rattan = 15-1/4

Transcription

rattan = 15-1/4

Quality Yamaha Accessories...
Yamaha Band and Orchestral accessories have been helping musicians
worldwide optimize their instruments’ capabilities. From Silent Brass™,
Artist Signature Series mouthpieces to Carbon Fiber violin bows to
concert mallets, Yamaha offers an exceptional array of innovative,
technologically advanced accessories that are engineered to perform.
Students and professional musicians alike, appreciate the quality
and consistency that Yamaha accessories provide. Get optimized.
Call your Yamaha dealer today.
To learn more about Yamaha, or to find a dealer near you,
please visit our website at www.yamaha.com/band.
Table of Contents
Page
Page
Page
Silent Brass™ ....................................................1
Mouthpiece Caps.....................................24
Performance Kits .............................................44
Silent Brass Systems ................................1
Reeds .........................................................24
Percussion Accessories ................................45
Silent Brass Parts & Accessories ..........1
Maintenance Kits ............................................25
Practice Pads ...........................................45
Silent Brass Mutes ....................................2
Brass ..........................................................25
Deadbeats .................................................45
ST5 Digital Effect System .........................2
Woodwind .................................................26
Drum Keys .................................................45
ST9 Personal Studio ..................................2
Maintenance Materials .................................27
Stands and Attachments ........................46
SX-6 Silent Studio Ensemble Mixer........2
Lubricants..................................................27
Marching Accessories ...........................47
Brass Mouthpieces ...........................................4
Woodwind Materials and Parts ............27
Drumstick and Mallet Holders...............47
Comparison Chart ......................................5
Brass Materials and Spare Parts .........28
Marching Sound Projectors...................47
Standard Series:
Polish and Polishing Cloths....................28
Snares........................................................47
Trumpet ........................................................7
Cleaning Swabs .......................................28
Stadium Hardware...................................48
Cornet...........................................................8
Band Accessories ...........................................29
Concert Accessories...............................48
Flugelhorn, Alto Horn ................................9
Tuners ........................................................29
Percussion Cases ............................................49
Horn............................................................10
Lyres ...........................................................30
Mallet Instrument ....................................49
Trombone, Baritone, Euphonium ...........11
Metronomes..............................................30
Concert Snare Drum................................49
Bass Trombone, Tuba..............................12
Gold-Plated and Sterling Silver Series:
Trumpet ......................................................13
Flugelhorn, Horn,
Music Stand..............................................30
Xylophone and Bell..................................49
Band Instrument Cases ..................................31
Percussion Covers ..........................................50
Piccolo, Flute, Oboe, Bassoon,
Clarinet, Soprano Saxophone................31
Timpani Covers .........................................50
Mallet Keyboard Covers .........................50
Signature Series:
Alto Saxophone, Tenor Saxophone,
Baritone Saxophone,
Trumpet, Cornet........................................32
Marching Cases & Covers .............................51
Trumpet ......................................................15
Flugelhorn, Horn, Trombone...................33
Field-Master™ Drum Cases...................51
Trumpet, Horn, Trombone .......................16
Low Brass..................................................34
Marching Drum Covers...........................51
Trombone, Tuba........................................17
Gig Bags, Soft-Sided Cases ...................35
Stadium Hardware Bags ........................52
Canadian Brass ........................................17
Band Instrument Case Covers.......................36
Battery Packs ...........................................52
Brasswind Accessories .................................18
Harmony Director ............................................37
Mallets...............................................................54
Brass Mutes..............................................18
String Accessories..........................................39
Keiko Abe Signature Mallets .................54
Mouthpiece Adapters .............................18
Electric Violin Strings ..............................39
Artist-Master Mallets..............................55
Mouthpiece Cases...................................18
Gig Bags, Cases .......................................39
Educational Mallets.................................56
Mouthpiece Pouches ..............................18
Trombone, Bass Trombone.....................14
Chime/Bass Drum Covers.......................50
Magicstomp ..............................................39
Virtuoso Mallets .......................................57
Guards........................................................18
Violin Bridge Pickup ................................40
Marching and Concert Mallets ....................58
Brass Straps .............................................18
Pro Instrument Cables ............................40
Field-Master™ Tom Mallets...................58
Sousaphone Pads ....................................18
Supports, Stands and Cases..................40
Field-Master™ Bass Drum Mallets ......58
Woodwind Components .................................19
Practice Tools...........................................41
Corps Timpani™ Mallets.........................58
Flute Headjoints .......................................19
Strings........................................................41
Timpani Mallets ........................................58
Clarinet Tuning Barrels ...........................19
Bows ................................................................42
Saxophone Necks....................................20
Hand-Held Percussion ...................................43
Artist-Master™ Concert Bass
Drum Mallets ............................................58
Bassoon Bocals .......................................20
Woodblocks ..............................................43
Woodwind Mouthpieces................................21
Slapstick ....................................................43
Woodwind Accessories.................................24
Tambourines .............................................43
Ligatures....................................................24
Triangles and Accessories.....................43
Neckstraps................................................24
Artist-Master™ Gong Mallets ...............58
Deagan Chime Mallet..............................58
Drumheads........................................................60
Silent Brass
™
Silent Brass™ Models
Silent Brass Parts & Accessories
The new and improved Silent Brass™ systems have been redesigned to include
everything a player needs and nothing they don’t. Small and light, while still maintaining
the quietness and pitch accuracy that Silent Brass™ has become known for, these
systems are very affordable.The module is smaller than a cassette tape and weighs
about as much – most of the weight is actually from the 9-volt battery that powers the
unit. An external sound source can be plugged into the AUX IN jack allowing the player
to play with a favorite song while the OUTPUT/ PHONES jack allows the unit to be
connected to a sound system or recording system for public performance and
recording, respectively.
FEATURES
BENEFITS
Smaller, lighter and
more portable
Redesigned Silent Brass module is smaller than
a cassette tape and weighs about as much. It
fits easily into a shirt pocket and can be
attached to a belt, if desired.
Improved sound
Sound from this “next generation” system has
been greatly improved over the previous
generation (less “hiss”), allowing the player to
hear less noise and more music.
Simplified controls and
sleeker look
New module only has a volume knob and an
echo switch, eliminating unneeded features and
making it even more affordable.
AUX IN jack
Allows an external sound source to be
combined with the signal coming from the mute
or microphone, allowing an individual to play
along with a favorite song in practice and
performance settings.
OUTPUT/PHONES jack
The OUTPUT/PHONES jack allows the Silent
Brass system to be connected to earphones for
private practice, an external sound system for
sound reproduction, or to a recording system for
recording.
MODEL NO.
DESCRIPTION
HP-7
Silent Brass headphones
MC-7
Condenser pick-up microphone with two clips and mini plug
MU-CORD
Silent Brass patch cord
MU-TRSBC
Trumpet; Silent Brass carrying case; black Cordura
MU-SLSBC
Trombone/ horn/ flugelhorn; Silent Brass carrying case; black Cordura
MU-EPSBC
Euphonium; Silent Brass carrying case; black Cordura
SBC-30
Mute patch cord for SX-6
SEC-30
Electric instrument patch cord
MU-SLSBC
MU-EPSBC
Silent Brass Systems
The complete portable and soundproof system is the most innovative product for brass
instruments since the valve. With Silent Brass™, sound from the earphones is as rich
and full as a concert hall stage.
System includes the Pickup Mute, digital processor, stereo earphones and cables.
MODEL NO.
DESCRIPTION
SB79
Trumpet, consists of PM-7 and ST9
SB69
Flugelhorn, consists of PM-6 and ST9
SB59
Trombone, consists of PM-5 and ST9
SB39
Horn, consists of PM-3 and ST9
SB29
Euphonium, consists of PM-2 and ST9
SB19
Tuba, consists of PM-1 and ST9
MU-TRSBC
MC-7
SB79
SB19
1
Silent Brass Mutes Only
ST9 Personal Studio
These Pickup Mutes are quieter and offer far less resistance than traditional
practice mutes.
Instrument mutes come with cords.
The newly improved ST9 Personal Studio has been reduced to a size and weight
approximately 1/4th that of the previous model. It is a tiny amplifier, small enough to fit
into a shirt pocket, which offers a choice of ‘clean’ or echo-enhanced sound. It lets
musicians hear what is being played at an accustomed volume, to prevent any overblowing. The ST9 also has an AUX IN that serves as a direct line-in for playing along
with CDs or other devices. The ST9
Personal Studio may also be
purchased separately for players
who already own a Pickup Mute.
MODEL NO. DESCRIPTION
PM-9
Piccolo Trumpet
PM-7
Trumpet
PM-6
Flugelhorn
PM-5
Trombone
PM-3
Horn
PM-2
Euphonium
ST9
PM-5
PM-7
PM-6
SX-6 Silent Studio Ensemble Mixer
Inputs for up to six Silent Brass mutes or other electronic instruments
When musicians get together, they want to play. But finding a place to jam isn’t
always easy, especially if the hour is late. That’s why Yamaha created the SX-6 Silent
Studio Mixer. The SX-6 is a 6-channel headphone amp/mixer that lets people jam
loudly—without making a sound! It’s perfect for use with Yamaha’s Silent Instrument
Series as well as with electronic instruments. It offers complete control of balance
and mix, yet, only players wearing headphones will hear it. It couldn’t be easier to
set up and use.
PM-9
PM-2
High Quality Mixer
PM-3
ST5 Digital Effect System
for Wind Instruments
This innovative device offers unprecedented tonal variety and expression for all
wind instruments. Powerful digital processors can twist and shape tone for
unlimited creativity whether in silent practice, the recording studio, or on-stage
performance. The ST5 was designed to work especially well with the Silent Brass
Pickup Mutes or with Yamaha’s MC-7 microphone (or similar microphones).
A range of 32 high-resolution digital effects including reverbs, delays, distortion,
pitch change, modulation dynamics and 4-band EQ can be used—up to 6 at a
time—to alter and enhance sound. 50 preset effect programs are provided, and
memory for 50 user
programs stores
personalized creations.
The built-in tuner,
metronome with rhythm
patterns, and phrase
sampler, make the ST5
a powerful practice
tool. Inputs for external
sources, such as
recordings, allow realtime pitch-change so
musicians can play
along with any music.
The SX-6 is equipped with individual channel
controls, so that each player can tailor
various requirements. Balance
controls for each channel let the
musician adjust the volume of an
instrument in the headphones mix.
The auxiliary sound can be controlled
(if a CD is inputed or an external
reverb unit is used), and a pan control
allows the instrument to be placed
anywhere within the stereo field. The SX6 can also be used as a mixer in amplified
live performances or for studio recordings.
Play Silently
SX-6
The Silent Studio’s internal headphone amp allows up to six people to silently
practice together as a group. Since each member wears a pair of headphones, sound
outside the system is kept to a minimum. It’s only within the system that the full sound of
the ensemble can be enjoyed. The SX-6 allows practice in places and at times that
would have been impossible to do before.
Use with Yamaha’s Silent Series and Electronic Instruments
Any of Yamaha’s Silent Series instruments can be used with the SX-6. It has a phantom
power supply to power the Pickup Mutes of the Silent Brass Series, and a special cable
that connects both the Pickup Mute and headphones is available. A Personal Studio ST9
unit can be connected to the AUX send and return jacks to add reverb to the overall
sound of the mix. In the Stereo Mode, channels 5 and 6 can be used to connect stereo
instruments such as the Silent Session Drums, Silent Strings, or an electronic keyboard.
ST5
2
The world’s most dependable and chosen recorders are also the most playful. Sour
Apple Green, Cotton Candy Blue and Bubble Gum Pink colors add that extra fun for
students beginning their music education.
Yamaha 20 Series Recorders are specially designed for beginning students and are
easy to play in every range. They offer the ideal amount of air resistance for
effortless control and an accuracy of intonation that provides a rich, full sound.
Playful with serious quality Yamaha is known for, Yamaha Recorders are the
59
© 2005 Yamaha Corporation of America www.yamaha.com
thoughtful choice for teachers who care.
Please contact us to find out more about Yamaha recorders,
or log on to www.yamaha.com/band
Brass Mouthpieces
Yamaha Mouthpieces
Yamaha has earned an outstanding reputation for its high quality brass mouthpieces
from beginning and professional musicians alike. The result of a special approach to
design and manufacture, Yamaha mouthpieces deliver the performance and comfort
required where they are needed most: where instrument meets musician.
Yamaha’s mouthpiece production technique delivers consistent quality mouthpieces,
time after time. Other manufacturers use a specific cutting tool to create every
mouthpiece, which causes problems as tools start to wear. This can result in
inconsistent quality and poor performance. Our computer-aided design system and
computer-controlled lathe work together to produce the most precise, consistent
mouthpieces in the world.
Inner edge of rim (bite)
Cup volume
Backbore
Yamaha provides several rim thickness and contour options to exceed performance in
all musical genres. Rim thickness is essential for flexibility and endurance. Contour is
key to blowing ease and clarity of attack.
FLAT
ROUND
WIDE
NARROW
SHARPER INNER EDGE
Holds lip in place
Allows for more flexibility
Increases comfort and endurance
Allows for more flexibility
Provides clear and clean articulations
Yamaha engineers recognize how much the sound is affected by the backbore taper and
size. Based on this, we have developed five different backbore configurations for our
mouthpieces.
Rim thickness
Cup diameter
Throat
TIGHT
Creates a bright sound
LARGE
Provides a darker sound
Shank
Shoulder
Yamaha Brass Mouthpiece System
Rim contour
Example: 14A4a
Elements of the Mouthpiece
The form of a brass instrument mouthpiece consists of several elements relating to
shape and size. In choosing a new mouthpiece, musicians will benefit from reviewing
the principal elements of mouthpiece configuration.
Yamaha offers a full range of cup volumes for all styles of playing. As cup diameter
increases in size, more lip is available to vibrate, increasing the range of volume. Our
wide variety accommodates the physical characteristics of different players, and
encourages students to graduate to the fuller sound of larger cup volumes, throat
diameters, and backbores as their embouchures develop.
LARGE
SHALLOW
DEEP
14
First Number
Cup Diameter
A
First Letter
Cup Depth/Volume
Provides more volume
An important factor in
tonal brightness and
darkness.
A. Small
B. Medium Small
C. Medium Standard
D. Medium Large
E. Large
Increases brightness of sound
Creates a darker sound
4
Second Number
Rim Contour
The throat size plays an important role in the feel and intonation of each mouthpiece.
Players should select a throat size that allows for a full sound without exceeding their
embouchure control.
Rim Thickness
LARGE
A primary determinant of
sound, volume, and
playing endurance.
Expressed by a figure
ranging from 5 to 67, with
the larger numbers
signifying larger sizes.
A key factor in blowing
ease, clarity of attack,
flexibility and endurance.
1. Round
2. Semi-Round
3. Standard
4. Semi-Flat
5. Slightly Rounded
Amplifies sounds
The size of the shank controls how far the mouthpiece fits into the receiver. On most
instruments, the mouthpiece does not fit up against the end of the mouthpipe, creating a
gap between the end of the mouthpiece and the beginning of the mouthpipe. This gap
affects resistance and intonation.
LESS GAP
Produces less resistance
MORE GAP
Allows for more resistance
a
Second Letter
Backbore
Sizes and flares for
different levels of
brightness and blowing
resistance.
a. Tight
b. Straight
c. Standard
d. Slightly Curved Out
e. Large
4
Brass Mouthpieces
Yamaha Brass Mouthpiece Comparison Chart
Trumpet
Cornet
Trombone, Euphonium
or Baritone
Short Shank
MODEL NO.
COMPARISON
TR5A4
Bob Reeves OES 69
MODEL NO.
COMPARISON
TR6A4a
Schilke 6A4a
CR7D4d
Denis Wick S
MODEL NO.
COMPARISON
TR7A4
Purviance 4 (4*D4)
CR8D2
Denis Wick S, larger rim diameter
SL45A
Bach 12E
TR7B4
Schilke 7B4
CR9E
Denis Wick 5
SL45C2
Bach 12C
TR8C4
Bach 10-1/2C, Giardinelli 10C
CR11C4
Bach 7C
SL46B
Bach 11C rim, shallower cup
TR9C4
Bach 7C with smaller rim diameter
CR11E4
Denis Wick 4B
SL46C2
Bach 11C
TR11A4
Bach 7E
CR13E4
Denis Wick 4
SL47
Bach 6-3/4C, Schilke 47
TR11B4
Bach 7D
CR14E
Denis Wick 3, deep U cup
SL48A
Bach 6-1/2 rim, shallower cup
TR11
Schilke 11
CR16E
Denis Wick 2, deep U cup
SL48
Bach 6-1/2AL, Denis Wick 6BS
TR11C4
Bach 7C , Giardinelli 7C
SL48D
Bach 6-1/2AL rim, deeper cup
TR13A4a
Schilke 13A4a
TR13B4
Bach 6C
TR13C4
Bach 6B
TR13D4
Bach 6
TR14A4a
Schilke 14A4a, Giardinelli 6S
TR14B4
Bach 3C, Schilke 15B
TR14C4
Bach 5C, Giardinelli 5C
TR14D4
Bach 5B
TR14E4
Bach 3C rim, very deep cup
TR15B4
Bach 2C, shallower cup
Long Shank
MODEL NO.
COMPARISON
CRL7A4
Purviance 4 (4*D4)
CRL9C4
Bach7C, smaller rim diameter
CRL11C4
Bach7C, Giardinelli 7C
CRL13B4
Bach 6C
CRL14B4
Bach3C, Schilke 15B
CRL15C4
Bach2C
CRL16C4
Bach 1-1/2C
CRL17C4
Bach 1C
CRL14D4
Bach 5B
TR15C4
Bach 2C
TR15E4
Bach 2C rim, very deep cup
TR16C4
Bach 1-1/2C
TR16D
Bach 1-1/2C, deeper cup
MODEL NO.
COMPARISON
TR16E4
Bach 1-1/2C rim, very deep cup
FL7F4
Giardinelli 10FL
TR17B4
Bach 1-1/4C
FL11F4
Bach 7FL
TR17C4
Bach 1C
FL13F4
Giardinelli 7FL
TR17D4
Bach 1C, deeper cup
FL14F4
Giardinelli 7FL, larger rim diameter
TR18C4
Bach 1
FL16F4
Giardinelli 3FL
Flugelhorn
Mellophone
5
MODEL NO.
COMPARISON
MP14F4
Benge Mello 6
Small Shank
SL51B
Bach 5G, shallower cup, Schilke 51B
SL51
Bach 5G, slightly shallower cup
SL51C4
Bach 5G
SL51D
Bach 5G, deeper cup
SL52
Between Bach 5G & 3G
Large Shank
MODEL NO.
COMPARISON
SLL47
Bach 6-3/4C, Schilke 47
SLL48
Bach 6-1/2AL, Denis Wick 6BL
SLL48D
Bach 6-1/2AL rim, deeper cup
SLL51B
Bach 5G, shallower cup, Schilke 51B
SLL51
Bach 5G
SLL51C4
Bach 5G, slightly shallower cup
SLL51D
Bach 5G, deeper cup
SLL52
Between Bach 5G & 3G, Denis Wick 5ABL
SLL53
Bach 3G, Denis Wick 4AL
SLL54
Bach 3G with bigger diameter
SLL55
Bach 2G with smaller diameter
Bass Trombone
Alto (Tenor) Horns
MODEL NO.
COMPARISON
MODEL NO.
COMPARISON
BL58
Bach 2G
AH37C4
Denis Wick 3
BL59
Bach 1-1/2G, Denis Wick 2AL
AH38D4
Denis Wick 2
BL60B
For German-style bass trombones
BL60
Bach 1G, Schilke 60
Tubas
Horn
V-Cup
MODEL NO.
COMPARISON
MODEL NO.
COMPARISON
BB64
Bach 25, smaller rim diameter
BB65
Bach 25
BB66B
Schilke Helleberg, shallower cup
Schilke Helleberg
HR28B
Alexander 5, smaller rim diameter
BB66
HR29B
Alexander 5
BB66D4
Bach 24AW
HR30B
Alexander 8, shallower cup
BB67B4
Miraphone C3, shallower cup (For F tuba)
HR31B
Tilz 39
BB67
Bach 22
HR32B
Tilz 39, larger rim diameter
BB67C4
Miraphone C3
HR33B
Denis Wick 5N
BB68B
Schilke 69C4
HR34B
Denis Wick 4N (V-cup)
Double-Cup
MODEL NO.
COMPARISON
HR29D4
Holton VDC
HR30D4
Holton VDC, larger rim diameter
HR31D4
Giardinelli G17
HR32D4
Giardinelli S16
U-Cup
MODEL NO.
COMPARISON
HR30C4
Tilz 39S
HR32C4
Alexander 8F
HR33C4
Alexander 8F with larger rim diameter
HR34C4
Bach 3
HR35C4
Bach 3 with larger rim diameter (U- cup)
Gold Plated/Sterling Silver (Double-Cup)
MODEL NO.
COMPARISON
HR30-GP/ST
Holton MDC, with smaller rim diameter
HR31-GP/ST
Holton MDC
HR32-GP/ST
Holton MDC, larger rim diameter
6
Standard Mouthpieces
Brass Mouthpieces
Standard Series Mouthpieces
Produced using the most advanced computer design and manufacturing technology, our
Standard Series mouthpieces feature unmatched precision, smooth attack, secure
control, and easy playability. They have the ideal weight for all-around usage, and are
available in over 100 configurations. There’s a Yamaha mouthpiece to suit every player.
Trumpet
RIM
7
MODEL NO.
INNER DIAMETER (mm)
CONTOUR
THICKNESS
CUP DEPTH
THROAT (mm)
BACKBORE
PLAYING CHARACTERISTIC
5A4
15.90
semi-flat
thick
shallow
3.65
narrow
Extremely small inner rim diameter. Flat
and wide. Small cup volume. Ideal for
higher range.
6A4a
15.90
semi-flat
thick
shallow
3.65
narrow
Very shallow cup for easy high notes.
7A4
16.24
semi-flat
thick
shallow
3.65
narrow
Relatively small inner rim diameter, but
still flexible.
7B4
16.08
semi-flat
thick
semi-shallow
3.72
standard
Relatively large throat diameter with a
sharp shoulder. Bright sound with easy
high notes.
8C4
16.19
semi-flat
standard
standard
3.65
semi-narrow
Good for all-around playing. Combines an
extended high range with rich lows.
9C4
16.28
semi-flat
standard
standard
3.65
semi-narrow
Somewhere between the 8C4 and 11C4,
affording easy playability over a wide
range. Well-defined rim bite for easy
blowing and extended endurance.
11A4
16.46
semi-flat
semi-thick
shallow
3.65
semi-narrow
Medium rim diameter with a shallow cup
for easy high notes.
11B4
16.46
semi-flat
standard
semi-shallow
3.65
semi-narrow
A somewhat shallow cup and medium rim
for extra endurance. Brilliant tone.
11
16.32
standard
semi-thick
standard
3.72
standard
11C4
16.46
semi-flat
standard
standard
3.65
semi-narrow
Clean bite and well-balanced rim for all
around playing. Standard model for
beginners and advanced players.
13A4a
16.20
semi-flat
thick
shallow
3.65
narrow
Relatively flat rim with a shallow cup for
fast response.
13B4
16.63
semi-flat
standard
semi-shallow
3.65
semi-narrow
Superb clarity for large ensembles and
orchestras. Well-matched to C trumpets.
Powerful sound.
13C4
16.50
semi-flat
standard
standard
3.65
semi-narrow
Medium rim diameter and cup volume for
all-around playing. Fairly dark sound.
13D4
16.68
semi-flat
standard
semi-deep
3.65
semi-narrow
Fairly deep cup with rich, mellow tone.
Produces a dark sound.
14A4a
16.68
semi-flat
semi-thick
shallow
3.65
narrow
Fast response, high range and powerful
sound.
14B4
16.85
semi-flat
standard
semi-shallow
3.65
semi-narrow
Relatively large rim diameter and shallow
cup. Outstanding overall balance for all
musical genres.
14C4
16.88
semi-flat
standard
standard
3.65
semi-narrow
Rim designed for outstanding facility and
flexibility. Can produce high volume.
14D4
16.80
semi-flat
standard
semi-deep
3.65
semi-narrow
A fairly deep cup with a medium rim. Rich,
somewhat dark tone.
14E4
16.84
semi-flat
semi-thick
deep
3.88
wide
The 14B4 rim with a unique cup for a soft
tone. Large backbore and throat.
15B4
16.96
semi-flat
standard
semi-shallow
3.65
semi-narrow
Fairly large rim diameter with a shallower
cup than the 15C4. Outstanding flexibility.
Relatively large throat with a sharp
shoulder. Easy to play over the entire
range, with a fairly bright sound.
Trumpet, cont’d.
RIM
MODEL NO.
INNER DIAMETER (mm)
CONTOUR
THICKNESS
CUP DEPTH
THROAT (mm)
BACKBORE
15C4
16.98
semi-flat
standard
standard
3.65
semi-narrow
Clean rim bite with a standard U-shaped
cup. Bright, powerful tone.
15E4
16.92
semi-flat
semi-thick
deep
3.88
wide
Rim designed for outstanding facility and
flexibility. Between the 14E4 and 16E4
in size.
16C4
17.00
semi-flat
standard
standard
3.65
semi-narrow
Large rim and medium cup for easy
playability over a wide range. High
volume.
16D
17.14
standard
standard
semi-deep
3.65
semi-narrow
A deeper cup than the 16C4. Soft tone.
Mellow-but-solid sound.
16E4
17.14
semi-flat
semi-thick
deep
3.88
wide
17B4
17.30
semi-flat
standard
semi-shallow
3.65
semi-narrow
A good combination of large rim and
relatively shallow cup. Powerful sound.
17C4
17.30
semi-flat
standard
standard
3.65
semi-narrow
Deeper cup than the 17B4. Powerful, dark
sound.
17D4
17.30
semi-flat
standard
semi-deep
3.65
semi-narrow
An even deeper cup than the 17C4 for an
exceptionally dark, heavy tone.
18C4
17.42
semi-flat
standard
standard
3.65
semi-narrow
High volume with an exceptionally large
inner rim diameter and deep cup.
The 16C4 rim with a unique deep cup.
Heavy tone. Maximum inner rim diameter.
Cornet Mouthpieces (Short Shank)
RIM
MODEL NO.
INNER DIAMETER (mm)
CONTOUR
THICKNESS
CUP DEPTH
THROAT (mm)
BACKBORE
7D4d
16.24
semi-flat
thick
semi-deep
4.10
semi-wide
Small inner rim diameter. Flat and wide for
extended endurance. Bright, round tone.
Outstanding high tones.
8D2
16.36
semi-round
standard
semi-deep
4.10
wide
Small inner rim diameter with a relatively
deep cup. Soft yet lyrical tone that is
excellent for playing in the high range.
9E
16.44
standard
standard
deep
4.50
semi-wide
11C4
16.46
semi-flat
standard
standard
3.65
semi-narrow
11E4
16.46
semi-flat
standard
deep
4.20
standard
Exceptionally flexible for a wide range
of styles.
13E4
16.70
semi-flat
standard
deep
4.50
standard
Slightly larger inner rim diameter than the
11E4 for a richer, heavier tone. Deep “V”
cup delivers traditional soft cornet tone.
14E
16.86
standard
standard
deep
3.98
standard
Slightly smaller inner rim diameter than
the 16E. Beautiful, soft tone. Centered tone
and outstanding stability over the
instrument’s full range.
16E
17.06
standard
standard
deep
3.98
standard
Unique configuration with a fairly thin rim
facilitates advanced playing techniques.
Appealing soft tone. Medium rim
and deep cup for easy playability
over a wide range.
Easy high register. Same rim and cup
configuration as the 11C4 trumpet model.
8
Brass Mouthpieces
Cornet Mouthpieces (Long Shank)
RIM
MODEL NO.
INNER DIAMETER (mm)
CONTOUR
THICKNESS
CUP DEPTH
THROAT (mm)
BACKBORE
7A4
16.24
semi-flat
thick
shallow
3.65
standard
Fairly small inner rim diameter, but with
outstanding flexibility.
9C4
16.28
semi-flat
standard
standard
3.65
standard
Well-defined rim bite for easy, fatigue-free
playability.
11C4
16.46
semi-flat
standard
standard
3.65
standard
Standard type for players from beginner to
advanced.
13B4
16.63
semi-flat
standard
semi-shallow
3.65
standard
Bright tone suited to large bands and
ensembles.
14B4
16.85
semi-flat
standard
semi-shallow
3.65
standard
Outstanding overall balance for all genres.
15C4
16.98
semi-flat
standard
standard
3.65
standard
Bright, powerful tone.
16C4
17.00
semi-flat
standard
standard
3.65
standard
Large inner rim diameter and medium cup
for easy playability over a wide range.
17C4
17.30
semi-flat
standard
standard
3.65
standard
Ideal for players who prefer a large inner
rim diameter.
Flugelhorn Mouthpieces
RIM
MODEL NO.
INNER DIAMETER (mm)
CONTOUR
THICKNESS
CUP DEPTH
THROAT (mm)
BACKBORE
7F4
16.24
semi-flat
thick
deep
4.30
standard
Same rim configuration as the 7A4
trumpet model, thus interchangeable.
Fairly mellow high register.
11F4
16.46
semi-flat
standard
standard
3.80
standard
Medium inner rim diameter and unique “U”
cup for extra endurance. Excellent attack.
13F4
16.66
semi-flat
standard
standard
4.30
standard
A slightly smaller version of the 14F4.
Easily played in the middle and high
registers. Outstanding flexibility.
14F4
16.76
semi-flat
standard
standard
4.30
standard
Relatively large inner rim diameter ideally
matched to an original “V” cup.
16F4
17.0
semi-flat
standard
deep
4.30
standard
Same rim configuration as the 16C4
trumpet model, thus interchangeable.
Alto Horn Mouthpieces
RIM
9
MODEL NO.
INNER DIAMETER (mm)
CONTOUR
THICKNESS
CUP DEPTH
THROAT (mm)
BACKBORE
37C4
18.60
semi-flat
standard
standard
5.25
standard
Medium inner rim diameter and cup
volume. Bright tone. Easy to play from the
lowest to highest notes. Outstanding
endurance.
38D4
18.90
semi-flat
standard
semi-deep
5.25
standard
Large inner rim diameter and a fairly deep
cup produce a rich, heavy tone.
Horn Mouthpieces
RIM
MODEL NO.
INNER DIAMETER (mm)
CONTOUR
THICKNESS
CUP DEPTH
THROAT (mm)
BACKBORE
28B
16.87
standard
semi-thick
semi-shallow
3.90
semi-wide
Smallest “V” cup in the line, but with a
soft, mellow tone.
29B
17.07
standard
semi-thick
semi-shallow
(V-cup)
3.90
semi-wide
Fairly thick rim with a relatively small
inner diameter for superior high tone.
Medium throat for easy all-around playing.
29C4
17.08
semi-flat
thick
standard
(U-cup)
3.98
semi-wide
Relatively sharp shoulder and medium
throat for clear tone.
29D4
16.88
semi-flat
medium
semi-deep
(double-cup)
4.50
semi-narrow
Double-cup combining medium and extra
deep “V” cups. Fairly small inner diameter,
but with a large throat for rich tone.
30B
17.27
standard
medium thick
semi-shallow
(V-cup)
3.90
semi-wide
Standard “V” cup model with a larger
inner rim diameter than the 29B. Smooth
airflow. Ideally matches horns with a very
narrow bell.
30C4
17.28
semi-flat
medium
standard
(U-cup)
3.98
standard
Medium inner rim diameter and “U” cup
for fast response. Standard type with ideal
resistance and powerful, rich tone.
30D4
17.08
semi-flat
standard
semi-deep
(double-cup)
4.50
semi-narrow
Exceptionally rich tone. Matches horns
with a wide bell. Excellent stability on high
notes.
31B
17.30
standard
medium thick
semi-shallow
(V-cup)
3.90
semi-wide
Medium inner rim diameter with a “V” cup
for a “traditional” soft horn tone. High
volume over a wide range. A good match
for horns with a narrow bell.
31D4
17.28
semi-flat
medium
semi-deep
(double-cup)
4.50
semi-narrow
Heavy tone and high volume. Relatively
flat rim of medium thickness for easy
playability.
32B
17.67
standard
semi-thick
semi-shallow
(V-cup)
3.90
semi-wide
Large inner rim diameter for outstanding
low-note tone. Largest “V” cup in the
lineup. Rich, mellow tone.
32C4
17.48
semi-flat
medium
standard
(U-cup)
3.98
standard
32D4
17.48
semi-flat
medium
semi-deep
(double-cup)
4.50
semi-narrow
Largest double-cup in the lineup. Also
ideal for Wagnerian tuba. Large cup
volume for a dark, heavy sound and easy
low notes.
33C4
17.68
semi-flat
medium
standard
(U-cup)
3.98
standard
Largest “U” cup in the lineup. Can deliver
a big, expansive sound.
33B
17.87
standard
semi-thick
semi-shallow
(V-cup)
3.90
semi-wide
V cup with rich and mellow tone.
Larger V cup in the lineup.
Plenty of volume. Relatively flat rim of
medium thickness for easy playability.
34B
18.07
standard
semi-thick
semi-shallow
3.90
semi-wide
34C4
17.88
semi-flat
medium
standard
(U-cup)
3.98
standard
Plenty of volume. U cup for powerful
performance.
35C4
18.08
semi-flat
medium
standard
(U-cup)
3.98
standard
Larger U cup in the lineup. Can deliver a
heavy sound.
10
Brass Mouthpieces
Trombone, Baritone Euphonium Mouthpieces (Small Shank)
RIM
MODEL NO.
INNER DIAMETER (mm)
CONTOUR
THICKNESS
CUP DEPTH
THROAT (mm)
BACKBORE
45A
24.26
standard
standard
shallow
5.85
semi-narrow
Small inner rim diameter with an
extremely shallow cup for brilliant tone.
Easy high notes.
45C2
24.26
semi-round
standard
standard
5.85
semi-narrow
Small inner rim diameter with a clean bite.
Easy playability with a bright tone.
46B
24.58
standard
standard
semi-shallow
5.85
semi-narrow
Shallower cup than the 46C2. Outstanding
high register. Fairly sharp shoulder.
Brilliant tone.
46C2
24.59
semi-round
standard
standard
5.85
semi-narrow
Relatively large inner rim diameter.
Ideal for demanding professional
studio applications.
47
24.98
standard
standard
standard
5.85
semi-narrow
Smaller inner rim diameter than the 48.
Outstanding endurance. Rich tone.
48A
25.25
standard
standard
shallow
5.32
semi-narrow
The 48 rim combined with a very shallow
cup. For alto trombones. Bright tone with
good volume.
48
25.25
standard
medium
medium
6.62
semi-wide
Well-balance rim and cup for all-around
playing. Refined design meets the needs
of professional players.
48D
25.25
standard
standard
semi-deep
6.62
semi-wide
Same rim as the 48 with a relatively
deep cup. Rich lower register with a
dark, soft tone.
51B
25.23
standard
standard
semi-shallow
6.92
semi-wide
The 51 rim with a relatively shallow cup.
Powerful sound.
51
25.23
standard
standard
standard
6.92
semi-wide
Relatively large inner rim diameter with
large cup volume for a dark sound.
51C4
25.23
semi-flat
standard
standard
6.92
semi-wide
Shallower cup than the 51. Plenty of
volume and power. Solid tone throughout
the instrument’s range.
51D
25.24
standard
standard
semi-deep
7.11
semi-wide
An even deeper cup than the 51 for a
heavy, rich tone.
52
25.65
standard
standard
standard
7.11
semi-wide
Larger inner rim diameter and cup than
the 51. Heavy tone.
Trombone & Euphonium Mouthpieces (Large Shank)
RIM
11
MODEL NO.
INNER DIAMETER (mm)
CONTOUR
THICKNESS
CUP DEPTH
THROAT (mm)
BACKBORE
47
24.98
standard
standard
standard
5.85
standard
Smaller inner rim diameter than the 48.
Extended endurance. Plenty of volume.
48
25.25
standard
standard
standard
6.62
semi-narrow
Well-balanced rim and cup with a fairly
narrow backbore.
48D
25.25
standard
standard
semi-deep
6.62
semi-narrow
Same rim as the 48 with a relatively deep
cup. Rich low register with a soft tone.
51B
25.23
standard
standard
semi-shallow
6.92
semi-wide
The 51 rim with a relatively shallow cup.
Powerful sound.
51
25.23
standard
standard
standard
6.92
semi-wide
Relatively large inner rim diameter with
large cup volume for a dark sound.
Trombone & Euphonium Mouthpieces (Large Shank), cont’d.
RIM
MODEL NO.
INNER DIAMETER (mm)
CONTOUR
THICKNESS
CUP DEPTH
THROAT (mm)
BACKBORE
51C4
25.23
semi-flat
standard
standard
6.92
semi-wide
51D
25.24
standard
standard
semi-deep
7.11
standard
52
25.65
standard
standard
standard
7.11
semi-wide
the 51. Heavy tone.
53
25.91
standard
standard
standard
7.11
semi-wide
Extremely large cup. Outstanding middle
and low registers. Heavy tone.
54
26.15
standard
standard
standard
7.11
semi-wide
the 52.
55
26.35
standard
standard
standard
7.11
semi-wide
the 54. Heavy tone.
Shallower cup than the 51. Plenty of
volume and power. Solid tone throughout
the instrument’s range.
An even deeper cup than the 51 for a
heavy, rich tone. Specifically for
euphonium.
Bass Trombone Mouthpieces
RIM
MODEL NO.
INNER DIAMETER (mm)
CONTOUR
THICKNESS
CUP DEPTH
THROAT (mm)
BACKBORE
58
26.84
standard
standard
standard
7.25
semi-wide
Medium cup and rim for easily playability
through the low and middle registers.
Crisp attack with outstanding flexibility.
59
27.22
standard
semi-thin
standard
7.25
semi-wide
Relatively thin rim. Rich sound even on
pedal tones. Voluminous cup for solid
lows and plenty of power.
60B
27.83
standard
semi-thick
semi-shallow
6.92
semi-wide
A German-style combination of fairly thick
rim with relatively shallow cup. Excellent
flexibility. Easy playability and clear tone
in the middle and low registers.
60
28.25
standard
thin
standard
8.10
wide
Very deep cup with a large throat and
backbore. Powerful, deep, low tone.
Tuba Mouthpieces
RIM
MODEL NO.
INNER DIAMETER (mm)
CONTOUR
THICKNESS
CUP DEPTH
THROAT (mm)
BACKBORE
64
30.45
standard
thick
standard
8.35
standard
65
30.95
standard
semi-thin
standard
8.35
semi-wide
Relatively small inner rim diameter and
medium cup volume for easy playability.
Excellent balance throughout the
instrument’s range, with a fairly dark tone.
66B
31.37
standard
standard
semi-shallow
8.35
semi-wide
Shallower cup than the 66. Outstanding
playability and flexibility. Fairly bright tone
and facile response over a wide range.
66
31.37
standard
standard
standard
8.35
standard
66D4
31.49
semi-flat
semi-thick
semi-deep
8.87
semi-wide
67B4
32.06
semi-flat
semi-thick
semi-shallow
7.02
standard
Small inner rim diameter with a medium
cup. Well-balanced rim configuration for
flexibility and easy playability.
Voluminous cup. Fairly dark tone with
plenty of power. Excellent resonance
and clarity.
Excellent matching with E brass band
instruments. Very deep cup. Dark tone
with plenty of volume. Symphonic sound.
Large inner rim diameter with a shallow
cup. Easy playability with a bright tone.
Particularly easy high notes and
clear lows.
12
Brass Mouthpieces
Tuba Mouthpieces, cont’d.
RIM
MODEL NO.
INNER DIAMETER (mm)
CONTOUR
THICKNESS
CUP DEPTH
THROAT (mm)
BACKBORE
67
31.93
standard
standard
standard
8.35
semi-wide
67C4
32.06
semi-flat
semi-thick
standard
8.10
standard
All-around versatility. Smooth, mellow
tone throughout the instrument’s range.
Plenty of volume and power.
68B
32.72
standard
semi-thick
semi-shallow
7.50
standard
Large inner rim diameter with a small cup
volume and throat.
Exceptional rim and cup balance for easy
playability. Well-centered tone.
Gold-Plated Rim/Cup
Sterling Silver Mouthpieces
24K Gold Plating from the rim to the backbore
makes the mouthpiece extremely comfortable and
produces a warm, rich tone.
The first mouthpieces in the world to be manufactured from
pure sterling silver, Yamaha’s Silver 925 Series mouthpieces
deliver a dark, strong sound with outstanding projection. The
tone core is rich and warm, but with sufficient sparkle for
clarity and life. The unique Silver 925 Series offers brass
players a bold new alternative.
Trumpet Mouthpieces
RIM
GOLD-PLATED
13
CONTOUR
THICKNESS
CUP DEPTH
THROAT
BACKBORE
7A4-HGPR
STERLING SILVER INNER DIAMETER
7A4-ST
16.0
semi-flat
thick
shallow
3.65
narrow
8C4-HGPR
N/A
16.3
semi-flat
standard
standard
3.65
semi-narrow
Good for all-around playing.
Combines an extended high
range with rich lows.
11B4-HGPR
11B4-ST
16.4
semi-flat
standard
semi-shallow
3.65
semi-narrow
A somewhat shallow cup and
medium rim for extra endurance.
Brilliant tone.
14A4a-HGPR
14A4a-ST
16.7
semi-flat
semi-thick
shallow
3.65
semi-narrow
Fast-response high range and
powerful sound.
14B4-HGPR
14B4-ST
16.7
semi-flat
standard
semi-shallow
3.65
semi-narrow
Relatively large rim diameter and
shallow cup. Outstanding overall
balance for all musical genres.
14C4-HGPR
N/A
16.7
semi-flat
standard
standard
3.65
semi-narrow
Rim designed for outstanding
facility and flexibility. Popular in
ensembles and orchestras.
16C4-HGPR
16C4-ST
17.0
semi-flat
standard
standard
3.65
semi-narrow
Large rim and medium cup for
easy playability over a wide
range. High volume.
17C4-HGPR
N/A
17.1
semi-flat
standard
standard
3.65
semi-narrow
Powerful, dark sound.
Relatively small inner rim
diameter, but still flexible.
Flugelhorn Mouthpieces
RIM
GOLD-PLATED
SILVER-PLATED
INNER DIAMETER
CONTOUR
THICKNESS
CUP DEPTH
THROAT
BACKBORE
FH14F4-GPR
N/A
16.7
semi-flat
standard
standard
4.3
standard
Relatively large inner rim diameter
ideally matched to an original
“V” cup.
Horn Mouthpieces
RIM
GOLD-PLATED
SILVER-PLATED
INNER DIAMETER
CONTOUR
THICKNESS
CUP DEPTH
THROAT
BACKBORE
HR30-GPR
30-ST
17.08
standard
standard
standard
(double-cup)
4.40
semi-narrow
Smaller inner rim diameter than
the 31. All-around type. Shallow
“U” cup facilitates high notes,
while a deep “V” makes low
notes easy.
HR31-GPR
31-ST
17.28
standard
standard
standard
(double-cup)
4.40
semi-narrow
Medium rim configuration
provides flexibility for difficult
passages. Relatively large throat
delivers a heavy, somewhat dark
tone with extra volume.
HR32-GPR
32-ST
17.48
standard
standard
standard
(double-cup)
4.40
semi-narrow
Larger inner rim diameter than
the 31. Authoritative low notes.
Large cup volume for a rich,
mellow tone.
Trombone Mouthpiece (Large Shank)
RIM
GOLD-PLATED
SILVER-PLATED
INNER DIAMETER
CONTOUR
THICKNESS
CUP DEPTH
THROAT
BACKBORE
SLL48-GPR
N/A
25.2
standard
standard
standard
6.60
semi-narrow
Well-balanced rim and cup with a
fairly narrow backbore. Meets the
needs of professional players.
SL45C2-GPR
N/A
24.3
semi-round
standard
standard
5.85
semi-narrow
Small inner rim diameter with a
clean bite. Easy playability with a
bright tone. Popular with studio
players.
SL48-GPR
N/A
25.2
standard
standard
standard
6.60
semi-wide
Well-balance rim and cup for
all-around playing. Refined design
meets the needs of professional
players.
Bass Trombone Mouthpiece
RIM
GOLD-PLATED
SILVER-PLATED
INNER DIAMETER
CONTOUR
THICKNESS
CUP DEPTH
THROAT
BACKBORE
BL59-GPR
N/A
27.3
standard
standard
standard
7.25
semi-wide
Relatively thin rim. Rich sound
even on pedal tones. Voluminous
cup for solid lows and plenty
of power.
14
Signature Series Mouthpieces
Inspired By The Masters. . .
For many years, Yamaha has been producing custom-made mouthpieces for hundreds
of the world’s top musicians at our R&D Ateliers. These artists, unsatisfied with the
commercial models available, came to Yamaha because they had confidence that if
anyone had the skill needed to create a “dream” mouthpiece, it would be Yamaha.
These musicians knew from the experience gained in their long careers exactly the kind
of sound and response they wanted. And our technicians knew from their long
experience in crafting instruments how to deliver it.
As our reputation has grown, so has demand. As a result, Yamaha has decided to
offer a select lineup of these exclusive mouthpieces in a new Signature Series.
Now everyone can enjoy the results of this great cooperative effort between artist
and artisan.
Signature Series mouthpieces are exactly the same as those used by the artists whose
name appears on them, and they embody the wisdom and expertise of these musicians
in their design. Each of these models are produced on a precise, computer-controlled
lathe, guaranteeing that each one is exactly the same as the one used by its namesake.
Rod Franks Trumpet
MODEL
INNER DIAMETER
CONTOUR
THICKNESS
CUP DEPTH
THROAT
BACKBORE
YAC FRANKS
16.82 mm
semi-flat
semi-thick
standard
3.91 mm
narrow
PLAYING CHARACTERISTIC: Features a large-sized throat for a powerful orchestral sound, but is also easy to play and is an equally well-suited
mouthpiece for students.
Mark Gould Trumpet
MODEL
INNER DIAMETER
CONTOUR
THICKNESS
CUP DEPTH
THROAT
BACKBORE
YAC GOULD
17.30 mm
semi-flat
standard
semi-shallow
3.88 mm
standard
PLAYING CHARACTERISTIC: The wide inner rim size and open throat allow a warm, broad sound even at fortissimo.
Bobby Shew Trumpet
MODEL
INNER DIAMETER
CONTOUR
THICKNESS
CUP DEPTH
THROAT
BACKBORE
YAC SHEWLEAD
16.54 mm
semi-round
semi-thick
very shallow
3.56 mm
narrow
PLAYING CHARACTERISTIC: The Lead model gives that extra sizzle and high note clarity for playing lead parts. It features enough air compression for
high range playing, but still allows a big, open sound.
MODEL
INNER DIAMETER
CONTOUR
THICKNESS
CUP DEPTH
THROAT
BACKBORE
YAC SHEWJAZZ
16.85 mm
semi-round
semi-thick
medium
3.65 mm
medium
PLAYING CHARACTERISTIC: It has a fairly deep roomy cup for a warm, big sound, and throat and backbore designed to give enough “jump and snap” for
maneuvering through quick jazz passages with a rich, full sound.
MODEL
INNER DIAMETER
CONTOUR
THICKNESS
CUP DEPTH
THROAT
BACKBORE
YAC SHEWFLUGEL
16.54 mm
semi-round
semi-thick
standard
4.40 mm
long taper
PLAYING CHARACTERISTIC: Bobby’s flugelhorn mouthpiece rim is the same as that of the Lead mouthpiece but with a deep cup and a specially
designedbackbore for a smooth, dark sound and great playability.
Robert Sullivan Trumpet
MODEL
INNER DIAMETER
CONTOUR
THICKNESS
CUP DEPTH
THROAT
BACKBORE
YAC RSULLIVAN
17.16mm
semi-flat
standard
semi-deep
3.99mm
standard
PLAYING CHARACTERISTIC: An ideal size for a variety of uses. It sounds strong and full, thanks to its orchestral size rim and cup, but is well-balanced
and extremely responsive and flexible compared with other large-size mouthpieces.
Mike Vax Trumpet
MODEL
INNER DIAMETER
CONTOUR
THICKNESS
CUP DEPTH
THROAT
BACKBORE
YAC VAX
16.32mm
semi-flat
thick
shallow
3.65mm
narrow
PLAYING CHARACTERISTIC: Produces a slightly darker sound, while maintaining the range and endurance.
15
Allen Vizzutti Trumpet
MODEL
INNER DIAMETER
CONTOUR
THICKNESS
CUP DEPTH
THROAT
BACKBORE
YAC VIZZUTTI
16.67 mm
semi-flat
semi-thick
very shallow
3.56 mm
very narrow
PLAYING CHARACTERISTIC: The shallow cup with smooth inner rim edge gives a clear, focused sound and plays evenly in all registers.
Available in gold-plated rim, cup and inner bore. Also available in silver-plated Replica Series.
John Wallace Trumpet
MODEL
INNER DIAMETER
CONTOUR
THICKNESS
CUP DEPTH
THROAT
BACKBORE
YAC WALLACE
17.54 mm
semi-round
standard
semi-deep
(V shape)
3.88 mm
semi-narrow
PLAYING CHARACTERISTIC: This is a fairly large, deep mouthpiece which produces a clear, warm tone with clarion ring to it.
Thomas Bacon Horn
MODEL
INNER DIAMETER
CONTOUR
THICKNESS
CUP DEPTH
THROAT
BACKBORE
YAC BACON
17.99 mm
standard
medium
semi-shallow
(V cup)
4.5 mm
semi-wide
PLAYING CHARACTERISTIC: Well-focused for clarity and projection, and the playability is responsive and comfortable.
James Sommerville Horn
MODEL
INNER DIAMETER
CONTOUR
THICKNESS
CUP DEPTH
THROAT
BACKBORE
YAC SOMMERVILLE
16.93 mm
semi-flat
medium
standard
(V shape)
4.30 mm
standard
PLAYING CHARACTERISTIC: Medium-depth cup allows a full, sweet sound without sacrificing the ease of playing in the upper register. Allows excellent
facility through the break area for all embouchures. Overall weight strikes a perfect balance between brilliance and depth
of tone.
Peter Sullivan Trombone
MODEL
INNER DIAMETER
CONTOUR
THICKNESS
CUP DEPTH
THROAT
BACKBORE
YAC PSULLIVAN
25.42mm
standard
standard
semi-deep
7.15mm
semi-wide
PLAYING CHARACTERISTIC: Offers rich orchestral sound with a powerful tonal projection. The rim and cup are fairly large for comfortable fortissimo, yet
the mouthpiece also offers fine control for the most dedicated passages.
Alain Trudel Trombone
MODEL
INNER DIAMETER
CONTOUR
THICKNESS
CUP DEPTH
THROAT
BACKBORE
YAC TRUDEL
25.23 mm
semi-round
semi-thick
deep
7.15 mm
narrow
PLAYING CHARACTERISTIC: The wide inner rim size and open throat allow a warm, broad sound even at fortissimo.
16
Signature Series Mouthpieces
Douglas Yeo Trombone
MODEL
INNER DIAMETER
CONTOUR
THICKNESS
CUP DEPTH
THROAT
BACKBORE
YAC YEO
28.72 mm
semi-flat
semi-thin
semi-deep
8 mm
semi-wide
PLAYING CHARACTERISTIC: Large, symphonic style mouthpiece with an ideal amount of outer mass and a carefully designed backbore and throat for improved
high range and dynamic flexibility.
Available in gold plated rim, cup and inner bore. Also available in silver-plated Replica Series.
Roger Bobo Tuba
MODEL
INNER DIAMETER
CONTOUR
THICKNESS
CUP DEPTH
THROAT
BACKBORE
YAC BOBOTT
32.04 mm
semi-flat
standard
semi-shallow
7.02 mm
standard
PLAYING CHARACTERISTIC: Symphonic model is characterized by a warm tone, big enough to fill a concert hall with rich, colorful sound. It is ideal for
use with BBb and C tubas and can help enrich the tone of any ensemble.
MODEL
INNER DIAMETER
CONTOUR
THICKNESS
CUP DEPTH
THROAT
BACKBORE
YAC BOBOSYM
32.2 mm
semi-flat
standard
semi-shallow
7.5 mm
standard
PLAYING CHARACTERISTIC: It has a fairly deep, roomy cup for a warm, big sound, and throat and backbore designed to give enough “jump and snap” for
maneuvering through quick jazz passages with a rich, full sound.
MODEL
INNER DIAMETER
CONTOUR
THICKNESS
CUP DEPTH
THROAT
BACKBORE
YAC BOBOSOLO
32.9 mm
standard
standard
semi-shallow
7.5 mm
standard
PLAYING CHARACTERISTIC: A clear, focused tone that sings and projects, especially suitable for solo performances and for use with F and E tubas.
Jim Self Tuba
MODEL
INNER DIAMETER
CONTOUR
THICKNESS
CUP DEPTH
THROAT
BACKBORE
YAC SELF
32.86 mm
standard
semi-thick
standard
8 mm
standard
PLAYING CHARACTERISTIC: The cup and backbore are rather large for the best combination of a centered attack and a warm, alive sound.
Available in gold-plated rim, cup, and inner bore. Also available in silver-plated Replica Series.
Canadian Brass
MODEL
INNER DIAMETER
CONTOUR
THICKNESS
CUP DEPTH
THROAT
BACKBORE
YAC TRLCB
Trumpet
16.46 mm
semi-flat
semi-thick
shallow
3.65 mm
semi-narrow
PLAYING CHARACTERISTIC: A fairly small inner rim diameter and cup for a pure, focused sound–dark and concentrated, but with brilliant projection.
MODEL
INNER DIAMETER
CONTOUR
THICKNESS
CUP DEPTH
THROAT
BACKBORE
YAC TRRCB
Trumpet
16.42 mm
semi-flat
thick
deep
3.90 mm
medium
PLAYING CHARACTERISTIC: A very deep cup for a rich, strong sound which holds together no matter how loud you play.
MODEL
INNER DIAMETER
CONTOUR
THICKNESS
CUP DEPTH
THROAT
BACKBORE
YAC HRCB
Horn
17.86 mm
standard
medium
semi-shallow(V cup)
4.80 mm
semi-wide
PLAYING CHARACTERISTIC: Fairly large inner rim with “V” shaped cup helps create the many tonal colors for the varied repertoire of the brass: soft and
mellow, rich and dark, strong and brassy.
MODEL
INNER DIAMETER
CONTOUR
THICKNESS
CUP DEPTH
THROAT
BACKBORE
YAC SLLCB
Trombone
25.42 mm
standard
standard
standard
7.15 mm
semi-wide
PLAYING CHARACTERISTIC: Big enough for a large orchestral sound, yet flexible enough and with a quick enough response for jazz.
MODEL
INNER DIAMETER
CONTOUR
THICKNESS
CUP DEPTH
THROAT
BACKBORE
YAC BBCB
Tuba
32.28 mm
standard
standard
semi-shallow
8.55 mm
standard
PLAYING CHARACTERISTIC: A full, rich sound with abundant overtones, and a clear and focused tone core so it projects well in all registers.
Available in silver-plated only.
17
Brasswind Accessories
Brass Mutes
Brass Straps
MODEL NO.
DESCRIPTION
MODEL NO.
DESCRIPTION
MU-TR10S
Trumpet straight mute; aluminum
YAC 1535P
Trombone hand strap
MU-TR12S
Trumpet straight mute; aluminum w/copper base
YAC 1530P
Tuba Marching strap
MU-TR13C
Trumpet adjustable cup mute; aluminum
MU-SL14S
Trombone straight mute; aluminum
MU-SL16S
Trombone straight mute;
aluminum w/copper base
MU-TR13C
MU-SL14S
YAC 1530P
YAC 1535P
MU-TR12S
MU-SL16S
MU-TR10S
MU-SHEW Bobby Shew
Soloist
Mute
The design of the mute, as well as
the selection of materials, is intended
to get a warmer, darker sound while
having enough center and “sizzle” in
the sound to project when played
with greater force. This mute is
versatile enough to be played in many
different situations and many different
styles, providing the ultimate in
flexibility for the player.
MPCA-MP
MODEL NO.
DESCRIPTION
YMA-SBP
Sousaphone branch protector; black
YMA-SSP
Sousaphone shoulder pad; black
YMA-SSP
MU-SHEW
YMA-SBP
MPCA-SL
Mouthpiece Pouches
Mouthpiece Adapters
Flexible, rubber-like plastic encloses and protects brass mouthpieces.
MODEL NO.
DESCRIPTION
MPCA-MP
Mellophone mouthpiece adapter
MPCA-SL
Sousaphone Pads
MODEL NO.
DESCRIPTION
YAC 1356
Small Mouthpiece Pouch
Fits Trumpet, Cornet, Flugelhorn
and Horn mouthpieces
YAC 1357
Medium Mouthpiece Pouch
Fits Trombone, Baritone and
Euphonium mouthpieces
YAC 1358
Large Mouthpiece Pouch
Fits Tuba mouthpieces
Trombone mouthpiece adapter
Guards
MODEL NO.
DESCRIPTION
YAC 1540P
Trumpet valve guard w/ Yamaha logo
YAC 1545P
Horn hand guard w/ Yamaha logo
YAC 1356
YAC 1357
YAC 1358
YAC MPCC-2
Mouthpiece Cases
These leather mouthpiece cases offer excellent protection
in a stylish carrying case. Magnetic catches offer secure
and easy closure while padded dividers protect the
mouthpieces. Cases fit trumpet, cornet, flugelhorn or horn
mouthpieces, and can be attached with a belt clip.
YAC 1540P
MODEL NO.
DESCRIPTION
YAC MPCC-2
Fits 2 mouthpieces
YAC MPCC-4
Fits 4 mouthpieces
YAC MPCC-4
YAC 1545P
18
Woodwind Components
Flute Headjoints
Clarinet Tuning Barrels
Curved Headjoint
Custom clarinet tuning barrels offer players flexibility to tune their instruments in
different playing conditions. Custom tuning barrels are available in optional lengths for
all custom clarinet models.
Our curved headjoint makes learning the flute more comfortable by positioning the
mouthpiece closer to the hands.
For 200 Series Flute
MODEL NO.
YAC YHJ-UCC
DESCRIPTION
For YFL-221.
Case cover with
outer compartment.
YAC YHJ-UCC
For 600, 700, 800 and 900 Series Flute
Available in solid 9k and 14k gold upon special order.
MODEL NO.
DESCRIPTION
MODEL NO.
DESCRIPTION
CLB-AE64MM
64mm Clarinet Barrel; Custom for YCL-AE
CLB-AE66MM
66mm Clarinet Barrel; Custom for YCL-AE
CLB-AEA65MM
65mm Clarinet Barrel; Custom for YCL-AEA
CLB-AEA67MM
67mm Clarinet Barrel; Custom for YCL-AEA
CLB-CS64MM
64mm Clarinet Barrel; Custom for YCL-CS
CLB-CS65MM
CLB-CS66MM
CLB-CS67MM
CLB-CSA65MM
65mm Clarinet Barrel; Custom for YCL-CSA
CLB-CSA67MM
67mm Clarinet Barrel; Custom for YCL-CSA
CLB-CSV64MM
64mm Clarinet Barrel; Custom for YCL-CSV
CLB-CSV65MM
CLB-CSV66MM
CLB-CSV67MM
A cut; C taper
CLB-SE64MM
64mm Clarinet Barrel; Custom for YCL-SE
YAC YHJ-BC
B cut; C taper
CLB-SE65MM
YAC YHJ-CC
C cut; C taper
CLB-SE66MM
YAC YHJ-CY
C cut; Y taper
CLB-SE67MM
YAC YHJ-CYH
Hand-cut CY headjoint
CLB-SEA65MM
65mm Clarinet Barrel; Custom for YCL-SEA
YAC YHJ-EC
E cut; C taper
CLB-SEA67MM
67mm Clarinet Barrel; Custom for YCL-SEA
YAC YHJ-ECH
E cut; C taper, hand-cut
CLB-SEV64MM
64mm Clarinet Barrel; Custom for YCL-SEV
YAC YHJ-ECW
E cut; C taper; grenadilla wood flute headjoint; fits silver flutes
CLB-SEV65MM
CLB-SEV66MM
CLB-SEV67MM
YAC YHJ-AC
For Alto Flutes
MODEL NO.
DESCRIPTION
YAC YHJ-AFL
Straight; Alto Flute headjoint
YAC YHJ-AFLU
Curved; Alto Flute headjoint
Clarinet Tuning Barrels
Flute Headjoint Case
MODEL NO.
DESCRIPTION
YAC YHJ-CASE
Wood case; Flute headjoint; single; vinyl covered
YAC YHJ-CASE
19
Saxophone Necks
Bassoon Bocals
All Custom Saxophone necks come with a chamois bag and plastic case.
Yamaha “Super Bocals” have been gaining attention worldwide. They come in four
different tapers (C, E, P and V) and two different lengths (1=short, 2=long). They are
available in either nickel-silver or brass, with a choice of silver, nickel, or Hamilton(alloy of gold) plated finishes.
MODEL NO.
DESCRIPTION
YAC SN-SF1
Soprano Saxophone straight neck; lacquered
YAC SN-SF1B
Soprano Saxophone straight neck; black-lacquered
YAC SN-SF1G
Soprano Saxophone straight neck; gold-plated
YAC SN-SF1R
Soprano Saxophone curved neck; lacquered
E Type
YAC SN-SF1RB
Soprano Saxophone curved neck; black-lacquered
More resistance than the C type; useful for soft passages.
MODEL NO.
DESCRIPTION
YAC SN-SF1RG
Soprano Saxophone curved neck; gold-plated
YAC SN-SF1RS
Soprano Saxophone curved neck; silver-plated
YAC SN-SF1S
Soprano Saxophone straight neck; silver-plated
YAC SN-SM1
Soprano Saxophone straight neck; lacquered; standard with Custom Saxophone
Super Bocals
YAC FGB-EBH1
Short; E-Type; brass; Hamilton-plated
YAC FGB-EBH2
Long; E-Type; brass; Hamilton-plated
YAC FGB-ENH1
Short; E-Type; nickel-silver; Hamilton-plated
YAC FGB-ENH2
Long; E-Type; nickel-silver; Hamilton-plated
YAC FGB-ENS1
Short; E-Type; nickel-silver; silver-plated
YAC FGB-ENS2
Long; E-Type; nickel-silver; silver-plated
YAC SN-SM1B
Soprano Saxophone straight neck; black-lacquered
YAC SN-SM1G
Soprano Saxophone straight neck; gold-plated
YAC SN-SM1R
Soprano Saxophone curved neck; lacquered; standard with Custom Saxophone
YAC SN-SM1RB
Soprano Saxophone curved neck; black-lacquered
P Type
YAC SN-SM1RG
Soprano Saxophone curved neck; gold-plated
YAC SN-SM1RS
Soprano Saxophone curved neck; silver-plated
Created to favor the high register.
MODEL NO.
DESCRIPTION
YAC SN-SM1S
Soprano Saxophone straight neck; silver-plated
YAC SN-AG1
G1 Custom Sax neck (standard on YAS-875)
YAC SN-AG1B
Alto Saxophone neck; black-lacquered; G series
YAC SN-AG1G
Alto Saxophone neck; gold-plated
YAC SN-AG1H
Alto Saxophone neck; lacquered; hydroformed G series; standard on YAS-62II
YAC SN-AG1S
Alto Saxophone neck; silver-plated; G series
YAC SN-AG1U
Alto Saxophone neck; unlacquered; G series
YAC SN-AM1
Alto Saxophone neck; lacquered; standard with Custom Saxophone
YAC FGB-PBH1
Short; P-Type; brass; Hamilton-plated
YAC FGB-PBH2
Long; P-Type; brass; Hamilton-plated
YAC FGB-PNH1
Short; P-Type; nickel-silver; Hamilton-plated
YAC FGB-PNH2
Long; P-Type; nickel-silver; Hamilton-plated
YAC FGB-PNS1
Short; P-Type; nickel-silver; silver-plated
YAC FGB-PNS2
Long; P-Type; nickel-silver; silver-plated
V Type
Traditional sound with enhanced upper harmonics; similar to the C type.
MODEL NO.
DESCRIPTION
YAC SN-AM1B
Alto Saxophone neck; black-lacquered
YAC SN-AM1G
Alto Saxophone neck; gold-plated
YAC SN-AM1S
Alto Saxophone neck; silver-plated
YAC SN-TF1
Tenor Saxophone neck; lacquered
YAC SN-TF1B
Tenor Saxophone neck; black-lacquered
YAC SN-TF1G
Tenor Saxophone neck; gold-plated
YAC SN-TF1S
Tenor Saxophone neck; silver-plated
YAC SN-TG1
Tenor Saxophone neck; lacquered; standard on Custom and Z saxophones
YAC SN-TG1B
YAC SN-TG1G
Tenor Saxophone neck; gold-plated
YAC SN-TG1H
Tenor Saxophone neck; lacquered; hydroformed G series; standard on YTS-62II
YAC SN-TG1S
Tenor Saxophone neck; silver-plated
YAC FGB-CBH1
Short; C-Type; brass; Hamilton-plated
YAC SN-TG1U
Tenor Saxophone neck; unlacquered; G series
YAC FGB-CBH2
Long; C-Type; brass; Hamilton-plated
YAC SN-TM1
Tenor Saxophone neck; lacquered
YAC FGB-CNH1
Short; C-Type; nickel-silver; Hamilton-plated
YAC SN-TM1B
YAC FGB-CNH2
Long; C-Type; nickel-silver; Hamilton-plated
YAC SN-TM1G
Tenor Saxophone neck;
gold-plated
YAC FGB-CNS1
Short; C-Type; nickel-silver; silver-plated
YAC FGB-CNS2
Long; C-Type; nickel-silver; silver-plated
YAC SN-TM1S
Bassoon Bocals
YAC FGB-VBH1
Short; V-Type; brass; Hamilton-plated
YAC FGB-VBH2
Long; V-Type; brass; Hamilton-plated
YAC FGB-VNH1
Short; V-Type; nickel-silver; Hamilton-plated
YAC FGB-VNH2
Long; V-Type; nickel-silver; Hamilton-plated
YAC FGB-VNS1
Short; V-Type; nickel-silver; silver-plated
YAC FGB-VNS2
Long; V-Type; nickel-silver; silver-plated
C Type
Popular all-around bocal.
MODEL NO.
DESCRIPTION
Tenor Saxophone neck;
silver-plated
Saxophone Necks
20
Woodwind Mouthpieces
The Start of Your Best Performance
As the link between the performer and the instrument,
the mouthpiece is the most critical factor affecting
tone production. Although the basic configuration is
the same for all mouthpieces, subtle differences
can significantly affect the sound and playing feel.
A good mouthpiece is also essential for proper
embouchure development.
Tip Opening
The tip opening is a particularly important
parameter for woodwind players. Specifically,
the tip opening is the distance between the
Tip opening
tip of the mouthpiece and the tip of the
reed. For beginners, Yamaha offers
mouthpieces with a narrow tip opening
Facing length
to facilitate a clear tone with easy
response and consistent intonation.
More advanced players can take
Chamber
advantage of the fuller volume and
better projection using mouthpieces
that have larger tip openings.
Tip rail
Yamaha’s array of top-quality woodwind
mouthpieces meet the musical requirements of
players at every level of proficiency, in every
genre. In addition, Yamaha mouthpieces
represent great value at an affordable price. The
right mouthpiece makes an enormous difference
to the overall performance of any wind
instrumentalist.
Bank
Baffle
Table
Facing Length
How to Select a
Woodwind Mouthpiece
The tone quality and the overall response are
affected by slight variations of design and shape.
Thus, a mouthpiece must be chosen with extreme
care to fit the playing style and embouchure of the
performer. Yamaha mouthpieces are designed with consideration of each of
these specifications and are combined with an appropriate throat size, chamber
size and shape, baffle shape and angle, bore size, window size, and facing curve
depth. An inspection after every step of the manufacturing process ensures that
the mouthpiece can be relied upon.
The facing length measures from the
departure point of the reed to the tip of the
mouthpiece. A mouthpiece with a longer facing
length will produce a robust sound, while a shorter
facing length produces a brilliant, clear sound. With
the shorter facing length, the pitch is harder to
control and flexibility is reduced.
Yamaha Standard Woodwind
Mouthpieces
INSTRUMENT
E Soprano Clarinet
Clarinet
MODEL NO.
3C
4C
PLAYING CHARACTERISTICS
Easy control and good response from lower to higher ranges,
even for beginners
Helps obtain a well-balanced tone over all octaves, for professionals
and beginners alike
5C
Facilitates a richer, fuller, volume with a greater tonal variety
6C
An excellent mouthpiece for experienced players seeking powerful
volume, strong tone, and rich tone variety
E Alto Clarinet
Saxophone
MODEL NO.
B Clarinet
PLAYING CHARACTERISTICS
3C
Suitable for beginners, helps bring out distinctive, clear sound with
good response in high and low registers
4C
Easy to obtain a balanced, clear, and focused tone in any octave,
ideal for professionals and beginners
5C
Provides a somewhat richer tone with greater variety of colors than
4C and excellent flexibility and response. Popular with soloists
6C
Powerful volume and rich tonal variations, excellent for experienced
players
B Bass Clarinet
NO.
MATERIAL
TIP
OPENING
FACING
LENGTH
YAC 1260
3C
Plastic
0.95
17.0
YAC 1261
4C
Plastic
1.00
17.0
YAC 1262
5C
Plastic
1.05
17.0
YAC 1263
6C
Plastic
1.10
17.0
YAC 1265
3C
Plastic
1.00
19.0
YAC 1266
4C
Plastic
1.05
19.0
YAC 1267
5C
Plastic
1.10
19.0
YAC 1268
6C
Plastic
1.20
19.0
YAC 1206
2
Hard Rubber
YAC 1207
2
Hard Rubber
YAC 1208
3
Hard Rubber
YAC 1270
4C
Plastic
1.40
22.0
YAC 1271
5C
Plastic
1.50
22.0
YAC 1275
3C
Plastic
1.60
31.0
YAC 1276
4C
Plastic
1.70
31.0
YAC 1277
5C
Plastic
1.80
31.0
YAC 1278
6C
Plastic
1.90
31.0
YAC 1204A
Soprano Saxophone
Alto Saxophone
Tenor Saxophone
Baritone Saxophone
21
MODEL
NO.
DESIGNED
FOR
YCL-681
YCL-20/34
YCL-52
Plastic
YCL-631
YCL-221/621/622
YCL-220L
YAC 1280
3C
Plastic
1.15
19.0
YAC 1281
4C
Plastic
1.20
19.0
YAC 1282
5C
Plastic
1.25
19.0
YAC 1283
6C
Plastic
1.30
19.0
YAC 1285
3C
Plastic
1.50
23.0
YAC 1286
4C
Plastic
1.60
23.0
YAC 1287
5C
Plastic
1.70
23.0
YAC 1288
6C
Plastic
1.80
23.0
YAC 1290
3C
Plastic
1.60
24.0
YAC 1291
4C
Plastic
1.70
24.0
YAC 1292
5C
Plastic
1.80
24.0
YAC 1293
6C
Plastic
1.90
0
YAC 1295
5C
Plastic
2.10
28.0
YSS-475/675
YAS-23/52/62
YTS-23/52/62
YBS-52/62
Yamaha Woodwind Mouthpiece Tip Opening
Comparison Chart
E Alto Clarinet
E Soprano Clarinet
MODEL NO.
PERFORMS SIMILAR TO
MODEL NO.
PERFORMS SIMILAR TO
3C
Selmer HS*
3C
Vandoren 5RV
4C
Bundy 2; Selmer C85 Series 105
4C
Vandoren B44
5C
Hite 41; Selmer C*
5C
Bundy 2
6C
Mitchell Lurie 43; Selmer S;
Selmer C85 Series 115
6C
Bundy 3; Selmer C7C
B Bass Clarinet
Clarinet Mouthpieces
B /A Clarinet
MODEL NO.
PERFORMS SIMILAR TO
3C
Selmer B/HS*; O’Brien OB*
4C
Hite D; Selmer C85 Series 105; Vandoren 5RV
5C
Bay MC; Borbeck 11; Hite P; Lurie X; Portnoy 1;
Selmer C*; Vandoren AI, B44, 11.1;Woodwind G7*, G8
6C
Bay MM; Blayman R; Borbeck 14; Brilhart 2; Bundy 2; Combs
LC3; Hite J; Marcellus M13; Portnoy 2; Rico Royal 3; Selmer C**/S;
Selmer C85 Series 115; Vandoren 11.6; Vandoren B45; Woodwind G8*/G9
B Soprano Saxophone
MODEL NO.
PERFORMS SIMILAR TO
3C
Couf 3*; Pomarico 1
4C
Bundy 2; Selmer C; Selmer C85 Series 105; Vandoren B30
5C
Bundy 3; Hite 70; Mitchell Lurie 70; Selmer C*; Pomarico 2
6C
Bundy 4; Pomarico 3; Selmer HS**; Selmer C85 Series 120; Vandoren B40
B Tenor Saxophone
MODEL NO.
PERFORMS SIMILAR TO
MODEL NO.
PERFORMS SIMILAR TO
3C
Couf 4*; Hite A; Selmer C*
3C
Selmer B*
4C
Selmer C**
4C
Selmer C
5C
Couf 5*; Meyer 5; Rousseau 5R; Selmer D
5C
Brilhart Level Air 2; Selmer C*; Selmer S90 Series 170
6C
Bundy 3; Selmer 3
6C
Bamber Concert 4; Beechler 3; Couf 4*; Dukoff 4; Otto Link 4*; Selmer C**; Selmer
S90 Series 180
E Alto Saxophone
Baritone Saxophone
MODEL NO.
PERFORMS SIMILAR TO
MODEL NO.
PERFORMS SIMILAR TO
3C
Bilger G*; Bundy 2; Rousseau Classical 4R; Selmer C; Selmer S90 Series 170
5C
Bundy 3/4; Couf 5*; Selmer D; Selmer S90 Series 190
4C
Bundy 4; Rousseau SJ5; Selmer C*; Selmer S90 Series 180; Yanagisawa Rubber 4
5C
Brilhart Ebolin 3; Meyer 5; Rousseau JDX7; Selmer C**; Selmer S90 Series 190
6C
Beechler 5; Dukoff 6; Otto Link 6; Selmer D
Yamaha is pleased to distribute
Saxophone Mouthpieces
mouthpieces.
22
23
Woodwind Accessories
Yamaha offers a variety of woodwind accessories to accompany your Yamaha
instrument. Yamaha ligatures and mouthpiece caps are created by our craftsmen to
cradle and protect mouthpieces. Yamaha neckstraps provide the comfort and support
that enable players to feel secure when playing their instruments.
Ligatures
Mouthpiece Caps
MODEL NO.
DESCRIPTION
YAC 1642EA
E Soprano Clarinet; nickel
YAC 1639
B Clarinet; silver-plated
YAC 1640
B Clarinet; black plastic
MODEL NO.
DESCRIPTION
YAC 1602EA
E Soprano Clarinet; nickel
YAC 1640/50
B Clarinet; black plastic; 50 pk
YAC 1600
B Clarinet; silver-plated
YAC 1641
B Clarinet; nickel
YAC 1601
B Clarinet; nickel
YAC 1643
E Alto Clarinet; silver-plated
YAC 1601/50
B Clarinet; nickel; 50 pk
YAC 1643A
E Alto Clarinet; nickel
YAC 1603
E Alto Clarinet; silver-plated
YAC 1644
B Bass Clarinet; silver-plated
YAC 1603A
E Alto Clarinet; nickel
YAC 1644B
B Bass Clarinet; black plastic
YAC 1604
B Bass Clarinet; silver-plated
YAC 1646
B Bass Clarinet; black plastic; fits YCL-221
YAC 1604A
B Bass Clarinet; nickel
YAC 1635G
Soprano Saxophone; gold lacquer
YAC 1606
B Bass Clarinet; nickel-plated; fits YCL-221
YAC 1645
Alto Saxophone; black plastic
YAC 1621
Soprano Saxophone; gold lacquer
YAC 1645/50
Alto Saxophone; black plastic; 50 pk
YAC 1607
Alto Saxophone; lacquered brass;
YAC 1647
Alto Saxophone; gold lacquer
YAC 1607/50
Alto Saxophone; lacquered brass; 50 pk
YAC 1650
Tenor Saxophone; black plastic
YAC 1609
Alto Saxophone; gold lacquer
YAC 1652
Tenor Saxophone; gold lacquer
YAC 1611
Tenor Saxophone; lacquered brass
YAC 1656
Baritone Saxophone; (BS-62); gold lacquer
YAC 1611/50
Tenor Saxophone; lacquered brass; 50 pk
YAC 1657
Baritone Saxophone; (BS-52); lacquered brass
YAC 1613
Tenor Saxophone; gold lacquer
YAC 1617
Baritone Saxophone; gold lacquer
Richards’ Double Reeds
Richard Rath has been producing reeds for more than 30 years.
As an active teacher and performer, Mr. Rath is able to reflect
current trends in performance and instrument design. Richards
Reeds are distributed exclusively through Yamaha Corporation
of America.
YAC 1416P
Available in soft, medium-soft, medium, medium-hard and hard.
Oboe reeds are available with wire, allowing the student (or
teacher) to vary the tip opening, and respond to temperature,
season and humidity.
Neckstraps
MODEL NO.
DESCRIPTION
MODEL NO.
YAC 1416P
Alto/Bass Clarinet; Yamaha logo
YAC 810X
Oboe Reed
YAC 1415P
Saxophone; black; no logo
YAC 811X
Bassoon Reed
YAC 1420SP
Soprano Saxophone; small; Yamaha logo
YAC 1421MP
Alto Saxophone; medium; Yamaha logo
YAC 1422LP
Baritone Saxophone; large; Yamaha logo
DESCRIPTION
Yamaha is pleased to distribute:
Richards
YAC 1415P
24
Maintenance Kits
Yamaha Maintenance Kits supply musicians with all of the products and knowledge they
need to keep their instruments in top playing condition. Complete instructions and easyto-understand diagrams guide players through the step-by-step care of their instrument.
The Kits are packaged in reusable plastic bags for easy storage.
Brass Maintenance Kits
YAC 1034 Trumpet
Consisting of one each:
MODEL NO.
DESCRIPTION
YAC 1035 Trombone-Slide Cream
MODEL NO.
DESCRIPTION
YAC 1011P
Slide grease; 0.15oz
YAC 1020P
Slide cream; 26g
YAC 1078P
Flexible cleaning rod
YAC 1084P
Mouthpiece brush
YAC 1099P
Polishing cloth
YAC 1670P
Spray bottle
YAC 0900P
Premium valve oil; 40ml
YAC 1011P
YAC 1077P
YAC 1036 Trombone-Liquid Cream
YAC 1083P
Valve casing brush
MODEL NO.
DESCRIPTION
YAC 1084P
Mouthpiece brush
YAC 1098
Polishing cloth
YAC 1034S Silver Trumpet
MODEL NO.
DESCRIPTION
YAC 1005P
Liquid cream; 1.25oz
YAC 1011P
YAC 1078P
YAC 1084P
Mouthpiece brush
YAC 1099P
Polishing cloth
YAC 0900P
YAC 1011P
YAC 1036S Silver Trombone-Liquid Cream
YAC 1077P
MODEL NO.
DESCRIPTION
YAC 1083P
Valve casing brush
YAC 1084P
Mouthpiece brush
YAC 1096P
Treated silver polishing cloth, medium
YAC 1005P
Liquid cream; 1.25oz
YAC 1011P
YAC 1078P
YAC 1084P
Mouthpiece brush
YAC 1096P
Treated silver polishing cloth, medium
YAC 1037 Horn
MODEL NO.
DESCRIPTION
Custom imprinted Maintenance Kits are available with a 200 piece minimum order.
25
YAC 1002P
Rotor oil; 37ml
YAC 1011P
YAC 1013P
Rotor Spindle oil; 8ml
YAC 1014P
Lever oil; 8ml
YAC 1077P
YAC 1084P
Mouthpiece brush
YAC 1099P
Polishing cloth
YAC 1039 Low Brass-Piston Valve
Available in clear plastic boxes.
MODEL NO.
DESCRIPTION
YAC 0900P
YAC 1011P
YAC 1077P
YAC 1084P
Mouthpiece brush
YAC 1099P
Polishing cloth
YAC 1666P
Valve casing cleaning rod
YAC 1040 Low Brass-Rotary Valve
MODEL NO.
DESCRIPTION
YAC 1002P
Rotor oil ; 37ml
YAC 1011P
YAC 1013P
Rotor spindle oil; 8ml
YAC 1014P
Lever oil; 8ml
YAC 1077P
YAC 1084P
Mouthpiece brush
YAC 1032 Clarinet-Resin
YAC 1099P
Polishing cloth
MODEL NO.
DESCRIPTION
YAC 1010P
Cork grease; 0.15oz
Woodwind Maintenance Kits
YAC 1049P
Tone hole cleaner
YAC 1050P
Clarinet swab
YAC 1030 Flute/Piccolo
YAC 1085P
Mouthpiece brush
MODEL NO.
DESCRIPTION
YAC 1095P
Pad papers
YAC 1098
Polishing cloth
YAC 1049P
Tone hole cleaner
YAC 1059P
Polishing gauze
YAC 1095P
Pad papers
YAC 1096P
Treated silver polish cloth
YAC 1098
Untreated polishing cloth
YAC 1033 Saxophone
MODEL NO.
DESCRIPTION
YAC 1010P
Cork grease; 0.15oz
YAC 1049P
Tone hole cleaner
YAC 1056P
Saxophone swab
YAC 1031 Clarinet-Wood
YAC 1085P
Mouthpiece brush
MODEL NO.
DESCRIPTION
YAC 1095P
Pad papers
YAC 1099
Polishing cloth
YAC 1010P
Cork grease; 0.15oz
YAC 1049P
Tone hole cleaner
YAC 1051P
Clarinet linen swab
YAC 1038 Oboe
YAC 1085P
Mouthpiece brush
MODEL NO.
DESCRIPTION
YAC 1095P
Pad papers
YAC 1098
Polishing cloth
YAC 1007P
Soft cork grease; 2g
YAC 1049
Tone hole cleaner
YAC 1053P
Oboe linen swab
YAC 1099
Polishing cloth
26
Maintenance Materials
Yamaha offers an array of accessories and maintenance products, all of which
have been carefully designed and tested to help you take the best possible care of
your instrument.
Lubricants
Woodwind
Woodwind Materials and Spare Parts
MODEL NO.
DESCRIPTION
YAC 1094P
Pad papers; 50 sheets/pack; powdered
YAC 1095P
Pad papers; 100 sheets/pack; cleaning
YAC 1048P
Woodwind duster brush
YAC 1085P
Woodwind mouthpiece brush
MODEL NO.
DESCRIPTION
YAC 1663P
Recorder cleaning rod
YAC 1003P
Key oil; 8 ml; no needle
YAC 1660P
Piccolo cleaning rod
YAC 1004P
Bore oil; 37 ml
YAC 1071P/10
Flute key plugs; 10/pack
YAC 1007P
Cork grease; soft; round container; 2 grams
YAC 1661P
Flute plastic cleaning rod
YAC 1010P
Cork grease; medium-hard; tube; 0.15 oz
YAC 1667P
Flute plastic cleaning rod; alto
YAC 1015P
Recorder cream; Yamaha; 2 grams
YAC 1668P
Flute plastic cleaning rod; bass
YAC 1662P
Flute wood cleaning rod
YAC 1049P
Clarinet tone hole cleaner; six/card
Brass
DESCRIPTION
YAC 1070P
Clarinet thumbrest cushion; black
YAC 0900P
Premium valve oil; 40 ml
YAC CLREST64
Clarinet adjustable thumbrest; for all Clarinets; standard on YCL-64
YAC 1000P
Valve oil; 37 ml
YAC 1091P
Clarinet/Alto Saxophone mouthpiece patch; medium; four/card
YAC 1002P
Rotor oil; 37 ml
YAC 1093P
Clarinet/Alto Saxophone mouthpiece patch; thin; four/card
YAC 1011P
Slide grease; 0.15 oz
YAC 1058P
Saxophone neck cleaner
YAC 1012P
Premium rotor oil; 20 ml; needle
YAC 1090P
Soprano Saxophone mouthpiece patch; small; four/card
YAC 1013P
Rotor spindle oil; 8ml; no needle
YAC 1073P
Alto Saxophone end plug
YAC 1014P
Lever oil; 8 ml; no needle
YAC 1074P
Tenor Saxophone end plug
YAC 1016P
Trumpet tuning slide oil; 8 ml
YAC 1092P
Tenor/Baritone Saxophone mouthpiece
patch; large; four/card
YAC 1005P
Trombone liquid cream; 1 1/4 oz
YAC 1020P
Trombone slide cream; 26 grams
MODEL NO.
YAC 1063P
Clark Viper Oil
Kevin Clark is presently the music director for the Distillery District, Toronto’s new center
for the arts, culture, and entertainment. Kevin is an artist/clinician/consultant for Yamaha
Corporation in the U.S. and Canada. Yamaha distributes Kevin’s own blend of valve oil,
called “Viper Oil,” which is endorsed by leading brass players in North America.
MODEL NO.
DESCRIPTION
YAC VIPER
Clark Viper valve oil; for piston and axial
flow valves; 1.4 oz
YAC VIPER-R
Clark Viper rotor oil; for rotary valve
instruments; 1.4 oz
YAC 1662P
YAC 1059P
YAC 1094P
YSW 1151P
YAC VIPER
27
YAC VIPER-R
Yamaha Cleaning Swabs
Brass Materials and Spare Parts
MODEL NO.
DESCRIPTION
MODEL NO.
DESCRIPTION
YAC 084114
Rotor valve string; 200 meters; 1 roll; yellow
YAC 1063P
Flute swab; cotton; with handle
YAC 080000
Rotor valve string; 2 meters; yellow
YSW 1150P
Flute swab; cotton; without string
YAC 1083P
Valve casing brush; nylon
YSW 1151P
Flute swab; cotton; with string
YAC 1666P
Valve casing cleaning rod
YAC 1053P
Oboe swab
YAC 1084P
Brass mouthpiece brush
YSW 1157P
Bassoon swab; two-part
YAC 1077P
Trumpet cleaner; vinyl-coated
YSW 1158P
Bassoon bocal swab
MPCA-MP
Mellophone mouthpiece adapter; allows mellophone to use french horn
mouthpieces
YAC 1050P
Clarinet swab; imitation chamois
YAC 1051P
Clarinet swab; cotton
YAC 1078P
Trombone cleaner; vinyl-coated
YAC 1665P
Trombone cleaning rod
YAC 1670P
Trombone spray bottle
MPCA-SL
Trombone mouthpiece adapter; allows large bore trombones to use small
bore mouthpieces
Polish & Polishing Cloths
MODEL NO.
DESCRIPTION
YAC 1059P
Polishing gauze
YAC 1060P
Lacquer polish
YAC 1061P
Silver polish
YAC 1062P
Brass soap
YAC 1067P
Silicon-treated polishing cloth
YAC 1052P
Clarinet swab; cotton; with handle
YSW 1152P
Clarinet swab; cotton cloth
YSW 1153P
Alto clarinet swab; cotton cloth
YSW 1154P
Bass clarinet swab; cotton cloth
YAC 1056P
Saxophone swab; with brush
YSW 1159P
Alto saxophone swab
YSW 1160P
Tenor saxophone swab
YSW 1162P
Trumpet lead pipe swab
YSW 1163P
Horn lead pipe swab
YSW 1164P
Trombone slide swab
YAC 1077P
YAC 1666P
YAC 1068P
Silicon-treated polishing cloth; large
YAC 1069P
Silicon-treated polishing cloth; extra large
YAC 1096P
Treated silver polish cloth; medium
YAC 1097P
Treated silver polish cloth; large
YAC 1099P
Untreated polish cloth; large
YAC 1100
Professional cleaning cloth; chamois-like
YAC 1665P
YAC 1077P
YAC 1078P
YAC 1100
YAC 1084P
YAC 1083P
YAC 1060P
YAC 1069P
YAC 1062P
YAC 1020P
YAC 1665P
YAC 1099P
Yamaha is pleased to distribute
YAC 1003P
YAC 0900P
YAC 080000
YAC 1069P
28
Band Accessories
Chromatic Tuners
Chromatic Tuning, can be a troublesome procedure, especially for beginners, but
Yamaha’s Digital Chromatic Tuners make tuning quick and easy. Designed to meet the
exacting needs of wind players, Yamaha tuners offer features such as a transposition
function that simplifies the tuning of wind instruments in different keys. An auto tuning
mode offers hands-free tuning, and easy-to-read displays provide at-a-glance
information that allows for precise tuning. Beginners and professionals will agree,
Yamaha digital tuners make tuning simple.
TD-2
Chromatic tuner with tone generator; blue
• Transposes to common wind instrument keys (C, B , F, E ) while an auto mode
selects the closest played note. Sound mode allows tuning by ear
• Simple and clear indicators are easy to read, compact size fits in most
instrument cases
• 7 1/3 octave tuning range (A0 to C8) with adjustable standard pitch (A=438-445Hz)
TD-1
Chromatic tuner; blue
• Transposes to common wind instrument keys (C, B , F, E )
• Auto tuning mode offers hands-free tuning
• Simple and clear indicators provide at-a-glance information
• Compact size fits in most instrument cases
• Cassette size case doubles as a stand
• Wide, 7 1/3 tuning range (A0 to C8) with adjustable standard pitch (A=438-445Hz)
TD-20
Chromatic tuner w/ tone generator and backlit analog needle
• Large transposition dial makes selecting one of the common wind instrument keys
(C, E , F, B ) quick and easy
• Auto tuning mode automatically selects the note you play for quick, easy,
hands-free tuning
• Sound mode allows tuning by ear
• Offers a wide tuning range (A0 to C8) and adjustable standard pitch (A4=380-480Hz)
• Backlit display is precise and easy to read. Cent display shows the exact difference
from the correct pitch. INPUT and OUTPUT jacks are provided for external
microphone or electronic instruments
YT-240
String instrument tuner for violin, viola, cello and bass; burgundy
• Created specifically for string instruments, the YT-240 features special tuning modes
for violin, viola, cello and bass. Simply select the instrument’s mode for quick and
accurate tuning.
• A built-in microphone allows tuning of acoustic instruments while electronic
instruments can connect directly to the tuner’s INPUT jack
29
Lyres
YAC 1505N
MODEL NO.
DESCRIPTION
YAC 1520N
B clarinet nickel-plated lyre, with ring
YAC 1515G
Saxophone lacquered brass lyre
YAC 1514G
Soprano saxophone lacquered brass lyre
YAC 1500G
Trumpet/Cornet lacquered brass lyre
YAC 1500N
Trumpet/Cornet nickel-plated lyre
YAC 1508G
Marching mellophone lacquered brass lyre
YAC 1508N
Marching mellophone nickel-plated lyre
YAC 1505G
Trombone lacquered brass lyre
YAC 1505N
Trombone nickel-plated lyre
YAC 1510G
Baritone/Horn/Tuba lacquered brass lyre
YAC 1510N
Baritone/Horn/Tuba/Clarinet YCL-221 nickel-plated lyre
YAC 1509G
Marching baritone lacquered brass lyre
YAC 1509N
Marching baritone nickel-plated lyre
YAC 1512
Marching tuba lacquered brass lyre
YAC 1522
Marching drum nickel-plated (fits snares and quads) lyre
YAC 1525
Marching keyboard nickel-plated, with small receiver, lyre
YAC 1500N
YAC 1500G
YAC 1505G
YAC 1515G
CLST-100
Yamaha ClickStation
Metronomes
MODEL NO.
DESCRIPTION
ME-100BE
Digital quartz metronome; blue
ME-100BK
Digital quartz metronome; black
ME-100BK
The Yamaha ClickStation Metronome gives you the ability to save 86 tempos and
program up to 10 chains of 20 songs. Individual sliders adjust the volume in subdivisions
of half, quarter, eighth, sixteenth notes and eighth note triplets, and accompaniment. A
backlit LCD Display lets you see the metronome even on a dark stage, and using the
MIDI IN jack, the ClickStation is able to sync with the MIDI clock from a sequencer or
other MIDI devices. The ClickStation can also be connected to a Yamaha DTX pad to
start/stop the metronome or to access the tap tempo function.
ME-100BE
Yamaha Music Stand
MODEL NO.
DESCRIPTION
MS-303AL
Yamaha lightweight folding black,
aluminum music stand
MS-303AL
30
Band Instrument Cases
Cases do not include covers
Piccolo Cases
MODEL NO.
DESCRIPTION
YAC PCC-30
Plastic piccolo case; fits YPC-30
YAC PCC-32
Plastic piccolo case; fits YPC-32; YAC 1344 cover
YAC PCC-62
Wood piccolo case; fits YPC-62; YAC 1344 cover
YAC PCC-81
Wood piccolo case; fits YPC-81/82
Flute Cases
DESCRIPTION
YAC 1310
Plastic flute case with handle; for YFL-2XX/3XX; fits YAC 1340 cover
YAC 1310H
Plastic flute case with handle; for YFL-3XXH; fits YAC 1340 cover
YAC 1320
Plastic flute case; combo C foot and piccolo with handle; fits YAC 1345 cover
YAC 1320H
Plastic flute case; combo B foot and piccolo with handle; fits YAC 1345 cover
YAC FLC-A40
Wood flute case; vinyl covered; for YFL-421E/A421U/A421; fits YAC FLB-A40 cover
YAC FLC-B40
Wood flute case; vinyl covered; for YFL-B441; fits YAC FLB-B40 cover
YAC FLC-45
Wood flute case; vinyl covered; for YFL-4XX; fits YAC FLB-45 cover
YAC FLC-48
Wood flute case; vinyl covered; for YFL-4XXH; fits YAC FLB-48 cover
YAC FLC-554
YAC FLC-584
YAC FLC-654
YAC FLC-684
YAC FLC-65
YAC FLC-68
YAC FLC-85-1
Wood flute case; leather covered; for YFL-881; fits YAC FLB-85 cover
YAC FLC-88-1
Wood flute case; leather covered; for YFL-881H;fits YAC FLB-88 cover
YAC FLC-88-2
Wood flute case; leather covered; for YFL-874H/884H/892H/894H;fits YAC FLB-88 cover
YAC FLC-85W
Wood flute case; coated leather covering; for YFL-874W/894W
YAC FLC-88W
Wood flute case; coated leather covering; for YFL-874HW/894HW
DESCRIPTION
YAC FGC-801-N
Wood bassoon case; fits YFG 812/821
YAC FGC-801C
Wood bassoon case; fits YFG-821C
Clarinet Cases
YAC FGC-801C
MODEL NO.
DESCRIPTION
YAC CLC-25BL
Plastic clarinet case; fits YCL-250
YAC 1315
Plastic clarinet case; fits YCL-450N
YAC CLC-30E
Wood clarinet case; fits YCL-650
YAC CLC-60L
Wood clarinet case; fits YCL-CX/AE/SE; fits YAC CLB-90 cover
YAC CLC-80
Wood clarinet case; fits YCL-CSV/SEV/CSV-SPECIAL; fits YAC CLB-90 cover
YAC CLC-840
Wood double clarinet case; fits YCL-CSVA/SEVA
YAC 1322
Wood clarinet case; fits YCL-220L
YAC 1323
YAC CLC-221
ABS plastic case; fits YCL-221
YAC 1328
YAC CLC-621II
YAC CLC-622II
Wood clarinet case; fits YCL-622II
YAC CLC-631
YAC CLC-681II
YAC CLC-88
Wood clarinet case; YCL-881;
fits YAC CLB-88 cover
Wood flute case; leather-covered; for YFL-9XXH; fits YAC FLB-98 cover
YAC 1310
31
MODEL NO.
YAC-FGC 801-N
MODEL NO.
YAC FLC-98-1
Bassoon Cases
YAC CLC-25BL
Soprano Saxophone Cases
Oboe Cases
MODEL NO.
DESCRIPTION
MODEL NO.
DESCRIPTION
YAC SSC-401
Wood soprano saxophone case; fits YSS-475
YAC OBC-240
Wood oboe case; vinyl-covered; fits YOB-241
YAC SSC-601
Wood soprano saxophone case; fits YSS-675
YAC OBC-430
Wood oboe case; vinyl-covered; for YOB-4XX; fits YAC OBB-430
YAC SSC-801
Wood old style soprano saxophone case; fits YSS-875
YAC OBC-830
Wood oboe case; fits YOB-831/841; YAC OBB-830 cover
YAC SSC-875
Leather-covered wood case; soprano saxophone case; fits YSS-875
YAC ASC-23
Trumpet Cases
Alto Saxophone Cases
MODEL NO.
DESCRIPTION
MODEL NO.
DESCRIPTION
YAC ASC-23
Wood alto saxophone case; fits YSS-475
YAC TRC-203
Wood trumpet case; deluxe; fits YTR-2335
YAC ASC-475
Plastic alto saxophone case w/ shoulder strap; fits YAS-475
YAC TRC-52
Wood trumpet case; fits YTR-4335GS
YAC ASC-62II
Wood alto saxophone case; fits YAS-62
YAC TRC-403
Vinyl covered wood trumpet case; fits YTR-4335GS
YAC ASC-650
Nylon-covered alto saxophone case; fits YAS 62II
YAC TRC-605
Wood trumpet case; double; fits YTR-63xxH/64xxH/6610S/9630
YAC ASC-801
Wood old-style alto saxophone case; fits YAS-855/875
YAC TRC-6810
Wood trumpet case; fits YTR-6810S
YAC ASC-875EX
Leather-covered wood case; alto saxophone; fits YAS-875EX
YAC TRC-606
Wood trumpet case; double; fits Xeno YTR-8xxx series Bb and C trumpet
YAC ASC-820
Synthetic leather-covered soft-sided alto saxophone case; fits YAS-82Z
YAC TRC-903
Wood trumpet case; double; fits YTR-936GS/946GS/9610/9635/9710
YAC ASC-900
Plastic alto saxophone case; contoured with exterior accessory pocket
YAC TRC-903R
Wood trumpet case; double; fits YTR-936GS/946GS
YAC TRC-904
Wood trumpet case; fits YTR-9810
YAC TRC-905
Wood trumpet case; fits YTR-9820/9820C
YAC TRC-906
Wood trumpet case; fits YTR-9830
Tenor Saxophone Cases
MODEL NO.
DESCRIPTION
YAC TSC-23
Wood tenor saxophone case; fits YTS-23
YAC TSC-475
Plastic tenor saxophone case
w/ shoulder strap; fits YTS-475
YAC TSC-62II
Wood tenor saxophone case; fits YTS-62
YAC TSC-650
Wood tenor saxophone case; fits YTS-52/62II
YAC TSC-801
Wood old-style tenor saxophone case; fits YTS-875
YAC TSC-875
Leather-covered wood
tenor saxophone case; fits YTS-875
YAC TSC-820
Synthetic leather-covered
soft-sided tenor saxophone case;
fits YTS-82Z
YAC TSC-900
Plastic tenor saxophone case;
contoured with exterior accessory pocket
YAC TSC-900
YAC TRC-203
Cornet Cases
More than just a cool saxophone
case—ultimate protection! Yamaha
introduces the new ASC-900 Contoured
Alto Saxophone Case and the TSC-900 Contoured
Tenor Saxophone Case, designed for ultimate protection
and reliability. Features include a unique exterior pouch
with the Yamaha logo, a custom interior designed to
perfectly fit Yamaha saxophones, and a soft, pliable, plush
interior with a neck and mouthpiece compartment.
YAC ASC-900
MODEL NO.
DESCRIPTION
YAC CRC-2310
Wood cornet case; fits YCR-2310II
YAC CRC-2330
Wood cornet case; fits YCR-2330II
YAC CRC-2610
Wood cornet case; fits older model
YCR-2330 cornets
YAC CRC-6330
Wood cornet case; fits
YCR-6330S/6335S/6610S
YAC CRC-605
Wood cornet case; fits YCR-6335HS
Baritone Saxophone Cases
YAC BSC-4111
YAC CLC-25BL
MODEL NO.
DESCRIPTION
YAC BSC-41II
Wood baritone case; fits YBS-52
YAC BSC-63
Wood baritone case; fits YBS-62
YAC 1310
YAC TSC-23
YAC ASC-23
YAC BSC-4111
32
Flugelhorn Cases
Trombone Cases
MODEL NO.
DESCRIPTION
MODEL NO.
DESCRIPTION
YAC 1366
Wood flugelhorn/trumpet case; double; fits all
Yamaha trumpets and flugelhorns
YAC SLC-220
Plastic trombone case; fits YSL-350C
YAC SLC-350
Plastic trombone case; fits YSL-354
YAC SLC-35V
Wood trombone case; fits YSL-354V
YAC SLC-210
Plastic trombone case; fits YSL-445G/446G/447G/448G
YAC FHC-2310
Wood flugelhorn case; for YFH-2310/2310S
YAC FHC-6310
Wood flugelhorn case; for YFH-631/731/6310Z
YAC HRC-68VS
YAC HRC 667
YAC SLC-603
Wood trombone case; fits YSL-603
YAC SLC-68
Wood trombone case; fits YSL-681/682/683/684
YAC SLC-68B
Wood trombone case; fits YSL-682B
YAC SLC-690
ABS plastic case; fits YSL-697
YAC SLC-850II
Wood trombone case; fits YSL-691/695
YAC SLC-871
Wood trombone case; fits YSL-671
YAC BLC-320
Wood trombone case; fits YBL-421G
YAC BLC-605
Wood trombone case; fits YBL-605
YAC BLC-60
Wood bass trombone case; fits YBL-613
YAC BLC-60H
Wood bass trombone case; fits YBL-613H
YAC BLC-60Y
Wood bass trombone case; fits YBL-622
YAC HRC-57
Horn Cases
MODEL NO.
DESCRIPTION
YAC HRC-302M
Wood horn case; fits YHR-302M
YAC HRC-57
Plastic horn case; fits YHR-314/322/567
YAC HRC-57D
Wood horn case; fits YHR-567D
YAC HRC-667
Plastic horn case; fits YHR-667
YAC HRC-67V
Plastic horn case; fits YHR-667V
YAC HRC-68
YAC HRC-668
Plastic horn case; fits YHR-668/668N
YAC HRC-68V
Plastic horn case; fits YHR-668V
YAC HRC-68VS
Wood horn case; fits YHR-668VS
YAC HRC-70
YAC HRC-85VHF88
Plastic horn case; fits YHR-881/882
YAC SLC-350
33
YAC HRC-85VHF89
Plastic horn case; fits YHR-891/892
YAC HRC-85VHFD
Plastic horn case; fits YHR-881D/891D/892D
Low Brass Cases
MODEL NO.
DESCRIPTION
YAC MPC-203M
Mellophone wood case; fits YMP-203M/203MS
YAC AHC-33
Plastic alto horn case; fits YAH-203/203S
YAC AHC-63
Plastic alto horn case; fits YAH-602S
YAC BHC-301M
Plastic baritone horn case; fits YBH-301M
YAC BHC-31
Plastic baritone horn case; fits YBH-301S
YAC BHC-61
Plastic baritone horn case; fits YBH-621S
YAC EPC-31M
Plastic euphonium case; fits YEP-201M
YAC EPC-32
Plastic euphonium case; fits YEP-211
YAC EPC-35
ABS plastic euphonium case; fits YEP-201/321
YAC EPC-61
Plastic euphonium case; fits YEP-641/621
YAC EPC-82
Plastic euphonium case; fits YEP-842S
YAC EPC-62
Plastic euphonium case; fits YEP-642/642S
YAC BBC-202M
Plastic tuba case; fits YBB-202MS
YAC BBC-27
Plastic tuba case; fits YBB-105
YAC BBC-27M
Plastic tuba case; fits YBB-105M
YAC BBC-32
Plastic tuba case; black with wheels; fits YBB-201/321/201M
YAC BBC-63
Plastic tuba case; red with wheels; fits YBB-631S
YAC BBC-62
Plastic tuba case; red with wheels; fits YBB-641
YAC BBC-68
Plastic tuba case; fits YFB-621/621S
YAC BBC-67
Plastic tuba case; fits YCB-621; YBB-621
YAC BBC-81
Plastic tuba case; fits YCB-861
YAC CBC-81
Plastic tuba case; fits YCB-822/822S
YAC EBC-32
Plastic tuba case; fits YEB-321S/632S
YAC EPC-202M
Plastic tuba case; fits YBB-202MS
YAC FBC-81
Plastic tuba case; fits YFB-822
YAC SHC-43
Plastic sousaphone case; lightweight
polyethylene; fits YSH-411 and YSH-301
YAC BBC-32 wheels
YAC BBC-32
YAC EPC-31M
34
Band Instrument Gig Bags
MODEL NO.
DESCRIPTION
YAC 1370
Tuba gig bag; fits YBB-201/321
YAC 1371
Tuba gig bag; fits YBB-103/104/105
YAC SHC-31
Sousaphone nylon gig bag; fits YSH-301
YAC SHC-31
YAC 1371
YAC 1370
SSC-CLCPRO
Xeno Trumpet Case
MODEL NO.
DESCRIPTION
SSC-TRPXENO
Hard case protection, gig bag look and feel. Durable hardwood frame
construction with soft, pliable, form-fitted interior gently cradles your trumpet.
An expandable pocket with the embroidered logo will hold all your gear and
mutes. Adjustable shoulder strap allows you to sling the case over your
shoulder or back.
Soft-Sided Instrument Cases
MODEL NO.
DESCRIPTION
SSC-CLCCA
Soft carry-all clarinet case; fits YCL-250/450N
SSC-CLCPRO
Soft, briefcase style professional double clarinet case; fits B and A clarinets
YAC-YRDC
Carrying case; recorder; black Cordura, holds sopranino, soprano, alto and tenor
recorders
YAC-YRDC
SSC-TRPXENO
35
Band Instrument Case Covers
Case Covers
Oboe
Piccolo
MODEL NO.
DESCRIPTION
YAC 1344
Nylon piccolo case cover; black; fits PCC-32/62; YPC-32/62
MODEL NO.
DESCRIPTION
YAC OBB-430
Vinyl oboe case cover; black; fits OBC-430; YOB-4XX
YAC OBB-830
Canvas oboe case cover; black; fits OBC-830; YOB-821
Clarinet
Flute
MODEL NO.
DESCRIPTION
YAC 1345
Nylon flute case cover; black; combination case; fits YAC 1320/1320H
YAC 1340
Nylon flute case cover; black; fits YAC 1310/1310H; YFL-2XX/3XX
YAC FLB-20U
Vinyl flute case cover; black w/ special outer pocket to accommodate
curved head joint; case YAC 1310; YFL-221
YAC FLB-45
Vinyl flute case cover; black; for C foot; fits FLC-45; YFL-4XX
YAC FLB-48
Vinyl flute case cover; black; for B foot; fits FLC-48; YFL-4XXH
MODEL NO.
DESCRIPTION
YAC CLB-90
Vinyl clarinet case cover; black; fits CLC-60L/80;
YCL-CSV/SEV/CSV-SPECIAL
YAC CLB-88
Clarinet case cover; fits YCL-881
Saxophone
MODEL NO.
DESCRIPTION
YAC 1389
Nylon student alto saxophone case cover; black;
Zippered w/ backpack style straps; fits ASC-23 case; YAS-23
YAC FLB-55
YAC FLB-58
YAC FLB-65
YAC FLB-68
YAC FLB-85
Vinyl flute case cover; black; for C foot; fits FLC-85; YFL-881
MODEL NO.
DESCRIPTION
YAC FLB-88
Vinyl flute case cover; black; for B foot; fits FLC-88; YFL-881H/874H/884H
YAC 1387
Nylon student trumpet case cover; black; easy velcro access
zippered w/ backpack style straps; fits TRC-203 case; YTR-2335
YAC FLB-98
Simulated leather flute case cover; maroon; for B foot; fits FLC-98; YFL-9XXH
YAC 1388
YAC FLB-A40
Nylon alto flute case cover; fits FLC-A40; YFL-A421E/A421U/A421
Cordura trumpet case cover; black; zippered; fits double TRC-605
case; YTR-6XXX Series B and C trumpets
YAC FLB-B40
Nylon bass flute case cover; fits FLC-B40; YFL-B441
YAC 1406
Pro trumpet case cover; black nylon; backpack-style straps
Trumpet
YAC 1387 upright
YAC CLB-88
YAC FLB-A40
YAC FLB-B40
YAC 1387
YAC 1340
YAC FLB-58
YAC 1387
36
Harmony Director
HD-100
A Revolution in Tuning
SPECIFICATIONS
Japanese school bands, ensembles and choruses are world-reknowned for their matched
tuning and flawlessly blended sound. Their secret—the Harmony Director HD-100 training
tool—is finally available in the United States.
Tone Generator/Polyphony
FM Tone Generator/8 Notes
Keyboard
49 Keys C Scale (4 Octaves)
The key to beautiful harmony lies in the intervals of the chords, and students must learn
how their pitch relates to those of others. The Harmony Director lets you teach your
students the finer points of intonation by demonstration rather than just words.
Basic Controls
Power Switch, Master Volume
Voices
8 Voices (Organ, Harpsichord, Flute, Oboe,
Clarinet, Trumpet, Horn, Strings)
Transposition
Transpose Slider, Octave Up Switch, Octave
Down Switch
Temperaments
Temperaments Switch, Equal Tempered Switch,
Hold Switch, Standard Pitch Switch, Individual
Pitches Switch, Individual Volumes Switch,
Store Switch
Metronome/Tuner
Metronome Switch, Metronome Volume Slider,
Accent Volume Slider, Volume Sliders, Start/Stop
Switch, Tuner Switch, Built-In Microphone
Displays
Lamp Display, 7-Segment LED X3 (with Minus
Indicator), LCD Display: 40 Characters X2
External Input/Output Jacks
DC IN Jack, MIC IN Jack (Standard Monaural
Phone Jack), AUX IN Jack (Standard Monaural
Phone Jack), Headphones Jack (Standard Stereo
Phone Jack), MIDI IN Jack, MIDI OUT Jack
Power Amplifier/Speaker
Max 5W Output/12cm (4 Ω)
Power Consumption
With AC Power Adaptor: 8W (operating at max.
vol.), Battery Powered: 4W (operating at max. vol.)
Dimensions (W x D x H)
34” (863 mm) X 9-5/16” (236 mm) X 3-3/8” (85.7 mm)
Weight
9 lbs. 15oz. (4.5kg) (without batteries)
Don’t Just Tune Notes. . . Tune Entire Chords
The tonal difference between chords tuned in equal temperament and those using pure
intonation can be astonishing. Pure intonation makes harmony sound natural and true,
helping the music come alive. However, getting students to understand this subtle
difference can be very difficult. Traditional tuners correct only a single pitch, and the
concept of how notes relate to one another can be difficult to explain with words.
The Harmony Director lets you show students how to tune notes within the actual
chords. It has ten pre-set temperaments that will tune every note to precisely the right
pitch for that scale and key. It will help your students develop a clear understanding of
how their part should fit into the complete harmony of the ensemble.
Features
• 10 pre-set temperaments include pure, major, and minor scales, meantone, and
Pythagorean temperaments. Plus, six standard classic temperaments show how notes
and chords in any given scale and key should sound.
• Each of the 12 notes has individual pitch settings (in 0.1 cent increments) and volume
settings that can be set and saved to user memory.
• A transposition slider transposes the key from C to B , E , or F for greater compatibility
with various wind instruments.
• A built-in metronome offers volume controls for quarter, eighth, triplet, and sixteenth
note rhythms for backbeats and subdivisions. A tap tempo function offers quick setting
of the metronome’s tempo.
• LED and LCD displays are easy to read, and the data entry dial makes data input quick
and easy.
HD-100
37
Ads HERE
Best in class. Best in show.
Both play Yamaha.
Today’s string musicians are more versatile than ever.
Players everywhere have more opportunities to perform
in a wide variety of styles and venues. From classical to
contemporary, from the classroom to the stage, you’ll find
the perfect instrument for any situation in Yamaha’s
selection of acoustic and electric string instruments.
Play the very best you can.
©2005 Yamaha Corporation of America. Yamaha is a registered trademark of Yamaha Corporation. All rights reserved.
38
String Accessories
Silent/Electric String Accessories
Silent Cello Bag
EV Strings
MODEL NO.
DESCRIPTION
The EV-205/204 both use Yamaha original electric strings. Designed specifically for use
with the EV-205 and EV-204, the strings use a specially designed ball end that acts as a
ground to reduce noise. They are also designed to deliver optimum tone balance and
tension across the strings.
Available in 4/4 scale length only; medium tension.
SVC-BAG
Padded nylon cello case with room for a bow and accessories. Fits the SVC-100
MODEL NO.
DESCRIPTION
EVS-1E
E; steel
Compact Silent Cello Bag
MODEL NO.
DESCRIPTION
SVC-BAG2
Plenty of pockets to hold your bow and all your accessories. Extra protection for
your bridge when traveling. Compact to make it easy to carry and transport your
instrument. For the SVC-200
SVC-BAG3
For the SVC-50
EVS-2A
A; Perlon core; aluminum wound
EVS-3D
D; Perlon core; aluminum wound
EVS-4G
G: Perlon core; nickel wound
EVS-5C
C; Perlon core; nickel wound
Magicstomp II
EVS-204
Set; 4-string E, A, D, G
EVS-205
Set; 5-string E, A, D, G, C
The Yamaha Magicstomp II is a sound effects processor for anyone who plays an
electric or amplified stringed instrument. The Magicstomp II produces the sounds of
vintage and new amp models (including effects such as reverb, delay, distortion, flanger,
phaser, etc.), and also speaker/microphone models (using 32-bit DSP, in an ultracompact, user-friendly “stomp box” format). This fully programmable stomp box, loaded
with 198 programs, is multi-platform compatible and will connect to a Mac or PC using
the included editor librarian software. The user can then can edit or download patches
from www.magicstomp.com.
MagicStomp AG
Violin Gig Bag
MODEL NO.
DESCRIPTION
SV-BAGGRY/
SV-BAGRED
A 3-way design allows the soft case to be carried on the shoulder, like a daypack
or with its handle. Available in either red or gray. Both colors come with an extra
set of decorative strings (2 strings) of a color other than that found on the case
MagicStomp II
SV-BAGGRY
Magicstomp Acoustic
Yamaha’s Magicstomp Acoustic (MAGICSTOMP AG) delivers a new wide variety of
powerful sounds and effects for studio and stage, while continuing to provide string
players with the same features of the MAGICSTOMP II. Featuring 99 custom factory
presets, 99 user memories, an automatic feedback eliminator, and a built-in chromatic
auto tuner, the new Magicstomp Acoustic also boasts microphone and speaker
simulation, and an interactive software-based editor. In addition to the brand new array of
effects, Magicstomp Acoustic also features sounds from our award-winning Magicstomp
sound effects processor. A perfect match for the Silent and Electric string instrument
series, as well as the VNP bridge pickup system, Magicstomp Acoustic features a
headphone jack for private monitoring.
Power Adaptor
MODEL NO.
DESCRIPTION
PA-3C
Power adaptor; input-120v, 60Hz, output-700Ma, 6-foot cable; for use with
Silent Strings SV-120, SVC-50/100/200, SVB-100
PA-3C
SV-BAGRED
Silent Violin Case
MODEL NO.
DESCRIPTION
SV-LTCASE
A lightweight, foam-padded case for the
silent electric violin
SV-LTCASE
39
Bows
Bass-Soft Case
Violin Bridge Pickup
Replacing the bridge of an acoustic instrument with the VNP1 turns any violin into an
electric violin. It offers excellent sound reproduction, and the grounded circuit
eliminates 60 cycle hum and other unwanted noises while two contact sensors in the
bridge capture the full spectrum of sound from G-string to E-string; one is directed
toward the bass side and one is aimed at the treble side of the bridge, allowing a warm,
full, realistic replication of sound. The VNP1 enables acoustic violin players to plug into
any sound effects processor and amplifier/speaker.
MODEL NO.
DESCRIPTION
VNP1
The VNP1 is a dual-sensor, grounded bridge pickup permanently attached to a high
quality Aubert bridge blank and connected to a unique single barrel side-mounted
jack. The side-mount features only one barrel, causing less interference with the
user’s shoulder rest. The VNP1 is the only pickup system of its kind to provide a
fully grounded circuit, almost completely eliminating outside noise and
interference due to improper grounding
The Soft Case is equipped with a strap for easy transport and offers space for the knee support.
MODEL NO.
DESCRIPTION
SVB-BSC
For the SVB-100
SVB-BSC2
For the SVB-200
SVB-BSC
VNP1
Pro Instrument Cables
SVB-BSC2
Get the most out of your sound with Yamaha’s professional line of instrument cables
specifically designed for a powerful, clear sound. Heavy-duty connectors and superior
noise elimination shields ensure that pure sound is all you get.
MODEL NO.
DESCRIPTION
PGC6
6’ Cord
PGC10
10’ Cord
PGC18
18’ Cord
Bass Stand
MODEL NO.
DESCRIPTION
SVB-BST
A heavy-duty support stand for Silent Bass, bow,
and headphones. For SVB-100 and SVB-200
Bass-Knee Support
MODEL NO.
DESCRIPTION
SVB-BKS
The knee support attaches to the
back of the instrument’s body to
provide added support of the
instrument. For the SVB-100
SVB-BKS2
For the SVB-200.
SVB-BKS2
Bass-Extension Frame
MODEL NO.
DESCRIPTION
SVB-BEF
Provides greater comfort and support
while playing the instrument. Only for SVB-200
SVB-BST
SVB-BEF
40
String Accessories
Strings
Practice Tools
MODEL NO.
DESCRIPTION
MS-303AL
Yamaha folding lightweight aluminum black music stand (pictured on page 30)
ME-100
Digital quartz metronome in blue or black
YT-240
A tuner created specifically for string instruments, the YT-240 features special
tuning modes for violin, viola, cello and bass. Simply select the instrument’s
mode for quick and accurate tuning. A built-in microphone allows tuning of
acoustic instruments while electronic instruments can connect directly to the
tuner’s INPUT jack
YT-240
ME-100BK
ME-100BE
41
Bows
Carbon Fiber Bows
Signature Carbon Fiber Bows (Available in 4/4 full size only)
As shrinking resources make finding a quality wood bow increasingly difficult, more and
more string instrumentalists, from amateur to professional, are turning to carbon fiber
bows as a viable substitute. Light in weight and possessing an optimum combination of
strength and flexibility, carbon fiber bows come close to matching the characteristics of
wood. But unlike wood, changes in weather, temperature or humidity have little effect on
a carbon fiber bow, making it highly stable and perfect for use in any situation—
especially those times when you would rather not risk using your primary bow, such as
when playing outdoors or on tour. Carbon fiber bows also resist warping and offer
uniform quality and outstanding cost performance.
Pinchas Zukerman
“Modern technology and modern materials in bow making is the future,” states
Zukerman. “Yamaha has a great vision of industry and player needs. This signature bow
has good resonance, and is durable and versatile. ”A heavier bow at approximately 63
grams, the Zukerman signature bow features a simulated tortoise-shell frog and goldplated fittings.
MODEL NO.
DESCRIPTION
CBB-107PZ
Pinchas Zukerman is one of the most highly regarded and sought-after violin
soloists in the world. His attention to the intricate details of the bow design
process was guided by the desire to produce a bow for the professional violinist,
and those in professional studies
Yamaha carbon fiber bows are made by highly skilled craftsmen to deliver outstanding
performance. They feel natural in your hand, and offer excellent response and tone that
lets you make the switch from wood to carbon fiber with greater ease.
Violin Bows (Available in 4/4 full size only)
MODEL NO.
DESCRIPTION
CBB-101
A fine primary bow with excellent playability and outstanding cost performance for
the skilled or advancing violinist
CBB-103
These bows are designed for professionals to use as either a backup or primary
bow. All adjusted by hand, the bow’s components include an ebony frog with
abalone and silver inlay eye and silver button
CBB-105
Our top-of-the-line carbon fiber bows are individually crafted by highly skilled
craftsmen for the artist looking for the utmost in performance and quality.
Components such as an ebony frog with abalone and silver inlay eye, and ebony
with abalone inlay on the silver button show the craftsman’s meticulous attention
to detail
CBB-107PZ
Pinchas Zukerman
Zakhar Bron
“From my point of view, choosing the most suitable bow for a player is very important,”
states Bron. “Yamaha worked closely with me to determine the factors of a great bow
design, and we arrived together at the final specifications for my signature bow. ”The
tip-weighted balance and approximately 61 grams weight of this environmentally friendly
bow more than meet the demands of Mr. Bron’s playing and teaching styles.
CBB-101
CBB-103
CBB-105
MODEL NO.
DESCRIPTION
CBB-107ZB
Our design collaboration with Zakhar Bron—one of Europe’s most respected and
preeminent educators and violin soloists—resulted in this very unique carbon
fiber bow
Cello Bows (Available in 4/4 full size only)
MODEL NO.
DESCRIPTION
CBB-301
For the skilled or advancing cellist, the CBB-301 is an excellent choice, offering
excellent playability and outstanding cost performance
CBB-305
Like the CBB-105, this top-of-the-line carbon fiber bow for cellos is individually
crafted to deliver the utmost in performance and quality. Components such as an
ebony frog with abalone and silver inlay eye, and ebony with abalone inlay on the
silver button show the craftsman’s meticulous attention to detail
CBB-107ZB
Zakhar Bron
CBB-301
CBB-305
42
Hand-Held Percussion
Woodblocks
Tambourines
Our one-piece, solid maple woodblocks offer pure tone and crisp projection. Both sizes
are recommended for any percussion section to cover the most common passages and
sound effect needs.
Made from quality materials to provide the most professional sound.
MODEL NO.
DESCRIPTION
YWB-100
Medium Woodblock
YWB-200
Large Woodblock
MODEL NO.
DESCRIPTION
YT-100
10” Concert tambourine; 8-ply maple shell; staggered double row, silver jingles;
skin head
YT-300
10” Virtuoso tambourine; 10-ply maple; staggered double row; silver/phosphorus
bronze jingles with goat skin head
YT-100
YWB-100
YWB-200
Slapstick
Our slapstick features sonic projection holes to ensure
perfect timing and a realistic sound.
MODEL NO.
DESCRIPTION
YS-200
Laminated Maple Slapstick
YT-300
YS-200
Triangles & Accessories
Professional sound and quality construction at an affordable price.
YTC1 THE CLIPPER™
MODEL NO.
DESCRIPTION
YST4
4” Symphonic Triangle
YST6
YST8
YST10
TB3
Set of three Symphonic Triangle beaters; with color grips and carrying case
TB6
Set of six Symphonic Triangle beaters; with color grips and carrying case
YTC1
The Clipper™ single triangle clip
Our triangle cases are made from durable Cordura® nylon with zipper closure. These
cases fit YST and YCT models.
TB3
MODEL NO.
DESCRIPTION
YSTC4
4” Triangle Case
YSTC6
6” Triangle Case
YSTC8
8” Triangle Case
YSTC10
10” Triangle Case
YST4
YST10
YST6
YST6
43
Performance Kits
Student and Performance Kits
Tools to assist beginning students and professionals in practice and music education.
MODEL NO.
DESCRIPTION
DA-PKIT:
YMB-150
KCB-23B
KYB-53B
KPB-91B
YTM-2
YS-ORC
Mallet Bag
Artist-Master Medium Cord Vibe Mallets
University Medium Marimba Mallets
Artist-Master Poly Ball Medium-Hard Bell and Xylophone Mallets
General Timpani Mallet
Orchestral Concert Drumstick
DA-SKIT:
YSB-100SF
DK-10
YS-5BSFBU
KRB-6RSF
KYB-12BSF
YTM-3
Strikeforce Drumstick Bag
Drum Key
Strikeforce Drumsticks
Strikeforce mallets; Medium-Hard Yarn Marimba
Strikeforce mallets; Medium-Hard Xylophone/Bell
General Timpani Mallets
DA-SHHKIT:
YT-100
YST6
YWB-100
TB3
YHH-100
YTC1
10” Concert Tambourine
Medium Woodblock
Three Triangle Beaters
Percussion Carry-All
Clipper Triangle Clip
DA-PHHKIT:
YST6
YWB-100
YHH-100
YTC1
YT-300
TB6
Medium Woodblock
Percussion Carry-All
Clipper Triangle Clip
10” Virtuoso Tambourine
Six Triangle Beaters
DA-PKIT
DA-PHHKIT
Hand-Held Percussion Carry-All
Fits one or two tambourines with various percussion items. Internal pockets and
compartments keep your gear organized and protected.
MODEL NO.
DESCRIPTION
YHH-100
Hand-held percussion carry-all
YHH-100
44
Percussion Accessories
Practice Pads
Deadbeats
Yamaha makes it easier than ever for drummers to refine their chops anytime, anywhere.
The snare pads can travel anywhere, yet boast realistic snare feel and sound.
Drumsticks with built-in rubber tips. Allows percussionists to practice on any surface.
This product provides a fun and cost-effective way for any player to practice on the road
or at school. Deadbeats are 16” in length.
MODEL NO.
DESCRIPTION
PP-200
Snare pad practice pad; 9” double-sided
MODEL NO.
DESCRIPTION
PP-260
Snare pad practice pad; 9” single-sided with subtle snare sound;
double zone surface provides distinctive sounds
DB-S
Standard Deadbeats
DB-M
Marching Deadbeats
PP-360
Snare pad practice pad; 11” single-sided with subtle snare sound;
double zone surface provides distinctive sounds
Drum Keys
Sturdy drum keys give you added leverage and grip for high-tension tuning.
PP-260
MODEL NO.
DESCRIPTION
TK-40
Timpani Key
TK-90
Timpani Key for TP-9000
DK-10
Drum Key
DK-30
Power Drum Key
Advanced marching band drummers, students, and instructors are sure to appreciate
Yamaha’s tenor pads, the first practice pad to offer the actual spacing for a large set of
Field-Corps sextets. This handsome, lightweight practice tool features tonal reference
pads that provide the player with aural feedback. Yamaha also offers smaller tenor pads
that feature a compact size and light weight that make it easy to carry around.
MODEL NO.
DESCRIPTION
PPQ-500
Small/compact tenor practice pad; sextet configuration
PPQ-550
Large/full tenor practice pad w/ tonal reference and sextet spacing
DK-10
TK-40
DK-30
TK-90
PPQ-550
45
Stands and Attachments
Bass Drum Stands
BS-125
YGS-70
BS-125
• Redesigned with new material to give greater
stability and lighter weight
• Adjusts to six settings using notched
receivers for consistently level settings
Bell Stands
• Accommodates bass sizes 22” to 42”
YGS-70
• Soft, yet durable padding on crossbars to
eliminate damage to drum
• X-style stand
• Lightweight compact design
• Aluminum legs
• Gear-lock system for unparalleled adjustment
• Height adjustment from 27” – 32”
BS-425
BS-425
• Wide cradle with gripping rubber pads
YGS-100
• Four large wheels that lock in both the swivel position
and rolling position keep the stand in place and noise free
during performance
• Rolling bell stand/trap table
•
Convoluted foam top prevents small items from rolling
• Three position height adjustment system
• Height adjustable from 28” – 33.5”
• Removable foot rest with grip tape for easy control while playing
• Trap table is 31” L x19” W
• Dimensions: Base: L=24”, W=20” base brum support: H=24”. Total height from floor:
30”; footrest: H=9.5”, L=6”, W=2”
BS-751/BS-753
• BS-751 supports 28” or 32” concert bass drum; BS-753
supports 36” or 40” bass
YGS-100
• Mounting system eliminates drilling into shell and prevents
drum sway providing strong attack and powerful projection
• Tiltable mounting system allows any angle setting
• Four 3-inch lockable casters provide easy transport and stability
• Cross bar provides built-in foot rest
• Steel frame with black finish
BS-753
Snare Stands
SS-655
• Locking snare basket holds drum securely
Double Tom Stand
• Lightweight
WS-860
• Concert height with 22” – 32” height adjustment range
• Single braced
• Utilizes a ball and socket design for complete adjustment and stability.
SS-745
• Features a lean, strong double-braced leg design that holds two drums
without strain.
• Locking snare basket holds drum securely
• Medium weight
WS-860
• Single braced
• Concert height with 23” – 35” height adjustment range
SS-655
46
Percussion Accessories
Drumstick and Mallet Holders
Marching Accessories
Easily attached to percussion instruments to provide quick access to sticks and mallets.
MODEL NO.
DESCRIPTION
RS-1632
Rim Saver™ for marching bass drums; packaged in pairs with hardware; fits 16 -32”
MA-200
Sound Impact Strips™; 15 feet
SFZGG
Gravity Guards™; 6mm nylon; 12 pack
DECAL-STF
Yamaha drum decal; small; black; 4 pack; for toms
DECAL-MTF
Yamaha drum decal; medium; black; 2 pack; for snare
DECAL-STFW
Yamaha drum decal; small; white; 4 pack; for toms
DECAL-MTFW
Yamaha drum decal; medium; white; 2 pack; for snare
DECAL-SB
Yamaha drum decal; small; black; 2 pack; for bass drum
DECAL-MB
Yamaha drum decal; medium; black; 2 pack; for bass drum
DECAL-LB
Yamaha drum decal; large; black; 2 pack; for bass drum
MS-FEET
Marching snare feet; metal clamp with rubber tip, packaged in threes
MTG-15
Marching Tom Guard™; 15 feet; black
MTG-15W
Marching Tom Guard; 15 feet; white
ET-CLIP
Carrier ET clip; adapts marching snare drum to fit Field-Corps marching snare
drum carrier
FCAT-6
Field-Corps attachment; attaches 6” tom to Field-Corps carrier
RM-100
Carrier spacer; 1 3/8”; Field-Corps or Power-Lite marching tom set
RM-200
Carrier spacer; 1 1/2”; Field-Corps or Power-Lite marching tom set
MODEL NO.
DESCRIPTION
MSH-1
Marching drumstick holder
MSH-2
Marching drumstick holder; double pocketed; fits two pairs of mallets
MMH-T2
Drumstick and mallet holder; vinyl; black
MBMH-2
Bass drum mallet holder; 2 pack includes mounting tape
MSH-1
MSH-2
MMH-T2
MBMH-2
Marching Sounds Projectors
Easy velcro attachment; available in transparent, black or white vinyl with Yamaha logo.
MA-200
RS-1632
MSP-13W
MSP-13B
MODEL NO.
DESCRIPTION
MSP-13
13” marching snare drum sound projector; transparent
MSP-13B
13” marching snare drum sound projector; black vinyl
MSP-13W
13” marching snare drum sound projector; white vinyl
MSP-14
14” marching snare drum sound projector; transparent
MSP-14B
14” marching snare drum sound projector; black vinyl
MSP-14W
14” marching snare drum sound projector; white vinyl
MSP-13
Snares
SN-SFZ14
47
MODEL NO.
DESCRIPTION
SN-PL13
High-carbon steel snares; short scale; 20 strands; fits MS-6113/6213
SN-ML
Fibretech marching drum snares; long scale; 14 strands; fits MS-9014/9114
SN-MM
Fibretech marching drum snares; medium scale; 14 strands; fits MS-814/8014
SN-SFZ13
Fibretech marching drum snares; long scale; 10 strands; fits MS-9213
SN-SFZ14
Fibretech marching drum snares; long scale; 10 strands; fits MS-9214
Stadium Hardware™ by May
Stands and Adapters
All stands feature a tripod system that allows one leg to adjust independently of the
other two for stable support of drums—even in bleachers.
MODEL NO.
DESCRIPTION
RM-SHS
Snare Stadium Hardware features compact U-channel receiver, new cool
aluminum color, improved mushroom foot and 34”- 45” height adjustment range
RM-SHQ
Tom Stadium Hardware features compact U-channel receiver, new cool aluminum
color, improved mushroom foot and 32”- 43” height adjustment range
RM-SHB
Bass drum Stadium Hardware features bell-style cradle with mushroom foot and
position memory lock, new cool aluminum color, improved mushroom foot and
54”- 74” height adjustment range
RM-SHBX
Multi-Application keyboard stand; (Field-Corps carrier, or RM-MAKADAPT
required)
RM-ETADAPT
ET adapter; adapts marching snare drum carrier with ET clip to RM-SHS Stadium
Hardware stand
RM-SHQADAPT
Carrier adapter; adapts carrier systems with 9/16” I.D. J-rod receivers to RM-SHQ
Stadium Hardware stand
RM-PLQADAPT
Power-Lite marching tom adapter; adapts Power-Lite marching tom set carrier rail
to RM-SHQ Stadium Hardware stand
RM-MAKADAPT Multi-Application RM-SHBX Stadium Hardware stand keyboard adapter; adapts
Multi-Application keyboard to RM-SHBX Stadium Hardware base
RM-SCH1
RM-SHB
Suspended cymbal holder with Stadium Hardware base; (cymbal requires strap)
Concert Accessories
Concert Snare Drum Mute
MODEL NO.
DESCRIPTION
MU-SNARE
Felt, includes attachment string
Multi-Utility Towel
MODEL NO.
DESCRIPTION
MU-BASS
Mutes concert bass; covers music stand; catch-all bag
MU-BASS
MU-SNARE
Mallet Bag
MODEL NO.
DESCRIPTION
YMB-150
Large mallet bag; cordura nylon; black
Snares
MODEL NO.
DESCRIPTION
SN-DH
Hard high-carbon steel snares; short scale; 20 strands; fits CSS-1455 and CSS-1465
SN-C914
High-carbon steel snares; extended scale; 14 strands; .9mm; fits CSC-1455
SN-C1213
High-carbon steel snares; extended scale; 14 strands; 1.2mm; fits CSB-1345
SN-C1214
High-carbon steel snares; extended scale; 14 strands; 1.2mm; fits CSM-1465
SN-D
High-carbon steel snares; short scale; 20 stands; fits KSD-225/245
YMB-150 (Mallets not included)
48
Percussion Cases
Mallet Instrument Hard Side Case
Concert Snare Drum Cases
Polyethylene cases provide protection for travel under the bus or in the equipment truck.
Easy access slots, durable wheels and slim design make it easy to load and move.
Features plush interior with a rugged Cordura® type exterior. Fits most standard size
drums with room for extended strainers or an extra drumhead.
MODEL NO.
DESCRIPTION
MODEL NO.
DESCRIPTION
PCH-TP90XX
Case for TP9000 series timpano; available for timpano size 20”, 23”, 24”, 26”, 27”,
29”, 32” replace XX with size in product number
PCS-1345
Soft sided case for concert snare
CSB-1345 (13” x 4 1/2” drum)
PCS-1455
CSC-1455 and CSS-1455 (14” x 5 1/2” drum)
PCS-1465
CSM-1465 and CSS-1465 (14” x 6 1/2” drum)
Mallet Instrument Soft Side Cases
Lightweight durable bags offer easy carrying convenience and protection, perfect for
the working professional or ensemble.
Vibes Soft style bag cases
MODEL NO.
DESCRIPTION
PCS-YV2700
For YV-2700 and YV-2700G vibes
PCS-YV3710
For YV-3710 and YV-3710M vibes
PCS-YV3910
PCS-YV4110
Xylophone
MODEL NO.
DESCRIPTION
PCS-YX335
For YX-335 xylophone
PCS-YX350
For YX-350 xylophone
Xylophone and Bell Cases
Marimba
MODEL NO.
DESCRIPTION
PCS-YM4600A
For YM-4600A marimba
PCS-YM4900A
PCS-YM5100A
Timpani
49
These cases use sturdy wood construction with black vinyl covering. The corners are
protected by metal guards.
MODEL NO.
DESCRIPTION
PCH-32AUB
Multi-Application bells case; MBL-832AU
PCH-1200
Yamaha bells case; YG-1200A
PCH-1210
Yamaha bells case; YG-1210A
PCH-1590
Deagan bells case; DG-1590A
PCH-32AFX
Multi-Application xylophone case; MXL-32AF
PCH-1200
MODEL NO.
DESCRIPTION
PCS-TP30XX
For 23”, 26”, 29”, and 32” portable timpani
Replace XX in product number with size
PCS-TP3004
Soft style bag case set for portable timpani
PCH-1590
Percussion Covers
Timpani Drop Covers
Mallet Keyboard Drop Covers
Water-resistant nylon material with padded no-scratch lining.
Short 14” drop
Water-resistant nylon material with padded no-scratch lining; 6” drop.
Vibes
MODEL NO.
DESCRIPTION
TDCXXS
Fits 20”, 23”, 26”, 29”, 32”. Replace XX in product number with size
TDC04S Set of 4; 23”; 26”; 29”; 32” timpani drop covers
Long 25” drop
MODEL NO.
MODEL NO.
DESCRIPTION
TAC-YV1600DC
Vibe drop cover; YV-1600
TAC-YV520DC
Vibe drop cover; YV-520
TAC-YV2500DC
Vibe drop cover; YV-2500 / YV-2600 / YV-2700 / YV-2700G / YVRD-2700 / YVRD-2700G
TAC-YV3300DC
Vibe drop cover; YV-3300 / YV-3400 / YV-3710 / YV-3710M
TAC-YV3910DC
Vibe drop cover; YV-3910 / YV-3910M
TAC-YV4110DC
Vibe drop cover; YV-4110 / YV-4110M
DESCRIPTION
TDCXXL
TDC04L Set of 4; 23”; 26”; 29”; 32”, fits TP9000 20”, 23”, etc.
TDCXX9
TDC059 Set of 5; 20”, 23”; 26”; 29”; 32” timpani drop covers
Xylophone
Timpani Head Covers
Black leatherette with felt lining.
MODEL NO.
DESCRIPTION
TAC-YX135DC
Xylophone drop cover; YX-135
MODEL NO.
DESCRIPTION
TAC-YX330DC
Xylophone drop cover; YX-330
TAC-0XX
TAC-YX360DC
Xylophone drop cover; YX-360 / YX-335 / YX-350 / YXR-335 / YXRD-335
Marimba
Chime/Bass Drum Covers
MODEL NO.
DESCRIPTION
TAC-YM40DC
Marimba drop cover; YM-40
TAC-YM1430DC
Marimba drop cover; YM-1430
TAC-YM2300DC
Marimba drop cover; YM-2300 / YM-2400 / YMR-2400 / YMRD-2400
Concert bass drum cover; black Cordura
TAC-YM2900DC
Marimba drop cover; YM-2900 / YMRD-2900 / YMRD-2900A / YV-3710 / YV-3710M
CBC-100
Fits 28” to 32” bass drums
TAC-YM4600DC
Marimba drop cover; YM-4600 / YM-4600A
CBC-200
Fits 36” to 40” bass drums
TAC-YM4900DC
CBC-300
Fits 40” X 22” bass drums
TAC-YM5100DC
Marimba drop cover; YM-5100A
Virtuoso Concert Bass Drum WRAP;black Cordura (40” X 22”) only
TAC-YM5104DC
Marimba drop cover; YM-5104A
TAC-YM6000DC
Water-resistant nylon material with padded no-scratch lining.
MODEL NO.
DESCRIPTION
DCC-100
Chimes cover; black Cordura®; DC-9150A/DC-9160A/ DC-9190A/ YCH-585
CBD-40
DCC-100
TAC-YX360DC
TDCXXL
50
Marching Cases and Covers
Field-Master™ Drum Cases
Marching Drum Covers (Custom Color)
Constructed of high-density molded plastic featuring quick release latches, heavy-duty
straps and hardware for maximum durability. Heat, cold and moisture resistant, these
lightweight cases are backed by a 10-year warranty.
Made of nylon fabric. These covers feature heavy-duty Velcro straps that make
attachment and removal quick and easy. These lightweight and water-resistant covers
are available in sizes to fit most marching drums. Comes standard in Black.
When ordering, replace ”C” in product number with color code.
R=Red, W=White, NB=Navy Blue, G=Green, M=Maroon, RB=Royal Blue.
Snare
MODEL NO.
DESCRIPTION
Snare Cover
DA-5013
13” x 11” Power-Lite marching snare drum case
Custom colored marching snare cover; with D-rings for stick holders
DA-8013
13” x 11” Marching snare drum case; for extended strainer
MODEL NO.
DESCRIPTION
DA-9014
14” x 12” Marching snare drum case; for extended strainer; fits drums with Field
Corps carrier hinge hardware
SNC13C
For 13” snare
SNC14C
For 14” snare
Tenor
Marching Tom Set Cover
MODEL NO.
DESCRIPTION
DA-8003
Tom set case; trio on carrier
DA-8004L
Large marching tom case; (0234) quad; quint; or sextet on carrier
DA-8004S
Small marching tom case; (8023) quad; quint; or sextet on carrier
MODEL NO.
DESCRIPTION
QDC4C
Custom colored marching tenor; with D-rings for mallet holders
Bass Drum Cover
Bass
MODEL NO.
DESCRIPTION
DA-40XX
Fits 14” through 28” x 14”, 16” x 13”, 30” x 16”, and 32” x 16” bass drums
DA-40XX
DA-9014
DA-8004L
51
MODEL NO.
DESCRIPTION
BDCXXC
Marching bass drum cover; with mallet holder. Fits 16” through 32”
Replace XX in product number with size
Stadium Hardware Bags
Battery Packs
Made of 600 Denier polyester fabric with PVC backing to withstand the wear
of heavy usage.
Made of black nylon w/ 1/2” high-density foam padding for easy and safe transport of
marching instruments. “Clamshell” design allows for quick and easy storage.
MODEL NO.
DESCRIPTION
PCS-SHS/Q
Soft bag for stadium hardware; fits RM-SHS/RM-SHQ
PCS-SHB
Soft bag for stadium hardware; fits RM-SHB
Snare Cover
Marching snare drum cover; with D-rings for stick holders
MODEL NO.
DESCRIPTION
PCS-MS
Soft style bag for marching snare; fits 13” x 11” and 14” x 12” marching snare models
Tom
MODEL NO.
DESCRIPTION
PCS-MQS
Soft style bag for marching tenor; fits small marching tenor set
PCS-MQL
Soft style bag for marching tenor; fits large marching tenor set
Bass Drum Cover
MODEL NO.
DESCRIPTION
PCS-MB1416
Soft style bag for marching bass drum; fits 14” or 16” bass drum
PCS-MB1820
PCS-MB2224
PCS-MB2628
PCS-MB3032
PCS-MQX
PCS-MBXXXX
PCH-SHX
PCS-MS
52
T
he best choice—Yamaha. Why? We have world-class designers, state-of-the-art manufacturing
techniques and are committed to producing the industry’s most consistent, superior-sounding
instruments available. Just three of the many reasons Yamaha is unparalleled in providing the world’s
premier line of musical instruments.
©2005 Yamaha Corporation of America
Yamaha is a registered trademark of Yamaha Corporation of America. All Rights Reserved. www.yamaha.com/band
Mallets
Keiko Abe Signature Mallets
The Keiko Abe Signature Series features nine different degrees of soft to hard
mallets (MKA–01 through MKA–09) that make it easy for an artist to select a
voiced set of four for any musical situation. The hard mallets are heavy and
create a full sound from the upper range of the marimba, while the bass mallets
pull the fundamental resonance out of the instrument’s lower range. These
mallets are ideal for solo work as well as concertos, and boast Yamaha’s unique
thick rattan shafts in a variety of lengths. Each mallet has a unique feature and
texture as well as color-coded tape for easy identification during play.
Appearing regularly in performances around the world, Keiko Abe continuously
astonishes audiences with her rare combination of creative power, acute
sensitivity and virtuoso technique. It is these qualities that have made her a
leading force in the development of the marimba as a consummate concert
instrument. Her command of an overwhelming repertoire allows her
performances to range from solo concerts to chamber music and
improvisations. While her compositions have become standards of marimba
literature many composers have dedicated new works to her and she has
inspired and premiered countless new compositions.
In addition to her work as Professor of Music at Toho Gakuen School of Music
in Tokyo, Japan, she is in demand as a guest lecturer and has given master
classes in leading music conservatories in North America, Europe and Asia.
She has also released over 20 recordings and received numerous awards
including introduction into the Percussive Arts Society Hall of Fame in 1993.
HEAD
MKA-O1
Red
MKA-O2
Pink
MKA-O3
Orange
MKA-O4
Yellow
MKA-O5
Light Green
MKA-O6
Green
MKA-O7
Blue
MKA-S7
Blue & Light Blue
MKA-O8
Light Blue
MKA-O9
Purple
VH: Very Hard
H: Hard
MATERIAL
MH: Medium Hard
SHAFT
HARDNESS
CORE SIZE(mm)
CORE FEATURE
MATERIAL
Two-tone
30x23
Dual-core with Synthetic leather
430mm
VH
30x20
with additional weight
395mm
H
30x21
with additional weight
395mm
RATTAN
COLORED BAND
YARN WOUND
MODEL NO.
LENGTH
H
30x23
Dual-core with rubber tube (1 mm)
MH
30x24
MS
30x25
S
30x26
S
30x23
Rubber core covered with yarn
425mm
S
33x23
Dual-core with rubber tube (2mm)
430mm
VS
36x23
Dual-core with rubber tube (2mm)
430mm
MS: Medium Soft
S: Soft
425mm
430mm
425mm
425mm
VS: Very Soft
*Since the core characteristics of these mallets differ from those of our regular mallets, the hardness scale will not always match the scale used with our regular mallets.
54
Mallets
Artist-Master™ Mallets
Unwound
The Unwound Series consists of various oval shaped rubber, wood, metal, and
plastic heads to supply multiple timbres and dynamic levels. Designed for
response, clarity, control and sensitivity, the Unwound Series is available in
Satin Birch, Black Birch, Two-Stage Fiberglass, or Rattan Handles.
RECOMMENDED
HEAD
MATERIAL
HARDNESS
KRB-1
Black Rubber
ES
KRB-2
Tan Rubber
S
KRB-3
Brown Rubber
MS
KRB-4
Light Green Rubber
M
KRB-5
Dark Green Rubber
MH
KRB-6
Grey Rubber
H
KWB-7
11/4” Maple
H
KWB-8A
11/4” Rosewood
H
KBB-9
5/8” Brass
H
KPB-10
11/8” Phenolic
EH
KPB-91
11/8” Poly ball
MH
KPB-92
11/8” Lexan®
H
KPB-93
1” Phenolic
EH
SHAFT & LENGTH
BIRCH/FIBERGLASS/
RATTAN = 15-1/4”
MODEL NO.
GLOCKENSPIEL
VIBES
XYLOPHONE
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
MARIMBA
Artist-master mallets unwound
Yarn Wound
These single-tone yarn wound mallets feature solid rubber cores that are the
ideal weight for general playing. Their proven reliability has made them an
industry standard that continues to exceed the needs of the player. Available in
Satin Birch, Black Birch, Two-Stage Fiberglass, or Rattan Handles.
Artist-master keyboard mallets yarn wound
RECOMMENDED
HEAD
55
KYB-11
Yellow Yarn
H
KYB-12
Green Yarn
MH
KYB-13
Blue Yarn
M
KYB-14
Red Yarn
MS
KYB-15
Aqua Yarn
S
KYB-16
Orange Yarn
ES
KYB-61
Yellow Yarn
MH
SHAFT & LENGTH
RATTAN = 15-3/4”
HARDNESS
FIBERGLASS=15-1/4”
MATERIAL
BIRCH=15-3/8”
MODEL NO.
GLOCKENSPIEL
VIBES
XYLOPHONE
MARIMBA
•
•
•
•
•
•
•
Cord Wound
The Cord Wound mallets carry on a heritage of performance and reliability with
a distinctive style. The heavier, round shaped Cord Wound mallet head is ideal
to use with vibraphones. Ready to impress in any situation, the Pro Vibe Series,
with its ideal weight and balance, is the all-around choice for today’s player.
Available in Satin Birch, Black Birch, Two-Stage Fiberglass, or Rattan Handles.
Artist-Master keyboard
mallets cord wound
RECOMMENDED
HEAD
21
Yellow Cord
H
22
Green Cord
MH
23
Blue Cord
M
24
Red Cord
S
25
Silver Cord
Jazz
21
Yellow Cord
H
22
Green Cord
MH
62
Yellow Cord
MH
SHAFT & LENGTH
GLOCKENSPIEL
VIBES
XYLOPHONE
MARIMBA
•
RATTAN = 15-1/4”
HARDNESS
FIBERGLASS=15-1/8”
MATERIAL
BIRCH=15-3/8”
MODEL NO.
•
•
•
•
•
•
•
Educational Models
Designed especially for students, the Educational series provides an ideal
combination of weight and balance perfectly suited for younger players.
The hollow shafts are of flexible, durable FRP with a non-slip finish.
RECOMMENDED
MATERIAL
HARDNESS
ME-100W
Hytrel® dual head
H&S
ME-101
CORD YARN
WOUND WOUND RUBBER
HEAD
MODEL NO.
VH
ME-201
ME-202
ME-203
ME-204
ME-301
ME-302
ME-303
ME-304
MS
VIBES
XYLOPHONE
345
•
•
•
•
375
MH
GLOCKENSPIEL
S
MARIMBA
•
•
•
•
•
•
•
H
MH
MS
S
H
MH
MS
•
•
•
385
ME-105
H
LENGTH
FRP
ME-104
25mm
ME-103
20 mm
25X20mm
ME-102
CORE SIZE SHAFT
•
•
•
•
S
•
Strikeforce™ Mallet
RECOMMENDED
MODEL NO.
MATERIAL
HARDNESS
GLOCKENSPIEL
KPSF
Phenolic
EH
•
EH: Extra Hard
VH: Very Hard
H: Hard
MH: Medium Hard
Educational mallets
MS: Medium Soft
S: Soft
VS: Very Soft
ES: Extra Soft
56
Mallets
The Virtuoso mallets are the culmination of dedicated research and input
from professionals worldwide. Added weight and special design
characteristics help the player draw a substantial tone from the instrument.
Though originally designed for the marimba, several models also work well
on other keyboard percussion such as vibes. All virtuoso mallets are
available in premium rattan shafts and are hand made to guarantee the very
highest level of quality.
Virtuoso Rattan Shaft Models
Virtuoso Keyboard mallets
RECOMMENDED
HEAD
MV-4010
MV-4020
MV-4030
MV-4040
HARDNESS
CORE SIZE(mm)
H
SHAFT
LENGTH(mm)
VIBES
MARIMBA
30 x 23
•
•
MH
30 x 23
•
•
MS
30 x 23
•
•
S
30 x 23
•
•
33 x 23
33 x 23
MS
36 x 23
VS
36 x 23
MV-8080
ES
36 x 23
MV-5010
H
30 x 23
•
•
MH
30 x 23
•
•
MS
30 x 23
•
•
S
30 x 23
•
•
S
33 x 23
•
•
MV-8060
MV-5020
MV-5030
MV-5040
MV-7040
•
•
400
MV-8040
RATTAN
S
VS
MV-6050
CORD
WOUND
MV-6040
MATERIAL
YARN WOUND
MODEL NO.
•
•
•
Virtuoso Birch Shaft Models
RECOMMENDED
HEAD
MVB-4030
MVB-4040
MVB-6040
MVB-6050
MVB-8040
MVB-8060
CORE SIZE(mm)
H
30 x 23
•
MH
30 x 23
•
MS
30 x 23
•
S
30 x 23
S
33 x 23
MVB-8080
EH: Extra Hard
57
VH: Very Hard
H: Hard
SHAFT
LENGTH(mm)
VIBES
MARIMBA
•
440
MVB-4020
HARDNESS
BIRCH
MVB-4010
MATERIAL
YARN WOUND
MODEL NO.
•
VS
33 x 23
MS
36 x 23
•
VS
36 x 23
•
ES
36 x 23
•
MH: Medium Hard
MS: Medium Soft
•
S: Soft
VS: Very Soft
ES: Extra Soft
Marching Mallets
Concert Mallets
Field-Master™ Marching Tom Mallets
Timpani Mallets
Designed to meet the demands of the marching percussionist while achieving the
necessary timbres of contemporary percussion.
Ideal for all levels of performance. Each pair is precision matched for weight and pitch
to give the best feel possible.
Aluminum Shaft
MODEL NO.
Field Master Marching tom mallets
MODEL NO.
DESCRIPTION
YTM-1
Orange band; legato; timpani mallets
LENGTH =14 1/2”
DESCRIPTION
LENGTH =14”
MTM-100
Hard felt; Field-Master marching tom mallets
YTM-2
Blue band; general purpose; timpani mallets
MTM-150
Soft pile; Field-Master marching tom mallets
YTM-3
Yellow band; soft staccato; timpani mallets
MTM-250
Lexan® ball; Field-Master marching tom mallets
YTM-4
Green band; medium staccato; timpani mallets
MTM-300
The Cookie™; nylon disc; Field-Master marching tom mallets
YTM-5
Maroon head with white band; hard staccato; timpani mallets
YTM-6
Red band; wood; timpani mallets
MTM-301
The Cookie™; nylon disc; heavy duty aluminum shaft with sponge grip
LENGTH =14 1/2”
Field-Master™ Marching Bass Drum Mallets
Thirteen models maximize the projection of tonal bass drums.
Aluminum Shaft
Artist-Master™ Concert Bass Drum Mallets
Available in five models to suit any musical style, these mallets are precisely balanced
to maximize sound control.
MODEL NO.
DESCRIPTION
CBM-100F
Ultra; staccato; single; felt; Artist-Master concert bass drum mallet
CBM-200S
Staccato; single; pile; Artist-Master concert bass drum mallet
CBM-300M
General; single; pile; Artist-Master concert bass drum mallet
LENGTH =16 1/2”
MODEL NO.
DESCRIPTION
MBM-100
Hard felt; small; Field-Master marching bass drum mallets
LENGTH =14 1/2”
MBM-150
Soft pile; small; Field-Master marching bass drum mallets
MBM-200
Hard felt; medium; Field-Master marching bass drum mallets
MBM-250
Soft pile; medium; Field-Master marching bass drum mallets
MBM-300
Hard felt; large; Field-Master marching bass drum mallets
MBM-350
Soft pile; large; Field-Master marching bass drum mallets
MBM-400
Hard felt; extra large; Field-Master marching bass drum mallets
MBM-450
Soft pile; extra large; Field-Master marching bass drum mallets
MBM-500
Hard felt; jumbo; Field-Master marching bass drum mallets
CBM-400L
Legato; single; pile; Artist-Master concert bass drum mallet
CBM-500R
General; pair; pile; rollers; Artist-Master
concert bass drum mallets
Artist-master concert bass drum mallets
Artist-Master™ Gong Mallets
Feature 7/8” maple shafts and yarn wound solid core heads for full sound and feel.
MODEL NO.
DESCRIPTION
YGM-1
Light; Artist-Master gong mallet
YGM-2
General; Artist-Master gong mallet
YGM-3
Heavy; Artist-Master gong mallet
Field Master Marching bass drum mallets
LENGTH =17 1/4”
Deagan Chime Mallet
This model features easy to grip tapered handles and heads
that produce a strong warm fundamental tone.
MODEL NO.
DESCRIPTION
DCM-11002
Rawhide; Deagan chime mallet
DCM-11002
58
Fromthe hush of
the symphony to
the roar of the
stadium.
When it comes to uncompromising sound season after season,
Yamaha prefers to use only the best choice in drumheads – Remo.
The drumhead that can be heard no matter where you’re sitting.
Remo.com
Yamaha Drumheads by Remo
Snare Drumheads
Marching Bass Drumheads
13” and 14” snare drumheads.
Replace XX in model number with size of drumhead.
MODEL NO.
DESCRIPTION
DH-BR-12XX
14”, 16”, 18”, 20”, 22”, 24”, 26”, 28”, 30”, 32”, 36” Ambassador marching
bass drumhead; smooth white with Yamaha logo. Replace XX in model
number with size of drumhead
MODEL NO.
DESCRIPTION
DH-ES-10XX
16”, 18”, 20”, 22”, 24”, 26”, 28”, 30” Ebony Ambassador marching bass
drumhead; with Yamaha logo. Replace XX in model number with size
of drumhead
WHITE
MODEL NO.
DESCRIPTION
DH-BA-01XX
Coated Ambassador drumhead
DH-KS-02XX
Crimped; Kevlar Falam® II marching head; smooth white
DH-KS-01XX
Crimped; Coated Falam II® marching head
DH-KS-06XX
Crimped; Black Max®; ebony marching head
DH-KS-16XX
Crimped; Black Max®; ebony marching head; with mylar underside
DH-KS-26XX
Crimped; White Max® marching head; smooth white
DH-KS-36XX
Crimped; White Max marching head; smooth white with mylar underside
DH-P2-03XX-C2
Power Stroke® II marching head; clear with transparent sound center
DH-SA-01XX
Snare-side concert head; Ambassador®; hazy
DH-SA-03XX-TD
Snare-side marching head clear; Ambassador®; clear; no collar
EBONY
Concert Bass Drumheads
MODEL NO.
Tom Drumheads
MODEL NO.
DESCRIPTION
AMBASSADOR
DH-BR-12XX-CB 28”, 32”, 36”, 40” Ambassador concert bass drumhead; smooth white with
Yamaha logo. Replace XX in model number with size of drumhead
DESCRIPTION
CRIMPLOCK
DH-PS-03XX-MP 6”, 8”, 10”, 12”, 13”, 14” tom drumhead; clear pinstripe
Replace XX in model number with size of drumhead
Timpani Heads
CRIMPLOCK SUEDE®
DH-BE-08XX-MP 6”, 8”, 10”, 12”, 13”, 14” tom drumhead; Emperor®
MODEL NO.
DESCRIPTION
DH-TC-XX00
22”, 25”, 28”, 31”, 34” timpani drumhead; custom hazy mylar; with aluminum insert
Replace XX in model number with size of timpani head
DH-RC-XX00
22”, 25”, 26”, 28”, 29”, 31”, 34” timpani drumhead; Renaissance;
with aluminum insert; clear film. Replace XX in model number
with size of timpani head
CUSTOM HAZY MYLAR
™
RENAISSANCE
DH-RE-00XX-MP 6”, 8”, 10”, 12”, 13”, 14”, 15”, 16” tom drumhead; Emperor®
RENAISSANCE®
DH-PS-03XX-MP
DH-BR-10XX
DH-ES-10XX
60
Band & Orchestral Division
P.O. Box 6600 | Buena Park | California | 90622-6600 | www.yamaha.com/band
©2005 Yamaha Corporation of America
Yamaha is a registered trademark of Yamaha Corporation of America. All Rights Reserved.
All specifications subject to change without notice.
ACC-CAT

rattan = 15-1/4

Transcription

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