The Literary Hatchet, Special Edition #1
Transcription
The Literary Hatchet, Special Edition #1
Literary Special Issue #1 ISSN: 1547-5957 Literary M ASTHEAD publisher/executive editor stefani koorey production/design stefani koorey design consultant michael brimbau contributing writers richard behrens douglas walters denise noe david marshall james vicki jo indrizzo-valente sherry chapman eugene hosey michael brimbau daniel krentzman kat koorey shelley dziedzic larry allen stefani koorey grim k. de evil photography michael brimbau stefani koorey shutterstock.com print on demand partner lulu.com publisher PearTree Press The Hatchet has evolved over its existence—starting out as a bimonthly in 2004 and moving to a quarterly in 2006, springing to life with a focus on the Borden murders of 1892 and eventually including articles and essays about Fall River, Massachusetts, Victorian interests, poetry, prose, short stories, and humor. This special issue marks a new watershed—The Hatchet is launching a twice-yearly edition with the express concentration of literary creations thematically tied by the new subtitle: murder, mystery, and Victorian history. Yes, you will find stories and poetry about Lizzie Borden and Fall River, but not exclusively those motifs. For instance, by broadening our scope, we are able to publish new works that succeed in making us fear more than a flesh and blood hatchet-weilding murderer, but those terrible inner demons and abstract horrors that reside inside the human psyche, waiting for the proper amount of gentle pushing or pulling to squeeze to the surface and smother us in its leviathan grip. You will see new writers here, those who may not have a single Lizzie thing to say but can still chill us with their insight into the human condition. They come from all over the United States—Missouri, Florida, Ohio, Michigan, Massachusetts, Connecticut, New York, New Jersey, South Carolina, Mississippi, and Georgia! It is with great pleasure that we offer these original works for your reading enjoyment. If you like what you see, tell your friends and family, let your writer friends know about us and invite them to submit new material for future issues. We welcome contributions! Stefani Koorey www.hatchetonline.com the literary hatchet is published twice a year as a supplement to the hatchet: lizzie borden’s journal of murder, mystery, and victorian history (issn 1547-3937), by peartree press, p.o. box 540052, orlando, florida, 32854-0052, hatchetonline. com. contents may not be resproduced without written permission of copyright holder. the opinions expressed are of the artists and writers themselves and do not necessarily reflect the opinions of peartree press. copyright © 2008 peartree press. all rights reserved. 2 The Literary Hatchet The Literary Hatchet 3 TABLE OF CONTENTS SHORT STORIES the case of the melancholy scion by richard behrens boy’s monster by eugene hosey the maple wears a gayer scarf by david marshall james the spurned lover by denise noe the rime of edwin porter by douglas walters 6 44 50 56 66 2008, APRI L 4 HUMOR dead letter office by sherry chapman top 40 hits of the summer, 1892 by sherry chapman 48 62 POETRY do come in by larry allen who i am by vicki jo indrizzo-valente dear abby (borden) by denise noe buried bodies; sweet lizzie by grim k. de evil travesty and tragedy by daniel krentzman together again by larry allen try it yourself by larry allen the darkness by michael brimbau lizzie on trial by larry allen august names by grim k. de evil waiting by michael brimbau ode to domestic harmony by shelley dziedzic lizzie did you do it? by kat koorey 4 The Literary Hatchet 42 43 47 55 60 65 86 87 88 89 90 “ Let t he stor y be arr anged like t his: Let t he evide nce not all be t hrown at us in a lump, wit comme nt s before hand; but let it grow up as a stor y unfolds , so t hat e ach new turn is a surprise to us as it w as to t hose who s aw it happe n. Let t here be no nods or elbow- jog ging s from t he aut hor, no hint s , no specul ations . B ut let t he clues be sc attered shrewdly, for t he re ader to f ind if he c ares to do so. Let t here be half a doze n per sons , e ach suspec ted in turn , and e ach in turn proved innoce nt . Let t here be a spice of terror, of d ark sk ies and evil t hing s . A nd at inter v als , over our pipes and gl asses , let us discuss t he evi de nce .” John Dick son Carr : The Murder of Sir Edmund Godfrey The Literary Hatchet 5 [short story] The Case of the Melancholy Scion a lizzie borden girl detective mystery by richard behrens 1. Pressed In Lavender 1927. Fall River. The Hill. For Lizzie Borden, Andre de Camp will always be the Poet. In all her sixty-six years on earth, she had never been known to pay such reverence, silent or otherwise, to any member of the male sex, whether to applaud virtue or to praise physical elegance. But Andre de Camp, scion of a wealthy French family that had relocated to Fall River in the summer of 1877, a tall, brooding, and decidedly handsome bachelor of nineteen years, the product of private civilized education, brilliant and concisely intelligent, fastidious in his manly dress, and precise in his manners, held a special place in Lizzie’s estimation of the masculine half of humanity. She first glimpsed him at a midsummer charity event in the church hall of the First Congregational. Standing with his illustrious family—the father proudly wearing a decorated uniform, the mother and sister standing upright with pious concentration—Andre bowed his head towards Lizzie, just once, as if in humble supplication before a higher power. The gesture sent a chill through Lizzie’s being. She quickly became impressed with how the de Camp men were so very dif6 The Literary Hatchet ferent from the money-driven barons who banked her city, the uncultured factors and industrialists who would never design a cathedral or build an opera hall lest they consider it “a foolish dollar spent.” Andre de Camp may have been spawned from that same society class, yet he brought with it all the cultured elegance of Paris and the dark mysteries of the southern Languedoc, faroff locales that Lizzie had admired through sepia photographs of the mountainous region, with its lush outcroppings and deep-veined soil—a land she thought only existed in her dreams. Andre was a graceful aristocratic youth who, like herself, was more comfortable with the personal passions and the aesthetics of every day life than with the complexities of commerce. She saw in him not the proud Marshals and Presidents of France’s dusty past, nor the great Sun King in his splendid palace, but the simple shepherds from the paintings of Poussin, the noble musketeers of Dumas, and the provincial people of the tales of Flaubert. He embodied in his presence all the excitement, adventure, and beauty that she had admired in the great French paintings and novels that made their way to various Fall River parlors for her viewing admiration. In her opinion, he far outpaced in every manner the grown men of his generation. But for the rest of her days she would never speak his name aloud. Even as an aging woman of the Hill, secluded in her summer bedroom in the rambling Maplecroft, her manse and hermitage, alone as she looked back upon a dark and hidden life, she would only speak of Andre as the Poet, and then briefly, and then only to a chauffeur or a domestic who was not of her generation, who would never have heard of the de Camp family, or would never repeat her words to anyone in town who may have known them, and then only when she was caught off guard with some seizure of nostalgia for a Fall River that had once been and now was no more. But when the glimmer came in her aging eyes, and she spoke of the Poet, when she made oblique references to faces and places now lost to time and memory, when she hinted that once she had loved and felt within her breast a singular passion the likes of which had never been repeated, it was the summer of 1877 and the Case of the Melancholy Scion where her thoughts took her. Back to a time before she was the secluded spinster on the Hill, before she sat alone in church because no fellow citizens would occupy the pews adjoining hers, before she was accused of that terrible crime whose shadow she would never escape, back when she was young and fresh and alive; to the time when she walked the streets of Fall River with Andre de Camp, who also was young and fresh and alive, and who, despite her unwillingness to let her heart be so directly touched, had truly loved her. Back when she was Lizzie Borden, Girl Detective. / 2. Unsettling Revelations 1877. Fall River. South Main Street. Andrew Jackson Borden took his predinner constitutional from the front of his quaint Greek revival house on Second Street towards the tonsorial parlor, the post office, and the apothecary to respectively get a shave, check for his mail, and to inquire about the gastro-esophageal disruption pills his wife Abby needed for her burning chest pains. Threading his way through the narrow streets, surrounded by the bustle of pedestrian traffic, the whinnying of nags, the clattering of buggies, and the hawking of the fish mongers, Borden turned to survey the town that had given him birth and had nurtured him through his rise to prosperity. So many estate properties, he thought to himself. So many empty lots. If only I could possess them all, to have that locus of power over the domestic and commercial fate of every individual in Fall River. He allowed himself this one pure moment of magnitude, imagining an inflated likeness of himself that lay unrealized by his business colleagues, and then, with a wistful grin that barely moved the edge of his mouth, pushed on towards the barber for his weekly trimming. At that very moment, a short, squat man with a bulbous nose and bristling mustache stopped in front of Andrew, ungraciously blocking his path. “You’re A.J. Borden, I believe!” Andrew lifted his chin proudly. “I do have that honor.” The man’s mouth made a strange mumbling motion and then before Andrew could take refuge in flight, the man bellowed an almost incomprehensible “Feeeyaaaah!” and a large wad of saliva came flying across the distance between them, landing with sickening thwack on Andrew’s cheek. “Here’s for your thievery and your damned Ullsworth!” the attacker shouted. “Take a rest in one of your own flimsy coffins, why don’t you? Hang ye be to Arcady!” Then the man was gone, leaving Andrew to wipe away his indignity with a hastily drawn handkerchief. Ullsworth? Andrew pondered as a few passers-by giggled and pointed. Could that be the family he had driven from the Annawan Street property? Better for them, they couldn’t afford the rent, not on the cloth doffing salary that Tobias Ullsworth had settled for after the end of his whaling career. The wife and seven children were much better off as wards of the city, where at least they could be assured that they would be fed every day. But who had been The Literary Hatchet 7 his attacker? And what connection could he have with this Ullsworth? Surely, it took a dedicated passion to accost and insult a prominent citizen in broad daylight before gawking pedestrians. Andrew turned to head home but was surprised to see his young daughter Lizzie standing on the street corner in a pretty pink and white striped fantail skirt, fresh from La Mode Illustre, topped off with a cunning chip hat laden with silk pansies perched high aloft her curly hair. She was positioned by a lamppost with a far twinkle in her wide blue-gray eyes. “Daughter,” Andrew said, pointing in the direction of the fleeing assailant. “I am afraid you had to witness my unexplained ignominy.” “Father,” Lizzie said, her voice thinner than usual. “I did not see anything, for I am adrift in a waking reverie.” “You are indeed adrift. I don’t think that I have ever seen you in such ponderous daydreaming. What distracts you from your daily duties?” “I have been to the charity event this very hour on Saturday past.” “Yes, indeed. You accompanied Mrs. Borden and me. Emma, I believe, was home with a complaint.” “And at the Church I had occasion to see the party of Frenchmen who have recently joined our community from abroad.” Borden nodded, his mouth clenched. Rubbing his unshaven cheek, he explained, “The de Camp clan . . . mighty proud people. They bought the Durfee Estate and are in the process of establishing an importexport concern. The Comte de Rennes, the father, is an enterprising gentleman, albeit a bit taken with lofty matters such as art and music, subjects not quite befitting a man of his industrious character.” “They are highly cultured then,” Lizzie said, her eyes widening. “Oh Father, do tell me that they are versed in all matters of aesthetics. Poetries, romans-a-clef, sonnets and concertos, painting, and architecture. Tell me that young Andre can dance to a rondo as easily as he can recite Shakespearian soliloquies, that as a family they have that spark of creativity within that transcends the ordinary particulars of our daily labors and occupations.” 8 The Literary Hatchet Andrew heaved an unpleasant grunt. “If you mean do they listen to operatic clap trap, or read the ramblings of word mongers, then yes, Daughter. They are aesthetes.” Lizzie smiled, her face reddening in the afternoon sunlight. “I am glad of it. Young Andre has caught my fancy, but I think you must tell not a one about my feelings.” Andrew struggled to process this evidence of his daughter’s awakening womanhood. He knew in the past that boys had distracted her, but she always maintained a short temper and a feigned indifference, perhaps to avoid complications. And she had socialized with strange, undeveloped male specimens like Homer Thesinger the Boy Inventor, who presented himself more as a child despite his recent attainment of a height of six feet. But Andre, the handsome youth who had been introduced as Jacques de Camp’s scion, was altogether different. He was stern and determined, calm and centered. He was also two years Lizzie’s elder, and seemed strong enough to conquer her coquettish behavior if such was his will. No, this would not do. The de Camp boy must be denied access to Lizzie, by any means necessary. “Daughter,” Andrew said, his mouth tightening against the emerging words, “need I remind you that the Comte is a Roman Catholic? They attend Mass at St. Anne’s, don’t you know?” “Father,” Lizzie smirked. “By now you should know that when it comes to spiritual matters, I ascribe the choice of worship to be up to each and every man’s conscience. Besides, I am told that the Comte has a Protestant mother.” “Yes,” he grumbled. “Well, what then would you say if I told you that there is much scandal surrounding young Andre?” “Scandal?” Her eyes peered purposefully, trying to discern his meaning. “Whatever could you mean?” “Much has been discovered about the family since their appearance in town. I have already heard word from my fellow stockholders at the Mill, who make it their business to investigate the background of newly-arrived immigrants, that Jacques de Camp, the father of your beloved boy, has cleanly sailed through their careful scru- “Room 209,” she read, and then bade her father adieu with a tilt of her head. She headed for the staircase, leaving Andrew Borden fish-mouthed. The Literary Hatchet 9 tiny; but I fear to say that young Andre has not fared as well. The boy is known . . . ” Andrew paused for dramatic effect, “ . . . he is known to frequent Houses of Assignation. He is a Sporting Boy.” Lizzie felt the fluttering in her head long before she could digest her father’s statements. “Assig . . . ” she muttered. “Sporting . . . ” then she lifted a hand to her forehead and began her downward spiral towards the sidewalk. Andrew leapt forward and caught her in his arms. Her eyes were shifting violently back and forth under her lids. A man in a bowler hat, with trim mutonchops, emerged from the moving traffic of pedestrians and offered his services. “Is this young lady a’right?” he asked. “I am a doctor. Ah, Mr. Borden! I see Lizzie has taken ill.” Andrew recognized his Second Street neighbor, Dr. Seabury Bowen, and watched breathlessly while the doctor brought a cracked tablet to her nostrils. She groaned, showing signs of life. “Will she live?” asked Andrew grimly. “Examine her pallor,” said the doctor, pointing. “She has merely fainted. Nothing more.” Andrew scratched at his beard. “I suppose you want some brass for your services, Seabury.” “I am in your service,” the doctor said, trying to haul Lizzie to her feet and tip his bowler simultaneously. “No coin required. Let us just get the poor girl home.” Andrew hesitated, assessing Dr. Bowen carefully. “You do not mean to clap me with a summation upon our arrival? I will not honor it!” Dr. Bowen took a patient breath. “You need not fear any trickery from me. I am concerned only for the girl’s health.” Andrew huffed. “Be about your business, man. It is a harsh day when I confront an honest doctor. I will tolerate your aid for my Lizzie’s sake. Spring to it, man!” As he helped Dr. Bowen carry Lizzie the two short blocks to their home on Second Street, Andrew pondered Lizzie’s reactions to the revelations about the de Camp boy. He felt a brief pang of guilt over distressing his daughter to the point of fainting. 10 The Literary Hatchet “But my actions were all correct,” he rationalized. “No good could come out of Andre de Camp. Not for my daughter!” / 3. A Desperate Visitor Lizzie awoke in her cramped bedroom on the second floor of the Borden’s modest house. Fully clothed and reclining on her bed, her forehead beaded with sweat, she struggled to make sense of the tolling of the church bell. The small walls and their flowered paper caved in on her as she fought for her breath. “Lizzie Andrew!” came a sharp cry. Springing to her feet, she felt a disorienting rush of blood to her head as she nearly fell back onto the mattress. Her shoulders were caught fast by two hands that emerged from below a thin and chinless face that was now coming into focus. Lizzie’s elder sibling, Emma, was standing before her, a frown upon her brow. “My Sister,” Emma sighed. “Sometimes I fear that you have the falling sickness.” “No, Sister,” Lizzie said, bringing the back of her hand to her forehead. “It is Fall River that has the falling sickness!” Emma waggled her head as if trying to dislodge a disturbed thought. “I have ceased to attempt understanding of your inane ramblings. One would think that you had been secretly dropped on your head when you were a child.” “Would that the act were repeated to clear my mind of these worries.” A flash of recognition came across Emma’s face. “You are pursuing your consulting services again. I swear by all the heavens, Lizzie, that is all nonsense. Pay more attention to your proper duties.” “Emma,” Lizzie said earnestly, “I have heard this day that our town is host to Sporting Boys. And where there is Sporting Boys . . . ” Her eyes took a quick dart about the room, “ . . . there are Fancy Girls.” Her sister flinched with great discomfort at the phrases that she was hearing. “If such matters go on in this town,” Emma said with a shrug, “it is the province of the law to sort it out and the mandate of the Almighty above to judge their sins. For now, all we can do is suffer our mundane tasks upon the earth.” “Mundane tasks?” Lizzie suppressed a spontaneous chuckle. “Yes, mundane. Mrs. Borden has some paper wrappers for us to address. And I believe there is a buggy to bring to Swansea Farm. Do you not remember that today is Wednesday? Now be downstairs in a few moments, composed, and alert.” Emma darted from the room, more frustrated than concerned. Lizzie stood alone, staring into space, thinking. After changing her downstreet ensemble for a cotton calico and stout tie oxfords, clothing more suitable for scrambling after eggs in a chicken coop, Lizzie came down the front stairs of the house to find her stepmother, Abby Borden, by the front door. Abby was a plump woman of fortynine, with a dour and haggard face, as if she had spent the better part of a lifetime trying to feign cheerfulness with little reward. “I am glad to see you well,” Abby said cursorily, handing her a stack of paper wrappers. “Mr. Borden is hiding in his room fearing Dr. Bowen’s summation. One day that man shall be the death of us.” From the sitting room door emerged a handsome man, his warm eyes twinkling above his mutton-chopped mustache. “Miss Lizzie,” he said, nodding his chin respectfully. “It is I, Dr. Bowen. I trust you are feeling much better?” “Very fine, doctor. I have never felt better. Are you the man who aided me in my time of distress?” “I have that honor. Even I, a poor medical man, attempting to establish himself with such modest resources, am happy to be of service to the great Lizzie Borden, Girl Detective of Fall River.” Abby groaned, her hands fleeing into her apron. “What nonsense! Girl Detective indeed!” “Your daughter is quite an accomplished woman, Mrs. Borden. I am pleased to see her fine and healthy. Now it is for her father I fear. He seems to be in a state of apoplexy, as if something is weighing upon his mind. He muttered about a man who accosted him in the street.” “I believe Father said something about it,” Lizzie said, “but I do not think that I remember.” Abby sighed. “Your father does indeed have many enemies since he has elevated his station in life. No doubt many of them wish him harm.” “I believe it was an English bard,” Dr. Bowen added, “who described the King that must wear the crown as having an uneasy head. Sleep comes dear to such a man.” “Amen,” Abby concluded. “Now, Lizzie you have chores to run. Emma’s in the barn, harnessing the rig. I suspect she’ll call for you shortly.” Dr. Bowen removed his bowler from the standing rack, bid the ladies good afternoon, and took his leave. Abby bolted up the door after him. “There are some doctors in this town who are decent at heart, Mrs. Borden,” Lizzie said smugly. “Don’t let Father begrudge such a man.” “To your chores!” Abby quipped. “Don’t dally, there’s much to be done. It is Wednesday you know!” Lizzie took the wrappers and entered the kitchen where the stove was ablaze and some papers were already burning. Staring into the grate, Lizzie could see that they were legal documents touching upon property estates. For a brief moment, Lizzie thought she could discern the name Ullsworth on one of the papers. Something flickered in the back of her memory. Something she had heard while drinking her Ayers’ sarsaparilla at the fountain with her friends, something about a whaling man who had vanished and his indigent wife and children. She was about to reach in and try to salvage the paper when she sensed a fluttering in the air behind her. Spinning about, Lizzie was facing her stepmother who stood with her hands thrust into her apron, a look of astonishment on her face. “Lizzie Andrew,” Abby said, her voice humbled. “There is a gentleman to see you. I do believe he is a gentleman despite his garish appearance. Although I doubt your father would ever allow such a person into his home.” “Garish? Is he fancied up like a saloon performer?” “No, he is . . . well, perhaps you’d best see for yourself.” Lizzie came back to the parlor to find a very tall man standing by the piano. He was The Literary Hatchet 11 jowly and broad, covered in a red brocade of fine military threads, his feet planted firmly on the carpet, his strong arms bent behind his back. A domino mask obscured his eyes and nose, and a broad cape flowed like a theatrical curtain behind him. His mustaches extended below the mask and stood firm and proud, like they were testifying a profound “Yes” to the vagaries of life. And while his mustaches were displaying defiance against darkness, his jutting chin was mastering the art of adjuration, with an opulence that spoke of an abandoned country and a melancholy exile. Here was a man that radiated energy, masculine and forceful. Lizzie felt self-secure enough to stand firm before him, and to extend her hand without diverting her eyes from his piercing gaze. He gave a brief smile. “Miss Lizzie Borden, the Girl Detective.” Lizzie held out her hand and he gently pressed his lips to it. “Forgive my forgery of identity,” he continued, “for I have a high position in this town’s industry and I must keep it secret, even from you, my potential consultant.” “I am intrigued.” Lizzie waved towards the pillowed sofa. “Please have a seat and explain to me how I can be of service.” “I prefer to stand,” the strange visitor exclaimed. “It provides extra labor for the legs, but my circumstance is such that at a moment’s notice I must spring like a lion for shelter. I cannot be too safe.” “I see,” said Lizzie, occupying the sofa with a coquettish descent. “Please explain to me how I can be of service to you.” He executed a hasty cough, his mustaches quivering, and then he began: “I represent a rather large number of Fall River business men, many of whom are aware of my identity but none of whom know that I am consulting with you. Besides yourself, your most polite mother, and the coachman who is in my private employ, no one knows of my visit here today.” “That is Mrs. Borden,” Lizzie corrected him, nodding towards the door that Abby was, no doubt, pressing her ear against. “She is not my mother.” Lizzie raised her voice to proclaim, “My mother is dead.” “Ah, I see. You must forgive my faux pas.” 12 The Literary Hatchet “No offense taken, Mr. . . . uh . . . ” “You may call me Chace. Yes, that name would be suitable. But I may resume with the narrative of my situation. I am in communication with a number of European concerns that are investigating the Fall River market, primarily interested in buying up stock in industry here. Some of those concerns have ties with the royal families of Eastern Europe. As you may know, there is quite a fuss going on abroad due to the conflicts with the Ottomans over the Slavic lands. England and France are quite busy with their espionage and intrigue, both of them taking sides one way or the other with the Russians over this terrible conflict in Bulgaria. The Russian army has crossed the Danube and is laying siege as we speak to the city of Plevna. The death toll is mounting, and there are those who wish to see a hasty end to this campaign.” Lizzie nodded. “I read the Fall River Herald on a daily basis, Mr. Chace, while I heat my irons. I have perused some editorials about the affair with the Turks.” “Then you are aware that Europe is now a powder keg waiting for a match to fall upon it. And when that happens, there will be a conflagration such as the world has never before seen.” Lizzie sighed, meditating upon the foolish games of powerful men and all their silly armies and conflicts. “There does seem to be quite a large amount of consternation. I can imagine the outcome of such an imbroglio. But what has this to do with anything I can help you with?” Chace rocked on his heels. “A Russian noble of some reputation has bought up large amounts of textile stock in order to raise funds for a private army to fight the Turks. I was to be the liaison between the Russian and a certain European government. He has sent an agent, an inventor, to speak on behalf of Russian industry.” “What could this Russian possibly have to offer the foreign government that could be so valuable?” asked Lizzie. “And why Fall River?” The eyes under the domino mask darted from side to side as if scanning the room for spies. “The Russian inventor has laid out the plans for a new self-acting Mule which, when it was combined with the new Hayes and Drumpet Throstle Spinner and put into production at his test plant in Moscow, quadrupled his yarn output and tripled his pick per yard. We intend to sell this patent for the self-acting Mule to the highest bidder in Fall River while retaining a commission on each yard spun using the technology. This particular Mule technology will revolutionize the entire industry. The first manufacturer who adopts it will become wealthy beyond his imagination and the Russian shall have his privatelyfunded army to fight the Turks and raise the siege of Plevna.” Lizzie shrugged. “Personally, I prefer the simple pleasure of a summer’s afternoon eating pears in the yard, but I can see that when money and power are involved, men would do anything to exploit the common mill worker.” “Yes, it is very true. But if Herr Marx should have his way . . . well . . . ” Mr. Chace raised a handkerchief to his sweating brow. “That is a story for another time.” He stared in reverie at the far wall, his mind lost in some anguished internal debate. “So you tell me that this Russian is in Fall River with the plans for his invention?” Lizzie asked, picking up the thread of conversation. “Yes, but there is one particular person who he did not count on. His plans have been stolen!” Lizzie raised her hand to her mouth. “My Lord!” “Yes, there has been perfidy of the most sinister kind. This Monday last at ten in the evening, while the Russian inventor was asleep in his hotel, a scoundrel entered the premises and stole the plans.” “Did he not have them locked up somewhere for safe-keeping?” “Ah, that is the embarrassing part. He had ingeniously stowed the plans inside a medical . . . uh . . . how do you Americans say it? a pessary? that he inserted into a chamber of his own anatomy. Modesty forbids me to locate the particular chamber in which the pessary was stowed.” “I see,” said Lizzie, blushing slightly. “I believe it is a suppository you are referring to.” “Mais oui! Yes, indeed. A pessary! The fiend put him to sleep with liquid ether ad- ministered with a cloth over his nose, and then went to work extracting the container.” “Such a hiding place would not easily be accessed,” Lizzie sighed. “But when a man is unconscious, all sorts of violations are possible.” “Yes, that is exactly what I said to the foreign government. But they did not find such comments amusing. They told me I had twenty-four hours to find the plans, and that if I did not produce them before the arranged time for the meeting with the mill owners on Friday afternoon, I shall be removed immediately from my position as liaison. In such a case, I shall return home a ruined man, all my investments cancelled, and my prospects in America reduced to nothing. Hence the desperation with which I approach you.” “Time must be of the essence,” Lizzie suggested. “More than you can imagine, Miss Borden,” Chace confirmed. “Even more at stake than my own reputation is the fate of Europe. If the patent negotiations break down with the Russians, the balance of power will shift to those nations backing the Ottomans. All the stresses and tensions that are holding Europe in check will unravel and there will be a violent and bloody war amongst the nations. Shall I say, a world war, to coin a phrase.” The tall, mysterious man paused for dramatic effect. Out in the street, a nearby church was tolling the hour. The clopping of horse hooves and the crying of the fishmongers lingered in the room. A darkness came over Mr. Chace’s masked face as he waited for her to respond. Lizzie took a deep breath. “But why come to me?” she asked. “I am merely the youngest daughter of a furniture salesman. I have no particular aptitude in dealing with industrial politics, far less military wars abroad.” “But you are Lizzie Borden the Girl Detective! Amongst the board members of the leading mills, you are notorious for bringing down Livermore, the mill owner who killed his own plant manager. You have shown fortitude, intellect, and powers of detection that some consider uncanny. I come to you as my last hope to save not only my paltry self, but to help maintain The Literary Hatchet 13 the balance of power in Europe.” “Yes,” Lizzie shrugged. “I did perform quite well during the Case of the Purloined Curio, and I was commended by no less than the Mayor himself for the Adventure of the Antiquated Blunderbuss, but I still don’t agree that you have to hide from me, Monsieur Jacques de Camp, Comte de Rennes!” “Zut alors!” came the bellowing reply from the sturdy giant. His cheeks went slack, and his hands fell to his sides. “I am undone! How did you know?” “It is simplicity itself,” Lizzie proclaimed. “You are doing an appreciable imitation of an American accent, but there are certain nuances in your nasality that bespeak of a French origin. Further, your mustache is of a particular cut that I have seen only in Daguerreotypes of gentlemen from the hills around Carcassonne in the Languedoc. And I do believe I see embossed on your forefinger’s ring the characteristic coat of arms for the Merovingian lineage, long since vanished from the Franco-Monarchial scene, but forever bound with honor and respect within the de Camp line, which I have studied at my local lending library, exhausting its modest resources on the topic. “As for all your tales of Russian and Turkish conflicts, one need not go further than the few scraps of articles that can be read while heating flats for a grand session of handkerchief-ironing to know that England is attempting to stop the Russians from going to war against the Ottomans, while France is wholeheartedly backing the Russians’ campaign. Further, the French government has recently investigated land grants in the Taunton River area for possible development of mills that would be run by France’s own interests. One cannot put all these facts together without deducing from them that you are indeed a French investor recently imported into Fall River, and the only French investor that fits that description I know of is Jacques de Camp, who I have scrutinized at a charity event this Saturday past, and who has the same hair styling as you, not to mention the same mustache, jowls, and green-gray eyes. The domino mask and the perfected American accent did not fool me one jot, for I am a 14 The Literary Hatchet Girl Detective!” De Camp was thunderstruck. His mustache puffed with his cheeks. “How extraordinary,” he roared, his French accent becoming more apparent. “And in one so young! How can you doubt your abilities after such a display? The Russians are almost assured that their precious self-acting Mule plans will be retrieved. My commendations!” He bowed low, almost to the ground. Upon his upsweep, Lizzie said with a wry smile, “How delightful that a cultivated man of such stature should bow to me, a poor little girl in such a modest little house.” She laughed and raised her hands to her mouth. “Oh dear, that is precious! Well, Monsieur le Comte, you may relax and remove your disguise. How may I be of assistance to you in this very strange affair?” With all pretense tossed to the winds, the French aristocrat, with a sweeping gesture, removed the mask to reveal a handsome, if not rugged, face and deeply intelligent eyes. “I want you to find the Mule plans,” he announced. “But where do I begin? The thief must be miles from Fall River by now.” “No, I believe him still to be in this city. The only clue we have is this signet that was left behind at the scene of the theft, presumably by accident.” De Camp lifted up a ring that glimmered in the sunlight shafting through the parlor window. Lizzie took it for inspection and saw a crimson letter “A” centered on the ring’s face. “I have not seen this before,” Lizzie said, a shudder coming over her. “I have. It is the sign of a secret society that operates right here in town. The Arcady Society. I’m not quite sure what their objectives are, but it seems likely that they are nihilists whose only goal is to topple the Tsar from power and bring about a worker state in Russia. They have a vested interest in preventing the Russian expansion into the Crimea and God alone knows what their plans are for Fall River.” “And this ring is a symbol of their Brotherhood?” “Yes, the letter “A” is a symbol of the sudden violence that will erupt when the common man is ready to rise above his masters. They are, no doubt, influenced by Bakunin and his lot. I do believe elements of their society, inspired by the successful assassination of your President Lincoln in 1865, are planning the same fate for the Tsar. They are aware that my mission in Fall River is an obscure but crucial step in the Tsar’s plan to reinforce his military victories.” Lizzie curled her fingers around the ring and sighed. “I find this all most fascinating,” she said. “I would most heartily love to work on the case.” “I can reward you handsomely. Money is not an object. My purse is open for your use.” “No need. My consulting services are done purely for the good of all people everywhere. I have no material needs to compensate. I do, however, have a few questions regarding the robbery. How big is this container?” “About the size of a peach pit. The plans, which have been printed on delicate tissue paper, are folded very tightly. But recall, Miss Borden, that the plans may no longer be in the pessary.” “I am aware of that. Of what material is it made?” “Solid iron, embossed with the Romanov coat of arms, and with a hinge that opens unto its cavity.” “This Russian inventor, from where does he hail?” “St. Petersburg. He has been sent straight by the Tsar himself to secure the contracts with the Fall River businessmen.” “Where did the theft take place?” “At the Hotel Wilbur, not more than ten minutes walk from this very house.” “Do the textile men know of the unfortunate robbery?” “Mon Dieu! That would mean disaster. They are currently under the impression that we will be presenting the plans for the self-acting Mule by this time Friday morning.” “That is most unfortunate. This ring that you found in the hotel room of the Russian, was it simply lying on the floor? I find it unusual that a ring can so conveniently slip off an intruder’s finger.” “Ah,” de Camp said, screwing up his eyes as if trying to find the exact words. “The ring was not exactly lying on the floor. It had fallen off inside the Russian during the process of extracting the pessary.” “Oh,” Lizzie said with a shudder. “Yes,” de Camp sighed. “Please do not ask for details on how we discovered it. I am not used to discussing such matters with a young lady. Needless to say, the Russian is mortified beyond words and for security purposes has been sequestered in a safe place far from this town.” “We shall save the details for another day,” Lizzie agreed. “I would like to see the hotel room where the Russian was assailed.” “By all means. Be at the Hotel Wilbur this very afternoon. I must exercise discretion and disappear from the scene. So you shall rendezvous with my son, Andre, who will represent me in this matter. Report to the lobby of the Wilbur at three on the clock.” Lizzie’s chest tightened. “I don’t believe I have had the honor to meet your son.” “Andre is a fine garcon, just turned nineteen. He has a bit of a fiery disposition and he is very strong in his opinion about foreign affairs. We often clash over such matters, but he is loyal to our famille Languedocienne. The bloodlines run very deep and he is a proud scion.” Lizzie rose to her feet. “I shall meet your son then at three at the Wilbur Hotel.” “Three o’clock!” The Comte de Rennes bowed once more, tucked on his domino mask, and ushered himself towards the front hallway. “A bientot,” he said wistfully. From up the hallway came Emma’s thin voice. “Lizzie, I have rigged up the buggy, with no help from you, thank you!” Then she appeared in the parlor, dressed The Literary Hatchet 15 in a flowery hat, just as the Comte spun on his axis. Emma had barely caught a darting glimpse of the man in the cape and the mask, when she let out with a bellowing shriek. All the color drained from her face and her hands raced towards her face. “Emma!” Lizzie said, just as startled. But it was too late. Lizzie’s older sister had bolted for the front stairs and was stomping upwards towards the safety of her bedroom, making strange whimpering noises. “I am profoundly apologetic,” de Camp said, with a nod towards Lizzie. “If I had known . . . ” “It’s all correct, Monsieur le Comte,” Lizzie said. “Emma is used to far worse.” Lizzie stared at him through the window of the parlor as he descended to his waiting carriage in the street. She sighed, thinking of the boy she most dreaded, and most wanted, to meet. / 4. The Sporting Boys The Wilbur Hotel was up North Main at Granite Street. Lizzie managed to get there without a buggy and arrived just before three, as a work team was unloading water barrels from a horse-drawn cart. A large banner straddling the main entrance boasted of the hotel’s finer qualities: FALL RIVER’S WILBUR HOTEL An Ordinary of Most Excellent Attributes Today: The Boston Barkeep Furniture Corporation Conclave Displays of Stools and Mirrors by Master Craftsmen Fine lodging for transients and permanents Beer, oysters, and horse-keeping Elocution lessons by Professor Joseph Maple, Esq. of New Bedford Rooms Available Restaurant Attached – Victuals At Most Excellent Prices King Darius Wilbur, Proprietor Samuel Samways, Bar Keep 16 The Literary Hatchet The lobby was bustling with an influx of folk from as far as Providence, Boston, and even from the wilds of northern New Hampshire, for the Wilbur was playing host that weekend to a convention of saloon-furniture salesmen. They paraded around the lobby, these men of varnished wood and beveled mirrors, their top hats nestled in their forearms, their mustaches glistening with wax, and their rattling wives beside them. In the center of the lobby was a large casket, presumably filled with beer, and a burly bartender in a bleached cloth smock was handing out samples in hardwood mugs. Lizzie was surprised to see her father wandering the crowd, not particularly connected to anyone, but occasionally giving a grim nod to a passing gentleman. He twitched imperceptibly as his daughter appeared before him, planting her parasol firmly between her feet. “Father, I did not think that you took an interest in the latest fashions in bar stools?” Andrew twisted up his brows. “I am merely memorizing the faces. They are competition, you know. But what brings you to the Wilbur, Daughter? Certainly you have not been seized with the desire to sample Master Samways’ Home-made Hops?” “No, Father. I am on a case.” “That nonsense business you started. I sincerely hope that you are being paid well for your troubles. A penny worked for is a penny in the pocket. I wouldn’t have it any other way.” Lizzie smiled as the nearby town hall tolled three o’clock. A thin beardless bellboy in a small hotel jacket approached Lizzie. “Miss Borden?” he asked in a voice crackling with adolescence as if he were growing upwards before her very eyes. He handed her a note that she unfolded. Noticing her father staring at her intently, she reached into her purse and pulled out a coin that she tossed to the grinning bellboy. “Here you are, my hard working lad—a penny from my pocket.” He hopped away merrily as Andrew scowled at her wasteful habit. “Room 209,” she read, and then bade her father adieu with a tilt of her head. She Lizzie was taken aback by his garish gesture. “But you didn’t answer my question,” she added. “What did you hear and see?” headed for the staircase, leaving Andrew Borden fish-mouthed. “My own daughter, not yet eighteen,” he stammered. “Unescorted to an upstairs room. What more horrors can this modern world bring?” As Andrew turned to leave, he spied in the corner of the lobby three young boys dressed in lean, long broad coats, watch chains, and high boots, laughing and spitting their cigar smoke into the choked air. Two of them were fitted out in bowler hats, and the tall, lanky leader in the middle was balanced under a high opera hat that served to exaggerate his height. It was the Sporting Boys, the nattering nabobs of Fall River, grinning and roaring with chummy ostentation. Andrew noticed that as Lizzie ascended the staircase, the Sporting Boys were poking each other and pointing in her direction, their eyes filled with boyish leers. They were commenting upon Lizzie’s elegantly draped posterior as it sashayed up the staircase, much to their amusement. Their thin leader pumped his legs up and down as if he were a strutting rooster. “B’hoys!” he chortled. “Need we neglect Miss Lizzie Borden of Second Street and the fine young hams she’s leaving behind for our viewing pleasure?” The Boys roared. “Get out me tape measure, my skenchbacks!” one of them shouted. “My, what gazing stock!” “She’d make a good Bowery G’al at dragging time! I mind you!” the leader shouted. Andrew bit his lips and took a few awkward strides across the lobby to where the Sporting Boys were posturing, staring them down as their laughter subsided. The leader in the opera hat patted his chest. “Andrew Borden, I believe,” he said proudly. “Who may you be?” Andrew bellowed. “Your countenance is vaguely familiar.” The boy tipped his hat and grinned. “Frank Rivers, how may I be of service?” “I have heard of you, Rivers,” Andrew The Literary Hatchet 17 growled. “You and your associates here are mere sensualists. But I’m not afraid of your secret language and your fancy airs, and I am appalled by your rendezvous with women of fallen characters. Your libertine antics may go over in fancy cities, but not in Fall River: this town is full of respectable folk! Be gone immediately and take your rabble with you!” The smile on River’s face was defiant. He tossed a side-glance to his two companions who seemed to be hovering around his facial expressions looking for guidance, and then he plastered down his soap locks, stepped forward, and leaned in towards Andrew’s sinking eyes. “No time for curtain lectures, I have a right to be in this public place,” he said wickedly. “I paid my coins for a room, and so did my B’hoys here. And don’t go apple bonking our fuzzle talk. We adopted it right from Paradise Square in Manhattan Island and it’s proper for all my skenchbacks.” Andrew raised a straining fist. “No matter where you obtained your wicked speech, I cannot allow your vulgar remarks touching my daughter.” The thin wobbly-eyed boy next to Frank Rivers stepped forward. “Hi hi, cousin! Ol’ Frank here won’t be remarking anything touching your daughter before he can remark on anything worth touching.” Andrew’s head went hot and he shook a curled fist. “Don’t go near my Lizzie or . . . ” His eyes turned red with anger as he bellowed, “Or I’ll twist off your heads!” Then, having expended his courage and energy, Andrew seemed to vanish into the air, only to reform at the center of the lobby, heading towards the street. Frank Rivers turned to his chuckling companions and smirked. “Lam him, B’hoys!” he howled. “I am trembling in my boots!” At his lead, they broke into laughter as Andrew disappeared between the endless displays of bar stools and spittoons. / 5. Deductions & Romance At the top of the staircase, Lizzie found herself looking down the end of a long hallway that stretched southward between two parallel rows of doors. Halfway down, 18 The Literary Hatchet a man in a dark brown suit sat on a stool slanting backwards, humming wistfully to himself. As Lizzie alighted onto the landing, he straightened up, then scrambled to his feet, and respectfully removed his hat. He was a large bear of a man, middleaged and paunchy. A drooping mustache obscured his mouth. He wore a long darkbrown greatcoat that seemed un-seasonal and was stained with the dust of the road. “Miss,” he said, blinking at her. “Are you the detective from Pinkertons?” Lizzie asked. “Pinkerton, Miss,” he said proudly. “I don’t believe I catch your meaning.” “The name’s Pinkerton, Miss. Fred Pinkerton of Pinkerton Brothers Private Security Firm.” “I see, your name does ensure confidence,” Lizzie said, chuckling slightly into her gloved hand. “The French boy is waiting,” he announced. On the door paneling behind him were the gilt numbers 209. With a soft touch, Lizzie pushed the door open and stepped inside. Inside it was dark and stuffy. Only a few beams of sunlight slanting through the closed shutters enabled her to see a shadowy man standing in the corner. At first, she considered her situation to be one of immediate danger, alone in a hotel room with a stranger who had not yet identified himself. After all, this was the room where the Russian inventor had been scandalized. But, trusting in the delicacy of the moment, she swung the door shut behind her. The shadow moved into a shaft of sunlight and Lizzie recognized immediately the bespoken Saville Row suit jacket, the youthful attempt at a military mustache, the twinkling eyes. Even the West Indies Bay Rhum that danced in the air between them whispered the name and title: Andre Louis Jacques de Camp, the Vicomte de Rennes. “I know you,” she said, remembering her father’s ominous words about Andre’s Sporting Boy life style. Why would the Comte send her into such a dangerous position? “I know you too, Lizbeth Andrew Borden,” Andre said with a slight merri- ment. “I assure you that there is no danger here. Be at ease and join me in solving this wretchedly-complicated and ever-deepening puzzle.” Lizzie’s breathing came more easily. His voice was fine and equally well mannered. This comforted her. “The name is Lizzie,” she corrected him. “Then Lizzie shall it be.” He pointed towards the brass bed and the carpeted floor. “Mais bien sur, this is indeed a strange field upon which we are now treading. Here we have a room where a crime took place. A man was assaulted and something was stolen from him. What do you see in this room, Lizzie Borden? What scenarios can you deduce from the remains that Monsieur Tchakorov left behind?” With a daring flourish, Andre drew back the shutters and let the bright sunlight flood the room. Lizzie was suddenly overwhelmed with an intense amount of detail. She paused, put fingers to her chin, and peered about. Then, while Andre stood at attention with a wry smile, she perambulated the length and breadth of it, peering into corners, examining surfaces, bending her knees to see beneath the furniture. She picked up nothing, but examined everything, maneuvering her body to change her line of sight before cuspidors, bedposts, cabinets, and the writing desk. She sat in a chair, smelled a bouquet of flowers in a vase on the writing desk, cast a winking eye at some framed pictures on the mantle, waved her fingers over a clump of charred wood in the fireplace, and pressed her shoes heavily against randomly-selected floor boards. She nosed through the clothing laying on the rumpled bed sheets and the heaps of linen lying on the floor. A pile of papers in the wastebasket occupied her attention for several moments. Lastly, she inspected a painting that hung upon the southern wall, a copy of a rustic scene by Poussin of several shepherds gathered about a stone tomb. The painting stared back at her with an unsettling feeling of mutual fascination. She came back to the center of the room and stood proudly before Andre. “I have comprised a scenario,” she proclaimed. “For your amusement I shall state it.” Andre gave her a permissible wave of his hand. “I did not know the name of the Russian until you just uttered it,” she said. “But I can say with confidence that he is a proud man from a wealthy family that has recently come upon hard times. He was forced into the business of selling mill technology by the unfortunate death of his wife which has left him with two small children to support.” Andre stared blankly at her. “Go on,” he said. “He was in this room for two days before his unfortunate assault. During that time, he indulged in real estate speculation. No doubt he felt that migrating to America and bringing his children to Fall River would provide them with a future that cannot be realized in Tsarist Russia. He also sees Fall River as an excellent town for his new bride-to-be since her career as an equestrian acrobat has come to a very tragic end.” “Excellent,” Andre said with a reserved smile. “I can’t imagine how you perceived many of the details in that portrait, but I did witness you examining the postcard upon the dressing table from the Louise Soullier Circus with the inscription from Marie confessing in French her deepest love and the prospects that await her in America.” Lizzie nodded towards the dresser. “Moreover, the clothing that you had laid upon the bed and the charming but sad bouquet of flowers on the writing desk have provided me the opportunity to reconstruct his recent past. As for the clothing, the fine quality of the suit shows a man of some means, but it has in the past year been washed so often its colors have faded, showing a recent down turning of his luck, no doubt happening simultaneously with the passing of his dear wife.” “What does the bouquet tell you?” “Through a correspondence course with the Ophelia Society of Boston, I had the opportunity to study the fine art of floriography and floral management within parlors and sitting rooms. After completing the Home Guide To The Secret Language of Flowers, I had trained my eye to perceive the elegant messages that were being scripted within the combination of floral The Literary Hatchet 19 arrangements. Tchakorov, being from St. Petersburg, takes a very romantic European approach to this art. In this bouquet, he has blended together crimson tea roses that show a melancholy loss, something that he has vowed never to forget. The presence of the scarlet nasturtiums led me to believe that there was a military death, perhaps a brother in the Bulgarian campaign, but the nasturtium also symbolizes patriotism, perhaps reflecting a period after the profound loss where he attempted to regain his emotional composure through world affairs. The pheasant’s eye and blue periwinkles that are so mournfully laced at the corners show a sorrowful remembrance, that his feelings once so potent and devastating were mellowing into a sublime melancholy. The white poppies whisper of a striving for forgetfulness, a moving on, so to speak.” “So far,” Andre confirmed, “this is ‘all correct’ as you Americans are so fond of saying. What about the equestrian brideto-be?” “Ah, the full-blown white rose in the center that blooms above the rest speaks loudly of a return of hope and the dawning of a new happiness after a long sojourn in a wilderness, no doubt a wilderness of a mental nature. One can only guess that Tchakorov has felt a new love dawn. The enthusiastic postcard from the French horse woman that bespeaks of a life together in America fulfills all my floriographic interpretations.” “And the real estate speculation?” Andre asked. “The caked mud on his boots is peculiar to a lot that is being developed just around the corner from Annawan Street, one that Mister Southard Miller has put up for sale. Near this lot is a tobacco shop that sells the Louisiana Perique that has a moist vinegary smell, the same smell that hangs so pungent in the air about us. No doubt the property came to his attention on one of his trips to obtain his treasured tobacco and he managed to get access to the property through the builder’s agent.” “He may have been strolling for relaxation and entered the property out of mere curiosity.” “Ah, but his beloved Marie claims that she will be very happy in America. There 20 The Literary Hatchet are also the three books on the bureau, clearly obtained from the City Hall lending library, one of them a French-English lexicon, another a picture book of famous horses of North America, and the last a treatise on the domestication of the recently-married couple by Professor Horatio Tiverton of Swansea. Finally, his waste basket contains papers where he has been practicing his English letters, writing out phrases like, ‘My dear sir, which way are the horse stables’ and ‘What are the most excellent children’s schools in this neighborhood?’ This shows me clearly that he was contemplating the rebuilding of his family with the French equestrian woman and his orphaned children right here in Fall River.” Andre clapped his hands in rhythm to a hearty laugh. “I can tell you with great confidence, Lizbeth—and may I be permitted to call you Lizbeth, it is far more suited to your dignity and grace—that your portrait of Monsieur the Russian is perfection itself, a small gem of analytical reasoning that does you very proud. But, alas, such details are despairing when it comes to solving this riddle. For here we have a room where no intruder entered before the infamous deed, and no intruder exited. It is as if the Russian were attacked by une fantome of his own imagination.” “I don’t understand,” Lizzie frowned. “Behold the testimony of the security agent.” Andre went to the door and rapped three times in quick succession. A moment later, the large mustachioed man from the corridor entered awkwardly with a glacial pace, nodding respectfully at Andre and Lizzie in turn. “Miss,” he said. “Mr. Pinkerton, I have a few questions about the evening before last,” Lizzie stated. “I believe you were on duty when this deplorable theft occurred. Would you mind relating your version of the affair?” He rubbed his chin as if trying to stir memory. “I’m not a man of very many words,” he said, “but I can oblige if it will help bring about a conclusion.” “There will most certainly be a conclusion, Monsieur Pinkerton,” Andre said defiantly. “By your leave . . . ” “Well, it was before all this bar stool nonsense. Hardly anyone was occupying this second floor but them Sporting Boys that make all the commotion a’nights with their Fancy Girls about. I was at my post at ten o’clock. I remember one of the girls yelling down the hall that her gentlemen caller needed a bowl of hot water. Then all the doors were shut and everything was quiet. King Darius had turned down the lamps and you could hear all that slumbered snoring along the corridor.” “Fall River descending into twilight,” Lizzie said softly. “Yes, Miss. And that’s when I do confess a profound lapse of character. I’m almost a’feared to lose my commission if I relate what I have to tell.” “You need not, I can guess. You were imbibing.” “At my post, it is true. The intent was to keep the fire going inside me, because the dark night in a hotel corridor can be mighty cold, despite the summer. I’m not a vain man, but this drinking is one act I do fear the judgment upon -- especially considering its sequel.” Andre raised an assuring hand. “You need not fear prosecution since my father did determine that the whiskey was drugged.” “Drugged it was. After just a few sips, I felt myself slipping off. But I’m a stubborn man as well. I fought it all the way. On the exterior, you might have just witnessed a big oaf of a man snoring in his boots. But from the interior angle, I was wrestling with mighty demons. And I do declare, Miss, I won the battle. I forced myself awake.” “How long was your interval?” “I can’t rightly say, but it seemed enough for someone to have filched the key in my jacket pocket, and then slip by me into this here room to do his immoral deed. When I realized what had been done I got to my feet, roared almighty hellfire, and ripped this door nearly off its hinges to find the Russian fellow lying on the floor with his southern exposure aiming out as bare as a babe’s.” “Did you raise an alarm to the desk clerk?” “Immediately, Miss! I figured the footpad was on his way out the front of the hotel so I bounded down the steps.” “Are there any other steps down to the lobby?” “None, Miss. Those are the only ones from the second floor, and I blocked it with my girth the whole time. Then King Darius called the constabulary and I went upside to help preserve the Russian fellow’s dignity.” “How long before the police came?” “About three minutes by my reckoning. And they filled this room. They knew this was an international affair, although none of us, including myself, knows the truth behind it. Something about foreign wars. I don’t rightly care about those crazy tangles as long as my pay is regular; I keep my nose out of it. Leave it to the fancy politicos.” “How long were the police here?” “About an hour, and then my brother Fred came to relieve me.” “Your brother’s name is also Fred?” “My daddy did have a hankering for that name. And when we came out twins, it seemed only right to consider us as one unit.” “I see. So Fred your brother took the second watch?” “Right so, and we have alternated since at twelve-hour intervals. I told Fred to keep a right smart watch and to take no drink in fear it would mean the death of his ambitions.” “What about the Russian? Where was he taken?” Andre answered, “Where no one can get at him. Needless to say, he does not wish to be interrogated. You can learn nothing from him for he remembers nothing, but has a distinct soreness that may take some time to overcome.” Lizzie nodded. “I understand. Mr. Pinkerton, are you absolutely sure you saw no one leave this room?” “None, Miss. Unless the fiend slipped out before I had awoken myself. But no one downstairs saw any man excepting myself come down those stairs. It’s as if the assailant appeared from thin air and vanished into likewise.” “And the desk clerk, he saw no one go up shortly before the striking of ten?” “No one,” Andre added. “It seems as if the Russian’s attacker was a passing shadow of no substance.” The Literary Hatchet 21 Pinkerton huffed. “No shadow could have taken the key from my pocket or pulled the Russian fellow off his bed to separate him from his night pants. There was flesh and blood involved, I assure you of that.” Lizzie put her two forefingers to her chin and drew in a deep breath. She glanced about the room, carefully examining the walls, and then before her silent observers, walked up and down, counting her steps. After a few perambulations she turned to Pinkerton and said sternly, “I must ask you to stand guard over this room at all costs, to make sure that no one enters or leaves without your awareness.” His mustache dipped with his face in agreement. “I shall, Miss. Excepting at various times of the day or night I may be my own brother. We do take turns, and being that collectively we look like one person staring into a mirror, no one really cares if we swap out to give each other a chance to catch some snores, you understand.” “Understood,” she concluded and then darted for the door, exiting into the hallway. Andre followed her out to find her walking a straight line along the corridor, pausing before each door. Then she turned about and came back, carefully putting one foot before the other. “Curious,” she said, leaning over to make sure the security guard had not followed them into the hallway. “Does he know about the pessary?” “Not a bit.” “Does he know about the Arcady ring?” “Even less.” “Good,” Lizzie said with a nod. “Let’s keep it that way. What do you know about this ring?” “It is the signet of the Arcady Society. According to the locals that I have interrogated, it is the secret club of the Sporting Boys. Despite my father’s fears that they are anarchists and assassins, I believe it merely to be a small group of rowdy youths who sample the opiates of the Orient and women of low character with equal impunity.” Lizzie furrowed her brow. “The same Sporting Boys who were present here at the time of the affair?” “The same. Do you wish to talk to 22 The Literary Hatchet them yourself?” “No, for now I’d like to see the desk clerk, this King Darius that everyone is talking about. He may hold an important key to this puzzle.” “I believe he is in the lobby tending to the Conclave.” Andre pushed past her and led her down the steps towards the lobby. / 6. King Darius’ Secret Chamber King Darius Wilbur was a man buried under burdensome mustaches that demanded far more energy and labor to keep in their pristine state than any one man could be expected to produce. Nonetheless, he wore his whiskers proudly and gave one the impression, as one talked to him, that his head was in the midst of being swallowed by them. Lizzie, facing him directly across the main desk of the Wilbur’s lobby, experiencing the full impact of his face in the slanting sunlight, found herself visually lost in his whiskers’ magnificence. It had been observed by many that the Wilbur hotel, a recently-prospering concern, was growing in exponential proportion to King Darius’ facial masterpiece and that local speculators feared that the further expansion of his business would result in the complete structural collapse of his head, which was itself already buried under the weight of his facial hair. Beyond this peculiar trait, he was jovial enough, and he seemed eager to provide Lizzie with information. “I am quite alarmed,” he confessed, “that such intrigue would go on under my roof. I did not think that the Russian would be at such risk in my own establishment. I dare say, I now do.” “And you saw no one go up those stairs at ten on the clock, or slightly before?” His eyes hovered together near his nose. “No, Miss Borden. I was keeping watch, being mindful of that Rivers boy and his shameless carryings on with the harlot Miss Jewett. They’ve been keeping company here for quite some time, and always in the same room. God’s teeth, but I dare say Rivers was enraged when the Russian fellow came to town.” “Rivers? Why would he be upset about the Russian?” “Because he took his room, he did.” Lizzie leaned forward, quite drawn in by his statement. “You are telling me that Room 209 is usually occupied by Frank Rivers and his Fancy Girl?” The mustaches bobbed with the face. “Dare say, I do! And it was a mighty strange manner in which it transpired. I had the Russian fellow booked by order of the French Count into a right proper room, one that hadn’t been darkened in spirit by these nattering nabobs. I had him in the Commonwealth Suite and was prepared to dandy him up with all sorts of linens and soaps, but at the last minute a messenger boy comes from the Commons House. Seems like there was a mix-up, a right proper one, and personages unknown have insisted that the Russian be lodged into 209. Who was I to question it, I think to myself, I did. The letter came with all sorts of city seals. I don’t know this fellow’s business, but I know if a French Count is involved and orders come from the Commons House, then who am I, Darius Wilbur, who possess nothing but an humble Ordinary of quality and stupefying face brushes, to question the properly embossed seals and signatures?” “Do you have the paper?” Lizzie asked anxiously. King Darius poked his face about under the desk, pulling up some boxes and peering into some sliding drawers. “God’s wounds but I know it’s here somewhere.” His eyes brightened and he brought up a folded paper. After snapping it open, he handed it to Lizzie, who took one quick glance at it, then handed it dismissively back. “It’s a forgery,” she observed. “It’s not from the Commons House. Look at the paper: tan, mere butcher paper. And the signature says Larson E. Whipsnade. Who do you know in this city with the name Whipsnade?” King Darius’s mustaches were trembling as if they had their own nervous system. “I feel the fool, I do. Like if God has a fool all His own, it would be me.” Andre took the paper from Lizzie and let out with a small chuckle. “Tchakorov was being set up for thievery. They needed him in that room.” Lizzie peered up at the ceiling, measuring with her eyes. “Mr. Wilbur,” she asked, stepping back to get a cleaner view of the expansive molding. “Would you say that Room 209 is just about . . . .there! Right near that fancy plaster cornucopia coming forth from the ceiling above?” “Sounds about right.” “And how many feet would you say between that cornucopia and the fancy swirls by the southern face?” “Looks to be about two or three feet, no more or less. But I can’t reckon without climbing up there with a mason’s rule.” “Is there another room between 209 and the southern face?” “Not that I know of, but I do believe there’s crawl spaces all over the building. That’s where the Weirds reside.” “The Weirds?” Andre asked, puzzled. “Ah, pay no attention to my fired imagination. It’s a folly of my besotted brain. Too much mustache wax, I presume. But there are strange noises a’nights, especially since the Russian fellow’s been pinched. From my post, I hear the thumping and the cursing.” “Cursing?” “More like the wailing of a lost spirit. I can’t bring myself to go searching the corridors. Perhaps the night watch Fred would be able to tell you. Perhaps it’s some suicide from long ago who’s up there wandering to find his closure.” “Not being a spiritualist,” Lizzie announced, “I would sooner think it was just an intruder walking about.” “But the guests are all accounted for, they are!” Darius said. “Believe you me!” Andre produced a small calling card that had a light trace of perfume. “King Darius, you have given us valuable information.” “Right so,” the bewhiskered manager beamed. “When you decipher any of its meaning, let me know what it was that I did tell you, for I’ll be danged if it makes sense to me right now.” “We will. And if anything of interest comes up, here is my card.” Darius took the card just as a horde of furniture men stormed the desk, all demanding their telegrams and directions to the nearest saloons. Lizzie and Andre The Literary Hatchet 23 stepped to the side, her eyes practically glued to the ceiling. Her lips were moving silently as if she were counting. “You think there’s an extra room,” Andre said. “But you can clearly see from the corridor that 209 is at the southern end of the building.” She took her gaze from the ceiling. “Oh Andre, this is foul play indeed. For now we have to prepare ourselves for a most unpleasant encounter. Bring me to the Sporting Boys.” Andre directed her towards the dining room from where bellowed forth a loud strain of youthful, impetuous voices. / 7. Lizzie Gets Fuzzled Frank Rivers and his Sporting Boys were having their mid-afternoon cigars in the attached dining hall behind the Wilbur’s lobby. They sat at their usual table along the western wall before large paned windows, Frank with his tall opera hat flanked by two bowler-hatted youths, looking like a chimney rising above two slag heaps. A flustered waiter was racing back and forth bringing them victuals while they stamped their firemen boots and howled racy ballads. A furniture salesman at a nearby table, distracted by the boys’ obnoxious hoots, boldly shouted, “Please be quiet! Decent people are trying to digest!” “Cheese it, B’hoys!” Frank said to his crew. “They’re envious of us crapulous folk who live by our own tables of morality. But I say, stockjobbers be they!” The salesman huffed and nervously went back to his coffee just as Lizzie Borden and Andre de Camp entered the hall. As if on cue, the Sporting Boys quieted down, stifling their laughs and straightening their legs under their table. “Frank Rivers,” Andre said with a bow. “Miss Borden and I require a few moments of your time, if you would allow.” “Hi, hi!” the Sporting Boy proclaimed. “It would be our honor to host such a fine lady and her dandified beau at our table. Chas and Buster here won’t mind, won’t you my gutterbloods?” “Nay,” Buster explained. “Ladies of 24 The Literary Hatchet quality are always welcome to take mawwallop with us.” Rivers raised his cane and waved it delicately towards the two chairs opposite him and his gang. As Lizzie and Andre took their seats, Rivers stuffed his cigar into his mouth, removing his hat to reveal garishly plastered soap locks running down the sides of his scalp. He spat a wad of saliva into his hand and ran his palm along the glistening locks. As he replaced his hat, Lizzie felt a displeasing stirring in her stomach. “Have a go at us, Lizzie Borden of Second Street,” Frank said. “If we’re colt’s tooth enough for you.” “I could judge that a bit more for myself if I knew what ‘colt’s tooth’ was,” Lizzie said smiling. “But for the moment, I’d like to bring your attention to the evening before last.” Chas let out with a rude laugh. “That’s the night the Ivan sizer got bully-whacked in the renterfuge.” Frank grimaced. “Now, now, my skenchback, don’t go quanking out our guests with our fuzzle talk. For in her gumbling through, she may take beastly interpretations. Miss Lizzie, renterfuge is the room I keep with my prancing pony. I got tumbled by that mustached jarkman who runs this hovel. One day I’ll divorce him from his facial for that bumwush.” “He gave the Russian your room,” Lizzie said plainly. “The room you frequent with your whore, Sarah Jewett.” Frank jumped in his seat and glanced about. “Don’t go speaking it plain-like, there’s bound to be a bit of scandal-brothing by local malifuffs.” Andre leaned in close to Lizzie. “From the German words mal meaning ‘speech’ and pfuffen meaning ‘to blow’. Literally, someone who blows speech. I suspect he fears gossip.” “My,” Frank chortled. “You are indeed bent upon deciphering us, ain’t you?” “Yes, Frank Rivers, we are,” Lizzie said, her patience wearing thin. “You can hide behind all your fuzzle talk, but you can’t get away from suspicion. And when a crime is committed within yards of your sleeping quarters, indeed within a room to which you have a key, your account is of great in- “Right so,” the bewhiskered manager beamed. “When you decipher any of its meaning, let me know what it was that I did tell you, for I’ll be danged if it makes sense to me right now.” The Literary Hatchet 25 terest to those trying to find the conclusion to this affair.” A shadow fell across Frank’s face as a cloud interrupts the sunlight. “You want to know the unfarded truth,” he said calmly, “unmistified by false beauties. Well, I’ll be the first to admit I’m a scoundrel of a carpet-knight. Many a Fancy Girl has fallen under my glamour. But that doesn’t make me a thief. One may hazard from my fuzzle talk and sporting ways that I don’t have a gall of bitterness within me, that I would just as soon steal the metal from my dying grandmother’s teeth for a few tankards and a romp with a tweeny maid. Yes, I have my own morality tables that I draw upon, but I do have my limits. And I don’t go bullywhacking gentlemen even if they are Ivan sizers. I don’t go filching and I don’t play hunt-the-whistle, and I don’t send any old rake juggler off to Fiddler’s Green for lampoons.” “What do you know about that night?” Lizzie said ignoring his obscurity. “What did you hear and see that touches upon this affair?” “That Pinkerton flonker,” Frank spat. “He was guzzled and fell to sonorating. We heard his guzzle moans and then the next we heard he was all in a twee over it and went stomping to the jarkman. Next we know the badgers are all about and there’s talk of this Ivan sizer being glorged.” “Yeah,” said Chas. “Glorged by the insensible. You ever hear such gruff?” “So who you got testifying? Drunkard pinks and bully-whacking ghosts?” Frank asked with a gentle nod to his gutterbloods. “You ever hear such mulch before?” “So what do you think occurred that night?” Lizzie asked. “This is my reconstruction: the big office pinks had some malifluffs trinkling on the Ivan and knew his habits. So they waited till after dragging time and all the b’hoys and g’hals be in their stables for billy winks, then they pulled a filch party on the old pink and the sizer. They got more than one maw-hole to climb in since the b’hoys like to viz their sport.” He held up his left hand, the thumb and forefinger tips pressed together, poked his eye through the ring, and grinned. “Who doesn’t like to viz a bit of the acrobatics?” 26 The Literary Hatchet Lizzie was taken aback by his garish gesture. “But you didn’t answer my question,” she added. “What did you hear and see?” Frank leaned forward, his brows pressing together. “I was strumming a’loft at the time and wasn’t quite paying apple bonkers to an Ivan and a pink who was sonorating a half hallway apart from my stable. Despite what you may hazard in your think hole, my ears ain’t quite that big and my eye stalks ain’t that protruded. So you got a bit of a problem distance-wise.” There was a long pause while Frank Rivers and Lizzie Borden sat locked in a frozen state, their eyes pressed together over the space between them. Then Lizzie broke the moment with a small crooked smile. “I think I’ve had enough information, Mr. Rivers. I take my leave knowing that the prostitute Sarah Jewett is safe in the custody of a boy who considers her a ‘prancing pony,’ and names the hour she is taken to her ‘stable’ as ‘dragging time,’ and that courtship and courtesy must take a holiday to ‘billy winks.’ I only hope that when I am of age to take a husband, he would use less flowery imagery to portray his affections for me.” Frank touched his cane handle to his forehead. “Pleased to have educated you, Miss Lizzie. Since we were educated at different high schools, I’m glad we can still understand each other.” Lizzie and Andre got to their feet. As they were leaving the dining hall, they could hear the snorts and sneers behind them. The flustered waiter was just entering with a full silver tray of maw-wallop. “What did you divine from that parody of a conversation?” Andre asked Lizzie as they slowly strolled across the Wilbur’s lobby. Lizzie laughed nervously, “It is comforting to know that he draws the line at playing ‘hunt-the-whistle.’ I was beginning to fear for the female population of Bristol County.” Andre gave a dismissive wave. “They are mere pretenders. Just wealthy children who are too lazy to adopt their father’s enterprises. They fashion their life styles after the New York City gangs who haunt Five Points and the Bowery. There is much sus- picion here.” “Not necessarily,” Lizzie added dramatically. “I don’t suppose you noticed his left hand. When the sunlight hit at the right angle, I could clearly see the skin on his fingers.” Andre clicked his fingers. “The Arcady Ring. I didn’t even think to look.” Lizzie reached into her purse and brought forth the signet that she held up for Andre’s perusal. “Your father let me have it. I was thinking of producing it for Mr. River’s astonishment, but felt best to keep it discreet. Nonetheless, there was no discoloration upon his fingers. I do not believe this to be his ring.” Andre stared at it, his jaw clenched. “Does something strike you?” Lizzie asked. “No,” he said, rubbing his temple. “Only a headache. Shall we promenade down street? It is a striking August day, and I would very much like to know you better, Miss Lizbeth Borden.” / 8. “Lizbeth of Light” As the sun sank behind the gently rolling contours of Swansea, beyond the river and the moving barges of bale, Lizzie and Andre walked along the dockside by the Troy Manufactory buildings. Already, stars were beginning to appear in the firmament as the sun lowered beyond the horizon. “I am sorry,” Lizzie said humbly, “that I am so flustered. Whenever I see those youths, their futures filled with promise and possibility, their family offering them resources and capital, instead turn towards a wasteful life of mere libertinage and sensuality, I cannot feel but despair for the next generation.” “I believe,” Andre said, “Frank Rivers is a nephew to Wellington Rivers, the paper mill tycoon. Needless to say, he has been disinherited. The boy is living upon the good graces of an aunt who is too old and senile to know what he is doing with her money. I still declare that he is our most likely suspect. It would explain why no one saw the thief come or go from the lobby. Rivers would have had to merely slip back into his room after the robbery, thus giving the impression that the thief had vanished into thin air.” “I cannot be fully sure, but the real thief took great care to put suspicion on Rivers and his boys. The ring was so placed to further that suspicion.” Andre shrugged indifferently. “What about the Pinkertons? Although my father puts enormous trust in them, there is no working man that cannot be bought if the price be high enough.” “No man is above perfidy,” Lizzie agreed. “But my instincts tell me that the real culprit has yet to reveal his face to us. Such a pity, since your father needs a conclusion by the day after tomorrow.” Andre stopped and stared upwards into the darkening horizon. “My father,” he sighed. “For him, it is all about money, I believe. Don’t listen to his nonsense about the balance of power in Europe and anarchists lurking in the shadows. The man is merely concerned for his own stock portfolio.” “Is that such a crime?” Lizzie asked. Andre was about to answer but then he pointed towards a twinkling star. “When I look upon that sky,” he mused, “I realize we are but dust, mere motes of dust, compared to the vast wheels of creation. As a small boy, I would walk by twilight in the hills by Rennes-La-Chateau, past the old castles and the haunted graveyards, and watch the stars appear one by one, like celestial candles on some vast birthday cake. Then I would lie on my back in the midst of the field and let the great spiral move about me. I would fix my gaze on one particular star and throughout the night notice how it would spin about as if on the rim of a perfect wheel. And I would feel as if I were pinned to the center, and that all of creation was whirling about me. At moments like those, my father and all his fortune would seem so inconsequential, like a forgotten dream that once had so much importance, but now was just a shard of memory.” Lizzie watched his face closely as he spoke. “You certainly have your thoughts lifted above the daily affairs,” she answered. “I did not think a man of your means and title would think of anything but commerce and management of property.” “Perhaps it is the soil of my native land,” he said. “There is mystery in its deep The Literary Hatchet 27 veins. It makes one yearn for something beyond the thin veil of daily sorrows. I am at heart a poet.” Lizzie sighed. “You are so very different from any man I have ever known. I have only known men like my father, and he is so very different from your own. My father never had a title, and his wealth is so small compared with your family’s grand fortune. My father stands in relation to your father as we all do to the big wheel you point out in the sky. There is hierarchy indeed in this vast creation.” Andre’s voice grew thin and modest. “But, Lizbeth, I see those stars reflected in your eyes. So by mirroring the light from above, you are becoming one with it. And then the modest Lizbeth who feels so unimportant is now the most exquisite being that exists.” Lizzie blushed. “I wouldn’t go so far. I’m just a girl from a small family. There’s nothing special about me.” “But we are all stars,” Andre announced, lifting up a hand towards the heavens. “We twinkle on the great wheel of life, and we all move together in a perfect circle. I have written a poem to that effect. I call my composition, ‘Lizbeth of Light.’ ” A smile curled on her lips. “Why, that’s my name.” He nodded in the affirmative and began his recital: I call these bold words to draw your breath And to drum a beat on your warm heart I call upon life and its handmaiden death To give our child its earthborn start This child formed from the air betwixt us That takes a first cry from the sorrows of life From the darkness of spirit that surrounds us But mews a bold Yes in the face of the strife Against gray evening, the dawn weaves its charm And something billows on the horizon’s lip ‘Tis the hope and the beauty and the inner calm That we have won and must never let slip So if verse be the beating pulse that fashions A heart that shall sing strong and bright Let me sing on through the daybreak that 28 The Literary Hatchet passes Across my eternal Lizbeth of Light. A paralyzed silence fell between them. Andre stood by Lizzie’s side, his shoulder barely touching her. She could feel the heat through the fabric, and a chill transported along the length of her trembling body. “When did you compose this poem?” Lizzie asked, her face turning red. “After seeing you at your church this Saturday past.” “I did not think that you had noticed me.” “I asked my father who you may be and he answered, ‘That is Andrew J. Borden’s younger daughter. She is a clever, wise, and commanding girl. She runs her own consulting business and has trapped several wrong-doers and corrected many harms to common people. She is indeed a flower of a girl in the midst of a rough crop.’ And then I knew that I had found the one girl in Fall River in whom I could find a trustworthy soul.” “I am flattered indeed,” Lizzie blushed. She was about to say more but could not find the words. “Do you believe, Lizbeth Borden,” Andre asked, “that perhaps our ancestors, on the lush fields of Carcassonne, enjoyed each other’s company as we are enjoying ourselves on this most enchanted evening?” She was stunned, standing frozen without speech, fearing to breathe. “Perhaps they did,” Andre continued. “And perhaps they partook of the dark blood of the soil, tasting together the richness of the earth into which they were born, and into which they shall pass. Perhaps a Bourdon and a Duchamps lay together under the mysterious stars and held their hands as I hold yours.” And she felt a soft fluttering about her fingers, and then they were pressed together. Lizzie stiffened and found that she was no longer breathing, which embarrassed her, and Andre smiled. “You have nothing to fear,” he said peacefully. “I am a perfect gentilhomme.” And he lifted her palm into the air and took a slight bow in her direction. “There is beauty in you,” she said in a bare whisper. Inwardly she blessed the darkness for hiding her blushes. In the long distance, the wail of a bale barge sang across the cloudy darkness like a leviathan of the deep calling for its home waters. The hanging lamps only lightly illuminated Andre’s face, but she could see his deep eyes sparkling with the waters below as the moonlight reflected upwards towards the pier. There were never eyes more beautiful, she thought, nor a face so noble. Lizzie pressed her free hand to her cheek to catch her tears. “You are not a Sporting Boy at all, my dear Andre,” she said. “You are a melancholy soul of light.” / 9. A Sudden Revelation At breakfast the next morning, Andrew Jackson Borden sat with his family at his dining room table nibbling on some leftover codfish balls, his bead-like eyes staring towards the distance to the wallpaper as if he were contemplating the insensible. Abby Borden, seated near him, inhaling a cup of coffee and chewing gustily on a molasses cookie, seemed afraid to draw his attention towards the present moment; while Emma stirred restlessly upon some difficult secret that was bubbling inside her, causing her to shift her posture every few moments, a gesture accompanied by uncomfortable sighs. Lizzie, like her father, sat in a grim trance, her utensil barely grazing her dish. Only the Irish maid showed signs of animation, flittering in and out of the kitchen with the various courses of their breakfast. “What is this gloom that descends on us today?” asked Abby finally. “It is like being seated at a funeral viewing. My dear Andrew, where is your mind wandering?” “What?” he said, his eyes jerking back to immediate. “My apologies, Mrs. Borden. I was trying to remember Tobias Ullsworth. I cannot imagine what ill tidings he harbors towards me.” “Ullsworth?” Abby frowned. “That’s the cloth doffer that you evicted for nonpayment of rent. I can’t imagine what glad tidings he would harbor towards you. I told you that being so strict with him over one month’s rent was not good for your reputation.” “I was merely protecting my property rights,” Andrew said with a start. “That Ullsworth was particularly unsavory.” He slurped at his stew, staining his beard. “I cannot abide slackards and lay-abouts.” “That slackard,” shouted Emma, rising to her feet, “has disappeared from the face of the earth!” There was a harsh moment of silence broken by Lizzie coughing delicately into her hand. “It’s true, Father,” Emma continued. “I have heard word from my contacts down street that Tobias Ullsworth has vanished. Last Monday morning he was seen wandering down by the Durfee Mill and at noon his boots were found by the side of the Quequechan. His wife and her seven children are living in a state of despondent impecuniousness.” “They should have considered themselves fortunate when they let the place!” Andrew sputtered. “It is not my concern.” “Heartless man,” Emma muttered. “You don’t know their fortunes, both before they let from you, and after their cruel eviction. You don’t know the vagaries that have befallen them.” “I do know,” Andrew said pointing a spoon towards his elder daughter, “that I have been fined by the bank for late payment of the mortgage. Ullsworth doesn’t give a fig for that, nor should I care a fig for his dilemma.” “The man is dead!” Emma howled, and then fled towards the door, her hands moving towards her face. She collided with the maid who was entering with a tray of molasses cookies. “Out of my way, Maggie.” she shouted, and a moment later her feet were heard clomping up the front stairs. Flustered, the maid ran back into the kitchen. Abby patted the table with her palms. “Well, Andrew,” she said solemnly, “you have certainly topped the program this time. I have never heard such disregard for another man’s plight.” “Bah. I have my rights. Landlords have rights.” “But you have no poetry,” Lizzie said suddenly. “Eh? What?” Andrew spluttered. The Literary Hatchet 29 “What kind of nonsense do you speak?” “You see no lights in my eyes,” Lizzie announced. “You see no great wheel in the sky. There is only one letter separating your name from his, but the other differences are vast and deep. His blood runs with wine, yours with sawdust!” Andrew looked towards Abby as if trying to find an anchor of sanity. “My daughter is speaking like the inmates at the Taunton Asylum.” Abby’s face went slack. “I believe I know what Lizzie is saying,” she said grimly. “Ah, you are all insane,” Andrew stammered. “No one knows the humiliation I felt! Spit at me in the street he did! In front of my own people! In front of my own daughter! Told me to go be hanged in Arcady, whatever the devil that means!” Lizzie froze, her eyes widening. “What did you say?” asked Lizzie. “He told me be hanged in Arcady. I suppose he thinks I would travel all the way to Greece to dangle myself from some fruit tree.” Lizzie bolted to her feet, her arms shaking. “Who was this man? Do you not know? Oh, Father! I must know who he was.” “Tall, mustache and beard, spectacles. I don’t care one jot who he is, as long as he keeps his spittle away from my brow!” Lizzie ran from her table, leaving behind a full bowl of peccary stew. She pushed her way violently past the Maggie, who stood in the doorway staring at the remaining Bordens sitting silently at their table along the northern wall. “For the love of Mike,” she said merrily, “did your daughters not get seized by some turned milk? You’re a right queer family, I declare!” / 10. A Clue In The Midden Heap The stable yard behind the Wilbur was filled with the whinnying and musty smells of the clientele’s beastly transports. The stable doors were wide open and the rank odors overwhelmed Andre, forcing him to hold a fine-clothed handkerchief to his nose. Lizzie’s mysterious note had asked him to meet her back there at noon, and 30 The Literary Hatchet the eager anticipation that she had solved some part of the affair kept him at attention down wind of the stables’ midden heap. Lizzie appeared as if from the cabinet of a stage magician, her face bright and cheery, with a calm and ease that had not existed in her the day before. Andre greeted her with a slight kiss to the back of her hand. “Lizbeth,” he said, which made her smile. “I have good news,” she announced. “Another piece of this puzzle has fallen into place, and I am ready to test a hypothesis.” “I was hoping as such.” Andre gestured towards the back door of the hotel. “Shall we?” As they started towards the olfactory safety of the Wilbur’s interior, Lizzie’s eyes narrowed in on the large and distasteful midden heap upon which a dirty young girl in a patchwork dress clamored with an iron hook, digging into the tangled mass. The girl looked up with ferocity in her hungry face. “Biddy Doren, if I am not mistaken,” Lizzie exclaimed. “What are you doing far from Bishop Street? And digging in filth, no less.” The girl lowered her iron hook and stood erect. “The man said there’s gold in here.” “The man? What man?” “The man with the funny hat. He told me that I can stop my mommy being hungry if I can find her some gold.” She held up an egg-shaped item that gleamed in the sunlight. “He found this and said ‘Bah!’ and threw it to me. He told me there’s more in there if I were dog enough to scrounge for it!” “Bastard,” Andre whispered. He reached forward and took the small ball that the girl was holding. It was the size of a walnut and looked like it had been forged roughly from tin. A small, hinged top swung open to reveal a folded piece of paper inside. Lizzie reached in and grabbed it, eagerly unfolding the paper. In childish scrawl it read: HANG BE YE TO ARCADY ANDREW J. BORDEN Without a moment’s hesitation, she stepped back into the center of the horse yard and started scanning the tall back wall of the hotel, examining each and every window and small opening. “You believe it was tossed from above?” Andre asked. “I have been a fool! Of course! The pessary did not make it to the master criminal behind this. It is still in the hotel.” “But this is good news. That means there is a chance of finding it.” “I wonder,” she said, with a curious twinkle in her eye. Lizzie unbuckled her purse and reached in, pulling out a large silver coin, and held it forth to the small girl. “Perhaps this can help with your mother’s hunger.” The girl stepped forward cautiously and snatched the coin, her fingers trembling as they wrapped around its circumference. “Now run along and let your mother have the coin,” Lizzie ordered. The girl sped from the courtyard, dust rising behind her. Lizzie held the tin pessary in her hand and peered intently at the back wall of the hotel. “This is far more than I could have hoped for. Yes, I think I know what to do. Andre, I must ask you to tell your father that I have solved the case. But you must gather together the following people: the Comte de Rennes, Fred and Fred Pinkerton, King Darius Wilbur, Deputy Sheriff Wixon of Bristol County, and Dr. Seabury Bowen.” “A doctor?” “Unless I am horribly mistaken, I believe we may have need of a medical man for a delicate procedure.” “I trust your instinct, Lizzie Borden, Girl Detective. Andre de Camp is at your service.” And he gracefully withdrew from the courtyard, leaving Lizzie to ponder her thoughts over the odorous midden heap of Biddy Doren. / 11. The Weird in the Wall An hour later, a small coterie gathered in the lobby of the Wilbur, clustered about their host, King Darius Wilbur, who twirled his mustaches furiously. The Comte de Rennes, clearly uncomfortable with such a public appearance, glanced about with suspicion as if he expected a bomb-hurtling anarchist to be behind every pillar post. One of the Fred Pinkertons stood like a stone sentinel with his hanging whiskers and dusty bowler. Deputy Sheriff Wixon of Bristol County, looking very mystified, tipped his cap to Lizzie Borden and asked politely, “I don’t know what this is all about, but I bet it’s a pretty how-dee-do.” Lizzie laughed. “It is very simple, Deputy Wixon. The Comte de Rennes has had something stolen from him, and now we are going to retrieve it. I shall want you to arrest the culprit.” “Then you have found it!” the Comte said with bated breath. “Mon Dieu! You must tell me where it is without delay!” “I am waiting for one more personage in our little drama, a man whose role may turn out to be of great importance. Ah, I see Andre, your jeune fils, has indeed located the good Doctor Seabury Bowen.” Andre and Dr. Bowen came in through the front door, the expression on the doctor’s face betraying as much confusion as the deputy. “I have been informed you require my services,” he said politely. “Is someone ill?” “That is yet to be seen,” Lizzie announced, then waved a gloved hand towards the stairway to the upper floor. “Gentlemen?” A few moments later, they had all regrouped outside of Room 209 where the other Fred Pinkerton, dressed in the same brown suit and bowler hat as his twin, stood by his wooden chair at attention. King Darius peered at him with puzzlement. “Are you you?” he asked, “Or are you your brother?” “I’m the other one,” he replied. The entire crowd moved into the room that was exactly as Lizzie had last seen it the previous afternoon, down to the flower bouquet on the writing desk and the French circus postcard on the dressing table. “Gentlemen,” she said, clapping her hands. “We are now in a room where four evenings ago, a robbery of great ignominy has taken place. A Russian inventor has had a possession stolen from him as he lay unconscious, the victim of etherization. For the last twenty-four hours, I have been The Literary Hatchet 31 greatly puzzled over this theft. For the thief did not seem to have entered or exited the room, or at least that was the impression of the good Fred Pinkertons and King Darius Wilbur, all three of whom I consider to be men of impeccable reputation and honesty. It vexed me greatly how the thief made his escape, and I have torturously pondered every possible solution. Then it occurred to me that perhaps the thief never made his escape at all. Perhaps—and I beg your indulgence for a moment—he is still here.” Everyone in the room shouted out with surprise, glancing suspiciously at their neighbor. Lizzie raised her hands to quiet them down. “And I am not suggesting that any one present in this room is the culprit.” “But it seems impossible,” King Darius exclaimed. “Do you suspect supernatural agencies? I have heard the Weirds and their hideous calls in the night, I did.” “Nay, Mr. Wilbur, one need not resort to supernatural explanations. I will demonstrate the source of your nocturnal weirding calls.” She reached into her purse and produced several slips of paper on which were handwritten phrases of varying lengths. She began to distribute them to her perplexed guests, keeping one for herself. Then she turned and faced the southern wall. The Poussin painting of the rustic shepherds about their tomb now seemed a bit crooked in the stark noon light. Everyone faced the wall with her. “I may be wrong about this,” she said. “But there is no other solution. Will everyone please be so kind as to read out the phrases on the paper I have given each of you? Read the phrase with a voice pursuing dramatic emotional ranges, like an actor upon a stage at a variety saloon.” The Comte de Rennes looked down at his assigned script. “But this is madness. What manner of words are these?” “Trust me,” Lizzie said. Everyone stood staring at her, so she pumped her hand in the air and demonstrated in a loud and boisterous outburst. “It’s a spouter boys! Off the bow sprits! Crank the boom lines!” After an awkward pause, the rest of the men followed her example in loud theatrical voices as if they meant to be heard by a far-flung balcony of patrons. 32 The Literary Hatchet “Abandon the house boys!” “Come on, ye green-skulled dolts! Make fire-flies to the booms!” “Ignite the blubber works! There’s a goodly trough of oil to be had!” “The winds are crossing swords, o me hearties!” “Far to starboard the spermaceti awaits!” “Harpooners to the boats! There she blows!” For a few moments, the men in the room raised this mighty cacophony so much so that they began to hear feet stamping and the sound of alarm in the hallway outside. As their fortitude and boisterous cries started to wind down, Lizzie egged them on. “Keep at it! Don’t mind the innocents! We’re almost there!” Andre felt absurd and was the first one to stop. Just as he was about to protest and quiet the others, there was a horrific cracking noise, and the entire wall before which they stood started to shake. The Poussin painting crashed to the floor, revealing more rose-flowered wallpaper, but dead in the center of the faint rectangle, where the color had been preserved from sunlight, was a curious peephole, like a tiny eye in the middle of a rose petal. Then a thin crack appeared along the edges of a long, thin painted vine, and there was the creak of rusty hinges. Before everyone’s startled eyes, a large section of the wall was pushing outwards. There was now a door where previously there had been no door, and it was swinging towards them to uncover a man-sized opening behind. The figure that bounded from the newly-exposed orifice was thin, grimy, and dressed in filthy rags. His hair was wild, his eyes aglow with some feral madness. His whiskers flared out at insane angles and his cheeks puffed as he pumped against the wooden floorboards. He tried to race towards the door, but Deputy Wixon stepped forward and grabbed him. “Lord salvage me!” the man was shouting in a creaky voice. “The spermaceti is spouting and I’m below decks! Where be my harpoon boys?! Spring, my lads! Spring!” “How? What’s this?” Wixon asked incredulously, holding fast to the man’s jacket tails. “Confound it, but it’s our missing man!” “May I introduce,” Lizzie said, breaking out with a prideful laugh, “Mr. Tobias Ullsworth of Annawan Street. Deputy Wixon, I believe this is the man who has been missing for three days now?” “Mon Dieu, je ne comprend!” The Comte de Rennes shouted, twirling his mustache. He stepped forward and peered into the wall cavity. The rest of the men stepped forward a pace to take a glance over his shoulder. Inside the wall was a tiny nest, about four feet by three feet, barely enough for a man to lie down in. Its back wall was exposed wood, through which could be heard the sounds of animals in the stable yard. On the floorboards lay a filthy pallet and a kerosene lamp next to which rested a plate covered with insects, which had devoured what little morsels of potato and beans had been there to sustain the prisoner. “You mean he’s been in there?” Wixon asked, staring at the filthy crazy man in his grasp. King Darius let out with a howl that was both amused and offended. “Indeed he has! That’s the Sporting Hole I heard slip from the skenchback Buster. Their way of spying on their Fancy Girls. I wouldn’t have believed it, but there it is as evidence. And in my own ordinary, much to my chagrin.” “Frank Rivers,” said Andre triumphantly. “This is proof conclusive. Shall we arrest that rogue?” “No,” Lizzie said. “We need to hear from the thief himself.” “Let go my arm so I can scratch my beard,” Ullsworth shrieked. “I’m all a’crawling with critters!” Wixon released his grip, trusting that his charge wouldn’t bolt for freedom, as the man savagely attacked his own facial hair like they were bursting into flames. “Oh, Flukes and Blubber! I ain’t been so infested since I last went a’whaling! Damn that Rivers! Promised me to send my children to school with their betters! Promised me that Tobias will never have to go to sea or work the cloth again! But he wanted me to swap the egg, he did. Give him a tin forgery, he said and let Borden take the blame! I say, let him rot in his own blubber works! Damn that Rivers!” Lizzie nodded in silent agreement. “Wellington Rivers, the bank manager and paper merchant, is the mastermind behind this affair?” she asked directly to the hairy face before her. Ullsworth snarled. “Aye, the ruffian! I’ll savage his head, I will. He’ll not suffer more in all his days!” Andre raised an enlightened finger. “I suspected as such. Rivers must be in the employ of the British. They wish to prevent the Bulgarian expansion. Perhaps they hope to raise the siege of Plevna! Wellington Rivers is their puppet!” King Darius snapped his fingers. “Aha!” he exclaimed. “And this Wellington Rivers was the investor behind this hotel. During the construction, he must have personally customized Room 209 for his nephew Frank’s lurid frolics. Dare say, that’s it!” Ullsworth focused his blood shot eyes on the Pinkerton Brothers who stood glaring at him with blank faces. “Galloping ghosts! Now he’s split in two he is! I waited all these days for him to go away, now he’s split in two!” One of the Freds smirked, “That split happened a long time ago, my friend.” “But this is all getting us nowhere! Where is the pessary?” Jacques de Camp shouted. “Where are the plans for the selfacting Mule?” Lizzie smiled and pointed a finger at Ullsworth whose face was now bloated with red swells. “Doctor Bowen,” she said, “I believe if you examine Mr. Ullsworth you will find what you are looking for.” She leaned over and whispered a word into Bowen’s ear, after which a strange gloom passed over the good doctor’s face. “I will do what I can do,” he said resignedly, and then pulled Ullsworth across the floor and into the hole in the wall. The wallpapered doorway slammed shut and for a few uncomfortable moments, the occupants of Room 209 were treated to a symphony of howls and curses, giant whoops and prayers to various North Atlantic whales and their Leviathan god. Then, after what seemed like an eternity, the doorway opened once more and Ullsworth appeared, more disheveled than before, holding up his belt-less pants so they The Literary Hatchet 33 wouldn’t plummet to his heels. He stepped forward carefully with jack-knifing legs giving the appearance that he was walking over gravel. “Flukes and Blubber!” he bellowed, fleeing back to Deputy Wixon as if the sheriff were some form of safe port in an otherwise hostile ocean. At that moment, the Deputy took out some metallic wristlets to bind the whale man’s hands. Dr. Bowen appeared back in the room with his jacket removed and one sleeve rolled up past the elbow. In his hand he held a shiny metallic egg about an inch in diameter. He held it aloft with delicacy. “Careful,” he said. “It must be washed.” “The pessary!” the Comte de Rennes roared and raced forward to toss both his arms about the befuddled doctor who collapsed like a boneless fish between the Frenchman’s mighty timber-like arms. Lizzie stepped before Ullsworth who quaked in his gumboots. “Aye lassie, you may think me a filthy and despicable codger,” he groaned, “but I had my reasons.” “Your family is starving,” she said in a whispery and sad voice. “After my father evicted you, you had no choice but to take up River’s offer. You have been twice betrayed.” A sparkle came into the man’s desperate eyes. “Here’s a girl who speaks righteous! You tell ‘em!” He tugged at his shackles. “You describe how a man’s beloved wife and children can be tossed into the street like so much offal! It’s not a sane world, is it? Locked up in a disgusting hole for three days! I was told what would be done to my lads and lassies if I gave up the game, so I hid. For many days now, I hid and saw the sun go up and down through that accursed broken board. My life has been darkness and horse dung, I tell ye! And not even a place to empty my slops. You can imagine what I’m going to say to Rivers the next time I sees him! Yes, I’ll walk right up to his fancy house and knock on the door, and when his high and mighty butler comes to toss me by the seat of my pants, I’ll let loose my slops all over his European carpets! You’ll see how he stands up to that! Yes, Mr. Rivers! Send me to do some bottom’s up surgery on a poor defenseless Cossack! We’ll see! Who’ll now take care of ol’ Tobias 34 The Literary Hatchet Ullsworth’s poor starving lads and lassies?” Lizzie gave a slight nod and the barest trace of a smile. “Justice shall be done,” she promised, and startled the old whaler by taking his hands in hers. Everyone present stared in shocked silence. / 12. A Plot Revealed Lizzie Borden held court at the same table in the Wilbur’s dining room as had been occupied the day before by Frank Rivers and his two skenchbacks. Bar keep Sam Samways, late of South Bethlehem, PA, provided some hops and spirits for the men while Lizzie drank a fresh cup of Orange Pekoe. The Comte and Vicomte de Rennes sat together, a large mountain and his smaller, thinner copy, flanked by the two Pinkerton Brothers, Fred and Fred, who resembled each other in both countenance and attire down to the last link on their watch fobs. Deputy Sheriff Wixon was nursing a beer, having decided that being off duty was a much better position to be in than having to file all sorts of complicated reports, or explain to his superiors that he had solved a theft while making no arrests. Doctor Bowen was off tending to the physically ailing Ullsworth whom they promised to both morally reform and nurse back to prime health, respectively. For those present, the relief of recovering the plans for the self-acting Mule had unleashed a wave of merriment that manifested much laughter and friendly banter. “Lizzie, you must tell us what led you to discover the whaleman Ullsworth in the wall?” requested King Darius, his mustaches bristling. “As soon as I saw the tin pessary in the midden heap,” Lizzie proclaimed, “everything was absurdly simple. The message within the tin was an insult hurled at a man in the back alley from a broken plank in the outer wall of Ullsworth’s hiding place. At that moment, I knew that the plans had not only never left the hotel grounds, but no doubt were still in the room from whence they had been stolen. How that could be, when the entire room had been thoroughly searched, was still a mystery to me. But, there was also this unnamed man, no doubt a stooge working for Wellington Rivers, who verbally and physically abused Andrew Jackson Borden on the street yesterday morning, believing my father to have been behind the betrayal. Yet his assault upon Mr. Borden provided the vital clue.” Lizzie produced the folded paper from her purse and held it up for all to read. “Hang ye be to Arcady!” “The whale ship Arcady!” Fred Pinkerton the Elder said with a start. “Sailed out of New Bedford in August of 1875, went down with all hands except for one whaler who returned in disgrace to Fall River to work as a cloth doffer to feed seven children.” “Tobais Ullsworth,” Fred Pinkerton the Younger concluded. “Vanished this Monday last and not seen in physical form again until he emerged from a hotel wall this very afternoon, turned into a gibbering lunatic by his long ordeal.” “The man who wailed in the night,” King Darius said bemusedly. “The Weird in the wall. Never again shall I ever suspect supernatural agencies when there is always a perfectly natural explanation. Indeed I won’t!” “It all does hang together,” said Lizzie. “Wellington Rivers, President of the Tiverton-Rivers Paper Mill and co-chairman of the Fall River First National Bank, was suspected of sabotaging the whale ship Arcady to collect on insurance. It was his holding company that was found culpable in the sinking of the ship due to a faulty manufacturing of its hull planking, a finding that was buried under graft and corruption and never became public knowledge. Only insiders like my Father, who did not judge the man, and even admired him for his thrift, knew the circumstances. Tobias Ullsworth must have felt the need for vengeance against the man who destroyed his life.” “And Rivers,” the Comte de Rennes said with a chuckle, “was unsuccessfully attempting to buy up stock in a certain unnamed textile mill that I was to negotiate a technological contract with, one that would seal the fate of the Crimea. Being a paper pulper, Rivers was looked down upon by those men of cloth who run the looms and spindles of Fall River. He would have the perfect motive to steal the plans. He would have been able to open his own textile mill and triple his wealth with his exclusive use of a revolutionary new type of Mule.” “Not to mention,” Andre said triumphantly, “he wanted to cast the shadow of suspicion on his nephew Frank who had taken to the Sporting Boy life, and so disgraced the family name.” Deputy Sheriff Wixon breathed a deep sigh. “I am hearing all that you folks are saying, but I have a pretty predicament here. I can’t just march into Rivers’ paper mill and arrest him, don’t you know? What crime has the man committed that we can prove? Ullsworth can only be charged with breaking and entering, and his ramblings about Rivers will be dismissed by folk who would sooner believe a man of wealth than a common cloth doffer.” “I’m afraid Wellington Rivers is untouchable,” Lizzie mused. “His only punishment shall be his failure to procure the pessary.” “And what about Frank Rivers?” King Darius asked with an evil twitch in his eye. “I can ban him and his likes and their libertine ways from under my roof, but they shall continue to roam the streets of Fall River, spreading their sensualist ways, and provoking our finest women into lives of wanton decline.” The Comte de Rennes stood to his feet. “The Rivers boy and his scurrilous gang shall be dealt with accordingly. Perhaps I can persuade some local men of substance to form a committee to abolish this social issue of Sporting Boys and their Fancy Girls once and for all. Why Lizzie, I shall even recommend that your father be appointed as a committee member since he has confessed to me in confidence his outrage at these acts of youthful folly.” “I thank you on behalf of Mr. Borden,” Lizzie said. “I’m sure he would be most eager to join your committee.” “More appropriately,” the Comte said, bowing politely in Lizzie’s direction, “I must thank you, Lizzie Andrew Borden, on behalf of the French government, as well as the Royal Tsar of Russia, for the recovery of our most valuable industrial asset. I will apply to my superiors for a special rate of The Literary Hatchet 35 compensation for you and your entire family, which will come from the sale of the self-acting Mule technology.” “Merci,” Lizzie said, winking at Andre who smiled back at her. Fred Pinkerton the Younger shrugged. “If you fancy folk would only have told us simple folk about all these Russian intrigues, foreign wars, and golden eggs from the very beginning, perhaps the Pinkerton Brothers would have been of more use. Perhaps we could have shared in the glorious wealth of this Mule, whatever the blazes it be!” Lizzie laughed. “Have no fear, Fred and Fred. Payment for your services shall be paid liberally from my family’s profits. And young Biddy Doren, the poor girl with the consumptive mother on Bishop Street, shall have a trust set up for her from the Lizzie Andrew Borden Fund for Destitute Children, as shall all seven sons and daughters of the lamentable Tobias Ullsworth. Nor shall I forget the orphaned children of Tchakorov, the poor Russian inventor, or his lovely new equestrian bride, who yet need the funds to travel to America. I shall donate my entire share of the Mule plans to that effect.” “Here, here!” King Darius said, snapping his fingers in the direction of the corpulent Samways, motioning for a round of rice beer. “Let us all congratulate Fall River’s most excellent Girl Detective!” When the drinks had been brought, all cheered and raised their tankards to Lizzie Borden. “Hooray for Lizzie!” they shouted as one. Lizzie sat smiling against the whitewash of the tall dining hall windows, her hands cupped around her warm mug of coffee, being that she was of the temperance and did not drink spirits. The bellhop from the front desk appeared holding a letter stick that he extended across the table to Lizzie. She jumped in fright at its appearance before her nose, snatching the note while the bellhop receded back to the lobby. She read the hastily-written words and then turned to her assembled friends. “You must forgive me, but a Mr. Butterworth of the Saloon Furnishing Corporation of Keene, New Hampshire is requir36 The Literary Hatchet ing my presence in the horse yard. I suspect he wants to engage me as a liaison between him and my father’s business. Excuse me.” Everyone continued to banter and drink as Lizzie stepped from the room and disappeared into the lobby. Andre, his instincts inclined toward her protection, eyed her through the dining hall windows as she turned the corner of the building, her hat bobbing, and disappeared behind the building. A moment later, King Darius twirled his mustaches, a sign that he was perplexed. “Strange,” he muttered. “Mr. Butterworth was representing a furnishing concern in Boston. I think that he did leave early this morning.” “Butterworth?” Andre asked, lifting himself from his seat. “Exactly,” Fred Pinkerton the Elder added. The man’s face leapt into animated life. “By Jupiter, he did leave this morning! I carried his baggage to the waiting coach!” “Zounds!” Andre howled, and reached behind his chair for his slender walking stick. Before anyone could comment, Andre had bounded away from the table and was sprinting towards the door of the dining hall, his cane swirling before him. / 13. Kidnapped! Upon entering the stable yard, Lizzie immediately sensed an unusual quiet; only the sounds of traffic and pedestrians from the other side of the tall hotel broke the stillness, but within the yard itself there was a strange vacancy of sound. Her instincts told her to run, that a horse yard was no place for a furniture salesman to meet with a lady of quality. She had encountered fake notes before, why had her instincts failed her on this occasion? “Butterworth!” she shouted, hoping that her voice would reach her friends through the dining hall window. “I’ll give you your worth of butter,” came a familiar sneer. Out from behind a lumber shack came a swaggering figure balanced under an opera hat, walking carefully in stocky fireman boots. “Don’t be all in a twee, my dear. This ain’t no dragging time, I have arranged for safe transport to a place where you can fuzzle with a man of great import.” Frank Rivers raised his arms above his hat and upon this cue, the roar of a thumping horse broke the yard’s stillness. Before Lizzie could form any estimation of her predicament, a large barouche had entered the yard from the street, but unlike any barouche that she had seen before. It was an imposing four-wheeled high flyer pulled by a feverish white quarter horse, its nostrils blazing with wind. The bellowed hood formed a self-enclosed space over the carriage seats and draped black curtains hung down from exposed protruding dowels to conceal those who sat within. A pair of hands holding leather reins emerged from the curtain that draped over the outside box seat to drive the quarter horse that thundered before it. The barouche very quickly overtook Lizzie as she spun to make her escape. Frank Rivers had raced forward to grab her, and the flailing arms of Sporting Boys emerged from the hidden recesses of the concealed cabin to pull her up towards the gaping curtains. “Mercy!” Lizzie cried, her body flush with panic. Before she knew it, she was inside the shaky cabin surrounded by Chas and Buster, their faces convulsed in vulgar leers. The barouche was bouncing up and down with ridiculous exaggeration as she struggled. Surely, she reasoned, anyone witnessing this from outside would think it peculiar and raise an alarm. All she had to do was to keep her limbs flailing. Frank Rivers popped through the curtain like he had been swinging on a vine, his hat missing from his head and his soap lock grease dripping down his cheeks. “Quiet, my lamb,” he said. “I am playing mere strumpet usher this afternoon. There’s a man on the Hill. Yea, he’s got reason to maw-wallop with you. Snaggle her to me, he said. And so we snaggle you.” “I’m going to scream,” Lizzie said. She could feel the barouche starting to move into the traffic of North Main. Knowing that her chances to salvage her situation were rapidly diminishing, she broke one arm free from Buster’s grip and lashed out at Frank Rivers, her fingernails, which had been grown to a fashionable length, tore across his cheek, slipping off his sweat and soap lock. “Gaaaah!” he cried, raising a palm to his slashed flesh that had started to ooze blood. “You boggled dolly! You monster!” “You’re the monster,” she said defiantly, and feeling the barouche gallop into full speed down North Main Street, she spat in his face. “For that,” he said, wiping at his nose, “you will know a grand rib roasting.” Lizzie closed her eyes, expecting the worst, but was immediately surprised to feel the entire balance of the carriage lean backwards, as if it were tumbling over. Sunlight splashed her face, and she opened her eyes to see the vast expanse of the afternoon sky flanked by the moving tops of buildings. Some one, or some thing, was pulling back the collapsible half-hood above her, ripping it aside as if it were made of tissue paper, and the draped curtains to her left and right were falling to the street. All the grips holding her into her imprisoned posture were loosened. She fell back as the barouche tipped and for a brief moment, she saw Andre de Camp, stripped to his shift sleeves, locked in a tangle with Frank Rivers against the clouds, then all was a spiral towards the ground and she felt the hard road beneath slamming her knees and elbows. Rolling over to prevent her face from hitting the dirt, she saw the broken pieces of the barouche and a sad image of the collapsed quarter horse lifting its whinnying head upwards. It took but a moment for her to realize that Andre de Camp had chased the vehicle of her abduction and had overrun it on foot. Somehow, he had managed to get on board and rip apart, seemingly with his bare hands, the collapsible hood, at the same time knocking the Sporting Boys off the vehicle. She caught a brief glimpse of Chas and Buster racing down the street, limping and screaming, until they crashed into a solid wall of Pinkerton Brothers. “Apple bonkers!” Chas cried. “Fancy some friendly fuzzle!” Buster said in a panic. “Let bygones be made,” Chas pleaded. “No rib roasting for us, my skenchbacks!” Within seconds, the Freds had chosen their targets and the two Sporting Boys were air bound, hurled, and twirled under. The Literary Hatchet 37 They fell like lifeless lumps to the ground, where heavy workman boots assaulted them. Much to their humiliation, a crowd was now gathering on both sides of the street, full of respectable men and women in their fine dresses and suits, all of whom were cheering on the melee. Then Lizzie saw Andre and Frank Rivers standing arm’s length apart from one another in front of the barouche’s shattered carriage, their feet in angry boxing stances, their hands up and curling into fists. The startled crowd was now frozen in suspense as the two boys circled about an invisible center between them. A woman screamed, another fainted, dogs were barking, a gentleman cried out that someone should call the police. Far in the distance came the screeching of birds as they flew their indifferent path against the clouds. The entire scene was suspended in space as if it were part of some famous painting, as if Andre and Frank were two titans wrestling in some mythical moment that existed outside of time. “You think you know this stockjobber!” Frank Rivers snarled, and Lizzie realized to her horror that he was talking to her. “Not in a sloven’s year! Let him tell you the truth! Hang ye be to Arcady!” Then he lashed forward violently, his arms swinging in graceful and powerful arcs. Andre stepped into the punches and reached for Frank’s soap locks. At first his grip slipped right off then, but in that instant he managed to disorient the Sporting Boy. Lashing out again, he seized the locks like they were horns on a rampaging bull and pulled with all the full force of his physical being. “Yoiks!” Frank Rivers cried, then sped forward, pulled by his own hair. Andre brought a knee up into the boy’s abdomen, which brought another exclamation, one that could not be represented by any word, and then Frank Rivers was limp and defenseless. Andre spun him about and kicked him full in the seat of his trousers, sending him in a comical arc over the stunned quarter horse. Frank Rivers hit the ground with a graceless thud, his face landing in some equine feces that his own animal had treasured the street with, and then lay disturbingly still, the only sounds 38 The Literary Hatchet being a very thin and listless muttering of some random fuzzle talk: “Glorged I be . . . gored to the bumwush . . . all in a twee, my skenchback . . . ” And then he was silent. Lizzie forced herself to her feet, which turned out to be the easy part. Staying upright was a task she started feeling was beyond her capacity. Her pulled muscles dragged her downward as a frightful state of shock began to pass over her startled body. Andre stood before her, his face covered in dirt, his shirt torn, his body still braced for action, not exhausted or weakened but strong and virile. Warm waves spread downward from her head into her limbs, a delayed reaction to the fear, the anxiety, the deathly grip that had been a hold of her body ever since her ordeal had begun. But she was held together by the sight of her brave soldier, her beautiful Vicomte, drenched in sweat, heaving with fear for her safety. Her feelings were very shameful, but in Andre’s presence she couldn’t but surrender to them. She ran forward and into his arms, her face trembling, her tears staining her cheeks, her arms grabbing desperately at him, begging to be embraced. For a moment, there was warm comfort, like she was falling through soft down in a summer’s breeze with no physical pain, no fear, no danger. Her reverie was broken only by a startled yelp that dispelled the waking dream. “Lizzie Andrew!” She lifted her eyes from Andre’s shoulder to see her sister Emma in an afternoon dress at the periphery of the startled crowd, her face aghast, her hands raised to her ovaled mouth. “It is all correct, Emma,” Lizzie said, not even loud enough for her sister to hear, “Andre is my skenchback.” Then she fell into blackness, her last impression being Andre’s arms catching her as she plummeted. / 14. Justice & Lost Love The conclusion to the affair held little comfort for Lizzie’s shattered heart. Despite the justice that had been executed and the financial reward reaped by the suffering innocents who had been involved directly and indirectly in the affair, there was still the small matter of the signet ring with the scarlet “A” embossed upon it. All else was neatly concluded. The treasured plans for the proposed textile technology were returned to the Comte de Rennes. A few months later, a new textile mill owned and operated by a Russian industrialist became operational along the banks of the Quequechan, to much ballyhoo and a titanic flood of profits due to the introduction of a new self-acting Mule that increased production and the pick of the yarn. All who held stock in the venture, including Lizzie Andrew Borden and her father Andrew Jackson Borden, had more money flow into their accounts than they previously could have dreamed. Lizzie, in turn, donated all her proceeds to a charitable fund for destitute children. The Doren woman in Bishop Street was able to find a proper home for her small child Biddy, who Lizzie saw every Saturday afternoon thereafter for iced cream down street, and who eventually matured into a fine young woman, the first in her family to study at a university. In later years, Lizzie heard that Biddy Doren wrote serialized novels about social issues that gave Upton Sinclair a run for his money in the literary market place. Tobias Ullsworth was set up in a proper apartment and, much to her father’s disconcerted grumbles, given a job as a clerk at Borden and Almy’s furniture concern where he had responsibilities ranging from taking warehouse inventory to swaying customers’ buying instincts towards certain preferred items. The more difficult concession that Andrew had to make was to allow Ullsworth to hang the copy of Poussin’s “The Shepherds of Arcady” that had been salvaged from Room 209, the most enduring symbol of his long ordeal, on the store’s back wall over a field of rose-colored wallpaper. Frank Rivers and the Sporting Boys were arrested and brought up on charges of kidnapping and assault, plus the theft of a barouche from a carriage yard in Tiverton. Wellington Rivers attempted to persuade anyone who would listen that his nephew Frank had been under the spell of a charlatan mesmerist named Fuad Ramses, and so, Rivers contended, could not be held accountable for his deeds. However, Lizzie came round to Rivers office one afternoon, spending no more than one half-hour sequestered privately with the paper tycoon, after which all claims of his nephew’s innocence were inexplicably dropped. Rivers produced one statement to the local newspaper in which he said, “Frank is indeed of bastard stock from a degraded branch of the family. My sister found him on the steps of a local saloon wrapped in fish paper. I cannot with clear conscience defend his kind.” After serving a spell in prison, Frank Rivers, along with his Bedford Street B’hoys, effectively disappeared from New England altogether. It was rumored that years later Chas and Buster were hanged at the Tombs, the large police dungeon in New York near Paradise Square, where they had been charged with “crimes of innumerable unpalatabilities.” It was believed that Frank Rivers became the notorious Bowery Boy Strangler who terrorized Mulberry Street in the late 1880s, writing taunting letters to the police with phrases like, “I am only at my lick-for-leather for the last was for colt’s tooth. The next one shall be a grand rib roasting!” but that could have been mere coincidence. The Strangler was ultimately caught and strangled to death by a vigilante mob, but the photographs then taken by the New York Herald of his corpse in an upright coffin are no longer extant. As for Andre de Camp, Lizzie saw him on a Tuesday afternoon one week after the affair at the Wilbur. For several days, her father had prevented the two from meeting, for he was seized with a sudden suspicion of the boy’s intentions towards his daughter, and also embarrassed by the publicity that the public beatings had drawn to the Bordens and the de Camps. Disregarding the fact that Andre had quite possibly saved his daughter’s life, Andrew bolted shut his home and stayed indoors during his normal business hours, just to make sure that Lizzie sat in her room all day, alone and despondent. He was hoping that some sense could be driven into the French boy who still, despite the father’s precautions, insisted on calling at the Borden home every day at noon. By the seventh day, Lizzie had howled The Literary Hatchet 39 at her father to let him in, and Andrew reluctantly consented. “Ten minutes,” he said. “I give you ten minutes with the boy and then you are to forget you ever knew him.” She found Andre in the parlor, standing near the piano. He looked as dashing and well-kept as always, his facial scuffs a mere phantom of the past. His eyes brightened when he saw Lizzie cross the floor. He moved forward to embrace her but she held her body back. She was giving the impression that there was an invisible line on the floor between them beyond which he was not allowed to cross. “It is madness that we are kept apart so,” he said, tears forming in his eyes. “No,” she said, her face cold and blank. “It is best.” “Mais mon Dieu, what can you mean?” “I know you have the best of intentions, and I do believe, Andre de Camp, that you love me. I have never doubted it. And I have committed your poem ‘Lizbeth of Light’ to precious memory. But I can never let you any closer than you are now. Perhaps not even this. We shall see each other in church, we shall see each other at the board meetings for the textile concern, but outside of indifferent and necessary encounters, we shall never talk again. Never, do you understand?” A dark shadow passed over his face. “Pourquoi?” he asked. “Because you lied to me. You deceived me. In your attempt to save your father’s reputation, you tampered with the truth. That was your ring that was found in the poor whaleman. The “A” on the signet stood for Andre, not Arcady. It was you upon which Wellington Rivers was attempting to cast suspicion. In your clever machinations, you conceived of this Arcady society, an anarchist cabal targeting Fall River, to divert suspicion from your own guilt in the affair.” He was horrified. His mouth trembled as he struggled to find the words. “I was only trying to retrieve the pessary. I didn’t think that my father’s obsession with this Arcady Society was of any consequence. In France he saw them lurking everywhere, and here in the wild land of America he is even more fearful.” “I do not even believe that this society even exists.” Lizzie’s face went dark as she 40 The Literary Hatchet contemplated something even more unthinkable. “Or perhaps you are the Arcady Society. Perhaps you have attempted to bring this French breed of political unrest to our ordered community. Perhaps Rivers was trying to wipe out this pestilent breed of revolutionary activity before it could get a foothold in our town.” She paused, trying to read the shifting shadows on his face. “Or perhaps I shall never know the truth. Andre de Camp holds many secrets, and this secret society that bears his initial is his best kept.” “I wish I could tell you the truth,” he said, puffing up his chest. “But I am bound by oaths. If you only knew, Lizzie Borden. If you only knew.” “It is best,” she replied, “that I never know. For the past seven days, I have tormented myself over this decision, and I must now reveal that I choose not to have anything to do with you. I care not if the Arcady Society is a mere figment of everyone’s suspicions and you are blameless. But after your painful lie, I can never trust you again.” He lowered his eyes towards his feet. Somewhere in the distance, a fruit peddler was hawking his wares, and a bale barge blew its horn across the deep waters of the Taunton. “I am sorry,” he said solemnly, “that you feel that way.” “But I shall never forget your kindness,” she said assuredly. “And I shall never forget your poem. And I shall never forget the melancholy boy who once upon a time did indeed have love for me.” Andre nodded, forcing back his anguish. He stared at her for a moment and then spoke very lyrically: “ ‘Tis the hope and the beauty and the inner calm/That we have won and must never let slip.’ ” She moved slightly towards him, as if she were ready to embrace, but then stopped. “Yes,” she said. “ ‘Never let slip.’ And I never shall.” “I cannot live without you,” he said languidly. Her eyes widened as red came across her face. “Oh, yes you can!” she replied angrily, and left the room as quick as a whirling tornado. On her way to the staircase, she met with her father who stood broad-shouldered, his chin jutting forward, a look of triumph on his countenance. “What did I tell you,” he said smugly. “The boy is obviously a liar and a . . . ” “Say nothing more, Father,” she cautioned him. “Do not talk to me for three weeks or I shall twist off your head!” / 15. Andre-Lude It was not the last time that she would meet with Andre de Camp, le Vicomte de Rennes. Their paths were to cross again in several more of her cases, most notably the Adventure of the Phantom Thespian and the Strange Affair of the Hottentot Venus. And it was only a matter of time before she had cracked the code of the dreaded Arcady Society and discovered Andre’s true role. In a strange tender way, he was eventually redeemed, but she would never again open up her heart to him as she had done the night that she first heard the words to “Lizbeth of Light.” Indeed, for all these long and sad years, Lizbeth Andrew Borden kept the words to the poem in a locket about her neck. It stayed with her throughout many an adventure, kept her company at night in the cruel days of her incarceration, provided inner strength when all around was darkness. And occasionally, when pressed by the rare Fall River resident who was old enough to remember the Comte de Rennes and his daring son and the summer of 1877, she found herself transported back again to that time indelibly marked upon her inner soul by Andre’s lyricism. As the sun descended over French Street, and the sloping shadows amidst the elms reminded her of the faded evenings of yesterday, all she could do was to sigh and stare into empty space, perhaps inwardly numbering the years to see if it were even indeed possible that he could still be alive and upon the earth, and remark with confident melancholy: “This coming summer I shall be sixtyseven, which means that he too is not yet seventy. Perhaps there is a chance of walking by the river with him once more, and remembering. To see that Great Wheel in the sky and wonder . . . and wonder . . . for we are but passing shadows and shall soon be gone. To see him once more, before no more. Yes. “The Poet really did find a hope and beauty that he wanted to share with me. I turned my back upon it, and perhaps that was the gravest mistake of my life. But I have never let it slip. I have held it right here, in this locket, for all these lonely years. “Perhaps it would be nice to see him again. Very nice indeed. Yes. “For I was very fond of him when I was a Girl Detective.” Finis //// Author’s Note: Great thanks is due to Shelley Dziedzic, my very own Victorian Historian and Lifestyle Consultant who has helped to dress up the imaginary Fall River of these tales and lend to its inhabitants a loving attention to detail that can only come from such a wonderful time traveler as Ms. Dziedzic. Although this story is an imaginative work of fiction, the most seemingly implausible element, the Fuzzle Talk of the Sporting Boys, does oddly enough have an historical basis. Many of the whimsical phrases and portmanteau words come from the diligent research of my most excellent skenchback Jeffrey Kacirk whose fascinating book The Word Museum (Barnes and Noble Books, 2004) is a great source of what Mr. Kacirk calls “abandoned expressions and philological relics.” This gem of a work has been most useful in the composition of this Lizzie Borden Girl Detective mystery. The Literary Hatchet 41 [poetry] Do Come In Someone has served mutton broth and over ripe bananas, again. Someone has tried to buy prussic acid. Someone has a blue dress to burn. Someone has levitated in the barn loft leaving no footprints in a search for sinkers. Someone has eaten entirely too many pears. Someone has hidden a hatchet in the chamber pot, or down in the cellar covered with ash. Someone has abused her stepmother in a most unseemly way. Someone has worn a coat inside out, or stood naked before him with a flash of skin and blade. Oh, do come in someone has killed father. —Larry Allen 42 The Literary Hatchet [poetry] Who I Am My soul wanders within the secrets of the walls Only I know what’s within them Amazingly, I watch as each visitor seems to know What happened on August 4, 1892 Each scenario having its own murderer Anticipating the excitement of knowing The truth within the secrets of these walls Painfully being sought after Obsessively captivating each visitor I watch as they search out new discoveries Interpretations of what may have been All these visitors hoping to solve the crime Watching as my soul wanders amongst the secrets of these walls Only I know what’s within them Will anyone ever know who I AM? Reaching out, hoping to be heard For once a secret is revealed My feet will walk no more And I will find my way into eternity Once they know who I AM. —Vicki Jo Indrizzo-Valente The Literary Hatchet 43 [short story] BOY’S MONSTER BY EUGENE HOSEY There are tall dark figures and fluttering shadows, voices rising together and falling apart. Lamplight, smoky haze, and couches and chairs—an island in a wilderness of darkness. Sets of marble eyes roll or stare, leathery faces grimace and laugh at one another. Mouths writhe around different sets of teeth—some white and straight like piano keys, and some jagged and dirty like rocks. Arms grasp at the air and fingers point, heads turn aside or shake. I can’t tell if they are dangerous or just playing games. They are mostly strangers. I don’t know what to think. “I’m not scared of it, myself. I don’t care what anybody says.” “You’ll be scared of it when you see it.” “I don’t believe it. I’ve been through those woods at night, and I’ve never heard anything.” 44 The Literary Hatchet “I thought I heard something one night.” “I’ll have to hear it with my own ears.” “Are you calling me a liar or a fool?” “All right, all right. There’s a sensible approach to this. We’ll arm ourselves and search the woods.” “I heard it scratching on my window screen one night.” “I’ve heard that myself several times. One night, I got up the courage to look, and I saw a big furry animal slumped over on two legs, staggering away.” “Ridiculous.” “I heard it coming after me one night and just barely made it to the door.” “Did you see anything?” “I didn’t turn around to see, but I heard it breathing.” “Somebody with nothing better to do told a story, and more talk and imagination did the rest. That’s all there is to it. The monster is in your minds.” “And you’re going to get yourself killed.” “Even if there is a strange animal, why should we believe it’s dangerous? No one has been hurt.” “That’s a silly way to look at it.” “Don’t you remember that little girl down the street who came home screaming with cuts and bruises on her legs and arms?” “All kids hurt themselves falling down playing.” “There was more to it than that, and you know it. The child described a monster.” “You’ve lost your minds.” “If you men start prowling the woods at night with guns, about half of you will get shot.” “Maybe you’re the monster.” “You’re all a bunch of goddamn monsters!” “You’re scaring the boy. Put him to bed.” “You’d better make sure those windows are shut and locked.” Then they cackled with laughter. Mother’s face is the only one I trust. What choice do I have? It’s a young, delicate pretty face. Her eyes are brown and look deeply into me. They are like bottomless pools of perfectly still water. I feel that she loves me, but I worry that she doesn’t see the dangers around me. She doesn’t know much of anything. She cries a lot. After my sister comes along, she cries even more. I bring her tissues to wipe her eyes, and she sort of laughs at me. I can’t read her face. The strangest thing she does is to take a thin, stretchy stocking and slip it over her head and make a growling sound through it. Did she know how much it would terrify me to see her face disappear? My heart thumped so hard it shook my body and my face went numb. Or, did she not know what she was doing? My worst fear is that one of those evil things took control of her and made her do it. Daddy is usually gone, but once I saw him do an awful thing. I went out on the porch one day, and there on the steps, he was cutting up a small animal. Screaming red blood was everywhere, and the animal’s face was looking right at me with its eyes open and glazed with pain. I knew it was partially alive, even though I doubt daddy understood it; and as he kept cutting with the knife, the animal silently begged me to save it. It was too mutilated to ever live again, yet instead of just dying it was holding on to this tiny thread of hope. All I could do was scream and beg him to stop, and mother came and took me inside and told me to shut up. I hate bedtime. Darkness of night, when the sun leaves, is a mournful, dangerous place. Wicked things are always hiding and sometimes show themselves. I lay there with my eyes open, stiff with fear, the sheet tucked closely around me, waiting for morning, trying not to think because they are good at reading minds. They are always after me, even during the day—like the time they made me pedal my tricycle off the steep end of the porch—but at least the sun gives me some protection, they can’t stand the sun. But at night, I am helpless. Everyday, it’s easy to mock the night. The big cloud ships that float beneath the kind blue sky are always crowded with friendly souls inviting me to join their happy journey, and I always say I would like to go and someday probably will. Knowing the invitation is always there lets me know there is a different place, and somehow this makes the waiting easier. This is what all time seems to mean, day or night. Always waiting and expecting something. But I never fail to underestimate the grim authority of nightfall for as long as there is a single hopeful ray of sunlight. I cannot seem to remember the intensity of the fear when blackness covers and fills all things, and the voices come with their tormenting familiarity; and the popping, fizzling static in the darkness shapes itself into monsters. They tell me I don’t belong here and that I will be discovered as an imposter and thrown out. This is always their message. There is a special throb in my heart (a feeling that started in me The Literary Hatchet 45 with her birth) for my sister, who is in her white crib there against another wall; and they know this, and so now they are after her as well. I watch something materialize gradually from the floor upward, my eyes stuck to it like glue and aching with strain, burning with dripping sweat. Little orange balls drop from the darkness and take form as they accumulate and solidify. It happens rapidly. First, there are two simple, shoe-like feet and fatty legs; and then the creature is complete, big and tall, with long arms, broad shoulders, and a small oval head with little yellow eyes. It moves. The head turns to glance at where my parents are sleeping; then it looks at me; and then it creeps toward my sister’s crib with its arms outstretched. It intends to steal her. I scream. Immediately, I hear feet hit the floor. Daddy is up and crossing the room. The monster hears it too and turns away from the crib, its eyes showing fear. At first, it looks as if the monster and daddy are going to collide, but the monster avoids him at the last moment and disappears through the wall. Daddy swiftly picks me up and carries me to his and mother’s bed, and I lay between them. Creatures with hateful faces and wings fly over the bed constantly through the night, but I feel safe here between the grown people who don’t fear them. I can see my sister’s crib across the room; I keep an eye on it. Every time I feel the tug of sleep, she lets out a little moan, as though she wants me to watch over her, and I do. I will scream again, if necessary, but no other monster appears tonight. And when daytime returns, I find myself digging a hole in the red dirt at the foot of the red hill that my house sits on. It is like a person, with the door for a mouth and a window on each side like eyes. Mother comes out on the porch and calls me and says something else I can’t hear, but I don’t care what she has said. I’m watching for the monster. When it shows up, I will yell and scream, and they will come running and find it and kill it. The ruddy sun starts falling. It gets lost behind the trees and reemerges in a gap as a clear star—a circle with needles 46 The Literary Hatchet radiating from the center, like my tricycle wheel. It falls lower and just above the roof of the house and peeps through the trees as a silver pinpoint. Sudden argumentative voices from the house worry me. It is almost dark, and the sky is the color of flesh, and the green leaves are turning gray. A shrill laugh stings my ear. Again and again, it has promised to get me, sooner or later. I drop my hand-spade and scramble up the hill, crying, “Monster! Monster!” The monster growls behind me. The noise of human voices comes from the house, but nobody runs out as I had expected. I run for the door, hearing his lumbering chase and snorting breath gaining on me. I make it up the steps and to the door, but just as I reach for the knob, a beautiful hand appears behind the screen and latches the door to prevent me from getting inside. It is mother standing there holding the baby in her arm, and smiling with playful red lips and laughing eyes. ] [poetry] DEAR ABBY (BORDEN) When you married at the age of thirty-seven you may have felt you had escaped spinsterhood for heaven. People would call your husband drab, stingy, and sour. To you he may have seemed a pillar of strength and power. You served and honored Andrew; he served and honored you. In privacy you ran a home and knew what was true. Some would see you as dull, quiet as a mouse. You held your head high, the lady of the house. You loved your home, your very own, and kept it clean, for in the domestic sphere, you yearned to be keen. To Emma and Lizzie, you could never quite be Mother. There was never a way to take the place of the Other. Try as you might, the first would be loved most. You could not wrest a halo from off a ghost. So you searched for peace, sought tranquility with your stepdaughters Emma and Lizzie. How you adored and cared for your half-sister, Sarah Gray, born when your own life was reaching the middle of its day. In time, Sarah Gray became Sarah Whitehead, and of new life was brought suffering to bed. To her precious little baby Sarah gave your name, the honor lighting a joy in you like a flame. Full of warmth, you visited with happy frequency your half-sister Sarah and growing niece, sweet Abby. You enjoyed seeing the loved child smile and skip, knowing she was delighted when you made a trip. You looked forward to the light in Abby’s eyes, when she saw and smelled your freshly baked mince pies. There is always so much more than can be captured on a page. So much more to real life lived than can be expressed on the stage. But we can be sure you wanted always to live, that you had talents and feelings of which to give. We know that Abby and Sarah Whitehead, Deeply mourned when they learned that you were dead. —Denise Noe The Literary Hatchet 47 [humor] fall river’s dead letter office by sherry chapman The Dead Letter Office was established in U.S. post offices in the late 1800s, and Fall River was no exception. Recently a sack of dead letters were found in the basement of deceased letter carrier, Mortimer V. Annawan. They were given to the Fall River Historical Society in February of this year. I was using the archives the day they came in and got to see them being sorted and opened. As of yet, no copies have been made of them, but on some of the briefer ones, after I got permission to do so from one of the volunteers there, I copied them word for word. a Dated August 1, 1892 From Andrew Borden To Charles Cook There was no stamp on this envelope. It looks like Mr. Borden tried to draw one on. Dear Mr. Cook, I have decided to leave everything to my daughters after all. I will be in to start arrangements on Thursday afternoon. —Andrew J. Borden a Dated September 5, 1892 From Mrs. Judith Russell To Hosea Knowlton The name was misspelled (‘Hosea Newton’) Dear Sir, I understand that you want my daughter, Alice, to testify in the Lizzie Borden case. I think it is impor48 The Literary Hatchet tant for you to know that Alice has spent a few years in the Taunton Insane Asylum with a diagnosis of a “pathological liar.” As long as you know this, you may choose to subpoena her or not. —Mrs. Judith Russell a Dated August 5, 1892 From Bridget Sullivan To Marshal Hilliard “No Irish Letters Allowed” was stamped on the envelope. Dear Sirr, I know where Miss Lizzie hid the murderin’ hatchet. I saw her. Please contact me at the Kelly house if you are interested. —B.S. a Dated August 2, 1892 From Lizzie Andrew Borden To Mrs. Poole There was no address on the envelope. Dearest friends, When I came home from my lovely visit with you, I discovered that I had lost the second page of my meat loaf recipe. I must have dropped it in the kitchen when I made dinner that one night. If you should find it, please send as it is no good without it. —L.A. Borden a Dated May 10, 1893 From Dr. Seabury W. Bowen To Hosea Knowlton Dear Mr. Knowlton, I expect that you will be calling me through the phone to ask me to testify at the Borden trial, coming up next month. You should know that I suffer from color blindness, and I caution you not to ask me anything about the color of Lizzie’s dress, else I could be taken as quite a blithering idiot. Yours sincerely, Dr. S.W. Bowen a Dated May 8, 1892 To Hosea Knowlton From Attorney General Pillsbury This envelope had the instructions “Put in Dead Letter Office” in Pillsbury’s handwriting. Dear Hosea, I must admit to you that I am not really sick at all. I am feeling remorse for sticking you with the entire burden of the Borden trial. I am just fine, and if you want me to take over for the prosecution I will gladly do so. Just let me know by the fifth of May, because otherwise I am going abroad with my wife for the summer. Yours truly, Att’y General Pillsbury a Dated August 21, 1892 To Cousin Robert Morse, Hastings From John Morse, Fall River, MA “No state. It’s probably ‘Iowa’ and he don’t know how to spell it.” Greetings, Robert, It looks like I am to be in Fall River longer than the one month I had planned. Please send clean underwear. One set is plenty; I already have one on. I wouldn’t have written at all, but niece Emma insists. We can call it an early Christmas present! Thank you, Johnny Dated November 31, 1892 From William S. Bordon To Lizzie A. Broden “No such name” Dear Sister, I am sorry you are having to endure being in jail and then go to trial, where you may be hanged. Remember, one word from you that I was the murderer and I shall have to tell that it was you that took the last piece of cake at the church social last summer. Well, time for meds. Good luck —Billy PS: Have you ever heard of an “Arnold Brown the Second”? He has been trying to get the nurses here to let him bunk with me. He isn’t another one of Dad’s kids, is he? a Dated June 4, 1922 From Lizbeth Borden To Man Next Door “Cannot deliver without name” Dear Neighbor, I have asked you in a nice note to please keep your bird quiet. You have still not done a thing about it. I am writing to tell you to disregard the request. Now the bird will be quiet forever. —Lizbeth Borden a Dated July 1, 1893 From L.A. Borden To Alice Russell, Fall River, Massachusetts “’Refused’ scrawled across in a fine hand” Dear Alice, Thanks for nothing. —Lizzie a a a a a a The Literary Hatchet 49 [short story] The Maple Wears a Gayer Scarf By David Marshall James Indian summer reigned over the mid October afternoon, although several preceding weeks of increasingly brisk weather had hastened the advent of autumn, most notably upon boughs and branches whose greenery proved a short-lived memory, with the turning of the seasons. The unanticipated warmth—and a surplus of free time—had decided the youthful Rev. Tradd Manigault on journeying by foot instead of by streetcar. Moreover, he had grown accustomed to perambulating about Lower Manhattan— and, before that, his home city of Charleston—as a student at the General Theological Seminary. His ordination had transpired just the previous June, at St. Thomas parish on upper Fifth Avenue, no less. His blue-blooded roots, if not his family’s somewhat diminished fortune, commanded the interest of a sizable portion of Mrs. Astor’s pet party guests. Nevertheless, the Rev. Manigault was a man without a parish, an Episcopal priest at temporarily loose ends. More to the point, he was unsettled on whether to remain in the North or return somewhere closer to home. Recently, he had been pondering on relocation to a spot on the fringe of both extremes—perhaps Maryland, or upper Virginia. If only a majority of Massachusetts’ afternoons proved so felicitously accommodating to pedestrians, the issue would be settled, once and for all. His step livened as he strolled up High Street in Fall 50 The Literary Hatchet River, his thoughts feasting upon a secret mission—a private enterprise unbeknownst to his genial host and fellow seminarian, Fall River native Phineas Seabury, II, presently in search of a church of his own. Most fortuitously, Phinny had taken the train down to Providence for the better part of the day, being the principal candidate for a vacancy at one of the city’s newer parishes. Had the call to Providence not corresponded so propitiously with Rev. Manigault’s afternoon engagement, he might well have been reduced to concocting a falsehood, some pretense to account for his absence from his host’s hospitable abode. In spite of such good timing, as well as the sunshine, he nevertheless felt as if he were undertaking some clandestine activity, akin to an otherwise respectable gentleman slipping off for an assignation with his inamorata. However, Miss Lizzie Borden—her personalized stationery and signature proclaimed her “Lizbeth”—would hardly qualify as such to him. Nevertheless, his fascination with her could have been no less had her surname been “Gish” or “Talmadge,” or had she the golden tresses of Marilyn Miller, his favorite star on Broadway. He liked to place blame for his intense interest in Miss Borden upon one of his instructors at the Seminary, the Rev. Dr. Livingston Vale, who—then only a reverend, and as parish priest at Taunton, Massachusetts— had called upon Miss Borden on numerous occasions during her incarceration in the vicinity, more than thirty years beforehand. Together, they had read Scripture, or he had recited chapters and verses while she partook of her sewing or stitchery, her hands being rarely idle, although her thoughts were always keenly attuned to the Divine Word, and her gratitude toward the attentions of the Rev. Vale, unflagging. Beyond that, their conversations centered about harmless affairs, inconsequential matters, and mere trifles. Miss Borden—doubtless under the directives of her notable attorneys—would not entertain a remotely personal question concerning her past or future. When queried regarding her present condition, she was inclined to respond, “In the words of the esteemed Dr. Samuel Johnson, ‘There is much in life to be endured, and little to be enjoyed.’ ” On one occasion, she added, “Just think, Rev. Vale, what Dr. Johnson might have said had he been born female.” Upon that utterance, the Rev. Vale recalled a slight grin—he termed it “an ironic smile”—crossing Miss Borden’s lips as she succumbed to that brief excursion into opinionated observation. Such recollections tantalized the Rev. Manigault’s imagination. A clerical collar could serve as a mighty calling card. Emboldened by his newfound station and its attendant garb, he had corresponded with the most notorious resident of Fall River, thereby securing his present invitation to tea at Maplecroft, as Miss Borden had named her French Street mansion. Indeed, the name was carved in stone, at the head of the front steps to the impressive; Victorian abode with a front turret, so typical of the period’s architecture. After turning the bell, the reverend was admitted by a cheerful maid in standard black attire, although cut after the latest fashion, with the hem decidedly above the ankles. She took his broad-brimmed felt hat, and then escorted him to the main parlor at the front right of the house, through pocket doors that rolled aside to reveal his well-known hostess. Had her attire not been of such bright colors and had she not been wearing goldframed spectacles, she might have passed for the older, widowed Queen Victoria, such was Miss Borden’s diminutive stature, accompanied by her ample girth, gray hair, and otherwise grandmotherly appearance and demeanor. A flowing, deep-pink silk scarf embroidered in magenta and violet was draped over her arms and shoulders. She was otherwise outfitted, wrist-to-neck and neck-to-ankle, in a polished cotton gown in a lighter shade of pink, trimmed in many folds of dyed-to-match lace running from the neck down the bodice, as well as several inches above the hem of the gown, and at the sleeve cuffs. Low-heeled, richly brocaded pink slippers completed the ensemble, while her fingers glistened with several lustrous diamond rings, and a solitaire tourmaline brooch the size of a pullet’s egg was fastened at her throat. She rose from her overstuffed, maroonvelvet armchair close by an inviting fire, then greeted him: “Welcome to Maplecroft, Rev. Manigault. I realize it’s most unusually pleasant out-of-doors today, but do come warm yourself at the hearth. Katie will be in with the tea things in a few minutes.” After tugging on a bell pull near her velvet armchair, she directed her guest to a matching seat opposite her own. They exchanged pleasantries regarding the weather and each other’s general health until Katie dutifully rolled in a mahogany teacart topped with a Sheffield silver service. Thereupon, Miss Borden poured out a most flavorful tea—a blend specially prepared for her by Mariage Freres in Paris—and offered delicious, if slightly nontraditional, comestibles. “You must sample my cook’s freshbaked bread, with butter and our special pear preserves. We flavor them with a hint of lemon, and a bit of ginger. We’ve just put up many dozens of jars from the autumn harvest. I’m exceedingly fond of them, as I am of these molasses cookies. I’m afraid cookies have been an enemy of longstanding of my waistline.” At that, Miss Borden giggled, then added, “I’ve always been partial to cookies at breakfast time. Lunchtime and suppertime, too, I fear,” and she laughed softly, once again. There began another round of light banter—mostly consisting of the Rev. Manigault’s responses to Miss Borden’s The Literary Hatchet 51 questions pertaining to his recently completed studies, along with his family background—punctuated by both conversationalists’ hearty indulgence in the teatime offerings. Before long, the handpainted china plates were clear and the silver teapot near empty. “I shall ring for more,” the hostess stated, to which her guest regretfully shook his head. “Well, then, you’ll never become as plump as I, at least not until you have settled into a parish, and the good ladies therein commence feeding you, also feeding no doubt their hopes of matrimony. If not for themselves, then for their daughters,” Miss Borden smiled knowingly. The reverend blushed, then recovered: “I’m most envious of your minister, Miss Borden.” “And why is that?” “Why, to be accessible and no doubt accustomed to such hospitality. I should hope he has the good sense to put in regular calls.” “I’m afraid I no longer attend church, Rev. Manigault, and I can assure you the minister hasn’t darkened the door,” Miss Borden responded, brushing some stray crumbs from her lap into her palm, then emptying them upon one of the china plates. The reverend adjusted his collar, then spoke, “May I be so bold as to inquire of the particulars attendant to this unfortunate situation?” A rueful smile shadowed Miss Borden’s visage, then she spoke: “I’m certain you couldn’t even have been born then. So many years have come and gone. For so many years, I’ve been—to put it bluntly—a social pariah. So many have kept their distance, even within the supposedly Christian confines of the church.” “It sounds to me as if you are being overly harsh in your self-assessment,” the Rev. Manigault consoled her. “Good sir, I was arrested for murder, was jailed for ten months, and stood trial. Fall River has never forgotten those particulars, and most of its residents have either maintained their distance, or gaped, or both. Surely, this is the reason you call upon me today. By that I mean your interest in a woman accused of such atrocities. Doubtless, 52 The Literary Hatchet you seek either to hear my confession thereto, or else to hear directly from my lips my continued denial.” “Curiosity killed the proverbial cat,” the reverend responded too quickly to realize the inappropriateness of his words. “Satisfaction, however, brought him back,” Miss Borden stated, leaning forward. “There, now. I am pleased to have your company, exclusive of why’s and wherefore’s. I should be curious, too, if I were you and you were me, though I certainly do not care to play cat and mouse in my own parlor.” “Are you bitter, Miss Borden, given the state of affairs you describe?” “I choose not to be,” she replied, brushing back a wisp of hair that had strayed upon her forehead. “Were you ever so?” the reverend pressed on, yet delicately at that. “It is a waste of time,” Miss Borden answered, adjusting her spectacles farther up the bridge of her nose. “You are not acrimonious at the loss of so many former contacts?” he continued in a sympathetic tone. “I have had many years to ponder the adversities of the situation,” she responded. Miss Borden paused for awhile in the ensuing silence, then reflected, “I felt the deepest loss over a person I scarcely knew. I am referring to my Mother. My life would have been considerably different, I daresay, had my dear Mother lived.” “Yet, she was taken from you,” the reverend tread cautiously. “God saw fit to take her, yes,” Miss Borden responded, almost accusingly to the reverend’s mind, which he interpreted as a directive toward himself, as an emissary of the Almighty. “Do you blame God, Miss Borden?” “God has His Way of righting wrongs. In my youthful arrogance and pain, I did rail at God for my misfortunes. However, I’m a firm believer in the adage that ‘The Lord helps those who help themselves.’ ” “Do you miss your Father as much as you miss your Mother?” “No. He was led astray, many years before he died, by his second wife. He chose poorly at that. My sister, Emma, recalls our Mother with some clarity, and she has assured me that Father would have been a most different person had our Mother survived, and especially had he not settled on such a—an inadequate second wife.” “I take it you do not miss your stepmother.” “In all honesty, no. She was a manipulative fortune-seeker. She turned our own Father against my sister and me. She resented our presence in the household. She desired that we be nothing more than spinsters, shut away in our rooms, so she could turn up her nose at us, then look down upon us.” Miss Borden narrowed her eyes, pronouncing, “She was a person of no estimation, and she did everything she could to lower our esteem in the community—in the church, too—but most especially in the eyes of our father.” “To be frank, you do seem to harbor some acrimony, insofar as she is concerned.” “You are quite forward, Rev. Manigault,” Miss Borden replied crisply, then she sighed. “I am an old woman. It feels good to talk with you here, by the fire,” at which she rose from her chair, reached for a highly polished brass poker from a stand on the hearth, then stirred the embers, renewing the blaze. “Where were we?” she inquired, resuming her seat. “If you don’t care to continue, I …” “Please. There’s a bit more tea,” she remarked, dividing what remained in the silver teapot between their cups. “There. Let’s see . . . my stepmother controlled the household. She had to be queen of the Borden household. Ha, come to think of it,” and at this she seemed amused and surprised at her self-revelation, “it was almost like the Grimm Brothers’ tale of Cinderella. Except, of course, that Father was present, although he didn’t intercede on our behalf. Instead, he only made matters worse, so it would have been just as well had he not been there at all. Is your tea too cold, reverend?” “No, no—it’s fine. As you were—“ “Emma and I were Cinderellas. We were not even allowed visitors downstairs, not able to offer them refreshments from the kitchen. We could only see guests upstairs, in our rooms. The thought of giving a party—even a meager one, with tea and cookies—was out of the question. Why, I was not even permitted to entertain my Sunday school classes.” “And there was no escape?” “To what? A job in the mills? Teaching school, perhaps?” “You could have had your own life.” “In a disagreeable flat, or in a boardinghouse, much to my stepmother’s satisfaction? I’ll tell you something else about her. One would think she would have done everything within her power to be rid of us, to try to marry off my sister and me. Father, however, scared off the few suitors bold enough to cross the threshold. She did nothing to stop him—absolutely nothing. Doubtless she feared the dispensation of some sort of dowry, of Father setting us up in a household of our own, with a resulting loss of monies to herself.” Miss Borden tossed her head and pursed her lips, then commented, “I am quite sure she was fearful that Emma and I might well wind up living in a place on the order of Maplecroft, while she—the Queen Mrs. Borden—was left down on Second Street. Why, she would have stewed in her own bile if Emma and I had had something grander than she did.” “If you don’t mind my saying so, you paint a rather mercenary, a rather avaricious portrait of your father and stepmother.” “Why should I mind your saying so? It is the truth, plain and simple. They were blinded by their greed.” “How do you mean?” “I mean, Rev. Manigault, that, if they had opened their eyes to the insufferableness of the situation that was of their own devising, they would have seen themselves free of Emma and me. All we desired was what was fair, and they would have been well rid of us.” The reverend shifted uncomfortably in his armchair, and then cleared his throat. “Miss Borden, is there anything you wish to confess, before the Almighty, to me?” “I have said enough.” His hostess folded her hands in her lap, and then gazed out the bay window onto the yardscape on the right side of the house. “Do you read Miss Dickinson’s poetry, reverend? I mean Miss Emily Dickinson, our native daughter.” “She has supplied much with which we clerics can wrestle.” The Literary Hatchet 53 “I am most fond of one poem that springs to mind today. It begins, ‘The morns are meeker than they were.’ It concerns the coming of autumn. ‘The maple wears a gayer scarf,’ she observes. The maple is most beautiful at the fall of the year. To many persons, springtime is everything. Or, summer is all. I prefer fall.” “Being from Charleston, I’m most comfortable during the winter.” “A winter in Fall River would turn you as bitter as you judge me to be, Rev. Manigault,” Miss Borden observed, a twinkle in her eyes. “I wish you a warm winter, then.” “I shall keep the fires lit.” “I must be heading on my way. I promised to meet Phinny at the station.” “Phinny Seabury? I thought he was dead.” “Well, this is his living namesake. He was at seminary with me,” Rev. Manigault explained, mentally chastising himself for making the slip in reference to his host, who might therefore learn of his rendezvous at Maplecroft. “Phinny Seabury’s son in the ministry?” Miss Borden clicked her tongue. “Well, for heaven’s sake, don’t send him up here. I’m not that starved for company.” At that, she rose, smoothed her gown, and adjusted her colorful scarf. She then removed an elaborately carved ivory box from the mantelpiece. Reaching inside, she extracted a gold piece. “Not that I haven’t enjoyed your visit, sir—I have enjoyed it immensely. ‘The soul selects her own society,’ as our dear Miss Dickinson put it. I wish you well, Rev. Manigault. Furthermore, I would like you to have this small token of my best wishes. It is not intended for either mission or parish, but for something frivolous.” “You are far too generous, Miss Borden.” “I am not, though I did learn a lesson in acting opposite to my father’s ways. He was most penurious and was generally despised for it. But, enough of him. Should I tote a wagon load of gold behind my hearse, or should I make my own life happier, and the lives of others?” “I am most appreciative. Perhaps I shall 54 The Literary Hatchet indulge in some theatricals up in Boston, or back down in New York.” “Oh, would you?” Miss Borden exclaimed. “That would please me considerably. I love the theatre; indeed, it has been my salvation. I’ve had so many friends who were on the stage, and I’ve entertained quite a few of them here at Maplecroft. I have been extremely close to one or two of them.” “They are a fascinating lot.” “I am so delighted to end on this happy note,” she enthused. “No need to summon Katie. Here, I shall walk you to the door. There, you mustn’t forget your hat.” “Again,” he bowed to her, prior to taking his leave, “I thank you, Miss Borden. This has been an afternoon I shall long remember.” “May God shine His Light upon you, Rev. Manigault, and on all those who strive to make the World a brighter place.” The scarlet, orange, and yellow leaves blew across the yard, and he impulsively stooped to collect a few. Although he did not know it that afternoon, the winds of fate would soon transport him back South once more, where he would serve parishes throughout the Deep South, several in large cities, before he would retire to a seaside cottage on a barrier island near his native Charleston. As Miss Borden predicted, he did not lack for suitable marriage prospects, yet he chose wisely and well, although the couple was never blessed with children. Oddly enough, her name was Emma Elizabeth Andrews—“Andrew” being Miss Borden’s father’s name. The reverend never spoke of his visit with her, neither to his wife, nor to anyone else. Nor did he ever again lay eyes upon Fall River, although he and Phinny remained close, as the latter moved farther and farther South, with each change of parish. The meeting of that long-ago afternoon remained a secret. Therefore, many years later, the widowed Emma Manigault could only guess at the meaning of the twentydollar gold piece and the pressed maple leaves she discovered in a safety-deposit box, along with an invitation to tea at Maplecroft, signed, “Miss Lizbeth Borden.” [poetry] Buried Bodies story of bad people getting away with killing their inner demons and burning the skeletons in their closet before anyone can say “wait, wait, wait” because this is no TV show there’s no studio audience to show their disapproval and get the killing cancelled it’s not bad writing just writing bad the cemetery is a garden and the garden is a graveyard stones are stacking up throughout the greens words don’t mean anything especially when written on stone don’t be afraid it’s just a hole in the ground the absence of dirt absence of a body but there’s so much more than you’ll never really know Sweet Lizzie it’s all up in the air—her face in the clouds floating away so far away never to be seen again, by the likes of us so bring out the hatchet and cut them to pieces the shapes and colors—shades of crimson run down the wall as she walks up the hall cut your eyes out, so you can’t see the truth cut your tongue off—no truth to speak—cut your hands up never to write what’s true she’s a-coming for you—coming for you the last time, you’d know righteousness you’ve seen her face—for the last time and she’s haunting . . . and she’s infighting away with you . . . away with her too go to the institution and get better only if you could feel better locked way up in an ivory tower feel nothing . . . say nothing . . . see nothing just dream of her—Sweet Lizzie just hope for her hatchet . . . in your head but it’s all only in your head —Grim K. DeEvil The Literary Hatchet 55 [short story] The Spurned Lover by Denise Noe I yearn for her. I am sick with yearning. To look into her eyes is to an awesome capacity for love. She is quiet, very quiet, and that is part of what has drawn me to her, drawn me so powerfully it is like a physical force pulling at me. How I want to undo that knot of dark hair and watch it spill over the broad shoulders of her generously endowed body! How I want to feel those lips on mine, to know her completely and in every way! But she belongs to him instead: that dour-faced and thin-lipped man. I wake up in the middle of the night drenched in sweat, imagining the two of them together . . . I want to scream my rage to the world. She was meant to be mine. In the darkness, I make my way to my chest of drawers and there I carefully open up the first drawer, not making the slightest noise as I don’t want to disturb my little son who lies sleeping in the next room. You’re as quiet as a mouse, my mother used to say. Sometimes she would fondly call me Mousy. Gently, silently, I pull out my treasures. My hands greedily caress a necklace, a ring, and a bracelet. I fondle her pocketbook. Even the trolley tickets that will never be used are precious to me because she held them and now they are in my hands. I 56 The Literary Hatchet finger the coins I will not spend because they connect me to her. My breathing becomes deeper. I return to bed. Close my eyes yet I still see her, always her. I even smell her in the darkness, her special clean scent. She is a good woman. She will not commit adultery. I understand that and I respect that. Even with no possibility of a baby, she will not break the Commandments. But she must love me. She must. Holding the covered mince pies, Abby knocked on the door of her half-sister’s home. She was especially pleased with the way these pies had turned out. The smell of freshly baked bread combined with cherries and cinnamon made her hungry even though she had already eaten a large breakfast. She knew that she ate too much but she just loved food. The door opened. Sarah was wearing a pale orange dress that Abby thought complemented her complexion. “Come on in, Abby,” Sarah said, smiling broadly. “That dress looks pretty on you,” Abby said. “Did you just get it?” “Thanks,” Sarah replied. “Yes, I did.” Little Abby came bouncing into the room. Her brown hair was in large ringlets and she wore a softly pink dress with a ruffled collar. “Aunt Abby, how are you?” she asked. “Just fine, my little precious,” Abby Borden replied. Abby leaned over to give her niece and namesake a hug. Little Abby kissed her on the cheek. “Ooooo,” she said, eyes wide with anticipation. “You brought pies!” Abby nodded and the trio went into the dining room It was a nice visit. Abby loved her thirty-six years younger sister as she imagined a mother would love her own daughter. Sarah had always looked up to her. Abby thought their relationship was much like that between Emma and Lizzie. A slight melancholy affected her whenever she contrasted her own relationship with Andrew’s daughters, especially Emma, with that between herself and Sarah. But there was no use dwelling on it and, anyway, Lizzie and she were getting along well these days even if Lizzie insisted on calling her by that jarringly formal “Mrs. Borden.” “Watch your manners, Abby,” Sarah told her daughter who was enthusiastically gobbling up the pie. Little Abby giggled. “I just like it so much!” she said. Sarah wiped the child’s cherry-reddened chin. “Thank you, Abby,” Abby Borden said. Little Abby always made a visit to the Whitehead house a joyous occasion. “You’re as sweet as a pie yourself!” The child blushed and put her hand over her face. Finished with pies and visiting, Abby walked slowly but steadily along with street. She hoped to catch the trolley soon. Just as she approached the stop to wait for it, a shudder went through her heavy body. A sour taste replaced the sweet aftermath of the mince pie. She saw him. She did not even like to think his name. His skin was so white it reminded her of paper. It also reminded her of someone sick. She looked away but he stepped right in front of her. “Abby, I have to talk with you,” he said firmly. “No, no sir,” she said, shaking her head and looking into his blue eyes. “I can’t. You know I’m a married woman. I have a trolley to catch!” “If you don’t talk to me, I’ll scream out my love for you right here on the street,” he warned. The foul taste in her mouth worsened and she shuddered once again but the possibility of a public scene was intolerable. She allowed him to lead her to a nearby alley. “Abby, I understand if we can’t have relations,” he began. “We can’t have anything to do with each other,” she told him. “This is crazy. You need one of those doctors, an alienist.” “No, I’m not sick. Abby, I’m in love.” Abby felt dizzy. “You’re a thief and you’re crazy,” she told him. “My husband and I know you robbed us.” “Yes, I did,” he acknowledged. “I had to have part of you with me.” “Well, that’s all you’ll get,” she told him and, despite her heavy weight, walked away quickly, not looking back. Trembling, Abby waited at the stop. Seated on the trolley, she was still sick with fear. Her hands were shaking so she clasped them tightly together in her lap, hoping no one would notice her disturbance. I cannot sleep. The rage inside me is like a hammer but a hammer made of fire. She hates me. Everywhere I look, I see her eyes filled with contempt. Contempt for me. For me, who would do anything for her. She will be with him forever. Never The Literary Hatchet 57 with me. They must die! Suddenly, unexpectedly, I am calm. The knowledge of what I must do has quenched the fire, stilled the hammer. Coolly, I plan. Abby was still light-headed from the illness of the previous day but definitely feeling better. It was a pleasant day for August and she hoped she would be able to enjoy it. The knock at the front door sounded oddly weak. She thought wryly that it reminded her of how she felt. When she went to answer it, she saw a cute little boy in a cap and short pants. He looked up at her without a smile and said, “I’m supposed to give you this.” She took the folded paper from him and the lad scurried away. As she closed the door, Abby read the note: “You must see me. I am sick.” He had signed it. Abby closed her eyes and rested for a minute against the door. Oh, what could she do? She crumpled the piece of paper in her hand. When she opened her eyes, she saw one of her stepdaughters walking into the room. “Hello, Mrs. Borden, how are you?” Lizzie asked with a smile. “I hope you’re feeling better.” “Just fine,” Abby said, perhaps too quickly. She cleared her throat. “I’m going to have to go out for awhile. I just got a note from a sick friend.” “Oh, that’s too bad,” Lizzie said. Abby hoped Lizzie had not sensed anything amiss. She would have to see him. Stepping gingerly out the front door, Abby spotted him on the sidewalk a few doors down. She took a deep breath. She had to tell him off, once and for all. From the distance, his eyes met hers. She looked at him and a wave of loathing swept over her, making her as nauseated as she had been yesterday. No. 58 The Literary Hatchet No. She would not speak to him. Turning back into her home, Abby resolved to think no more of him. She had a house to manage and work to do. After all, John Morse was visiting and she did not know how long he would be there. Lizzie was preparing for her vacation in Marian. Abby had things to do and couldn’t be distracted. She went into the kitchen and burned the note in the stove. After it disappeared into ash, she went to the sitting room and found Bridget dusting furniture. “Bridget, please wash the outside windows today,” Abby told her. “Very good, ma’am,” the maid replied, a slight smile on her attractive face. Abby headed up the stairs. She moved slowly because of her weight but steadily. In the guest room, Abby looked around, thinking it was satisfactorily clean and neat but the bed should be more tucked in and the frame of that painting might — The sharp hard pain on her back stopped her thoughts. Automatically, Abby put her hands out to stop herself as she fell to the carpeted floor. Her knees locked as she tried to get up but could not because pain pain pain kept coming down so hard on the back of her head. I touch the hatchet I carry inside my jacket. I look around and see no one. Then I go to the back of her house. That maid is outside washing windows so I go around the other side. Mousy, mousy. I hear my dead mother’s voice whisper inside my head and it seems like she is urging me on. The screen door is unlatched and I enter. She is not here. Not in the kitchen and not in the living room. Carefully, despite the heart in my chest that is pounding like it wants to break through my skin, I walk up the stairs. I find her in the first room I come to. The door has been left ajar as if waiting for me. Her back is turned so I do not have to see her face. I pull the hatchet out and do not hesitate. Squish! The sound is like a knife through a melon. She does not scream, only gasps as she hits the floor. I hit her again and again and again. Suddenly I am exhausted. But calm. All the anger drained out of me. I cannot think what to do now. So I stand over her, over what used to be her. Staring, transfixed. We are together now, I think. She cannot leave me. She cannot even look at me, loved but not loving. Someone laughs. Outside the door, I spy a woman. It is one of Abby’s stepdaughters. Come any closer and you will die. But she does not. “Thank you, Bridget,” he says. It is his voice. The rage attacks me again, a brutal beating from inside my own chest. Shuffling sounds, feet on stairs. Down and then up. A door opens close by, on this floor. Then a door shuts somewhere down below. I don’t give him time to scream. I bring the hatchet down, splitting his face open as his hand reaches upward. Again and again I bring it down. He does not have her anymore. He will not live even to remember her. Mousy, mousy. Silent and quick: mother was right. My pants are splattered with dried blood; my jacket with his fresh red paint. Calm now, I strip off my jacket. I take off the pants I wear over another pair of pants. I put the soiled clothes and the hatchet into my black bag. Down the street I walk, unhurried, carrying my bundle. “Papa, Papa, did you kill them?” my son asks. His large blue eyes are blurred with tears and full of fear. We are in his room and he is in his night garments. “No, of course not!” I tell him firmly. “People might think I did so you mustn’t tell anyone about the note.” I put my hands on his shoulders. “Please tell me you will keep it a secret,” I say. “But Papa, what if someone finds out?” He is trembling. Tears spill down his cheeks. “Will they hang you?” “They won’t find out. I didn’t do it. You’ve just got to not tell anyone so they don’t make a mistake.” “Oh, Papa!” He hugs me hard and sobs. Running my fingers through his hair, I say, “There’s nothing to be afraid of. As long as we don’t talk about the note.” His crying continues but then gets weaker. “I did not do it. You know I couldn’t do anything like that,” I tell him. “Yes, Papa. Of course, Papa.” “People know who killed the Bordens,” I reassure him. “It was Lizzie Borden. They’re saying she’ll be arrested soon.” “But what about that reward for the note?” he asks. “That’s Lizzie trying to mislead the police. We just mustn’t talk about it so the police don’t get the wrong idea. You know I couldn’t have done anything like that.” “Yes, I know, Papa,” he says somberly. After tucking him into bed, I kiss his warm forehead. Back in my own room, I go over my actions again, wondering if I overlooked anything. The clothes were burned. The hatchet is down a well. I am safe. Then I remember the drawer full of Abby’s things. Pulling the drawer open, I look at them, hold them—and feel nothing. They mean nothing now. Suddenly I shake. I feel the emptiness where lives ought to be. And fear: what if they don’t hang her? I feel as if a block of ice has settled across my back. The Literary Hatchet 59 [poetry] TRAVESTY AND TRAGEDY OUT IN THE BARN THAT FATEFUL DAY YOU WERE JUST TRYIN TO GET AWAY IT WAS DARK ‘N IT WAS COOL PERFECT FOR A GIRL LIKE YOU A PLACE WHERE YOU COULD BE ALONE ‘N DREAM ABOUT A HAPPY HOME JUST PEOPLE AROUND YOU THAT YOU LOVE ‘N WANT YER WORLD TO BE PART OF A SIMPLE QUIET KIND OF LIFE MAYBE SOME GOOD MAN’S WIFE IN A HOME WITH LOVE ALL AROUND WHERE GOOD THINGS WOULD ABOUND A BRIGHT RESOURCEFUL CLEVER GIRL HAD BEFORE HER ALL THE WORLD LEAVIN ABBY FAR BEHIND AS FROM THE NEST YOU’D CLIMB LISBETH LISBETH ALL THE BIRDS KNOW YER NAME LISBETH LISBETH (‘OH) AIN’T IT A SHAME? THEY HAD NO ONE ELSE TO BLAME ALL YER DREAMS CAME CRASHING DOWN THE MOMENT THAT YER DAD WAS FOUND YOU WERE HANDY ‘N ALONE (‘N) NOT QUITE FULLY GROWN IT DON’T SEEM RIGHT IT DON’T SEEM FAIR TO BLAME YOU JUST CUZ YOU WERE THERE THEY (JUST) DIDN’T KNOW WHAT ELSE TO DO WITHOUT A LEAD WITHOUT A CLUE 60 The Literary Hatchet THEY HAD A KILLER ON THE LOOSE BUT THEY DIDN’T HAVE NO PROOF THEY NEEDED SOMEONE TO TAKE THE FALL GUILT DIDN’T MATTER AT ALL THEY’D FOUND A WAY TO SAVE SOME FACE NOT CARIN BOUT THE LIFE THEY’D WASTE BUT IN THE END THEY’D NEVER FIND ANYTHING TO TIE YOU TO THE CRIME LISBETH LISBETH THEY FILLED YER LIFE WITH RAIN LISBETH (‘O) LISBETH YOU STOLE A FEW HOURS IN THE SHADE ‘N YER LIFE ‘L NEVER BE THE SAME (SO) MASSACHUSSETTS PUT YOU ON TRIAL ‘N DID IT’S BEST TO RUIN YER LIFE ‘CEPT THE JURY DISAGREED NO WAY YOU’D HARMED YER DAD OR HIS WIFE (AND) EVEN THO YOU WERE SET FREE YOU WENT DOWN IN HISTORY TIL TODAY IN THE MOUTHS OF BABES YOU STILL CAN HEAR THEM WHEN THEY PLAY SAYIN THAT HURTFUL LITTLE RHYME THAT’S STOOD THE TEST ‘O TIME ‘CEPT I DON’T THINK THAT IT’S TRUE WHAT’S SAD IS WHAT THEY DID TO YOU LISBETH LISBETH I THINK OF ALL YER PAIN LISBETH LISBETH FOR YOU JUSTICE NEVER CAME (I HOPE) SOMEDAY SOMEONE WILL CLEAR YER NAME © 2006 DANIEL KRENTZMAN The Literary Hatchet 61 [humor] This Just in: New Lizzie Rhymes Found! by Sherry Chapman Most of us think that the only song about Lizzie Borden was the tiresome “…took an axe…” quatrain. Actually, there were many others making the rounds after that August morn. Sadly, most of those never became very popular and were lost by the wayside. But there are still some that have survived through the decades, thanks to the thoughtful foresight of Fall River-ites of the past. A FRENCH STREET HOUSE BUILT FOR TWO (Sung to the tune of “Bicycle Built for Two”) Lizzie, Lizzie Give me your answer true Are you crazy And did you kill those two? They had a sexless marriage Their bed it got no wearage LIZZIE (Sung to the tune of “Dizzy”) Lizzie! Yes, It’s Lizzie makin’ your head hurt Like a migraine, it never ends And it’s you, Ab, makin’ me sin You’re makin’ me dizzy. But you’ll feel a thrill Up on The Hill Of a house that Pa ‘gave’ to you. The first time that I saw you, cow, your hoof holding onto my Dad I knew that you replaced us And that just made me very mad. Mrs. B, I want you dead Just lay down there on the bed And you won’t have to run in circles all the time. KILL ME GENTLY (Sung to the tune of “Rock me Gently”) This can be sung by ‘Abby’ or ‘Andrew,’ but most persons sang it as Abby, since Andrew probably didn’t know what hit him. I am Lizzie And I will see him When he comes home early from town I will know him by his old frown Soon he’ll be dizzy. Kill me gently Kill me slowly Take it easy Don’t you know That I have never Been Mauled like this before. 62 The Literary Hatchet The last time that I saw you I only needed a dime But it’s so hard to talk to you With bankers hangin’ round you all the time. I’m so sick to hear you shout I want to take your eyeball out You won’t see nobody for some help. (CHORUS) NEW YORK CITY DREAMIN’ (Sung to the tune of ‘California Dreamin’) HELP (Sung to the tune of “Help”) All the pears are brown And my complexion’s gray I’ve been locked up For three hundred days. Help! I have Abby upstairs. Help! Is there no one that cares? Help! You know she needs a hand here. Help. Walked into my church On my first Sunday Could not get down on my knees Because of how much I weighed. When she was thinner Not much thinner than today She never needed even Andrew’s help on any day. You know my old friends, they are so cold They know I’m going to stay But New York City Dreamin’ Is on my mind today. But now, she’s on the floor And I know she’s very stout If I can get her up She only has passed out. DO YOU KNOW THE WAY TO KELLY’S YARD (Sung to “Do you Know the Way to San Jose”) Do ye know the way to Kelly’s yahd I took some pills I may go wrong and lose my way. Do ye know the way to Kelly’s yahd I’m going there to find a outside house in Kelly’s yahd. This is a great big city Put your sick head down and out, but far In a week, maybe two they’ll give you a jar Look, there is Bill Borden, I must run past And if I was in Borden’s yahd No one would ever notice gas. (CHORUS) HOW MUCH IS THAT ACID IN THE WINDOW? (Sung to “How Much is that Doggy in the Window”? How much is that acid in the window? The bottle that shows a big skull I would like that acid in the window Prescription? That’s a load of bull. Help her if you can, I’m going down And I do believe it’s cause she is so round Help me get her men’s shoes on the ground Addie, please, please help us. And now I see her head is crushed in oh so many ways, I think that I may faint – I only see a haze But every now and then I feel I am secure I know I see her like I never did before. Help me if you can, in blood I kneel And you can’t pick up a lump of oatmeal I think that it is starting to congeal It’s too late, but please help me, help me, ooh. IN THE GOOD HOUSE MAPLECROFT (Sung to “On the Good Ship Lollypop”) In the good house, Maplecroft My coachman lives in the loft And I don’t care He can live with me anywhere. Chandeliers are everywhere Some say murder hangs in the air And there you are On my sidewalk like I am a big star. See my sister do a huge eye roll With outrage so it’d seem The Literary Hatchet 63 If you look too much, ooh-ooh You’ll awake with night bad dreams. In the good house, Maplecroft I enjoy old friends as they scoff And run away From the good house Maplecroft. In the good house, Maplecroft I like Ernest’s hands, they’re so soft Sometimes we’ll play Down by Handy’s house on Buzzard’s Bay. I can do things anywhere No old father here that would care But there I go Looking back to that old murder show. See my sister Em, the old maid hen That never has been plucked If she don’t shut up, oh, oh I’ll tell her to go get Buck! In the good house, Maplecroft I’ll live out my days, warm and soft And entertain In the good house, Maplecroft! SOMETHING IN THE WAY SHE SWINGS (Sung to “Something in the Way She Moves”) Somethin’ in the way she swings Makes me want to run for cover Somethin’ in the way she swings I don’t wanna get too close I don’t wanna become toast. Yer askin’ me will I tell, Oh I don’t know I don’t know They take her dress, and it may show I don’t know I don’t know Somethin’ in the way she acts And all I have to do is look at her. Somethin’ in the threats she gives me I don’t think I can leave now Soon I will leave and how. 64 The Literary Hatchet I’VE BEEN WAITING IN THE CLOSET (Sung to “I’ve Been Working on the Railroad” I’ve been waitin’ in the closet All the live long day I’ve been waitin’ in the closet Just to chop my folks away. Can’t you hear Abby upstairs Putting on the pillow shams I will take her legs and make hams “Lizzie? No, no no!” “Lizzie don’t you whack, Lizzie don’t you whack Lizzie, don’t you whack me on the head.” “It won’t take very long, my arms are strong. I’ll just do it till you’re dead.” I’m still waiting in the closet For my Father dear Just like when he did my pigeons He will get no warning fear. Can’t you hear him up the sidewalk Trying every door He gives us no money We might as well be poor. “Is there any mail? Is there any mail? “Is there anything for me, me, me?” “No, what’s behind your back, “Let me see.” “Gladly, Father, Gladly.” There were other songs that were out after Lizzie’s trial, but they haven’t surfaced yet. Keep on the lookout for hits like: “I Fought the Law and I Won,” by Lizzie Borden; “Sometimes I Wish I were a Boy,” by Nance O’Neill; “Please Mr. Postman,” by John Morse with the flip side “Engine, Engine Number Nine (I Memorized You All),” and many unknown others. [poetry] Together Again They lie in a tight little family group at Oak Grove cemetery. Andrew and Abby and Emma and Lizbeth. Surely the tensions have eased by now. Andrew presides over periodic meetings discussing his business dealings. A small gold ring still clings to his bony finger. Abby is planing another meal of cookies and Johnnie cakes, mutton broth and over ripe bananas. Emma doesn’t say or do much of anything. And Lizzie . . . Lizbeth, I mean, that great American symbol of “breaking away,” is still here, all mouth and ass like a baby bird who never really left the nest at all. Try It Yourself Try it yourself. Use a rolled up newspaper or a magazine or even this book, and strike the table nineteen times . . . HARD. Imagine the anger, the wild eyed drooling hatred . . . the pee in your pants ferocity of blade biting bone. Hard to imagine the insanity unless you try it yourself. —Larry Allen The Literary Hatchet 65 [short story] “News & Views That Wouldn’t Fit: Notes From the Compositor’s Bench.” By Douglas A. Walters The Rime of Edwin Porter Or The Beast Within Well, Reader, that season in which we must prepare a fond adieu (or Goodriddance, I’m so glad you’re going) to the twelvemonth soon-to-pass, while greeting the New Year with open and hopeful embrace—it’s here at last. So I invite you to fill a glass and raise it with ye humble Compositor. The late Dr. Beecher once observed that, “every man should be born again on the first day of January. Start with a fresh page. Take up one hole more in the buckle if necessary, or let down one, according to circumstances; but on the first of January let every man gird himself once more, with his face to the front, and take no interest in the things that were and are past.” Now in ordinary course, Reader, I have neither qualm nor quarrel with any word Henry Ward Beecher ever spoke in public. His repute for learned speech and thought should, I think, speak for itself and be well enough known and have sufficient high regard that I need not say much about it. The last of his entirely sensible advice, however, presents me some difficulty at the present time; I must take at least some small if fleeting interest in things past. I 66 The Literary Hatchet can assure the good Doctor that the lapse will be brief, and humbly beg his pardon. Although admittedly some small time has passed since the arrival of the New Year 1894, I still find myself somewhat perplexed by events surrounding its dawn. For I will say straight out that while I have seen many a sunset of the old and dawning of the new, none will ever dare to compare with the arrival of the new year, 1894. Who’s to blame? Well, now Reader, that is not a question so readily answered, else I should have mentioned this in a more timely fashion, and perhaps the more in keeping with Dr. Henry Ward Beecher’s fine advice. All I can do is begin at the beginning and say that it was my custom to convene a gathering of friends, in whose company the evening would be spent, the old pass out and the new come in. The plans for said soirée had been in place for at least ten days, the initial inquiries being made and invitations extended shortly before the eve of Christmas. Invitees numbered some ten folks initially and included: Captain and Mrs. Pat Doherty, Seamus and Alice Feeney, Postmaster John Whitehead, Mr. and Mrs. John Gormley and youngster, the noted author and intrepid Globe scribbler Ed Porter, and Charlie Sawyer. It was to be a “pot luck” sort of business, you might say, although naturally a dish was not required for admittance. “Come as you’re able, bring what you please, but let us gather together and be at good ease” is how I look at it, personally. The most I knew (being so informed by Seamus Feeney on or about the 22nd of December) was that Alice wanted to make the centerpiece dish—indeed would be most proud and happy to do so. I agreed, of course. “If the girl cooks anything like she sings, it should make a fine party. What’s she making, feller?” Seamus grinned, shook his head. “I’d be in the ground at Oak Grove by tomorrow if I told you that, sir. I can tell you this: it’s one of the finest dishes she makes, and is traditional. Marriageable girls at home sometimes make it for their fellers.” Seamus winked at me and snickered. “Now hold up there, feller, you and I have had this discussion before,” I said, laughing as I raised a staying hand in hopes that the issue be taken no further. “I have a fine and lovely girl already. In time you’ll meet her, I hope—you’d have met her sooner but her mother took sick late last week, so she’s in Brockton attending to things awhile.” “Oh I know that, I do, sir. It’s only that Alice—well, she is fond of you indeed.” “As I am of her, Seamus. I’m amazed at how well she’s—it’s like she’s flowering all over again since that visit with Dr. Handy awhile back. The plain fact is, feller, any unattached man ought to be proud if she cross his path and lucky should she choose him.” “Alice would be very pleased to know you said that, sir.” “So you aren’t going to tell the surprise?” “Not me, sir. I don’t have the least desire for a view of the world from some box six feet under, but like things just as they are thank you! I’ve told all I might tell with- out putting myself in a spot that would probably get me whipped pretty good. She did, though—Alice asked me to find out how many folks though, so we might have plenty for all.” I ran down the intended list such as I knew it, making a mental note for myself of those folks I needed to get hold of yet, and Seamus nodded, saying he would pass that along to Alice. “Oh . . . Seamus my good feller, is Alice still on that routine that Dr. Handy devised?” Seamus nodded. “The single portion of drink, you mean, right?” “You have it, feller. I just had a thought: if you would please, ask her to consider modifying her activity for the night of the party so she can have something with the rest of us near midnight. I’ll see what I can find in the way of soft drinks so as to have them too. I know she likes her fizzes.” “Actually, she’s begun to switch off the fizzes with something else here lately just for a variety,” Seamus replied after a few seconds of thought. “She divides the . . . ” “What else does she drink, Seamus, sarsaparilla?” “No, it’s not that sir—although she tried that. It struck her as being too weak, she said.” “I can understand that. It is good stuff though.” “The stuff she likes, it has some root extract in it. It’s an odd word. Is there such a thing as a gentian root?” “Seamus, are you thinking of Moxie? Is that what Alice likes?” “That’s it, sir—Moxie is what she swaps off with the cherry fizz drinks.” “Well, then feller, that question is answered. I’ll check my stock—I drink it myself—and lay in extra if need be.” I caught up with Captain Doherty the next day and gave him the invitation, adding that he should bring along Mrs. Doherty also. “I thank you very much, sir. Nora and The Literary Hatchet 67 I would be happy to come,” he said, but added that it might be late, as the two desired to pay a visit elsewhere first. He did not mention whom it was they intended to call on, but from the sad twinkling that came to his eye I suspected it might be the widow of Captain Harrington, my former neighbor down the way. “Well, be there when you can, if you please,” I said. “Alice Feeney has asked to make the centerpiece dish of the evening. Seamus mentioned that to me just yesterday. I have no idea what it might be, only that it’s a surprise, the best thing Alice makes, and—well, he said something about marriageable girls snaring fellers with it back in Ireland. What exactly that part means . . .” Captain Doherty chuckled, nodding. He hadn’t seen much of Alice, he said. “That I know of, the last I ran into her in anywhere near an official capacity, I happened to be in the station house. She strolled in and asked to see Marshal Hilliard for a minute. I knew he was in, but went to see if he might be disturbed. He was free and agreed to see her, so I sent her in and stepped out. The next thing I knew I heard Alice Feeney singing her heart out—she really is a fine singer: The pale moon was rising above the green mountain; the sun was declining beneath the blue sea when I strayed with my love to the pure crystal fountain that stands in the beautiful vale of Tralee. “Then out she came a minute later, grinned and waved at me as she walked out the door. I stepped back and peeked through the doorway. The Marshal must have noticed the wonder in my eyes. ‘How did that woman know that today was my wedding anniversary? She came in, bade me good morning, sang the song and whispered a happy 68 The Literary Hatchet anniversary in my ear. Then she kissed me on the cheek and left!’” “Oh my . . . Did he take it sportingly?” “Oh he did, yes. He was a bit in the mist at first, but then I reminded him of Alice’s history with us, you might say; I then explained that we only see her very rarely nowadays, usually for some special occasion like a policeman’s birthday or the like.” “The sound of things, she’s been doing right well,” I said, “nearly as dry as a new bride’s meatloaf since Seamus got his promotion a few months back.” “Well, that’s good to hear. You know, I might just know what we’ll be eating!” Doherty said after a few seconds. “You’re not going to tell me either, are you?” “No, I’ll keep the girl’s secret I think. I will tell you this though: it is indeed a traditional dish—and if properly made is one of the very best things you’ll ever eat. You might look out for your teeth though, just in case,” Captain Doherty said, chuckling. “You’re not going to tell me that either, are you, feller?” “You’ll see in just a few days. Good day to you.” “Good day to you too, sir. My best to Mrs. Doherty, if you please.” So it was Reader that in good and due time the guests were met and the feast was set, as it were. Things held together pretty well until the 28th, when I had an evening call from Charlie Sawyer. “Hello? Oh, it’s you, Charlie. You all set for the party, feller? It’s sure—what, you can’t come? ‘samatter Charlie, something— nobody’s sick I hope? Oh well, that’s good! Wait a minute, what do you mean you’re— oh Charlie, you’ve got to be kidding me, working on New Years Eve??!! What’s the job? Oh, I see. But isn’t that a two or three day—and they want it done by the first of the month??!! Well, I know that, but crazy is still crazy, feller. How do they expect you to get that done in—you’re wondering that yourself, huh? I would too, I must say. Well, you take care, Charlie—and Happy New Year to you, too. Right, thanks . . . goodbye, Charlie.” “Hello? Oh, hello Miss Fitcher. Did you have a good Christmas? Wonderful! Yes, I did, thank you. Could you ring the post office for me please? Yes. If Mr. Whitehead is there, he’ll do. Yes, I’ll wait; thanks.” “It sure is a good thing Miss Fitcher is so crackerjack at putting voices with people.” John Whitehead said, laughing. “What did you need today, feller?” “Just a small favor, if you please, Whitehead. I don’t need to speak to him myself, but could you tell Seamus please that Charlie Sawyer won’t be at the party, please? I just talked to Charlie a few minutes ago; apparently he’s booked up playing Rembrandt that night. Tell Seamus though not to worry about telling Alice. That way if Ed Porter shows up and starts yammering about the Bordens again, we can hand him a plate and say ‘Eat this, feller, else the cook will whip you but good.’” “Good idea. But what do we do when he’s finished?” Whitehead inquired, chuckling. “We hand him another plate and say ‘Eat this, Porter, else the cook will whip you but good,’ of course!” “I’ll tell Seamus, don’t worry about it.” Whitehead said when he finally regained himself. “I’ve got to go, feller,” he said. “I have four folks here at the counter looking at me funny on account of you. They haven’t the slightest idea what I’ve been laughing at. I’ll be sure to give Seamus your message.” “All right, John—thanks. Goodbye.” Well that was done. I must admit Reader, that I was actually joshing Whitehead about keeping Ed Porter’s mouth full all evening. I began to think that it might not be a bad idea after all, however. He’d really changed quite a lot the last while, from the time The Fall River Tragedy was published. For one or another reason, it has been vir- tually all he talks about at any length—all the time. The initial hoopla is to be expected, of course. When a man makes good, it’s human nature that his friends ought to shout hurrah and fuss over his accomplishments—and I’ll take my own just part for adding to that egotistical stewpot. Adulation earned is well and fine, but it seems to me that there is (or ought to be) some sort of statute of limitations on these things that at least applies to his friends and acquaintances—especially those who have lived with or been otherwise affected by events for nearly seventeen months. I said my last on the subject to the famed author some two weeks ago during our monthly card game. We switched off to monthly games not long back. Newfound fame as a writer of “history” has made Edwin Porter a busy feller. While I found my pockets lighter by $4-$6 per month—fame has never done a thing to improve Porter’s card play—it is a small price to pay for the peace of mind that goes along without constant updates concerning the lives of Bordens living and past, No. 92 Second Street or No. 7 French, wherein the sisters are currently domiciled. “Good grief Porter, where is your head, feller?” I inquired. We’d been playing whist for about 20 minutes, and Porter was already down by a quarter. He muttered something about Miss Lizzie Borden being a thief and an enemy to prosperity—namely, his own. “I’ll probably kick myself in the backside for asking this—but what in the name of Patrick McGinty’s blue-ribbon goat are you talking about, Porter?” Porter proceeded to regale me with all the finer details of an episode I already knew of. It seems that Miss Lizzie (or an agent acting for her) had managed to procure and permanently dispose of all copies of The Fall River Tragedy then available in local bookselling establishments. “You know feller, the way you go on and on about things here lately I’m not at The Literary Hatchet 69 all surprised at this—and I’ll presume for a minute that it did happen despite the fact that I don’t believe such a thing would happen. You forget, Porter, that I have read your little tome. Make no mistake that it is a fine book. I don’t imply that it isn’t. But knowing what’s in the book, and setting that against the story being told by you and the tongue-waggers about the caching and destruction of published copies, I have to ask: ‘Why bother?’ The whole world now knows the story whether they read your book or not. It’s far too late for worry about that. The harm was done the moment the weapon fell upon its victims. Anything else it seems to me is afterthought, or at the very least an effort at damage control. For the life of me though, Porter, I don’t see even the point in that; the damage was done seventeen months ago.” Porter scowled at me. “Now don’t look at me that way feller. If you’re striking toward the ‘lean and hungry’ look, it’s not working a bit. You look like nothing so much as a hematovoric stoat who’s just finished gorging himself on flesh and blood; so fat he cannot even stand on his feet. All this carping and harping back and forth between you two in the press of late reminds me of that day a couple years back when that restaurant feller James Whitehead went at it publicly with the Tripps over on Second Street. What he had in mind exactly I don’t recollect, but he put a large sign in front of his own eatery with an appropriately pointed arrow. As I remember it, the sign said: ‘Hurry this way to A. B. Tripp’s Hog Trough! We’ll Serve No Swine Before Its Time! Dinner from 11:00–1:00 — Supper from 5:00-7:00. Feed Your Pigs Today!’ “Someone from the Tripp establishment complained to the police of course, alleging defilement of reputation. James Whitehead denied any malicious intent in placing the sign, claiming, rather, that he placed it merely in fun and hope of gaining 70 The Literary Hatchet a bit more of a trade for himself. It actually worked reasonably well after things blew over if you remember, Porter. For several weeks thereafter, folks who had passed by Whitehead’s and seen the ‘Hog Trough’ sign that day stopped to inquire about it, and folks coming down the street who remembered the sign stopped in at Tripp’s asking about pork specials. So it worked well for all concerned. “Now, my good feller, it seems to me that what you must do is hit upon some equitable accommodation tailored to satisfy both parties. You have your right as an author, but Miss Lizzie too has rights as a private citizen now sufficiently moneyed to have and do as she pleases. “Whatever troubles she may have had with authorities were settled nearly six months ago at New Bedford. That’s the only thing we really know for sure about the matter, isn’t it Porter? “Now then . . . for you Mr. Famous Author Edwin Porter, I have three words: Enough of this. You and I have known each other quite some while now, and I have great respect and genuine affection for you as a person and also as a friend. What has become of the old Porter, feller? The one I’ve seen before me on occasion these last many months seems less a human being than some mythical beast of the ages fallen prey to a malevolent force intent on destroying its soul. With luck, my good feller, many more things will be said and writ of the humble scribbler turned famous author Edwin Porter. But I hope, feller, that when the last is finally spoke it will say more of you than Here lies the humble scribbler, recorder for the ages. He earned his fame (and all knew his name) As the brightest of Buffinton’s bunch Until one day some beast did come And devour his soul for lunch. Here lies the scribbler Porter, Once a wise man good and true; Here lies the scribbler Porter, So talented, few could match it. Here lies the scribbler Porter— Third victim to mysterious hatchet. “Here you are, Porter,” I said, sliding the money he’d lost back in his direction. “You get a reprieve today. There’s no joy comes with emptying the pockets of a feller who’s not all there.” Porter looked at me, an odd and almost misplaced gleam in one eye. “There’s more to life than the Bordens, Ed—especially when you’re not one of them.” As he rose to leave, I put a hand to his shoulder. “Hold up a minute there Ed. I want to remember this day—as you might too. When was the last time you left here after a card game with funds in your pockets, feller? You write that on your calendar when you get home, because it may not happen again!” For the first time in my company that day, Edwin Porter the newly-famous author actually laughed. “I don’t know why in the world you’re laughing, feller. You know it’s true just as I do!” As he made his way to catch the cars I remembered something. “You’re expected for supper and merriment the last of the month, feller—early evening, about six or so!” Porter turned about and waved, then stepped aboard the horse car. No, Reader. While I do confess some hope that I’d gotten through to Porter on some level, I still found myself feeling that keeping Porter’s mouth full the night of the party might be the best possible solution. Virtually all hope for the original party of ten went out the window only the day before the onset of festivities. On my way out from Hudner’s market I briefly encountered Mrs. John Gormley making her way toward the market. We chatted just briefly, long enough for Mrs. Gormley to apologize and make her regrets, saying it looked as though they would be unable to attend the party after all. “My child is ill, sir—came down with a whooper of some sort just this morning. Doctor Bowen has been by for a look, and said that while the sickness does not appear grave, it’s a fine idea to stay in a day or two until the child recovers.” “Oh, bless your heart Mrs. Gormley! Hopefully the youngster will get better in good time. We certainly will miss you at the party though. Let me leave you to things then. Do take care please and have a Happy New Year.” “You too, sir!” Mrs. Gormley called out before stepping into Hudner’s. “Hello? Could you ring up the post office please, Miss Fitcher? Thank you. If he’s available I need Seamus Feeney this time, please.” Seamus Feeney came on the line very shortly thereafter. “Seamus! Tell Alice, if you please, feller, that the ten folks expected for the party is now less that by four. Right . . . nearly half now. I just ran into Mrs. Gormley a few minutes ago. No, unfortunately not. Their youngster is quite ill, she said. Seabury Bowen has been by though. No, it’s not lifethreatening, thank goodness. But he did recommend that the youngster be kept indoors and—yes, that’s right. They’ll need to keep close watch. “Oh? What is it, Seamus? What?? That’s terrible! Well, tell Postmaster Whitehead—oh, you know what to tell him without me saying. “I do have an ice box, yes—you know that Seamus, you’ve run smack into it before, feller! It’s . . . well, you know very well where it is, particularly since you’ve run into it. What is it Seamus? Our dinner is something that keeps right well when it’s cold? Oh, that’s fine news feller. No, there’ll be a fair bit leftover from the sound of things but that’s all right. It’s better the second day anyway, is it? “Well, no Seamus, I have no idea. Captain Doherty thinks he knows what it is, The Literary Hatchet 71 but he wouldn’t tell me. Yes, I mentioned it to him just a few days ago, what you’d said . . . yes, the traditional dish. He seemed to get the best idea what it might be though when I told him what you’d said about marriageable young ladies making it for their fellers. Yes, I think he knows what it is, too. No, he didn’t tell me, but said he’d keep Alice’s secret a surprise. Yes, Seamus, he is a good feller, much like yourself. “Oh, did you . . . oh good! That’s fine, Seamus. This way we can all have a wee nip together when the time should strike. I have two dozen bottles of Alice’s favorite swap-off drink, too. No, feller, I’ll be sure it’s cold; I have a dozen bottles that already are cold. No, Seamus, I wouldn’t dare give Alice warm Moxie—she’d ring in the New Year by christening me over the head with the bottle! Yes, that is frightful stuff when it gets the slightest bit warm. No, I don’t think any fly worth his salt would go near warm Moxie now that you bring the matter up, Seamus. “Listen feller, I need to get going here. Yes, I know you do too. The way things have developed I was just a little concerned about Alice; I hate thinking that she went to all the trouble and then to have so few about to . . . right, exactly. All right Seamus—goodbye, feller.” Now mind you, Reader, you may know as well do I that when seeking entry into some domicile within which walls sits a friend or acquaintance, the most common and accepted method involves use of a brass door-knock, one’s knuckles applied to the door in a rapping motion, or perhaps the ringing of a bell-hang set slightly aside of the door’s exterior. Alice Feeney employed her own method of announcement not long before six in the evening during the final hours of the final day of the year 1893: “Haroooo, ye handsome Divil, open the door up before a lady freezes herself out here!” This was followed by three discreet raps on the door. The latter I suspected (correctly, I soon discovered) was Seamus Feeney, mak72 The Literary Hatchet ing his own formal announcement. “Step in, step in!” I said, throwing the front door open wide. “The night’s unfit for man or beast. Here, Alice—give me that pan if you will.” I said, taking the large pan she cradled like a babe in her arms. “Seamus my good feller, step indoors here and close the door firmly if you would please. I’ll take care of your coats in a minute,” I said as Seamus Feeney shut the door, “just as soon as I settle this beast of a pot in the kitchen.” Alice Feeney trailed after me. “Mind you keep your handsome nose out of that pan, Mister!” she called out, laughing. “There’s a surprise in there and I’ll whip you right here the next minute if you so much as even think of spoiling it!” “Now Alice Feeney, behave yourself!” I called out from the kitchen. “Captain Doherty’s the only one to be here thinks he might know what it is—and he wouldn’t tell me.” “Oh he thinks he knows, does he? Well, we’ll just see about that when he gets here, we will.” “Let me have those coats, and do sit down—anywhere you please” I said. “I’ll stow them away in a warm spot so they’re dry by the time the New Year gets here.” I stowed the garments away on hooks in the next room. I noticed when I returned that Seamus was yet laden with something-orother which appeared to be a roughly medium size rectangular box, but with a carrying handle on one of the long ends. “Whatcha got there, Seamus?” “This here, sir?” Seamus held up the rectangular box. “Belongs to Alice, actually, but she had her hands full when we came in.” I glanced over at Alice, who just looked at me with a big smile on her face. “Hand me that box, Seamus.” Seamus handed over the medium size rectangular box with a carrying handle on one of the long ends. “Turn about, please, ye handsome host of the evening; no peeking neither.” I turned round just as she asked. Within not many seconds, another revelation came to be: not only was Alice Feeney a speaker of Irish, a fine singer and cook—the latter which I knew only by repute at that particular moment, but she was also musically-inclined in more ways than one. I turned about as she began to sing, surprised to discover that she also played the dulcimer. A voice seeming of the angels flowed from her in perfect time to the tune woven by her fingers on the strings. She’d brought a long-ago spirit alive again it seemed, as she sang of Sweet Molly Malone. “We have many traditions in Ireland, my handsome host,” Alice Feeney said even as the last line, which told of Molly’s ghost in the streets, still hung in the air. “One of several would be that at holiday time them who are willing and able must sing for their supper.” “Sing for their supper, eh? Well, I . . . You did say ‘sing’?” “That I did, Mister Handsome Host. What’s got your tongue, man? You’ve turned too quiet of asudden.” “Well, it’s just that last I knew,” I said rather haltingly, “I can’t carry a tune without a handle, nor even in a brand new beer bucket.” “Ha! Hogwash, Mister Handsome Host, and don’t you tell me different!” Alice Feeney was eyeing me in such way it seemed as if she could see every pore in the skin of my face. “I’ll tell you what Mister Handsome Host: if you will kindly fetch me something cold to drink, we’ll give this claim of yours a looking into. What say ye to that?” “ ‘This way to the fizzy bar’ is what I say to that, Miss Alice Feeney. Actually, if you will sit there and try to behave, I’ll go pop a cork or two and serve us up something that must be absolutely ice cold.” “Seamus, what can I get for you, feller? Better yet, come along with me and you may pick your own libation from the stock. That might work better, as I only have two hands.” “Oh . . . I’ll be . . . just fine . . . here . . . all alone!” Alice Feeney cried out in a sudden burst of melodramatics. “Oh Mother Machree,” I said, playing along in like fashion. “Your brother and I are going over here for just a minute to pop a few corks, Alice Feeney. Now, should we take a notion to strike out for an expedition, we’ll let you know so you can pack up your harpsichord and come along.” Alice put upon her face at that instant the look of an angel, tempered by the most devilish grin; she batted her eyes as to emphasize the former. “Psssssttt!! Seamus feller,” I whispered whilst we worked over the corks. “Yes, sir?” “Shhhh . . . speak low, Seamus. Your sister has ears.” He said “Yes, sir?” once again, but this time in a whisper. “Much better, Seamus. Now then, feller—I know of an Alice Feeney, an elder sister to you; but who on earth is that girl out there?” Seamus snickered just as softly as he could. “You’ve not seen much of Alice in a while, have you?” “Occasionally I have, yes, Seamus. But I suppose not much after all.” “That’s her, sir—the very same you did know of before.” Seamus grinned at what must have been a look of utter mystification on my face. “Three ‘Our Father’s’ in the Irish, responsible for that?” Seamus nodded. “It seems so. That, and her own prayer for strength, I think.” “What are you boys doin’ back there?” Alice called out. “Do I get a fizzy drink before I die??” She coughed and spluttered very loudly. “Only if you’re good with corks, from the looks of things, Alice!” I could play along too. Alice burst into laughter. It was an unexpectedly high-pitched laugh which seemed to proceed up and down the musical scale. Piercing, yet not at all unladylike, The Literary Hatchet 73 I thought. “Seamus, I don’t know . . .” “This, sir, is the Alice of my childhood days. You’ve nothing to fear at all. She likes you, and feels that she can be herself when about you. It’s just that this is the first time you’ve seen her true self, I think.” “All right, Seamus my good feller. I’ll take you at your word. The drinks are in that box there out the back door. I have ginger beer there too. Help yourself, feller. When that’s gone, you come get another just as you please, is that clear?” “Yes, sir; thank you.” “All right then,” I said, popping the seals on the bottles of Moxie. “We have just a matter of minutes. Warm this stuff much and the only thing it’s good for is varnishing pigeons! Lead on, MacDuff!” “It’s ‘Feeney’ sir.” Seamus snickered, and we stepped at last back into my front parlor. “Alice, close your eyes please, then stand and turn about to face me. Extend your hand if you will.” Alice did so, whereupon I handed her the ice-cold bottle. “You’ve a surprise for me, but I have a surprise for you, also. Now open your eyes.” “I already opened my nose, Mister Handsome Host. That’s all I need to know what’s in this here bottle. You’ve got Moxie, just for me. Pardon me in advance, if you will.” Whereupon, Alice Feeney tipped the bottle up and got Moxie for herself. “Cold enough is it, Alice?” “It is indeed, sir. I take it you’re familiar with the first rule of drinking this?” “I am—learned it just once, the hard way.” She wrinkled her nose up and made a sour face. “Oh it was,” I said. “Positively the worst!” “Well, then we agree, Mister Handsome Host.” She was looking at me again with that piercing gaze. I noted three things in it which it seemed I had missed before: an almost innate sense of curiosity, the kindness of a child, and what seemed 74 The Literary Hatchet to be a steel-backed faith or resolve. If one took Alice Feeney, appraised her, found her somehow worthy of friendship despite station, faults, foibles and failings, she in turn would stand by faithfully, and walk thru the fire pits of hell if it meant the serving of a friend who be truly in need. She looked down her nose at me, a sparkle in her eyes. “Your attempt at plying me with drink has failed, Mister Handsome Host—although I must say I did enjoy it and might have another just shortly. But we had laid aside a matter before—what was it you said, ‘I can’t carry a tune without a handle, nor even in a brand new beer bucket’?” “Yes . . . and you said that was hogwash.” “Indeed I did say that—and that is hogwash, strong enough no doubt to put quite the shine to even the filthiest of swine. Ha! You don’t believe Alice Feeney, I can see that in your face clear as the day.” She tried her best to give me a hard, disapproving look, but there was no mistaking the good humor in her eyes. I said nothing, mainly on account as I found myself genuinely intrigued. For this, Reader, was an Alice Feeney I truly had never laid eyes on before. “I’ll make you a bargain here and now, Mister Handsome Host: if you’ll be so good as to pop me another cork, I’ll show you just what I mean about the hogwash business momentarily. Have we an agreement?” She snickered at me, for I was already up and fetching the bottle before her last word had been spoken. “Seamus, I’ll need your help in this. Since two hands will be needed to put the man’s notion to rest and I’ll have a bottle to hold…” I returned with the requested bottle to find a surprise: Alice had transferred possession of the stringed instrument to Seamus, who held it in his lap, clearly at the ready for events to come. I handed Alice the bottle and sat down opposite, taking a swallow from my own bottle, opened just a short while earlier. It was in grave danger of becoming too warm, so I finished it off right quick, making a sour face as I drained the last. Alice grinned at me and turned to Seamus. “Brother o’ mine, does it look to you as though our handsome host be a bit surprised?” “He does look it, doesn’t he?” Seamus snickered, apparently relishing his role. “All right boy, let’s get those fingers to workin’and show the good gentleman a thing or two.” She nodded at Seamus, and his fingers began to dance over the dulcimer strings, producing an unexpectedly fine (thus so because I hadn’t any clue at all of Seamus’s musical prowess) rendition of what sounded like an Irish medley. Some of the tunes I knew, while others were completely unfamiliar. “Seamus, my good feller, you surprise me no end. That was wonderful!” I cried out as he finished. He bowed his head in thanks, snickering at my surprise. Alice tipped her bottle up then beckoned to me. “Come here and sit alongside me if you please.” I did so, and then she said, “Follow along now and do as I tell you, best you can.” I nodded, and Alice hummed what seemed to be a note. “Alright my Handsome Host, you see can you hum just like I did right then. As you hum, count off up to four, to yourself.” “The same way you—the same pitch, you mean, Alice?” “If you can, match it, yes.” She grinned at me. I did so, counting to four as instructed. “Ha! Now do the same again, but leave out the counting. When I raise my hand, then you stop.” I did so. Alice joined in the noisemaking not long in. I was surprised to notice a not-at-all-unpleasant companionship betwixt the sounds. She raised her hand, whereupon we ceased. “Now I’ll show you that you can sing! Seamus, if you will, please bang the drum slowly, but in normal time.” Seamus nodded and began to play, and as I listened, the tune sounded familiar. I raised my hand. “Alice, please don’t—not this one. If you know the words that I know, the song was written about twenty-five or so years ago, not long after the war. The feller that wrote the song wrote it after visiting a young widow whose husband was lost. It has several titles, but I know it as ‘Goodbye To Ye Gallants of the Irish Brigade.’” “I know the words—or part of them, anyway. As for you Mister Handsome Host, you may but listen.” Then she nodded to Seamus that he should resume the dulcimer. When he did, Alice Feeney began to sing: O, bang the drum slowly and play the fife lowly— But don’t tell her the soldier she loves is no more. Though in time she must know ‘tis too soon for the blow; May God bless her again with sweet dreams of his smile. Let her dream ‘til tomorrow, and spare her the sorrow To come when she finds that her love’s gone away. O ye fine Son of Erin, You’d be proud how she’s farin’ In the days since she found that Your heart beat no more. She honors her man Every way that she can, Knowing one day that they will meet once more To walk hand in hand in Heaven’s bright land, Gazing on fine blue waters by celestial shores. I do not, I can assure you Reader, shed The Literary Hatchet 75 tears easily or at the drop of a hat. By the time Alice Feeney finished her singing, however, there wasn’t a dry eye to be found in the house. I had asked that she not make me sing that on account of an acquaintance with at least four old veterans of “Irish Brigades” which saw battle during the last war. “Give me a company of Erin’s Sons armed with Henry repeaters and a double ration of shot per man,” one commanding officer wrote not many years ago, “and I wouldn’t hesitate one minute to invade Hell by way of the River Styx and do battle with the Devil himself. My boys would take it, too!” One veteran summed things up rather well I thought when I visited with him in the soldier’s home last year. Still young at just past fifty but worn by the battle and years of pain that followed, he pulled a ragged forage cap down to shade his eyes from the springtime sun. “Young feller,” he said, looking straight as an arrow down his nose at me, “they sent me down to Sharpsburg many years ago. I was happy to go and do such as I could to whip the miscreants—because Irish I am; yet this is now my home. I can have things here that at home I could not. That’s what brought me here to start with. “Like any proud son of Ireland, I went with a sprig of green tucked in my cap. Almost all the Irishmen in the company had something green somewhere on their person that day, and a fair number still wore that bit of green when they advanced toward the gates of Heaven by end of that autumn day. “I paid the bill for that Sharpsburg jaunt as you can see with half a leg in the bloody sunken road. But you mark my words, young feller: I did not pay that bill ‘til after one hell of a fight!” These then, Reader—these are the sorts of men for whom I weep freely and without reserve when spirit moves. These good and true, who even as they might walk through the valley of the shadow, do 76 The Literary Hatchet serve equally as the finest examples to they who may come after, but yet also them who have come before. I wish, Reader, that it were truly possible to convey to you the quality of Alice Feeney’s singing. I have seldom if ever seen anything quite like it save perhaps in the musical theatres or concert halls up to Boston. As you may know, when the finest of singers sings just the right tune in just the proper way in the proper venue, he or she touches the audience in such way that when a note is struck or a stanza sung, they feel it deep within their bones. Alice Feeney sings like that, with the whole of herself—mind, heart, body, and soul. Now I had heard of her prowess before, as I have mentioned occasionally. The descriptions though were somehow lacking, skewed as they were perhaps toward portraying the typical low-born Irish immigrant girl, drunk as a skunk and singing her heart out in the Central Police lockup while her brain swam in a stuporous alcoholic puddle. But here before me, in my humble abode did I see and hear (for the first time) with my own ears Alice Feeney as she was before the bottle. ‘Miracle’ is not a word I toss about at every turn, but I found myself wondering if perhaps I might have witnessed just such a thing right here in the parlor of my humble domicile. I went into the kitchen, grabbed up a cloth, pumped cool water over it and returned to the parlor. “Ladies first, Seamus my good feller.” I handed the cloth to Alice, who looked at me with a half-smile. “Feeney girl, do wipe your face please,” I said. “You’ll feel better in just a minute.” Alice wiped her face off, handed the cloth over to Seamus, who wiped himself up as well. “Well, aren’t we the trio?” I said. “Seamus, you missed a spot there feller, aport of your nose.” “Thank you, sir.” Seamus wiped the spot he’d missed. “All right,” I said, “I know that I have not yet sung for my supper, but the hour is nearly here and I am starved.” “You are a rarity, Mister Handsome Host. Tradition says that for supper we must sing. But any man who shed free and unashamed tears over remembrances of gallant and departed Irish souls is worthy of a supper with the Feeneys whether he sings a note or not. Do you agree, Seamus?” “I do, sister.” Seamus spoke in a voice that was rife with sage as he tried his level best not to snicker. Alice Feeney rose, grinned at me and went off toward the kitchen, where I’d left the surprise yet covered atop the stove. Alice peeked her head around the entryway. “How do you—this pan is still partly warm. Can you starving men wait another 15 minutes? The oven should be hot enough to take care of things.” When Alice Feeney returned to us in the parlor a few moments later, she found Seamus idly plucking at the dulcimer whilst I listened. “Well, now if this isn’t the prettiest picture ever I have seen! Where’s the merrymaking, the bands and whistles?” She tried her best to eye the both of us with an icy glare of disapproval, which Seamus answered with a few halting, bedraggled bars of what sounded at least a bit like Barbara Allen. “Hmmppphhh!! It’s a fine and pretty pass things have come to when an Irish boy from Galway amuses himself in a parlor picking a Scottish tune on a dulcimer!” “Why Alice,” said I, thinking right quick, “he’s playing that for the one who is absent!” “Oh? And just who might that be, Mister Handsome Host? Do tell Alice.” She leaned back, a hard, appraising look betaking her visage. “Seamus, you’re playing Barbara Allen to honor Mr. Porter the famous author, aren’t you feller?” Seamus looked up, nodding gravely. Don’t you dare snicker, Seamus! I thought quickly to myself. “Where is Mr. Porter anyway? Wasn’t he supposed to be here?” “He was, and he yet is so far as I know. When is the only open question.” “I see. Well, maybe something came up,” Alice suggested. “I suppose it might have, but I don’t really know. He hasn’t been quite himself for some good while—especially since his book came out. But he might have called, at least. I told him to be here at 6:00. John Whitehead and I even came up with a plan to keep him busy if he got going on his favorite lately subject. Mr. Whitehead thought it was a dandy notion, I should say.” “What was this ‘dandy notion’ of yours, Mister Handsome Host?” “Well, we figured that if Porter showed up and started yammering incessantly about the Bordens again, we could take care of the matter by handing him a plate and say ‘Eat this, feller, else the cook will whip you but good.’” “One plate?” Alice had caught on right quick. “We thought of that, too—Mr. Whitehead did.” Alice looked at me expectantly. “Elementary, my dear Feeneys. When he’s finished, if he gets to yammering about the Bordens again, we’d simply hand him another plate and say ‘Eat this, feller, else the cook will whip you but good.’” Alice Feeney burst into laughter and Seamus snickered. “You, Mister Handsome Host, are a devil.” Alice grinned at me, fire lighting her eyes. “Well, now Alice I don’t mean to be, but I did actually have one question, although it may get me thumped on the head. I’ve always heard that the dulcimer is Scot in origin?” “Oh no, Mister Handsome Host, it is not neither a Scottish instrument!” Alice cried. “Many people think it is, but it really isn’t. The dulcimer originated in Ireland and remained there until it was stolen by the infamous highwayman thief and sheep stealer, Angus Fitzsimmons McGee. The Literary Hatchet 77 “Sentenced to hang after trial on a charge of sheep theft in the Galway courts, Angus escaped Ireland (with an Irish dulcimer tucked amongst his things) back to his native Scotland—only to be hanged at Edinburgh after another trial for sheep theft in 1802. “The one good thing about McGee, his mother was Irish—a Fitzsimmons from County Fermanagh in the north. There wasn’t anything much good about ‘Pigtail’ McGee—although in fairness he was said to be an excellent shepherd until he took up thievery. He got the name ‘Pigtail’ the day he met his maker. The hangman’s rope they said was twisted above the knot, so that it looked like a pig’s tail.” The surprise supper was revealed but a short time later after Seamus Feeney put on the finest show of famishment you ever might see. “If I don’t get a bite soon I’ll have to strike out and stalk a beast, I do think.” “Oh, you poor starving boy.” Alice glared at Seamus, but good nature brimmed over in all her visage. “I know for a fact young Seamus that you couldn’t hit so much as the broadside of an elephant with a barn, much less anything fit to eat with something so tiny as a bullet! Have you strength enough left, my young brother, to open three bottles?” “I’ll fetch those,” I said, stepping toward my kitchen and the cold box just out the back door. Alice was just taking the pan from the oven when I came back in my kitchen door. “Alice, let’s swap,” I said. “If you’ll sit that beast on the stove, I’ll give you these bottles. That pan is hot and I know for a fact it weighs a ton.” Alice winked at me, bowed her head slightly in a gesture of thanks. So it was that in good and due time the secret was revealed: Alice Feeney had prepared a large pan of Irish colcannon. Now, likely as not Reader, you be as familiar with colcannon as am I or any friend of an Irishman judged worthy enough to sit and 78 The Literary Hatchet take a Sunday supper. The most reliable of tradition to pass across the water to these shores, by it we are told that colcannon (as humble as any Emerald Isle farmsman or transplanted day-maid though it might be) is the finest thing to leave Ireland since old Saint Patrick exiled the serpents some fifty-score and more years ago. Alice served it up, mounding each plate pretty high. “Now you boys eat this,” Alice said, “else the cook will whip you right here this instant.” Of course we laughed and settled in to do our duty as assigned. Now I had eaten colcannon a time or two before, Reader, but I must admit it was not at all the same compared to the plate set before me. “There’s five pounds of Irish bacon in this, Mister Handsome Host, along with like amounts of thin-cut cabbage and potatoes mashed up and layered all together with butter and cream. We wouldn’t use garlic in it if this was Galway, but since it isn’t Galway, I did. Usually I use milk, but for special occasions I use cream.” I nodded. I could do nothing else and speak decently on account of my mouth was full. Seamus Feeney, I noticed, was similarly silent. “Seamus,” I finally put my fork down long enough to ask, “what else did you eat today, feller?” Seamus, still chewing, shook his head. After a nip of ginger beer, he answered. “Well, I had two baker’s rolls this morning sir, and that was it. I had meant to get something else but forgot about it. But I knew too that our supper would be the best thing Alice makes. So I waited.” With that, another forkful went down the Irish boy’s hatch. “I may just whip you anyway, Seamus,” Alice said. “Colcannon or not, you should eat better than that during the day!” “Oh, now Alice, leave the boy alone. He starved himself senseless on purpose, obviously—and for good reason,” I said as I finished cleaning my plate. Alice glared at me, but there was no mistaking the glee in her eyes. Alice Feeney apparently took Mr. John Whitehead’s advice to heart. “Oh, you and your talk, Mister Handsome Host!” She grabbed my plate up and scurried into the kitchen, only to return a moment later with fully laden plate. “Here, you,” she said, grinning at me. “Eat this; else the cook will have to whip you!” “Gadzooks, Woman. Of course I’ll eat that, if you’ll stand guard for a moment while I fetch another bottle or two.” “Stand guard?? Oh, Mr. Handsome Host, I have Seamus very well trained. Some female comes to get him she won’t need a thing but a lesson in how to cook his favorite food.” Seamus Feeney, bless his heart, never broke rhythm at all, but merely nodded vigorously as I rose from the table and headed toward the kitchen and the back door. I returned a few minutes later. “Seamus my good feller, you keep this nearby. You might need it here shortly,” I said, placing a fresh bottle of ginger beer near his place. “Your pay for guard duty, Miss Feeney,” I said as I handed Alice a fresh bottle of Moxie. “Well, aren’t we kind, Mr. Handsome Host; how thoughtful of you.” She smiled her thanks. Seamus paused in his nourishing ritual just long enough to pull the stopper on his ginger beer and take a long swallow. Alice was watching him. She said nothing, but merely watched, beaming from ear to ear. “I do wish Mr. Whitehead and Mr. Porter might have come,” she said, “but for my part I must say I like things just fine the way they are.” “I agree, Alice. But then we”—I started to say “but then we always do.” While this was true of Seamus and me, and had been for some time, it was true of Alice Feeney only from tonight. “We what?” Alice looked at me with a question in her eye as well as on her tongue. “Well, I just realized Alice, that al- though I’ve known you folks a good while now, tonight is the first time the both of you have been to my home. We really should do this more often I think—not necessarily with a fancy meal as it makes more work for you, but . . . It’s just nice to spend time with folks whose company you enjoy.” “It is at that.” Alice grinned at me. “Oh, bless your heart, Alice Feeney. This will, I think, be my last plateful of the night. I simply cannot keep up with that ravenous brother of yours.” “Oh, now Mister Handsome Host, you just finish that plate and don’t worry about young Seamus there. We’ve each the two of us had two heaping platefuls of colcannon, and the brother is only one up. So we’ve not done too badly at all I think.” Alice threw her head back and laughed heartily, ruffling the still-eating Seamus’s hair. Within a few moments I had worked my way through the last of my colcannon. “Bless your soul Alice,” I said, laying my fork at last aside, “I wish I could go for another plate—it’s just that good—but I simply cannot hold anymore.” “That’s all right, Mr. Handsome Host. The leftovers will keep fine in this cold and be just as good tomorrow—that is unless brother Seamus cleans them out tonight!” “Oh, let him be, Alice,” I said. “Half the fun of taking him to dinner is seeing that he truly enjoys his food. “You sure didn’t eat like this though the last time we were in Whitehead’s though, Seamus. Why is that, feller?” Seamus cleaned the last of his third plate up and laid his fork aside. “Well now, Mr. James Whitehead puts on a fine meal in his establishment, that’s true enough. But nobody cooks the way Alice cooks.” Seamus pushed his chair back from the table, stretched himself out a bit. “You see what I was saying before is true don’t you, sir?” “Of course it’s true, Seamus my good feller. Anyone who has trouble seeing that need look no further than our stomachs at this moment!” The Literary Hatchet 79 Seamus agreed that the evidence should be plain enough for all to see. “You two are . . .” Whatever we were according to Alice Feeney we never discovered, for her thought was at that moment interrupted by a sharp booming sound outdoors which in a few seconds was followed by the poppopping of snap crackers not far distant from my abode. Shortly after that came another deep boom which Seamus recognized instantly as the product of a bass drum. “Now who do you suppose . . . a band, in this weather?” “That’s a good question, feller,” I said. “Alice, would you care to join us? The brother and I are about to do a bit of reconnaissance.” Alice laughed aloud. “Not without coats we don’t, Mr. Handsome Host. You hold fast while I get them.” “Bless you, Alice,” I said when she’d brought our coats. “The harpsichord should be fine where it is. We’ll not be far.” So it was that our intrepid trio made its way out the front door of my abode and into the yard a bit. I was right glad that Alice remembered coats, because the chill was blistering otherwise. Within a moment the cause of said outdoor disturbance became apparent to our eyes and our ears, being announced by intermittent blasts from a bugle. There appeared to be two small detachments from the regimental band of the Grand Army of the Republic, which is headquartered in the Borden Block, roaming the streets serenading folks. One bunch would sing while the other played—they traded off. As they marched past us there in the yard, the bugler doffed his cap in Alice Feeney’s direction, put instrument to his lips and blew “Ruffles and Flourishes” four times. As the fourth was finished, the armed detachment took up their instruments and began to play, whilst the others went hard at it singing. Now I have seen many a thing, just as you undoubtedly have as well, Reader—but I must ask in all seriousness, when 80 The Literary Hatchet did you last hear “John Brown’s Body” rendered in music and song on the 31st day of December in any given year? John Brown’s body lies a-mold’ring in the grave John Brown’s body lies a-mold’ring in the grave John Brown’s body lies a-mold’ring in the grave His soul goes marching on Glory, Glory! Hallelujah! Glory, Glory! Hallelujah! Glory, Glory! Hallelujah! His soul is marching on He captured Harper’s Ferry with his nineteen men so true He frightened old Virginia till she trembled through and through They hung him for a traitor, themselves the traitor crew His soul is marching on Glory, Glory! Hallelujah! Glory, Glory! Hallelujah! Glory, Glory! Hallelujah! His soul is marching on They marched up the street, playing and singing. We thought they might turn and go in another direction, but that presumption was incorrect. In the distance I heard some feller—the bandmaster I suppose he was—call out, “About face—for’ard march!” and up the street they came again! The only difference was that the players had swapped off sides with the singers, and they were singing another tune completely unlike “Auld Lang Syne,” or any such tune as we might expect to be played at this time of year. Both bandsmen and choir did redeem themselves (at least in the eyes of one Alice Feeney) when the bandmaster next called his call, “About face—for’ard march!” The bugler doffed his cap in Alice Feeney’s di- rection once more, put instrument to his lips and blew “Ruffles and Flourishes” four more times. In the next instant, I must confess Reader, the very bands and buckles that restrict Hades to the nether regions broke loose all at once—when the band played “Garry Owen.” Alice Feeney screamed like a Banshee and began to cheer wildly. She jumped and hollered and jumped and hollered, and jumped and hollered, climbed all over me and Seamus both like we were oak trees. Then she started to sing the old song: Let Bacchus’ sons be not dismayed But join with me, each jovial blade Come, drink and sing and lend your aid To help me with the chorus: Instead of spa, we’ll drink brown ale And pay the reckoning on the nail; No man for debt shall go to jail From Garry Owen in glory. She was still at it when I looked for Seamus—we decided to stay aground figuring it was safer there. “Seamus, you okay feller?” “Yes, sir; I think so.” “That’s good, feller. It looked like you might have taken one in the teeth there.” “No sir; just a bump.” “Hey Seamus . . . the feller that catches your sister . . .” “Yes, sir?” “You make sure that he knows what a fine catch she is . . .” “Yes, sir.” Seamus grinned at me. “But you must also in fairness to him be sure that he knows . . .” “Yes, sir?” “If ever she gets in earshot of a band playing ‘Garry Owen’ . . .” “Yes, sir. I’ll make sure he knows.” “Oh, Seamus?” “Yes, sir?” “Usually, when a feller be run down by a turnip wagon, there’s supposed to be tur- nips scattered about, aren’t there?” “Not this time, sir.” Seamus snickered. “Be still, sir; here comes Alice back.” “Right; thanks, feller.” “Now Alice Feeney—don’t you dare cry. It’s not your fault. Nobody knew that marauding band of miscreants would play ‘Garryowen’ except them. Now that’s right, isn’t it?” Alice nodded. “But you . . .” She could say no more before she started to cry again. “Alice Feeney, you listen to me,” I said. “Nothing has changed. You’re still a wonderful person. You and Seamus are both welcome in my home anytime. Do you understand that?” Alice nodded. She blew her nose and shook her head a fair bit, too. But that came after she nodded. “Seamus, will you tell Alice word for word what I said to you out in the yard, please? The silly part about the—well, no, feller, I suppose you might tell that part too. It might cheer her a bit.” Seamus recounted our conversation whilst we were huddled in the yard. “Look into my eyes, you. Did you really, truly say that?” “Yes, Alice; I did indeed say that—the part about the turnip wagon, too.” “So you really do mean that . . .” “All right you, it’s time you listened. Come here, please. Seamus, you’re a witness, feller.” “Give me your hand if you will, Alice.” She did so. “Now . . . you feel that, right?” “I do, yes.” Alice was looking straight into my eyes. “Do you know what that means?” “I think so, but you tell me—what does it mean?” “It means this: that here, in this home you and yours will always find warmth, affection, friendship, and understanding. It means that you have value as a human being, and will always be treated and valued as that by at least one person—two if we The Literary Hatchet 81 count that ravenous brother of yours.” Seamus grinned. “What were we saying earlier tonight before the dancing lesson in yon humble yard, do you remember?” “We found how much we enjoy each other’s company, and you said we ought to do these things more often—no fancy things, to make less work for me, or something like that; because we enjoy doing them.” “Did you enjoy tonight as much as it appeared you did, Alice?” “I did. I truly did.” She smiled a big, wide smile. “Well, I did myself—and I think Seamus did, too, until that errant turnip wagon got loose. That right, Seamus?” Seamus nodded, snickering. “Now then, Miss Feeney,” I said quietly, “have we settled the matter for well and for good?” “Yes, we have Mister Handsome Host,” she said, dipping her head in thanks. “Excellent. Now, if you will go and get yourself a cloth and wipe off that face, please, I believe I just heard Captain and Mrs. Doherty pull up out front there.” Alice jumped up, winked at me and raced into the kitchen. The city hall bell was just signaling that only thirty minutes yet remained to the year 1893, when I opened the front door and bade Captain and Mrs. Doherty to enter. “Come in, do come in!” I said. “The guest list turned up a wee bit shorter than anticipated, but we have had a fine evening nonetheless, and now will have an even better time since you’ve got here.” “Good evening, there feller,” Captain Pat Doherty said, shaking my hand. “You’ve met Mrs. Doherty I think, haven’t you?” “Well, now officially no, I don’t think I have. I’ve seen her here and there about the town occasionally though. It’s truly a pleasure, Mrs. Doherty.” I can only say, Reader, that Mrs. Nora Doherty is a lovely woman—in every re82 The Literary Hatchet spect the ideal companion of her husband, the Captain. “Alice, if you’re all fixed in there, come say hello. Captain Pat and Mrs. Doherty are here at last.” Alice Feeney peeped around the kitchen doorway. “I’ll be right in, Mr. Handsome Host. Would anyone like a bite of supper?” “Bless you Alice Feeney, no, but thank you,” Captain Doherty said. “If it were earlier though I most certainly would have some. I rarely, if ever, pass up a good colcannon.” Alice stepped into the parlor, exchanged greetings with Mrs. Doherty. She glared at Captain Doherty though—or tried, such things are hard to convincingly manage wearing a grin from ear to ear. “Now just how did you know that, Captain Pat? Seamus, did you tell?” “Oh Alice, the boy hasn’t uttered a peep to me other than ‘good day, Captain’ since I saw him last in the post office. The clue was in what I was told by that feller sittin’ over there—and he didn’t know what it was.” “What did you tell the Captain, Mr. Handsome Host?” “Well, I told him what I knew from young Seamus there: that in Ireland, marriageable girls sometimes make the dish in hopes of snaring fellers. I still don’t know what it means, to be truthful about things, Alice.” Up and down old Eire, On either side of the Shannon Whene’r a maiden wants to catch a man, She snares him with her finest colcannon! “Well you devil—how did you know that, Captain Pat?” “Hush now, Alice Feeney. Captain Pat knows many things!” Pat Doherty looked at Alice sternly as he could, then winked at me and nodded. “Mrs. Doherty, ma’am, if I may say so, that feller of yours is a keeper, he is.” “That he is, indeed, Miss Feeney.” Nora Doherty, though a bit at sea in this new company, seemed to warm to us quickly enough. They were chatting about some such or other thing when Pat Doherty caught my eye and motioned toward the kitchen. “Seamus, my good feller, are you up to entertaining the ladies for a bit?” “I can do that I think, sir,” Seamus replied. As he began the dulcimer, Captain Doherty and I headed for the kitchen. “Say, feller,” Captain Doherty inquired. “Didn’t you tell me last week that Porter of the Globe was invited to the party?” “Well, yes, I did Pat. I did invite him. So far as I know, he was supposed to be here. I don’t have any idea why he didn’t come, or where he is.” “I know where he is, feller.” “You? What happened, Pat?? Is he—?” “Well, part of the reason we came so late tonight, I stopped in at the station to see how things were going. Assistant Marshal Fleet drew the holiday duty. He said things were pretty quiet, a few complaints about a Grand Army band detachment roaming the streets, that was about it; except that one of the beat boys picked up Mr. Edwin Porter about two hours ago, not too far from here. He may have been headed over here.” “As much as you can tell me please, Pat—what’s going on?” “Well, the man that picked Porter up said he was in pretty bad shape, looked like he had been stumbling around in the streets and fallen a time or two at least; dirty, weather-stained clothing, matted hair, that sort of thing. The feller thought at first that Porter might be drunk, but didn’t smell anything at all on his person to indicate that. There wasn’t any bottle in his pockets, either.” “I see. The man who picked him up didn’t take him home?” “Well, no. He was going to at first, but things got to the point where the man didn’t feel that home would be the best place, if that makes sense.” “I’m still a little at sea here,” I said. “But I think I understand.” “Mr. Porter was completely incoherent. The man who picked him up said he looked as though he had been literally scared out of his mind—had a wild look of terror in his eyes. He was crying, mumbling to himself, muttering complete nonsense, that sort of thing.” “What sort of nonsense?” “Well, I don’t really have a full picture you understand, but he kept saying how he knew who the real killers of Mr. and Mrs. Borden are—it wasn’t Lizzie at all. The Bordens were actually the victims of some tribal curse put upon the family some time before 1700. Richard Borden, I think the man said, was the name. “According to the lore, the curse was placed upon a serpent commonly found in the area near the Queuquechan River. The medicine man divined that certain descendants of Richard Borden would remain within the reach of the Quequechan. Of those who remained within the river’s reach, one among them in all succeeding generations who bore children would die by unnatural or violent means. Those within the reach of the serpent.” “Well, a hatchet murder would certainly qualify as ‘unnatural’ I suppose. But what about Porter?” “Well, like I say, he was muttering to himself and making not even a teaspoonful of sense. I don’t have the notes, but the feller arrested him wrote down some of the things he was saying. They were rhymes describing the curse and what not. Mr. Porter was hissing, too, feller, just like the serpent he raved about. “Right now, that my friend is the big question. To say the least—the feller may be in Taunton for awhile until he comes to himself. We’ll get him looked at soon as we can, feller. Right now he’s under guard in the stationhouse. It’s all we can do for him here. “Doctor Dolan has examined him, but The Literary Hatchet 83 needed the help of Mickey Finn to even accomplish that. Billy Dolan’s one of the best medical men in town behind the Mayor, as you know, but all he could say was ‘I don’t know; right now, I just don’t know.’ He said the best place for Mr. Porter the shape he’s in, is either Taunton or up to Boston. ‘We’ll start with Taunton; I’ll make the arrangements in the morning.’” “Is he . . . ?” “The last I heard awhile ago, he’s asleep in a cell up the station there. We have him under guard and will keep him until we hear from Dolan. It’s all we can do but for waiting, hoping, and praying, feller.” “Thanks, Pat. I appreciate it. Say, could you hand me that bottle of Madeira on the shelf behind you there, please? We’ll have the new year to toast here in just a few minutes.” “Well, aren’t we fancy?” Pat Doherty grinned at me as he handed the bottle over. “No, not really, feller; that bottle there is three years old. The high-hatters have their bubbly and their sparkly fizz. I make merry with Madeira—enough to wet the whistle every New Years Eve, and that’s about it.” “Just the tip of a pinky finger for us there, feller, if you please,” Doherty said. I splashed a thimbleful into two cups. “Seamus,” I called out, peeking around the kitchen doorway. “Could you come in here for a moment, please? We need your assistance, feller.” The dulcimer music suddenly ceased and Seamus Feeney came on the run. “There you are, young Feeney; Happy New Year, feller.” Pat Doherty said, handing Seamus a cup of Madeira. “Thank you, sir.” “All right, young Feeney, lead on, if you will. We’re right behind.” “This, you’ve more than earned today, Alice Feeney,” I said, handing her the cup a moment or so later. “Well, now what did I do exactly, Mister Handsome Host?” 84 The Literary Hatchet “You’ve shared the pleasure of your company with a friend, and stuffed both him and that brother of yours to the gills with the finest food,” I said. “The turnip wagon . . . well, that we can overlook I think.” “You’re a fine and a good man, sir. Seamus and I are lucky people that you’re about. Would your lady object to an affectionate token on the cheek, do you think?” “I don’t think she would under these circumstances, Alice. She’s something of a shy girl herself, but is freely and openly affectionate among those whose presence brings her comfort.” Alice Feeney rose up on her toes and sure enough did kiss me on the cheek then and there: “Happy New Year to yourself, my Handsome Host and friend.” “Happy New Year to you, Alice; may God bless and keep you surely.” “Now then friends, a toast,” I cried, as the city bell did ring the midnight hour. “Seamus, the floor is yours.” Seamus Feeney rose to his feet. Bless his heart; his cheeks were pink with blush as he raised his cup: “To all those with us gathered here, may love, luck and joy be yours in the New Year 1894. To those not here we wish the same, though they have gone before. May we meet them again in Heaven as we pass to God’s bright shore. May the road rise ever with ye, and may the wind be always at your backs. May the sun shine always brightly and the rains fall ever softly upon your farms and fields— and to ye here who gather: Until we meet again, may God attend to you tenderly as you rest in the palm of His hand.” Alice Feeney then rose and began to sing in a soft yet full voice: Should auld acquaintance be forgot, And never brought to mind? Should auld acquaintance be forgot, And auld lang syne! For auld lang syne, my dear, For auld lang syne. We’ll take a cup o’ kindness yet, For auld lang syne. “ . . . every man should be born again on the first day of January. Start with a fresh page. Take up one hole more in the buckle if necessary, or let down one, according to circumstances; but on the first of January let every man gird himself once more, with his face to the front, and take no interest in the things that were and are past.” So it was, Reader, that the old passed away and the new day dawned in the year 1894. The party broke up at last when the revelers departed my abode at forty-six minutes after midnight. I hated to see it end, but hoped that we might do it again. While things were yet tentative, that appeared at least a fine prospect. But yet even as I did gird myself and turn face to front in anticipation of New Year and fresh things to come, these words of old did march through my mind: Here lies the humble scribbler, recorder for the ages. He earned his fame (and all knew his name) As the brightest of Buffinton’s bunch Until one day some beast did come And devour his soul for lunch. Here lies the scribbler Porter, Once a wise man good and true; Here lies the scribbler Porter, So talented, few could match it. Here lies the scribbler Porter— Third victim to mysterious hatchet. The Literary Hatchet 85 [poetry] The darkness Setting out for home the darkness follows, long winter shadow darts ahead like a flat crushed companion all the time knowing the darkness will fade in silence.... a Blanket of naught the waning sun scurries with fright to a distant and serrated Horizon jagged by city buildings perched on a fractured hill like children’s building blocks heaped one on another, orange windows kissed by a sun, blazing, church steeples like abandoned needles poking clouds empty of rain and forgiveness in a desiccate search for god a moon emerges from behind in silent ambush to smolder with light to which it can make no claim like a pucked ornament dangling a sad unbra illuminating uncertainties that eat inside and so, I quicken the pace in desperate haste to beat the darkness from white to red to grey the gloom about to fall to black, and home 86 The Literary Hatchet once inside I illuminate the house with light room to room to room in reprieve I secure the door on the darkness in a desperate and frightened attempt to keep alive that which is me alone, I sit by a window and spy on the creeping shadows and ponder uncertainties the darkness brings the fright that subsists inside me for the horror that prevails below the soil where the granite dominos rest where it will one day lie with me beneath, above, around, within below the moss of time eternal. —michael brimbau [poetry] Lizzie On Trial She is every bit the lady, queenly in her black dress and plumed hat, black gloves, and long black fan. Head held high, she weeps and faints at appropriate intervals. She is every bit the devil. Bolts of lightning fly from her eyes. She wears an evil grin and her hair is filled with snakes. One can only look at her obliquely . . . or face a fear of stone. —Larry Allen August Names Be that it may I tell this to thou thoughts spoken cant is out tongue hear the words gentlemen and ladies listen to the demonic cries of terror Stop turn a deaf ear they may suffer and they may die but we are safe Nay, there is not us starved for attention waving arm in air lost a lottery won nothing but one new idea of life Pages turn over years pass, countless lists of many dead and buried they and us all have august names —grim k. de evil The Literary Hatchet 87 [poetry] Waiting On a still, quiet afternoon I wander the sterile grounds of carefully placed stones of red, of white marble of polished granite grey unappreciated by those who lie covered, Silent, endlessly waiting waiting, waiting, away The hemorrhaging foliage from bleeding trees tumble to the ground at my feet on a bed of late summer grass where they will not long last dry and wither crumble and decay steady and unnoticed like beneath this clay like the flesh we carry until the day we marry the dying leaves those below waiting waiting waiting away. —Michael Brimbau 88 The Literary Hatchet [poetry] ODE TO DOMESTIC HARMONY It was the day of the murder and all through the house, Tension mounted twixt Lizzie and Andy’s plump spouse. Emma, in Fairhaven, with Brownells in their nest, Closed weary eyes and longed for some rest. With heavy feet dragging, Bridget downward did trod, Doing as she was told with one tired, resigned nod. Seizing bucket and pole out the doorway she clattered, Got sick in the yard, but what did that matter? Spying a friend standing close to the fence, She sauntered right over without much of a wrench. Chatting and smiling in the warm August sun, It sure beat the washing and was surely more fun. Uncle Morse had departed, so peculiar and thin, To visit the Emerys and their visiting kin. While no one would say that he was a glutton, He thought, “Oh, Dear Lord, please no more mutton!” Andrew had left to count all his money, Lizzie was quiet, and he thought that was ” funny.” He sighed as he walked to the banks just downstreet, And felt faintly ill, “It must be the heat.” Abby trudged up the steps with her braid of false hair, And hitched up her skirts as she mounted the stair. Already defeated and without a friend, She looked up to Heaven thinking, “How will it end?” —Shelley Dziedzic The Literary Hatchet 89 [poetry] Lizzie did you do it? Lizzie did you do it? I couldn’t bear to ask her and so I waited And so I watched. I wasn’t here! Why wasn’t I here? She was upset—knew she was upset That’s why we planned to go away. It was her birthday and she always gets like this This certain way about this time June-July-August The mood lasts longer as each anniversary passes She must see her childhood escaping Her youth fades when she looks at her desperate hands She sees the promises of sixteen and then she blinks and sees thirty-two. We used to give her gifts, but Father cut that out at thirty. You’re no child anymore, Child, he’d say. That confuses her. She still wants. But we cannot give her what she truly wants It is not in our nature or power to give her that. So flat Birthdays, and she doesn’t forget And each piles on the other and soon She is carrying a weight but won’t let it go The weight becomes her and it’s not a burden anymore It’s a part of her like a hump back. She looks in the mirror and doesn’t see it because it’s behind her. She doesn’t look behind her to notice she is deformed. Oh her Birthdays are a ruin And now she is grown no one cares. Her friends give little trifles But accompanied by raucous humor and ribald jokes. They don’t take things so seriously. They don’t understand the deep well that is within her That needs filling—that will never be full. It used to be exposed—in her eyes, in her manner. The deep needy thing that consumes her would reach out From her eyes—and that repelled people Tho they didn’t know why. They sensed they were lacking and wanted to run away. She was cautioned about that—Abbie knew. Abbie saw it on her own wedding night in June. Abbie had come to Father after almost giving up And so she was relieved—she would have done anything—made any effort. Then she saw that look on Lizzie, The I will eat you up and swallow you whole look of her hunger 90 The Literary Hatchet But surly Lizzie was a mere baby! And Abbie thought she might fill her Or failing that, distract her. A good woman went down then. Sunk. Sunk in Lizzie’s eyes. Father didn’t look that deeply If we were not fighting— If we had no tears or frowns or demands or tantrums He thought all was right in his world. Better to miss the look Better to deny it if one even had a glimpse of it. He could do that, and sleep soundly But he was a Man, and he did have a big stick he kept under the bed. I’m sure he knew not why—but some Man’s instinct kept it there And lock the door and what is already inside cannot invade deeper. It’s locked in the house with us now. We’ve not locked strangers out—we’ve tried to secure the beast within. Father does it unknowingly But I think Uncle knows what’s what. He has been everywhere and seen everything And he has seen this thing and he recognizes what it looks like. He knows when the wolf is circling the flock—there is uneasiness, unrest. A farmer knows the wolf will strike from hunger, with patience. The farmer can only hope the wolf Settles for just one lamb to its slaughter. He can’t kill it ahead of time because it is amorphous. It hovers outside the ken of human knowledge It blends into the morning mist, unseen—yet sensed When the guard has slipped it strikes quick and deadly and gets away. I can only imagine the bleating of the lamb As it is torn from its family, and the sound of the family as it is torn The victim is dragged into gray limbo Beyond a human’s sight or understanding The kill, then, is almost merciful when it finally is done. The screaming stops—the fog closes over the sight And the herd has made another sacrifice And they thank God it wasn’t them. We learn to appease the beast We are on watch and we are wary. We went away—but she came back Was she feeding the beast or was it feeding her? Lizzie did you do it? If you did it was only natural. Who is to say that the prey shouldn’t die and the predator live? A wild animal cannot be tamed—people know this, don’t they? —Kat Koorey The Literary Hatchet 91 The Hatchet: Lizzie Borden’s Journal of Murder, Mystery & Victorian History. Available online at hatchetonline.com and in print through lulu.com.