Her name was Lisa Gherardini. Why it matters Want to go?
Transcription
Her name was Lisa Gherardini. Why it matters Want to go?
Thursday, June 20, 2013 News 11 Orange County Register 1 ART HISTORY The Leonardo da Vinci exhibit that opened last week at the Discovery Science Center in Santa Ana is remarkable for a number of reasons. But the highlight is most definitely the part of the exhibit that focuses on the famous “Mona Lisa.” What you’ll see there will give you a completely new perspective of Leo’s ... PRETTY LADY Her name was Lisa Gherardini. MONA LISA as she looks today MONA LISA as she probably looked when the painting was new She was the wife of Francesco del Giocondo, a wealthy Italian cloth merchant. “Mona” is a contraction that means “my lady” in Italian. Noot how much brighter Note Leoo Leonardo’s colors are in thee virtual restoration — espp especially the blue bac background. Leonardo pai painted the background wit a very expensive with pigment made from lapis lazuli gemstones. By using a technique called sfumato — very thin, multiple applications of paint — Leonardo painted the veil atop the background, giving the veil a transparent effect. No brush strokes are apparent anywhere in the painting. Leonardo began painting her in 1503 but continued working on the project until his death in 1519. And even then, the portrait ended up with the King of France instead of del Giocondo — the man who actually commissioned the work. Mona Lisa actually does have eyebrows. Cotte’s work revealed “one hair” of an eyebrow, he announced in 2007. He said that perhaps an attempt to clean the painting collected the rest. In 2004, engineer Pascal Cotte photographed the Mona Lisa with a camera of his own invention that peered at the painting using 13 wavelengths of light, including ones you’ve heard of — ultra-violet and infrared — and several you probably haven’t. There are two blotches on her face — at the eye and chin. Depending on whom you believe, these are due to varnish accidents or water damage caused when the king of France had the painting hanging in his bathroom. The result was a 22-gigabyte image of 240 million pixels that can peer beneath layers of paint and even digitally restore the painting to the way it would have looked when it was new. In 1956, a vandal threw acid on the painting, damaging the bottom edge. Later that year, a second vandal threw a rock, knocking some of the paint off her elbow. Shortly after, the Louvre put the painting behind glass. Leonardo painted the Mona Lisa on a plank of poplar wood. The panel — originally 30 inches high and 21 inches wide — has shrunk nearly an inch in width. Infrared images show Leonardo changed the positions of the index and middle fingers of her left hand. The reason: He originally painted Mona Lisa holding a lap blanket. Although he worked on the painting for another decade, Leonardo never finished this finger. That exhibit is now at the Discovery Science Center. Visitors can begin their journey through Cotte’s analyses by viewing a number of his visualizations of the painting as seen in various spectrums of light. After two years of analyzing his images of the Mona Lisa, Cotte announced his findings in 2006. The next year, an exhibition of his results began working its way around the country. Here, he talks about the painting at the opening of the exhibit in San Francisco in 2007. For example: This flying machine would never have gotten off the ground. But clearly, Leonardo was ahead of his time — in this case, 450 or so years before the invention of the helicopter. And the Mona Lisa is just one part of the Leonardo da Vinci exhibit. You’ll see reproductions of Leo’s sketchbooks — called codices. A number of his sketches have been turned into life-sized models. Want to go? When: Through Sept. 8 Hours: 10 a.m. - 5 p.m. daily How much: $15.95 adults, $12.95 seniors and children 3-14 Call: 714-542-CUBE Online: discoverycube.org Sources: Lumiere Technology, the Louvre, the Washington Post, CNN Images: GRANDE EXHIBITIONS, THE ASSOCIATED PRESS Why it matters Our understanding of history, science and art is enhanced greatly by examining the work of a master like Leonardo da Vinci. Plus, it’s just fun stuff to know. You’ll never again see a photo of the Mona Lisa without thinking of this exhibit.
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