And [C - Moonroller
Transcription
And [C - Moonroller
CONTENTS 9 TO 5 - Dolly Parton 1980 4 1920's MEDLEY - Various 5 1950's ROCK AND ROLL MEDLEY - Various 6 ACT NATURALLY - Russell/Morrison 1963 8 AT THE HOP - White, Medora and Singer 1957 9 BUDDY HOLLY MEDLEY - Various 10 BUFFALO GALS - Traditional (published in 1844) 12 BUILD ME UP, BUTTERCUP - D'Abo / Macaulay 1968 13 CHAPEL OF LOVE - Barry, Greenwich, Spector 1964 14 DON'T WORRY, BE HAPPY - Bobby McFerrin 1988 15 ENJOY YOURSELF (IT'S LATER THAN YOU THINK) - Sigman & Magidson 1950 16 EYE OF THE TIGER - Sullivan/Peterik 1982 17 GET ME TO THE CHURCH ON TIME - Lerner & Loewe 1956 18 GOSPORT NANCY - Traditional 19 HE PLAYED HIS UKULELE AS THE SHIP WENT DOWN - Le Clerq 1931 20 HELLO! MY BABY - Howard and Emerson 1899 / Ivor Biggun 1988 21 HEROES – David Bowie 1977 22 HI HO SILVER LINING - Larry Weiss / Scott English 1967 23 HOLD BACK THE NIGHT - Felder/Baker/Harris/Young 1975 24 HOTEL CALIFORNIA - Feilder / Henley / Frey 1976 25 HUNGRY LIKE THE WOLF - Duran Duran 1982 26 I HEAR YOU KNOCKING - Bartholomew / King 1955 27 I KNEW THE BRIDE - Nick Lowe 1977 28 I’M GONNA BE (500 MILES) - Charlie & Craig Read 1988 29 I’M THE URBAN SPACEMAN - Neil Innes 1968 30 I’VE JUST SEEN A FACE (in G) - Lennon and McCartney 1965 31 I WANT YOU TO WANT ME - Rick Nielsen 1977 32 JOLLITY FARM - Leslie Sarony 1929 33 LEAVE HER, JOHNNY LEAVE HER - Traditional 34 LOW BRIDGE - Thomas Allen 1913 35 MAKING LOVE UKULELE STYLE - Weinrick & Hayes, 1957 36 MARGUERITA TIME - Rossi / Frost 1983 37 2 NEW YORK GIRLS - Traditional 38 NOBODY KNOWS YOU (WHEN YOU’RE DOWN AND OUT) - Jimmy Cox 1929 39 PROMISED LAND - Chuck Berry 1965 40 RIPPLE - Garcia / Hunter 1970 41 SIX NATIONS MEDLEY - Various 42 SMILE - Chaplin / Turner / Parsons 1936/1954 44 SPIRIT IN THE SKY - Norman Greenbaum 1969 45 STAND BY ME - Ben E. King 1961 46 STILL IN LOVE WITH YOU - Mindel / White 2015 47 STORMY WEATHER - Arlen / Koehler 1933 48 SUMMERTIME - George Gershwin 1934 49 SUNNY AFTERNOON - Ray Davies 1966 50 SWEET HOME - Secor / Hayes 2014 51 SWING LOW, SWEET CHARIOT - Traditional 52 TAKE ME HOME, COUNTRY ROADS - John Denver 1971 53 THE JOLLY BEGGAR - Traditional 54 THE WILD ROVER - Traditional 55 TONIGHT YOU BELONG TO ME - David / Rose 1926 56 UP ABOVE MY HEAD - Sister Rosetta Tharpe 1940s 57 WEREWOLVES OF LONDON - Marinell, Wachtel, Zevon 1978 58 WHERE DID YOU GET THAT HAT? - James Rolmaz 1888 59 WHISKEY IN THE JAR - Traditional 60 YOU AIN`T GOIN` NOWHERE - Bob Dylan 1971 61 YOU’RE JUST IN LOVE - Irving Berlin 1950 62 For Educational use only - Materials are intended as a rough guide to playing the songs on a Ukulele Winchester Uke Jam Songbook Volume 2................................................1st Edition March 2016 3 9 TO 5 - Dolly Parton 1980 Intro: several bars of G (Girls) 1. [G] Tumble out of bed and I stumble to the kitchen [C] Pour myself a cup of ambition [G] And yawn and stretch and try to come to [D7] life. [G] Jump in the shower and the blood starts pumping [C] Out on the street the traffic starts jumping With [G] folks like me on the [D] job from 9 to [G] 5 Chorus 1: (All) [n/c] Working [C] 9 to 5, what a way to make a living Barely [G] getting by, it’s all taking and no giving They just [C] use your mind and they never give you credit It’s [A7] enough to drive you [D] crazy if you let it [C] 9 to 5, for service and devotion You would [G] think that I would deserve a fair promotion Want to [C] move ahead but the boss won’t seem to let me I [A7] swear sometimes that man is - [D] out to get me [C] [G] (Girls) 2. They [G] let you dream just to watch them shatter You’re [C] just a step on the boss man’s ladder But [G] you’ve got dreams he’ll never take [D7] away You’re [G] in the same boat with a lot of your friends [C] Waiting for the day your ship’ll come in The [G] tide'ss gonna turn and it’s [D] all gonna roll your way [G] Chorus 2: (All) [n/c] Working [C] 9 to 5, what a way to make a living Barely [G] getting by, it’s all taking and no giving They just [C] use your mind and you never get the credit It’s [A7] enough to drive you [D] crazy if you let it Working [C] 9 to 5, yeah they’ve got you where they want you There’s a [G] better life, and you think about it don’t you? you It’s a [C] rich man’s game, no matter what they call it And you [A7] spend nd your life putting [D] money in his pocket. pocket Repeat Chorus 2 4 (finish on G) 1920's MEDLEY - Various YES SIR, THAT'S MY BABY - Donaldson & Kahn 1925 Intro: 1st line C G G7 C Yes, sir, that's my baby, No, sir, I don't mean maybe, yes, sir, sir that's my baby now C G Yes, ma'am, we've decided, No, ma'am, we won't hide it, G7 C Yes, ma'am, you're invited now. C7 F D7 G7 By the way ... By the way ... When we reach the preacher, I will say C G G7 C Yes, sir, that's my baby, No, sir, I don't mean maybe, yes, sir, sir that's my baby now Repeat whole song - 1st 3 lines kazoo then sing last 2 lines BABY FACE - Akst & Davis 1926 C G7 Baby face, you've got the cutest little baby face, face There's here's not another who can take your place C D7 Baby face, my heart, poor heart is jumpin' G7 You sure have started somethin' C E7 Am C7 Baby face, I'm up in heaven when hen I'm in your fond embrace F C A7 D7 G7 C G7 I didn't need a shove, 'cause cause I just fell in love with ith your pretty baby face Repeat whole song FIVE FOOT TWO, EYES OF BLUE - Henderson, Lewis, Young 1925 Kazoo inst: 1st and 2nd verse C E7 A7 1. Five foot two, eyes of blue, blue but oh what those five foot could do, D7 G7 C G7 Has anybody seen my girl? C E7 A7 2. Turned up nose, turned down hose, hose never ever had no other beaus. D7 G7 C Has anybody seen my girl? Bridge: E7 A7 Now if you run into a five foot two, covered in fur, D7 G7 D7 G7 Diamond rings and all those things, betcha' life it isn't her, But... C E7 A7 3. Could she love? Could ould she woo? Could she, could she, could she coo? D7 G7 C G7 Has anybody seen my girl? Repeat whole song (last time through replace last line with:) with: D7 G7 D7 G7 D7 G7 C Has anybody seen my,, has h anybody seen my, has anybody seen my girl? 5 1950's ROCK AND ROLL L MEDLEY - Various HOUND DOG - Leiber/Stoller - 1953 1. [n/c] You ain't nothing but a [C] hound dog cryin all the tim me, You ain't nothing but a [F] ho ound dog cryin' all the [C] time. Well you ain't [G] never caught a rabbit and you [F] ain't no friend of [C] mine. w [C] high class, well that was as just a lie, 2. [n/c] When they said you was When they said you was [F] high h class, well that was just a [C] lie. Well you ain't [G] never caught a rabbit and you [F] ain't no friend of [C] mine. 3. Instrumental verse then repeat verses 1&2 BLUE SUEDE SHOES - Carl Perkins - 1956 1. Well it's a [C↓] one for the money, [C↓] two for the show [C↓] three to get ready now [C7] go cat go But [F] don't you step on my blue suede [C] shoes You can [G] do anything, but lay [F] off of my blue suede [C] shoes. 2. Well you can [C↓] knock me down, [C↓] step in my face, [C↓] ↓] slander my name all [C↓] over the place, [C↓] do anything that you [C↓] want to do But ah [C↓] ah, honey, lay [C C7] off of my shoes But [F] don't you step on my blue suede [C] shoes You can [G] do anything, but lay [F] off of my blue suede [C] shoes. 3. Well you can [C↓] burn my house, [C↓] steal my car [C↓] Drink my liquor from an [C↓↓] old fruit jar, [C↓] do anything that you [C↓] want to do But [C↓] ah, ah, honey, lay offf [C7] of my shoes But [F] don't you step on my blue suede [C] shoes You can [G] do anything, but lay [F] off of my blue suede [C] shoes. 6 [C] Well It`s a blue blue, blue suede shoes baby, blue blue, blue suede shoes baby, [F] Blue blue, blue suede shoes, baby, [C] blue blue, blue suede shoes baby Well, you can [G] do anything but lay [F] off of my blue suede [C] shoes yeah! SHAKE RATTLE AND ROLL - Charles E. Calhoun - 1954 1. [C] Get out in that kitchen and rattle those pots and pans Get [F] out in that kitchen and rattle those pots and [C] pans I [G7] want my breakfast [F] 'cause I'm a hungry [C] man Chorus: I said, shake, rattle and roll, I said, shake, rattle and roll I said, [F] shake, rattle and roll I said, [C] shake, rattle and roll You [G7] never do nothin' to [F] save your doggone [C] soul 2. [C] You're wearin' those dresses, your hair done up so nice You're [F] wearin' those dresses, your hair done up so [C] nice You [G7] look so warm but your [F] heart is cold as [C] ice Chorus + inst chorus 3. [C] I'm like a one-eyed cat peepin' in a seafood store I'm like [F] a one-eyed cat peepin' in a seafood [C] store I can [G7] look at you and tell [F] you don't love me no [C] more 4. [C] I believed you were doin' me wrong, and now I know I [F] believed you were doin' me wrong, and now I [C] know The [G7] more I work, the [F] faster my money [C] goes Chorus x3 7 ACT NATURALLY - Russell/Morrison 1963 Intro: C F C G C C F 1. They're gonna put me in the movies, C G They're gonna make a big star out of me, C F We'll make a film about a man that's sad and lonely C G C And all I gotta do is - act naturally. Chorus G G7 C Well, I'll bet you I'm gonna be a big star, G C Might win an Oscar you can never tell, G C The movies gonna make me a big star, D7 G-G7 'Cause I can play the part so well. C F Well I hope you come and see me in the movies, C G Then I know that you will plainly see. C F The biggest fool that ever hit the big time, C G C ( F G7) And all I gotta do is act naturally. C F 2. We'll make the scene about a man that's sad and lonely C G And beggin' down upon his bended knee C F I'll play the part but I won't need rehearsal C G C All I gotta do is - act naturally Chorus - repeat last line 8 AT THE HOP - White, Medora and Singer 1957 (1 beat on each chord) G (tenors) Em (+concerts) Bah-bah-bah-bah, bah, Bah-bah-bah-bah, C (+sopranos) D (all) G Bah-bah-bah-bah, bah, Bah-bah-bah-bah, bah, at the hop! G 1. Well, you can rock it, you can roll it, G7 Do the stomp mp and even stroll it at the hop (bah da dup) C G When en the record starts spinnin', you chalypso when you chicken at the hop, (bah da dup) D7 C G Do the dance sensation that is sweepin' the nation, at the hop. hop (bah da dup) Chorus: G G7 Let's go to the hop, hop, let's go to the hop (oh baby) C G Let's go to the hop, hop, (oh baby) let's go to the hop D7 C G Come on, let's go to the hop. G 2. Well, you can swing it, you can groove it, G7 You can really start to move it at the hop, (bah da dup) C G Where the jockey is the smoothest and the music is the coolest, at the hop. D7 C G (bah da dup) All the cats and chicks can get their kicks at the hop (bah da dup) Chorus Instrumental = verse 2 but sing (bah da dup) Chorus Repeat verse 1, Repeat verse 2 + Chorus then: G Em bah-bah-bah, Bah-bah-bah-bah, Bah-bah C D G (stop dead) Bah-bah-bah-bah, Bah-bah bah-bah-bah, at the hop! 9 BUDDY HOLLY MEDLEY - Various Everyday - Holly / Petty 1957 Intro - 1st Verse 1. [C] Every day, [F] it's a-gettin' gettin' [G] closer, [C] Goin' faster [F] than a roller [G] coaster [C] Love like yours will [F] surely [G] come my [C] way [F] A-hey [C] a-hey [G] hey 2. [C] Every day, [F] it's a-gettin' gettin' [G] faster, [C] Everyone says [F] go on up and [G] ask her [C] Love like yours will [F] surely [G] come my [C] way [F] A-hey [C] a-hey [C7] hey [F] Everyday seems a little longer, [Bb] every way, love's a little stronger. [Eb] Come what may; do you ever long for [Ab] true love from [G] me? 3. [C] Every day, [F] it's a-gettin' gettin' [G] closer, [C] Goin' faster [F] than a roller [G] coaster [C] Love like yours will [F] surely [G] come my [C] way [F] A-hey [C] a-hey [G] hey tempo change [C] Love like yours will [F] surely [G] come my [C] wa..[A7] [A7]..y well... That'll Be The Day - Holly / Allison / Petty1957 [D] That'll be the day, when you say good-bye, good Yes, [A] that'll be the day, when you make me cry. Ah, you [D] say you're gonna leave, you know it's a lie 'cos [A] That'll be the day [E7] when I [A] die! 1. Well, you [D] give me all your lovin' and your [A] turtle dovin', dovin A-all your [D] hugs and kisses and your [A] money too. Well, you [D] know you love me baby, [A] until you tell me, maybe, [B7] That someday, well, [E7] I'll be through, well... Chorus 2. When [D] Cupid shot his dart [A] he shot it at your heart, [D] So if we ever part and [A] I leave you. [D] You sit and hold me and you [A] tell me boldly, [B7] That someday, well, [E7] I'll be through, well... Chorus Well, [D] that'll be the day,,,uh uh-hu, [A] that'll be the day…uh uh-hu [D] That'll be the day …uh-hu hu .[A] . That'll be the day [E7] when I [A] die! 10 Peggy Sue - Holly / Allison / Petty1958 1. [A] If you knew [D] Peggy Sue, [A] then you [D] know why [A] I feel blue About [D] Peggy, my Peggy Su.. [A-D-A] ...uuue Oh, well, I [E7] love you, gal, yes, I [D] love you, Peggy Sue. [A-D-A-E7] 2. [A] Peggy Sue [D] Peggy Sue, [A] oh how [D] my heart [A] yearns for you Oh [D] Peggy, my Peggy Sue [A-D-A] Oh, well, I [E7] love you, gal, yes, I [D] love you, Peggy Sue. [A-D-A-E7] 3. [A] Peggy Sue, Peggy Sue, [F] pretty, pretty, pretty, pretty [A] Peggy Sue Oh, my [D] Peggy, my Peggy Su.. [A-D-A] ...uuue Oh, well, I [E7] love you, gal, and I [D] need you, Peggy Sue. [A-D-A-E7] 4. [A] I love you [D] Peggy Sue, [A] with a [D] love so [A] rare and true Oh, [D] Peggy, my Peggy Su.. [A-D-A] ...uuue Oh, well, I [E7] want you, gal, yes, I [D] want you, Peggy Sue [A]... [D7] [G7] w...........ell Rave On - West / Tlighman / Petty 1958 1. ... the [C] little things you say and do, Make me want to be with you-hu-hu. you [F] Rave on, it's a crazy feeling and [C] I know it's got me reelin', When [G] you say: I love you! [C] Rave [F] on. [C] [G] 2. The [C] way you dance and hold me tight, The way you kiss and say goodni-hi-hight, [F] Rave on, it's a crazy feeling and [C] I know it's got me reelin', When [G] you say: I love you! [C] Rave [F] on. [C] [G] Well, [F] rave [F] on [F] it's a crazy feeling, And [C] I [C] know, [C] it's got me reelin', I'm [G] so [G] glad [G] that you're revealin' Your [C] love [F] for [C] me [Am7] [C] [Fadd9] [F] Rave [F] on, [F] rave on and tell me, [C] Tell [C] me [C] not to be lonely, [G] Tell [G] me, [G] you love me only, [C] rave [F] on [C] with me. Inst: lines 1 - 4 of chorus C F C -G C F C-G A-ha-ha ! A-ha-ha ha ! + Chorus C F C-G A-ha-ha ! C F C A-ha-ha ha ! (stop dead on C) 11 BUFFALO GALS - Traditional (published in 1844) Several bars of F. 1. [F] As I was walking down the street, [C7] Down the street, [F] down the street, A pretty little gal I chanced to meet, And we [C7] danced by the light of the [F] moon. Chorus 1 [F] Buffalo Gals, won't you come out tonight [C7] Come out tonight, [F] come out tonight? Buffalo Gals, ls, won't you come out tonight, And [C7] dance by the light of the [F] moon? 2. I [F] danced with a dolly with a hole in her stockin', And [C7] her knees kept a-knockin', knockin', and the [F] band kept a-rockin'; a I danced with a dolly with a hole in her stockin', And we [C7] danced by the light of the [F] moon. Repeat Chorus 1 [D7] (Key Key Change) Change 3. [G] As I was walking down the street, [D7] Down the street, [G] down the street, A pretty little gal I chanced to meet, And we [D7] danced by the light of the [G] moon. 4. I [G] danced with a dolly with a hole in her stockin', And [D7] her knees kept a-knockin', a and the [G] band kept a-rockin'; a I danced with a dolly with a hole in her stockin', And we [D7] danced by the light of the [G] moon. [A7] (Key Change) Chorus 2 [D] Buffalo Gals, won't you come out tonight, [A7] Come out tonight, [D] come out tonight? Buffalo Gals, won't you come out tonight, And [A7] dance by the light of the [D] moon? 5. I [D] danced all night with a bottle in my hand, [A7] Bottle in my hand, [D] bottle in my hand, I danced all night with a bottle in my hand, And we [A7] danced by the light of the [D] moon. 6. I [D] danced with a dolly with a hole in her stockin', And [A7] her knees kept a-knockin', a and the [D] band kept a-rockin'; a I danced with a dolly with a hole in her stockin', And we [A7] danced by the light of the [D] moon. [C7] 7] (Key Change) Then Verse 1 - Chorus 1 - Inst Chorus 1 X2 - Verse 2 - Chorus 1 X2 12 BUILD ME UP, BUTTERCUP - D'Abo / Macaulay 1968 Intro: C-E7-F-G X2 Chorus: [n/c] Why do you [C] build me up (build me up) [E7] Buttercup baby Just to [F] let me down (let me down) and [G] mess me around And then [C] worst of all (worst of all) you [E7] never call, baby When you [F] say you will (say you will) but [Dm] I love you still I need [C] you (I need you) more than [C7] anyone darling You [F] know that I have from the [Fm] start so... [C] Build me up (build me up) [G] Buttercup Don't break my [F] heart [C] [G] [] [C] [C] [G] 1. 'I'll be [C] over at [G] ten', you told me [Bb] time and [F] again But you're [C] late… I wait [F] round and then (ba-dah-dah dah) I [C] run to the [G] door, I can't [Bb] take any [F] more It's not [C] you… you let me [F] down again [F] Hey [C] hey [Dm] hey, baby, baby, [G] try to find [G] Hey, [G] hey, [Em] hey, a little time, and [A7] I'll make you happy [Dm] I'll be home, I'll be be[D7]side be side the phone waiting for [G] you… [G] ...oo-ooh… ooh-oo-ooh ooh Chorus 2. To [C] you I'm a [G] toy, but I [Bb] could be the [F] boy You [C] adore… if you'd just [F] let me know (ba-dah-dah dah) All [C] though you're un[G] [G]true, I'm at[Bb]tracted to [F] you All the [C] more… why do I [F] need you so? [F] Hey [C] hey [Dm] hey, baby, baby, [G] try to find [G] Hey, [G] hey, [Em] hey, a little time, and [A7] I'll make you happy [Dm] I'll be home, I'll be be[D7]side be side the phone waiting for [G] you… [G] You-oo-ooh… ooh-oo oo-ooh Chorus+ I need [C] you (I need you) more than [C7] anyone darling You [F] know that I have from the [Fm] start so... So [C] build me up (build me up) [G] Buttercup Don't break my [F] heart [C] [G] [] [C] 13 CHAPEL OF LOVE - Barry, Barry Greenwich, Spector 1964 G Am 1. Spring is here, th…e, sky is blue, wo….ah, D - Am D Birds all sing as if they knew. G Today's the day, we'll say I do Am D7 G And we'll never be lonely anymore. D Because we're... Chorus: G / Goin' to the chapel and we're gonna get ma….rried, Am D - Am D Goin' to the chapel and we're gonna get ma…rried. G / Gee, I really love you and we're gonna get ma….rried, Am D7 G (E7) Goin' to the Chapel of Love. G Am 2. Bells will ring, th…e, sun will shine, wo….ah, D - Am D I'll be his, and he'll be mine. mi G We'll love until - the end of time, Am D7 G And we'll never be lonely anymore. D Because we're... Chorus x2 then finish with: Am D7 G E7 Goin' to the Chapel of Love. Am D7 G Goin' to the Chapel of Love. 14 DON'T WORRY, BE HAPPY - Bobby McFerrin 1988 Intro as chorus: C C Dm Dm F F C C C Dm 1. Here's a little song I wrote, you might want to sing it note for note, F C Don't worry, be happy. C In every life we have some trouble, Dm But when n you worry you make it double F C Don't worry, be happy. Chorus: C Dm F C Ooooooooo - ohohhoo- don't worry - ohohhoo - be happy - ohohoo X2 C Dm 2. Ain't got no place to lay your head, somebody came and took your bed, F C Don't worry, be happy C Dm The landlord say your rent is late, he may have to litigate, F C Don't worry, be happy Chorus: x2 C Dm 3. Ain't got no cash, ain't got no style, ain't in't got no gal to make you smile, F C Don't worry, be happy C Dm 'Cos when you worry your face will frown and that will bring everybody down F C Don't worry, be happy Chorus: x4 15 ENJOY YOURSELF (IT'S LATER THAN YOU THINK) - Sigman & Magidson 1950 Chorus: C G7 Enjoy yourself, it's later than you think, C Enjoy yourself, while you're still in the pink, C7 F The years go by as quickly as a wink, C G7 C Enjoy yourself, enjoy yourself, it's later than you think. ( F C G7 C ) (Enjoy yourself, enjoy yourself, it's la--ter la ter than you think.) C G7 1. You work and work for years and years, years you're always on the go, C You never take a minute off you're too busy making dough, C7 F Some day you say you'll have your fun when you're a millionaire, C G7 C Imagine all the fun you'll have in some old rocking chair. Chorus C G7 2. You're gonna take that ocean trip, no matter, come what may; C You've gott your reservations but you just can't get away. C7 F Next year, for sure, you'll see the world, you'll really get around C G7 C But how far can you travel when you're six-feet six underground? ground? Chorus C G7 3.. You never go to nightclubs and you just don't care to dance; C You don't have time for silly things like moonlight and romance. C7 F You only nly think of dollar bills tied neatly in a stack; C G7 (break) C But when you kiss a dollar bill, it doesn't kiss you back. Chorus C G7 4.. Your heart of hearts, your dream of dreams, has left you feeling blue, C And now you're in a state of shock, you don't know what to do. C7 F So don't be down, ditch that frown, frown, pick up your uke, old chum C G7 C This simple fact can't be denied, denied life's better when you strum. strum Chorus x2 16 EYE OF THE TIGER - Sullivan/Peterik 1982 Intro: Group 1: Am - light open strum on A string Group 2: (stabs) Am Am-G-Am Am Am-G-Am Am-G-F (X4) Am F G Am 1. Rising up back on the street, did my time, took my chances. F Went the distance, now I'm back on my feet, G Am Just a man and his will to survive. Am F G Am 2. So many times it happens to fast; you trade your passion for glory F Don't lose your grip on the dreams of the past, G Am You must fight just to keep them alive. Chorus: Dm C G It's the eye of the tiger; it's the thrill of the fight, Dm C G Rising up to the challenge of our ri - val. Dm C G And the last known survivor stalks his prey in the night. Dm C F (break) Am And he's watching us all with the eye - of the tiger. Group 2: Am - light open strum on A string Group 1: (stabs) Am Am-G-Am Am Am-G-Am Am-G-F (X2) Am F G Am 3. Face to face, out in the heat, hangin' tough, stayin' hungry. F They stack the odds, still we w take to the street, G Am For the kill, with the skill to survive. Chorus (no stabs) Am F G Am 4. Rising up, straight to the top, had the guts, got the glory F Went the distance, now I'm not gonna stop G Am Just a man and his will to survive Chorus All: (stabs) Am Am-G-Am Am Am-G-Am Am Am-G-F (X4) - Am 17 GET ME TO THE CHURCH ON TIME - Lerner & Loewe 1956 G 1. I'm getting married in the morning, morning ding ing dong the bells are gonna chime D D7 G Pull out the stopper, let's have a whopper but get me to the church on time G I've got to be there in the morning, morning spruced pruced up and looking in my prime pri D Girls come and kiss me, show how you'll miss me D7 G But get me to the church on time C G A7 D7 If I am dancing, roll up the floor, floor if I am whistling, *whew* me out the door G I'm getting married in the morning, ding ding dong the bells are gonna chime C G Kick up a rumpus, but don't lose the compass Bm C Bm C And get me to the church, get me to the church Bm C D7 G Be sure and get me to the church on time G 2. I'm getting etting married in the morning, ding ing dong the bells are gonna chime D D7 G Stock me or jail me, stamp me and mail me but get me to the church on time G I've got to be there re in the morning, morning spruced pruced up and looking in my prime D D7 G Some bloke who's able, lift up the table, table but ut get me to the church on time C G A7 D7 If I am flying, then shoot me down, down iff I am wooing, get her out of town G I'm getting tting married in the morning, ding ding dong the bells are gonna chime C G Feather and tar me, call out the army Bm C Bm C And get me to the church, get me to the church Bm C D7 G Be sure and get me to the church on time 18 GOSPORT NANCY - Traditional Intro: C GC C Am F G C C G C 1. Nancy Johnson, she's my darling she’s my every waking thought D G How she greets me when she meets me when my ship gets in to port C D G AlltheGosportladies, dies they do the best they can, C F C G C But for making aking a bed for a sailor's head there's there's none like my girl Nan. G C 2. Gosport girls can drink for England, Gosport girls, they goes their tot! D G Rum and brandy, gin and shandy, shandy Gosport girls will drink the lot! C D G AlltheGosportladies, dies they swig the flowing can C F C G C But for knocking nocking it back with Honest Jack there's none like my girl Nan. Chorus: G Am C Oh Nancy can't you see you're the only girl for me! F C G C How I dream of lovely Nancy when I'm sailing on the sea. Inst: C GC C Am F G C G C 3. Gosport girls they’re good at dancing they’re the best there is no doubt D G When the music sets them prancing how they'll fling their skirts about! C D G AlltheGosportladies, dies they do the French Can-Can Can C F C G C But for real high kicks and fancy tricks there’s none like my girl Nan. Chorus G C 4. Nancy Johnson keeps a bar-room bar room where the boys can take their ease D G She will wake me and she'll shake me she will do whatever she please. C D G AlltheGosportladies, dies they do the best they can C F C G C But for making aking a bed for a sailor's head there's none like my girl Nan. Chorus then Inst: C GC C Am F G C Chorus (slow down from “when” in last line to big finish on C ) 19 HE PLAYED HIS UKULELE AS THE SHIP WENT DOWN - Le Clerq 1931 Intro: 1st 4 lines of Verse 1 then 2 bars of C then Yo [A7] ho, my lads, yo-ho. yo 1. I'll [C] tell the tale of the [F] Nancy Lee, The [G7] ship that got ship [C] wrecked at sea. The bravest man was [F] Captain Brown For he [G7] played his ukulele as the [C] ship went down. [Am] All the crew were [E7] in despair. [Am] Some rushed here and the [D7] others rushed [G7] there, But the [C] captain sat in the [F] captain's chair And he [G7] played his ukulele as the [C] ship went down. +2 bars Yo [A7] ho, my lads, yo-ho. 2. The [C] pets on board were [F] all scared stiff, The [G7] cat miaowed and the [C] monkey sniffed The old green parrot hung [F] upside-down [G7] Screeching "Pretty Polly" as the [C] ship went down. [Am] The crows' nest fell and [E7] killed the crow. [Am] The starboard watch was [D7] two hours [G7] slow, But the [C] Captain sang YoYo [F] vodi-do-doh, As he [G7] played his ukulele as [C] ship went down. [A7 slide up to 6th fret and back] Whoooo Whooo Yo [A7] ho, my lads, yo--ho. 3. The [C] skipper shouted [F F] fore and aft, “I’ll [G7] have no slackers [C] aboard this craft. So understand,” said [F] Captain Brown, “I want [G7] everybody present when the [C] ship goes down. [Am] “The cook’s gone mad and the [E7] bosun’s lame. [Am] The rudder has gone and the [D7] deck’s a-[G7]-flame. flame. The [C] G-string’s string’s snapped, but [F] all the same I shall [G7] play my ukulele as the [C] ship goes down.” +2 bars Yo [A7] ho, my lads, yo-ho. 4. The [C] mate said, “It’s o-[[F]-kay with me, A [G7] shipwreck suits me [C] to a T. I owe ten bob to [F] Captain Brown And I’ll [G7] never have to pay him if the [C] ship goes down.” [Am] The skipper shouted [E7] back, “No chat. [Am] I’ll do my best, and [D7] after [G7] that, D’you [C] mind if I pass a-[F]-round the hat, And I'll [G7] play my ukulele as the [C] ship goes down? [A7 slide up to 6th fret and back] Whoooo Whooo Yo [A7] ho, my lads, yo-ho. yo 5. Now [C] thiss is the tale of the [F] Nancy Lee, The [G7] ship that got ship [C] wrecked at sea; And Captain tain Brown, who was [F] in command, Now [G7] plays his ukulele in a [C] mermaid band. [A7] Whoooo [G7] [C] 20 HELLO! MY BABY - Howard and Emerson 1899 / Ivor Biggun 1988 Intro - last 2 lines of chorus: C A7 D7 G7 C F C G7 - Boys sing chorus to start 1. Chorus: C A7 D7 Hello, my baby, hello, my honey, hello my ragtime gal (guy) G7 C G7 Send me a kiss by wire; baby my heart's on fire C A7 D7 If you refuse me, honey, you’ll lose me, then you’ll you’ be left alone G7 C F C G7 (C) Oh baby, telephone, and tell me I’m your own. A7 2. Girls: C A. You call me on the telephone, you tell me that you're all alone D7 I know that you are lying through your teeth, you dirty rascal rasca G7 How could you expect me to believe the lies you hand me C G7 You've been out with that blonde again, now do you understand me C A7 You broke my heart and made me cry with every phoney alibi D7 When I could see the lipstick on your shirt you dirty polecat G7 C F C G7 Telephone and tell me I'm your own 3. Girls: Repeat Verse A / Boys: Chorus 4. Boys: Verse B / Girls: Chorus C A7 B. I'm sorry that I made you blue, it was a beastly thing to do D7 I shouldn't have upset you like I did with ith Lil' the barmaid G7 If you take me back again I'll never, ever wander C G7 Cause when I did I found that absence made the heart grow fonder C A7 So cross my heart and hope to die, I'll never tell another lie D7 I'll mend your broken heart as good as new my little cough-drop cough G7 C F C G7 Telephone and tell me I'm your own 5. All - Chorus - repeat last line slowly - loose the G7 and finish on the C 21 HEROES – David Bowie 1977 Intro: D – G – D – G D G D G 1. I, I wish you could swim, like the dolphins, like dolphins can swim. C D Though nothing, nothing will keep us together, Am - Em D We can beat them for ever and ever. Am - G D D–G–D–G Oh we can be heroes just for one day! day D G D G 2. I, I will be king, and nd you, you will be queen. C D Though nothing will drive them away, Am - Em D We can be heroes just for one day. Am - G D We can be us just for one day. D G D G 3. I, I can remember (I remember), standing by the wall (by the wall) D G And the guards - shot above our heads, heads (over our heads) D G And we kissed as though nothing could fall. (nothing nothing could fall). C D And the shame - was on the other side, Am - Em D Oh we can beat them forever and ever, Am - G D Then we can be heroes just for one day. D G ……………………………we can be heroes x2 D G D G D …………………………….we can be heroes just for one day. 22 HI HO SILVER LINING - Larry Weiss / Scott English 1967 Intro - several bars of G G C 1. You're everywhere and nowhere baby, that's where you’re at F C G D Going down a bumpy hillside, in your hippy hat G C Flying out across the country, and getting fat F C G D7 Saying everything thing is groovy, when your tyres tyre are re flat Chorus: G G7 C D D7 And it's hi ho silver lining, l and away you go now baby G G7 C D7 I see your sun is shining, but I won't make a fuss, G Though it's obvious G C 2. Flies ies are in your pea soup baby, they're waving at me F C G D Anything you want is yours yours now, only nothing's for free G C Lies are gonna gett you some day, just wait and see F C G D7 So open up your beach umbrella, while you’re watching TV Chorus Kazoo instrumental nstrumental verse Chorus x2 23 HOLD BACK THE NIGHT - Felder/Baker/Harris/Young 1975 Intro: G Bm C Am G Bm C Am G Bm C Am ---------------------------------------3-------3--2--------2-----0-------------2-----------2------------------------------------------------- G Bm C Am ---------------------------------------------------------------3-------3---2--------2-----0-------------2---------------------2------------------------------------------------- Chorus x2 G Bm Hold back the night, turn on the light C Am Don't wanna drea...m about ya baby (dream about you baby) baby D Am C 1. When you left you took the sun right out of the sky - yes you did D Am C Wondered why you went away, never told me why Am↓ ↓ C↓↓ Am↓ ↓ C↓ And when the sun goes down and the moon is near Am↓ ↓ C↓ D I'm scared to death 'cause your face appears {1-2-3-4} Chorus x2 D Am C 2. Loneliness is haunting me when I go to bed - yes it is D Am C Like a character in a book that I have read Am↓ ↓ C↓↓ Am↓ ↓ C↓ And when the sun goes down and the moon is near Am↓ ↓ C↓ D I'm scared to death 'cause your face appears {1-2-3-4} G↓ G↓ G↓ G↓ Hold it, hold it, hold it, hold it, Chorus X2 then G Bm C Am --------------------------------------------------------------3-------3--2---------------2-----0-------------2---------------------2------------------------------------------------------------------------------------ G Bm C Am ----------------------------------------3-------3--2--------2-----0-------------2-----------2------------------------------------------------- Last 2 lines of verse Am↓↓ C↓ Am↓↓ C↓ Am↓↓ ↓↓ C↓ D(↓x8) Chorus x2 Am↓ ↓ C↓↓ Am↓ ↓ C↓ And when the sun goes down and the moon is near Am↓ ↓ C↓ D I'm scared to death 'cause your face appears {1-2-3-4} G Chorus x3 end with Hold back the night (stop dead) 24 HOTEL CALIFORNIA - Feilder / Henley / Frey 1976 Intro: [Am] [E7] [G] [D] [F] [C] [Dm] [E7] X2 1. [Am] On a dark desert highway [E7] cool wind in my hair [G] Warm smell of colitas [D] rising up through the air [F] Up ahead in the distance [C] I saw a shimmering light [Dm] My head grew heavy and my sight grew dim [E7] I had to stop for the night [Am] There she stood in the doorway [E7] I heard the mission bell [G] And I was thinking to myself this could be [D] heaven or this could be hell [F] Then she lit up a candle [C] and she showed me the way [Dm] There were voices down the corridor [E7] I thought I heard them say Chorus: [F] Welcome to the Hotel Cali[C]fornia Such a [Dm] lovely place, place (such a lovely place) such a [Am] lovely face [1] [F] Plenty of room at the Hotel Cali[C]fornia Cali (any time of year) Any [Dm] time of year, year you can [E7] find it here [2] They're [F] livin' it up at the Hotel Cali[C]fornia Cali (what a nice surprise) What a [Dm] nice surprise, surprise bring your [E7] alibis 2. [Am] Her mind is Tiffany twisted [E7] she got the Mercedes bends [G] She got a lot of pretty pretty boys [D] that she calls friends [F] How they dance in the courtyard [C] sweet summer sweat [Dm] Some dance to remember [E7] some dance to forget [Am] So I called up the captain [E7] please bring me my wine He said [G] we haven't had that spirit here since [D]1969 1969 [F] And d still those voices are calling from [C] far away [Dm] Wake you up in the middle of the night [E7] just to hear them say Chorus 1 3. [Am] Mirrors on the ceiling [E7] the pink champagne on ice And she said [G] we are all just prisoners here [D] of our own device [F] And in the master's chambers [C] they gathered for the feast [Dm]They They stab it with their steely knives but they [E7] just can't kill the beast [Am] Last thing I remember I was [E7] running for the door [G] I had to find the passage back to the [D] place I was before [F] Relax said the nightman we are [C] programmed to receive [Dm] You can check out anytime you like [E7] but you can never leave Chorus 2 [Am] 25 HUNGRY LIKE THE WOLF - Duran Duran 1982 Intro: E - D - E E 1. Dark in the city, night is a wire; steam team in the subway, earth is afire, D E Do do do, do do do, do do do, do do do, do do do. E Woman you want me, give me a sign And nd catch my breathing even closer behind D E Do do do, do do do, do do do, do do do, do do do. Chorus 1 F C G In touch with the ground, I'm on the hunt, I'm after you, C G F D Smell like a sound, I'm lost in a crowd, and I'm hungry like the wolf. C G F Straddle the line in discord and rhyme, I'm on the hunt, I'm after you, C G F D - E Mouth is alive with juices like wine, and I'm hungry like the wol......f. E 2. Stalked in the forest too close to hide, I'll be upon you by the moonlight side D E Do do do, do do do, do do do, do do do, do do do. E High blood drummin' on your skin it's so tight You feel my heat, I'm just a moment behind D E Do do do, do do do, do do do, do do do, do do do. Chorus 1 + E7 Chorus 2 C G F Burning the ground, I break from the crowd, I'm on the hunt, I'm after you C G F D I smell like a sound, I'm lost and I'm found, and I'm hungry like the wolf. w C G F Straddle the line of discord and rhyme, I'm on the hunt, I'm after you, C G F D Mouth is alive with juices like wine, and I'm hungry like the wolf. Repeat Chorus 2 end on an E7 26 I HEAR YOU KNOCKING - Bartholomew / King 1955 Intro: 1st verse: C F C F G7 C 1. You went away and left me long time ago Now you’re knocking on my door F C I hear you knocking, but you can't come in F G7 I hear you knocking, go back where you been C 2. I begged you not to go but you said goodbye Now you’re telling me all your lies F C I hear you knocking, but you can't come in F G7 I hear you knocking, go back where you been Kazoo Solo #1: C F C F G7 C 3. You better get back to your used-to-be used 'Cause your kind of love ain't good for me F C I hear you knocking, but you can't come in F G7 I hear you knocking, go back where you been C 4. I told you way back in 52, that I would never go with you F C I hear you knocking, but you can't come in F G7 I hear you knocking, go back where you been Kazoo Solo #2: C F C F G7 Repeat Verse 1 - finish on C 27 I KNEW THE BRIDE - Nick Lowe 1977 [D A7 D] x2 1. [D]Well Well the bride looks a picture in a gown that her mama [A]wore She was married herself nearly 27 years [D]before They had to change the style a little but it looked just [A]fine fine Stayed up all night but they got it ready just in [D]time On n the arm of her daddy she's walkin' down the [A]aisle I caught her eye and she gave me that secret [D]smile It sounds a little old fashioned now but we’re still close [A]friends friends The way that she looks now man she never could have [D]then then [G]Well Well I could see her now in her tight blue jeans Pumping [D]all all her money in the record machine Spinnin' [G]like like a top, you should have seen her go g Chorus: [D]II knew the bride when she [A7]used [D]to to rock and roll x3 [D]II knew the bride when she [A7]used [G]to to rock and roll [D A7 D] x2 2. [D]Well Well a proud daddy only wanna give his little girl the[A] [A] best He lay down a grand on a cozy little lovers [D]nest You could call the reception an unqualified [A]success Had a flash hotel for a hundred and fifty [D]guests [G]Well Well I can see her now, drinkin' with the boys Breakin' [D]their their hearts like playin' with toys She [G]used used to do the pony, used to do the stroll Chorus 3. [D]Take ake a look at the bridegroom smilin' pleased as[A] as pie Shakin' hands all around with a glassy look it his[D] his eye He got a real good job and his shirt and tie are [A] nice But I remember a time when she would never ever look at him[D] him twice Well I can [G]see see her now with her headphones on Jumpin' [D]up up and down to her favorite song I [G]still still remember when she used to make a lot of noise Hop[D]in' and a-boppin' boppin' with the street corner boys She [G] used to wanna party, she used to wanna go Chorus 28 I’M GONNA BE (500 MILES) - Charlie & Craig Read 1988 1. [D] When I wake up, yeah, I know I'm gonna be, I'm gonna [G] be the man who [A] wakes up next to [D] you. When I go out, yeah, I know I'm gonna be, I'm gonna [G] be the man who [A] goes along with [D] you. 2. If I get drunk, well, I know I'm gonna be, I'm gonna [G] be the man who [A] gets drunk next to [D] you. And if I haver, yeah, I know I'm gonna be, I'm gonna [G] be the man who's [A] havering to [D] you. Chorus: [D] But I would walk 500 miles, and [G] I would walk [A] 500 more, Just to [D] be the man who walked 1,000 [G] miles to fall down [A] at your door 3. When I'm [D] working, yeah, I know I'm gonna be, I'm gonna [G] be the man who's [A] working hard for [D] you. And when the money comes in for the work I do, I'll pass [G] almost every [A] penny on to [D] you. 4. When I come home, oh, I know I'm gonna be, I'm gonna [G] be the man who [A] comes back home to [D] you. And if I grow old, well, I know I'm gonna be, I'm gonna [G] be the man who's [A] growing old with [D] you. Chorus + [D] Ta la la ta (ta la la ta), ta la la ta (ta la la ta), La la la [G] ta, la la la la la [A] ta, la la la [D] la la. (X2) 5. [D] When I'm lonely, well, I know I'm gonna be, I'm gonna [G] be the man who's [A] lonely without [D] you. And when I'm dreaming, well, I know I'm gonna dream, I’m gonna [G] dream about the [A] time when I'm with [D] you. 6. When I go out, well, I know I’m gonna be, I’m gonna [G] be the man who [A] goes along with [D] you And when I come home, well, I know I’m gonna be, I’m gonna [G] be the man who [A] comes back home for [D] you, I’m gonna [Em] be the man who’s [A] coming home - - - to [D] you. Chorus + [D] Ta la la ta (ta la la ta), ta la la ta (ta la la ta), La la la [G] ta, la la la la la [A] ta, la la la [D] la la. (X4) [D] But I would walk 500 miles, and [G] I would walk [A] 500 more, Just to [D] be the man who walked 1,000 [G] miles to fall down [A] at your do - [D] - or 29 I’M THE URBAN SPACEMAN - Neil Innes 1968 Intro: 1st 2 lines: C - D - F - G - C C D 1. I'm the urban spaceman, baby, I've got speed, F G C I've got everything I need, C D F G C I'm the urban spaceman, baby, I can fly, I'm a supersonic guy. Am F G C I don't need pleasure, I don't feel pain, F C D G If you were to knock me down, I'd just get up again. C D I'm the he urban spaceman, baby, I'm making out, F G C Kazoo inst: C - D - F - G - C I'm all about. Am F G C I wake up every morning with a smile upon my face, F C D G My natural exuberance spills out all over the place. Kazoo inst: C - D - F - G - C C D 2. I'm the urban spaceman, I'm intelligent and clean, F G C Know what I mean? C D F G C I'm the urban spaceman, as a lover second to none; it's a lot of fun. Am F G C I never let my friends down, I've never made a boob, F C D G I'm a glossy magazine, an advert in the tube. C D I'm the urban spaceman, baby, here comes the twist, F G C I don't exist. + C-D-F-G-C 30 I’VE JUST SEEN A FACE FAC (in G) Fast Strum - accent the 2nd beat of the bar: - Lennon and McCartney 1965 G 1. I've just seen a face I can't forget Em The time or place where we just met, She’s just the girl for me C D G And I want all the world to see we've met, mm mm mm m mm m G 2. Had it been another day I might have looked the other way and Em I'd have never been aware, C D G But as it is I'll dream of her tonight, da da da da dada da. Chorus: D C G C G Falling, yes, I am falling and she keeps calling me back again. G 3. I have never known the like of this I've been alone and I have Em Missed things and kept out of sight but other girls were never quite C D G Like this, da da da da dada da. Chorus Instrumental - verse 1 Chorus Repeat verse 1 Chorus x3 31 I WANT YOU TO WANT ME - Rick Nielsen 1977 Intro: 1st 2 lines of Verse 1 1. I [C] want you to want me, I [Am] need you to need me I'd [F] love you to love me, I'm [C] begging you to beg me I [Am] want you to want me, I [F] need you to need me I'd [C] love you to love me I'll [Am7] shine up the old brown [D7] shoes Put [Bb] on a brand new [C] shirt I'll [Am7] get home early from [D7] work If you [Bb] say - that you love [Am] me Chorus: [C] Didn't I, didn't I, didn't I see you [G] crying? (cryin' cryin') Oh, [Am] didn't I, didn't I, didn't I see you [F7] cry? (cryin' cryin' cryin') [C] Feelin' all alone without a friend, You know you feel like [G] dying (dyin', dyin') Oh, [Am] didn't I, didn't I, didn't I see you [F7] cry? 2. I [C] want you to want me, I [Am] need you to need me I'd [F] love you to love me, I'm [C] begging you to beg me I'll [Am7] shine up the old brown [D7] shoes Put [Bb] on a brand new [C] shirt I'll [Am7] get home early from [D7] work If you [Bb] say - that you love [Am] me Chorus Inst Verse 2 Chorus I [C] want you to want me, I [Am] need you to need me I'd [F] love you to love me, I'm [C] begging you to beg me I [C] want you to want me, I want you to t want me, I want you to want me, I want you to want me [Am] [F] [C] 32 JOLLITY FARM - Leslie Sarony 1929 Intro: Verses 1 & 2 + F C G7 C 1. [C] There's a farm called Misery but of that we'll have none [G7] Because we know of one that's always lots of [C] fun - Ha! Ha! [C] And this one's name is Jollity believe me folks it's great For [D7] everything sings out to us as we go through the [G7] gate 2. [C] All the little pigs they grunt and howl The [G7] cats meow, the [C] dogs bow wow [F] Everybody [C] makes a [A7] row [Dm] down on [G7]] Jollity [C] Farm 3. [C] All the little birds go tweet tweet tweet [G7] The lambs all bleat and [C] shake their feet [F] Everything's a [C] perfect [A7] treat [Dm] down on [G7 G7] Jollity [C] Farm [F] Regular as habit the [C] cock begins to crow [F] And the old buck rabbit sings [C↓] 'Stuff it up your jumper' [G7] Vodohdeeoh 4. [C] All the little pigs they grunt and howl, howl [n/c] - grunt! runt! howl! grunt! howl! The [G7] cats meow, [n/c] - me-ow! me-ow! The [C] dogs bow wow, [n/c] - ruff! ruff! ruff! ruff! [F] Everybody [C] makes a [A7] row [Dm] down on [G7]] Jollity [C] Farm 5. [C] All the little birds go tweet tweet tweet - strum above nut The [G7] lambs all bleat [n/c] - baaaah! And [C] shake their feet - drum roll on uke body [F] Everything's a [C] perfect [A7] treat [Dm] down on [G7] Jollity [C] Farm [F] Regular as habit the [C] cock begins to crow [F] And the old buck rabbit sings [C↓] 'Stuff it up your jumper' [G7] Vodohdeeoh 6. [C] All the little ducks go quack quack quack [n/c] - quack,quack,quack The [G7] cows all moo, [n/c] - mooooo! The [C] bull does, too [n/c] - boooo! [F] Everyone says [C] how do [A7] you do [Dm] down on [G7] Jollity [C] Farm + F C A7 Dm G7 C pause then sing tune to the Archers: C G7 C F G7 C Dada dada da da, da da dada, dada da dada, da da dada dada da da! 33 LEAVE HER, JOHNNY LEAVE HER - Traditional 1. [C] Oh I thought I heard the old man say: say "[G] Leave her, Johnny, [C] leave her It's a [F] hard old pull to the [C] next payday And it’s [G] time for us to [C] leave her" Chorus: [G] Leave her, Johnny, [C] leave her. Oh, [F] leave her, Johnny, [C] leave her For the [F] voyage is done and the [C] winds don't blow And it’s time for [G] us to [C] leave her 2. [C] Now the skipper'ss bad but the mate is worse, [G] Leave her, Johnny, [C] leave her He'll [F] cut you down with a [C] swipe and a curse And it’s [G] time for us to [C] leave her Chorus 3. [C] Oh, the winds were foul, the ship was slow [G] Leave her, Johnny, [C] leave her And the [F] grub was bad and the [C] wages low And it’s [G] time for us to [C] leave her Chorus 4. [C] Itt was rotten meat and mouldy bread, bread [G] Leave her, Johnny, [C] leave her You'd [F] eat it or you'd [C] starve to death, Now it’s [G] time for us to [C] leave her Chorus 5. [C] And now it’s time to say goodbye, goodbye [G] Leave her, Johnny, [C] leave her For the [F] old pier head’s [C] a-drawing nigh, Now it’s [G] time for us to [C] leave her Chorus X2 34 LOW BRIDGE - Thomas Allen 1913 Intro: Dm C F Dm C Dm X2 F Dm C Dm Dm C 1. I've got a mule; her name is Sal, 15 miles on the Erie Canal C F Dm C Dm She's a good old worker and a good old pal, 15 miles on the Erie Canal F C Gm Dm We've hauled some barges in our day, day filled illed with lumber, coal and hay C F Dm C Dm And we know every inch of the way, way from Albany to Buffalo. Chorus: F C F C Low bridge, everybody down, low bridge we're coming to a town Dm C F Dm You'll always know your neighbour, you'll always know your pal C Dm - Dm C F Dm C Dm If you've ever navigated on the Erie Canal. Dm C F Dm C Dm 2. We better get along on our way ol' gal, 15 miles on the Erie Canal C F Dm C Dm You ou bet your life I'd never part with Sal, 15 miles on the Erie Canal. F C Gm Dm Git-up-there there mule, here comes a lock, we'll make Rome about 6 o'clock C F Dm C Dm One more trip and back we'll go, right back home to Buffalo. Chorus Dm C F Dm C Dm 3. We'd better look ook around for a job old gal, 15 miles on the Erie Canal C F Dm C Dm You can bet your life I'll never part with Sal, Sal 15 miles on the Erie Canal F C Gm Dm Git-up-there there mule, here comes a lock, we'll make Rome about 6 o'clock C F Dm C Dm One more trip and back we'll go, right back home to Buffalo. Chorus C F Dm C Dm Dm 4. Where would I be if I lost my pal? 15 miles on the Erie Canal C F Dm C Dm I'd like to see a mule as good as my Sal, Sal 15 miles on the Erie Canal F C Gm Dm A friend of mine once got her sore, sore now ow he's got a broken jaw C F Dm C Dm 'Cos she let fly with an iron toe and kicked him back to Buffalo Chorus x2 + a big finish 35 MAKING LOVE UKULELE UKULEL STYLE - Weinrick & Hayes, 1957 Intro: G C D7 G (pause) G (making love) C D G 1. Making love, ukulele lele style you don't need to be in Waikiki C D G (making love) Making love, ukulele style to a lovely ukulele serenade G C D G (when you love) 2. When you love ukulele style with every note, your heart will float C D G (far away) Far away, to a tropic isle where a ukulele tune is softly played Bridge: C G Strolling along beneath the starlight C G Dreaming a lover's dream for two C B7 Soon you'll see her eyes are starbright E7 A7 D7 As The ukulele magic comes through G (now if you) C D G 3. Now if you, want to satisfy, satisfy the one that you love, all else above, C D G (take a tip) Take a tip and be sure to try the ukulele style of making love Bridge: C G Strolling along beneath the starlight C G Dreaming a lover's dream for two C B7 Soon you'll see her eyes are starbright E7 A7 D7 As the ukulele magic comes through G (now if you) C D G 4. Now if you, want to satisfy, satisfy the one that you love, all else above, C D G (take a tip) Take a tip and be sure to try the ukulele style of making love D G D G The ukulele style of making love, love the u-ku-le-le le style of making love 36 MARGUERITA TIME - Rossi / Frost 1983 Am F Intro: n/c F G Da da da, da da, da da da da Da da, da da da, da da C G C Da da, da da da da da da, d' da'n da, da da n/c C G 1. Captured my heart, captured my memory, Am Em Dm G Captured a time for me, I could see, a time for me, me was gonna be. n/c C G Deep in my heart, deep in my memory, Am Em Dm G Deep in a part of me, heart heart of me, meant to be history, Dm G Could it be that I'm m still wonderin'? w Chorus: C F G C I never knew what had happened to me, I didn't didn think it was true C F G C That I could be just like anyone else, I'll I ll take my chance with you. + F-G-C n/c C G 2. Picture a dream, picture a fantasy, Am Em Dm G Picture a mood of me, mystery, you and me a mystery. n/c C G Lost in a dream, lost in a fantasy, Am Em Dm G Lost in what seemed to be dreams to me, seemed to be, had to be, Dm G Couldn'tt find no other reason. Chorus: + F - G - Am - F - C - G - C (same as intro) n/c C G 3. Let's have a drink, it'ss Marguerita time, Am Em Dm G It'ss Marguerita time, after nine, summer time, any time, Dm G You'llll still always find me wonderin'. w Chorus: + F - G - C x3 37 NEW YORK GIRLS - Traditional Intro: C F G C Am F G C X2 C F G C 1. As I walked down to New York town, a fair maid I did meet Am F G C She asked me back to see her place, place she lived on Barrack Street Chorus: C F G C And away, Santy, my dear Annie C F G C Oh, you New York girls, can't you dance the polka? C F G C 2. And when we got to Barrack Street, we stopped at fortyforty-four Am F G C Her mother and her sister were waiting at the door Chorus + C F G C x2 C F G C 3. And when I got inside the house, the drinks were passed around Am F G C The liquor was so awful strong; my head went round and round C F G C And then we had another drink before we sat to eat Am F G C The liquor was so awful strong, I quickly fell asleep Chorus + C F G C x2 C F G C 4. When I awoke the next morning, I had an aching head Am F G C And there was I Jack all alone, stark naked in me bed C F G C My gold watch and my money and my lady friend were gone Am F G C And there was I Jack all alone, stark naked in the room Chorus + C F G C x2 C F G C 5. Oh looking round that little room, there's nothing I could see Am F G C But a woman's shift and apron, apron that were no use to me C F G C With a barrel for a suit of clothes, down Cherry Street forlorn Am F G C Where e Martin Churchill took me in and he sent me round Cape Horn C F G C So sailor lads take warning when you land on New York's York shore Am F G C (stop) You'll have to get up early to be smarter than a whore Chorus x2 + C F G C x2 38 NOBODY KNOWS YOU (WHEN YOU’RE DOWN AND OUT) - Jimmy Cox 1929 Intro Verse 1 1. [C] Once I lived the [E7] life of a [A7] millionaire, [Dm] Spending all my [A7] money, didn't [Dm] have any cares, [F] Took all my [D7] friends out for a (A-3-2-1) mighty good [A7] time, [D7] Bought bootleg whisky, [G] champagne and [G7] wine. 2. [C] Then I [E7] began to [A7] fall so low, [Dm] Lost all my [A7] good friends, had [Dm] nowhere to go. [F] If I get my [D7] hands on a (A-3-2-1) dollar [A7] again, [D7] I'll hang on to it 'till that [G] old eagle [G7] grins. 3. [C] No..... [E7] body [A7] knows you [Dm] When you're [A7] down and [Dm] out, [F] In your [D7] pocket (A-3-2-1) not one [A7] penny, [D7] And as for friends, you [G] don’t have [G7] any. 4. [C] When you [E7] get back on your [A7] feet again, [Dm] Everybody [A7] wants to be your [Dm] long lost friend [F] I said it [D7] straight, but (A-3-2-1) without any [A7] doubt, [D7] Nobody knows you when you're [G] down and [G7] out. Inst. Verse 4 then repeat V3 then V5 5. [C] When you [E7] get back on your [A7] feet again, [Dm] Everybody [A7] wants to be your [Dm] long lost friend [F] I said it [D7] straight, but (A-3-2-1) without any [A7] doubt, [D7] Nobody knows you [Fm] nobody knows you [G] Nobody knows you when you're [G7] down and out. [C] 39 PROMISED LAND - Chuck Berry 1965 Intro: several bars of G 1. I [G] left my home in Nor-folk, folk, Virginia, California on my [C] mind, I [D] straddled that greyhound and rode into Raleigh And on across Caro[G]line line 2. We had motor trouble that turned into a struggle, Halfway across Ala[C]bam bam‘ Well, that [D] Hound broke down and left us all stranded In downtown Birming[G]ham. ham. 3.. Right away I bought me a through train ticket, Ridin‘ across Mississippi [C C] clean, And I was [D] on the midnight flyer out of Birmingham, Smokin‘ into New Or[G]leans. leans. 4. Somebody helped me to get out of Louisiana Just to help me get to Houston [C] town, There're [D] people there who care a little about me, And they won’t let the poor oor boy [G] down. + G - C - D - G X2 5.. Sure as you’re born they brought me a silk suit, Put luggage in my [C] hand, And I [D] woke up high over Albuquerque On a jet to the promised [G] land. 6. Working on a T-bone bone steak a la carte Flying‘ over to the Golden [C] State, 'N' the [D] pilot told us in thirteen minutes He would set us at the terminal [G] gate. 7. Swing low, chariot, come down easy, Taxi to the terminal [C] zone, Cut [D] your engines and cool your wings And let me make it to the tele[G]phone. tele 8. Los Angeles - give me Nor-folk, Nor Virginia, Tidewater Four Ten O [C] Nine, Tell the [D] folks back home this is the promised land calling, And the poor boy’s on the [G] line. + G - C - D - G Repeat from Verse 6. 40 RIPPLE - Garcia / Hunter 1970 Intro: G C - G D C G 1. [G] If my words could glow with the glow of [C] sunshine And my tunes were played on the harp un [G] - strung Would you [Am7] hear [C] my [G] voice, come through the [C] music? Would you [G] hold it [D]] near, [C] as it were your [G] own? 2. [n/c] It's a hand me [G G] down; the thoughts are [C] broken Perhaps they're better left un [G] - sung. [Am7] I [C] don't [G] know; don't really [C] care [G] Let there be [D] songs, songs [C] to fill the [G] air. [Am] Ripple in still [D] water where there [G] is no pebble [C] tossed, Nor [A] wind to [D] blow. 3. Reach out your [G] hand, hand if your cup be [C] empty If your cup is full, may it be a [G] - gain Let [Am7] it [C] be [G] known, known there is a [C] fountain [G] That was not [D] made [C] by the hand of [G] men 4. [n/c] There is a [G] road, road no simple [C] highway Between etween the dawn and the dark of [G] night And [Am7] if [C] you [G] go, go no one may [C] follow [G] That, path is [D] for [C C] your steps a [G] - lone [Am] Ripple in still [D] water where there [G] is no pebble [C] tossed, Nor [A] wind to [D] blow. 5. You who [G] choose, to lead must [C] follow, But if you fall, you fall a [G] [ - lone If [Am7] you [C] should [G G] stand, then who's to [C] guide you? [G] If I knew the [D] way, [C] I would take you [G] home. Repeat Verse 5 but just sing ' La-da-da-da-daa...... etc.' 41 SIX NATIONS MEDLEY - Various WE’LL KEEP A WELCOME IN THE HILLSIDE We'll keep a [C] welcome [G] in the [C] hillside We'll keep a welcome [G] in the [C] Vales This land you [F] knew will still be [C] singing When you come home again to [G] Wales [G7] This land of [C] song will [G] keep a [C] welcome And with a love that [G] never [C] fails We'll kiss [F] away each hour of [C] hiraeth - [B7] when You [Dm] come home [G7] again to [C] Wales [G7] Repeat whole song - then G7 - pause WHEN IRISH EYES ARE SMILING When [C] Irish eyes are smiling, sure it's [F] like a morn in [C] spring In the [F] lilt of Irish [C] laughter, you can [D7] hear the angels [G7] sing When [C] Irish hearts are happy, all the [F] world seems bright and [C] gay And when [F] Irish eyes are [C] smiling, [A7] Sure, they [D7] steal your [G7] heart a [C] way [G7] Repeat whole song - then G7 - pause Ohhhh... ALOUETTE! [C] Alouette, [G7] gentille [C] alouette, alouette, [G7] je te plume [C] rai. 1. [C] Je te plumerai la [G7] tête. Je te plumerai la [C] tête. [G7] Et la tête! Et la tête! Alouette! Alouette! Ahhhhhhh! [C] Alouette, [G7] gentille [C] alouette, alouette, [G7] je te plume[C] plume rai. 2. [C] Je te plumerai le [G7] bec. Je te plumerai [C] le bec. [G7] Et le bec. Et le bec. Et la tête! Et la tête! Alouette! Alouette! Ahhhhhhh! [C] Alouette, [G7] gentille [C] alouette, alouette, [G7] je te plume [C] rai. 3. [C] Je te plumerai le [G7] yeux. Je te plumerai [C] le yeux. [G7] Et les yeux! Et les yeux! Et le bec. Et le bec.. Et la tête! Et la tête! Alouette! Alouette! Ahhhhhhhhhh! [C] Alouette, [G7] gentille [C] alouette, alouette, [G7] je te plume [C] rai. - then G7 slow down - pause 42 IT'S NOW OR NEVER / O SOLE MIO [n/c] Ma n'atu [C] sole, cchiù bello, [Dm] oje ne'. O sole[ G7] mio, sta 'nfronte [C] a te O [Fm] sole, O sole [C] mio, sta 'nfronte a [G7] te, sta 'nfronte a [C] te. [n/c] It's now or [C] never, come hold me [Dm] tight, Kiss me my [G7] darling, be mine to[C]night To [Fm] morrow will be too[C]late, it's now or [G7] never, my love won't [C] wait. [n/c] Just one Cor[C]netto, give it to [Dm] me, Delicious [G7] ice-cream from [C] Italy, its [Fm] taste is just [C] supreme Give me [G7] Cornetto from Wall’s ice [C] cream Give me [G7] Cornetto from Wall’s ice [C] cream [F C ] big finish [G7] pause LOCH LOMOND By [C] yon bonnie [Am] banks and [F] by yon bonnie [G] braes, [C] Where the sun shines [Am] bright on Loch [F] Lo [G] mond, [F] There me and my [C] true love spent [F] many happy [G] days [C] On the bonnie, bonnie [F] banks o' Loch [G] Lo…[C]mond. [C] Oh, ye'll take the [Am] high road, and [F] I'll take the [G] low road [C] And I'll be in [Am] Scotland [F] before [G] ye [F] But me and my [C] true love will [F] never meet [G] again On the [C] bonnie, bonnie [F] banks o' Loch [G] Lo…[C]mond. Repeat chorus G7 - slow right down then pause... THE WHITE CLIFFS OF DOVER 1. [n/c] There'll be [C] bluebirds [Em] over the [F] white cliffs of [C] Dover [Dm] Tomorrow [G] just you [G7] wait and [C] see [G7] 2. There'll be [C] love and [Em] laughter and [F] peace ever [C] after [Dm] Tomorrow [G] when the [G7] world is [C] free The [F] shepherd will tend his sheep, the [C] valley will bloom again And [F] Jimmy will go to sleep (slow) in his [D] own little [D7] room [G7] again 3. [n/c] There'll be [C] bluebirds [Em] over the [F] white cliffs of [C] Dover [Dm] Tomorrow [G] just you [G7] wait and [C] see [G7] Repeat from Verse 2 + big finish on C F G C 43 SMILE - Chaplin / Turner / Parsons 1936/1954 F Am Smile, though your heart is aching. Smile, even though it’s breaking Dm Bb Gm D Though there are clouds in the sky you'll get by, If you Gm m Bbm m Smile e through your fears and sorrow, smile, mile, and maybe tomorrow F Dm m Gm C You'll see the sun come shining through for you F Am Light up your face with gladness. Hide every trace of sadness Dm Bb Gm m D Although a tear may be ever so near, that's the Gm Bbm Time ime you must keep on trying, trying smile, mile, what's the use of crying F Dm G Gm C F You'll find that life is still worthwhile worthwhile if you'll just... smile. smile... Repeat whole song - finish on F 44 SPIRIT IN THE SKY - Norman Greenbaum 1969 Intro Riff - 2 Bars: 1 2 3 4 A A A A 1 2 3 4 A A D C (x4) 1. [A] When I die and they lay me to rest, Gonna go to the [D] place that's that the best. When they lay me [A] down to die, [E] Going up to the spirit in the [A] sky. [A] Going up to the spirit in the sky (spirit in the sky) That's where I'm gonna go, [D] when I die (when I die) When I die and they [A] lay me to rest, I'm gonna [E] go to t the place that's the [A] best Riff: (x4) 2. [A] Prepare yourself, you know it's a must, Gotta otta have a friend in [D] Jesus. So you know that [A] when you die, It's [E] gonna recommend you to the spirit in the [A] sky (spirit in the sky) [A] Goin’ to recommend you to the spirit in the sky That's where you're gonna go, [D] when you die. (when I die) When you die and they [A] lay you to rest, You're gonna [E] go to the place that's the [A] best Riff: (x4) 3. [A] Never been a sinner, I never sinned; I've got a friend in [D] Jesus. So you know that [A] when I die, It's [E] gonna set me up with the spirit in the [A] sky [A] Goin’ to set me up with the spirit in the sky (spirit in the sky) That's hat's where I'm gonna go, [D] when I die. (when I die) When I die and they [A] lay me to rest, I'm gonna [E] go to t the place that's the [A] best [E] Go to the place that's the [A] best. Riff: (x4) - finish on an A 45 STAND BY ME - Ben E. King 1961 Several bars of C C Am 1. When the night has come, and the land is dark, F G C And the moon is the only light we'll see. Am No, I won't be afraid, no, I won't be afraid, F G C Just as long, as you stand, stand by me. Chorus: C Am So, darling, darling, stand by me, oh, stand by me. F G C Oh, stand, stand by me, stand by me. C Am 2. If the sky that we look upon should tumble and fall, F G C Or the mountain should crumble to the sea. Am I won't cry, I won't cry, no, I won't shed a tear, F G C Just as long as you stand, stand by me. Chorus: C Am An, darling, darling, stand by me, oh, stand by me. F G C Oh, stand, stand by me, stand by me Inst 1st verse Chorus x2 46 STILL IN LOVE WITH YOU - Mindel / White 2015 Intro: [C] [F7] [C] [Am] [D7] [G] [C] [F7] [C] [Am] [D7] [G] [C] Well... Boys: [C] Don’t get on the wrong train; [F7] don’t fly in an old plane, [C] Don’t go out in the [Am] pouring rain, you [D7] might get wet, I’d [G] be upset [C] You’re bound to get sneezes or [F7] nasty diseases, [C] Take good care when [Am] I’m not there, I’m [D] still in [G] love with [C] you Girls: [C] While I’m on vacation, [F7] you be a good patient, [C] Take your medication, I [D7] worry so, each [G] time I go. [C] Try to keep warm, dear, in [F7] case there’s a storm, dear, [C] Take good care while [Am] I’m not there, I’m [D] still in [G] love with [C] you Boys: Some [E7] younger guys with roving eyes, May [Am] tantalise you with their lies, You [D7] must be wise and realise, [G] Leave well alone till you get home, dear. Girls: [C] Won’t see other fellas, [F7] don’t wanna make you jealous, No [C] need to fear when [Am] you’re not here, I’m [D] still in [G] love with [C] you All: [Am] [Am6] Let’s [Am] dance, dance, da - da - da - da - dance. Boys: [C] Don’t walk on the red light, [F7] don’t stay out at midnight, [C] Don’t get in a [Am] fist fight, that [D7] pretty face can’t [G] be replaced Girls: [C] Won’t be out at night, hon, [F7] it wouldn’t be right, hon. No [C] need to fear when [Am] you’re not here, I’m [D] still in [G] love with [C] you Inst: (1st Verse) [C] [F7] [C] [Am] [D7] [G] [C] [F7] [C] [Am] [D] [G] [C] X2 Girls: Don’t [E7] make a fuss, you need to trust me, [Am] This is how it always must be [D7] when I stop to think of us, [G] I can assure you, I adore you. Boys: [C] Because you’re so gorgeous, [F7] you need to be cautious, [C] Take good care when [Am] I’m not there, I’m [D] still in [G] love with [C] you [C] Da-da-da-dance. [C] You have a fun time. [F7] And soak up that sunshine. But [C] don’t drink [Am] too much wine, just [D7] one or two will [G] have to do. Girls: [C] I know what you’re thinking, [F7] so I won’t be drinking, No [C] need to fear when [Am] you’re not here, I’m [D] still in [G] love with [C] you Boys: I’m [D7] still in [G] love with [C] you All: I’m [D7] still in [G] love with [C] you [C7] 47 STORMY WEATHER - Arlen / Koehler 1933 Intro as 1st 2 lines of verse: F Gm C7 F Gm7 C7 F Gm C7 F C7 F Gm C7 F 1. Don’t know why there’s no sun up in the sky - stormy tormy weather Gm7 C7 F Gm C7 F C7 Since my gal and I ain’t together, keeps rainin' all the time F Gm C7 F Life is bare, gloom and misery everywhere - stormy tormy weather Gm7 C7 F Gm C7 F Just can’t get my poor self together, I’m weary all of the time Gm C7 F C7 So weary all of the time Chorus: Gm C7 F Dm When she went away the blues came in and met me. Gm C7 F Dm If she stays away that old rockin’ chair’s gonna get me. Gm C7 F D7 All I do is pray the lord above gonna let me G7 C7 Walk in the sun once more. F Gm C7 F 2. Can’t go on, everything I had is gone - stormy weather Gm7 C7 F Gm C7 F Since my gal and I ain’t together, keeps rainin' all the time Gm C7 F C7 Keeps rainin' all the time Chorus F Gm C7 F 3. Can’t go on, everything I had is gone - stormy weather Gm7 C7 F Gm C7 F Since my gal and I ain’t together, keeps rainin' all the time Gm C7 F Keeps rainin' all the time X8 repeat getting quieter and quieter - finish with a whisper 48 SUMMERTIME - George Gershwin 1934 Dm 1. Summerti………..me, an` the livin` is easy, Gm A7 Fish are jumpin`, an` the cotton is high. Dm Oh, yo` daddy`s ri…………ch, an` yo` ma is goodlookin`, Gm A7 Dm So hush, little baby, don`t you cry. Dm 2. One of these mornings, you goin` to rise up singin`, Gm A7 Then you`ll spread yo` wings, an` you`ll take to the sky. Dm But tillll that morning`, there`s a nothin` can harm you, Gm A7 Dm With Daddy an` Mammy standin` by. Instrumental humming verse Dm 3. Summerti………..me, an` the livin` is easy, Gm A7 Fish are jumpin`, an` the cotton is high. Dm Oh, yo` daddy`s ri…………ch, an` yo` ma is goodlookin`, Gm A7 Dm So hush, little baby, don`t you cry. Gm A7 Dm So hush, little baby, don`t you cry. Gm A7 Dm So hush, little baby, don`t you cry 49 SUNNY AFTERNOON - Ray Davies 1966 Intro: Am (8 beats) E7(8 beats) x2 A|-12-12--10-10--9-9--8-8---7-7--5-5--3-3--2-2-|| E|--------------------------------------------------------------------------------------|| C|--------------------------------------------------------------------------------|| G|-----------------------------------------------------------------------------------|| Am G C G 1. The taxman`s taken all my dough, and left me in my stately home, E7 Am G Lazing on a sunny afternoon, and I can`t sail my yacht, C G E7 Am He`s taken everything I`ve got, all I`ve got`s this sunny afternoon. Chorus 1: A7 D Save me, save me, save me from this squeeze, G C - E7 I`ve got a big fat mama tryin` to break me. Am D Am D And I love to live so pleasantly, live this life of luxury, C E7 Am - E7 Lazing on an a sunny afternoon, in the summertime, Am - E7 Am - E7 (Am) In the summertime, in the summertime Am G C G 2. My girlfriend's gone off with my car and gone back to her Ma and Pa E7 Am G Telling tales of drunkenness and cruelty. Now I am sitting here, C G E7 Am Sipping at my ice-cold cold beer, lazing on a sunny afternoon. Chorus 2: A7 D Help me, help me, help me sail away, G C - E7 You give me two good reasons, why I ought to stay. Am D Am D `Cause I love to live so pleasantly, live this life of luxury, C E7 Am Lazing on a sunny afternoon, A| 7-7--5-5--3-3--2-2 - E7 Am - E7 Am - E7 in the summertime, in n the summertime, in n the summertime A| 7-7--5-5--3-3--2-2 2 A 7-7--5-5--3-3--2-2 A| Repeat Chorus 1 ending on a Am 50 A| 7-7 7--5-5--3-3--2-2 SWEET HOME - Secor / Hayes 2014 Intro: several bars of G 1. [G] Two hobos on a railroad line [C] I'm getting ready to [G] go Pulling on a bottle of burgundy wine [A7] I'm getting ready to [D7] go Well they [G] couldn't hear that southbound whistle when the Dixie [C] Flyer burned [A7] around the bend And it [G] punched their tickets for the [Em] promise land [D7] I'm 'm getting ready to [G] go Chorus: [G] Sweet home, [C] loving heaven [G] heaven Sweet home, can't ya [A7] hear me singing [D7] low [G]Sweet home, [C] lordy I'll be [G] travelling So throw the gates wide [A7] open 'cos [D7] I'm getting ready to [G] go 2. [G] Two magpies on a telephone wire [C] I'm getting ready to [G] go Singing to the corn like a heavenly choir [A7] I'm getting ready to [D7] go [G] Old Farmer John must be sleeping sound they [C] shucked that corn and [A7] passed it around, but the [G] old man's wife got her [Em] [ shotgun down [D7] I'm 'm getting ready to [G] go Chorus [Em] Listen here pal 'fore your road is run and your tightrope breaks in two [A] It's a mighty big world you're standing on and it [D] keeps going round without little old you ou know.....whooooooooooooooooooooooo...... know.. oooooooooooooooooooooo...... Boodle-am am boodle-am boodle boodle-am boodle-am am [G] boo [D]Toodle-am toodle-am am toodle-am toodle toodle-am [G] too [D] 'N' shake a leg, shake a leg, shake a leg, shake a leg [G] now [C] Break a leg, drag a leg, [G] shake a leg, grab a leg, [C] break a leg, [D] shake a leg [G] now 3. [G] Well it's so long, good luck, great to know you [C] I'm getting ready to [G] go May the Lord above take a liking to you [A7] I'm getting ready to [D7] go Well it's [G] a short life of trouble so don't make more when w [C] death comes creeping 'round [A7] your back door, door It [G] don't knock twice brother [Em] that's for sure [D7] I'm getting ready to [G] go Chorus - repeat last line 51 SWING LOW, SWEET CHARIOT CHA - Traditional Chorus: G C F C Swing low, sweet chariot, comin' for to carry me home. C F C G G7 C Swing low, sweet chariot, comin' for to carry carry me home. C F C 1. I looked over Jordan, and what did I see, G Comin' omin' for to carry me home, C F C A band of angels comin' after me, G G7 C Comin' omin' for to carry me home. Chorus C F C 2. If you get there, before I do, G Comin' omin' for to carry me home. C F C Just tell my friends that I'm a comin' too, G G7 C Comin' omin' for to carry me home. Chorus C F C 3. I'm sometimes up and sometimes down, G Comin' omin' for to carry me home. C F C But still my soul feels heavenly bound, G G7 C Comin' omin' for to carry me home. Chorus x2 big ig finish 52 TAKE ME HOME, COUNTRY ROADS - John Denver 1971 Intro: [G] [Em] [D] [C] [G] [G] Almost Heaven, [Em] West Virginia, [D] Blue Ridge Mountains, [C] Shenandoah [G] River. Life is old there, [Em] older than the trees, [D] Younger than the mountains, [C] growin' like a [G] breeze. Country [G] roads, take me [D] home, To the [Em] place I be[C]long be West Vir[G]ginia, ginia, mountain [D] momma, Take me [C] home, country [G] roads. [G] All my mem'ries, [Em] [Em gather 'round her, [D] Miner's lady, [C] stranger to blue [G] water. Dark and dusty, [Em] painted on the sky, [D] Misty taste of moonshine, [C] teardrop in my [G] eye. Country [G] roads, take me [D] home, To the [Em] place I be[C]long be West Vir[G]ginia, ginia, mountain [D] momma, Take me [C] home, country [G] roads [Em] I hear [D] her voice, in the [G] morning hours she calls me, The [C] radio re[G]minds minds me of my [D] home far away. And [Em] driving down the road, I get a [C] feeling that I [G] should have been home [D] yesterday, yester [D7] day. Country [G] roads, take me [D] home, To the [Em] place I be[C]long be West Vir[G]ginia, ginia, mountain [D] momma, Take me [C] home, country [G] roads Country [G] roads, take me [D] home, To the [Em] place I be[C]long be West Vir[G]ginia, ginia, mountain [D] momma, Take me [C] home, country [G] roads Take me [D] home, country [G] roads. Take me [D] ho-me, me, (break) country [G] roads. 53 THE JOLLY BEGGAR - Traditional C F G 1. There was a jolly beggar man came tripping o'er the plain C F C G He came unto a farmer's door a lodging for to gain C F G The farmer's daughter she came down and viewed him cheek and chin C F C G7 She says "He is a handsome man I pray you take him in" Chorus: C F G We'll go no more a roving, a roving in the night C F C G7 We'll go no more a roving, let the moon shine so bright C end with (F, G7, C) We'll go no more a roving. C F G 2. He would not lie within the barn nor yet within the byre C F C G But he would in the corner lie down by the kitchen fire C F G O then the beggar's bed was made of good clean sheets and hay C F C G7 And down beside the kitchen fire the jolly beggar lay. lay Chorus C F G 3. The farmer's daughter she got up to o bolt the kitchen door C F C G And there she saw the beggar standing naked on the floor C F G He took the daughter in his arms and to the bed he ran C F C G7 Kind sir, she says, be easy now, now you'll ou'll waken our good man. man Chorus C F G 4. Now you are no beggar, you y are some gentleman C F C G For you have stole my maidenhead and I am quite undone C F G I am no lord, I am no squire, of beggars I be one C F C G And beggars they be robbers all, all so o now you're quite undone. undone Chorus C F G 5. She took the bed in both her hands and threw it at the wall C F C G Said, aid, "Go ye with the beggarman! Me maidenhead and all!" ll!" Chorus 54 THE WILD ROVER - Traditional G C 1. I`ve been a wild rover for many a year, G D D7 G And I spent all my money on Whisky and beer. C But now I`m returning with gold in great store, G D D7 G And I never will play the wild rover no more. Chorus: D XXX - G C And it’s no, nay, never, no, nay, never, no more, G C G D G Will I play the wild rover, no, never, no more. G C 2. I went down to an ale--house that I used to frequent, G D D7 G And I told the landlady, my money was spent. C I asked her for credit but she answered me, “Nay! G D D7 G Such custom as yours I can get any day!“ Chorus G C 3. Then out of my pockets I pulled sovereigns bright, G D D7 G And the landlady`s lady`s eyes opened wide with delight. C She said, “We have Whisky and wines of the best, G D D7 G What I told you before, it was only in jest.“ Chorus G C 4. I`ll go home to my parents, confess what I`ve done, G D D7 G And I`ll ask them to pardon their prodigal son. C And if they forgive me as often before, G D D7 G Then I swear I will play the wild rover no more. Chorus x2 55 TONIGHT YOU BELONG TO ME - David / Rose 1926 Intro 1st Verse: G G7 7 C Cm G D G G G7 C Cm 1. I know, (I know) you be-lo--o-o-ong to s-o-omebody neeeew, neeee G D G But tonight, you be-lo-ong ong to me G G7 C Cm 2. Although, (although), we're ap-a-a-a-art, ap you're a pa-a-art art of my hea-ahea art, G D G G7 And to-night you be-lo-ong ong to me Bridge: Cm Way down..... by the stream.... how sweet.... it will seem G E7 A7 D7 (pause) Once more, just to dream, am, in the moonlight...........My moonlight...........My honey... honey G G7 C Cm 3. ...I know (I know) with the da-a-a-awn da that yooou will be go-o-o-o-one go G D G But tonight, you be-loong loong to me 3rd Verse: Sing 'ba bum' 1st line, Words 2nd line - G7 Repeat Bridge Repeat Verse 3 then: 3rd Verse: Sing 'ba bum' 1st line, Words 2nd line - G7 Repeat Bridge then: G G7 C Cm 4. I know (I know) with the da-a-a-awn da that you will be go-o o-o-o-one G D G But tonight, you be-loong loong to me. me D (pause) G D (pause) G DG Just li'l old me. Just li'l old me 56 UP ABOVE MY HEAD - Sister Rosetta Tharpe 1940s Several bars of C 1. [C] Up above my head, I hear music in the air Up above my [G] head, I hear music in the [C] air Up above my head, I hear music in the [F] air I really do [C] believe, I really do [G] believe, there's a Heaven some [C] where. 2. [C] Up above my head, (up above my head) I hear singin' in the air (singin' in the air) Up above my [G] head, (up above my head) I hear singin' in the [C] air (singin' in the air) Up above my head, (up above my head) I hear singin' in the [F] air (singin' in the air) I really do [C] believe, I really do [G] believe, there's a Heaven some [C] where. 3. [C] Up above my head, (up above my head) I hear shoutin' in the air (shoutin' in the air) Up above my [G] head, (up above my head) I hear shoutin' in the [C] air (shoutin' in the air) Up above my head, (up above my head) I hear shoutin' in the [F] air (shoutin' in the air) I really do [C] believe, I really do [G] believe, there's a Heaven some [C] where. 4. Instrumental verse 5. [C] Up above my head, (up above my head) I hear music in the air (music in the air) Up above my [G] head, (up above my head) I hear music in the [C] air (music in the air) Up above my head, (up above my head) I hear music in the [F] air (music in the air) I really do [C] believe, I really do [G] believe, there's a Heaven some [C] where. 6. [C] All in my home, (all in my home) I hear music in the air (music in the air) All in my [G] home, (all in my home) I hear music in the [C] air (music in the air) Up above my head, (up above my head) I hear music in the [F] air (music in the air) I really do [C] believe, I really do [G] believe, there's a Heaven some [C] where. Repeat Verse 5 - big finish (slow down) I really do [C] believe, I really do [G] believe, there's a Heaven some [C7] where[C] 57 WEREWOLVES OF LONDON Riff: D C G G - Marinell, Wachtel, Zevon 1978 (repeats through whole song) Intro: D C G G X4 1. [D] I saw a [C] werewolf with a Chinese [G] menu in his hand, [D] Walking through the [C] streets of Soho in the [G]] rain, [D] He was looking for the [C] place called [G] Lee Ho Fook's, [D] Going to get a big [C] dish of beef chow [G] mein. Chorus D C G D C G Ah-ooo-ooo, ooo, Werewolves of London, ah-ooo-ooo ooo-ooo X2 2. [D] If you hear him [C] howling around your [G] kitchen door, [D] You better [C] not let him [G] in, [D] Little old lady got muti [C] lated late last [G] night, [D] Werewolves of [C] London [G] again. Chorus + D-C-G-G X4 3. [D] He's the hairy-handed handed [C] gent, who ran amok in [G] Kent, [D] Lately he's been [C] overheard in [G] Mayfair, [D] You better stay away from him, he'll [C] rip your lungs out, [G] Jim, [D] Ha, I'd like to [C] meet his [G] tailor. Chorus 4. [D] Well, I saw Lon [C] Chaney walking with the [G G] Queen, [D] Doing the Were [C] wolves of [G] London, [D] I saw Lon Chaney[C] Jr. walking [G] with the Queen, [D] Doing the Were [C] wolves of [G] London. [D] I saw a werewolf drinking a [C] piña colada at Trader [G] Vic's, [D] His hair [C] was perfect. [G] Chorus X2 - finish on a G 58 WHERE DID YOU GET THAT HAT? - James Rolmaz 1888 Intro several bars of C Chorus: C Dm Where did you get that hat? Where did you get that tile? G Isn't it a nobby one, and just the proper style? C F C G7 I should like to have one just the same as that!" C F C G7 C Where'er I go, they shout "Hello! Where did you get that hat?" C G7 1. Now how I came to get this hat, 'tis very strange and funny G C Grandfather died and left to me his property and money F C F G7 And when the will it was read out, they told me straight and flat C F G7 C If I would have his money, I must always wear his hat Chorus C G7 2. If I go to the op'ra house, in the op'ra season G C There's someone sure to shout at me without the slightest reason F C F G7 If I go to a concert hall to have a jolly spree C F G7 C There's someone in the party who is sure to shout at me Chorus C G7 3.. When Colonel South, the millionaire, gave his last garden party G C I was amongst the guests who had a welcome true and hearty F C F G7 The Prince of Wales was also there and my heart jumped with glee C (stop!) n/c When I was told the Prince would like to have a word with me Chorus x2 Repeat last line 59 WHISKEY IN THE JAR - Traditional C Am 1. As I was a-goin' goin' over the Cork & Kerry Mountains F C I met with Captain Farrell, and his money he was countin'. C Am First I drew my pistols and then I drew my rapier, F C Sayin' "Stand and deliver, for I am your bold deceiver." Chorus: G Musha ringum duram da, C F C G C Whack fol the daddy-o, o, Whack fol the daddy-o, daddy o, there’s whiskey in the jar 2. He counted out his money and it made a pretty penny; I put it in my pocket to take home to Jenny. She sighed and swore she loved me and never would deceive me, But the devil evil take the women, for they always lie so easy! Chorus 3. I went into me chamber, chamber all for to take a slumber, To dream of gold and girls, and of course it was no wonder: Me Jenny took me charges and she filled them up with water, Called on Captain Farrell to get ready for the slaughter. Chorus 4. Next mornin' bright and early, before I rose for travel, Up came a band of footmen and likewise Captain Farrell. I goes to draw my pistol, for she'd stole away my rapier, But I couldn't shoott for water, so a prisoner I was taken. taken. 5. They put me into jail with a judge all a-writin': a For robbin' CaptainFarrell Farrell, on Gilgarra Mountain. But they didn't take me fists and I knocked the jailer down And bid me a farewell to this tight-fisted town. 6. I'd like to find me brother, the one who's in the army; I don't know where he's stationed, be it Cork or in Killarney. Together we'd go roamin' o'er the mountains of Kilkenny, And I swear he'd treat me fairer than my darlin' sportin' Jenny! Chorus Chorus Chorus 7. There's some that takes delight in the carriages and rollin', Some that takes delight in the hurley or the bollin', But I takes delight in the juice of the barley, Courtin' pretty maids in the mornin', oh so early! Chorus x2 60 YOU AIN`T GOIN` NOWHERE NOWH - Bob Dylan 1971 Intro : 1st Verse G Am 1. Clouds so swift, rain won`t lift, C G Gate won`t close, railing`s froze. Am C G Get your mind off winter time, you ain`t goin` nowhere. Chorus: G Am Whooee! Ride me high, C G Tomorrow`s the day my bride`s gonna come. Am C G Oh, oh, are we gonna fly, down in the easy chair. G Am 2. I don`t care, how many letters they sent, C G Morning came and morning went. Am Pick up your money and pack pa up your tent, C G You ain`t goin` nowhere. Chorus G Am 3. Buy me a flute and a gun that shoots, C G Tail gates and substitutes. Am Strap yourself to the tree with roots, C G You ain`t goin' nowhere. Chorus G Am 4. (quietly) Gengis Khan, he could not keep, C G All his kings supplied with sleep. Am We`ll climb that hill no matter how steep, C G When we get up to it. Chorus X2 61 YOU’RE JUST IN LOVE - Irving Berlin 1950 Intro: several bars of F Group 1: F 1. I hear singing and there's no one there, C7 I smell blossoms, and the trees are bare. F All day long, I seem to walk on air, I wonder why? I wonder why? F7 Bb I keep tossing in my sleep at night and what's more, I've lost my appetite Gm F Stars that used to twinkle in the skies Gm F Are twinkling in my eyes - I wonder why Group 2: F 2. You don't need analyzing; it's it' not so sur-pri-sing C7 That you feel very strange, but nice - your heart goes pitter-patter pitterF I know just what's the matter, because ecause I've been there once or twice Put your head on my shoulder, you need someone who's older, F7 Bb A rubdown with a velvet glove. Gm F There is nothing you can take to relieve that pleasant ache Gm F You're not sick you're just in love Repeat the above but both sung simultaneously. Repeat again but Group 1 sings Verse 2 & Group 2 sings Verse 1 All: Gm C7 F You're not sick you're just in love 62