The Art Show 2015 Press Kit

Transcription

MEDIA MATERIALS
THE ART SHOW
MARCH 4–8, 2015
The 27th Annual Art Show
Park Avenue Armory At 67th Street, New York City
TO BENEFIT
Henry Street Settlement
ORGANIZED BY
Art Dealers Association of America
F O U N D E D
1 9 6 2
Lead Partner of The Art Show
THE ART SHOW ANNOUNCES
39 SOLO AND 33 THEMATIC PRESENTATIONS
FOR THE FINE ART FAIR’S 27th EDITION
ORGANIZED BY THE ART DEALERS ASSOCIATION OF AMERICA (ADAA)
TO BENEFIT HENRY STREET SETTLEMENT
MARCH 4 – 8, 2015
GALA PREVIEW MARCH 3
The Art Show 2014 at the Park Avenue Armory, New York. Photo by Timothy Lee Photography
New York, December 16, 2014 —Gallery presentations at the 27th annual ADAA Art
Show, the nation's longest running fine art fair, will feature thoughtfully curated solo,
two-person, and thematic exhibitions by 72 of the nation’s leading art dealers. The
Art Show takes place March 4 - 8, 2015 at the historic Park Avenue Armory, with a
ticketed Gala Preview on Tuesday, March 3. All ticket proceeds from the gala and
run of show benefit Henry Street Settlement, one of New York City’s most effective
social services agencies. AXA Art Americas Corporation has returned for the fourth
consecutive year as Lead Partner.
Solo Shows
One of the premier trademarks of The Art Show remains the emphasis on oneperson presentations, and the 27th edition is no exception. Three galleries will present
comprehensive surveys highlighting the work of women artists in their 90s—Tibor de
Nagy Gallery will honor the late painter Jane Freilicher, CRG Gallery will feature a
selection of work and ephemera from the studio of Saloua Raouda Choucair, and
Galerie Lelong will present Etel Adnan’s paintings and accordion-fold books
(leporellos). Site-specific installations debuting at The Art Show include Haim
Steinbach’s arranged objects at Tanya Bonakdar Gallery and drawings by Wade
Guyton inside custom-made vitrines at Petzel. Jan Groover’s first retrospective since
her death will be on view at Janet Borden, Inc., with previously unseen triptychs from
1973. Other historical presentations include early works from the 1950s by Lee
Mullican at Marc Selwyn Fine Art and sculptures by Nam June Paik at Carl Solway
Gallery.
Thematic Exhibitions
In addition to solo shows, The Art Show 2015 remains unparalleled with its
installation of curated, thematic exhibitions. Peter Freeman, Inc. and Fraenkel
Gallery will collaborate in a two-booth presentation titled Mirror/Mirror, examining
self-portraiture by artists including Mel Bochner, Constantin Brancusi, Thomas
Schütte, Diane Arbus, and Irving Penn. Layered Luminescence: Masterworks of Egg
Tempera at ACA Galleries will feature paintings by Thomas Hart Benton, Paul
Cadmus, Reginald Marsh, and Andrew Wyeth, among others. Maxwell Davidson
Gallery’s The Responsive Eye at 50 will explore the historical and current imprint of
Op-art with artists Victor Vasarely, Luis Tomasello, Pedro S. De Movellan, Mary
Ann Unger, and others.
Solo and Two-Person Exhibitions
EXHIBITOR
303 Gallery
George Adams Gallery
Alexander and Bonin
Marianne Boesky Gallery
Tanya Bonakdar Gallery
Janet Borden, Inc.
Bortolami
Cheim & Read
James Cohan Gallery
CRG Gallery
Tibor de Nagy Gallery
Ronald Feldman Fine Arts, Inc.
Marian Goodman Gallery
Howard Greenberg Gallery
Sean Kelly Gallery
Anton Kern Gallery
Greg Kucera Gallery
Lehmann Maupin
Galerie Lelong
Dominique Lévy Gallery
Luhring Augustine
Anthony Meier Fine Arts
David Nolan Gallery
P-P-O-W
Pace Gallery
Petzel
Salon 94
Marc Selwyn Fine Art
Manny Silverman Gallery
Fredric Snitzer Gallery
Carl Solway Gallery
Sperone Westwater
Allan Stone Projects
Van de Weghe Fine Art
Van Doren Waxter / Eleven Rivington
Susanne Vielmetter Los AngelesProjects
Meredith Ward Fine Art
Michael Werner
David Zwirner
EXHIBITION TITLE
Maureen Gallace
Joan Brown
Ree Morton
“The Botanicals” by Donald Moffett
Haim Steinbach
Jan Groover
Claudio Parmiggiani
Al Held
Michelle Grabner
Saloua Raouda Choucair
Jane Freilicher
Brodsky and Utkin
Tony Cragg
Arnold Newman
Antony Gormley
Marcel Odenbach
David Byrd
“I Fell in Love” by Tracey Emin
Etel Adnan
Tsuyoshi Maekawa
Michelangelo Pistoletto
Sarah Cain
Christina Ramberg
Anton van Dalen
Jim Dine
Wade Guyton
Lorna Simpson
Lee Mullican
Sam Francis
Alice Aycock
Nam June Paik
Barry X Ball
John Graham
Andy Warhol and Jean-Michel Basquiat
Al Held and Michael DeLucia
Nicola Tyson and Elizabeth Neel
John Marin
Gianni Piacentino
Forrest Bess
Thematic Exhibitions
EXHIBITOR EXHIBITION TITLE
Layered Luminescence: Masterworks of Egg
ACA Galleries
Tempera
Acquavella Galleries, Inc. Three Modern Schools: Paris, London and New York
Latin Americans Abroad in the Sixties:
Adler & Conkright Fine Art Why Did They Go; Where Did They Go; Who Did
They Meet and What Did They See?
Defining Artists of Composition, Color, and Form:
Brooke Alexander, Inc. Josef Albers, Ellsworth Kelly, Donald Judd, and
Barnett Newman
Chuck Close, Mark di Suvero, Donald Judd, Yayoi
John Berggruen Gallery Kusama, Richard Serra, Joel Shapiro, Ed Ruscha, and
others
Hard-Edge Abstraction at Mid Century: Charles
Valerie Carberry Gallery Biederman, José de Rivera, Burgoyne Diller, Leon
Polk Smith, and Tony Smith
James Abbott McNeill Whistler and Artists
Thomas Colville Fine Art
Influenced by Him
The Story of American Sculpture in the 19th and 20th
Conner -Rosenkranz LLC Century: Hiram Powers, Augustus Saint-Gaudens,
Carl Akeley, Sidney Gordin, and others
The Responsive Eye at 50: Op-art’s Imprint on the
Maxwell Davidson Gallery
Art World
Surrealism, Abstract Expressionism, and Pop Art:
the Ray Johnson Estate, Max Beckmann, Joseph
Richard L. Feigen & Co. Cornell, Jean Dubuffet, Max Ernst, Roberto Matta,
James Rosenquist, Ed Ruscha, and early works by
Frank Stella
Contemporaneous Paintings and Drawings by John
Forum Gallery
Graham, Arshile Gorky and Willem de Kooning
Mirror / Mirror: A Collaboration with Peter Freeman,
Fraenkel Gallery
Inc. Presenting Only Self-Potraits
Mirror / Mirror: A Collaboration with Fraenkel
Peter Freeman, Inc.
Gallery Presenting Only Self-Portraits
German Expressionists: Max Beckmann, Otto Dix,
Galerie St. Etienne George Grosz, Gustav Klimt, Käthe Kollwitz, Egon
Schiele, and others
James Goodman Gallery
Works by Modern and Contemporary Masters:
Avery, Arp, Calder, Dubuffet, Miro, Matisse, Picasso,
and others
Hirschl & Adler Galleries Winold Reiss and Jazz Age Modernism: Winold Reiss
with Romare Bearden, Stuart Davis, and others
Rhona Hoffman Gallery Works on Paper 1968 to the Present: Sol LeWitt,
Fred Sandback, Spencer Finch, Hamish Fulton,
and others
Paul Kasmin Gallery L'impasse Ronsin
California Artists: Wallace Berman, Bruce Conner,
Kohn Gallery
Joe Goode, and Lita Albuquerque
Two Ways of Looking Through Reality: George
Barbara Krakow Gallery Segal, Sol LeWitt, Liliana Porter, and others
Jeffrey H. Loria & Co., Inc.
Matthew Marks Gallery
Mary-Anne Martin/Fine Art
Spanning the Career of Fernand Léger and Artists
Influenced by Him
Jasper Johns, Fischli and Weiss, Robert Gober,
Ellsworth Kelly, Brice Marden, Charles Ray, and
others
20th Century Mexican and Latin American Artists:
Parisian Influences on Modern Art
Barbara Mathes Gallery
Uncanny Geometries: Robert Mangold, Jan Dibbets,
Peter Alexander, and Ron Davis
McKee Gallery
Vija Celmins, Marcel Eichner, Philip Guston, Richard
Learoyd, and others
Menconi + Schoelkopf Fine Art, Historical Survey of 10 Works of Early Modernism
LLC from the Ashcan School to the New York School
Mnuchin Gallery Abstraction Works Prior to 1975
Pace/MacGill Gallery Night
Late Prints of Henri Matisse 1930s-‘40s, Pablo
Pace Prints & Pace Primitive
Picasso 1930s-‘60s, and others
Prints and Works on Paper by Postwar Artists: Kelly,
Susan Sheehan Gallery
Marden, Twombly, Diebenkorn, and others
Red Hot and Blue: Ilya Bolotowsky, Ray Parker,
Washburn Gallery
Jackson Pollock, and others
50 Years + 50 Artists of Riva Yares Gallery: Milton
Yares Art Projects
Avery, Lee Krasner, Morris Louis, and others
Object Lesson: Transformation of Commercially
Pavel Zoubok Gallery
Fabricated Objects in 13 Artists’ Sculptural Works
The Art Show 2015
List of Exhibiting Galleries
303 Gallery
ACA Galleries
Acquavella Galleries, Inc.
George Adams Gallery
Adler & Conkright Fine Art
Alexander and Bonin
Brooke Alexander, Inc.
John Berggruen Gallery
Janet Borden, Inc.
Bortolami
Valerie Carberry Gallery
Cheim & Read
James Cohan Gallery
Thomas Colville Fine Art
Conner-Rosenkranz LLC
CRG Gallery
Tibor de Nagy Gallery
Richard L. Feigen & Co.
Ronald Feldman Fine Arts, Inc.
Forum Gallery
Fraenkel Gallery
Peter Freeman, Inc.
Galerie St. Etienne
Marian Goodman Gallery
Howard Greenberg Gallery
Hirschl & Adler Galleries
Rhona Hoffman Gallery
Paul Kasmin Gallery
Sean Kelly Gallery
Anton Kern Gallery
Kohn Gallery
Barbara Krakow Gallery
Greg Kucera Gallery
Lehmann Maupin
Galerie Lelong
Jeffrey H. Loria & Co., Inc.
Luhring Augustine
Matthew Marks Gallery
Mary-Anne Martin | Fine Art
McKee Gallery
Anthony Meier Fine Arts
Menconi + Schoelkopf Fine Art LLC
Mnuchin Gallery
David Nolan Gallery
P-P-O-W
Pace Gallery
Pace/MacGill Gallery
Pace Prints & Pace Primitive
Petzel
Salon 94
Marc Selwyn Fine Art
Susan Sheehan Gallery
Manny Silverman Gallery
Fredric Snitzer Gallery
Carl Solway Gallery
Sperone Westwater
Allan Stone Projects
Van de Weghe Fine Art
Van Doren Waxter/Eleven Rivington
Susanne Vielmetter Los Angeles
Projects
Meredith Ward Fine Art
Washburn Gallery
Michael Werner
Yares Art Projects
Pavel Zoubok Gallery
David Zwirner
Gala Benefit Preview
To inaugurate The Art Show 2015, a Gala Benefit Preview will be held on Tuesday,
March 3 from 5:30 p.m. to 9:30 p.m. and will benefit Henry Street Settlement’s vital
programs across 17 sites and in 25 New York City public schools. For advance ticket
purchases or additional information, please call 212-766-9200 ext. 247/248.
Founded in 1893 by Progressive reformer Lillian Wald and based on Manhattan’s
Lower East Side, Henry Street Settlement delivers a wide range of social services,
healthcare and arts programs that improve the lives of more than 50,000 New Yorkers
each year. Distinguished by a profound connection to its neighbors, a willingness to
address new problems with swift and innovative solutions, and a strong record of
accomplishment, Henry Street challenges the effects of urban poverty by helping
families achieve better lives for themselves and their children. In 2015 Henry Street
celebrates the centennial anniversary of the Playhouse at the Abrons Arts Center, its
award-winning program for the visual and performing arts, arts training and artist
residencies. www.henrystreet.org
Art Dealers Association of America
Founded in 1962, the Art Dealers Association of America (ADAA) is a non-profit
membership organization of more than 180 of the nation’s leading galleries in the
fine arts. www.artdealers.org
AXA Art Americas Corporation
International reach, unrivalled competence and a high quality network of expert
partners distinguish AXA Art, the only art insurance specialist in the world, from its
generalist property insurance competitors. Over the past 40 years and well into the
future, AXA Art has and will continue to redefine the manner in which it serves and
services its museum, gallery, collector and artist clients, across Asia, Americas and
Europe, with a sincere consideration of the way valuable objects are insured and
cultural patrimony is protected. For assistance, please contact Global Head of Public
Relations, Rosalind Joseph by telephone: (718) 710-5181 or email: rjoseph@axa-artusa.com www.axa-art-usa.com
Visitor Information
Turon Travel is the preferred US Travel Agency for The Art Show. Hotel reservations
can be made through their web site at www.turontravel.com. For group travel
arrangements, email adaa@turontravel.com or call Turon at (800) 952-7646 for the
best-negotiated hotel and air travel rates.
For further press information or visual materials, please contact:
Jenny Isakowitz
FITZ & CO
T: (212) 627-1455 ext. 0923
E: jenny@fitzandco.com
Taylor Maatman
FITZ & CO
T: (212) 627-1455 ext. 0926
E: taylor.maatman@fitzandco.com
Paul Kasmin Gallery
303 Gallery
Valerie Carberry
Gallery
A5
P•P•O•W
A7
Anthony
Meier
Fine Arts
A9
Meredith Ward
Fine Art
A11
Brooke Alexander, Inc.
A13
Janet Borden, Inc.
Conner•Rosenkranz
LLC
A17
A15
A19
Susanne Vielmetter
Los Angeles
Projects
Ronald Feldman
Fine Arts, Inc.
A21
A23
Pace/
MacGill
Gallery
A25
Coatcheck
Acquavella
Galleries,
Inc.
A3
A4
A6
Mnuchin Gallery
Salon 94
Washburn Gallery
Michael Werner
A8
David Zwirner
ACA Galleries
Yares Art Projects
A10
A12
Forum Gallery
A14
Kohn Gallery
Pavel
Zoubok
Gallery
Susan
Sheehan
Gallery
A27
Sean Kelly
Gallery
A2
B3
B5
B7
B9
B11
B13
A16
Emergency Exit
A1
Luhring
Augustine
Park Avenue
Entrance
Pace Prints &
Pace Primitive
CRG Gallery
B2
Pace Gallery
B1
B4
Fraenkel Gallery
B6
Sperone Westwater
C3
C5
McKee Gallery
B8
Barbara Krakow Gallery
C7
Tibor
de Nagy
Gallery
Menconi + Schoelkopf
Fine Art, LLC
B10
Hirschl & Adler Galleries
C9
B12
A28
Cheim &
Read
Anton Kern Gallery
C11
C13
Allan Stone
Projects
B14
D29
Jeffrey H.
Loria & Co.,
Inc.
Petzel
D2
Matthew
Marks
Gallery
Marian
Goodman
Gallery
Peter Freeman, Inc.
C2
Adler & Conkright
Fine Art
C1
C4
James Cohan Gallery
D3
Galerie Lelong
C6
Richard L. Feigen & Co.
D5
John Berggruen Gallery
C8
Howard Greenberg
Gallery
D7
C10
Greg Kucera Gallery
D9
Emergency Exit
Mary-Anne Martin/
Fine Art
C12
Lehmann
Maupin
Marc
Selwyn
Fine Art
Rhona Hoffman Gallery
D11
D13
D28
C14
D4
Manny Silverman
Gallery
Van de Weghe
Fine Art
D6
Solo Show
Carl Solway
Gallery
D8
Thematic Show
Galerie
St. Etienne
D10
Bortolami
D12
George Adams
Gallery
D14
Thomas Colville
Fine Art
D16
David Nolan
Gallery
D18
Fredric Snitzer
Gallery
D20
Van Doren
Waxter/
Eleven
Rivington
Alexander
and Bonin
D22
D24
D26
THE ART SHOW
THE ART SHOW 2015 HIGHLIGHTS: SOLO & DUAL SHOWS
303 GALLERY
GEORGE ADAMS GALLERY
Maureen Gallace
For two decades, Maureen Gallace’s practice has
taken up an exclusively regional subject matter as
an exercise in the reconciliation between abstraction
and representation. In her paintings, the coastal
New England countryside is rendered with marks
at once expressive and concise, improvisational and
economical. Seaside houses and beach shacks
are reduced to geometric abstraction and iconography,
while simultaneously capturing the emotional charge of locality and retreat. Her paintings
propose a middle ground between the conceptual rigor of repetition and the
communicative potential of expressionism. Novelist Rick Moody has composed a wall
text to accompany Maureen Gallace’s paintings.
Joan Brown: Paintings, Sculpture and Drawings
from the early 1970’s
After a roughly six-year absence, Joan Brown (1938-1990)
exhibited in a 1971 one-person show a series of large-scale
autobiographical paintings at the San Francisco Museum of
Art. No longer working in the virtuosic Bay Area Figurative
style typified by David Park and her mentor Elmer Bischoff,
these paintings are broadly rendered yet closely scrutinized
self-portraits as a young girl, a young mother, as a woman,
and as a newly-wed. These paintings, rarely seen or exhibited
as a group, marked Brown’s re-emergence as a lively artistic
force in the California Bay Area, a position she would
maintain until her untimely death at age 52.
Maureen Gallace September 1st, 2014, oil on panel, 11 x 14 in.
Joan Brown Christmas Time, 1971, oil enamel on masonite, 96 x 48 in.
ALEXANDER AND BONIN
MARIANNE BOESKY GALLERY
Ree Morton
Ree Morton was born in Ossining, NY in 1936.
She produced an extraordinarily rich and varied
body of work that challenged the hegemony
of minimalism. Creating mostly installation works
and utilizing a wide variety of media from
painting to sculpture, she rejected the orthodoxies
of artistic convention and approached art as a
personal search for meaning and identity
through questions, provocation, and play. Drawing was vital to Morton’s practice and
was influenced by her interests in surrealist literature, plant-lore and non-pedigreed
architecture.
Donald Moffett: The Botanicals
A series of new shag monochrome
paintings – in the key of green but with the
breadth of all flora.
Ree Morton Untitled (Woodgrain, Flower Parts),1974, crayon and colored pencil on printed paper, 19 x 25 in.
Donald Moffett Lot 121514 (phthalo white), 2014, oil on
Ravaged and drilled. Plant sex abstracted
until all that remains is the raw ingredients
of perfume. Of rose. Of cabbage.
Or better still, an indecent transposition
across biology, to musk.
linen with wood panel support, 19 x 19 x 2 in.
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THE ART SHOW
TANYA BONAKDAR GALLERY
JANET BORDEN, INC.
Haim Steinbach
Tanya Bonakdar Gallery is pleased to present a
site-specific solo presentation by Haim Steinbach.
Long admired as among the most important
artists of his generation, Steinbach explores the
human process of collecting through placement
of objects from a variety of contexts onto
shelving units, which range from handmade
shelves to modular building systems. Steinbach
was born in 1944 in Rehovot, Israel and has lived
in New York since 1957. Steinbach’s 2015 Art
Show exhibition will also celebrate the release of
his newest catalog, published by Gregory R. Miller and Co.
Jan Groover
Jan Groover was the defining still life
photographer of her generation. Her
credo was “Formalism is everything,”
and her photographs remain a
testament to her vision. Beginning with
her groundbreaking triptychs, Groover
delighted in the intellectual and visual
conundrums her photographs
presented. Later work utilized the play
of light and color, form and plane in tabletop arrangements. Even on the street, she made
the mundane look impossible—layers of objects tumble through various planes—in a
modern reinterpretation of the still life.
Haim Steinbach Shelf with Kettle, 1981, imitation plastic wood shelf with driftwood, 1950’s chrome Kettle, 12 x 17 x 17 in.
Jan Groover Untitled, 1988, chromogenic color print, 30 x 40 in. Edition 3/5.
BORTOLAMI
CHEIM & READ
Claudio Parmiggiani
Bortolami presents a solo project with the
eminent and iconoclastic Italian artist Claudio
Parmiggiani, bringing together new and historical
works across a variety of media that exemplify
Parmiggiani’s concerns with memory, absence,
fragmentation, solitude, silence and uncertainty.
On the walls will be a series of newly created
Delocazione, Italian for de-location, depicting the
outline of windows defined by the residue of
smoke and soot. On shelves and pedestals will be
a series of sculptural assemblages from the 70s
consisting of antique plaster heads coupled with
books, butterflies and birds nests.
Al Held: Armatures 1953–1954
Cheim & Read is pleased to announce an exhibition of
six large-scale paintings on paper by Al Held, dating from
1953–54, and shown for the first time in public in this
exhibition. These paintings comprise a pivotal and
formative series in Held’s body of work, made when he
had freshly come back to New York from a three-year
course of study in Paris. Held at this juncture was
deeply engaged in processing and responding to the
achievements of Abstract Expressionism, notably those
of Pollock, de Kooning, and Rothko, and was, at age 25,
taking the first sustained step in his journey to finding his
own distinct voice.
Claudio Parmiggiani Il Sogno di Marcellino, 1977, boat model,
98 x 49 in. Courtesy the Al Held Foundation, Inc.
Al Held Untitled, 1953, oil, gouache and pastel on paper mounted on canvas,
plaster cast, books and rope, 43.31 x 17.72 x 11.02 in.
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THE ART SHOW
JAMES COHAN GALLERY
CRG GALLERY
Michelle Grabner
James Cohan Gallery presents a solo painting
exhibition by Michelle Grabner, featuring works
that transform familiar patterns from domestic
life into delicate abstractions. Michelle Grabner
works across a variety of media, including
drawing, painting, video and sculpture. She is
most widely known for her abstract metal point
works and her paintings of textile patterns
appropriated from everyday domestic fabric. As
David Norr writes in the introduction to her
2013 solo exhibition at MoCA Cleveland, I Work From Home, “All of Grabner’s activities
are driven by distinctive values and ideas: working outside of dominant systems, working
tirelessly, working across platforms and towards community.”
Saloua Raouda Choucair
Saloua Raouda Choucair, born in
1916, is a pioneer of abstraction in the
Middle East. In 1948 she left Lebanon
for Paris to study, and attended
Fernand Léger’s studio. She was one
of the first Arab artists to participate
in the Salon des Réalités Nouvelles.
Her work reflects her interest in
science, mathematics, Islamic art and
Western modernism. She has created her own striking visual language in paintings,
sculptures and other objects. Through her experimental approach to material, she
explores the logic of formal themes and her interest in Sufi poetry and art.
Saloua Raouda Choucair Composition in Yellow, 1962-65, oil on panel, 20 ¼ x 32 x 1 in.
Michelle Grabner Untitled, 1999, flock on canvas, 36 x 36 in. ©Michelle Grabner.
TIBOR DE NAGY GALLERY
RONALD FELDMAN FINE ARTS, INC.
Jane Freilicher
“Freilicher’s paintings gradually summon fugitive
emotions that are beyond words.”
- Peter Schjeldahl.
Tibor de Nagy Gallery presents a survey of
works by Jane Freilicher (1924–2014), who died
on December 9. The carefully curated exhibition
includes rarely-exhibited paintings and works on
paper, which represent more than sixty years. It
comprises some of her most celebrated subjects,
including evocative cityscapes of Greenwich
Village, often with still-lifes in the foreground, and sparkling Long Island landscapes done
from her studios in New York City and Water Mill. Freilicher came of age in the era of
Abstract Expressionism and was at the center of a circle of New York painters and poets.
Brodsky & Utkin: Sculpture & Etchings
Ronald Feldman Fine Arts exhibits works from
1990 by the Russian collaborative team,
Brodsky & Utkin. Sculptures of bottle-shaped
forms and heads with strange iconography
dominate the space. On the walls, etchings
based on drawings, which won numerous
international paper architectural competitions,
depict fantastical visions that merge classical,
romantic, and modernist imagery. The
exhibition revisits that historic era when Soviet
artists could first exhibit in the West. The
etchings are in the collections of The Museum
of Modern Art, Tate Modern, and The
Whitney Museum.
Jane Freilicher Poppies and Peonies, 1981, oil on linen, 36 x 36 in.
Brodsky & Utkin Untitled Bust (Head with Tower), painted paster. Photo by D. James Dee.
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THE ART SHOW
MARIAN GOODMAN GALLERY
HOWARD GREENBERG GALLERY
Tony Cragg
Marian Goodman Gallery presents new sculpture
by Tony Cragg, featuring works in bronze, stainless
steel and wood. Tony Cragg is one of the most
distinguished contemporary sculptors working
today. His work has developed within the context
of diverse influences, ranging from his experience
as a laboratory technician to his engagement with
English landscape art and Minimalist sculpture.
Through his dynamic and investigative approach
to materials and objects in the physical world,
Cragg has broadened the boundaries of sculpture
as a medium and brought continuous innovation
to the language of sculpture.
Arnold Newman
Howard Greenberg exhibits the known and
unknown of Arnold Newman. Newman has
been credited as pioneering what has come to be
known as “the environmental portrait.” By
carefully controlling the surroundings in which
he shot his portraits, he conveyed a broad sweep
of information about his subjects. Some of these
are well known—the portraits of Igor Stravinsky,
Picasso and Mondrian— have become photographic icons. But many are not. And
amongst those that are not known are portraits of famous artists, writers, musicians and
other cultural figures that are beautiful, compelling and truly revelatory.
Arnold Newman Marcel Duchamp, 1942, early gelatin silver print, 5 3⁄8 x 6 ½ in. ©the Estate of Arnold Newman.
Tony Cragg Pool, 2012, bronze, 70 x 52 x 5 cm. Photo by Charles
Duprat.
SEAN KELLY GALLERY
ANTON KERN GALLERY
Antony Gormley
Sean Kelly is pleased to present a solo exhibition
of six new sculptures and related drawings by the
preeminent British artist, Antony Gormley. The
work is from Gormley’s ongoing Small Blockworks series, begun in 2013. As Gormley wrote,
“the Blockworks series makes physical
pixelisations of the human form with a rising
canon of four blocks, each eight times the volume of the one before, the articulation of
which creates a dynamic between space and mass that permeates and defines the body.”
Marcel Odenbach
Anton Kern Gallery is pleased to present
works on paper by German artist Marcel
Odenbach. While primarily known as a
pioneer of video art, Odenbach has been
creating collages for over 30 years. The
centerpiece of our presentation is a
monumental-size collage depicting
Tiananmen Square on the day before the
opening of the 2008 Beijing Olympics. Viewed at a distance the work depicts an
immaculate and serene public square set up as a flower market. Upon closer inspection,
the image breaks apart into hundreds of images relating to the 1989 Tiananmen Square
Massacre and issues of freedom of expression.
Antony Gormley Small Screen III, 2013, cast iron, 36 5⁄8 x 8 11⁄16 x 14 in. ©Antony Gormley. Photo by Stephen White, London
Marcel Odenbach 08.08.08 (China Collage) (detail), 2008, collage on paper, 77 1⁄8 x 106 1⁄4 in. ©Marcel Odenbach.
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THE ART SHOW
GREG KUCERA GALLERY
LEHMANN MAUPIN
David Byrd
David Byrd (1926-2013) made paintings and
sculptures in rural NY for the last 65 years of his
life. He never showed his art works professionally
until 2013, in the last month of his life, at Greg
Kucera Gallery in Seattle. Byrd trained in NYC
with Amédée Ozenfant from 1949-51. He was an
orderly at the Veteran’s Administration Hospital in
Montrose NY for thirty years, retiring in 1985 to
devote himself to painting the landscape around his work and home, as well as the
harrowing conditions for patients under his care in the psychiatric ward. This one-person
survey exhibition of his work is the first time his work has been shown in New York City.
Tracey Emin: I Fell in Love
Lehmann Maupin features work by
renowned British artist Tracey Emin. The
booth is centered on a new bronze
sculpture The Heart Has Its Reasons (2014).
Alongside this work, we display significant
examples of Emin’s paintings that
illustrate “limerence,” the state of
unattainable love. The title of the
sculpture The Heart has its Reasons is from
Blaise Pascal who said, “The heart has its reasons which reason knows nothing of... We
know the truth not only by the reason, but by the heart.”
David Byrd Hospital Hallway (257), 1992, oil on canvas, 43 x 52 in.
Tracey Emin The Heart Has Its Reasons, 2014, patinated bronze with American black walnut plinth, 15.98 x 29.49 x 16.5
in. (sculpture), 48.27 x 38.5 x 25.98 in. (plinth). Edition of 6. ©Tracey Emin. Photo by White Cube.
GALERIE LELONG
DOMINIQUE LÉVY GALLERY
Etel Adnan
Galerie Lelong presents a solo booth of works
by the Lebanese-born artist and writer Etel
Adnan. In her continuing series of landscape
paintings of Mount Tamalpais (Marin County,
CA), Adnan explores the intellectual, emotional,
and physical challenges of exile and the
intangibility of the concept of “home.” Her
vibrant, expressive paintings demonstrate
Adnan’s commitment to communication beyond the confines of the written or spoken
word, and her use of color, shape, gesture, and perception help to create the landscapes
for which she is well known. Also on view are Adnan’s accordion-fold books (leporellos)
that fuse her visual and linguistic prowess, promoting a harmonic synthesis of written
texts and painted or drawn images.
Tsuyoshi Maekawa
Dominique Lévy Gallery is pleased to present a
solo exhibition of works by the Japanese artist and
Gutai member Tsuyoshi Maekawa. Maekawa joined
the Gutai Art Association in 1962, after three years
of intimate study with its founder, Jiro Yoshihara.
In November 1963, a solo exhibition of Maekawa’s
works was held at the Gutai Pinacotheca in
Nakanoshima, Osaka, the group’s headquarters and
exhibition space, which had opened the year
before. Featuring primarily paintings from 1963
and a few large works from 1964, Dominique Lévy
Gallery seeks to recreate the experience of this
original solo show.
Etel Adnan Untitled, 2014, oil on canvas, 9.65 x 11.42 in. ©Etel Adnan.
Tsuyoshi Maekawa Shiro No Nogare, 1963, mixed media on canvas, 62 3⁄8 x 51 1⁄3 in. Courtesy Tsuyoshi Maekawa.
{5}
THE ART SHOW
LUHRING AUGUSTINE
ANTHONY MEIER
FINE ARTS
Michelangelo Pistoletto
Luhring Augustine is pleased to present a
solo exhibition of mirror paintings by the
Italian artist Michelangelo Pistoletto.
Comprised of photo-silkscreened images
on mirror-polished stainless steel, these
signature works were developed in 1962
and represent a crucial and ongoing facet of the artist’s practice. By adhering an image
onto a reflective surface, Pistoletto enables a dynamic interaction between the work of
art and the viewer. The silkscreened image remains a fixed marker of the past, but the
constantly changing spectator animates each painting and places it in the present
moment. Likewise, the pictorial space of the painting is extended to include the physical
context of the work, thus combining art with its environment.
Sarah Cain
Anthony Meier Fine
Arts is pleased to
present an exhibition
of small works on
paper by Sarah Cain. A series of 150 drawings on one-dollar bills, the presentation
highlights Cain’s expertise navigating abstract geometric experimentation in a range
of materials. Investigating color, line, collage and dimensionality on a confined scale,
Cain maintains the identity of the bills with small moments of negative space, exposing
their identity.
Sarah Cain group ten, 2015, mixed media on dollar bills, set of 5: 10 1⁄2 x 6 3⁄4 in. (each), 10 1⁄2 x 37 ¾ in. (all).
Michelangelo Pistoletto Cordoni, 2014, silkscreen on polished super mirror stainless steel,
4 elements: 98 3⁄8 x 196 13⁄16 in. (each).
DAVID NOLAN GALLERY
P•P•O•W
Christina Ramberg
David Nolan Gallery presents a solo
presentation of Kentucky-born, Chicagobased
artist, Christina Ramberg (1946-1995). Ramberg
was loosely associated with the Chicago
Imagists, a group that included Jim Nutt, Gladys
Nilsson and Ed Paschke. Ramberg is best known
for her depictions of corseted female bodies –
forced into submission by the bondage-like
accoutrements of typical 1950s female garments.
Recalling a memory of her mother getting
dressed, Ramberg remembered being “stunned
by how it transformed her body, how it pushed
up her breasts and slenderized down her waist.”
Anton van Dalen
P•P•O•W presents a solo booth of
historical mono-chromatic nightscapes,
shadow boxes and cut-outs from
1975-1983 by Anton van Dalen, a
Dutch-born artist who has lived in the
East Village since 1972. The drawings
are executed with a clear graphic
vocabulary and style that present his
long-standing aesthetic and social
concerns for the subjects of nature,
home, street, and memory. Exhibited alongside are hand-made dioramas from the artist’s
“Avenue A Cut-Out Theater” a traveling performance van Dalen created in 1980.
Anton van Dalen The Shooting Gallery, 1982, graphite on paper, 23 x 29 in. Courtesy Anton van Dalen.
Christina Ramberg Probed Cinch, 1971, acrylic on masonite,
12 x 12 in. ©Cristina Ramberg.
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THE ART SHOW
PACE GALLERY
PETZEL
Jim Dine
Continuing its fifteen-year tradition of dedicating
its ADAA booth to one artist, Pace is pleased to
present Jim Dine’s botanical drawings. Since
producing drawings and etchings of flowers in
the 1970s, Dine has consistently returned to
botanicals as a subject matter in his drawings,
prints, and ceramics. His most recently botanical
drawings, executed in 2014 in charcoal pastel and
watercolor on paper, will be the focus of Pace’s
presentation. Dine casts a retrospective eye in
these works, depicting flora and locations based
on memories from his past and highlighting the
temporal nature of plant life.
Wade Guyton
Zeichnungen für lange
Bilder is a work
consisting of 146
drawings displayed in
up to fifteen vitrines
lined with yellow vinyl
tiles. Shown first at the Kunsthalle Zürich utilizing all fifteen vitrines, in this iteration
the work will be compressed to accommodate the space at The Art Show. The drawings
bear marks drawn in Microsoft Word, webpages of the New York Times, Swiss airlines,
a wiki related to Game of Thrones, a Tumblr on which the artist found a posting of one
of his fire paintings, among other motifs.
Wade Guyton Untitled, 2013, Epson DURABrite inkjet on book pages in linoleum-lined vitrine,
36.65 x 134.41 x 32.44 in. Courtesy Wade Guyton.
Jim Dine Dying Thistle, 2012, charcoal, pastel, and watercolor on paper, 49 x 40 ½ in. © 2015 Jim Dine/Artists Rights
Society (ARS), New York. Photo by Kerry Ryan McFate/Pace Gallery.
SALON 94
MARC SELWYN FINE ART
Lorna Simpson
Lorna Simpson represents a generation of artists whose
work explores issues of sex, race and identity. Her
sequential photograph and text pieces, large-scale
serigraphs on felt, videos, photo-booths and drawings
offer compelling investigations into how sex and race are
culturally and historically constructed. Following the
success of her recent traveling retrospective which began
in 2013 at the Jeu de Paume in Paris, and traveled to the
Haus der Kunst in Munich, 2013-14; The Baltic in
Gateshead, UK, 2014 and more recently at the Addison
Gallery in Andover, MA, we would like to present several
works which challenge and confront conventional views of gender, identity, culture and
history, with hair as the visual point of departure.
Lee Mullican
Marc Selwyn Fine Art is pleased to present Lee Mullican’s
drawings and paintings from the 1950s. Mullican was one
of three founders of the Dynaton Group, which served as
a link between Surrealism in Europe and Abstract
Expressionism in America. Mullican’s drawings were
central in his practice and directly linked to the surrealist
abstraction and signature linear imagery in his paintings.
Often composed of vertical staccato pencil marks, these
drawings can be both elegant minimalist compositions and
twisting dream-like patterns. Mullican’s drawings are
juxtaposed with three late 1950s paintings whose signature
palette knife technique relates directly to his works on paper.
Lee Mullican Transitory Landscape, 1950, ink and charcoal on paper, 30 x 22 in. Courtesy the Estate of Lee Mullican.
Lorna Simpson Going Grey, 2013, collage, ink on paper, 29 ½ x 21 ¾ in.
Photo by Robert Wedemeyer.
{7}
THE ART SHOW
MANNY SILVERMAN GALLERY
FREDRIC SNITZER GALLERY
Sam Francis
In 1986, at the encouragement and promise of an
exhibition by his good friend, Sam Francis, Manny
Silverman quit his day job and set out to open an art
gallery. The following year, on famed La Cienega
Boulevard in Los Angeles, Manny Silverman Gallery
opened its doors on October 24 with the exhibition,
Sam Francis, 1959-1964. A catalogue with texts by
Robert Shapazian and Pontus Hulten accompanied
the exhibition. Since 1987, Manny Silverman has
mounted five exhibitions of Francis’ work and
collaborated on countless others. The selection of
Francis’ works exhibited at The Art Show is presented with respect for the artist’s contribution to
American abstract painting and commemorates twenty years since Sam Francis’ death.
Alice Aycock
Fredric Snitzer Gallery features Alice
Aycock and exhibits her new works
which consist of two new sculptures.
One is a wall piece the other a free
standing pedestal piece. The third
sculpture is a maquette of “Hoop-La”
one of the sculptures Alice installed on
Park Avenue this last Spring. Also we
are featuring two works on paper that
are representative of her new language in both drawings and sculpture.
Alice Aycock From the Series Entitled, “Sum Over Histories”: Study for a Timescape, 2011, watercolor on paper,
50 x 72 in. Courtesy Galerie Thomas Schulte.
Sam Francis Untitled, 1958-59, watercolor on paper, 14¼ x 8 7⁄8 in.
SPERONE WESTWATER
CARL SOLWAY GALLERY
Nam June Paik Internet Dweller: jshmha.one.whkbrb, 1994, two
Barry X Ball
Sperone Westwater presents a one-man exhibition
by the contemporary American artist, Barry X Ball.
Employing both traditional and advanced
processes, Barry X Ball approaches figurative
sculpture from a contemporary perspective suffused
with historical reverence. For his sculptures, Ball
uses extensive digital modeling of data collected
from live subjects or physical objects, which are
milled by sophisticated computernumerically-controlled machines in marble and onyx, and then
painstakingly hand finished.
13” color TVs, one 10” color TV, three antique TV cabinets,
Barry X Ball Envy, 2008-13, sculpture: Mexican Onyx, stainless steel,
floodlamp, neon, clock, fabric, gold leaf, one channel original Paik
pedestal: Macedonian Marble, stainless steel, wood, acrylic lacquer,
video on DVD, 59 x 56 x 31 in.
steel, nylon, plastic, 68 x 17 ¼ x 12 in. Courtesy Barry X Ball.
Nam June Paik
Carl Solway Gallery presents a one-person
exhibition with rare historical works by Nam
June Paik. The exhibition includes a group of
smaller-scaled video-active sculptures; never
before seen photo collages made as preliminary
design studies for “robot” sculptures;
rare photographs, signed by the artist, of early
performance pieces; and a few never previously
seen drawings and assemblages.
{8}
THE ART SHOW
ALLAN STONE PROJECTS
VAN DE WEGHE FINE ART
John Graham
Allan Stone Projects is pleased to present a survey of
paintings and drawings by the pivotal 20th Century
artist, John Graham. Graham was influential in
redirecting American art history, utilizing Picassoinfluenced cubism, alchemical references that
integrated classical sensibilities, mythic self-images
and obsessive female portraits unique in modern art.
Although Graham never taught formally, his progressive
ideas on Primitivism, Picasso, Jung’s theory of the
Collective Unconscious, Symbolism, alchemy and
mysticism made him a formidable instructor. Along
with his experience as an art connoisseur, collector and dealer, he became an essential
guide for the emerging artists of the New York School from the late 1920s onward.
Jean-Michel Basquiat & Andy Warhol
Andy Warhol and Jean-Michel Basquiat’s
relationship was nothing if not symbiotic,
Andy gaining youthful energy from Basquiat’s
street art and Basquiat gaining a following from
Warhol’s already large circle of friends and
followers. The friendship of Andy Warhol and
Jean-Michel Basquiat also brought a large body
of diverse and antithetical paintings that they
worked on together. Through portraits and collaborations, Van de Weghe Fine Art is
exhibiting examples of their work and lives, both apart and together.
Jean-Michel Basquiat & Andy Warhol Untitled (50 - Dentures), 1984, acrylic and silkscreen ink on canvas, 114 x 176 in.
John Graham Sophie, 1943, oil on canvas, 24 x 20 in.
VAN DOREN WAXTER /
ELEVEN RIVINGTON
SUSANNE VIELMETTER LOS ANGELES
PROJECTS
Al Held and Michael DeLucia
Van Doren Waxter / Eleven Rivington
presents works on paper by Al Held
(1928-2005) and large scale panels by
Michael DeLucia (b. 1978). While each artist
has his own methods, the side-by-side
exhibition draws on a conceptual sympathy
in each artist’s exploration of spatial
conundrums. Presenting Held and DeLucia in a shared booth brings together the works
of two artists who both explore the representation of that which cannot be seen,
conceiving of perspectives and vantage points that are illusive through the manipulation
of basic geometric objects within created and often converging planes.
Nicola Tyson and Elizabeth Neel
Susanne Vielmetter Los Angeles Projects juxtaposes
works by Nicola Tyson and by Elizabeth Neel, two
artists from different generations and perspectives with
a shared concern: representing moments of friction
between the self and its psychological environment.
While the artists are invested in opposing painting
traditions – Tyson, the figurative; Neel, the abstract –
they nevertheless share a feminist point-of-view,
conflating those poles within the medium through
androgynous painterly acts.
Elizabeth Neel The Female, 2014, acrylic on canvas, 95 x 78 in. Courtesy Elizabeth Neel. Photo by Adam Reich.
Al Held A 15/16, 1972, marker on paper, 24 x 41 in.
{9}
THE ART SHOW
MEREDITH WARD FINE ART
MICHAEL WERNER
John Marin, Alfred Stieglitz, and the Emergence of
the American Avant-Garde
Meredith Ward Fine Art presents a one-person
exhibition of oils and watercolors by the
American modernist John Marin (1870-1953),
which will chart the development of modernism
from his groundbreaking works of the 1910s to
his signature style of the 1920s-40s. The core of
the show is a group of watercolors from the
John Marin estate that were originally owned by
his dealer Alfred Stieglitz, and retain Stieglitz’s distinctive “AS” collection stamp.
Together—Marin as an artist, Stieglitz as an impresario—the two men played essential
roles in advancing modernism in America in the early 20th century.
Gianni Piacentino
Michael Werner Gallery is pleased to
present a selection of works by
Gianni Piacentino. Gianni Piacentino
was one of the founding members of
Arte Povera, a movement he
abandoned early to pursue his own
individual and maverick path.
Piacentino’s early minimal sculptures
transformed themselves into new
shapes that celebrate the idea of
dynamism and speed, recalling the vehicles that inspired his projects—motorcycles,
monocycles, automobiles, and planes. Erasing distinctions between individuality and
standardization; painting versus sculpture; and everyday objects versus art objects, these
boundless objects are distillations of Piacentino’s lifelong disruption of the status quo.
John Marin West Point, Main I, 1914, watercolor on paper, 14¼ x 16 in.
Gianni Piacentino Stereo, 1965, acrylic on canvas, 51 ¼ x 94 ½ in.
DAVID ZWIRNER
Forrest Bess
David Zwirner is pleased to present an
exhibition of significant paintings by the
self-taught American artist Forrest Bess
(1911-1977). The installation comprises a
cohesive grouping of over ten important works
on canvas spanning the years 1952 to 1967.
Eschewing direct representation in favor of
abstraction, the paintings evoke miniature
constellations, enigmatic landscapes, or spare,
geometric forms that were intended by the artist to convey “something seen otherwise
than by ordinary sight.”
Forrest Bess A Star, 1967, oil on canvas, 10 ¼ x 12 ¼ in. ©Forrest Bess.
{ 10 }
THE ART SHOW
THE ART SHOW 2015 HIGHLIGHTS: THEMATIC EXHIBITIONS
ACA GALLERIES
ACQUAVELLA GALLERIES, INC.
Layered Luminescence:
Masterworks of Egg Tempera
ACA Galleries, established in 1932 has long been
a champion for American realism. This
exhibition brings together the finest practitioners
of the age-old medium of tempera and
demonstrates the ways these artists have used
this traditional media to express modern
subjects, ideas and concepts. Rarely seen
paintings from private collections will be on
display by important American artists such as
Ivan Albright, Isabel Bishop, Paul Cadmus,
Jacob Lawrence, Reginald Marsh and George
Tooker, among others.
Three Modern Schools:
Paris, London and New York
Acquavella Galleries will present a
range of Impressionist, modern and
contemporary masters consistent with
the gallery’s dealings. Within this
selection, there will be a focus on School
of Paris painters – among them Picasso,
Bonnard, and Matisse.
Pablo Picasso Le peintre et son modèle dans un paysage, 1963, oil on canvas, 25 5⁄8 x 39 3⁄8 in. © 2015 the Estate of
Pablo Picasso/Artists Rights Society (ARS), New York.
George Tooker Pot of Aloes, 1974, egg tempera, 23 ½ x 12 ½ in.
ADLER & CONKRIGHT FINE ART
BROOKE ALEXANDER, INC
Latin Americans Abroad in the Sixties:
Why Did They Go; Where Did They Go;
and What Did They See
The term “Latin American Art” is a geographical
blanket covering many disparate movements
from many different places and times. The most
transnational in the middle years of the 20th
century were Geometric Abstraction/Kinetic Art
and Conceptualism. Adler & Conkright Fine Art
examines the work of these artists. The stand
reflects early exhibitions of Galeria Conkright,
founded in Caracas in 1966, which showed the
works of these Latin American artists, at that time,
virtually unknown in their own countries.
Defining Artists of Composition,
Color, and Form
Brooke Alexander presents work
by several defining artists of
composition, color and form,
including Josef Albers, Donald
Judd, Ellsworth Kelly, Sol LeWitt, Barnett Newman and Ken Price. Throughout each of
their long and distinguished careers, these artists have worked in diverse mediums and
materials to present their signature visual ideas. Our exhibition offers examples of their
paintings, works on paper, prints and sculpture.
Ellsworth Kelly Marlarme Suite, 1992, four color lithographs. Edition of 40.
Lygia Clark Bicho/Pan-Cubismo Pq (Version II), conceived 1960, realized 1963, aluminum, 11 ¾ x 11 ¾ in. (flat),
dimensions are variable.
{1}
THE ART SHOW
JOHN BERGGRUEN GALLERY
VALERIE CARBERRY GALLERY
Selected Works: di Suvero, Diebenkorn,
Kandinsky, Kelly, Mehretu, Oliveira, Serra,
Shapiro and Thiebaud
John Berggruen Gallery presents a variety of
significant twentieth-century paintings and
sculpture including quintessential examples
by Richard Diebenkorn and Wayne Thiebaud.
The exhibition highlights an important painting
from 1930 by Wassily Kandinsky.
Hard-Edge Abstraction at Mid Century
Valerie Carberry Gallery is exhibiting “Hard
Edge Abstraction at Mid Century”. Featured
artists include José de Rivera, Burgoyne Diller,
John McLaughlin, Leon Polk Smith and
Tony Smith. While typically used to describe
a style of painting from the 1940s-60s, the
term “hard-edge” can also apply to work
in three dimensions. The gallery exhibits a
remarkable suite of three painted aluminum
sculptures by José de Rivera that express their
own economy of form and use of color as field. Similarly, painted constructions by Leon Polk
Smith bring depth and added dimension to the elegant curve of his work on canvas.
Wassily Kandinsky Great-Little, 1930, oil on board, 14 ½ x 19 ¼ in.
José de Rivera Untitled (Yellow and Black), 1940, painted aluminum, 8 in.
THOMAS COLVILLE FINE ART
CONNER•ROSENKRANZ LLC
James Abbott McNeill Whistler
and Artists Influenced by Him
Thomas Colville Fine Art showcases the work
of James Abbott McNeill Whistler along with
those of subsequent generations of American
and European artists whose style he influenced.
We currently have seven original works by
Whistler, which we believe is more than any other gallery today. We are exhibiting specific
works that owe stylistic debt to Whistler, including artists such as Dennis Miller Bunker,
Frank Duveneck, Giorgio Morandi, and John Henry Twachtman.
The Story of American Sculpture in the
19th and 20th Century
Conner•Rosenkranz will exhibit American sculpture
created in various materials between 1850 and 1950.
The leading American Neo-Classical sculptor in Italy
of the 19th century, Hiram Powers, is represented by a
bust of Proserpine, 1848-49; one of only six examples.
Americans of the next generation chose Paris over Rome
and bronze over marble. Augustus Saint-Gaudens, the
most famous sculptor from the period, is represented by
the iconic Head of Victory, 1907 from The Sherman
Monument in Central Park. Carl Akeley, famous for his
group of walking elephants – centerpiece of Akeley Hall of African Mammals at the
American Museum of Natural History in New York – is also represented by a related
bronze group, Charging Herd, 1915.
James Abbot McNeill Wistler Women and Children outside a Brittany Shop, c. 1888, watercolor on linen, 5 x 8 ½in.
Hiram Powers Proserpine, 1848-49, marble, 20 ½ x 16 ½ x 9 ¼ in.
{2}
THE ART SHOW
MAXWELL DAVIDSON GALLERY
RICHARD L. FEIGEN & CO.
The Responsive Eye at 50: Op-art’s
Imprint on the Art World
In February 1965, The Museum of Modern Art
mounted an exhibition titled The Responsive Eye,
comprised of works by nearly 100 artists from
around the world who were experimenting with
Op-art. To commemorate this landmark exhibition, Maxwell Davidson Gallery presents The
Responsive Eye at 50, with works by historical artists
featured in the 1965 MoMA show, such as Victor
Vasarely, Carlos Cruz-Diez, Bridget Riley, Yaacov
Agam, and Luis Tomasello. We also show work by
artists influenced by the Op-art movement including Pedro S. De Movellan, Mary Ann
Unger, Sanford Wurmfeld, Kevin Osmond, Ghost of a Dream, and Sam Messenger.
Surrealism, Abstract Expressionism, and Pop Art
Richard L. Feigen & Co. is exhibiting carefully
curated paintings, drawings and collages by surrealist,
abstract expressionist and pop artists. The booth will
feature important works by Max Beckmann, Joseph
Cornell, John Dubuffet, Max Ernst, James Rosenquist, Ed Ruscha and Frank Stella, in addition to a
unique group of works by Ray Johnson, represented
exclusively by Richard L. Feigen & Co.
Joseph Cornell Untitled (L’Abeille), c. 1965, gouache and colored pencil
on paper collage mounted on masonite, 12 x 9 in.
Victor Vasarely Méandres-Naissances, 1953, acrylic on canvas, 37 ¼ x61 in. Signed Max Weber (lower right).
FORUM GALLERY
FRAENKEL GALLERY
Contemporaneous Paintings and
Drawings by John Graham,
Arshile Gorky and Willem de Kooning
Between 1925 and 1945, a group of
American artists, including Stuart Davis,
Willem de Kooning, Arshile Gorky and
John Graham sought to create new and
inherently American imagery using the
objects of everyday life as a foundation.
Believing that depiction was best left to the
photographic process then developing exponentially, these artists drew and painted bold,
modern fantasies that give understanding to the otherwise commonplace.
Mirror / Mirror: A Collaboration
with Peter Freeman, Inc.
Presenting Only Self-Potraits
Mirror / Mirror will present two stands
directly opposite and facing each other,
configured in exactly the same manner.
Each stand will be comprised solely of
self-portraits. Fraenkel Gallery,
with emphasis on the history of
photography, will highlight self-portraits
by Diane Arbus, Richard Avedon, Lee Friedlander, Adam Fuss, Nan Goldin, Peter Hujar,
Ralph Eugene Meatyard, Eadweard Muybridge, and Hiroshi Sugimoto among others. Directly
opposite, Peter Freeman, Inc. will exhibit both historical and contemporary self-portraits by
artists including Mel Bochner, Alighiero Boetti, James Ensor, Robert Filliou, Alex Hay, Meret
Oppenheim, Catherine Murphy, and Thomas Schütte.
Willem de Kooning Untitled (Still Life with Eggs and Potato Masher), 1928-29, oil and sand on canvas, 18 x 24 in.
©the Estate of Willem de Kooning.
Lee Friedlander New Orleans, 1970. ©Lee Friedlander.
{3}
THE ART SHOW
PETER FREEMAN, INC.
GALERIE ST. ETIENNE
Mirror / Mirror: A Collaboration
with Fraenkel Gallery
Presenting Only Self-Portraits
Mirror / Mirror will be presented jointly in two
stands, positioned directly opposite and facing
each other, configured in parallel manners. Each
will be comprised solely of self-portraits, both
historical and contemporary and in a variety of
mediums by artists including Diane Arbus,
Richard Avedon, Mel Bochner, Alighiero e Boetti,
Constantin Brancusi, James Ensor, Robert
Fillliou, Alex Hay, Ralph Eugene Meatyard,
Catherine Murphy, Meret Oppenheim, Thomas
Schütte, and Hiroshi Sugimoto. Peter Freeman, Inc. and Fraenkel Gallery anticipate
publishing an illustrated booklet of this collaboration..
Alternate Histories: Celebrating the 75th
Anniversary of the Galerie St. Etienne
The Galerie St. Etienne, which opened in November
1939, is celebrating its 75th anniversary at with a
special installation highlighting some of the gallery’s
key artists. Included are major works by Otto Dix,
Gustav Klimt, Oskar Kokoschka, Egon Schiele, Anna
Mary Robertson (“Grandma”) Moses and
others. Figural, folk, humanistic —St. Etienne’s artists
challenged the formalist narratives that dominated
postwar America. Their work suggests alternate
views of art history, more in keeping with the
multivalent environment of the twenty-first century.
Egon Scheile Reclining Girl on Pillow, 1910, gouache, watercolor and
pencil with white heightening on paper, 18 1⁄8 x 11 ¾ in.
Mel Bochner Self / Portrait, 2013, oil on canvas, 48 x 36 ¼ in.
JAMES GOODMAN GALLERY
HIRSCHL & ADLER GALLERIES
Works by Modern and Contemporary Masters
James Goodman Gallery presents a group show
of paintings, sculptures and works on paper
by Modern and Contemporary Masters. The
exhibition encompasses significant movements
including American Abstraction, European
Modernism, and Abstract Expressionism with
some meaningful Contemporary works.
Featured works by Avery, Arp, Calder, Dubuffet,
Miro, Matisse, Picasso and others. This selection
echoes the 57-year history of the James Goodman Gallery with a sampling of the major
works the gallery has exhibited since its inception.
Winold Reiss and Jazz Age Modernism
German-born artist Winold Reiss’s (1886–1953) Jazz
Age work is the foundation of the Hirschl & Adler
booth, and is accompanied by other paintings,
drawings, sculpture, and prints from such iconic
American Modernists as Romare Bearden, Stuart
Davis, Hunt Diederich, Marsden Hartley, William
Henry Johnson, Paul Kelpe, Louis Lozowick, Paul
Manship, John Marin, and Henry Fitch Taylor.
Together, the work offers compelling illustrations of
jazz-induced rhythms, Deco-inspired streamlining,
and Machine Age abstraction that permeated
American art and popular culture in the decades
between the World Wars.
Arshile Gorkey Untitled, c. 1944-45, pencil and crayon on paper, 17 ½ x 23 ¼ in.
Winold Reiss Interpretation of Harlem Jazz I, 1925, ink on paper, 19 7⁄8 x 14 7⁄8 in.
{4}
THE ART SHOW
RHONA HOFFMAN GALLERY
PAUL KASMIN GALLERY
Works on Paper 1968 to the Present
Rhona Hoffman Gallery is pleased to present an
exhibition focused solely on works on paper from
1968 to the present. Drawings by historical artists Sol
LeWitt and Fred Sandback demonstrate the medium’s
potential as a platform for working out concepts and
ideas to be realized in other media and on a greater
scale. Works on paper by artists such as Spencer Finch,
Hamish Fulton, and Vito Acconci illustrate the medium’s capacity to preserve the memory of
a performative action (Fulton and Acconci) or the results of the investigation on the nature
of light (Finch). Works by Nancy Spero, David Schutter, Susan Hefuna, and others reveal
drawing’s position as a sincere complement to sculpture and painting practices.
L'impasse Ronsin
"Ronsin…that most distinguished site of
Modernism." - John Russell
The Impasse Ronsin, behind Montparnasse, was a crucible
of postwar culture, a tight band of international artists who
during the 1950s shared this ramshackle hamlet of studios;
Brâncusi, resident since 1916, Max Ernst, Claude and
François-Xavier Lalanne, Niki de Saint Phalle, Tinguely,
and the patron saint William Copley. Artists occupied the
Impasse since the 1870s – an academic painter even being
murdered here - but now was its hour of glory, forging not
a style but a certain touch; poetry, invention, a wit the very enemy of pomposity, some
veritable ésprit Ronsinian.
Fred Sandback Untitled, 1989, pastel and crayon on light blue paper, 17 ½ x 22 ¼ in.
Constantin Brancusi Jeune Fille Sophistiquée, 1928, polished bronze,
21 5⁄8 x 5 7⁄8 x 8 5⁄8 in. Edition 3/5, cast by Susse Fondeur, Paris, 2013.
KOHN GALLERY
BARBARA KRAKOW GALLERY
California Artists
The Kohn Gallery is pleased to present a
carefully curated booth of California's leading
assemblage, collage and Light & Space artists.
Two Ways of Looking Through Reality: George Segal,
Sol LeWitt, Liliana Porter, and others
Barbara Krakow Gallery presents Two Ways of
Looking Through Reality, including artists from
four generations who work with the grey area
between reality, representation and legibility. The
exhibition juxtaposes two ‘arenas’ of work: works
whose forms are instantly identifiable, yet cause
some sense of confusion, inquiry or mystery and
works that begin with a sense of mystery but allow
for focused inquiry. Together, these two approaches
provide opposite, but complementary opportunities
of exploration.
Lita Albuquerque
Wallace Berman
Bruce Conner
Joe Goode
John McLaughlin
Wallace Berman Untitled (Shuffle), 1968, collage of verifax copies and acrylic on panel, 13 x 14 in.
George Segal Woman Against a Blue Tile Wall, 1983, unique plaster
cast and glazed tile, 26 x 15¼ x 9 in.
{5}
THE ART SHOW
JEFFREY H. LORIA & CO., INC
MATTHEW MARKS GALLERY
Spanning the Career of Fernand Léger and Artists
Influenced by Him
This interdisciplinary exhibition and sale will
span the length and breadth of Fernand Leger’s
career, exhibiting not only the expanse of his
talent in many mediums (works on paper,
canvas, painted bronze and ceramic), but also the
marked influence of his work on other artists of
his time.
Jasper Johns, Fischli and Weiss,
Robert Gober, Ellsworth Kelly, Brice
Marden, Charles Ray, and others
Matthew Marks Gallery presents a
carefully selected group of paintings,
sculpture, photographs, and drawings
by artists the gallery represents,
including Peter Fischli and David
Weiss, Robert Gober, Jasper Johns,
Ellsworth Kelly, Brice Marden, Ken
Price, Charles Ray, Tony Smith, and
Anne Truitt.
Fernand Leger, Femme au Perroquet, 1940, gouache, ink and
watercolor on paper, 20 ½ x 14 ¾ in.
Lucian Freud Pluto, 1988, oil on canvas, 10 ¾ x 13 ¾ in.
BARBARA MATHES GALLERY
MARY-ANNE MARTIN|FINE ART
Uncanny Geometries
From Leonardo through Mondrian, geometry in
the history of art has symbolized order, rationality
and enlightenment. More recently, however, artists
have used geometry to subvert as well as to uphold
rationality, and the works in this booth playfully
undermine shaped perception. Dadamaino’s
“Volume” juxtaposes biomorphic shapes cut into
the surface of the canvas with the supporting
architecture. Mark Grotjahn’s abstract compositions
function as perspective diagrams that represent
three-dimensional space but also conjure natural
forms such as butterflies, flowers and flowing
water. Other artists include Alexander, Bonalumi, Castellani, D’Arcangelo, Dibbets,
Mangold, Melotti, Taeuber-Arp among others.
20th Century Mexican and Latin American Artists:
Parisian Influences on Modern Art
Mary Anne Martin|Fine Art exhibits works by
Mexican and Latin American artists who lived and
studied in Europe in the early 20th century.
Paintings and drawings by Rivera, Lam, Matta,
Pettoruti, Izquierdo and Gerzso are included.
Artists who originated in Europe and fled to
Mexico and Latin America during the 1930s and
40s, including Leonora Carrington,
Mathias Goeritz, Alice Rahon, Bridget Tichenor
and Wolfgang Paalen, are also shown, as their
influence continued in their newly adopted homelands. We have also brought a selection
of sculptures by Panamanian/French contemporary artist, Isabel De Obaldía.
Diego Rivera Still Life with Book and Candle, 1918, pencil on paper, 14 7⁄8 x 11 5⁄8 in.
Mark Grotjahn Untitled, 2002, colored pencil on paper, 16 ¾ x 13 7⁄8 in.
{6}
THE ART SHOW
MCKEE GALLERY
MENCONI + SCHOELKOPF FINE ART LLC
Vija Celmins, Marcel Eichner, Philip Guston,
Richard Learoyd, and others
The McKee Gallery will present a variety of
paintings and works on paper, original photographs, and sculpture by Vija Celmins, Marcel
Eichner, Philip Guston, Richard Learoyd,
Leonid Lerman, Harvey Quaytman, Jeanne
Silverthorne, William Tucker, Lucy Williams and
Daisy Youngblood.
Historical Survey of 10 Works of Early Modernism from
the Ashcan School to the New York School
Menconi + Schoelkopf presents an exhibition of ten
important works of American Modernism, tracing
the transition from the Ash Can School to the New
York School of mid-century. Early works by Stuart
Davis demonstrate the transition of American
painting from the influence of Post-Impressionism
to mature Modernism. Members of the Stieglitz
Circle already expressed this move towards explosive color and semi-abstraction:
Marsden Hartley will be among the representatives of this fertile and prescient moment.
Two post-war works, including an important sculpture by Mark di Suvero, will illustrate
the ongoing legacy of the Modernist program.
Marcel Eichner Untitled, 2014, acrylic and ink on canvas,
79 x 55 in.
Stuart Davis Gloucester Harbor, c. 1919, oil on canvas, 19 x 23 in.
MNUCHIN GALLERY
PACE/MACGILL GALLERY
Abstraction Works Prior to 1975
Mnuchin Gallery presents a curated selection of
important Color Field and Hard-Edge paintings.
The presentation will feature Tzadik (1958), a
superlative example from Morris Louis’s
breakthrough Veil series, in which the artist
poured layers of thinned acrylic paint onto
unstretched canvases to achieve mysterious
curtains of color. A pair of Frank Stella Concentric Square paintings from 1977-78
will serve as bold geometric counterpoints to Louis’s enigmatic washes. Composed of
precise bands of vibrantly contrasting hues, these paintings’ methodical experimentation
with color and value results in a subtle play on perspectival space.
Night
Pace/MacGill Gallery presents a multimedia
exploration of the nocturnal in art. Featuring work
by Robert Adams, Alexander Calder, Harry
Callahan, Robert Frank, Lee Friedlander, Emmet
Gowin, Zhang Huan, Peter Hujar, Franz Kline,
Agnes Martin, Richard Misrach, Louise Nevelson,
Irving Penn, Aaron Siskind, Alfred Stieglitz, Hiroshi
Sugimoto, Cy Twombly, Henry Wessel and Fred
Wilson, among others. The selection on view
showcases some of the finest examples of
photography, painting and sculpture inspired by
nighttime and its connotations.
Morris Louis Tzadik, 1958, acrylic resin (Magna) on canvas, 91 ½ x 140 ½ in. Photo by Tom Powel Imaging.
5
Zhang Huan Poppy Field No. 1, 2010, oil on linen, 31 ½ x 23 /8 in.
©Zhang Huan Studio. Photo courtesy the Artist.
{7}
THE ART SHOW
PACE PRINTS & PACE PRIMITIVE
SUSAN SHEEHAN GALLERY
Late Prints by Matisse, Picasso, and Dubuffet
Pace Prints presents an exhibition of important late
prints by Matisse, Picasso, and Dubuffet. When his
physical abilities began to decline in the late 1930s,
Matisse devised a number of new printmaking
techniques including linoleum cuts and the Jazz series
based on the artist’s paper cutouts. In addition
to these late prints by Matisse, the installation will
include aquatints and linoleum cuts created by Picasso
after 1945. In 1964, Dubuffet created a radical new
style in his art which he called L’Hourloupe. His
innovative silkscreens from this period are characterized
by a graphic energy, and embedded in the prints’ maze-like imagery and patches of red
and blue are his signature whimsical figures.
Post-War American Masters: Works on Paper
Susan Sheehan Gallery is delighted to
exhibit a collection of Post-War American
prints and works on paper from the 1970s,
80s, and 90s. One of our most exciting
works is by Brice Marden. Zen Studies 1-6:
Plate 1 is from the striking suite of six
etchings that Marden made in 1990 called
the Cold Mountain Series. This group of
prints was a departure from the heavy, geometric spaces of the artist's previous work.
Richard Diebenkorn's Large Light Blue is one of the most subtle works to be shown.
Made in tandem with his celebrated Ocean Park paintings, this work depicts an
abstracted vision in washes of blue and green.
Brice Marden Zen Studies 1-6: Plate 1, 1990, etching with aquatint, 69 ½ x 89 ½ in. Edition of 35.
Henri Matisse La Frégate, 1938, linocut, 12¼ x 9 3⁄8 in.
WASHBURN GALLERY
YARES ART PROJECTS
Red Hot and Blue: Ilya Bolotowsky, Ray Parker,
Jackson Pollock, and others
“Red Hot and Blue” is a salute by the Washburn
Gallery to the history of the Seventh Regiment
Armory and a nod to the great 1936 Broadway
musical of the same name with a selection of
works by nine artists represented by the Gallery
whose work is each radically different in style
but expressed in these two primary colors.
The artists will include Ilya Bolotowsky, Alice
Trumbull Mason, Doug Ohlson, Ray Parker,
Jackson Pollock, Leon Polk Smith, David Smith,
Myron Stout, and Jack Youngerman.
50 Years + 50 Artists of Riva Yares Gallery:
Milton Avery, Lee Krasner, Morris Louis,
and others
Yares Art Projects is pleased to announce an
exhibition commemorating 50 years of Riva
Yares Gallery’s dedication to modern and
contemporary art. The story of modern and
contemporary art is also a story of great dealers.
Without the efforts of these facilitators, art
would not have moved forward the way it has.
This exhibition encompasses many facets of
her career, but then Riva Yares has never been
afraid of exploration. For those have known her, a grand capriciousness is very much
part of her genius.
Leon Polk Smith Event in Blue, 1994, oil on canvas, 66 x 54 in.
Kenneth Nolad Mysteries: Aglow, 2002, acrylic on canvas, 72 x 72 in.
{8}
THE ART SHOW
PAVEL ZOUBOK GALLERY
Object Lesson: Transformation of Commercially
Fabricated Objects in 7 Artists’ Sculptural Works
Our booth installation explores the transformation
of commercially fabricated objects in the
sculptural works of seven distinguished modern
and contemporary artists: Mary Bauermeister,
Christo, Sari Dienes (1898-1992), Addie Herder
(1920-2009), Man Ray (1980-1976), Charles
McGill, and Judy Pfaff. “Object Lesson” surveys
the persistence and scope of the readymade in
the ensuing century, ranging from unadulterated
appropriation to constructions that center
on the juxtaposition of commercially
manufactured objects.
5
Man Ray Cadeau, c. 1950, iron and nails, 7 ½ x 3 /8 x 4 in.
{9}
FACT SHEET
ART DEALERS ASSOCIATION OF AMERICA (ADAA) ORGANIZES
THE 27th ANNUAL ART SHOW TO BENEFIT
HENRY STREET SETTLEMENT, MARCH 4 – 8, 2015
EVENT:
Seventy-two of the nation’s leading art galleries present museum-quality works of art
ranging from cutting-edge, 21st-century works to museum-quality pieces from the
19th and 20th centuries. Considered one of America’s most prestigious art fairs, The
Art Show offers an outstanding selection of works by renowned and emerging artists
in a variety of styles and mediums, including paintings, sculpture, drawings, prints,
photographs, and multi-media works.
LOCATION:
The Park Avenue Armory, Park Avenue and 67th Street, New York City
DATES AND HOURS:
The Art Show is open to the public from Wednesday, March 4 through Sunday,
March 8, 2014. Hours are as follows:
Wednesday, March 4
Thursday, March 5
Friday, March 6
Saturday, March 7
Sunday, March 8
12:00
12:00
12:00
12:00
12:00
p.m.
p.m.
p.m.
p.m.
p.m.
to
to
to
to
to
8:00
8:00
8:00
7:00
5:00
p.m.
p.m.
p.m.
p.m.
p.m.
ADMISSION:
Admission is $25 per day. All proceeds from ticket sales benefit Henry Street
Settlement. Tickets are available online and at the door.
KEYNOTE SPEECH:
This year, New York City Cultural Affairs Commissioner Tom Finkelpearl will discuss
the city’s new cultural diversity initiative, launched in January to help arts institutions
better serve audiences from an increasingly wide variety of backgrounds. Finkelpearl
notes that “working with our partners at cultural organizations and in the funding
community, we are confident that we will find strategies to foster a more equitable
cultural landscape for the next generation of artists, administrators, and audiences.”
Tom Finkelpearl, Keynote Speaker
Friday, March 6, 2015, 6:00 pm
The Board of Officers Room at The Park Avenue Armory
643 Park Avenue, NYC, at 67th Street
GALA PREVIEW:
To inaugurate The Art Show 2015, a Gala Benefit Preview is held on Tuesday, March 3
from
5:30 p.m. to 9:30 p.m. and benefits Henry Street Settlement, one of New York City’s
best-known and most effective social services and arts agencies. For additional
information, please call (212) 766-9200 ext. 248. The preview schedule is as follows:
Millennium Circle
Super Benefactors
Benefactors
Patrons
Sponsors
5:30
5:30
5:30
6:30
7:30
p.m.
p.m.
p.m.
p.m.
p.m.
to
to
to
to
to
9:30
9:30
9:30
9:30
9:30
p.m.
p.m.
p.m.
p.m.
p.m.
(Ticket
(Ticket
(Ticket
(Ticket
(Ticket
$2,000)
$1,000)
$500)
$350)
$150)
ART DEALERS ASSOCIATION OF AMERICA:
All Art Show exhibitors are members of the Art Dealers Association of America (ADAA),
a non-profit membership organization of the nation’s leading galleries. Founded in
1962, ADAA seeks to promote the highest standards of connoisseurship, scholarship
and ethical practices within the profession. Visit www.artdealers.org for more
information.
HENRY STREET SETTLEMENT:
Founded in 1893 by Progressive reformer Lillian Wald and based on Manhattan’s Lower
East Side, Henry Street Settlement delivers a wide range of social services, healthcare
and arts programs that improve the lives of more than 50,000 New Yorkers each year.
Distinguished by a profound connection to its neighbors, a willingness to address new
problems with swift and innovative solutions, and a strong record of accomplishment,
Henry Street challenges the effects of urban poverty by helping families achieve better
lives for themselves and their children.
For further press information or visual materials, please contact:
Jenny Isakowitz
FITZ & CO
T: (212) 627-1455 ext. 0923
E: jenny@fitzandco.com
Taylor Maatman
FITZ & CO
T: (212) 627-1455 ext. 0926
E: taylor.maatman@fitzandco.com
HENRY STREET SETTLEMENT
Founded in 1893 by Progressive reformer Lillian Wald on Manhattan's Lower East Side, Henry
Street Settlement challenges the effects of urban poverty by helping families achieve better lives
for themselves and their children.
Distinguished by a profound connection to its neighbors, a willingness to address new problems
with swift and innovative solutions, and a strong record of accomplishment, Henry Street is one of
the city’s largest and most effective social services agencies. Many of its initiatives have been
replicated nationwide.
Today, Henry Street Settlement enriches the quality of life for over 50,000 Lower East Side
residents and other New Yorkers each year by providing innovative social services, arts and
health care programs at 17 program sites, and at satellites locations in public schools and public
housing. Henry Street offers more than 45 programs encompassing workforce development;
shelter and supportive services for homeless families, survivors of domestic violence and adults;
mental health and primary care clinics; a parent center; a full range of senior services, including
home-delivered meals; day care centers, after-school, college prep and employment programs
for youth; and academic and health and wellness programs.
Henry Street continues Lillian Wald’s commitment to provide access to the arts to everyone. Each
year, more than 30,000 students, artists, and audiences create and experience dynamic works of
art through the award-winning Abrons Arts Center. In 2015 Henry Street marks the Centennial of
Abrons' Playhouse, celebrated with twelve months of art and theater making by vanguard
downtown artists, scholarships for arts instruction, and residencies for creation and
experimentation.
Henry Street’s myriad programs are made possible through individual, corporate, and foundation
donations and as well as through government funding. To read more about Henry Street, please
explore our website at www.henrystreet.org.
For additional information, please contact:
Adrian Geraldo Saldaña
Special Events Coordinator
265 Henry Street
New York, NY 10002
T: (212) 766-9200 ext. 247
E: asaldana@henrystreet.org

The Art Show 2015 Press Kit

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