in the location and more
shops were built by her father Merle Ramsey, local building contractor. The shops
were built to house artist studios and galleries, the idea being that artists would
have both a place to work and a place to exhibit their work for sale to the public.
One of the longest standing businesses at this location is Warren Imports. They
have been located at this address since 1937 and are now considered one of the
finest import businesses in the region.
rn
ca. 1930 (estimate) (K)
A small Mediterranean Revival building which occupies a corner lot. The building
has a gabled roof and stucco finishing on the faces. The entry is recessed through
an arched opening.
The original use of this building is unknown, but for the last 25 years the
building has served as a gift shop, For many of those years it was called The
Sandbox and was a children's clothing store. The size of the building is so small
i t makes it a novelty, and thus an important contributor to the village qua1 ity of
South Coast Highway.
.. --
P A G E 38 O F 5 2
1934 (C)
This is a small shingled cottage with gabled roof and large picture windows in
front. The bui ldinq was built for Dr. Theodore Stover and originally housed a
business cal led .Stover & Martel Picture Framing. Whi 1e the business was in front,
living quarters were probably in the rear.
ca. 1940 (estimate) (K)
This is a Tudor Revival storefront attached to a beach house which is in the rear
and below the street level. Half-timbering distinguishes the gable while large
multi-paned windows are below.
55.
6
1940 (K)
A two-story building with Monterey Revival influence. A rectangular plan and tiled
gable roof are enhanced by a second-story balcony with wood balustrade which wraps
around the north and west portion of the building. Sup~ortingposts are ornamented
with ornate carved brackets. Exposed beams and ornamental rafter tails further add
embell ishment. Windows and mu1 ti-paned French doors are a1 1 framed in rough hewn
wood.
This building was formerly located downtown on Broadway, but was moved in the mid70's to accommodate a parking lot expansion by Laguna Federal Savings. It was one
of two buildings moved at the time; the other is now located at 1166 Glenneyre.
When located downtown, the building was called Casa De Mandigo and served as
apartments. At this location it has a combined commercial and apartment use.
m
1939 (E)
This is an eclectic storefront addition to a house in the rear. This unique
storefront looks as though it were from the Black Forest in Germany. It features a
steep-pitched gable roof which slopes on one side to also forms the roof for the
side portion of the building. Half-timbering, the small multi-paned window in the
gable, and the rough hewn door a1 1 lend a fairy tale qua1 ity.
This building was built and designed by Carl Able while he and his family occupied
the house in the rear. He was a woodworker from Scandinavia and responsible for
the design and building of some very unusual Laguna homes. In addition to the
Ables, in 1941 there was also the Whazit & Whinkey Shop and The Haunted Book Shop.
a
57.
1793/79 South Coast Highway
ca. 1926 (E)
A Mediterranean Revival gas station and accompanying car repair building. The gas
station is a gabled box with a cut-out below the gable to form the pump kiosk. The
repair building in the rear is a long linear building with a tiled gable roof.
The gas station.is the oldest remaining gas station in Laguna and is an important
reminder of the rise of the auto industry in the 20's. Originally known as El Arco
Garage, the buildings were built by Ed Seeman who lived around the corner on
Glenneyre. Mr. Seeman owned and operated the El Arco Garage until his death in
recent years. In addition to pumping gas when it first opened, the El Arco Garage
sold water; those in South Laguna came here for their water rather than having to
go all the way up Laguna Canyon.
P
1927 (K)
A Mediterranean Revival commercial building with two stories, a flat roof and
stucco finishing. The building is embellished with a tile hood at the first and
second story. Recessed double-hung windows run the length of the second story.
59.
1930 (C)
A board and batten bungalow cottage recessed considerably below street grade.
house has an "L" plan, gabled roof and angled hay window on the street side.
The
60.
1932 (C)
A two-story commercial building with Mediterranean Revival influence. The
building features a rectangular plan and a flat roof with a tile hood in front.
This building was bui It by Albert Harris, a bakery owner on Forest Avenue who bui 1 t
this as an investment. Coast Upholstering, now located in Laguna Canyon, started
here. In 1941 the Dorothy Kindell Pottery studio was here.
I
I
61.
a
.
1930 (C)
A narrow rectangular plan Period Revival building. The single-gable roof has an
elongated slope on the south side. A large multi-pane window and ornamental brick
chimney and retaining wall adorn the front facade.
Dick Knox Ceramics Productions was located here beginning in the early 40's.
'
w
.
ca. 1930 (C)
What was a multi-gabled house with overlap siding has been considerably altered to
provide commercial storefronts at the street level.
This was originally a home and grocery store known as the Andrew "Pat" Ryan
Grocery. Mr. Ryan who 1ived in the rear was a W.W. I veteran who served as t h e
unofficial lifeguard in this part of town. His bad legs forced him to swim every
day to aid in their rehabilitation; it was not uncommon for him to see a distressed
swimmer and aid with the rescue.
m
63.
1922 w/ ca. 1930 remodeling (E)
An eclectic Tudor Revival influenced building with two stories, a rectangular plan
and clipped gable roof. The building's most distinguishing characteristic is the
extensive half-timbering throughout. An ornamental brick foundation wall also
adds embellishment.
The building was originally built by artist and councilman William Riddle as his
art studio and home. At that time the building was known as the Riddle studio.
Riddle later built the Hotel Del Camino at 1289 South Coast Highway and relocated
there. Riddle was a noted landscape and marine painter during the 20's and 30's.
a
1920 ( E )
A two-story shingled beach house with Craftsman influences. The house is recessed
below street grade and incorporates an ocean orientation. The roof is gabled on
both the smaller second story and on the first story. Multi-paned windows are used
throughout the ground story.
This simple shingled bungalow served as the studio home of artist Carl Yens. Yens
was from Germany and came to Laguna to paint as part of the California
Impressionist School. He became one of the key artists in Laguna in the 20's. His
neice who still lives here reports that the Yens acquired the house through the
trade of one painting and $1,000. He spent a good portion of his life broke and was
known to trade paintings at the grocer and bakery for his daily food.
65.
1922 (C)
A board and b a t t e n bungalow c o t t a g e w i t h a box p l a n and gabled r o o f . The roof i s
sheathed i n wood shakes.
E n t r y i s a t f r o n t center beneath a gabled p o r t i c o . A
l a r g e t h r e e - p a r t window i s on t h e south s i d e o f t h e entry.
1933 ( K )
A Mediterranean Revival commercial b u i l d i n g w i t h a box plan, f l a t r o o f and stucco
s i d i n g . The f r o n t facade i s d i s t i n g u i s h e d by a t i l e hood and t h r e e l a r g e arched
windows, t h e center o f which has a double s t a i r w a y leading t o t h e entry.
T h i s was b u i l t t o house t h e O.J.
L a f a y e t t e Co.,
manufacturers of glass.
0
ca. 1930 (estimate) (E)
From the street level one sees a large stark stucco facade with elongated
rectangular windows with an arched embellishment. The house is built into the
slope of the lot and includes a garage at the street level. A small board and
batten studio is in the rear.
Though this house has been remodeled, it is important for having been the studio
home of artist Ruth Peabody. Ms. Peabody was the daughter of artist Elanor Colburn
with whom she moved to Laguna in 1923. She resided in an apartment in her mother's
studio home and later married a surveyor.
Peabody studied at the Chicago Art Institute and began her career as a sculptor.
Over the years she executed several important fountains and memorial plaques
including the portrait medallion of Anna Hills at the Laguna Art Museum. She
worked in representational oil painting and later became involved in more abstract
work. Ms. Peabody conducted art education classes beginning in 1942 for adults
through the Laguna Beach High School.
PAGE
49
OF 52
1927 (E)
A large multi-gabled bungalow with an angled orientation. Though the ,house is now
covered in asbestos shingles, a large river stone chimney be1 ies what must have
been strong Craftsman infTuences. The house has an architectural dynamism derived
from the use of varied angles and several bay windows.
This is another of the important Laguna artist studio homes. This one was owned by
Thomas Hunt and wife Blanch. Hunt ranks among the key 'artists of the 20's in
Laguna. Hunt spent most of his life in Cleveland, Ohio where he made a living
building and selling apartment buildings. He studied painting in his later years
and moved to Laguna in 1924 and subsequently built this as his studio home. He
continued to be involved in real estate in San Bernardino, but increasingly did
more painting.
He was instrumental in the development of the Laguna Art
Association where he served many times as the chairman of the hanging committee.
He was financially and personally generous in helping young artists.
1938 (C)
A small shingled bungalow cottage with a gabled roof and various multi-paned
windows. The house i s set back on a high lot and i.s reached by a winding driveway.
It now goes'by the name Sycamore Estate.
1906 (E)
This house has been designated eligible for the National Register. See individual
listing.
1925 (E)
This house has been designated eligible for the National Register. See individual
listing.
72.
1926 (C)
A large two-story house with a gabled roof and angled orientation.
Casement
windows are used throughout. Just adjacent is a small one-story, single-room
cottage; this oriqinally served as a real estate office. The house is now used as
apartments.
Long-time Laguna realtor and property investor Les Chatham lived and had his first
real estate office here. The Chatham family owned this building until the 50's
when it was sold. Les Chatham is still actively involved in civic affairs in
Laguna, particularly with the American Legion. chatham and h i s f a t h e r had
c o - r e s p o n s i b i l i t y h a s head r e a l t o r s f o r t h e s a l e o f a l l l o t s i n S o u t h Laguna
and T h r e e Arch Ray.
73.
1929 (K)
A two-story Mediterranean Revival building constructed to house two stores on the
ground level and two apartments above. The building has a tiled gable roof and a
tile hood at the first story. A small attached cupola is a distinguishing feature.
NATIONAL REGISTERS
1
-
State of Gal-forn~a
The Resources Agency
HlSTClRlC RESOURCES INVENTORY
l DENTlFlCATlON
I. Common name:
2.
Parcel number:
5.
Present Owner:
City
6.
Present Use:
-
-
New Lynn Theatre
3. Street or rural address:
4.
9y:c$
~ , 30-2651-1.?--1a
SHL
Loc
South Coast Theatre
Historic name:
City
E;i:T y;;rR-,
ser. N
Laquna Beach
zip
92651
Orange
County
Address:
Zip
Novie Theater/Retai 1
Original use:
xx
Private
Same
DESCRIPTION
78.
fb.
)
Arcbiteaural style:
Mediterranean Revi vaf
Briefly describe the present pbysica~description of the site or structure and describe any major alterations from its
original condition:
This is a Mediterranean Revival influenced theatre building with retai 1 commercial
spaces at the street level. The building incorporates an unusual juxtaposition of
brick and stucco interfacing at various angles and elevations.
The building includes two stories arranged in a "U" pattern around an open entry
foyer. Two retail spaces are located on either side of the foyer opening, while the
renainderofthebui1dingisdevotedtofhemovietheatre.
Brick work is used predominantly along the front faces and is complemented by an open
balcony along the inner portion o f the "Uf' and a tile hood which spans the upper part
of the second story.
A large tower rises above the marque and is crowned by a
pyramidal roof. French door openings and wrought iron balcony balustrades further
provide Mediterranean influence.
Based on a 1940 photograph of the building, it appears to retain most of its original
architectural integrity. The building is in excel lent, we1 1-maintained condition.
8.
Construction date:
Estimated
FactuJ,-,
9.
W
j
10.
Builder
If.
Approx. propert$ dm (in fest)
Frontage
Oepthlnnl
or approx. acreage
12.
Date(s1 of enclosed photograph(s)
i
t
e
c
t
a
m
e
m
Sam S m j t h
.-,
November 1980
Excellent GX o o d
-Fair -Deteriorated - No longer i n existence -
13.
Condition:
14.
Alterations:
15.
Surroundings: (Check more than one if necessary). Open land
Industrial C o m m e r c i a l
X Other:
Residential
16.
Threats t o site:
None known X ~ r i v a t development
e
Public Works project
Other:
17.
Is the structure:
18.
Related features:
-
-
- Zoning - Vandalism
.A Moved?
Unknown?
SIGNIFICANCE
19. Briefly sate historical and/or architectural importance (include dates, events. and persons associated with the site.)
What i s now known as the South Coast Theatre was b u i l t i n 1934 and c a l l e d the New Lynn
Theatre. It i s the second t h e a t r e (and Laguna's o n l y movie t h e a t r e ever) on the s i t e .
The o r i g i n a l t h e a t r e b u i l d i n g which was also b u i l t by t h e Fred Aufdenkamp f a m i l y i n 1915
was moved t o Ocean Avenue f o r i n t e r i m use u n t i l the present b u i l d i n g was complete.
The Aufdenkamps came t o Laguna i n 1914 and f i r s t operated a Box B a l l and Ten Pinnet
bowling a1 l e y business. S h o r t l y thereafter they branched out i n t o the movie business
and q u i c k l y b u i l t up what became a very p o p ~ ~ l aand
r
p r o f i t a b l e business.
Fred
Aufdenkamp pioneered the business b u t q u i c k l y brought i n h i s business minded son Lynn t o
a s s i s t w i t h the operations. Hence the o r i g i n a l name t h e New Lynn Theatre.
The t h e a t r e opened i n 1935 w i t h a ceremonial extravaganza attended by a throng o f l o c a l s
i n a d d i t i o n t o several movie stars. The f i r s t movie shown was "Ginger" s t a r r i n g " l i t t l e
Jane Withers."
A r t i s t Edgar Payne painted l a r g e p i c t o r i a l murals, portions o f which
s t i l l adorn the i n t e r i o r .
Continued
-
see attached sheet
Locational sketch map (draw and label site and
surrounding streets, roads, and prominent landmarks) :
20.
Main theme o f the historic resource: (If more than one is
checked. number in order o f importanus.)
Architecture
1
Arts & Leisure
2
Economic/lndustrial E x p l o r a t i o n / S e n l e m e n t
Government
Military
Religion
Sodai/Educatim
21.
Sources (List books, doaunant3. suweys, personal interviews
and their dates).
Lynn Aufdenkamp, o r i g i n a l owner
Souvenir Program, 1935
22
Date form prepared
BY (name)
I981
Kathleen Les
orwitation Environmental Coal i t i o n
Address:
206 W. 4 t h St.. Ste. 316
City
Santa Ana
zip
92701
Phone:
(714) 836-4314
South Coast Theatre
)
-
Continuation
The South Coast Theatre b u i l d i n g has shown f i n e movies continuously since t h e day i t
opened. It i s an important c u l G r a l f o c a l p o i n t o f Laguna.
The b u i l d i n g i t s e l f i s important s t y l i s t i c a l l y as one o f t h e landmark Mediterranean
It was t h e f i r s t concrete and s t e e l b u i l d i n g ever
Revival b u i l d i n g s i n t h e c i t y .
constructed i n Laguna. The h i g h concrete foundation r e s t s on many p i l i n g s d r i v e n down
t o bedrock by a huge steem p i l e d r i v e r . Distinguished t h e a t r e a r c h i t e c t James Conway
o f Beverly H i l l s designed t h e b u i l d i n g and t h e l o c a l c o n t r a c t i n g f i r m o f Smith
Construction d i d t h e c o n s t r u c t i o n work.
LI
State of Californra - The Resources Agency
DEPARTMENT O F PARKS AND RECREATION
Ser. No.
HABSUTM:
IDENTIFICATION
1. Common name:
3.
Parcel number:
5.
Present Owner:
Present Use:
C
j(s0uth
- Loc
-
D
Coast Highway
Laguna Beach
Zip
92651
Orange
county
Address:
Citv
6.
SHL
Same
Historic name:
4.
3
437180/3712330
Isch Building
2.
City
NR
HAER
A
313-2651--10-4b
zip
C0mmerc i a 1
Original use:
Same
xx
Private
,
DESCRIPTION
7a. Ardritectural nyte:
Spanish Mediterranean Revival
7b. Briefly describe the presentphysicai dbscriprion of the site or structure and describe any maior alterations from its
original condition:
This is a one-story Mediterranean Revival building with strong Spanish influence.
The building has a long l inear format distinguished by a stucco face and adobe ti led
gable roof. A pyramidal roof on the south end and a shed roof on the north end anchor
the building on either side while the central portion is formed by a series of arches
providing a full length entry arcade. These arches are low and wide with simplified
capital embellishments.
The building is in excellent condition, retains most of its original architectural
appearance and is in a well-maintained state of repair.
II
8.
Construction date:
Estimated
, -
Factual
1927
3.
*di,,
Aubrey St. Clair
10.
Builder
Unknown
11.
Appmx. property size (in feet)
Frontage-,
Depth
or approx. acre*
12.
Daie(s1 of enclosed photogtsplr (s)
May 1981
'
Excellent
XGOO~
-F a i r
Deteriorated
13,
Condition:
14.
Alterations:
15.
Residential I n d u s t r i a l C o m m e r c i a l X
16.
Threats to site:
None k n o w n L ~ r i v a t development
e
Other:
17.
I s the structure:
18.
Related features:
- No longer in existence -
Window modifications on nnrth
Open land
Other:
-
On its original s i t e 7 1
~ n d
-
Moved?
B~arh
Zoning
- Vandalism
Unknown?
SIGNIFICANCE
19. Briefly state historical and/or architectural importance (include dates, events, and penons associated with the site-)
The Isch Building was built by Laguna pioneer Nick Isch. Mr. Isch was one of the
Laguna pioneers of the 1880's and co-owned one of the first livery stables in town
known as the Isch and Warling Palace Stable. Isch also served as postmaster and town
merchant in the early days. His original store, which also formed the post office, was
formerly located on the site of the present Jolly Roger Restaurant.
Isch parlayed the proceeds from his earlier businesses into the construction of this
Spanish Mediterranean Revival commercial bui lding. Aubrey St. Cl air served as the
architect; Mr. St. Clair was a local architect prominent in the late 20's and through
the 40's who designed many landmark public and commercial buildings in the
Mediterranean Revival style. (The Fire Department, Water District and City Hall
buildings are all of his design.)
The Isch Building has housed various shops and stores over the years. Since its
construction, it has been a landmark building in downtown Laguna. Until the present
decade, the building was still ownedwithin the Isch family.
-
20.
checked, number i n order of importance.)
Arts & Leisure
Architecture
Economic/lndustriai ~ ~ x p i o r a t i o n ~ ~ e t t l m e n t
Government
Military
Religion
SodalEducaion
1
21.
Sources (List books. doarmants, surveys. personal interviews
and their dates).
Catherine Petty, N. Isch's daughter
Pioneer Days in Laguna, Ramsey
kI&V
Phone:
--
(114) 83%
surrounding streets. roads. and prominent landmarks) :
A NORTH
.)
s,,
Stare of Caiifornia - The Resources Agency
DEPARTMENT OF P A R K S A N D RECREATION
HISTORIC
RESOURCES INVENTORY
)
iDENTlFlCAilON
1. Common name:
Historic name:
Same
3.
425
City
4.
Parcel number:
5.
Present Owner:
NR
C
south
SHL
- Lot-
D
Coast Highway
Laguna Beach
Zip
92651
Orange
hunw
Address:
Zip
City
Present use:
A
f 0--2h51--1?-8~
N*,
3
1[1?7479/3zL2523C 8
HAER-
Hotel Laguna
2.
8.
HAESUTM:
Hotel and Retai 1
Ownenhip is: Pubfic
Original use:
Private
xX
Same
DESCRIPTION
Mission Revival
7a.
Architectural style:
7b.
Briefly describe the present physicaI description of the site or mucture and describe any major alterations from itr
original condition:
The Hotel taguna was built in 1930 in the Mission Revival style. It i s a large three-story
building with an "L" plan, a boxy format and a flat roof. The building i s located on South
Coast Highway on the front side and the rear portion is on the oceanfront.
Though the "Lu configuration is not visible fromthe street, the inner apex of the "L" forms an
open courtyard with fountains and gardens. The building itself is simple and relatively
unadorned except for the Mission style parapets and Mission style bell tower on the roof.
Though the tower has no bells, it is a distinctive portion of the building which incorporates
angled corners and arched openings. Fenestration includes paired groupings of slightly
recessed windows. The ocean side of the building has full length windows and an open patio
deck for dining and sun bathing. The main entry is off Coast Highway and is marked by an
overhead canopy.
The Hotel taguna is among the largest of the pre-1940 buildings in the city. It is located on
a prominent corner downtown and serves as a landmark that can be seen from many vantage points
throughout the city. The building is in good condition and is well maintained and actively
used. Its primary function is as a hotel, but the ground level also incorporates some retail
_ s h o ~ sand dininq facilities.
a1
.
a. Construction date:
Esimated
Factual 1930
a
9.
Architect
UtIkIlown
10.
Builder
Unknown
1 1.
~ p p r o x property
.
size (in fa)
Frontage a n
Depth392
or approx. acreaga
12.
Oate(s) of enclosed photograph(s)
November 1980
Excellent GX o o d
X
- Deteriorated - No longer in existence -
13.
Condition:
14.
Alterations:
15.
Industrial C o m m e r c i a l X
Residential
16.
Threats to site:
None known PXr i v a t e development
Other:
17.
Is the structure:
18.
Related features:
.
Fair
-
Open land S c a t t e r e d buildings
Other:
Beach
-
X
w
-Densely built-up
Moved?
~nknowh?
SIGNIFICANCE
19. Briefly state historical and/or architectural importance (include dates. events. and persons associated with the site.)
This i s t h e second h o t e l b u i l d i n g on t h i s s i t e ; t h e f i r s t was b u i l t i n t h e 1880's and was
a wood frame b u i l d i n g w i t h a wide veranda.
I t was razed i n 1928 t o accommodate t h e
c o n s t r u c t i o n o f t h e present Hotel Laguna. For an e n t i r e century a h o t e l has been located
on t h i s spot and a c t i v e l y s e r v i n g seaside v i s i t o r s .
When t h e present h o t e l b u i l d i n g f i r s t opened, i t u n f o r t u n a t e l y coincided w i t h t h e onset
o f t h e Depression. A year and a h a l f a f t e r i t opened, i t was a badly l o s i n g p r o p o s i t i o n
u n t i l Lloyd and Gerta Sei l s e t bought i t and r e s u r r e c t e d t h e business. They compiled an
album of.Laguna scenes and promoted t h e h o t e l t o motion p i c t u r e companies. The p r i c e o f
lodging was so low compared t o other f i l m l o c a t i o n s and t h e Laguna t e r r a i n was so v a r i e d
and adaptable t o movie making, t h a t t h e f i l m makers a r r i v e d i n droves and t h e h o t e l was
i n t h e black again i n no time, and has remained t h a t way.
Many stars, c e l e b r i t i e s , and other luminaries have stayed a t t h e hotel. Among them are
L i l l y Pons, John Barrymore, Rosa1i n d Russel 1, Joan Fontaine, E r r o l Flynn, James
Roosevelt and Charles Lindberg.
Continued
-
see attached sheet.
20.
Main theme of the historic resource: (If more than one is
checked. number in order of importance.)
Architecture
, -&
Leirun
Economic/lndustrial LExplorationfSettlement
Government
Military
Religion
Social/Education
21.
Sources (List books, documents. nrrvays. personal interviews.
and their dates).
Orange Co. Assessor's Records
South Coast News
Dateline E d i t i o n
Lloyd Sei l s e t , previous owner
-
22.
Date form prepared
May 198'D
By (name)
. K inthleen
- - Orgnization Environmental
Addrest:
206 W. 4 t h St.,
-Santa
-. Ana
----4.114
City
Phone:
(/14) 636
Les
Coal i t i o n
Ste.316
np 92701-
I
surrounding streets, roads, and prominent landmarks):
NORTH
C
I
m
Hotel Laguna
-
Continuation
Staying at the hotel in the early days was more than just a place to sleep. Steak
broils, teas, moonlight rides on horseback to the Top of the World and trips to the
Hol lywood Bowl were a1 1 common offer iqgs.
The Hotel Laguna has been a vital economic force in the growth of Laguna Beach as a
seaside resort.
Architecturally and historically, this is Laguna's singlemost outstanding landmark
building. If any building says "Laguna", it is certainly the Hotel Laguna.
-
ser.N ~ . 30-2651-10-30d
HABS-HAER
N
3 R StiLLocUTM: A
&77782/37m
C
D
State of Caiifornia
The Resources Aqency
HISTORtC RESOURCES INVENTORY
1
IDENTIFICATION
1. Common name:
901-13 South Coast Highway
2.
Historic name:
Same
3.
City
4.
Parcel number:
5.
Present Owner:
Laguna Beach
Present Use:
92651
Orange
County
Address:
Zip
City
6.
tip
C~lIll?ler'cia1
Original use:
XX
Private
Same
DESCRIPTION
Normandy Revi va? .
7b. Briefly describe the present physicdl d@scriptjonof the site or structure and deccrib any major alterations from its
original condition:
This i s a Normandy Revival influenced commercial building built in 1936. The building
is two stories and incorporates a rectangular plan with a multi-faceted roofline. The
major portion of the roof is gabled while the corner portion is topped with a conical
roof implying a turret. Smaller gabled and shed dormers are scattered across the
roofline. The lower portion of the building is comprised almost entirely of showcase
windows whi l e the upper portion features half-tirnbering to emphasize the Provincial
and Normandy influence. The main entry is at the corner.
The building is in excellent, well-maintained condition.
8.
Construction date:
Estimated
.-
Factual
1936
-
9.
Architect
Unknown
10.
Builder
Unknown
1 1.
Approx. property s i t e (in feat),
Frontage 100'
Depth gc
or approx. aCf~eCla
12
Datets) of enclosed pt\otagraCbT(s)
November 1980
Excellent
~
~ Fair - Deteriorated - No longer in existence
13.
Condition:
14.
Alterations:
15.
Residential I n d u s t r i a l C o m m e r c i a l X
16.
Threats to site:
e
Other:
17.
Is the structure:
18.
Related features:
X
G
O
Open land S c a t t e r e d buildings D e n s e l y built-up
Other:
-
~-
-
.
L
Moved?
Zoning
- Vandalism
Unknown?
SIGNIFICANCE
19. Briefly state historical and/or architectural importance (include dates, events. and persons associated with the site.)
I n a d d i t i o n t o being an a r c h i t e c t u r a l landmark along South Coast Highway, t h i s b u i l d i n g
has h i s t o r i c a l importance f o r h a v i n g been t h e s t u d i o f o r n a t i o n a l l y known photographer
W-illiam Mortensen.
Beginning i n 1938, Mortensen l o c a t e d h i s s t u d i o and School o f
Photography here and remained u n t i 1 1955.
Mortensen i s known n a t i o n a l l y f o r h i s p i c t o r i a l s t y l e photographs. He f i r s t came t o
Hollywood i n t h e 20's and found i n s t a n t success as a movie s t a r p o r t r a i t photographer.
He got f e d up and r e t r e a t e d t o Laguna i n 1930 t o pioneer some new photographic
techniques. Mortensen was p r i m a r i l y a p o r t r a i t photographer and i s a l s o known f o r h i s
p i c t o r i a l i z i n g o f r e p r e s e n t a t i o n a l subject matter, p a r t i c u l a r l y scenes of h i g h
emotional ism from t h e c l a s s i c s and f i l m s .
He pub1 ished over 9 books and dozens o f
magazine a r t i c l e s .
He was considered very e c c e n t r i c w h i l e a l i v e and l a t e r d i e d i n
o b s c u r i t y i n 1965 i n h i s Laguna Canyon home. Mortensen was married t o M y r d i t h Monaghan
who was h i s primary model and 1i f e - l o n g companion.
He posed her and o t h e r women -in
Laguna f o r many o f h i s scenes which were photographed i n town.
Continued
-
see attached sheet.
20.
checked, number in order of importance.)
Architecture
1
~ r t s ~eisure
2
Economic/lndustrial E x p l o r a t i o n / S e t t l e m e n t
Government
Military
Religion
SodallEducation
21.
Sources (List books. documents. suwws, personal interviews
and their dates).
Debra Irmas, Mortensenis biographer
Barnsdal 1 Park Gal l e r y
Mortensen E x h i b i t Brochure
m
- Continuation
The work of Hortensen has undergone a revival in recent years. Recent exhibits at the
Barnsdall Park Art Gallery in LO: Angeles, in a New York ~allery, and at the Laguna Art
Museum have re-activated interested in his technique with the bromoil transfer and
pigment printing processes and his subject matter interpretations.
This building has an important association with a major photographer and is of
architectural importance in and of itself.
State of California
I
- The Resources Aeencv
DEPARTMENT OF PARKS AND
I1
RECREATION
lDENTIFICATION
I, Common name:
Ser. No.
Ififj3
H A B S --
UIM: A
Laguna Beach Funeral Home
3.
Parcel number:
5.
Present Owner:
City
6.
Present use:
____
Loc
-
Ray Family Mortuary
Historic name:
4.
SHL
e
B .
D
C
2.
City
30-2651-10-34
Laguna Beach
zip
92651
Orawe
~ounty
Address:
Zip
Commerc i a1/res i denti a1
Original use:
XX
Private
Same
DESCRIPTION
Mediterranean Revival
7b. Briefly describe the present physical description of the site or structure and describe any major alterations from i t s
original condition:
This is a two-story Mediterranean Revival building with tile hoods and stucco
finishing. The building incorporates a rectangular plan complemented by a tower on
the south end of the building. Beneath the tower is a driveway opening reached
through a large archway. Tile hoods on the second story drop below the main roof
line, leading to pilasters projecting above the hood. A varied arrangement of
windows includes some which are arched, some three-part and some multi-paned. Entry
is at front center with the door in a Palladian type setting composed of an arch over
the door and rectangular windows on either side.
The building is in excellent well-maintained condition and is in use as a mortuary on
the ground level and as apartments above.
8.
9.
Construction date:
Estimated
Factual
Architect
Unknown
Builder,
C-R*
1929
Cl ~ P P
Approx. property size (in fmt)
Frontage -.,Uig- Depth ;'n,
or approx. acreage
Date(s) of enclosed photograph(s1
November 1980
Excellent
X G~O
Fair ~Deteriorated - No longer i n existence
13.
Condition:
14.
Alterations:
15.
Residential -Industrial -Commercial
Open land S c a t t e r e d buildings -Densely built-up
Other:
16.
Threats t o site:
None known P Xr i v a t e development - Zoning
Other:
17.
Is the structure:
18.
Related features:
O n its original site? X
-
Moved?
- Vandal ism
Unknown?
SIGNIFICANCE
This bui lding acts as one of the primary Mediterranean Revival style bui ldings along
South Coast Highway and further takes on historical importance for having been
Laguna's primary funeral home since the time it was built.
The original owner was C.R. Clapp, alaguna councilman. The funeral home originally
went by the name Laguna Beach Funeral Home and was first operated by M.G. Minter.
When first opened the building included an undertaking parlor and a chapel and also
offered space as a religious meeting hall.
Though it is now known as the Ray Family Mortuary, this building has served as the
primary funeral home in Laguna since 1929. Architecturally this building forms an
important focal point along Coast Highway ahd is a fine example of the Mediterranean
style in Laguna.
The building is one of several along Coast Highway which
overwhelmingly contributes to the Laguna vi 1 lage image.
20.
checked, number in order o f importance.)
Architecture
1
~ r t &s Leisure
Government
Military
Religion
SocialIEducation
21.
Sources (List books, documents, surveys, personal interviews
and their dates).
South Coast Newspaper, 8/23/29
22.
Date form prepared
May 1981
BY (name)
Kathleen Les
Organization
Environmental Coal it ion
20b W. 4th St., Ste. 316
Address:
City
Santa Ana
z i p 92701
m
-
State of C a l ~ f o r n ~ aThe Resources Agency
DEPARTMENT QF PARKS AND RECREATION
@JENTIFI~ATIoN
I. Common name:
2.
Historic name:
3.
Citx
4.
Parcei number:
5.
Present Owner:
City
ti.
Present Use:
Laguna Beach
tip
92653
Orange
bunt,
Address:
Zip
Residenti al/comnerci a1
Original use:
Private
xx
Same
DESCRIPTION
Streamline Moderne
7b. Briefly describe the present phywcal description of the rite or structure and describe any major alterations from its
original condition:
.
)
This is an accompanying auto service kiosk and apartment building executed in the
Streamline Moderne style. The apartment building is the larger and more dominant of
the two structures. It incorporates a strong horizontal feeling in combination with a
rectangular plan, flat roof and stucco siding. Horizontal banding below the roofline
emphasizes the horizontal qualities. Rounded corners in the north end of the building
accentuate the steamship quality which the style sought to emulate. Porthole windows,
curved panes along the rounded corners and metal stairway and balustrade further
provide the steamship character.
The adjacent auto service kiosk also incorporates a horizontal format derived from the
use of elongated canopies with rounded edges. The base of the kiosk is basically a box
and is topped by a banded vent, again much like one would find on a steamship.
The apartment building is still used as such though the gas station kiosk is an auto
body business. Both buildings are in good condition and retain their original
architectural integrity.
1
1938-39
-
8.
Construction date:
E s t i m a t e d , factual
9.
Architect
10.
Builder
I I.
Approx. property size [in feet)
Frontage 1 qn '
Depth gn '
or approx. acreage
12.
Date(s1 of enclosed photagraph(s1
Unknown
November 1980
Excellent GX o o d
13.
Condition:
F a i r Deteriorated
14.
Alterations:
15.
Residential -Industrial -Commercial
Open land
Other:
16.
Threats t o site:
None known P rX i v a t e development
Other:
17.
I s the structure:
18.
Related features:
- N o longer in existence -
a
- Zoning - Vandal ism
X
On its original site? - Moved?
Unknown?
SIGNIFICANCE
Both buildings were built in 1938-39 just as they appear today. The Vorhees Motor Co., which
was an Oldsmobile sales and service agency, was first located here. It appears that the
garages on the first level of the apartment building may have been incorporated into the auto
agency business.
The Streamline Moderne style in which the buildings were designed arose out of an affirmation
of the power and strength of the large steel battleships being built for WW 11. Like these
ships, the Streamline Moderne buildings have sleek rounded corners and broad, smooth planes.
Often slender metal stairways and small portholes, 1 ike those on this building, were used to
further the resemblance of the battleships.
The advent of the Depression cut short the proliferation of the style. Consequently only a
few buildings were executed in the style around the region, in general, and in Laguna, in
particular. The Coca Cola building in Los Angeles launched the style which is considered to
be germain to the Southern California region. Those that do remain from the period and in th
style are all the more important because of the general scarcity. The two structures here are
excel lent examples of the style and remain as important landmark buildings in Laguna.
p(.
20.
Arts & Leisure
Architecture
Government
Military
Sodai/Education
Religion
21.
Sources (List books, documents, surveys, penonal interviews
and their dates).
May 1981
Date form prepared
KC
- By (name)
crlv I r ~11mentaILeal i tion
Organization
Address:
206 W. 4th St., Ste. 316
zp 92701
City
ba nta Ana
Phone:
(714) 8 :
- '
L I..
Y.
I "
--- ----
Stare o+ Califarnia - The Resources Agency
3.
Parcel number:
5.
Present Owner:
Present Use:
- Loc-
C
D
Laguna Beach
Zip
92625
Orange
County
Address:
City
6.
SHL
8
Smith Construction Company
Historic name:
4.
R
CJ
2.
City
3
H A B S H A E R N
UTM: A 4?7940:'3711380
1)DENTiFIcATmN
1. Common name:
30-2651-10-40
Ser. NO,
Zip
Commercial
Ownenhip is: Public
Original use:
XX
Private
Same
DESCRIPTION
Tudor Revival
7b. Briefly describe the present phys~'cd/description of the site or structure and describe any majar alterations from its
original condition :
m
This is a Tudor Revival influenced building located on a corner lot along South Coast
Highway. The building maximizes the corner location by placing the architectural
emphasis on the cornermost portion of the building. Utilizing a rectangular plan the
roof1 ine profile creates an "L" by the counter positioning of two roof gables. A
smal ler hipped roof emerges from the larger front-facing gable. This varied roofl ine
is enhanced through the use of half-timbering along the gable face and below the
eaves. Hipped dormers and an ornamental brick chimney rise out of the hipped portion
of the roof further providing the Tudor influence.
The lower portion of the building carries out the theme by incorporating ornamental
stone embellishments around the two primary arched openings. Large showcase windows
are located on the lower front facade.
The building is in excel lent condition and appears to be in a state of good repair.
8.
I
9.
lo.
Construction date:
Estimated
Ar~hitm
Factual
-,
1937
Aubrey St. Clait"
Smith Brothers
1 1.
Frontage .
lSn'
Depth
, w'
or approx. acreage
12.
Date(s) of enclosed photographls)
May 1981
Excellent GX o o d
-F
13.
Condition:
14.
Alterations:
15.
Surroundings: (Check more than o m i f necessary\
16.
Threats t o site:
Other:
17.
I s the structure:
18.
Related features:
a i r Deteriorated
Open land -Scattered
Other:
X
-
X
- No longer in existence -buildings
-Densely built-up
Moved?
Unknown?
SIGNIFICANCE
19. Briefly state historical and/or architectural importance (include dates, events, and penons associated with the site.)
This Tudor Revival b u i l d i n g was o r i g i n a l l y b u i l t by t h e Smith Brothers t o house t h e i r
c o n t r a c t i n g f i r m ; l o c a l a r c h i t e c t Aubrey S t . C l a i r a l s o housed h i s p r a c t i c e here.
The Smith Brothers were a prominent and prosperous c o n t r a c t i n g f i r m i n Laguna. They were
responsible f o r t h e execution o f many l a r g e ventures i n t h e c i t y as we1 1 as f o r r e s i d e n t i a l
homes. They enjoyed t h e i r heyday during t h e e r a o f t h e Period Revival a r c h i t e c t u r e and many
o f t h e homes and b u i l d i n g s w i t h which they were involved were constructed i n t h e Tudor
Revival and Normandy Revival s t y l e s l i k e t h e i r own b u i l d i n g .
Aubrey S t . C l a i r was a well-known a r c h i t e c t i n Laguna from t h e p e r i o d o f t h e l a t e 20's
through t h e 40's. He a l s o was involved w i t h the e r a o f Period Revival s t y l e s and was most
known as a designer o f homes and b u i l d i n g s i n t h e Mediterranean Revival s t y l e .
Those
b u i l d i n g s which make up t h e c i v i c center nucleus, t h e City Hall, t h e F i r e Department
b u i l d i n g , and t h e Water D i s t r i c t b u i l d i n g a l l were o f h i s design.
I n a d d i t i o n t o t h e h i s t o r i c associations, t h i s b u i l d i n g stands on i t s own as an exceptional
I t i s a well-executed example o f t h e Tudor Revival
commercial b u i l d i n g w i t h i n t h e c i t y .
s t y l e and forms an a r c h i t e c t u r a l landmark along South Coast Highway.
20.
1
~ r t&
s Leisure
Architecture
Economic/lndustnai Exploration/S8ttIement
Government
Military
Religion
Social/Education
2
21.
Sources (List books. documents, surveys, personal interviews
and their dates).
Norman St. C l a i r
1940 Laguna Map
Laguna City D i r e c t o r i e s , 1932-45
May 1981
Date form prepared
Kathleen
Les
By (name)
Organization
Environmental C o a l i t i o n
06 W. 4 t h St., Ste. 316
Address:
banta Ana
92/m
City
ZP
Phone:
-
(114) 836 4314
8
I
Srate of Caiiforn~a- The Resources Agencv
ser, N,.
HABSHAER
[0
30-2651-10-45
3U
N
h
S H L L o c -
D
C
1
ENTIFICATION
1. Common name:
3.
Hotel Firenze
City
4.
Parcel number:
5.
Present Owner:
Laguna Beach
92651
zip
Orange
bunty
Address:
City
Present Use:
I
Zip
hotel/commercial
XX
Private
Original use:,
same
DESCRIPTION
Mediterranean Revival
7b. Briefly describe the present physicai description of the site or structur and describe any major alterations from i t s
original condition:
'0
This is a two-story Mediterranean Revival
ing firm of Ropp & Mackey. The bui lding is
by a tile gable
side-facing gable and a front-facing
has a tile hooded projection
windows. W-indows are
variety. Fenestration
windows. The many
enhance the Spanish flavor.
constructed in 1928 by the contractof a rectangular plan complemented
primarily of a
end. Half of the lower story
arches enclosing showcase
t h e multi-paned casement
large and small
the building and
The building is still in use as a hotel with comm rcial uses on the first level. It is
in excellent condition and retains its original rchitectural integrity.
I1
8.
9.
Construction date:
Estimated
Architect
Factual
1928
Unknown
Builder,
-.=
Approx. property size (in f-1
Frontage
Depth 1 nn '
or approx. acreDateis)
. . of enclosed.DhotwraPh($1
-
-
November i980-
Excellent GX o o d
-F
13.
Condition:
a i r Deteriorated
14.
Alterations:
15.
Residential -lndustrial C o m m e r c i a l
Open land
Other:
16.
Threats t o site:
None known P X
r i v a t e development
Public Works project Other:
17.
Is the structure:
18.
Related features: ,
- N o longer i n existence -
X
Moved?
Unknown?
SIGNIFICANCE
This Mediterranean Revival style building was originally known as the Hotel Del Camino and
was built by William Riddle, artist and Laguna councilman.
This Mediterranean Revival style building was originally known as La Casa del Camino, but the
name was changed soon thereafter to Hotel Del Camino. The rooms were originally let for $2.00
to $3.50 per night. Many stars stayed here at the hotel in its early days while involved in
motion picture filming--stars from films such as "All Quiet On The Western Front" and
"Evangeline."
The building is notable not only for the stars who stayed there, but also for the original
owner and builder. William Riddle was a well-known artist proficient in painting landscape
and marine scenes. Riddle started coming to Laguna in the summers during the early 20's to
paint, and ended up moving here permanently. He built not only this building but the one at
2007 South Coast Highway, another Period Revival building important in establishing the
Laguna image.
What is now the Hotel Firenze is an excellent Mediterranean Revival style building and one
which forms an important part of the Laguna village image.
Both historically and
a c t . r w s architecturally, this building is one of the 1
map (draw and label site and
surrounding streets, roads, and promjnent landmarks) :
20.
checked, number i n order o f importance.)
Architecture
1
A m & Leisure
2
Government
Military
Social/Education~
Religion
21.
Sources (List books. documents. surveys. penonal interviews
and their dates).
South Coast News, 1/4/29 and 1/25/29
Ted Covern Interview, March 1980
May 1981
Katl I een ~ e s
l~llrr~talLoalltion
t n v l ran--206 w. 4th St., Ste. 316
zip 92701
Santa Ain a
(114) 8 - 4
Date form prepared
By (name)
Organization
Address:
City
Phone:
-
I*
-
~
I
Srare of Caiifarnia - The Resources Agency
D E P A R T M E N T OF P A R K S A N D RECREATION
I
HABSUTM:
A
30-2651-10-46 i
5
Ser. No.
tipf i!?'iT?T7l1Rb!
SHL
- Loc-
1
!ENTIFICATION
1. Common name:
3.
Hotel California
City
4.
Parcel number:
5.
Present Owner:
Laguna Beach
Present Use:
Zip
I
92651
Zip
Residential
Original use:
DESCRIPTION
Art Deco Moderne
7b. Briefly describe the present physical description of the site or structu
original condition:
~
n
)
Orange
County
Address:
City
6.
~
Private
XX
S ame
and describe any major alterations from its
This is an Art Deco Moderne apartment/hote
ding built in 1831. The stucco
building is built on a rectangular plan and h
at roof. While otherwise boxy in
format, the building is distinguished by a str g vertical emphasis derived from the
use of raised pilasters throughout. The mai ntry is at the front center and is
which results in a pointed parapet
articulated by stacked pilasters on either si
over the entry location. Large corner pi laste
nd srnal ler ones at regularly spaced
f verticality common to the style.
intervals further emphasize the Egyptian qua1
Fenestration includes a continuous band of
paned double-hung windows on the
upper and 1 ower 1 eve1s.
I
i
The building retains all of its original ar hitectural integrity and remains in
excel lent, we1 1-maintained condition. The pre ent owner has recently rehabi 1 i tated
the building and it is still in use as apartmen s.
8.
Construction date:
E s t i m a t e d , Factual
1931
10.
Builder
1 1.
Approx. p r o p e w site (in feet)
Frontage
Depth-'
or approx. acreage
12.
Date(s1 of e d d photograph(s)
Beatrice
Dennis Shea
and
DL,
November 1980
13. Condition:
X
Excellent G o o d .
Fair - Deteriorated
- No longer in existence -
14.
Alterations:
15.
Surroundings: (Check more than one if necessaryk Open land -Scattered
Commercial
Other :
Residential -Industrial
16.
Threats t o site:
Public Works project Other:
17.
I s the structure:
18.
Related features:
A
-
X
X
buildings -Densely built-up
Moved?
Unknown?
SlGNl F ICANCE
19. Briefly sate historical and/or architectural importance (include dates, events, and persons associated with the site.)
T h i s A r t Deco Moderne b u i l d i n g was b u i l t by Dennis and B e a t r i c e Shea who had an i c e cream
p a r l o r on Forest Avenue which t h e y s o l d t o c o n s t r u c t t h i s b u i l d i n g . It was o r i g i n a l l y c a l l e d
t h e Shea Apartments f o r t h e f i r s t owners. The advent of t h e Depression caused t h e value o f
t h e b u i l d i n g t o d e c l i n e and t h e Shea's suffered considerable f i n a n c i a l loss.
By 1940 t h e b u i l d i n g was c a l l e d t h e Laguna Heights Apartments.
It has always been a
combination hotel/apartment s t r u c t u r e ; a l l t h e apartments s t i l l have t h e o r i g i n a l i c e box.
According t o t h e present owner, t h e b u i l d i n g was owned d u r i n g t h e 50's by Del Webb as h i s
f i r s t west coast h o t e l purchase.
He l a t e r developed t h e Newporter I n n and several o t h e r
major h o t e l r e s o r t s .
The b u i l d i n g i s an outstanding example of t h e A r t Deco Moderne s t y l e , popular i n a l i m i t e d
way d u r i n g t h e 30's.
The presence o f t h e Depression a t t h a t time slowed t h e development
i n d u s t r y considerably and, therefore, n o t many b u i l d i n g s were executed i n t h e s t y l e .
i s now c a l l e d t h e Hotel C a l i f o r n i a i s an e x c e l l e n t example o f t h e A r t Deco Moderne s t y l e , a
s t y l e pioneered i n Southern California, b u t r a r e due t o t h e economic c l i m a t e o f t h e e r what
a in
which i s was popular. This serves n o t o n l y as an important exarr~plef o r Laguna, b u t f o r t h e
Orange County r e g i o n as we1 1.
a
NORTH
v
20.
Main theme o f the historic resource: (Ifmore than one is
1
Arts & Leisure
Architecture
Economic/lndustrial E x p l o r a t i o n / S e t t l e r n e n t
Government
Military
Sodal/Education
Religion
21.
Sources (List books, documents. surwys, personal interviews
and their dates).
Laguna City D i r e c t o r i e s , 1932-45
Ted Covern Interview, March 1981
Paul Christenson, present owner
22.
Date form prepared
Mav 1981
BY (name)
Kathleen Les
Environmental C o a l ~ t i
Organization
206 W. 4 t h St., Ste. 316
Address:
City
Santa Ana
ap 92701
(114) 836 4314
Phone:
. .
-
~_
a
-
3C-2651-10-4P
State of Cal~fornre The Resaurces Agency
s=r.
H A B S H A E R
NRN03
UTM: A 478~6C/371168I! 6
I DENSIFICATION
1. Common name:
C
Historic name:
Brayton taquna P0tter.y
3.
4.
Parcel number:
5.
Present Owner:
Lactuna Beach
Presentuse:
zip
92651
Orange
County
Address:
City
6.
D
2.
City
j
toc-
SHL,
Zip
Commercial
Originai use:
xx
Private
Commercial/Residential
OESCRlPTlON
Eclectic
7b. Briefly describe the present physicaI description of the site or muaure and describe any major alterations from its
original condition:
Th-is is an eclectic styled building which originally served as a pottery studio and
factory. The building has its strongest influences in the English tradition in its
use of a varied roof 1ine, steep-pi tched roofs and half-timbering.
The building has a modified IgLigplan, two stories, and a gabled roofline with multiple
gables at various angles, pitches and sizes. The building is predominantly faced in
stucco, but much ornamental brick is used to face the lower portions, particularly in
the front. Now in commercial use, the building is a complex of nooks and crannies
comprising several small shops.
The Hobbit quality of the building does much to contribute to the village quality of
Laguna Beach. The building is in excel lent, we1 1-maintained condition.
Construction date:
Estimated,
,
Factual
1928
-
Architact
Merle R m s e y l
Dur 1in Brayton
Builder
th-iknown
Approx. propem site (in ferarf
Frontage J
l DepthaT! '
or approx. acreage
Date($) of enclosed photograph(st
November 1980
Excellent XG o o d
.
Fair - Deteriorated - N o longer i n existence
13.
Condition:
14.
Alterations:
f 5.
Surroundings: (Check more than one i f necessary)
Industrial C o m m e r c i a l X
Residential
-
f 6.
fhtears t o site:
17.
Is the structure:
18.
Related features: ,
None known -&-private
Other:
X
Other:
development
-
O n its original site?
Open land
-
- Zoning - Vandalism -
Moved?
Unknown?
SIGNIFICANCE
f 9. Briefly state historical andlor architectural importance (include dates, evventt, and persons associated with the site.)
In addition to the architectural uniqueness of the building, it also has historic importance
as the Brayton Laguna Pottery studio and factory. The busl'ness was pioneered by artist Our1 in
Brayton and was the first major pottery studio in taguna, as well as one of the first in
Southern California.
Braytan was given land in Laguna for being a WW I veteran. He had been from the midwest
originally where he had studied art. He originally opened a painting studio a few blocks away
from this location and dabbled in pottery on the side. Clients became more interested in his
pottery than his paintings and what resulted has become one of the most historically
important pottery factories in the region. It remained at this location until 1968.
Brayton was a graduate of the Chicago Art Institute. He began his pottery career by making
dinnerware and vases and later became very proficient in figurines. In its heyday, Brayton's
pottery was sold internationally and stars and luminaries from all over came to iaguns
especially to buy his pottery and ceramics. Nearly 20 top designers worked for him at t h t a
factory, among them Ruth Peabody and Charles Beauvais.
Continued see attached sheet.
-
20.
Main theme o f the historic resourn: (If more than one is
checked, number in order of irnportanca.1
Architecture
& Leiftlre
1
Economic/l n d u s t r i a l ExplorationlSenlement
Government
Miiitaty
Religion
Sodai/Education
21.
Sources (List books, documents. nrrveys, panonat interviews
and their dates).
Orange Co. Assessar's Records
Ida Harris and Helen McPherson,
former employees
Mid-States Ceramic Study Group Newsletter
22
1
8
1
-
Date form prepared
By (name)
K ; r t u ~ ~I PnS
Organization Env1 rflWlULb1
1tln1-1
Address:
?Q6 W. 4 u S t . S-6
City
Santa Ana
~p.92
(7141 836 4314
Phone:
. .
,
-
701
1450 South Highway
Continuation
Brayton began making ceramic f i g u r i n e s a t a time when no one e l s e i n t h e c o u n t r y was doing
so.
I n a d d i t i o n t o h i s l i n e i f f i g u r i n e s , i n 1938 t h e Walt Disney Studios made
arrangements t o have Brayton make a l l o f t h e Disney characters.
Brayton's a r t i s t genius takes more space t o w r i t e about than i s p e r m i t t e d here, b u t he i s
c e r t a i n l y one o f t h e master a r t i s t s t o have r e s i d e d i n Laguna Beach.
Brayton o r i g i n a l l y l i v e d u p s t a i r s i n t h e b u i l d i n g , b u t i n 1939 he b u i l t h i m s e l f a home
around t h e corner a t 315 Mountain.
Both h i s home and t h i s b u i l d i n g were designed i n
c o l l a b o r a t i o n w i t h Merle Ramsey.
The b u i l d i n g and i t s c r e a t o r D u r l i n Brayton are both important p a r t s o f Laguna's h i s t o r y .
-
State of California
The Resources Agency
DEPARTMENT OF P A R K S AND RECREATION
Ser.
H A B S HAER
NR
UTM: A 428060/3711680
II)
3C-2651-1C?-52 k
NO.
C
3
SHL
8
D
- Lac-
1
IDENTI!=Ic*TioN
1.
Common name:
Andree ' s
2.
Historic name:
Friendly House Tea Room
3.
City
4.
Parcel number:
5.
Present Owner:
Laguna Beach
Present UW:
32651
Orange
county
Address:
Citv
6.
tip
Zip
Restaurant
Ownenhip is: Public
Original use:
XX
Private
Residence
DESCRIPTION
?a.
Architectural style:
Eclectic
7b. Briefly describe the present physical description of the site or structure and describe any major alterations from its
original condition:
This is an eclectic styled board and batten building constructed first as a private
residence and then converted to a restaurant in the early 30's. The building has wide
ample proportions accented by a mirage of gables, dormers, bay windows and canopies.
The primary front-facing gable is clipped and sports canopied casement windows on the
upper portion and a bay window below.
The building has a modified "6" plan, the inner center of which provides the main
entry. The entry is beneath a gabled portico. A large ornamental brick chimney is
just to the side of the entry gable. A small one-story portion of the building to the
north of the entry features a tiled roof and a Cotswold door. A wishing well is
located in front of the building adjacent to the brick path.
The building is in excellent, well-maintained condition and serves as one of the
landmark Laguna buildings.
8.
Construction date:
Estimated
-
,
Factual
Unknown
9.
Architect
1 1.
Approx. p m p w size tin faat)
Frontage ?_ant,Depth 1 n p '
or approx. acre*
12.
Daie(s1 of enciomd photogtsph(s1
June 1981
13. Condition:
-Fair - Deteriorated - No longer i n existence -
Excellent X ~ o o d
14.
Alterations:
15.
Surroundings: (Check more than one i f necessary) Open land
X Other:
16.
Threats to site:
None known L P r i v a t e development
Other:
17.
Is the structure:
18.
Related features:
-
-Scattered buildings -Denseiy built-up
- Zoning - Vandalism -
1
Moved?
Unknown?
SIGNIFICANCE
What began as a private residence became the Friendly House Tea Room in the early 30's.
Margaret Blair Jackson was the first proprietor.
Later in the 50's, Andree's
Restaurant was establ ished here and has remained ever since. Celebrities, local
artists, and visitors have been dining here for years.
The building has served both as a landmark restaurant and a unique architectural
landmark for many years. In combination with the buildings on either side, this is a
strong focal point for the village character of South Coast Highw.ay.
20.
checked. number in order o f importance.)
Architecture
1
Arts & Leisure
Economic/lndustrial E x p l o r a t i o n B e t t l e m e n t
Government
Military
Sodal/Edu~aion
Religion
21.
Sources (List books, documants. nuvays. personal interviews
and their dates).
Laguna City Directories
Laguna News-Post, Date1 ine Edition
1940 Laguna map
22.
Date form prepared
May 1981
BY (name)
Kathleen Les
Organization
Environmental Coal it ion
6 W. 4th St., Ste. 316
Address:
City
Santa Ana
ZP 92701
(114) 836 4314
Phone:
-
AN"""
a
I
Stare of Californ~a- The Resources Agency
DEPARTMENT OF PARKS A N D ,
Ser. No,
3C-2651.--1.2.-7C 1
I
1.
Common name:
Ibesen Home
2.
Historic name:
Same
3.
City
4.
Parcel number:
5.
Present Owner:
Laguna Beach
Present Use:
92651
Hugh Ibesen
City
6.
Zip
Address:
Zip
Beach House
Orange
Original use:
xx
Private
Same
DESCRIPTION
Hawai ian Co 1on ia1
7a. Architectural styla:
7b. Briefly describe the present physical description of the site or structure and describe any major alterations from its
original condition:
(I)
This i s a two-story board and b a t t e n beach house which appears t o have been designed
w i t h t h e Hawaiian C o l o n i a l s t y l e i n mind. The house i s located on t h e b l u f f t o p and has
an ocean o r i e n t a t i o n . The rectangular p l a n s t r u c t u r e has been mounted on t h e b l u f f
s i d e and f e a t u r e s a d i s t i n g u i s h e d single-gable r o o f w i t h a curved p i t c h . A l a n a i on
t h e second s t o r y wraps around t h e t h r e e sides c l o s e s t t o t h e ocean; t h i s serves as a
f u r t h e r Hawaiian influence. The l a n a i has a s l a t t e d balustrade and i s supported by
wood posts. Small square windows on t h e f i r s t f l o o r are c l u s t e r e d together i n groups
of f i v e . The bui'lding was o r i g i n a l l y constructed as one story, and what i s now t h e
f i r s t s t o r y was added beneath t h e o r i g i n a l p o r t i o n o f t h e house i n t h e 20's. Besides
t h i s , t h e r e have been no changes whatsoever t o t h e house.
The design o f t h e house has a r u s t i c and settlement q u a l i t y about it. The house i s
simple i n format, y e t t h e wraparound l a n a i adds considerable a r c h i t e c t u r a l i n t e r e s t
along w i t h t h e sweeping l i n e s o f t h e r o o f .
The b u i l d i n g i s i n excellent, w e l l maintained condition.
8.
Construction date:
Estimated
Factual
1905
9.
Architect
Unknown
10.
Builder
Unknown
11.
0epttr-UX.L
Frontage 50'
or approx. acrew
12.
Oaie(s) of enclosed photograph(s1
-.
November 1980
X
Excellent G o o d
Fair
-Deteriorated - No longer i n existence -
13.
Condition:
14.
Alterations:
15.
Surroundings: Check more than one if necessary) Open land
Residential
Industrial C o m m e r c i a l
other:
16.
Threats t o site:
Other:
17.
I s the structure:
18.
Related features:
i
-
-
X
X
On its original s i t e ? . ,
Scattered buildings -Densely built-up
Ocean
Unknown?
Moved?
SIGNIFICANCE
Built in 1906, this Hawaiian Colonial influenced beach house was originally constructed for a woman from New York. She returned to New York while it was still under
construction and never came back to live in it. The house sat idle until 1914 when
the Ibesen family from Los Angeles bought it as their summer house. They were a real
estate and land developing family who have continued to use this as their summer
house since they first acquired it in 1914.
The house is among the oldest remaining houses on the oceanfront and is the only one
of its design In the city. It has a strong resemblance to those built in Hawaii at
the turn of the century. The design in combination with the pristine condition of the
house makes it an important landmark building in Laguna.
20.
checked, number i n ordw of importarrce.)
Architecture
~eisure
Economic/lndustrial E x p l o r a t i o n M e m e n t
Government
Military
Religion
Socid/Education
21.
Sources (List books, doarmants, surveys, personal interviews
and their dates).
Hugh Ibesen, owner
22.
May 1981
Kathleen Les
Environmental Coal i tion
206 W. 4th St., Ste. 316
Santa Ana
ap 92701
(/14) 836-4314
Date form prepared
BY (name)
orgniation
Address:
City
Phone:
I
Locations( sketch map (draw and label site and
surrounding streets. roads, and prominent landmarks):
I
30-2651-1S-71
-
State of Californta The Resources Agencv
@EPARTMENT OF PARKS AND RECREATION
Ser. No.
H A B S H A E R
M N3 R
UTM: A
h7QRc;f?/377..1?36 B
I
t-IlSTORlC RESOURCES INVENTORY
m
IDENTIFICATION
1. Common name:
Villa Rockledge
Historic name:
Frank Miller Home
3.
2529 South Coast .Hiqhwa.v
4.
Parcel number:
5.
Present Owner:
Laauna Beach
zip
Present use:
92651
Orange
County
Address:
City
8.
S H i L o c -
D
C
2.
City
rn
Zip
Residential
DESCA IPTiON
-
a~artments
Original U J ~ :
xx
Private
Resi denti a1
-
sinqle family
jpan-ish Mediterranean Revival
7b. Briefly describe the present physicai description of the site or structure and describe any major alterations from its
original condition:
Known as Villa Rockledge, this is a Spanish Mediterranean Revival estate with a
complex of tile gabled buildings cascading over the bluff. Constructed of brick,
each features a main gable with various dormers, ornamental masonry chimneys and
arched recessions punctuat-ing the main planes. A southerly wing with a Medieval-l ike
appearance is bui It into the cliff. It is constructed of stone, has angled sides and
a corner turret against the cliff with a conical tiled roof. Large fixed pane,
casement and arched windows adorn the facade at erratic intervals. The overall
quality is complex, dynamic and with a very pleasant sense of mystery.
The building originally served as a single-fmi ly summer home with accompanying guest
houses. Xt is now converted to apartments and used on a year around basis. The vi l la
is in excellent, well-maintained condition. One must see it from the ocean side to
real ly appreciate its beauty.
Construction date:
Estimated
-.
factual T9_2h
Architect
Frank Mi 1 1 er
Builder
-
A P ~ ~ propX .
Frontage 150
or approx. awe*
size (in feet)
oemh 150'
Date(s) of enclosed photogr;lph(s)
November 1980
Excellent
LGOO~
Fair - Deteriorated - No longer i n existence
13.
Condition:
14.
Alterations:
15.
Residential
industrial C o m m e r c i a l
,
Open land S c a t t e r e d buildings
Other:
16.
Threats t o site:
e
Other:
17.
Is the structure:
18.
Related features:
-
X
-
8
-Densely built-up
Ocean
- Zoning -Vandalism -
Moved?
Unknown?
SIGNIFICANCE
19. Briefly state historical and/or architectural importance (include dates, events. and pemns associated with the site.)
The house was originally built for the Frank Miller family. Mr. Miller was the innovative
developer and creator of the Mission Inn in Riverside. Miller pioneered the Mission Revival
style inn in Riverside in the early part of the century. He took what was his family's small
two-story adobe home and turned it into a large Mission Revival style inn that became the
focal point of Riverside and the destination point for tourists from around the country.
Miller traveled around the world obtaining ideas and art works for his Mission Inn. He was
considered a man ahead of his time; the Mission Inn displayed his prize acquisitions from his
worldwide travels. He was particularly interested in the Hispanic and Oriental cultures and
their art and traditions.
Utilizing the same designers and builders as he employed on the Mission Inn, he built a summer
home for himself in Laguna. He brought to Laguna the same desire for creative architecture as
he used in Riverside. Miller spent what became the last years of his life summering here at
Vi 1 la Rockledge. He died in 1935 at the age of 78. His Laguna homestead remains today in the
same glorious and outstanding condition as when it was first built. It is among the msst
outstanding oceanfront homes in the city.
sketch map (draw and label rite and
20.
Main theme of the h i m r i c resource: (If more than one is
checked. number in order of importaitce.)
Architecture
& Leisure
E c o n o m i c / l n d u s t r i a l Exploration/Settlement
Government
Military
Religion
Soaal/Education
21.
Sources (List books. doarmma. surveys. personal interviews
and their dates).
The Mission Inn, brochure
A Colony For California, Tom Patterson,
22.
Date form prepared
1981
BY (name)
Kathleen Les
organitation Environmental Coal it ion
Address:
206 W. 4th St., Ste. 316
City
Santa Ana
92701
Phone:
(714) 836 4314
-
np
.
STATE O F CALIFORNIA-THE
GEORGE DEUKMEJIAN, Governor
RESOURCES AGENCY
"ZPARTMIENT OF PARKS AND RECREATION
P
.O BOX 2390
SACRAMENTO V5Bll
April 12, 1 9 8 4 i
Mayor o f L a g u n a B e a c h
C i t y H a l l C o u n c i l Chambers
505 F o r e s t A v e n u e
L a g u n a B e a c h , CA 9 2 6 5 1
The National Register of Historic Places Program is administered in California by the State Office of Historic
Preservation. The property indicated above has been submitted for the Register.
The State Historical Resources Commission will consider this property and niake a judgment as to
whether or not it meets the criteria on
at
The State Historical Resources Commission recomn~endcd the nomination of tile property to the
National Register. It will be presented to the State Historic Preservation Officer for fornial nomination.
The final decision will be made by the Keeper of the National Register, U.S. National Park Service,
Washington, D.C. 20240.
The property was placed on the National Register
The property was determined eligible for placenlent on the National Register
Place~rlenton the National Register affords a property the honor of inclusion in thc nation's official list of cultural
resources worthy of preservation and provides 3 degree of protection i'ro~nadverse effects resulting from federally
funded or licensed projects. Registratiorl provides a number of incentives for preservation of historic properties,
including special building codes to facilitate the restoration of historic structures, and certai~itax advantages. There
:.re no restrictions placed upon 3 private property owner with regard to normal use, maintenance. or sale of a
property listed in the National Register; however, proposals to delnulish registered properties may require a standard
review in compliance with local ordinances or the California Environmental Quality iict. In a d d ~ r i c n ,ccrtain
provisions of the Tax Reform Act of 1976 and the Economic Recc,very Tax Ac! of i')Al relate directly to tlie
den~olitionand replacement of struct!lres listed in the National Kcgistcr.
-
Sincerely,
Deputy S t a t e i l i s t o r i c P r ( > s e r v n t i o o O i i i c c r
A c t i n g C h i e f , O f f i c e o f l l i r j ~ u r i cI ' r t ~ s i ~ r v a t i ~ ) r ~
APR 1 6 I
'ev. 1/83)
~ L I
4?"
' 1
rtment of the interior
ion and Recreation Service
42
-
1
;
.
.-, ,-
nal Register of Historic Places
ventory-Nomination Form
See instructions in H o w to Complete National Register Forms
T v ~ ell
e entries--corn~lete a ~ ~ l i c a bsections
le
1 Name
historic
Mariona
and/or common
Villa Rockledge
2, Location
street & number
2529 SO C o a s t Highway
city, town
Laguna Beach
state
California
Category
-district
building(s)
structure
-site
-- object
X
a-
-not for
N !vicinity of
06
40th
Orange
countv
Ptus
occupied
Ownership
public
private
-both
Public Acquisition
-in process
-being considered
congressional district
pubii~ation
code
Present Use
S
-unoccupied
_- work in progress
Accessible
-Xyes: restricted
-yes: unrestricted
-no
-agriculture
commercial
-educational
-entertainment
museum
-park
x
private residence
religious
-scientific
transportation
-- other:
-- government
industrial
military
4. Owner of Property
Roger Jones
name
street & number
--
2529 S. C o a s t Highway
-vicinity of
Laguna Beach
city, town
state
California 9265 1
-
5. Location of Legal Description
courthouse, registry of deeds, etc.
O r a n g e County Recorders Office
street & number
630
citv. town
Santa Rna
-
--
N. Broadway
state
California
6. Representation in Existing Surveys
L'
date
Ldguna Beach
Historic Resources Inventory
,,,o-,I
--
depository
for survey records
-
-
c~ty,town
has this property
been determined eiegible'?
---- --
Sacrarr~ent
--
%-!federal N / g t a t e
.k!!d$ounty
City of Laguna Beach and State tiistoric Preservatiorl G f f i c e
--
-
--
--
state
--
x
yes -no
California
-
%%cai
--
_
- fair
deteriorated
-ruins
unexposed
-
Check one
unaltered
altered
-
Check one
-xoriginel
slte
moved
--
-
---
- --
date
-
--
---
Describe the present and original (if known5 physical appearance
The property known as Villa Rockledge consists of a sprawling Mediterranean Revival Villa
complex incorporating Spanish and eclectic elements on 1.3 a c r e s of a precipitous blufftop
overlooking t h e ocean in Laguna 3each. Built principally between t h e years 1918-29, t h e
7,000 square foot, eight-unit residential complex is t h e collaborative e f f o r t of architect
Arthur Benton and Frank Miller, c r e a t o r of t h e Mission Inn in Riverside.
The d r a m a t i c oceanfront complex which was begun in 1918 and primarily finished in 1921,
was designed by Los Angeles architect Arthur Benton; this includes t h e southerly building
which follows t h e winding contour of t h e rocky bluff and t h e t h r e e lower units of t h e
northerly building which is sited perpendicular to t h e coastline. The t o p unit of t h e
northerly wing was added in 1929 and designed by Laguna architect Thomas Harper. The
earlier building was originally planned as a two-family summer estate, but it and t h e second
phase addition evolved into eight residential summer units which a r e used as apartments
today.
The two-story complex is fashioned in a n L-plan conforming t o t h e coastline and elevation
of t h e terrain. The Mediterranean influenced building irrcorporates walls of formed brick
and an adobe tiled gable roof, Two rustic stone towers anchor t h e building o n t h e easterly
edge; t h e smaller of the t w o towers is pentagonal, with a conical roof, while t h e larger is a n
octagonal tower topped with what was originally an open deck but has more recently been
enclosed and roofed.
The earlier wing f e a t u r e s t w o small e n t r y gables, one of which has t h e original name
"Marionav embedded above a brick arch. "Two large open orches on t h e ocean side of t h e
wing have since been enclosed with glass. The secon wing, by contrast, features a
projecting circular bay window with a discrete balcony above. The two wings a r e unified in
their use of tiled roofs, ornamental chimneys, piaster sidir,g and large casement windows.
$
The t w o buildings were designed with simple lines btit a r e adorned with a variety of
ornamental features. Like Frank Miller's other architectural extravaganza, t h e Mission Inn
in Riverside, Villa Rockledge incorporates a variety of imaginative and artistic elements
derived f r o m t h e Spanish culture and architecture. Unlike the Mission Inn, however, Vilia
Rockledge t a k e s a departure froin t h e more s t r i c t interpretation of t h e Spanish styles into
an eclecticism based in t h e architecture of the English countryside and principally t h e
Cotswold region.
While t h e Mediterranean and Spanisli influences a r e seen in t h e use of adobe tiles, arched
windows, wrought iron and cloistered entries, t h e English derivative eclecticism i s
personified in t h e whimsical chimneys, multi-paned casement windows and rustic heavy
wood doors. The Mission bell and Indian raincross, fashioned in iron, which embellish t h e
exterior in several locations, a r e reminiscent of the Mission Inn, as a r e t h e simulated t r e e
branch baiustrades. Correspondingly, t h e English based eclecticism is brought t o t h e i o r e
also; ornamental Cotswold doors a r e present throughout and most strikingly, t h e circular bay
window features modified Gothic arches with unusual wavy leaded divisions separating panes
in t h e transoms. This circular bay window is identical to some which a r e in t h e Riverside
e i s s i o n Inn.
* This cloistered entry
portico with its arched opening served as the original
entrance to the main unit which was occupied by Frank Miller.
.
NATIONAL PARK SERVICE
The interior of t h e Villa Rockledge nearly defies a verbal description. To begin with, no t w o
of t h e eight units a r e alike and none of t h e rooms in any of t h e units is a perfect square o r
rectangle. Miller's imagination and a r t i s t i c sensibilities went t o work on t h e interiors and
produced a n a r r a y of tasteful splendor. Every unit incorporates rooms which capitalize on
t h e ocean view. Textured plaster walls, open beam ceilings and stone fireplaces a r e
common elements on t h e interiors. Interior doors a r e of rustic wood with wa.vy patterned
wood c u t s and a r e embedded with brass stars; t h e Indian raincross symbol has been
incorporated into t h e door latches. Assorted other touches a r e bestowed intermittently such
as bas relief work inlaid in t h e walls, an overhead light fixture which was originally a ship's
wheel and log beamed ceilings located in t h e main unit.
The grounds of Villa Rockledge a r e as important as t h e building itself.* Separated from t h e
open expanse of t h e blufftop by t h e buildings, t h e grounds a r e secluded and intimate.
Walkways amble around t h e sloping terrain and a r e flanked by low arroyo stone walls. Steps,
e e r r a c e s and private sitting a r e a s with benches and s t a t u e s a r e interspersed among rhe
gdrdens .of largely native plants. The vegetation is mature and meandering, in t h e way in
which Frank Miller would have intended. On t h e beach below is a sea pool formed o u t of
concret&*It is one of t w o such pools which were installed on t h e Laguna coast.
The integrity of t h e building and grounds remains intact, though some alterations have been
made. The t w o large ocean-facing porches have been enclosed with glass as has the. upper
deck of t h e large s t o n e tower. Some windows were modified in t h e 19601s, but t h e present
owner has restored t h e m back t o t h e original. One newer building used a s a garage was
added in 1973; it is located a n t h e r e a r of t h e property and is fashioned in a Mediterranean
Revival style which complements t h e earlier buildings and does not d e t r a c t from t h e
architectural integrity of t h e earlier buildings and t h e grounds.
* The building is supported atop a concrete retaining wall below which is
located the rocky bluff and shoreline incorporated by design as part of
the grounds.
**Sea pools such as this were built at the water's edge for the purpose of
catching sea water so that the children could play without harm f r o 2 the
crashing waves.
Arsas of Slgnlficancb-Ckeck and justify below
-literature
economics
-1700-1799
-art
-1880-1 9
X
190s-
-commerce
-communicatlons
59
-
-
-
__ education
-engineerlng
-explorationlseatlernent
-Industry
-invention
-
Specific dates
1918-21, 1929
-rnilltary
-- music
BuildsriAirchiPect
--
.
---
philosophy
--polltlcs/government
-sculpture
-saclall
humanitarian
-theater
-transportation
X
1
ot er (specify)
cu tural
Frank
h!iller, Arthur Benton, Thomas Harper
-.- - ----
Statement of Significance (in one paragraph)
Villa Rockledge, originally known as Mariona, was built by Frank Miller, developer of t h e
Mission Inn in Riverside and a leading figure in promoting Mission and Mediterranean
influenced architecture in Southern California. Begun in 1918, t h e major portion of Villa
Rockledge was designed by Architect Arthur Benton who worked closely with Miller on this
building in much t h e same way as h e had on t h e Mission Inn; a one unit addition on t h e
northerly wing was designed by Laguna Beach architect Thomas Harper in 1929. Like t h e
Mission Inn, Villa Rockledge incorporated Miller's keen interest in t h e a r t and architecture
of t h e Mediterranean countries and personified Miller's fondness for melding various Spanish
influenced elements in an eclectic and dynamic manner.
Frank Miller, as t h e developer of t h e Mission Inn, became a leading regional influence in
establishing a new architectural identity for Southern California rooted in t h e architecture
of t h e early missions and Spanish settlers. Miller brought t h e same architect, crews and
artistic ideas t h a t h e had used on t h e Mission Inn in Riverside t o Laguna Beach where h e
built his summer home in t h e then growing coastal resort and a r t colony. He spent t h e years
from 1918 until his death in 1935 developing and evolving Villa Rockledge in mbch t h e s a m e
way t h a t h e had done with t h e Mission Inn.
J u s t a f t e r t h e turn of t h e century, Miller m e t Rrthur Benton, who in his associatior: with t h e
California Landmarks Club was a restoration architect of California missions in addition t o
designing new buildings in t h e Mission Style. The architectural pursuits of Benton coincided
perfectly with t h e cultural interests of Miller. In 1902, ivliiler hired Benton t o remodel t h e
Clendwood Hotel into a Mission style building. What became known as t h e Mission Inn grew
over t h e next 25 years into a major Mission style hotel which a t t r a c t e d visitors from around
t h e country, including John D. Rockefeller and Teddy Roosevelt.
Through his association with Arthur Benton and t h e California Landmarks Club, Miller
became a leading figure in t h e network of influential Californians Seeking t o beautify t h e
state and establish a Spanish and Mission influenced image. Founded by Charles Lummis,
t h e California Landmarks Club included prominent architects, such as Arthur Benton and
Myron Hunt, and financiers such as Henry E. Huntington who had a special interest in
California's early architectural heritage and sought t o have t h e Mission and Spanish style
architecture set t h e theme for Southern California, in particular.
Miller c a m e to Laguna Beach when t h e coastal resort town was in i t s hey day as an a r t
colony. Artists such as William Wendt and Frank Cuprien who made their homes in Laguna
gave rise t o a n attitude which revered "artistic1' and rrindivid.~alized"architecture. This
architectural c l i m a t e was ideal f o r Miller who sought t o lend a new direction t o his interest
in Spanish s t y l e buildings. Villa Rockledge was a melding of t h e Mediterranean style (as
seen in f h e tiled roof, white-washed brick sides and overall feeling of seclusion) and t h e
c l e c t ' c u m e m e r in in La una e a c h which a .an offsh o t of the rchit t u r of eh
&nglrsk c o u n t r y s l e $as see# In tte ornaamentaFcktmneys, tRe rustic b t s w o q z mnf1uenceS
doors and t h e gabled entry portico which served as t h e original main entrance.)
OF i t l k I hTE'.KIOR
NATIONAL PARK SERVICE
INVENTORY
--
OF HISTORIC PLACES
NOMINATION FORM
CONTI NUATION SHEET
Significance
.
ITEM NUMBER
8
PAGE
3
The second home of Frank Miller is second best only t o i t s progenitor, the Mission Inn in
Riverside. Like t h e Mission Inn, Villa Rockledge is a rustic and ambling building full of
architectural surprises and witicisms. Interior f e a t u r e s such as open ceilings with log
beams, use of t h e Indian raincross on t h e escutcheons of door latches and bas relief work
inset in tiles personify Miller's continued use of imagination and a n a r t i s t i c incorporatian of
architectural e l e m e n t s borrowed in concept o r physically imported from other countries.
Several exterior e l e m e n t s a r e reminiscent of t h e Mission Inn including t h e balustrades of
simulated logs, its many cloistered entries, its ambling walkways and lush landscaping.
The building today still retains its original integrity of location, design, workmanship and
feeling as designed and executed by builder Frank Miller and a r c h i t e c t Arthur Benton
despite minor alterations such a s t h e porch enclosures.
The building remains a s a n
important legacy t o Frank Miller, t h e guiding spirit behind t h e Mission and Spanish Revival
architectural movement in Southern California and t o t h e work of reaionallv important
-chitect Arthur Benton.
a
Colony for California, Tom Pattcrson 1971
onstructive Californians, 1926
Architectural Plans siened bv Arthur Benton. 197 1
Historic 1'1-lotos dated 1923
.1O. Geographical Data
---
-
1.3 acres
Acreage of nomlnated property
Quadrangle name
Laguna Beach
1:24000
Quadrangle scale
UMT References
*
L
Zone
L
Eastlng
_
1
U
Northing
U
Zone
Easting
Northing
Verbal boundary description and justification
Lots 5 and 6 of t h e Tract known a s Rockledge-by-the-Sea, County of Orange, California
List all states and counties for properties overlapping state or county boundaries
state
code
state
code
county
-
code
--
-
county
--
code
1. Form Prepared By
Kathleen Les
namettitle
organization
street
a number
city Or town
-
--
-
7/27/53
-- --
-
Heritage Orange County
date
106 W. 4th Street, Suite 503
teleDhone
(714) 535-7237
Santa Ana
state
California
-
----
-
-
- -- ----.---
-- -
12. State Historic Brceserwation Officer Certificatiorp
-
The evaluated significance of this property within the state is:
-national
state
local
-
~-
As the designated State Historic Preservation Officer for the National Historic Preservation Act st 1966 (Public Law 89665), 1 hereby nominate thls property for inclusion in the National Register and certify that it has been evaluated
according to the criteria and procedures set forth by the Heritage Conservation and Recreation Service.
State Historic Preservation Officer signature
title
.- -.--
.--
date

SOUTH COAST HIGHWAY # l o

Transcription

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