The Portfolio of Patrick Spearnock

Transcription

The Portfolio of Patrick Spearnock
Patrick Spearnock
Portfolio
Patrick Spearnock
Portfolio
Kesem Technology Identity . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
Singles Cafe Identity . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
Singles Cafe Web Site . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
Dwell Magazine Redesign . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
Masters of Graphic Design Web Site . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
Ed Ruscha Book Redesign . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
UCLA Extension Entertainment Media Certificate Programs Booklet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
Concert Series Flyer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
Architects in Washington Poster Series . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Various Logos . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
Corcoran Postcards . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
Kesem Technology Identity
Original Dimension: Various • Current Scale: Various
301.562.9339
877.808.4975
301.562.2887
kesem.net
8115 Fenton Street
Suite 307
Silver Spring, MD 20910
AUfhm6`cW_
Chief Technical Officer
301.562.9339
877.808.4975
301.562.2887
kesem.net
marty@kesem.net
8115 Fenton Street
Suite 307
Silver Spring, MD 20910
8115 Fenton Street
Suite 307
Silver Spring, MD 20910
Singles Cafe Identity
Original Dimension: Various • Current Scale: Various
Singles Cafe Web Site
Original Dimension: 750 x 550 • Current Scale: Various
Dwell Magazine Redesign
Original Dimension: 9" x 10.75"
•
Current Scale: Various
%8,31)-28,)13()62;360(
5JNFGPSB$IBOHF
3FBM-JGF3FOPWBUJPOT
4EGO]SYVFEKW
+VIEX(IWMKR'MXMIWXS:MWMX2S[
&I]SRH-/)%
97`'EREHE
%JJSVHEFPI1SHIVR*YVRMXYVI
1EVGL
[[[H[IPPQEKGSQ
(ITEVXQIRXW
0IXXIVW
'SRXI\X
;L]HIR]]SYVQSHIVR
GSRHMXMSR#,IVI«W[LEXXSVIEH
ZMWMXERHFY]XSGYPXMZEXIMX
7[MX^IVPERH«W%VX&EWIPXEOIW
MXWEZERXKEVHIEVXXS1MEQM
&IEGLERH')7FVMRKWXLIFIWX
MRGSRWYQIVIPIGXVSRMGWXS
:IKEWFEF]
-RXLI1SHIVR;SVPH
8LIHVEQEXMG7XVEMXSJ.YER
HI*YGEWIXWXLIWXEKIJSVE
7IEXXPIGSYTPI«WMHIEPKIXE[E]
1],SYWI
;LIRFYMPHMRKEWIGSRH
LSQIQSWXTISTPIHSR«X
GSRWMHIVXVEZIPMRKJEVXLIV
XLERYTWXEXI&YXXLI8EMXW
FYMPXXLIMVWLSYVWE[E]
SRXLIGSEWXSJ8EWQERME
-RXLI«W&VMXW%PMWSR
ERH4IXIV7QMXLWSRGEWX
EWTIPP[MXLXLIMV
FI[MXGLMRK,I\IRLEYW
;LIRTVIWIRXIH[MXLE
WIPIGXMSRSJLMKLHIWMKRHIWOW
&MPP7XYQTJTSRHIVW;LMGL[MPP
KSFIWX[MXLQ]%IVSRGLEMV#
([IPP6ITSVXW
1EKRIXWGLSSPWEVIRSXLMRK
RI[XSXLIEVXWERHWGMIRGIW
FYX1MEQM«W(%7,PSSOWXS
KMZILMKLWGLSSPIVWELIEH
WXEVXMRHIWMKR
2MGI1SHIVRMWX
-R)HMRFYVKL7GSXPERH
EVGLMXIGX6MGLEVH1YVTL]
KSIWYRHIVKVSYRHXS
QIPHQSHIVRMWQ[MXL
GIRXYVMIWSPHEVGLMXIGXYVI
1EVGL
)PWI[LIVI
)HMXSV«W2SXI
2I[&IKMRRMRKW
8LIVI«WQSVIXSTVIJEFXLERXLIJEGXSV]
EWMPPYWXVEXIHF]XLIWIJSYV5
%WSRLMWXSV]
TSPMG]IHYGEXMSRERHGSQQYRMX]
1ERGLIWXIVMWVIRS[RIHJSVMXWMRHYWXVMEP]IX
GYPXYVEPP]TVSKVIWWMZIGLEVEGXIV-XWIIQW´XXMRK
XLIRXLEXMX«WLSQIXSERMRRSZEXMZIVIWMHIRXMEP
TVIJEFGSQTPI\
8LI7SYPSJE,SVWI
*SV'LEVPMI0E^SVFYMPHMRKLMWTVIJEFLSQI[EW
EWIEW]EWEWWIQFPMRKE&PY(SXWLIPZMRKW]WXIQ
'SZIV
8[MWX]SYV[E]SYXSJXLIFS\%VXWERH'VEJXW
LSQIWFPIRHFIEYXMJYPP][MXLXLIQSHIVRIHKI
-RXLIHIQMPMXEVM^IH^SRI
SJ/SVIESJEPPTPEGIW
EWTIGXEGYPEVP]MQEKMREXMZI
GSQQYRMX]MWFSVR
(IWMKRIV1EWWMQS-SWE+LMRM
XEOIWEQSQIRXXSVIµIGX
SRXLILE^EVHWSJWTIIH
ERHXLIQIVMXWSJ)YVSTI«W
WXERHEVHSJPMZMRK
([IPP0EFW
3JJXLI+VMH
JOTJEF
%VGLMZI
3YXWMHI
9XMPMXEVMERHSIWR«XLEZIXS
QIEREREGLVSRMWXMG,IVIE
WIPIGXMSRSJLSYWIRYQFIVW
XLEXSJJIVQSHIVRGYVFETTIEP
([IPP,SQI-)J´GMIRG]EJJSVHEFMPMX]
ERHWX]PIEVIQEOMRKMX
QSVITSTYPEVIZIV]HE]
7SMWQSHIVRTVIJEFSR
MXW[E]XSFIGSQMRKXLI
%TTPIGSQTYXIVSJXLI
%QIVMGERLSYWMRKMRHYWXV]#
8VEZIP
(SR«XJVIXFIGEYWI]SYGER«X
´RHXLEXREQIRYQFIVSV
[IFWMXI;I«ZITVSZMHIHXLIQ
JSV]SYLIVI
7SYVGMRK
7SQIXMQIWEPMXXPIWTEGIKSIW
EPSRK[E]ERHWSQIXMQIWXLI
SRP][E]XSKSMWYT
8LI7MQTPI0MJI
*I[EVIFVE[R]IRSYKLJSVEVIQSXIQSYRXEMR
I\MWXIRGIFYXJI[IVWXMPPLEZIXLIVIWSPZIXS
FYMPHXLIVI
4YVWYMRK4IVJIGXMSR
(SR«XJVIXFIGEYWI]SYGER«X´RHXLEXREQI
RYQFIVSV[IFWMXI;I«ZITVSZMHIHXLIQ
JSV]SYLIVI
8LMWTEKI.Y\XETSWMXMSRTPE]WEGVYGMEPVSPIMRX]MRKMXEPPXSKIXLIV
3TTSWMXITEKI%QM\SJXVEHMXMSREPERHQSHIVRXEWXIWGSRZIVKI
IHIGMHIHXSREQI
¨Ÿ7S[
LM©
W9RMPMOIWIEYVGLMRWYW
SYVWIPZI
8LMWTEKI8LIMRXIVMSVWTEGIMWSTIRERHERKYPEV
3TTSWMXITEKI%QM\SJXVEHMXMSREPERHQSHIVRXEWXIWGSRZIVKI
&VERH2I[
;,%883(3;,)2
-8©78-1)8378%683:)6
;VMXXIR&]
:MVKMRME+EVHMRIV
([IPP1EVGL
4LSXSW&]
%HEQ*VMIHFIVK
5YSXMRK2MIX^WGLIVMKLXSJJXLIFEX-QMKLXEW
[IPPFIEX[IIH[IEVMRKPYWLMRERSPH[SSH]
EPMIRQSZMI&YXFIEX7GLIROERH'LEI[SR
/MVR«WPMZI[SVOLSYWIMR'EQFVMHKI
1EWWEGLYWIXXWFVMRKWXSQMRHSRISJXLIQEH
TVYWWMER«WETLSVMWQW¨[LIRSRILEW´RMWLIH
FYMPHMRKSRI«WLSYWISRIWYHHIRP]VIEPM^IWXLEX
MRXLITVSGIWWSRILEWPIEVRIHWSQIXLMRKXLEX
SRIVIEPP]RIIHIHXSORS[MRXLI[SVWX[E]§
FIJSVISRIFIKER©
6IEHXLIEHEKIX[MGIERHEJXIV]SY«ZI
XVMTTIHSZIVWM\YWIWSJ¨SRI©XLEXHSR«XI\EGXP]
FPIWWXLIXVERWPEXMSRGSRWMHIVXLMWERXMHSXIXS
MXWHIWGVMFIHJVYMXPIWWRIWW/IITVIRSZEXMRK
;LEXIZIV]SYVWYHHIRVIEPM^EXMSRW]SYEVG
EP[E]WFIKMRRMRKEKEMR
7GLIROERH/MQXLIQEVVMIHTEMV[LS
JSYRHIHXLIHIWMKRKVSYT9RM[MXLX[SJVMIRHW
8IH2WEMERH%'*IVRERHI^MRLEFMXXLIMV
FMKKIWXTVSNIGXMRETIVTIXYEPWXEXISJ[LEX/MQ
GEPPW¨VIRSZEXMSRQERME©8LI]FSYKLXEXMR]
]SSWUYEVIJSSXX[SWXSV]LSYWIMRERH
´RMWLIHVIRSZEXMRKMXPEWX]IEV2S[XLI]«VI
[SVOMRKSREMSSWUYEVIJSSXEHHMXMSR%RH
XLI]NYWXTYVGLEWIHXLILSYWIRI\XHSSV[LMGL
XLI]TPERXSKYXVIFYMPHERHWIPPRI\X]IEV
;LIR/MQERH7GLIROFSYKLXXLI´VWXLSYWI
VIRSZEXMSR[EWR«XXLIMVTPER¨;I[ERXIHXS
FYMPHKVSYRHYTFYX´RHMRKERIQTX]PSXMR
'EQFVMHKI[EWMQTSWWMFPI©I\TPEMRW/MQ¨8LMW
LSYWI[EWWQEPPFYXSREXFMKPSXWS-´KYVIH[I
GSYPHIEWMP]XIEVMXHS[RXSFYMPHWSQIXLMRKRI[©
&IKMRRMRKW
([IPP1EVGL
¨&YX;SR©§7GLIRO«WRMGOREQIJSV'LEI[SR§
©XSSOQIXSWIIXLITPEGIERH-XLSYKLXMX[EW
XSSGYXIXSXIEVHS[R©8LSYKLFSXL[IVI
LSVVM´IHF]XLILSYWI«WMRXIVMSV§EHEVOGPYWXIV
SJRSSOWERHGVERRMIWHEXMRKJVSQXLIPEXIMXL
GIRXYV]§XLI][IVIMRXVMKYIHF]MXWMGSRMG
TMXGLIHVSSJ¨LSYWI©WLETI8LIMVVIHIWMKR
GPIEVIHSYXXLIGVERRMIWXSQEOIIEGLµSSVMRXS
E[MHISTIRWTEGI8LI]FVSYKLXPMKLXMRXSXLI
FEGO]EVHJEGMRKIEWXJEGEHI[MXLPEVKI[MRHS[W
ERHXVERWPYGIRXTERIP[EPPW8LI]GSEXIHXLI
I\XIVMSVMRGSVVYKEXIH'SVXIRWXIIPMXWFSPHVYWX
GSPSVWYVVIEPP]MRXIRWM´IWXLILSYWI«WJSVQ
7GLIRO[LSMW7[MWWERH/MQ[LSMW
/SVIERQIXEWWXYHIRXWEX7'-%VGMRXLIIEVP]
ª7[LIVIFSXLWTIRXXLIMVJVIIXMQIFVS[WMRK
EQSRKFYMPHMRKWYTTPMIWEXXLIHS[RXS[R0SW
%RKIPIW,SQI(ITSX8LMW]IEVYTSR
GSQTPIXMRKXLIMV´VWXLSYWIXLI]KSXEVSYRHXS
REQMRKXLIMV´VQ[MXL*IVRERHI^ERH2KEM
¨;I[IVIKSMRKXSGEPPSYVWIPZIW9RMX©/MQ
WE]W¨FIGEYWIMXGSYPHWXERHJSVª9ERH-TPYW
8IH«&YXXLIRTISTPIXSPHYWSXLIVMQTPMGEXMSRW
SJXLI[SVH«YRMX«7S[IHIGMHIHXSREQI
SYVWIPZIW9RMPMOIWIEYVGLMRWYWLM©
8LI]SYRKKVSYTMWRSXEFP]MRXIVREXMSREP
2KEMMW'LMRIWI*IVRERHI^MW*MPMTMRS&IX[IIR
XLIJSYVSJPLIQXLI]WTIEOPERKYEKIWERH
LEZI[SVOIHJSV6IQ/SSPLEEW/E^Y]S7INMQE
'SST,MQQIPFPEYERH*VERO+ILV]2SRIXLIPIWW
XLIMV´VWXTVSNIGX[EWLYQFPI§XLISVMKMREP
VIRSZEXMSRGSWX
-RWXIEHSJLMVMRKEGSRXVEGXSV/MQERH7GLIRO
YRHIVXSSOXLIMVS[RGSRWXVYGXMSR[MXLTIVMSHMG
LIPTJVSQ*IVRERHI^[LSWXMPPPMZIHMR0SW
%RKIPIW2KEM[EW´RMWLMRKEHIKVIIEX,EVZEVH
(IWMKR7GLSSP¨3YVKSEP©7GLIROWE]W¨[EW
XSWLS[XLEX[MXLXLIQSWXFEWMGFYMPHMRK
QEXIVMEPWEGPIZIVTPERGERQEOIWSQIXLMRK
I\GITXMSREP©;LMPII\IGYXMRKXLIVIRSZEXMSR
/MQERH7GLRIOPMZIHMRXLILSYWIXLVSYKLHE]W
[MXLRSVYRRMRK[EXIVE[MRXIV[MXLRSLIEX
ERH¨EPSXSJFEGOEGLIW©&YXXLI]WXMPPQEREKIH
XSIRNS]XLIRYQIVSYWGLEPPIRKIW¨8LIHE][I
WXEVXIH[SVOMRK©/MQWE]WPEYKLMRK¨[IFSXL
IRHIHYTMRXLIIQIVIKIRG]VSSQ-XVMTTIHERH
WTVEMRIHQ]EROPI&IEXHMHR«X[IEVWEJIX]
KSKKPIWERHKSXWE[HYWXMRLMWI]IW©
¨;LIR[IXSVIHS[RERSPHWLIHMRXLI
FEGO]EVH©7GLRIOVIQIQFIVW¨-LEHXSKMZI
LSYVRSXMGIXSXLIVIWMHIRXWOYRO,IHMHR«X
[ERXXSPIEZI,IQEHIELSVVMFPIWXMRO-JIPXE
FMXKYMPX]FIGEYWILIWIIQIHIPHIVP]ERH[MRXIV
[EWSRXLI[E]©
¨(IQSPMXMSR[EWERMKLXQEVI©LIGSRXMRYIW
¨;IOITX´RHMRKPE]IVYTSRPE]IVSJ[EPPTETIV
ERHTEMRX;ILEYPIHSYXIMKLXERHELEPJXSRW
SJHIFVMW8LIRIMKLFSVWOITXWIIMRKHYQTWXIVW
ERHXLI]GSYPHR«XMQEKMRILS[WSQYGLWXYJJ
GSYPHGSQISYXSJWYGLEPMXXPILSYWI©8LILEVH
[SVOGLERKIH7GLIROJVSQ[LEX/MQ
EJJIGXMSREXIP]GEPPW¨ETIRGMPLSPHMRKWOMRR]
EVGLMXIGX©XSEFVSEHWLSYPHIVIHSRI
8LSYKLXLIVIRSZEXMSR[EWEVMXISJTEWWEKIJSV
EPPJSYVHIWMKRIVWJSV/MQMX[EWEPWSETIVMSH
SJVIGSZIV]-RWLI«HFIIRHMEKRSWIH[MXL
EREGYXIGEWISJFVIEWXGERGIV7LI[EWSRP]
]IEVWSPHERHXLSYKLXWLIQMKLXRSXVIEGL
&YXEJXIVETEMRJYPX[S]IEVXVIEXQIRXWLI[EW
GYVIH,IVRI[JSYRHLSTIJSVWYVZMZEPGSMRGMHIH
[MXLXLIGSRWXVYGXMSRTVSGIWW¨8LITVSNIGX
LIPTIHQI©WLIWE]W¨-XKEZIQIIRIVK]©
7GLIRO[LSLIPTW´RERGI9RM«WTVSNIGXW[MXL
ENSFEX&SWXSR«W'ERRSR(IWMKRWXMPP´RHW
LMQWIPJEX,SQI(ITSXQSWX[IIOIRHW,SYVW
WTIRXXLIVITE]SJJ[MXLGSYRXPIWWQSRI]WEZMRK
WXVEXIKMIW¨;ILEZIELYKIGSPPIGXMSRSJHSMX
]SYVWIPJFSSOWERH[IVIEPP]YWIXLIQ©LI
WE]W*SVMRWXERGIXLI]GSZIVIHXLIµSSVW[MXL
GSVO[LMGLGSWXTIVWUYEVIJSSXn
Masters of Graphic Design Web Site
uclaextension.edu/mastersofdesign
10
•
Current Scale: Various
11
Ed Ruscha Book Redesign
Original Dimension: 11.5" x 9.75"
12
•
Current Scale: Various
LIK>:=
=HI>R
MH;:<<HLM:BGLHGI:I>K*20,
-+q*--bg*)/'0q,//\f
I>G<BEHGI:I>K*22)
,)q++*(+bg0/'+q.0'+\f
*)
<HMMHGIN??L%J&MBIL %
LFHD>:G=FBKKHKL3 MA>=K:PBG@LH?>=KNL<A:
<hmmhgIn__l%J&Mbil %Lfhd^Zg]Fbkkhkl
Ma^=kZpbg`lh_>]Knl\aZ
13
**
<HG M>GML
<HGM>GML
),
*0
+,
,0
,2
*,*
*,,
-
<hmmhgIn__l%J&Mbil %Lfhd^Zg]Fbkkhkl
Ma^=kZpbg`lh_>]Knl\aZ
?hk^pZk]
:\dghpe^]`^f^gml
Bgmkh]n\mbhg
:gBgm^kob^ppbma>]Knl\aZ
Phkdlbgma^>qab[bmbhg
L^e^\m^];bh`kZiar
Bg]^q
.
UCLA Extension Entertainment Media Certificate Programs Booklet
Original Dimension: 8.25" x 10.5" • Current Scale: Various
7296.qxp:Layout 4
1/16/08
2:08 PM
Page cvr4
uclaextension.edu/espabook
14
7296-08
7296.qxp:Layout 4
1/16/08
2:08 PM
Page 10
Certificate in Entertainment Media:
Concentration in
cinematography
This certificate program is designed for those who want to become cinematographers or
camera operators. After taking a series of four foundation courses in entertainment media,
students gain skills in camera techniques and digital technologies while developing an
individual aesthetic and artistic point of view.
Domestic students may begin the program in any quarter. I-20 students are only eligible for
entry in the fall.
Approximate Program Cost: $7,000
Approximate Cost of Books and Materials: $500
Certificate Candidacy Fee: $200
Certificate Enrollment Number: CF543
Duration: one year (full-time course of study) to three years
Unit Requirement: 48
Foundation Courses (16 units)
Course No. Title
X 404
� Pre-Production and Production for Film
and Television
X 404A � Post-Production for Film and Television
X 403.31
The Business of Entertainment
X 476.581
The Language of Filmmaking
Units
4
Fall
•
Winter
•
Spring
•
Summer
•
4
4
4
•
•
•
•
•
•
•
•
Winter
Spring
•
•
•
4 Required Cinematography Courses (22 units)
Course No.
X 478.27A �
X 478.27B �
X 478.27C �
X 478.436
Title
Units
Cinematography I: Introduction
4
Cinematography II: Visualization and Exposure 6
Cinematography III: Lighting Workshop
8
Composition and Framing for the Motion
4
Picture Camera
Fall
•
•
15
Summer
•
•
•
•
Electives (10 units)
Students complete another 10 elective units from other X 400 series courses
from Entertainment Studies & Performing Arts and/or the Writers’ Program
film and television writing curriculum.
� Should be taken in first two quarters of study.
� These courses should be taken in sequence.
Course scheduling and fees subject to change without notice.
A maximum of 8 internship credits may be applied to your certificate program.
10
11
7296.qxp:Layout 4
1/16/08
2:08 PM
Page 4
7296.qxp:Layout 4
What Is Entertainment Studies & Performing Arts?
Student Success Stories
The most comprehensive university-related program of its kind in the country and located in
the epicenter of the entertainment industry, Entertainment Studies & Performing Arts at UCLA
Extension offers dynamic professional training in the art and business of entertainment. Our
over 200 courses and specialized certificate programs in acting, directing, producing,
cinematography, development, business and management of entertainment, music business
and film scoring are designed for people who want a “real world” education combined with
the integrity and quality of a curriculum approved by the UCLA Academic Senate. In addition
to networking and internship opportunities and the deep industry experience of our instructors,
UCLA Extension’s ability to respond quickly to changes in technology and the marketplace
keep our students on the crest of what’s current.
“UCLA Extension gave me the confidence to go out and build a film career. It was a great
environment where you learned not only from the lecturers—people who worked in film—
but also from the people in your class, because of the experience they had in other fields.
“Whenever I feel insecure I have, and will, go back and take another course ... There’s something very exciting about feeling that an institution that gave you the confidence to go out into
the world and make films is inviting you back when you’ve been able to go and implement
what you have learned. I feel proud and excited and thankful to UCLA Extension for welcoming
me back.”
“I thought it would be worthwhile to take courses that show the other side of the film industry,
hoping that would help me with screenwriting and also in business meetings. It’s good to
know what directors and producers are thinking when they’re dealing with screenwriters.”
Over 500 Guest Speakers Share Their Expertise throughout the Year
Oscar nominee Iris Yamashita, writer, Letters From Iwo Jima (Best Original Screenplay).
“I actually think UCLA Extension is better in many cases [than a four-year program] because
you’re getting real-world instructors who’ve taught and who’ve actually written scripts. I went
to film school, but when I went to UCLA Extension, it blew everything else out of the way.
It really taught you the nuts and bolts of filmmaking. You can meet a lot of up and coming
people who are going to be very powerful forces in the industry later on.”
Tim Chey, filmmaker, The Genius Club, gave up law and chose UCLA Extension. Chey’s work
has been seen on E! Entertainment, VIBE TV, MTV, TNT, USA Networks, the Dove Awards,
and the MovieGuide Awards.
New courses and instructors are added quarterly to provide the most current information and
contacts within the entertainment industry.
Many courses include field trips to professional production and post-production facilities.
Flexible and Affordable
Designed to accommodate the schedules of busy adults, our courses are primarily held in the
evenings and on weekends.
Students complete their studies at their own pace and can enroll in as many or as few
courses as meet their needs. Those who wish to pursue certificate programs can complete
their studies in as little as nine months or take up to three years.
Our courses are “pay as you go,” with no large fees or deposits upfront. Complete certificate
program tuition ranges from $5,000 to $10,000, well below comparable programs, and require
a $200 candidacy fee.
Accessible
Open admission policy (no degrees or prior training required except for the Certificate in Film Scoring)
A growing selection of online courses to serve those in and out of L.A.
Students can preview course content before enrolling by attending the first meeting of
courses scheduled for six or more sessions (some restrictions apply).
4
the business and management
of entertainment
This certificate program is designed for aspiring mainstream Hollywood executives, as well as
those interested in the world of independent filmmaking. Students gain an understanding of
industry business practices by taking overview courses that include pre-production, production,
and post-production, as well as specific courses in business and legal affairs, finance and
accounting, and marketing and distribution.
Approximate Program Cost: $5,000
Entertainment Studies & Performing Arts at UCLA Extension gives adult students access to educational
resources unparalleled by any other institution of its kind—either in Los Angeles or beyond.
From overviews of the entire production process to small workshops, we offer approximately
80 courses each quarter in acting, directing, producing, development, cinematography,
development, business and management of entertainment, music business and film scoring.
Page 18
Domestic students may begin the program in any quarter. I-20 students are only eligible for
entry in the fall.
What Sets Us Apart: Program Highlights
A Comprehensive Array of Courses Is Available Year-Round
2:08 PM
Certificate in
Oscar-winner Gavin Hood, writer/director, Tsotsi (Best Foreign Language Film), director of
Rendition, and X-Man Origins: Wolverine.
In addition to our current roster of instructors, hundreds of guest speakers from all facets of the
industry visit our classes each and every quarter to offer their advice and insights to our students.
1/16/08
“Undergoing the Film Scoring Certificate Program at UCLA Extension has been very beneficial in helping me to succeed in my career as a composer for entertainment. The teachers’
expertise and professional advice helped me greatly. The courses were relevant to today’s
industry and never once did I feel like I was learning anything useless. I definitely recommend
the program to anyone interested in scoring music for entertainment.”
Steve Mazzaro, composer for video games Force of Arms (Wardog Studios), The Wonderful
Wizard of Oz (Injoy Games), Vantage (Crystal Dragon Studios), and the short films The Séance
and Crawlspace.
“We wouldn’t have gotten where we currently are without the help of the UCLA Extension
Entertainment Studies. The networking opportunities are endless. Every instructor is an
experienced working professional. The technical and aesthetic skills taught are essential to
building a solid foundation for any entertainment-related career. UCLA Extension gave us
exactly the right perspective to root our dream into reality.”
Approximate Cost of Books and Materials: $500
Certificate Candidacy Fee: $200
Elective Curriculum (12 units)
Students complete 12 elective units from the course listed below.
Course No. Title
Units
X 403.33
Filmmakers and Financing: Business Plans
4
for Independents
X 403.61
Marketing and Distributing Independent Films
4
across All Platforms
X 479.471
The Business of Hollywood:
4
An Industry Role-Playing Game
X 448.84
Copyright Law in the Entertainment Industry
4
X 402.32
Organizing, Financing, and Operating a
4
Start Up Entertainment Production Company
X 499.2
Film, Television, and Digital Media Internship
4
X 405.2
Business Affairs for Television
2
X 406.1A
Talent Representation: A Packaging Workshop 2
X 406
Talent Representation: Working as an Agent or 2
Personal Manager in the Entertainment Industry
X 404.2
Production Accounting for Film and Television
2
Fall
•
Winter
Spring
•
•
•
•
•
Summer
•
•
•
•
•
•
•
Certificate Enrollment Number: CF547
Course scheduling and fees subject to change without notice.
Duration: three quarters (full-time course of study) to two years
A maximum of 8 internship credits may be applied to your certificate program.
•
•
•
•
•
•
Unit Requirement: 36
Foundation Courses (12 units)
Course No. Title
X 404
� Pre-Production and Production for Film
and Television
X 404A
Post-Production for Film and Television
X 403.31 � The Business of Entertainment
Units
4
Fall
•
Winter
•
Spring
•
Summer
•
4
4
•
•
•
•
•
•
Units
4
Fall
Winter
•
Spring
Summer
•
4
•
•
4
•
•
3 Required Entertainment Business Courses (12 units)
Course No. Title
X 405.23
Digital and Interactive Entertainment: Issues,
Technologies, and Opportunities
X 403.34
Entertainment Financing: From First $ to
Distribution of Profits
X 476.99
Marketing Entertainment: Strategies for a
Global Marketplace
� Should be taken in first two quarters of study.
Antony and Fulvio Sestito, writers, producers, directors of The Showdown. Winner:
(Best Short Film) Omaha Film Festival; (Triple Play Award: Best Cinematography, Editing,
and Original Score) Long Island Film Festival; (Best Short Drama) Eureka Springs Digital
Film Festival; (1st Place-Best Narrative Short) First Glance Hollywood Film Festival.
5
18
19
Concert Series Flyer
Original Dimension: 12" x 18"
•
Current Scale: 33%
16
Fri 4
Fri 11
Fri 18
room one
room one
room one
WALL OF SOUND Present (Sic).:
Plump DJs
Stanton Warriors
Ali B
SCRATCH:
Tim Westwood
Blak Twang (live)
DJ Yoda
Edan The Deejay
DJ Biznizz
Richy Pitch
Matt Smooth & Rob Mac
Rolling Like Kingz
room two
BREAKBEAT KAOS:
Adam F
DJ Fresh
Andy C
Pendulum
Artificial Intelligence
Baron
Wildchild
TKO & Boom Tac
MCs:
GQ, Foxy, Verse
room three
Koma & Bones
Joe Ransom
Ali B
Hyper
entrance
Friday as always
9:30pm - 5:00am
Price £12 (£10 nus)
Saturday as always
10:00pm - 7:00am
Price £15 (£12 nus)
Advance tickets available
from Ticketweb
Sat 5
room one
KOMPAKT:
Michael Mayer
Superpitcher
DJ Koze
room two
Billy Nasty
Luke Slater
Sid Le Rock (live)
room three
Terry Francis
Chris Rhythm Doctor
Danny M
Erol Alkan
Tom Vek (live)
Diefenbach (live)
Glimmer Twins
Richard X
room two
DREAD RECORDS:
Grooverider
DJ Zinc
DJ Die
Peshay
Addiction
Nu:Tone
MCs:
Moose, Tali , SP:MC
Ray Keith
Nicky Blackmarket
Bryan Gee
Jumping Jack Frost
Randall
Brockie
Maximus
Lady Lena
MCs:
Fats, IC3, Shabba
room three
room three
WALL OF SOUND Present BAD MAGIC:
FABRICLIVE.20 ALBUM LAUNCH PARTY:
Sat 12
Sat 19
room two
The Herbaliser (DJ set)
Shortee Blitz
Jehst (live)
Mark B & MC Honey Brown
Harry Love
Joe Ransom
Scratch Perverts
The Freestylers (DJ Set)
Skitz & Rodney P
Dynamite MC
Thu 24
Special Event
BREAKSPOLL
room one
Plump DJs vs Stanton Warriors
Rennie Pilgrem & BLIM (feat MC
Chickaboo)
Krafty Kuts vs Atomic Hooligan
Evil Nine (live)
Atomic Hooligan (live)
Tayo vs Ali B
room two
The Freestylers vs Deekline
Radioactive Man vs KosmikNeil
Will Saul vs Jay Cunning
Splitloop (live)
NAPT & The Breakfastaz (feat MC
Ken Mac)
Son of the Electric Ghost (live)
LBJ (live)
Lawgiverz (live)
room three
room one
room one
John Digweed
Pete Moss
Craig Richards
Ricardo Villalobos
Lusine (live)
Meat Katie vs Elite Force
Danny Mcmillan vs DJ Hyper
Soul of Man vs Lee Coombs
Santos vs Madox
Kraymon (dex n FX)
Influenza (dex n FX)
Steelzawheelz vs Western Allstars
room two
entrance
room two
WIGGLE:
Eddie Richards
Terry Francis
Nathan Coles
room three
Craig Richards
Matt Tolfrey
Kenny Larkin
Brenda Russell
Octave One feat. Ann Saunderson (live)
room three
The Amalgamation Of Soundz
9:00pm - 4:00am
Price £10
Advance tickets available for £10
Fri 25
room one
A NIGHT OF TRUE PLAYAZ:
DJ Hype (2hr set)
Pascal
Fabio
Friction
Hazard
Generation Dub
MCs:
GQ, Rage, Fats, AD
room two
Krafty Kuts
Lee Coombs
Ali B
room three
Joe Ransom
Mr Thing
DJ Blakey (UK DMC Champion)
Sat 26
room one
TYRANT:
Craig Richards
Lee Burridge
Steve Bug
room two
BPITCH CONTROL CAMPING TOUR:
Ellen Allien
Tomas Andersson (live)
Sylvie Marks
Smash TV (live)
room three
Rub N Tug
Idjut Boys
Architects in Washington Poster Series
Original Dimension: 16" x 20" • Current Scale: 24%
17
4E6;<G86GF\a
J4F;<A:GBA
4HE7ORKAND)NmUENCEOF0ROMINENT!RCHITECTSIN7ASHINGTON$#
=B;AEHFF8??CBC8
4HE7ASHINGTON#HAPTEROFTHE!MERICAN)NSTITUTEOF
!RCHITECTSPRESENTSARETROSPECTIVESERIESONTHREEARCHITECTS
ANDTHEIRWORKINTHE7ASHINGTONMETROPOLITANAREA
4HISOUTSTANDINGEXHIBITIONBRINGSTOGETHERFORTHElRSTTIME
THEARCHITECTSTHATHAVEMADEADECISIVEMARKONTHECOURSE
OFARCHITECTUREINOURCITY4HISEXHIBITIONWASORGANIZEDBY
-S*OAN3ANDERSON0H$ANDHASBEENMADEPOSSIBLE
INPARTTHROUGHAGRANTFROMTHE-OBIL#ORPORATION
4HE7ASHINGTON#HAPTEROFTHE!)!ISLOCATEDAT#HURCH
3TREET.7IN7ASHINGTON$#ANDISWITHINWALKINGDISTANCE
OFTHE$UPONT#IRCLE-ETRO3TATION
*OHN2USSELL0OPE
!CCLAIMEDARCHITECT*OHN2USSELL0OPEHASAPOWERFUL
IMPACTONTHE7ASHINGTONSKYLINE(EDESIGNEDMORE
MONUMENTALBUILDINGSTHANANYARCHITECTOFHISTIME
(EREVIVED'EORGIAN&EDERAL)TALIAN2ENAISSANCE
THCENTURY&RENCHAND#LASSICALSTYLES*OHN2USSELL
0OPESHISTORICSTYLEEARNEDHIMTHENICKNAMEhTHELAST
OFTHE2OMANSv
3EPTEMBERn$ECEMBER
'ALLERY(OURS
7EDNESDAYn3UNDAYAMnPM
/PENING2ECEPTION
3UNDAY3EPTEMBERPM
!DMISSION
!DULTS
3TUDENTS
!MERICAN)NSTITUTEOF!RCHITECTS
&ORMOREINFORMATION
7ASHINGTON$##HAPTER
PLEASECALL
#HURCH3TREET.7
ORVISITOURWEBSITEAT
7ASHINGTON$#
WWWDCAIAORG
4E6;<G86GF\a
J4F;<A:GBA
4E6;<G86GF\a
J4F;<A:GBA
9E4A>??BL7JE<:;G
=4@8FE8AJ<6>
4HE7ASHINGTON#HAPTEROFTHE!MERICAN)NSTITUTEOF
!RCHITECTSPRESENTSARETROSPECTIVESERIESONTHREEARCHITECTS
ANDTHEIRWORKINTHE7ASHINGTONMETROPOLITANAREA
4HE7ASHINGTON#HAPTEROFTHE!MERICAN)NSTITUTEOF
!RCHITECTSPRESENTSARETROSPECTIVESERIESONTHREEARCHITECTS
ANDTHEIRWORKINTHE7ASHINGTONMETROPOLITANAREA
4HE7ORKAND)NmUENCEOF0ROMINENT!RCHITECTSIN7ASHINGTON$#
4HISOUTSTANDINGEXHIBITIONBRINGSTOGETHERFORTHElRSTTIME
THEARCHITECTSTHATHAVEMADEADECISIVEMARKONTHECOURSE
OFARCHITECTUREINOURCITY4HISEXHIBITIONWASORGANIZEDBY
-S*OAN3ANDERSON0H$ANDHASBEENMADEPOSSIBLE
INPARTTHROUGHAGRANTFROMTHE-OBIL#ORPORATION
4HE7ASHINGTON#HAPTEROFTHE!)!ISLOCATEDAT#HURCH
3TREET.7IN7ASHINGTON$#ANDISWITHINWALKINGDISTANCE
OFTHE$UPONT#IRCLE-ETRO3TATION
&RANK,LOYD7RIGHT
&RANK,LOYD7RIGHTSPENTOVERYEARSOFHISLIFEDESIGNING
(EHASOVERTOTALWORKSTOHISCREDIT!LTHOUGHAN
AMAZINGARCHITECTHEWASALSOABRILLIANTDESIGNERAND
AUTHOR-R7RIGHTWASKNOWNFORTHEINmUENCEOFNATURE
INHISWORKANDHELPINGESTABLISHTHEOPENPLAN
3EPTEMBERn$ECEMBER
'ALLERY(OURS
7EDNESDAYn3UNDAYAMnPM
/PENING2ECEPTION
3UNDAY3EPTEMBERPM
!DMISSION
!DULTS
3TUDENTS
!MERICAN)NSTITUTEOF!RCHITECTS
&ORMOREINFORMATION
7ASHINGTON$##HAPTER
PLEASECALL
#HURCH3TREET.7
ORVISITOURWEBSITEAT
7ASHINGTON$#
WWWDCAIAORG
4HE7ORKAND)NmUENCEOF0ROMINENT!RCHITECTSIN7ASHINGTON$#
4HISOUTSTANDINGEXHIBITIONBRINGSTOGETHERFORTHElRSTTIME
THEARCHITECTSTHATHAVEMADEADECISIVEMARKONTHECOURSE
OFARCHITECTUREINOURCITY4HISEXHIBITIONWASORGANIZEDBY
-S*OAN3ANDERSON0H$ANDHASBEENMADEPOSSIBLE
INPARTTHROUGHAGRANTFROMTHE-OBIL#ORPORATION
4HE7ASHINGTON#HAPTEROFTHE!)!ISLOCATEDAT#HURCH
3TREET.7IN7ASHINGTON$#ANDISWITHINWALKINGDISTANCE
OFTHE$UPONT#IRCLE-ETRO3TATION
*AMES2ENWICK
&ORMERENGINEERANDCELEBRATEDARCHITECT*AMES2ENWICK
DESIGNEDCHURCHESHOTELSCOMMERCIALBUILDINGSAND
HOMESFORTHERICH!LTHOUGHHISDESIGNSWEREBASED
ONEARLIERSTYLESHEMAINTAINEDORIGINALITY(ISUSEOF
INDIGENOUSICONOGRAPHYISAPPARENTINTHEDECORATION
2ENWICKALSODESIGNEDMANYBUILDINGSIN.EW9ORK
3TATEN)SLANDAND.EWPORT2)
3EPTEMBERn$ECEMBER
'ALLERY(OURS
7EDNESDAYn3UNDAYAMnPM
/PENING2ECEPTION
3UNDAY3EPTEMBERPM
!DMISSION
!DULTS
3TUDENTS
!MERICAN)NSTITUTEOF!RCHITECTS
&ORMOREINFORMATION
7ASHINGTON$##HAPTER
PLEASECALL
#HURCH3TREET.7
ORVISITOURWEBSITEAT
7ASHINGTON$#
WWWDCAIAORG
Various Logos
Original Dimension:Various
•
Current Scale: Various
18
ANdy
Rivers and Tides
Working With Time
pistol pete’s
P
A
S
S
I
O
N
airlines
Corcoran Postcards
Original Dimension: 6" x 8" • Current Scale: 73%
thesis_postcard_final.qxd
1/27/04
2:12 PM
Page 1
19
2004 Student
Awards Ceremony
April 21, 2004