Okatie, South Carolina
Transcription
Okatie, South Carolina
OLDFIELD Okatie, South Carolina HISTORICAL CONCEPTS architects, planners & place-makers Project Overview PROJECT INFORMATION: SERVICES PROVIDED: Developer: Crescent Resources Design Guidelines Location: Okatie, South Carolina Acreage: 860 acres Homesites: 543 Commerical Architecture Adaptive Re-Use and Rehabilitation Prototype Architecture Oldfield was honored in 2006 with Audubon International’s inaugural Neighborhood for Nature Award in recognition of its ongoing commitment to environmentally responsible development. HISTORICAL CONCEPTS OLDFIELD / 2 Commercial Architecture O U T F ITTE RS CE NTE R Sited between the marshes of the Okatie River and a freshwater pond, The Outfitters Center at Oldfield is part hunting lodge, part outfitters store, and part wildlife education center. HISTORICAL CONCEPTS OLDFIELD / 3 Commercial Architecture T H E G RE E TE R’S STORE Crescent Resources hired Historical Concepts to create a building that would not only meet the diverse needs of a newly emerging development, but would also set the tone for the community to come. The firm envisioned an old-fashioned country store that would also serve as a guard house, post office and sales center. Situated just inside the property entrance, the quaint structure is welcoming, yet provides a discreet vantage point for monitoring traffic in and out of the community. A porte-cochere with antique gas pumps dresses the exterior, while inside a small emporium offers food, drinks and gifts arranged on simple, period-appropriate displays. Vernacular details, reclaimed materials and antique lighting add to the authentic feel of this new commercial structure, which has become a popular destination for residents and guests alike. HISTORICAL CONCEPTS OLDFIELD / 4 Commercial Architecture HISTORICAL CONCEPTS OLDFIELD / 5 Commercial Architecture SPORTS CLU B To maintain the historical integrity of this former plantation site, Historical Concepts’ design approach was to create a fully equipped recreation facility that would feel like an old, ancillary farm building. Inspired by livestock barns and horse stables, the Oldfield Sports Club reflects the adaptive re-use of a traditional building type. On the interior, timber framed walls in the lobby extend upward to the timber ridge beam and wooden HISTORICAL CONCEPTS ceiling. The core of the structure is wrapped by a clerestory, a continuous curtain of windows that flood the lobby and adjacent workout rooms with light. In addition to its workout rooms, there are locker rooms, a checkin desk, offices and a small retail area in the main mass. Additionally, a heated lap pool is housed in a wing with timber frame trusses and an exposed metal roof, giving it the authentic feel of a re-purposed horse stable. OLDFIELD / 6 Commercial Architecture HISTORICAL CONCEPTS OLDFIELD / 7 Adaptive Re-Use & Restoration O L D F IE LD RI V E RHOU SE Historical Concepts adapted the abandoned 1970s era estate home on the site into Oldfield’s main dining and reception facility, The Riverhouse. Above: Front facade, “before” Left: Front facade, “after” HISTORICAL CONCEPTS OLDFIELD / 8 Adaptive Re-Use & Restoration HISTORICAL CONCEPTS OLDFIELD / 9 Design Guidelines ARCHITECTURAL PATTERNS The Oldfield Style T OLDFIELD PATTERN BOOK COASTAL STYLE ONE-AND-A-HALFSTORY-- PORCH ATTACHED COASTAL STYLE ONE-AND-A-HALFSTORY-- PORCH PART OF MAIN MASS The attached three-bay porch with pediment is a distinctive layout seen in varying styles throughout the South. The front facing gable gives a pleasing, welcoming presence to the house. The raised pier foundation is suitable for flood-plain areas and allows the coastal breezes to provide natural air circulation. This is a wonderful example of understated elegance; the deep low-hanging porch is cool and inviting. The simplicity of the unbroken roofline pierced with dormers is nestled into its site among the trees. The deep side gabled roof allows more livable space than in a typical one-and-one-half story home. SMALL TOWN ECLECTIC GUEST HOUSES Eclectic, with several defining elements, twin porches flanking the central mass, and bracketed overhangs, are joined together to create an appealing design. Several fine examples may be found on Craven Street in Beaufort and throughout Savannah. These types of homes are specially suited for smaller sites, located near a road. This small guesthouse, with its highpitched square center mass and shed wing additions, has a special character all it’s own, rather than being a miniature offshoot of the main house. This is another piece that fits into the fabric of the site that makes up the compound. COASTAL STYLE TWO-STORY- PORCH ATTACHED Typical of many homes in nearby Beaufort and surrounding areas, the raised two-story home has distinct secondary wings with low-pitched roofs, which create a “T” layout. The raised foundation has a split stair entrance to the main level porch and provides opportunity for additional living space on the ground level. GARAGES The carriage house or barn with multiple gables allows for a large, habitable loft space above the ground floor two-car garage and workshop. This is one of countless ways to approach the garage structure in a unique style that complements the main house and adds to the character of the compound. These garages, while somewhat tall and shallow, are atypical of today’s garages. COASTAL STYLE TWO-STORY- PORCH PART OF MAIN MASS Found on plantations along the southeast, from South Carolina to Louisiana, this home type is notable for it’s stately full-width porch and two-story columns. Such homes were typically a statement of prosperity and position, sited deep but prominently on large lots, framed by live oaks and outbuildings. OUTBUILDINGS The outbuilding was many things to the early tidewater families - from the ubiquitous potting shed, to the “cool house” barn, to the blacksmith shop uses that have changed little over time. While the outbuilding may now house the golf cart or unique guest quarters, it is for certain that the nostalgic outbuildings lend interest to the fabric of the Oldfield house. he familiar historical dwellings shown in the following imagery sections are found throughout small towns of southern coastal regions. It is within the content of this imagery of familiarity that we have fashioned our Pattern Book and its requirements and guidelines. To appreciate these stylistic traditions, one must understand the underlying similarities in style when buildings differ in size, shape and degree of formality. These styles, as to shape and architectural elements, have been refined, mixed, and arranged to the personal preferences of the occupant by renowned architects as well as local craftsmen, through the popular use and influence of pattern books. The common use of these books, as well as the sketches of fine architectural examples by those traveling abroad and along the eastern coast of America, helped to propagate these familiar house patterns. It was not until the 1840’s that we began to see diversity and creativity in architecture. Until this time, architectural styles tended to be homogeneous and changed slowly due, in part, to the distance between communities. In 1842, architect A.J. Downing published one of the first pattern books, Cottage Residences, Rural Architecture and Landscape Gardening. Downing, as well as other architects of the day, created several pattern books that introduced many fashions of design that embraced a mixing of architectural styles. People found the books to be so popular that various builders and designers of the day made their own interpretations of these transitional works. While these various eclectic designs became customary between 1890 and 1915, traditional styles remained as the common order of the day. We are not attempting to impose any chronological order to the styles, as the result would be purely academic nomenclature. Architectural historians often disagree on such names, which are often misleading or inaccurate. For our purposes, Oldfield is not as concerned with a particular style or what might have influenced the style of a house, but more importantly whether or not the design is pleasing and appropriate to the region. You will find that the nomenclature used within this text is more descriptive, referring to design elements and massing rather than naming styles. It is the familiarity with the historical examples that we have documented in this Pattern Book that should give guidance to the Oldfield property owners in the design of their homes. These images are not meant to be all inclusive, for they are not; however, it is our intent to set examples from which the architecture of Oldfield is based and for use by both architect and review board as a reference for design. Oldfield asks homeowners to use in their designs, historical styles rooted in the region and within the local vernacular to create a special sense of place, so much an integral part of Oldfield’s uncommon way of life. B2 O L D F IEL D PATTE RN BOOK Historical Concepts developed a guide for the residential architecture at Oldfield that would complement the community and amenity buildings that the firm had already designed. The Pattern Book is a tool for understanding the desired Architectural and Landscape Patterns. Expressed through precedent photos, massing diagrams and simple drawings, this book ensures that the Oldfield vision will remain consistent over time. ARCHITECTURAL PATTERNS Evolution of the Compound H istorically, the compound evolved from a simple, single structure designed early in the 19th century for minimal family needs, with front and rear porches to provide shade and refuge from the heat of the southern sun. A shed or barn would have been built near the house, and perhaps a smoke- house or small dairy building as well. In back of the house would have been a separate kitchen structure, to keep out the heat of open-fire cooking. Over time as the family grew, the addition of dormers would have made the attic usable as bedrooms. In some instances, an entire second floor would have been added, converting the house into two full stories. As even more space was needed, side wings were added for additional bedrooms or living space. Following generations, with a desire for a grander style of living and more available means by which to achieve it, would have added rear wings and expanded the porches. Eventually, as electricity became available after the turn of the century, a back room would have been converted into the kitchen, leaving the old kitchen structure available as guest quarters. Along the same time, porches would have been enclosed or small bedrooms converted into bathrooms as running water became available. Later on, as central heat and air were added, porches would have been glassed in for year-round use. Consequently, through the generations the old family home grew and evolved from a small central mass into a large, attractive home. The overall compound itself has evolved through the years, with the barn converted into a garage, the smokehouse used for golf cart storage, and the old kitchen utilized as guest quarters. Yet because of its evolution and growth through additions, it maintains a history and unique character, a more inviting scale and far more interesting appearance than if it were a single, rectangular mass. 1800 The Oldfield Compound 1890 1920 The Typical Oldfield Homesite as Envisioned from Birdseye View B10 HISTORICAL CONCEPTS OLDFIELD / 10 Prototype Architecture R IV ER COTTAG E S The River Cottages are a series of second home retreats designed by Historical Concepts. Each small cottage has a common living area with additional bedrooms in separate masses that are connected via breezeways and screened porches. This unbundled, generational effect creates a charming enclave that stretches along the Okatie River. HISTORICAL CONCEPTS OLDFIELD / 11 HISTORICAL CONCEPTS architects, planners & place-makers 4 3 0 Pr i m e Po i n t , Su i t e 1 0 3 P e a c h t r e e C i t y, G e o r g i a 3 0 2 6 9 (770) 487-8041 w w w. h i s t o r i c a l c o n c e p t s . c o m 2010-04-06