PRO TIPS TONE MYTHS BUSTED!

DIVE! PRS SE ‘FLOYD’
Floyd Rose and 24 frets: PRS
shreds the mid-point market
#252
APRIL 2014
£5.50
SECRETS
UNLOCKED
PRO
TIPS
TONE
MYTHS
BUSTED!
HOT FOR
TEACHER
Old-school Van Halen
You Me
At
Six
Taking guitars
to the top of
the charts
APRIL 2014
PRINTED IN THE UK
£5.50
EDITOR’S LETTER
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Welcome…
EDITORIAL
Editor Stuart Williams
Content Editor Rob Laing
Reviews Editor Dave Burrluck
Deputy Reviews Editor Michael Brown
Managing Editor Josh Gardner
Senior Art Editor Mark Thomas
Art Editor Leanne O’Hara
Senior Music Editor Jason Sidwell
Music Editor Chris Bird
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Editor At Large Neville Marten
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We’ve received a lot of comments from
you readers over the last month about the
new look TG we unveiled in issue 251.
Some of them have been very positive,
some less so: but I’d just like to take this
opportunity thank you all for giving us your
feedback, and we’re stoked that so many of
you guys are enjoying it.
Moving on to the current issue, however,
and this month, we’re all about tone! What
tone actually is, and what you need to do
to get it, is an elusive and subjective area to most
guitarists. But put all the snake oil and opinion to one side – we
just want to help you sound better.
Some people say it’s all in the hands, others swear by high-end
gear. But if you weren’t born with fabled ‘tone hands’, or you don’t
own an arsenal of expensive equipment, we’ve got your back.
Inside our cover feature, you’ll find tips on tidying up your
playing, eliminating tone-killing noise from your gear, and advice
on how to wring every last drop of sound out of your rig. We’ve
even tackled a few classic tonal myths, which culminated in a
very fun afternoon spent destroying some jack leads. Check out
the accompany video to watch the results.
See you next time when, 20 years after his death, we’ll be
looking at the huge legacy that Kurt Cobain left on guitar music.
Enjoy the issue!
The ABC combined print
and digital circulation for
Jan-Dec 2012 is:
A member of the
Audited Bureau
of Circulations
22,846
Print: 20,869 Digital: 1,977
Stuart Williams, Editor
Zillah Byng-Maddick
© Future Publishing Limited 2014. All rights reserved. No part of this magazine may be used or reproduced without
the written permission of the publisher. Future Publishing Limited (company number 2008885) is registered in
England and Wales. The registered office of Future Publishing Limited is at Beauford Court, 30 Monmouth Street,
Bath BA1 2BW. All information contained in this magazine is for informational purposes only and is, to the best of
our knowledge, correct at the time of going to press. Future Publishing Limited cannot accept any responsibility for
errors or inaccuracies that occur. Readers are advised to contact manufacturers and retailers direct with regard to
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Guitar magazine, its associated websites and all world-wide licensed editions of the same. Any material submitted
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be liable for loss or damage. We encourage you to recycle this magazine, either through your usual household
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MAKING THIS MONTH’S MAG:
CHRIS
BIRD
HAVE you ever
wondered how
important is it to use premium
guitar cables? Well, this month,
TG’s music editor ditched his
regular tab-proofing duties to
answer this question by
conducting destruction tests on a
selection of popular leads. Turn to
p56 to see which – if any – leads
survived the big man’s wrath.
MICHAEL
BROWN
TO QUOTE
a severely
underused office catchphrase,
it’s NAMMertime – turn to p88
for the lowdown on all the hot new
gear that’s heading your way this
year. That said, there’s plenty to
ready your wallets for already,
with tasty offerings from PRS,
Gibson and Line 6 all reviewed
this issue. Gear on!
ROB
LAING
TWO things
have occupied
Rob’s mind and our ear lugs this
month. First off, he finally bought
a Fishman Aura, and secondly,
Scott Stapp has announced some
UK dates. When he wasn’t
listening to Creed, Rob was
making videos. Check out our
YouMeAtSix, BlessTheFall and
NAMM features. Chyeeeaahhh!
APRIL 2014
5
CONTENTS
MONITOR
First Look Schecter Synyster Gates Hellwin
Stage Head ..............................................................................
On The Road Slam Dunk Festival 2014 ........................
Riff Of The Month Van Halen – Hot For Teacher........
Scale Of The Month Blues scale ....................................
Guitar Shop Ammo Country guitars ............................
In Praise Of DigiTech Whammy ....................................
Splurge, Save, Steal Ibanez seven-strings ................
WTF? / Bring The Noise! .................................................
Sound Advice Post-rock soundscapes ........................
In The Loop Funk .................................................................
In The Studio Black Label Society ..................................
On The Up ASG, LITE, Vulkano .......................................
Albums This month’s best guitar releases ..................
Five Minutes Alone Doug Aldrich ................................
Rig Tour Blessthefall ...........................................................
Feedback ................................................................................
008
010
012
014
016
018
020
022
024
026
027
028
030
032
035
040
FEATURES
YOUR TONE
045 IMPROVE
WE’LL MAKE YOU SOUND BETTER TODAY!
027 ZAKK WYLDE
6
APRIL 2014
018 IN PRAISE OF…
Sharpen up your gear and technique to make your
guitar sing PLUS Common tone myths dispelled! .....
045
The Temperance Movement TG meets the former
session duo behind the UK’s hottest new band ..........
058
You Me At Six TG shares a beer with YMAS as
they earn their first UK No 1 album..................................
062
Steal Their Style Play like Joe Satriani, and choose
the most Satchalicious gear, regardless of budget.....
068
062 YOU ME AT SIX
Cover: Phil Sowels Redferns/ Getty Images
Architects Tom Searle on their heaviest album yet 042
COVER FEATURE: Improve Your Tone
ISSUE 252
008
APRIL 2014
FIRST LOOK
GEAR
092 FIX YOUR GUITAR
076
058
PRS SE ‘FLOYD’ CUSTOM
PRS SE ‘Floyd’ Custom 25 ..................................................
THE TEMPERANCE
MOVEMENT
Fender Pawn Shop Special Vaporizer ............................
Line 6 AMPLIFi 150 ..............................................................
GUITAR
WORKOUT
097
Round-up Gibson SG Futura, Les Paul
Futura & SG Special .............................................................
Aria 511 .....................................................................................
Godin Acousticaster 40th Anniversary Koa ..............
Show Report NAMM 2014 Round-up .......................
Fix Your Guitar Restringing a Floyd Rose vibrato .....
076
078
079
080
084
086
088
092
TECHNIQUES
Guitar Workout String Bending .....................................
Guest Lesson Eric Gales (part 3)....................................
Ear Training Tones and semitones ................................
Get Your Grades! RGT .......................................................
Get Your Grades! Rockschool .........................................
Tab Guide ...............................................................................
097
101
105
106
107
110
SUBSCRIBE NOW & GET A GIFT
Subscribe to Total Guitar – save money and get a free pedal! p108
APRIL 2014
7
FIRST LOOK…
Syn ’win
Get ready for heavy with
Synyster Gates’ Schecter
Hellwin Stage Head
W
ith Hail To The King, Avenged
Sevenfold hit the big time:
No 1 album, Download Festival
headline slot, and now a signature amp
for axeman Synyster Gates – the Schecter
Synyster Gates Hellwin Stage Head.
First unveiled at NAMM 2013, the
Hellwin Stage is part of a new line of amps
co-designed with James Brown, the man
behind the legendary Peavey 5150. It
boasts 100 watts of EL34 valve power, with
three channels (Clean, Lead I and Lead II),
plus a built-in noise gate, MIDI control and
even a 4x12 cabinet emulation line out. It’s
a killer list of features for a modern metal
amp, with a price (£1,789) to match: but
most important of all is the sound, and Syn
is thrilled with it.
“I wanted it to have this incredible
break-up but not lose any of that fluidity,
especially when you’re doing legato stuff,”
he explains. “The other huge thing for me
was clean tones. It’s the first thing I had
qualms with on other [heavy] amps. James
nailed that right away. The other stuff took
a little longer, but we got it, and it’s a
fucking incredible amp.”
Great clean
tones – and
bags of filth
“I wanted it to have this
incredible break-up but
not lose any of that fluidity,
especially for legato stuff”
Photography: Jesse Wild
8
APRIL 2014
FIRST LOOK
MONITOR
APRIL 2014
9
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