Jamasie Pitseolak (1968- )
Transcription
Jamasie Pitseolak (1968- )
Jamasie Pitseolak (1968- ) At 42, Jamasie Pitseolak is at the forefront of a generation of Inuit artists who are bringing new ideas and sensibilities to the evolving tradition of northern art. Born in 1968 in Cape Dorset on southern Baffin Island, Pitseolak belongs to the first generation of Inuit who grew up in permanent year-round settlements. The son of artists Mark and Ookpik Pitseolak, he began carving when he was 8 or 9, selling his first works to the Hudson’s Bay Company. One of his earliest influences was his grandfather, Peter Pitseolak, a wellknown carver and photographer from the Dorset area. Feeling a lack of connection with more traditional themes and unsatisfied with the direction of his work, he began incorporating unconventional modern imagery into his expression in the late 1990s. Like many Inuit sculptors, Pitseolak works in a range of organic and non-organic indigenous materials, including stone, antler and ivory. The similarity ends there. Whereas most Inuit artists produce sculptures from single blocks of stone, Pitseolak works like a collagist, painstakingly assembling his images from individually carved pieces. Equally inventive is his distinctive modern subject matter. Instead of traditional images of hunters and wildlife, Pitseolak tends to represent distinctly modern objects—motorcycles, machinery with moveable parts, guitars and tables (complete with vases). The majority of Pitseolak’s works are marked by a playful charm, a quality reflected also in his sculptures’ titles, many of which are based on puns. That said, some works show a more serious approach, including representations of guns and modern weaponry which it is possible to read as the artist’s engagement with local and global violence. Pitseolak’s work is in many private and public collections, including the Winnipeg Art Gallery and the Canadian Museum of Civilization. Text © Robert Kardosh 2012 Selected Press The Vancouver Sun, “Show pushes boundaries of Inuit vision” Kevin Griffin, July 12, 2012 Canadian Art, “Surreal: Inuit Game Changer” Hadani Ditmars, 2011 The Vancouver Sun, “Pushing boundaries of taditional prints” Kevin Griffin, June 16, 2011 Canadian Art, “Jamasie Pitseolak: Northern Soul” Leah Sandals, 2011 Gallery Exhibitions Surreal: Eight Artists In The Fantastical Tradition October 14 - November 20, 2011 Sweet Innovation: Sugar-Lift Etchings By Tony Anguhalluq, Kenojuak Ashevak, Jamasie Pitseolak And Jutai Toonoo June 18 - July 30, 2011 Jamasie Pitseolak: Sculptures, Drawings, Prints May 12 - June 12, 2011 Marion Scott at 30 October 21 - November 26, 2006 continued on page 2 -2- Selected Other Exhibitions Blizzard: Emerging Northern Artists, grunt gallery, Vancouver BC, July 5 - August 4, 2012 Changing Hands: Art Without Reservation 3, Museum of Arts and Design, New York NY, June 26 - October 21, 2012 Public Collections Canadian Museum of Civilization (Gatineau, QC) National Gallery of Canada (Ottawa, ON) Winnipeg Art Gallery (Winnipeg, MB) PublicATIONS Itee Pootoogook, 2011 Selected References Robin Laurence, “Inuit Prints: Japanese Inspiration and Sweet Innovation,” Border Crossings, vol. 30 no. 4, pp. 96 - 97. Jamasie Pitseolak, “Jamasie Pitseolak: Coming From Today,” interview with Norman Vorano, Inuit Art Quarterly, Vol. 23, No. 1, Spring 2008 Marion Scott Gallery, 2423 Granville Street, Vancouver , BC Canada V6H 3G5 Tel: 604-685-1934 • Fax: 604-685-1890 • art@marionscottgallery.com • www,marionscottgallery.com
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elected a member of the Royal Canadian Academy of Arts. Her works have been displayed at the Museum of Civilization, the National Gallery of Canada, and other galleries across Canada and abroad.
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