LOT 756 - Stephan Welz and Co

Transcription

LOT 756
DECORATIVE ARTS
COLLECTORS’ ITEMS • WORKS OF ART
SILVER
WEDNESDAY 31 AUGUST 2016 | 10H30 | LOTS 591 - 790
108
DECORATIVE ARTS
593
596
A ROYAL ALBERT ‘BRONTE’ PATTERN PART
A GROUP OF THREE MOORCROFT
TEA SERVICE, 1981 – 1989
‘ANEMONE’ PATTERN WARES, 1950s
each printed with a band of yellow floral
sprays against a crème ground, scalloped and
gilt edge, comprising: 6 teacups, 6 saucers,
6 side plates, a tea pot, a milk jug, a sugar
bowl and a cake plate, printed factory mark,
staining to teapot spout and interior
the cake plate 26,5cm wide over handles
(22)
comprising: 2 vases of baluster outline
and a plate, painted initials, impressed
factory mark and MADE IN ENGLAND
the plate 22cm diameter
(3)
R 1 000 - R 1 500
A MOORCROFT ‘HIBISCUS’ PATTERN
A MOORCROFT FLORIANWARE ‘PEACOCK’
PATTERN JAR WITH COVER, 1899 – 1906
of tapering ovoid form, tubelined with stylised
peacock feathers in shades of blue, printed
Macintyre mark, No 347807
13cm high
ILLUSTRATED
R 5 000 - R 7 000
DECORATIVE ARTS
EUROPEAN AND ENGLISH
CERAMICS
591
A ROYAL ALBERT ‘MEMORY LANE’
PART TEA SERVICE, 1964 – 2009
each printed with a band of blue
floral sprays against a white ground,
comprising: 11 teacups, 12 saucers,
10 side plates, a sugar bowl, a milk
jug, a two handled cake plate,
printed factory mark, 1 teacup with
hairline crack
the cake plate 26cm wide over
handles
(36)
A MOORCROFT ‘ANEMONE’ PATTERN VASE
with everted rim, cobalt blue ground, painted
initials, impressed factory mark and MADE IN
ENGLAND; A Small Moorcroft Flambe ‘Leaf
and Berry’ Pattern Vase, impressed factory
mark and painted signature; and A Moorcroft
Trial ‘Shoal’ Pattern Vase, tube lined with
orange and green fish reserved against a
cobalt blue ground, impressed factory mark,
MADE IN STOKE ON TRENT ENGLAND,
painted date 27.9.2006
the largest vase 19cm tall
(3)
R 2 500 - R 4 500
592
A ROYAL ALBERT PART TEA SERVICE
each printed with a scalloped blue
border against a white ground,
with gilded wreaths and handles,
comprising: 12 teacups, 12 saucers,
12 side plates, 2 milk jugs, 2 sugar
bowls, a tea pot and 2 cake plates
the cake plate 25cm wide over
handles
(43)
Johannesburg, 30 & 31 August 2016
DISH, 1950s
oval, green ground, painted initials,
impressed factory mark and MADE IN
ENGLAND; and A Moorcroft ‘Clematis’
Pattern Pin Dish, green ground,
impressed factory mark and MADE IN
ENGLAND
the dish 23cm wide
(2)
R 1 200 - R 1 500
595
R 2 500 - R 3 500
R 4 000 - R 6 000
R 8 000 - R 10 000
597
594
594
ILLUSTRATED
596
598
A GROUP OF THREE MOORCROFT
WARES, 20TH CENTURY
comprising: a ‘Hibiscus’ pattern dish,
a small ‘Hibiscus’ pattern vase, cobalt
blue ground, and an ‘Arum Lily’ pattern
pin dish, crème ground, various
stamped marks
the vase 9cm high
(3)
R 2 000 - R 3 000
DECORATIVE ARTS
599
599
600
601
A WEDGEWOOD FAIRYLAND LUSTRE
A COPELAND SPODE ‘ITALIAN’ PATTERN
A SPODE GILT AND WHITE ‘FLEUR DE
PUNCH BOWL DESIGNED BY DAISY
PART DINNER SERVICE
LYS’ PATTERN PART DINNER SERVICE,
MAKEIG-JONES, 1915-1931
comprising: 6 dinner plates, 6 fish plates,
5 soup bowls, 4 side plates, a square
covered vegetable dish, a hot water jug, a
gravy boat, 2 small square dishes, an egg
cup and 2 platters, printed factory mark,
a soup bowl with chip, a fish plate with
hairline crack
the platter 37cm wide
(29)
1962-2005
the interior with a central ’Mermaid’
medallion surrounded by the ‘Woodland
Bridge’ pattern, the exterior decorated in
the ‘Poplar Trees’ pattern, gilt highlights,
printed factory mark, pattern number
Z4968
27,7cm diameter
ILLUSTRATED
R 30 000 - R 35 000
R 3 000 - R 4 000
comprising: 12 dinner plates, 12 fish
plates, 12 side plates, 7 consomme bowls
and 8 saucers, 3 oval platters, 2 tureens
with covers, 2 gravy boats with stands, 12
coffee cups, 12 saucers, and 2 small dishes
the largest platter 41cm wide
(84)
PART ILLUSTRATED
R 8 000 - R 10 000
601 PART LOT
109
110
DECORATIVE ARTS
602
A WOOD AND SONS BLUE AND
WHITE ‘YUAN’ PATTERN PART DINNER
SERVICE
each printed with birds and flowers
enclosed within a diaper border,
plates, 12 side plates, 12 dessert plates,
12 soup bowls, 4 vegetable dishes with
covers, 2 gravy boats, a large soup
tureen with cover and under plate, a
ladle, 2 medium oval platters and 2
large oval platters, discolouration to the
largest platter and the interior of the
soup tureen, a small chip to a fish plate,
a hairline crack to a soup bowl
(72)
PART ILLUSTRATED
R 8 000 - R 10 000
603
A ROYAL STAFFORDSHIRE ‘THE
BIARRITZ’ PATTERN PART DINNER
SERVICE BY CLARICE CLIFF
each printed with a gold art deco
border against a crème ground,
plates, 12 side plates, 12 dessert bowls,
12 consommé cups, 12 consommé
saucers, 4 medium plates, 4 large
tureens, 3 small tureens, 2 spoons, 3
large platters and 2 medium platters,
loss to gilding, overall wear
(91)
604
606
A PAIR OF ART DECO RUSKIN STYLE AN AUSTRIAN POWDER BOX SILVER-MOUNTED VASES, 20TH CENTURY
WITH COVER
each tapering baluster body with overall mottled
and streaked turquoise and aubergine glaze,
the neck applied with a silver collar, hallmarked
Charles May, London, 1920
repair to both vases, some dents to each collar
16cm high
(2)
transfer printed in magenta with exotic
birds amongst foliage, gilt highlights
16cm diameter
R 1 500 - R 2 500
A LONGWY ENAMELLED ‘PRELUDE’
605
painted with daffodils and stylised flowers
against a blue ground enclosed within a
border of swags and triangles, gilding,
painted factory marks, number 99 of 150,
decorated by H. Gabet
36,6cm diameter
A MEISSEN PORCELAIN GROUP OF TWO
MUSCIANS SEATED ON A CANAPE, 19TH CENTURY
the lady and her companion playing a duet of
flute and mandolin, a pug dog seated on the
lady’s skirts arranged across the settee, under
glaze blue crossed swords, incised W56, small
chip to skirt hem and loss of ribbon
15cm high
R 800 - R 1 000
607
PATTERN CHARGER, 1950s
ILLUSTRATED
R 8 000 - R 10 000
ILLUSTRATED
R 8 000 - R 10 000
R 6 000 - R 8 000
605
602 PART LOT
607
DECORATIVE ARTS
611
SOUTH AFRICAN CERAMICS
ORIENTAL CERAMICS
608
611
612
TIM MORRIS (1941-1990): THREE CHINESE POTTERY FIGURES OF
A PORCELAIN PLATE
DIGNITARIES, SONG, 960-1279
A CHINESE BLUE AND RED FISH PLATE,
with abstract floral pattern in cobalt and iron
over a crème glaze, unsigned
27cm diameter
each standing on a circular stepped base,
dressed in official attire, one with Oxford
Authentication Ltd. thermoluminescence
analysis report, Sample No: C104r66
31cm high
(3)
R 600 - R 800
609
TIM MORRIS (1941 – 1990): A LARGE
STONEWARE JAR AND COVER
ILLUSTRATED
R 30 000 - R 40 000
LATE 19TH CENTURY
painted with a leaping carp, pitting; and
An Anamese Blue And White Ceramic
Dish, some loss to paint
the dish 35,7cm diameter
(2)
R 4 000 - R 6 000
613
A PAIR OF CHINESE BLUE AND WHITE
of square section, each side painted with
tenmoku glaze, the cover similarly decorated,
impressed artist’s stamp
20cm high
GINGER JARS AND COVERS
STONEWARE TWO-HANDLED JAR AND
each tapering ovoid body painted
with a figural scene of sages and
children within a balustrade pavilion
garden between a border of triangular
hatching, the cover with foliage issuing
from rockwork
21,5cm high
(2)
COVER
ILLUSTRATED
the globular body and interior painted with
a tenmoku-glaze against a grey ground, the
cover similarly decorated, lug handles
25cm high including cover
R 5 000 - R 7 000
R 800 - R 1 000
610
TIM MORRIS (1941-1990): A LARGE
R 800 - R 1 000
613 PART LOT
111
112
DECORATIVE ARTS
614
A CHINESE BLUE AND WHITE GARLIC-NECK BOTTLE VASE
the globular body with transfer printed sprays of flowers
between bands of alternating patterns
29cm high
R 3 000 - R 5 000
615
A CHINESE BLUE AND WHITE PLATE
painted with a dragon chasing a flaming pearl, six character
mark
20,2cm wide
R 2 000 - R 4 000
616
A CHINESE BLUE AND WHITE BOWL
the interior painted with a central rondel enclosed within a
border of lappets, painted character mark, crazing
17cm diameter
619
R 2 000 - R 3 000
617
A CHINESE BLUE AND WHITE PLATE
decorated with lotus surrounding a central rondel, six character
mark, pitting, small chip to rim
15cm wide
R 2 000 - R 3 000
618
A CHINESE FAMILLE VERT DISH, LATE 19TH CENTURY
painted with a central green floral motif within a scattered band
of pink, lilac and orange flowers, the exterior painted with two
chilong chasing the flaming pearl in orange and gold
28,4cm wide
R 1 500 - R 2 000
620
619
A LARGE CHINESE RED, BLUE AND WHITE PORCELAIN VASE
of cylindrical form with a slender neck and everted rim, painted
with chrysanthemums against a dense ground of red stippling
beneath a collar of alternating cell-diaper and floral panels
issuing flowers
44,7cm high
ILLUSTRATED
R 5 000 - R 7 000
620
A CHINESE WANLI-STYLE BLUE AND WHITE JAR
the tapering squat body painted with four mythical birds
enclosed within clouds amongst flower heads and scrolling
foliage between scrolling and honeycomb bands
30cm high
ILLUSTRATED
R 7 000 - R 9 000
623
DECORATIVE ARTS
621
A CHINESE MONOCHROME GLAZED VASE, 19TH CENTURY
the globular body with elongated cylindrical neck, with
overall green crackled glaze, white glazed interior, repair to
the neck
23,5cm high
R 1 500 - R 2 000
622
A CHINESE BLUE AND WHITE VASE WITH COVER
the tapering ovoid body transfer printed with lotus
blossoms amongst scrolling foliage
50cm high
R 5 000 - R 7 000
623
A CHINESE BLUE AND WHITE GINGER JAR AND COVER
of tapering ovoid form, painted with young men playing a
balustrade pavilion, the cover applied with bats
32cm high
ILLUSTRATED ON OPPOSITE PAGE
R 4 000 - R 6 000
624
A CHINESE ‘CHRYSANTHEMUM’ VASE, 20TH CENTURY
of tapering ovoid form, painted with blue and white
chrysanthemums against a rust ground, gilt highlights
24cm high
R 1 500 - R 2 000
625
A CHINESE ‘TEA-DUST’ GLAZED BOTTLE VASE
the compressed globular body rising to a tall cylindrical
neck, covered overall in an olive green glaze, wax seal
stamp
15cm high
R 2 000 - R 3 000
626
626
627
A CHINESE FAMILLE ROSE VASE, A JAPANESE BLUE AND WHITE VASE, MEIJI, LATE 19TH CENTURY
1868-1912
the globular body with elongated
neck, painted with alternating
panels depicting figures at various
pursuits, including maidens amid
clouds, warriors, musicians, ducks
swimming in ponds and flower filled
baskets amongst scrolls and dense
foliage, between bands of lappets,
greek key and diaper cells
90cm high including stand
the tapering ovoid body painted with pavilions
before a mountainous landscape, birds in
flight and fishermen, four character mark
19,2cm high
ILLUSTRATED
painted with five geisha wearing colourful
kimonos within a garden setting, enclosed
within various shaped panels depicting dragons,
cranes and chrysanthemums, fritting to edge of
scalloped gilt rim, a small chip to rim
46,7cm diameter
R 15 000 - R 17 000
R 3 000 - R 4 000
628
A JAPANESE IMARI CHARGER. MEIJI, 1868-1912
ILLUSTRATED
628
R 10 000 - R 12 000
113
114
DECORATIVE ARTS
629
A JAPANESE IMARI SCALLOPED
PLATE, MEIJI, 1868 – 1912
the central rondel painted with a
dragon enclosed within a border of
rockwork and blossoms alternating
with smaller panels enclosing a sage
and a winged horse, some loss to gilt
trim; and A Japanese Imari Plate, Meiji,
1868 – 1912, the central panel painted
with a dragon against a border of
panels depicting pavilions, some loss
to enamel and gilding
the largest 25cm diameter
(2)
631
R 2 000 - R 3 000
630
A JAPANESE IMARI OCTAGONAL
PLATE, MEIJI, 1868 – 1912
the central rondel painted with a
blossoming tree enclosed within
a border of alternating panels of
pavilions and balustrade gardens
26,5cm wide
R 1 500 - R 2 000
631
A JAPANESE IMARI BOAT-SHAPED
DISH, MEIJI, 1868 – 1912
painted with a bird in flight amongst
blossoms, enclosed within various
panels depicting gold fish, palm trees
and parrots against stylised floral
motifs
33,7cm wide
ILLUSTRATED
632
634
A JAPANESE IMARI JARDINIERE, MEIJI,
A GROUP OF JAPANESE SATSUMA COBALT
1868 – 1912
BLUE GROUND WARES BY KINKOZAN, the tapering ovoid body painted with
alternating panels enclosing balustrade
gardens and dragons chasing the flaming
pearl, against a flowerhead and scrolling
foliate ground
28cm high
19TH CENTURY
R 5 000 - R 7 000
comprising: a tureen, cover and stand and two
circular dishes
the oval platter 21,5cm wide
(4)
ILLUSTRATED
R 10 000 - R 12 000
633
A LARGE JAPANESE TRANSFER PRINTED
CERAMIC HIBACHI
decorated with ‘temari’ in rust, blue and
white
27cm wide
25,5cm high
R 3 000 - R 4 000
R 6 000 - R 8 000
635
A GROUP OF JAPANESE SATUMA WARES, 20th CENTURY
comprising: a two-handled tripod censer with
cover and two two-handled vases, each painted
with the central panel depicting a female and her
attendants, the reverse with a couple and child,
against a dense ground of alternating panels of
cranes , clouds and gilding, applied masks, the
censer with a finial of a seated man, repair
27,5cm high
(3)
R 4 000 - R 5 000
634
GLASS
637 DETAIL
637 PART LOT
638
640
A COLLECTION OF EDINBURGH TWO ORANGE GLASS VASES, CUT-CRYSTAL DRINKING GLASSES, 20TH CENTURY
20TH CENTURY
each of various form, colour and decoration
the taller 19cm high
(2)
comprising: 6 ‘Lomond’ tumblers, 2
‘Star of Edinburgh’ Brandy Glasses, 2
Somerset ‘Warwick’ Goblets, 6 ‘Vitria’
Sherry Glasses and 5 Assorted Liqueur
Glasses
(21)
R 800 - R 1 000
641
A GROUP OF THREE GLASS ASHTRAYS,
R 1 800 - R 2 800
GLASS
636
A MISCELLANEOUS GROUP OF
GLASSWARE, 20TH CENTURY
comprising: 6 Stuart cut-crystal ‘Imperial’
pattern champagne low glasses and 5
sherry glasses, 6 Webb Corbett pedestal
dishes, 2 vases, a small bowl and a jug
(21)
20TH CENTURY
A PART SUITE OF STUART CUT-CRYSTAL
each of various form, colour and decoration
the largest 20cm wide
(3)
‘GLENGARRY’ PATTERN DRINKING
R 900 - R 1 200
639
GLASSES, 20TH CENTURY
comprising: 10 wine glasses, 10 goblets,
10 liqueur glasses and 5 champagne low
glasses
(35)
R 4 500 - R 6 500
R 3 000 - R 5 000
642
A MURANO RED AND CLEAR-GLASS BOWL,
1960s
of organic quatrefoil outline with pulled
corners, opposing rounded serrated sides,
rhomboid base
36cm wide
ILLUSTRATED
637
R 1 500 - R 2 000
A PART SUITE OF WATERFORD CRYSTAL
‘COLLEEN’ PATTERN DRINKING GLASSES,
20TH CENTURY
each cut with a band of lozenges above
a band of fine diamonds, comprising: 12
water goblets, 10 dessert footed bowls,
9 claret wine glasses, 6 sherry glasses, 9
cordial glasses, 11 white wine glasses,
10 medium flat tumblers, 2 large flat
tumblers, a wine decanter lacking stopper,
a medium jug and a large jug
the decanter 27,5cm high
(72)
PART ILLUSTRATED
R 10 000 - R 12 000
642
115
116
GLASS
643
647
651
A ŜKRDLOVICE AMBER AND CLEAR-GLASS
A CZECH BLUE AND GREEN ART
A ŜKRDLOVICE GREEN AND ‘CONTROLLED BUBBLE’ TEARDROP VASE,
GLASS PEDESTAL BOWL, 1980s
CLEAR-GLASS BOWL, DESIGNED BY DESIGNED BY PAVEL JUDA, 1985
of organic triangular outline, the
underside with pulled decoration
47cm wide
JAN BERÁNEK, 1959
Škrdlovice & Beránek is one of the 20th
century’s greatest forgotten glass companies.
For decades, the identity of the company
was largely hidden from the world and the
major contribution it made to 20th Century
glass design is only now being uncovered and
reappraised by scholars, design historians and
collectors.
c.f. R. Bevan-Jones & J. Parik, Škrdlovice &
Beránek: Legends of Czech Glass, London,
2014, p 43
Founded in 1942, in the midst of the Second
World War by the enterprising and talented
glass master Emanuel Beránek, the company’s
earliest designs were produced using waste
broken glass, peat to fire the furnaces and
a huge amount of raw talent and sheer
determination.
TO PROF VLADIMIR KOPECKY,
pattern number 8533
23cm high
R 2 800 - R 3 500
648
A CZECH YELLOW AND BLUE ART
GLASS BOWL, DESIGN ATTRIBUTED
MODERN
of undulating organic circular form,
the yellow body with blue concentric
circles
33,5cm wide
R 1 500 - R 2 000
R 3 500 - R 4 500
644
649
A ŜKRDLOVICE BLUE-GLASS ‘CONTROLLED
A LARGE STUDIO PLUM-GLASS BOWL
BUBBLE’ TEARDROP VASE, DESIGNED BY
ATTRIBUTED TO GLASFACHSCHULE
PAVEL JUDA, 1985
ZWIESEL, MODERN
pattern number 8533
23cm high
the everted rim with an opaque white
border, engraved mark and numerals
94 0 - 1029
30cm diameter
R 1 500 - R 2 000
645
A ŜKRDLOVICE PINK AND CLEAR-GLASS
‘CONTROLLED BUBBLE’ TEARDROP VASE,
R 3 000 - R 4 000
650
DESIGNED BY PAVEL JUDA, 1985
A HEAVY ŜKRDLOVICE AMBER AND
pattern number 8533
23cm high
DESIGNED BY JAN BERÁNEK, 1959
R 1 500 - R 2 000
CLEAR-GLASS ‘PULLED-LOBED’ VASE,
model number 5988
27cm high
646
c.f. R. Bevan-Jones & J. Parik, Škrdlovice
& Beránek: Legends of Czech Glass,
London, 2014, p 43
A BLUE, OPAQUE WHITE AND ILLUSTRATED ON OPPOSITE PAGE
CLEAR-GLASS VASE, MODERN
the flattened ovoid body of internal shaded
blue glass with looped opaque white
threads
20cm high
R 1 200 - R 1 500
R 2 000 - R 3 000
of organic ovoid outline, the exterior with
‘pulled’ decoration
35cm wide
R 2 000 - R 3 000
652
A CZECH SOMMERSO ART GLASS BOWL,
DESIGNED BY ALES VALNER, MODERN
of oval outline, the off-centred interior
with opaque yellow and white glass, thick
satin rim, signed
36cm wide
R 4 000 - R 6 000
653
A ŜKRDLOVICE TOPAZ AND CLEARGLASS ‘PINEAPPLE’ VASE, DESIGNED BY
FRANTISEK VIZNER, 1971
model 7117, the topaz cylindrical core
embellished towards the base with three
rows of irregular clear-glass mosaic prunts
2014, p 85
15,5cm high
Frantisek Vízner (1936-2011) was one
of the most important, innovative, and
internationally influential Czech glass
designers of the 20th century. He studied at
the Academy of Applied Art under professors
Karel Stipl and Plátek and became the lead
designer at the Skrdlovice glassworks in 1967,
before becoming an independent studio
glass artist in 1977. His work can be found in
many museums and important institutions all
over the world and his studio works regularly
fetch tens of thousands of dollars when sold.
In 2012 František Vízner was ranked amongst
the top 10 in the list of the top fifty most
influential artists of all times by the Studio
Glass movement in the United States.
R 1 800 - R 2 400
GLASS
643
644
647
650
645
648
651
646
649
652
653
117
118
GLASS
654
655
656
657
658
659
660
661
GLASS
654
658
661
A ŜKRDLOVICE BLUE-GLASS CHARGER,
A ŜKRDLOVICE CLEAR-GLASS ‘STELA’
A ŠKRDLOVICE GLASSWORKS
DESIGNED BY FRANTISEK VIZNER, 1976
SCULPTURE, DESIGNED BY FRANTISEK
‘WHIRLPOOL’ VASE DESIGNED BY
model number 7627, circular with internal
mineral fragment spiral decoration
39cm diameter
VIZNER, 1990
FRANTISEK VIZNER, 1974
model 9021, the column of navette
section with internal irregular bubbles
and bubble threads
29,5cm high
model number 7411
28,5cm high
2014, p 69
R 6 000 - R 8 000
655
A ŜKRDLOVICE SHADED BLUE AND
GREEN-GLASS VASE, DESIGNED BY
PROF LADISLAV OLIVA, 1979
of flattened ovoid form with partially
ribbed side
20cm high
2014, p 99
‘Vizner finished the decade (1980s) with
an unusual design project, demonstrating
his continued enthusiasm for experimental
design involving texture. This colourless,
veined sculpture is one of eight similar
patterns by Vizner that are true sculpture
and have no functional purpose.’ - R.
Bevan-Jones & J. Parik, Škrdlovice &
2014, p 99
Frantisek Vízner (1936-2011) was one
of the most important, innovative, and
internationally influential Czech glass
designers of the 20th century. He studied at
the Academy of Applied Art under professors
Karel Stipl and Plátek and became the lead
designer at the Skrdlovice glassworks in 1967,
before becoming an independent studio
glass artist in 1977. His work can be found in
many museums and important institutions all
over the world, and his studio works regularly
fetch tens of thousands of dollars when sold.
In 2012 František Vízner was ranked amongst
the top 10 in the list of the top fifty most
influential artists of all times by the Studio
Glass movement in the United States.
659
cf. Bevan-Jones, Robert and Pařik, Jindřich
(authors); Hill, Mark (general editor).
Škrdlovice & Beránek: Legends of Czech
Glass, 2014, 128 pp (full page reproduction
on page 62).
R 5 000 - R 6 000
A BERANEK SUMMERSO ART GLASS
656
TISLJAR, MODERN
A ŜKRDLOVICE BLUE AND CLEAR-
the tapering ovoid body with shortened
yellow core above a large bubble,
signed
23cm high
2014, p 74
GLASS DISH, DESIGNED BY LADISLAV
PALECEK, 1981
circular with off centred clear-glass
rondel
31cm diameter
R 16 000 - R 24 000
VASE, DESIGNED BY JERONIM
R 6 000 - R 8 000
660
DESIGNED BY JAN BERÁNEK
R 2 500 - R 3 500
cf. Mark Hill, Hi Sklo, Lo Sklo: Post War
Czech Glass Design from Masterpiece
to Mass-produced, 2008
29,5cm high
A BERÁNEK SUMMERSO ART GLASS
VASE, DESIGNED BY JERONIM TISLJAR,
MODERN
the tapering ovoid body with shortened
orange core above a large bubble,
signed
23cm high
R 6 000 - R 8 000
METALWARE
the Estate Late
2014, p 85
657
R 8 000 - R 10 000
A ŠKRDLOVICÉ GLASS WORKS VASE
R 6 500 - R 8 500
662
A PAIR OF CORINTHIAN COLUMN BRASS
OIL LAMPS, EARLY 20TH CENTURY
with brass reservoir, on a gadrooned,
stepped square base, clear glass shade
52cm high excluding shade
(2)
R 1 200 - R 1 500
Various Properties
663
A COPPER CAULDRON, PROBABLY
EUROPEAN, 19TH CENTURY
with cylindrical outward sloping body and
castellated joints, engraved “S.P. De Kock,
Kockstad, 1845”
35cm high, 60cm diameter
R 2 500 - R 3 500
119
120
COLLECTORS’ ITEMS AND WORKS OF ART
664
AN ENGLISH COPPER CAULDRON, 19TH CENTURY
with cylindrical outward sloping body and castellated joints, the flared
rim applied with iron loops and an iron swing handle, repair
22cm high, 30cm wide
R 1 200 - R 1 500
665
AN ENGLISH COPPER TEA KETTLE, 19TH CENTURY
applied with a swan-neck spout, fixed brass handle and copper grip, the
detachable cover with an acorn finial, dents, 30cm high; And A Brass
and Copper Coal Scoop, the tapering cylindrical form applied with five
copper bands, the side applied with copper hinges and brass swing
handle
37,5cm high
(2)
R 1 200 - R 1 500
666
TWO GEORGE III COPPER HAYSTACK MEASURES, FARROW & JACKSON, LONDON
comprising: a four gallon and a one gallon capacity, the tapering body
with rim foot, everted lip and applied loop handle, the front engraved
with the measure, with embossed brass maker’s mark, marked with lead
verification stamps and crowned GR, the larger 42,5cm high; Another
George III Example, of two gallon capacity, marked with lead verification
stamp and crowned GR, 34,5cm high; And A Set of Six Victorian
Examples, in sizes, VR license stamp, the largest of half gallon capacity,
all applied with rectangular brass plaques engraved with the measure
the largest 20,5cm high
(9)
R 6 000 - R 8 000
667
A SUIT OF ARMOUR
comprising: a closed helmet, breast and back plate, faulds, full arm
defences, gauntlets, full leg and foot defences, the breastplate
engraved with a shield cartouche enclosing a rampant lion surmounted
by a crown with rampant lions on either side, each shoulder engraved
with a phoenix rising, the faulds, thighs ands shins engraved with
phoenix against scrolling foliage throughout, mounted on a wooden
plinth
ILLUSTRATED
R 30 000 - R 50 000
667
668
JOSEF LORENZL (1892-1950): AN ART DECO PATINATED BRONZE
FIGURE OF A DANCER
the nude female balancing on ‘demi-pointe’, with arms raised above,
raised on an onyx square stepped base, signed
23,8cm high including base
ILLUSTRATED
R 40 000 - R 50 000
668
669
FIGURE OF A DANCER
the dancer balancing on one leg on ‘demi-pointe’, arms extended
to her sides, wearing trousers with matching jacket in orange patina,
raised on an onyx polygon stepped base, signed
ILLUSTRATED
R 45 000 - R 55 000
669
121
122
670
FIGURE OF A DANCER
the dancer standing ‘en-pointe’ with one arm extended out, the other
bent towards the face, wearing a fitted button down jacket and fishnet
tights, raised on a domed base atop a shallow faceted onyx square
dish, signed, chips to base
23,5cm high
ILLUSTRATED
R 48 000 - R 55 000
671
AN INDIAN SADELI MOSAIC INLAID SEWING BOX, CIRCA 1830
NOT SUITABLE FOR EXPORT
of rectangular section, inlaid with Sadeli mosaic in ivory, ebony and
pewter, the hinged cover opening to reveal a fitted interior, mirror
lacking and compartments containing a pin cushion, spools and other
sewing tools, loss to mosaic and cracking to ivory
27cm wide
R 6 000 - R 8 000
672
A GROUP OF INDIAN SADELI MOSAIC INLAID TEA CADDIES
each of rectangular square section, inlaid with Sadeli mosaic in ivory,
ebony, green stained ivory and pewter, the hinged top opening to
reveal lidded compartments, loss to mosaic; A Rosewood Casket Tea
Caddy, the hinged top opening to reveal two lidded compartments
the largest 22cm wide
(3)
670
R 5 000 - R 7 000
673
675
A CHINESE BRONZE TWO-HANDLED
A LARGE BRONZE TWO-HANDLED CENSER,
TRIPOD CENSER, MING, 1368-1644
MING, 1368-1644
the reticulated globular body with two
dragons against rolling waves framing
the central dragon, the reverse with two
dragons chasing a flaming pearl, supported
on three cabriole legs issuing from mythical
creature masks terminating in paw feet, the
reticulated cover in the form of two coiled
dragons amidst clouds, applied with two
handles in the form of stylised dragon, the
base centred with a six-character Xuande
mark
the globular body decorated with leaping mythical
creatures leaping amongst rolling waves, the
domed reticulated cover with swirling clouds
beneath two sinuous dragons chasing flaming
pearls, surmounted by a reticulated knop finial in
the form of clouds, the sides applied with mythical
beast mask handles suspending ‘C’-shaped rings,
supported on a pedestal foot, the tripod stand
with lappet border, the censer centred with a sixcharacter Xuande mark
R 4 000 - R 6 000
ILLUSTRATED
674
A CHINESE BRONZE TWO-HANDLED
TRIPOD CENSER
the squat globular body, with a band of
alternating ‘leiwen’ rows, two mask handles,
the reticulated cover with an elephant finial,
the base centred with a mark, the patina of
a deep chocolate-brown tone
15cm high
R 4 000 - R 6 000
675
R 10 000 - R 15 000
676
A BRONZE GARLIC HEAD VASE, MING, 1368-1644
the globular body with elongated neck applied
with three seated goats, the neck with two
sinuous ‘chilong’, swirling clouds applied sparsely
throughout, with bronze stopper
46,5cm high
ILLUSTRATED
R 15 000 - R 20 000
676
677
677
A LARGE PAIR OF CHINESE CLOISONNE
HORSES
each standing on all fours, decorated
throughout in heavy scrollwork and
stylised clouds against a turquoise ground
and gilding, with detachable saddles
the taller 47,5cm high
(2)
677
ILLUSTRATED
R 40 000 - R 50 000
Foreign influence contributed to the development of cloisonné during the early fourteenth to fifteenth century in China. It has been suggested
that the technique was introduced via the western province of Yunnan, which, under Mongol rule, received an influx of Islamic people.
Cloisonné objects were intended primarily for the furnishing of temples and palaces, because their flamboyant splendour was considered
appropriate to the function of these structures, but not well suited to a more restrained atmosphere, such as that of a scholar’s home.
This opinion was expressed by Cao Zhao in 1388 in his influential Gegu Yaolun (Guide to the Study of Antiquities), in which cloisonné was
dismissed as being suitable only for lady’s chambers. However, by the period of Emperor Xuande, this ware came to be greatly prized at court.
References
The Metropolitan Museum of Art
Department of Asian Art - October 2004
123
124
684
UTAGAWA KUNIYOSHI (1797-1861): A
JAPANESE WOODBLOCK PRINT FROM THE
SERIES ‘SEICHU GISHI DEN’ (STORIES OF THE
TRUE LOYALTY OF THE FAITHFUL SAMURAI),
1847
37cm by 25cm
R 3 000 - R 4 000
685
UTAGAWA KUNISADA (1786 – 1865): A
COLLECTION OF 12 JAPANESE WOODBLOCK
PRINTS OF THE COMPLETE SERIES OF THE
‘KANADEHON CHUSHINGURA’
published by Yorozuya Kichibei in 1843
37cm by 24cm
(12)
PART ILLUSTRATED ON OPPOSITE PAGE
683
R 25 000 - R 30 000
678
681
686
A CHINESE BLUE AND WHITE SNUFF
A LARGE CHINESE CARVED IVORY
A VEGA BANJO, CIRCA 1945
BOTTLE AND STOPPER
FIGURE OF A STANDING MAIDEN
of cylindrical form, painted with a sage
and boy below a decorative band, blue
stopper, four character mark
9cm high including stopper
the fingerboard with four strings connected to
the metal tension ring, the leather drum with a
bridge and circular frame attached with metal
hooks to the maple wood backplate, inlaid
with ebony stringing
97cm high, 97cm diameter on the drum
R 1 000 - R 1 500
679
A CHINESE CARVED JADEITE FIGURE OF
wearing flowing robes, holding a peony
branch in her right hand and a ‘tuanshan’
in her left hand, mounted on a wooden
base
R 3 000 - R 5 000
GUANYIN
682
modelled standing, wearing a long
draped robe, holding a flowering branch,
on a reticulated base
35,3cm high
THREE JAPANESE CARVED IVORY
R 1 500 - R 2 000
A CHINESE CARVED AND RETICULATED
comprising: a hare holding a ball, a
sage and a seated young man holding a
terrapin
the tallest 4cm high
(3)
JADEITE ‘BUTTERFLY’ PLAQUE, 19th
R 3 000 - R 5 000
680
CENTURY
NETSUKE
R 5 000 - R 7 000
687
A CASED MEERSCHAUM PIPE, VIENNA, EARLY
20TH CENTURY
the plain bowl with “amber” resin stem,
the case gilt-stamped “AG VIENNA
MEERSCHAUM”
12,5cm long
R 600 - R 800
688
A PAIR OF FAUX IVORY OPERA GLASSES,
19TH CENTURY
12,4cm high including wooden stand
683
R 2 000 - R 3 000
A JAPANESE BRONZE FIGURE OF A
with beaded detail around the ivory barrels
and brass fitments, crack to one ivory barrel,
11cm wide
HORSE
naturalistically cast, supported on carved
wooden base, signed
21cm including base
ILLUSTRATED
R 8 000 - R 10 000
R 800 - R 1 000
No lots 689 – 700
685
PART LOT
Chūshingura is arguably the most famous play in the Kabuki and Bunraku repertoires, engaging audiences for three centuries. Written and first
staged in 1748, its authors were the three playwrights Takeda Izumo II, Miyoshi Shōraku and Namiki Senryū.
The story of the 47 rōnin who avenged the death of their lord is often cited as an example of the samurai code of honour known as bushido. It is a
tremendous human drama involving many characters caught in a complex web of loyalties that demand devotion to and sacrifice for an altruistic
cause. Perhaps this is the most powerful attraction in modern Japan, and the reason for its enduring popularity.
References
theartofjapan.com
A Rare Act to Follow - Published on February 21, 2016
University of Virginia Library
Introduction to Kanadehon Chûshingura - Last revised December 31, 2000
125
126
SILVER
706
AN ELECTROPLATE WINE COOLER, EARLY
20TH CENTURY
the urn-shaped body with gadrooned rim,
applied with a pair of vine handles, raised on
a stepped circular foot, detachable liner
23cm high
R 1 500 - R 2 500
707
AN ELECTROPLATE SWING-HANDLED
SUGAR BOWL, EARLY 20TH CENTURY
ovoid with pierced sides, raised on an oval
pedestal foot, blue glass liner, 13,3cm wide;
And Another, circular with scalloped rim and
pierced sides, replaced blue glass liner, 5cm
high; And A Cased Pair of Electroplate Berry
Spoons
(4)
704
R 2 000 - R 2 500
ELECTROPLATE
708
701
703
AN AMERICAN ELECTROPLATE REVOLVING
AN ENGLISH ELECTROPLATE REVOLVING
A GROUP OF 19TH CENTURY METAL-
BREAKFAST DISH, WILLIAM HUTTON &
MOUNTED GLASS SCENT BOTTLES
SONS, EARLY 20TH CENTURY
of various shapes and sizes, small dents and
a repair
the tallest 18cm long
(6)
of oval form on four cast fluted and lion’spaw feet, lacking liner
19cm high, 31cm wide
R 600 - R 800
R 1 500 - R 2 000
BUTTER DISH, MERIDAN BRITTANIA
COMPANY, MID 19TH CENTURY
the circular revolving cover engraved with
flowerhead and lattice decoration, the square
sides and pierced handle with flowerhead
and foliate decoration, on four conforming
pierced bracket feet, 22cm high; And An
Electroplate Four-Egg Cup and Spoon Cruet,
20th Century, of quatrefoil form with gadroon
rim, baluster central column with loop handle,
side of egg cup with pierced decoration,
raised on four bracket feet, repair
24,5cm high
(2)
R 1 200 - R 1 500
702
A VICTORIAN ELECTROPLATE AND BONEHANDLED STILTON SCOOP
with foliate chased ball terminal, the two
collars either side of the cylindrical bone
handle chased with flowerheads and thistles,
split to bone handle; An Electroplate Sugar
Scuttle and Shovel, circa 1900, the body and
hinged cover engraved with flowerheads and
foliage, on a raised pedestal base, 13,5cm
high; And A Victorian Electroplate Chocolate/
Hot Water Pot, William Hutton & Sons,
Sheffield, the baluster body with half-fluting
decoration on a spreading foot, turned
wooden leaf-capped scroll handle, wooden
finial
25,5cm high
(4)
R 800 - R 1 000
704
709
A SHEFFIELD PLATE-MOUNTED BOHEMIAN
AN ELECTROPLATE SWING-HANDLED
CRANBERRY GLASS DECANTER AND
COASTER SET, 19TH CENTURY
each tapering circular body pierced with
grapes and vine leaves, turned wooden
base, the mounts on decanters and corks
with conforming decoration, the decanters
engraved with grapes and vine leaves, repair
to one cork mount
35,5cm high
(4)
ILLUSTRATED
R 12 000 - R 14 000
705
BREAD BASKET, EARLY 20TH CENTURY
of shaped rectangular form, the rim and
body with moulded geometric and scroll
decoration, raised on four ball feet, 28cm
wide; And A Miscellaneous Group of Four
Electroplate Entrée Dishes, Early 20th
Century, three of ovoid body with beaded
borders, two with foliate pierced liners, the
other engraved with foliate decoration and
detachable later beaded handle, one of
shaped rectangular form, one ovoid example
with wear to interior and distress to side
(5)
R 1 500 - R 2 000
AN IRISH ELECTROPLATE REVOLVING
BREAKFAST DISH, SHARMAND NEILL,
BELFAST, EARLY 20TH CENTURY
the revolving cover engraved with
flowerheads and swags, the liner with
gadroon border, on four outswept bracket
feet, the sides applied with reeded bead
handles, cover with circular bone inset
handle, lacking liner
20cm high, 36 wide over handles
R 1 200 - R 1 500
ILLUSTRATED
708
SILVER
710
AN ENGLISH ELECTROPLATE SUGAR
CASTOR, DANIEL & ARTER, EARLY 20TH CENTURY
the fluted baluster body on spreading
foot, with detachable foliate pierced
cover, 21,5cm high; And Another, 20th
Century, the baluster body on four foliate
paw feet, detachable cover
19cm high
(2)
R 800 - R 1 200
711
A GERMAN ELECTROPLATE
WMF (WURTTEMBERGISCHE
METALLWARENFABRIK) CHRISTENING
712
MUG, EARLY 20TH CENTURY
the tapering cylindrical form on raised
circular foot, cast in high relief depicting a
John the Baptist Christian scene, a vacant
cartouche with scrolling foliage and putti
8,5cm high
R 800 - R 1 200
712
A PAIR OF MASSIVE FIVE-LIGHT FLOOR
CANDELABRA, 20TH CENTURY
on a circular domed base with two bands
of foliate decoration, the knopped
column terminating in a central light, each
branch moulded with scrolling foliage
and surmounted by a pine-cone, with
detachable urn-shaped sconce and drip
pan
107,5cm high
(2)
ENGLISH SILVER
713
714
A PAIR OF GEO II SILVER SAUCEBOATS,
A GEORGE III SILVER MUSTARD POT,
THOMAS COOKE II & RICHARD GURNEY,
LONDON, 1751
MAKER’S MARK PROBABLY JOHN JAMES
WHITING, LONDON, 1802
with leaf-capped double scroll handle,
wavy rim, raised on three shell-and-pad
feet
689g in total, 13cm high
(2)
ILLUSTRATED
R 20 000 - R 25 000
the oval body with reeded bands and
initialled flat hinged cover, reeded angular
handle and thumb-piece, lacking glass
liner, 127g, 8cm high; And A George III
Pair of Silver Sugar Nips, Thomas Streetin,
London, 1802, plain, dents to bowls
28g
(2)
R 1 100 - R 1 400
ILLUSTRATED
R 6 000 - R 8 000
713
127
128
SILVER
717
A WILLIAM IV SILVER SNUFF BOX,
EDWARD SMITH, BIRMINGHAM, 1833
of rectangular form with foliate scroll
thumbpiece, engine-turned decoration
and the hinged cover initialled “LA to WG
1862”, gilt interior
63g, 6,2cm wide
718
R 800 - R 1 000
718
A WILLIAM IV SILVER SNUFF BOX,
716
715
A GEORGE IV SILVER TANKARD, EDWARD
BARTON, LONDON, 1823
the baluster body chased with scrolling
foliage, flowerheads and acorns against a
stippled ground, enclosing two shell-andscroll cartouches, one engraved “A MARK
OF REGARD, SOMERLEYTON HALLS,
1850”,, the other “MR PETO TO MR THOs
WHITE”, applied with a C-scroll handle, the
hinged domed cover and circular raised
base similarly decorated, gilt interior
917g, 21cm high
R 6 000 - R 8 000
716
A WILLIAM IV ROSEWOOD BRASSBOUND TRAVELLING DRESSING CASE,
SILVER HALLMARKS FOR A.D., PROBABLY
ARCHIBALD DOUGLAS AND T.D., LONDON,
1832-1835
Retailed by David Edwards, the red
leather interior gilt-stamped “EDWARDS,
MANUFACTURER TO HIS MAJESTY, 21
KING STR. BLOOMSBURY, LONDON.” Of rectangular form with brass edging and
a double row of brass stringing, the interior
lined with burgundy velvet and fitted to
the underside of the lid with a leather
writing surface and hidden compartment,
removable easel mirror, the body with a
removable tray fitted with a manicure set
and sewing notions, fitted with four silvertopped rectangular glass boxes in various
sizes, an inkwell, two cut-glass bottles,
lock and key, the lock-plate engraved “J.
BRAMAH, 124 PICCADILLY”, lacking two
sewing notions, lock mechanism not in
working order
10cm high
(Qty)
WILLIAM PHILLIPS, BIRMINGHAM, 1833
the rectangular body with overall ribbed
decoration, the hinged cover with a
rectangular vacant cartouche, flowerhead
and foliate thumbpiece, gilt interior
82g, 7,3 cm wide
ILLUSTRATED
R 2 500 - R 3 500
720
A SET OF EARLY VICTORIAN SILVER
THREAD-AND-SHELL TEASPOONS, SAMUEL
HAYNE & DUDLEY CATER, LONDON, 1847
initialled, 284g
(12)
R 1 800 - R 2 400
721
A MID-VICTORIAN SILVER TEA SERVICE,
EDWARD BARNARD & JOHN BARNARD,
719
LONDON, 1854
AN EARLY VICTORIAN SILVER FIDDLE
PATTERN FISH SLICE, MARY CHAWNER,
LONDON, 1838
the blade pierced with foliate decoration,
195g; A Set Of Four George III Old
English Pattern Silver Teaspoons, Solomon
Hougham, London, 1812, initialled, 40g;
A Set Of Four George IV Fiddle Pattern
Silver Teaspoons, William Theobalds,
London, 1828, initialled, 97g; Two George
IV Fiddle Pattern Silver Teaspoons, Sarah
and John William Blake, London, 1820,
and Another, of Old English Pattern,
maker’s mark rubbed, London, 1823, 45g;
And A Set of Five George V Old English
Pattern Teaspoons, William Devenport,
Birmingham, 1912, 50g
(17)
comprising: a teapot, coffee pot, sugar basin
and milk jug, the baluster body chased with
flowerheads, c-scrolls and leaves enclosing a
cartouche on either side, the rims with shells
and foliage, on four acanthus leaf-capped
feet, leaf-capped double c-scroll handle,
detachable chrysanthemum finials, ivory
fillets to coffee pot and teapot handle, gilt to
sugar basin and milk jug worn
2356g, coffee pot 26,5cm high
(4)
ILLUSTRATED
R 16 000 - R 18 000
R 1 200 - R 1 500
ILLUSTRATED
R 4 000 - R 6 000
721
SILVER
722
726
730
A SET OF TWELVE LATE VICTORIAN
A LATE VICTORIAN SILVER SALVER,
AN EDWARDIAN SILVER CASED BREAD
SILVER TEASPOONS, GEORGE MAUDSLEY
BARKER BROS, BIRMINGHAM, 1898
BASKET, WILLIAMS LTD, BIRMINGHAM, 1902
JACKSON, LONDON, 1889
the shaped circular body moulded with
shell-and-scroll rim, the centre engraved
with a band of foliate decoration
enclosing a vacant cartouche, raised on
three scroll feet
1076g, 37,5cm wide
of wavy rectangular form with pierced foliate
sides, the centre with beaded border
349g, 28cm wide
the shell-moulded bowls with bright cut
decorated terminals enclosing a cartouche
initialled “D” with An Edwardian Pair of
Silver Sugar Nips, Sheffield, 1905, plain,
120g, in later case; A George III Old
English Pattern Serving Spoon, Edward
Lees, London, 1803, the gilt bowl with
later berry decoration, 62g; And A Pair of
Electroplate Berry Spoons
(16)
R 4 500 - R 5 500
727
A LATE VICTORIAN SILVER WAITER,
R 3 000 - R 4 000
731
AN EDWARDIAN SILVER ENTRÉE DISH,
WILLIAMS LTD., BIRMINGHAM, 1903
of cushion shape with gadrooned rim, the
cover with conforming detachable handle,
some distress to handle fitting
1716g, 26cm wide
R 2 000 - R 2 500
HAWKSWORTH, EYRE & CO. LTD.,
723
the shaped circular body with shell-andscroll rim, on three scroll feet
352g, 19,5cm wide
ILLUSTRATED
R 2 000 - R 3 000
732
A VICTORIAN SILVER-MOUNTED
CUT-GLASS SCENT BOTTLE, MAPPIN
BROTHERS, LONDON, 1896
the pale green and clear glass of globular
form, with foliate chased silver cover,
14cm high; And Another, marks rubbed,
Birmingham, 6cm high; And a 19th
Century Metal-mounted Scent Bottle, with
double-sided mounts, one side repaired,
13cm high
(3)
R 850 - R 1 200
724
A LATE VICTORIAN SILVER BOX, SYNYER
& BEDDOES, BIRMINGHAM, 1897
circular, the sides chased with flowerheads
and scrolling foliage, the hinged slightly
domed cover similarly chased enclosing
an engraved cartouche, gilt interior,
37g; A Silver Cheroot Case, Maker’s
Mark Rubbed, Chester, 1900, of plain
cylindrical form, 14g; And An Edwardian
Silver Sovereign Case, Collins & Cook,
Birmingham, 1901, of plain circular form
31g
(3)
R 500 - R 700
725
A LATE VICTORIAN SILVER BACHELOR’S
TEA SERVICE, FORDHAM & FAULKNER,
SHEFFIELD, 1897
each part lobed ovoid body with harp
handle, on a flat base, teapot with hinged
and lobed domed cover and composition
finial, engraved with initials, loose finial
405g all in, teapot 11,5cm high
(3)
R 2 000 - R 3 000
LONDON, 1898
728
AN EDWARDIAN SILVER CARD CASE,
JOSEPH GLOSTER LTD, BIRMINGHAM,
1902
of plain curved rectangular form, 8cm
wide, 43g; An Edwardian Silver Cigarette
Case, Samuel M. Levi, Birmingham, 1906,
rounded rectangular, the whole with
scrolling foliate decoration, initialled,
8,3cm wide, 60g; And A Silver Cigarette
Case, C.B. Thomas, Birmingham, 1915, of
plain curved rectangular form, initialled
123g, 11cm wide
(3)
R 1 200 - R 1 500
729
AN EDWARDIAN SILVER CRUET SET,
MAPPIN & WEBB, BIRMINGHAM, 1902
comprising: a mustard pot and two
pepper castors, the baluster body
moulded with c-scrolls and raised on four
leaf-capped scroll feet, urn finial, blue
glass liner, liner chipped, 185g, castor
9cm high; A Silver Cruet Set, London,
1956, Israel Freeman & Son Ltd, of plain
baluster form with gadroon rims, raised
on four leaf-capped pad feet,
mustard with acanthus
leaf-capped reeded
loop handle, mustard
lacking blue glass liner,
133g, castor 7,5cm high;
And Four Silver Spoons,
various maker’s and
dates, comprising: one
salt and three mustard,
20g
(10)
R 1 500 - R 2 000
R 8 000 - R 10 000
A EDWARDIAN SILVER-MOUNTED SCENT
BOTTLE, CHARLES MAY, BIRMINGHAM, 1905
the four-sided plain glass with foliate hinged
cover, lacking stopper, 9cm high; A Silver
Scent Bottle, maker’s mark CM, London,
1918, of cylindrical form with hinged cover,
small dents, lacking stopper, 4,5cm high;
A Silver Mounted Cut-Glass Scent Bottle,
Sterling Silver, stamped “G.E.W. & Co.
PATENT”, of cylindrical form, 7cm high; And
A Victorian Silver-Mounted Cut-Glass Scent
Bottle, Edwin Bell, London, 1888, the foursided clear glass tapering into a point, repair
13cm high
(4)
R 900 - R 1 200
733
TWO EDWARDIAN SILVER POSY VASES,
MAKER’S MARK INDECIPHERABLE,
BIRMINGHAM, 1906
each tapering cylindrical body on a
spreading foot, with wavy rim, loaded
23cm high
(2)
R 1 500 - R 2 000
731
129
130
SILVER
734
738
AN ASSOCIATED SILVER BACHELOR’s
A GEORGE V SILVER CIGARETTE BOX,
TEA SERVICE, W. AITKEN AND H.C.
MAKER’S MARK INDECIPHERABLE,
AN ASSEMBLED GEORGE V TEN-PIECE
DAVIS, BIRMINGHAM, 1906 AND 1919
BIRMINGHAM, 1926
SILVER-MOUNTED TOILET SET, MAKER’S
each part lobed ovoid body with harp
handle, on a flat base, teapot with
hinged and lobed domed cover and
composition finial, engraved with a
crest, loose finial
424g all in, teapot 13cm high
(3)
rectangular, with engine-turned
decoration to hinged lid enclosing
a rectangular initialled cartouche,
thumbpiece, small dents, 12,5cm wide;
And Another, London, 1942, maker’s
mark indistinct, plain rectangular, dents,
distress to wooden interior
13,5cm wide
(2)
MARKS A.P. AND T.P., LONDON, 1933 AND
R 1 200 - R 1 600
R 4 000 - R 6 000
R 3 000 - R 4 000
735
A GROUP OF THREE EDWARDIAN
SILVER TOP CUT GLASS BOXES,
VARIOUS MAKER’S MARKS,
BIRMINGHAM, 1906
rectangular with lozenge-cut glass,
the lids with floral-and-reed rims, the
largest 23cm wide, 122g of weighable
silver; And A Silver Mounted Scent
Bottle, 20th Century, .950 Standard, the
three sided concave glass with applied
floral silver decoration, detachable
cover with lidded spout
11cm high
(4)
R 1 500 - R 2 000
736
AN EDWARDIAN SILVER TWOHANDLED TROPHY CUP, J. WILMOT,
BIRMINGHAM, 1909
the circular bowl applied with broad
angular handles, on a raised spreading
base, wooden plinth, with inscription
918g , 23cm high
R 3 000 - R 3 500
1934
comprising: five cut-glass jars, two clothes
brushes, a hand mirror and two hair brushes,
with engine-turned decoration enclosing
a rectangular monogrammed cartouche,
mirror with some distress and small repair
mirror 27cm long
(10)
739
741
A SILVER CRUET SET, BIRMINGHAM, A GEORGE V SILVER QUAICH, EDWARD
H. MATTHEWS, 1927 AND 1928
comprising: four salt cellars, four
pepper castors and a mustard pot,
each oval body with wavy rim, raised
on four pad feet, blue glass liners,
469g excluding liners, pepper castor
9cm high; And Four Silver Spoons,
various makers and dates, comprising:
three salt spoons and one mustard
spoon, 18g; A Pair of Victorian Silver
Sugar Sifter Spoons, maker’s mark
H.M., Birmingham, 1876, the bowl
and terminal with scrolling foliate
decoration, 64g; And An Electroplate
Chafing Dish, maker’s mark W.D. &
S., circa 1900, the circular body with
gadroon border, double skinned base
and ivory carrying handle, the cover
engraved with leaf decoration and
surmounted by a detachable foliate
handle, lacking warming base
(16)
R 4 500 - R 5 500
VINER, SHEFFIELD, 1933
of octagonal form, the handles pierced with
foliate decoration
123g, 17,5cm wide over handles
R 2 000 - R 2 500
742
AN EDWARD VIII SILVER THREE-PIECE
CASED CRUET SET, EDWARD VINER,
SHEFFIELD, 1936
comprising: a pepper castor, salt cellar and
mustard pot, of octagonal form raised on a
circular foot, blue glass liner, pepper castor
10,5cm high, 155g excluding liner
(3)
R 1 000 - R 1 500
743
AN ELIZABETH II THREE-PIECE SILVER
CRUET SET, COOPER BROTHERS & SONS,
SHEFFIELD, 1965
comprising: a pepper castor, a salt cellar and
a mustard pot, of rounded rectangular form
with foliate border, raised on four scrolling
foliate feet, clear glass liners, pepper castor
10cm high, 367g excluding liners; And Two
Electroplate Salt Spoons
(5)
737
A GEORGE V SILVER BASKET, CHARLES
CLEMENT PILLING, LONDON, 1911
the shaped oval body pierced with a
band of ovolo and foliate decoration,
the rim moulded with four masks and
raised on four pierced feet
194g, 22cm wide
R 1 500 - R 2 000
R 2 500 - R 3 500
739
740
SILVER
744
744
A CANTEEN OF SILVER CUTLERY, J.B. CHATTERLEY & SON,
SHEFFIELD, 1968-1972
comprising: 8 dinner knives, 8 dinner forks, 4 serving spoons,
8 soup spoons, 8 fish knives, 8 fish forks, 8 dessert spoons,
8 dessert forks, 8 dessert knives, 8 coffee spoons, 8 pastry
forks, 3325g weighable silver
(84)
ILLUSTRATED
R 30 000 - R 40 000
131
132
SILVER
745
745
748
749
A PAIR OF SILVER SALT CELLARS, J.B.
AN AUSTRO-HUNGARIAN SILVER
AN AUSTRO-HUNGARIAN SILVER CHATTERLEY & SONS LTD., BIRMINGHAM,
AND CUT GLASS CENTREPIECE,
AND CUT GLASS CENTREPIECE, 1976
MAKER’S MARK V.M.S. INCUSE,
.800 STANDARD, 19TH CENTURY
ovoid with shell-and-gadroon rim, raised on
four pad feet, blue glass liners, 2,5cm high;
And a Pair of Silver Salt Spoons, same maker,
Birmingham, 1973, 78g of weighable silver
(4)
19TH CENTURY, .800 STANDARD
the oval form with gadroon rim, each
side surmounted by a seated young boy,
the base moulded and chased with a
band of acanthus-leaf decoration, raised
on four lion mask and paw feet, the bowl
with crenellated rim above lattice-work
decoration
56cm diameter
From the Estate Late Dr Marie Luttig,
Bernardi Auctioneers, Johannesburg,
18th November 1998, Lot No. 605
ILLUSTRATED
R 1 000 - R 1 200
FOREIGN SILVER
746
A 19TH CENTURY SWEDISH SILVER GOBLET,
MAKER’S MARK L. L. & C, 1856
the lower half of the bulbous body chased
with a band of leaves and anthemions,
flared lip, raised on a circular foliate chased
pedestal base, gilt interior
232g, 14cm high
R 800 - R 1 000
the centrepiece of tripartite form with
three putti, each draped in robes
and garlands and holding various
items, raised on three wing-capped
scroll feet, the tapering and reeded
centre column applied with a band
of acanthus leaves, the oval shaped
bowl cut with star, lattice and fan
decoration above a band of oval
lozenges, centred with a flower boss,
the interior sides applied with angels
enclosing a cartouche, one initialled,
the other engraved “1854 1/10 1894”,
the exterior applied with dragon and
scroll handles, 36cm high
From the Estate Late Dr Marie Luttig,
Bernardi Auctioneers, Johannesburg,
18th November 1998, Lot No. 603
ILLUSTRATED OPPOSITE PAGE
R 50 000 - R 70 000
747
A 19TH CENTURY FRENCH SILVER R 40 000 - R 60 000
750
A CASED SET OF SIX FRENCH SILVER
DEMITASSE SPOONS, .950 BOULENGER,
1876-1899
threaded border with leaf-and-gadroon
terminal, shell and husk pattern to back,
201g
(6)
R 600 - R 800
DINNER BELL
the bell with vacant foliate cartouche,
the rim chased with anthemion-band and
surmounted with the figure of a woman
draped in robes holding an open book, repair
79g
ILLUSTRATED
R 1 000 - R 1 500
747
SILVER
748
749
133
134
SILVER
751
SILVER
751
A RUSSIAN SILVER CHARKA SET, CARL FABERGÉ, MOSCOW,
ASSAYED BY A. ROMANOV AND PROBABLY LEV FRIDRIKHOVITCH
OLEKS, STAMPED 84, 1889
comprising: a decanter, six vodka cups and a two handled tray, flatchased with flowers, leaves and grapes, the decanter highlighted
with a bird
1215g in total, the tray 33cm wide over handles
(8)
ILLUSTRATED
R 150 000 - R 200 000
751 DETAIL
135
136
SILVER
756 PART LOT
756
TWO CANTEENS OF AMERICAN “CHANTILLY” PATTERN SILVER
CUTLERY, GORHAM, 20TH CENTURY
comprising: 2 sauce ladles, 2 gravy ladles, 12 table spoons, 18
dessert spoons, 18 dessert knives, 12 dessert forks, 24 dinner knives,
24 dinner forks, 6 soup spoons, 2 carving knives, 2 carving forks and
2 steels, 3827g of weighable silver
(118)
ILLUSTRATED
R 50 000 - R 70 000
756 PART LOT
SILVER
752
755
757
A CHINESE SILVER FILIGREE CARD CASE,
A CHINESE SILVER MINIATURE JUNK
A DUTCH SILVER BASKET, .833 STD,
UNMARKED, CIRCA 1900
SHIP, HALLMARKED ON SAIL, EARLY 20TH
1920
with serpentine edge, depicting a flying
dragon, Chinese chrysanthemums and
flying insects
41g, 10cm long
CENTURY
the pierced boat-shaped body with
beaded rim
25cm wide, 304g
R 500 - R 700
753
A VINTAGE CONTINENTAL SILVER AND
MESH EVENING BAG, .800 STANDARD,
PROBABLY GERMAN, CIRCA 1900
rectangular, with long chain handle,
mesh is accented with tiny bead fringe to
bottom, one bead lacking
R 600 - R 800
on a detachable foliate wooden base, 9cm
high; Another Chinese Silver Miniature,
early 20th Century, maker’s mark TH, in
the form of a fisherman, holding a fish and
a net over his shoulder, 5cm high; And
Another Chinese Silver Miniature, maker’s
mark indistinct, early 20th Century, in the
form of a pagoda, 5,5cm high, 56g of
weighable silver
(3)
R 1 200 - R 1 500
756
TWO CANTEENS OF AMERICAN
“CHANTILLY” PATTERN SILVER CUTLERY,
754
GORHAM, 20TH CENTURY
A SET OF TWELVE LARGE GERMAN
SILVER CASED DESSERT SPOONS, .800
threaded front with beaded engraved
terminal, 606g; A Cased Set of Six German
Silver Teaspoons, .800, of similar pattern,
engraved, 123g; A Set of Six German
Silver Coffee Spoons, .800, the terminal
with foliate and vacant oval cartouche,
71g; and A Pair of Cased German SilverHandled Fish Servers, .800 Standard
R 2 800 - R 3 600
comprising: 2 sauce ladles, 2 gravy ladles,
12 table spoons, 18 dessert spoons, 18
dessert knives, 12 dessert forks, 24 dinner
knives, 24 dinner forks, 6 soup spoons, 2
carving knives, 2 carving forks and 2 steels,
3827g of weighable silver
(118)
R 50 000 - R 70 000
R 3 500 - R 4 500
OBJECTS OF VERTU
758
A VICTORIAN SILVER CHATELAINE
SPECTACLE CASE, CHARLES BOYTON,
LONDON, 1888
of rounded rectangular form, the
front pierced with foliate decoration
enclosing a vacant circular cartouche,
against a diaper ground, belt clip
pierced with acanthus-leaf and foliate
decoration
88g, case 15,5cm long
R 1 200 - R 1 500
759
A 19TH CENTURY EUROPEAN SILVER
CHATELAINE, .800 STANDARD
the filigree belt clip suspended with
a filigree-mounted pin cushion, a
perfume bottle, double compartment
mesh purse and a needle case
chased with a hummingbird amongst
flowerheads, one bead missing
on purse, purse and pin cushion
apparently unmarked, chains on
perfume bottle need to be re-attached
R 3 500 - R 4 500
760
A SILVER AND ENAMEL PILL BOX,
ASPREY
of casket form, the body and domed
hinged cover enamelled with roses
and leaves on an engine-turned
background, the edges rimmed with
silver, gilt interior, impressed Asprey on
the base, scratch to cover
5cm wide
ILLUSTRATED
760
R 4 000 - R 6 000
137
138
SILVER
761
761
A 9ct GOLD INKSTAND, CIRCA 1916
unmarked, the rectangular stand with moulded border, on four foliate bracket feet, fitted with
two brackets for a triple pen rest and a square frame with a heavy cut-glass inkwell, the gold
hinged lid engraved with a stag’s head crest, motto JE SUIS PREST and the dates 1866 1916,
stand 300g, 18cm wide, fitted case by Mappin & Webb
PROVENANCE
Sold: Stephan Welz & Co., In Association with Sotheby’s, Johannesburg, August, 2000, Lot 435
Sir John George Fraser, politician and lawyer in Beaufort West and Bloemfontein. He was a strong
supporter of President Brand and chairman of the Volksraad from 1884 to 1896. He opposed
participation in the second Anglo-Boer War.
According to family tradition, this was a 50th wedding anniversary gift from King George V. This would
account for the piece not being hallmarked. Sir John married Dorothea Ortlepp in Colesberg on 18
April 1866.
ILLUSTRATED
R 120 000 - R 140 000
No lots 762 – 790
SILVER
761 DETAIL
139

LOT 756 - Stephan Welz and Co

Transcription

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