KOORIDER

KOORIDER
Version 2.0
Contacts
Oscar Simonsson
<koop.oscar@gmail.com> +46704226530
Sound engineer 1
Jonas Siöström <jonas@siostrom.se> +46736963777
Sound engineer 2
Simeon Pappinen Hillert <hillert.simeon@gmail.com> +46739912483
Pre-production
God
SET LENGTH
Koop Oscar Orchestra will play 1-2 hours.
Hotel
If nothing else is agreed the promotor must pay for 8 single rooms at 4**** hotel with wc/shower, breakfast and free
Wi-Fi.
Rooming
Oscar Simonsson
Juste Arlauskaite
Niklas Barnö
Love Meyerson
Ulrik Ording
Niklas Fernqvist
Abel Haile
Jonas Siöström or Simeon Pappinen Hillert
Guestlist
At least 15 persons
Other Acts
KOO prefer live opening acts but it must be approved at least 14 days before the show. Live, meaning music played by
people. Absolutely no DJ trying to rock the house before the show. 5 minutes before the show our sound engineer will
lower the volume. After the the gig the music can be whatever the promoter think is good for giving the audience a
great night.
Transport
The band travels with train or airplane. The promoter must provide transport to and from station, airport, hotel and
venue.
Security
The promoter is responsible for the safety of the artist and the artists equipment at the venue at all times. It is the
promoters responsibility to have a proper liability/cancellation insurance.
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Dressing Room
The promoter will supply a clean, heated, and private dressing room suitable for 8 persons.
There should be comfortable chairs, a table, 2x230 V power outlets, one fridge, mirror, running water and toilet.
The dressing room should be secure and lockable.
Catering
In the dressing room
40 bottles of still water.
10 bottles of carbonated water
1 bottle of brandy
50 beers
White wine
Coffee
Tea with ginger, lemon and honey
Sandwiches with cheese and different kind of spreads (vegetarian options)
Fresh fruits and snacks
8 small towels
4 big towels
Dinner
A nice homemade meal for 8 persons. 1 vegetarian, and 3 that eat fish but no meat. If dinner is served at venue or
venues restaurant the artist must have the possibility to eat at least 3 hours before stage time. Dinner should be hot, of
good quality and preferably homemade, including side salads, drinks and bread.
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TECHNICAL INFORMATION
The band travels with a sound engineer. See contact info.
The promoter will supply a fully functioning PA, appropriately proportioned to the size of the venue and the needs of
the band. The PA must be powerful enough to deliver a clear and undistorted sound capable of covering the entire
room. The artist will take no responsibility for damage to the PA if the equipment is not fullty functioning or the above
is not adhered to. All the equipment must be fully functioning, connected and ready to use well before the artists
soundcheck.
FoH-Console
Midas, Digico, Soundcraft (Vi series) or any other high quality console.
If analog: 4 group compressors, Graphic EQ on all outputs and reverbs (see input list)
Personel requirements
The following personel should be present at the venue from the artists arrival until departure:
1 person who knows the PA well and can assist the artist with any technical queries.
1 Light technician
Monitors
7 Wedges on 7 separate mixsystems and 1 separate mix for Stereo InEar (we bring InEar system).
On big festival stages a local monitorengineer/console is preferred!
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Instruments
Vibraphone: Musser or comparable instrument. Minimum 3 octaves. Motor and graduated bars. Tuning
preferably 440Hz but 442 is ok. 444 Hz will sound very bad. Without a working motor the instrument is
considered to be damaged and useless.
Drums: Preferably Vintage drumkit.
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12" tom
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14" floor tom
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18" bass drum
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14" snare drum
3 light cymbal stands
1 hihat stand
2 snare stands + 1 smaller snare stand for hanging tom
1 bass drum pedal
1 drum throne
1 mat to stabilize drum kit
Bass: 4 string double bass (with d’addario helicore light strings or simular. Pickup David Gage’s The Realist)
The bassplayer will most probably bring his own strings and pickup.
Bow: Preferable French Bow for the double bass
Bass amplifier
Piano: Tuned (440 Hz) accoustic upright piano. Grand piano might work at some occations.
Piano stool: Stable and adjustable
Bongos with stand
Congas with stand
Bar Stool: Semi-high stool or ”bar stool” for accordion player
Baritone saxophone: If possible we prefer to fly without the baritone saxophone. To be agreed.
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Inputlist
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Outputlist
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