Bartky, MF and Patriarchal Power
Transcription
Bartky, MF and Patriarchal Power
ChaPrer 5 he ?ower Sandra Lee BartkY Femininiry Foucault, andthe Modernization Power of Patriarchal f powcr in disciplinary rodv.She bcsins by card i s c i p l i n et h e i r b o d i e s rake-rrp,and skin-care. < oFinfcrioriry.Women p to rrnattainableideals rr vulncrableand childri-.ed posture.Despite jrlrpt Fortheir van"docile :n anclcomplipiine and embracedirs ratural.Thus, it creates line entailsdisirvowing tky mrrintainsthat the br resistanceto it. She is incompatible with "radical rr a and as yet -D.T.M. In a striking critique of moclern society,Michel Foucault has argued rhat the rise oFparliamentary institutions and of new conceptions of polirical libeity was accompr.ri.i by a d a r k e rc o u n t e r - m o v e m e n t ,b y t h e e m er g e n c eo f a n e w a n d u n p r e c e d e n r e di i r . i p l i n . directed against the body. More is required of the body now rhan mere political allegianceor the appropriation of the products of its labor: the new discipline invades the body and seeksto regulate its very forcesand operations, rhe economy and efficiency of ItSmovements. The disciplinarypracticesFoucaultdescribesare tied to peculiarlymodern forms of the army, the school, the hospital, the prison, and the *"nr.rf".tory; th. "i- of these disciplines is to increasethe utility of the body, ro augmenr its forces: \7hat was then being formed was a policy of coercions that act upon the body, a calculatedmanipulation of its elemenrs,its gestures,irs behaviour.The human body was entering a machinery of power rh"i explo.es it, breaksit down and rearrangesit. A "political anatomy", which was also a "mechanics of power", was being born; ir defined how one may have a hold over others' bodies, not only so that they may do what one wishes, but so rhat they may operare as one wishes, with the techniques, rhe speedand the efficiency that one determines.Thus, discipline producessubjectedand practicedbodies,"docile,'bodies.l 6.ro'(tolqt; S A N D R AL E E B A R T K Y "docile The production of bodies" requiresthat an uninterrupted coercion be directed to the "micro-physics very processesof bodily activity, not just their result; this of power" fragments and partitions the body'stime, its space,and irs movemenrs.2 The student, then, is enclosedwithin a classroomand assignedto a desk he cannot leave;his ranking in the classcan be read off the position of his desk in the seriallyordered "Jean-Baptisre and segmentcdspaceof the classroomitself.Foucault tells us that de la Salle dreamt of a classroomin which the spatialdistribution might provide a whole seriesof distinctions at once,accordingto the pupil'sprogress,worth, character,application,cleanliness, and parents'fortune."3The student must sit upright, feet upon the flooa headerect;he may not slor.rch or fidget; his animate body is brought into a fixed correlationwith the inanimate desk. The rninute breakdown of gesturesand movementsrequired of soldiersat drill is far more relcntless: F o u c a u l t ,F e m i n i n i 8:45 entranceof the moniror, 8:52 the monitork summons,B:56 entranceof the children and prayer,9:00 the children go to their benches,9:04 first slate,9:08 e n d o f d i c t a t i o n ,g : 1 2 s e c o n ds l a t e ,e t c . 6 worker or a schoolb his fellows but conr mate a state of con, ofpower"; eachbec visibility" is a sign t mind aswell. In th "individualir brated times. For Foucault ety: Is it surprising resemble prisons?"9 Foucault'sacct "docile bodies" the accollntof the ways torical detail. But Il periencesof nren a relationshipto the c ciplinary practicest bodiesof men? \Wo Ilor-rcault describes. ment that is peculia inine body is ro p disciplineshave be< cault'scriticlueof p throughourWesterr \fle are born n an achievement,"a l so many stylesof tf that produce a bod' threecategories ofs' eral configuration; postures,and move mented surface.I sl by whom. I shall pr and subjecriviry.In understoodin rhe I that unfolds historir Control this rigid and precisecannot be maintainedwithout a minute and relentlesssurveillance. Jeremy Bentham'sdesign for the Panopticon, a model prison, capruresfor Foucault the essenceof the disciplinarysociew.At the periphery of the Panopricon,a circular structure; at the center,a tower u,ith wide windows that opens onto the inner side of the ring. The structureon the periphery is divided into cells,eachwith rwo windows, one facing the rn'indowsof the torver, the other facing the outside, allowing an effect of backlighting to 'AIl make any figure visible within the cell that is needed,then, is to ;rlacea supervisorin a central tower and to shut up in each cell a madman, a patient, a condemned man, a Srylesof the femal< sions and preoccuI power,or abundanr is taut, small-breasr silhouettethat seen to an adult woman. rnust of coursediet Bring the weapon forward. In thrcc stages.Raisethe rifle with the right hancl, bringing it closeto the body so asto hold it perpendicularwith the right knee,the end of the barrelat eyelevel,graspingir by striking it with the right hand, the arm held closeto the body at waist height. At the secondstage,bring the rifle in front of you with the leFthand, the barrel in the middle berwcenthe two eyes,vertical, the right hand graspingit at the srnallof the butt, the arm oursrrercl-rcd, the trig, gerguardresting or.rthe first finger, the lcft hand at the height of the notch, the thunrb lying along the barrel againstthe moulding. At the rhird stage.. . .4 "body-object T'hese articulations"of the soldier and his weapon, the srudent and his desk, "coercive effecta link with the apparatusof production." Ve arefar indeedfrom older fbrms "demanded of control that of the body only signsor products,forms of expressior.r or rhe result of labour."5 The body'stin're,in theseregimesof power, is as rigidly controlled as its space:thc fac, tory whistle and the school bell mark a division of time into discreteand segmentedtrnits that regulatethe variousactivitiesof dre day.The following timetable,similar in spirit to the ordering of my glarnrnarschool classroom,was suggestedfor French "dcolesmutuelles"of the early nineteenthcentury: S A N D R AL E E B A R I ' K Y Foucaulr, rercion be directed to the -.l.r,sics of power" fiaened to a desk he cannot ,skin the seriallyordered "Jean-Baptiste de la Salle 'ide a whole seriesof dis', application,cleanliness, floor, head erect; he may ation with the inanimate I o F s o l d i e r sa t d r i l l i s f a r ,ith the right hand, r the right knee, the right hand, the arm ing the rifle in fiont e rwo eyes,vertical, .tstretched,the trigrt ofthe notch,the irdstage....4 h c s l t r . l c r rat n d h i s d e s k , ;'"leed fiom older fbrrns i-exprcssionor thc rcolled as its space:the fac' e r c. r n d s e g m c n r c .rl r n i t s ,le,similar in spirit to the "dcoles rch mutuelles"of i:56 entranceof the r : 0 4 f i r s t s l a t e ,9 : 0 8 Lrteand relentlesssr-rrveiln, capturesfor Foucault opticon, a circular strucr e i n n e r s i d eo f t h e r i n g . windows, one facing the effect of backlighting to ; t o p l a c ea s u p e r v i s o ri n L t , a c o n d e m n e dm a n , a Femininirv, and the Mode rnization of Patriarchal Power v/orkeror a schoolbotl."7Each inmate is alone, shut off from effective communicarion with constantly visible from the tower. The effect of this is "to induce in the inhis fellows but consciousand permanent visibiliry that assuresthe automatic functioning rrfltea stateof "state of consciousand permanent of power":eachbecomesto himself his own jailer.SThis a sign that is the tight, disciplinary conrrol of the body has gotten a hold on rhe v;siblliry" In the perpetual well. self-surveillance as o[ the inmate lies the genesisof the celemind "individualism" and heightenedself-consciousness which are hallmarks of modern brared dmes.For Foucault, the structure and effectsof the Panopriconresonarethroughout soci"prisons resemblefacrories,schools,barracks,hospitalJ,which all ery:Is it surprisingthat ,.sembl. Prisons?"9 Foucaultt account in Discipline and Punish of the disciplinary practices rhar produce "docilebodies" of modernity is a genuine tour deforce,incorporating a rich theoretical the ways in oFthe which instrumental reasontakeshold of the body with a massof hisaccount But Foucault detail. treats the body throughout a.siIit were one, as if rhe bodily extorical periencesof men and women did not differ and as if men anc] women bore the same institutionsof modern life. Where is the accountof the 4isrelationshipto the characteristic "docile that practices engender the ciplinary bodies"of women, bodiesmore docile than the bodiesof men? Women, like men, are subject to many oF rhe sarnedisciplinary practices Foucaultdescribes.But he is blind to thosedisciplinesthat produce a mojality of embodiment that is peculiarlyFeminine.To overlookthe fbrms of subjectionrhar engenclerthe Feminine body is to perpettlate the silence and powerlessnes.s of those trpon ,"vhom these disciplineshave been imposed. Hence, even though a liberatory note is sounde4 in Foucault'scritique of power, hi.sanalysisas a wholc reproducesrhar sexismwhich is endemic throughout \Testern political theory. \7e are born male or female,but not masculineor feminine. Femininiry is an artifice, "a an achievement, mode of enactingand reenactingreceivecl gcndernorms whiclr surfaceas so many stylesoFthe flesh."t0 In what fbllows, I shall exan-rinerhosedisciplinarypractices thatproduce a body which in gestureand appcaranceis recognizablyf-eminile. I consider threecategories of such practice.s: thosethat aim to produce" budy of-acerrainsizeald generalconfiguration; those that bring forth from thi.sbody " ,p..ifi. repertoire of g.rr.i..., postures'and movements;and those directed toward the display of rhi, body as fr-ro.n., mentedsurf:rce.I shall examine the nature of thesedisciplines,how they are imposed,".r.1 bywhom. I shallprobe the effectsof the imposirion of such discipline on f.-^1. identity and.subjectivity.In the final section I shall argue that rhesediscipiinary pracricesmusr be understoodin the light oFthe modernization of patriarchaldo.nlr,"tion, a modernizarion that unfolds hisrorically acc.rdir.rgro rhe general p"rt"r., described by lroucault. II S.ryles of the female figure vary over time and acrosscultures: they reflecr cultural obsesstonsand preoccuPationsin ways that are still poorly understood. Today, massiveness, powet' or abundancein a womant body is met with distaste.The current body of fashion is.taut,small-breasted,narrow-hipped, and of a slimnessbordering on emaciation; it is a silhouettethat seemsmore appropriate to an adolescentboy or newly pubescenrgirl than to an adult woman. Sinceordinary women have normally quire different dimensio'ns,they must of coursediet. 6.ro'{.ro.rq S A N D R AL E E B A R T K Y Mass-circulationwomen's magazinesrun articleson dieting in virtually everyissue.The Ladies'HomeJourna/of February 1986 carriesa "Fat-Burning E"xercise Guide," while Mademoiselleoffers to "Help Stamp Out Cellulire" with "Six SleJk-Down Strategies.,,After the diet-busting Christmas holidays and later, beforesummer bikini season,the titles of thcse fearuresbecome shriller and more arresting.The reader is now addressed in the imperative mode: Jump into shapefor summer! Shed ugly winter fat wirh the all-new Grapef..rit Diet! More women than men visit diet doctors, while women greatly ournumber -.r, in self-help groups such as weight Watchers and Overeat.rs Anonylous-in the caseof the latter, by well over 90 percent. I 1 Dieting disciplinesthe bodyt hungers:Appetite musr be monitored at all times and governed by an iron will. Since the innocent need of the organism for food will not be denied' the body becomesone'.senemy, an alien being bent on-thwarting the disciplinary project' Anorexia nervosa' which has now assumedepidemi. proporrions, is to women of the late nventieth century what hysteria was to women of an ea.lier day: the crystallization in a pathological-od" oi ^ widespreadcultural obsession.l2A surveyraken recentlyat UCLA i s a s t o u n d i n g : o f2 6 0 s t u d e n t s i n t e r v i e w e d , 2 T . 3 p e r c e n t o f t h e w o m e n b u t o n l y 5 . g p e r cent of men said they were "terrified" of gettin g fit; 28.7 percenr of women ^nj only 7 .5 percent of men said they were obsessedor 'totally p..o..rrpi.d" with food. The body i-"g., of women and men are strikinglv difierent "s *ell' 35 pe.i..,t of women but only iz.S pircent of men said they felt fat though other people toli th.m rhey were rhin. \7omen in the surveywantld to weigh ten pounds lessthan their averageweight; men felt they were withrn a pound of rheir ideal weight. A rotal of 5.9 percentof *o-.i and no men mer the psychi_ atric crireriafor anorexiaor bulimia. l3 Dieting is one discipline imposed upon a body subject ro rhe "ryranny of slenderness";exerciseis another.l4 Since men as well as women exercise, it is not alwayseasyin the caseof women to distinguish what is done for rhe sake of physical fitness f."- ",Alr't done in obedienceto the requirementsof femininity. Men "r^rv.tt as women lifr weights, do yoga, calisthenics,and aerobics,though " jazzercise"is a largely female p,rrr,_,it.i4.n and women alike engagethemselveswith a variery of machines, J".ir .t.rig.rei to call forrh from the body a different exertion: there are Nautilus machines, rowing machines,ordinary and motorized exercycles,portable hip and leg cycles,belt massagers,trampolines, treadmills, arm and leg pulleys. However, giv..r tlie widespread female obsessionwith weight, suspectsthat many women are working or'r,*i,h rhese apparatuses .one in the health club or at the gym with a different aim in mind and in quite a diflerent soirit than the men. But there are classesof exercisesmeant forwomen alone, these designednot ro firm or to reduce the bodyt size overall, but to resculptureits various p".r, on the current model' M. J. Saffron, "international beauty .*p.r,j' assuresus rhar his r*el.o. basic facial exercisescan erasefrown lines, smooth the forehead,raisehollow cheeks,banish crowt feet, and tighten the musclesunder the chin. l5 There are exercisesto build the breastsand exercisesto banish "cellulite,'' said by "figure consulranrs"to be a special type of female fat "spot-reducing," There is an umbrella term that coversdozens#prrrr;rhl.rg exercisesdes.ignedto reduce "problem areas"like thick ankles or "saddlebag"il,igt r. TIi. u..y idea of 'spot-reducing" is both scientifically unsound and cruel, for it r"i-sesexpecrarions in women that can never be realized:The pattern in which fat is deposited or removed is known to be genetically determined. - F o u c a u l r ,F e m i n r r It is not onlr, women: the very r fection. An expres if women are unat dency ofthe face r< lem: a piece of tap one frowns and ac woman is home aL There are significar comPortment: wol their lived spatialir seemsto surround manifestsitself bod of matter in motior con.strictedposture bodily intentionalir tioned and by whic nessis manifest not the free and eas' In atr extrao,tlr in the street,the Ge ical masculineand I the body, hands folc and legs pressedtog rou'and harmless;r pand into the avail distancefrom the b 'proffering position, ourward, often witb spreadthigh. In proportion t more spring and rlr1, a grearerdistancefro in the direcrion he is her sides;her walk is high-heeledshoes, h, theseconditions shor But women,sm, . bodies,are rrained tr their eyesor casr rhe sovereignstatus ofset loose',woman o srnilemore than rner IDRA LEE BARTKY ually every issue.The '1e," a while Made)"--iegies."After the )n, the titles of these ;ed in the imperative rew Grapefruit Dietl rber men in self-help caseof the latter, by rred at all times and food will not be dethe disciplinarypro, is to women of the re crystallization in a )n recently at UCLA en but only 5.8 pervomen and only 7.5 od. The body images 'n but only 12.5 perthin. \7omen in the f-eltthey were within men met the psychi'tyranny of slenderrt always easyin ^^theSS from what is women lift weights, 'emale pursuit. Men lesignedto call forth ,ing machines,ordisagers,trampolines, n a l e o b s e s s i o nw i t h r apparatusesin the different spirit than lesigned not to firm )arts on the current is twelve basic facial .s,banish crowt feet, the breastsand exerI rype of female fat. rishing exercisesde;hs.The very idea of )ectationsin women oved is known to be Foucault,Femininity, and the Modernizarion of Patriarchal Power 97 It is not only her natural appetiteor unreconstructedcontours rhat pose a danger to women: the very expressionsof her face can subvert the disciplinary project of bodily perfection.An expressiveface lines and creasesmore readily than an inexpressiveo.re. Hen.., if women are unable to suPPressstrong emotions, they can at leastlearn to inhibit the tendenry of the face to registerthem. Sophia Loren recommendsa unique solution to this problern: a piece of tape applied to the foreheador berween the brows will tug at the skin when one frowns and act as a reminder to relax the face.16The tape is to be worn whenevera woman is home alone. III There are significant gender differencesin gesture, posrure, movemenr, and generalbodily comportment:women are more restrictedthan men in their manner of movement and in their lived sPatialiry.In her classicpaper on the subject, Iris Young observesthat a space seemsto surround women in imagination which they are hesitant ro move beyond. This manifestsitself borh in a reluctanceto reach,stretch, and extend the bocly ro meer resistances of matter in motion-as in sport or in the performance of phy.sical125[5-xnd in a typically constrictedPostureand generalsryleof movement. Stromant spaccis not a field in which her bodily intentionaliry can be freely realizedbut an enclosure in which she feelsherself posi"loo.se tionedand by which she is confined.l7 The woman" violatesrhe.se norms: He. loosenot only in her morals, but in her manner of speech,and quite literallv in nessis manif-e.st the free and easyway she movcs. In an extraordinaryseriesof over rvvothousandphotographs,many candid shorstaken in the street,the Cerman photographerMarianne'Wex hasdocumcnted cliffercncesi.r rypicalmasculineand fbminine body posture.\7omen sit waiting for rrainswith arms .1o.. io the body, handsfolded togetherin their laps,toespointing srraightaheador turncclinward, and legspressedtogether.l8 The women in thesephotographsmake themselvessmall, narrow and harmle.ss; they seem tense;they take up little space.Men, on tlre other hand, expand into the availablespace;they sit with legs far apart and arms flung our ar some distancefiom the body. Most common in thesesitting male figures is what Wex calls rhe "proffering po.sition":the men sit with legsthrown wide aparr,crotch visible,feet pointing outward' often with an arm and casuallydangling hand resting comfortably o., "n op.n, spreadthigh. In proportion to toral body size,a man'sstride is longer than a womant. The man has more spring and rhythm to his step;he walks with toespointed ourward, holds his arms ar a greaterdistanceFrom his body, and swings them farther; he tends to point the whole hand in the direction he is moving. The woman holds her arms closerto her body, palms against her sides;her walk is circumspect.If she hassubjecredherselfro the aclditionalconstraintof high-heeledshoes,her body is thrown forward and off-balance; the struggle to walk under theseconditions shorrensher stride still more.lg But women's movement is subjectedto a still finer discipline. Feminine faces,aswell as bodies, are trained to the expressionof deference.Under male scrutiny, women will averr their eyesor cast them downward; the female gaze is trained to aband.onits claim to the sovereignstatusof seer.The "nice" girl learnsto avoid the bold and unfettered staring of the "loose" woman, who looks at -h"tev", and whomever she pleases.'Women are trained.to smile more than men, too. In the economy of smiles,as elsewhere,there is evidencerhat S A N D R AL E E B A R T K Y women are exploited, for they give more than they receivein return; in a smile-elicitation study, one researcherfound that the rate of smile return by women was 93 percent, by men only 67 percent.20In many rypical women's jobs, graciousness,deference,and the readiness to serve are part of the work; this requires the worker to fix a smile on her face for a good part of the working day,whateverher inner state.2lThe economy of rouching is out of balance,too: men touch women more often and on more parts of the body than women touch men: female secretaries,factory workers, and waitressesreport that such liberties are taken routinely with their bodies.22 Feminine movement, gesture,and posture must exhibit not only constriction, but graceaswell, and a certain eroticism restrainedby modesry: all three. Here is field for the operation for a whole new training: A woman must stand wirh sromachpulled in, shorrlders thrown slightly back, and chest out, this to display her bosom to maximum advantage. \Xll'rileshe must wa.lkin the confined fashion appropriateto women, her movemenrsrnusr, at the sametime, be combined with a subde but ;rrovocativehip-roll. But too much display is taboo; \/omen in short, low-cut dressesare told to avoid bending over ar all, but if the_v must, great carentust be taken to avoid an unseemlydisplay of breastor rump. From tirne to time, fashion magazinesoffer quite preciseinstructions on rhe proper way of getring in and out of cars.'Iheseinstructionscombine all three imperarivcsof wornen'smoverncnt: a woman must not allow her arms and legsto flail about in all directions;shemllsr rry ro manage her movcrnentswith the appcaranceof grace-no small accomplishmentwhen one is climbing out of the back seatof a Fiat-and she is well-advisedro use the opportunity for a certaindisplayof leg. All the movements we have described so far are self-movements;they arise from within thc woman's own body. But in a wav that normally goesunnoriced, males in couples may litcrally steera woman everlu,hereshe goes:down the street,around corners,into elevators,through doorways,into her chair at the dinner rable,around the dancefloor. The "is rnan'smovcment nor necessarilyheavy or pushy or physical in an ugly way; it is light and gentle but firm ir.rtl-reway of the most confident equestrianswith the best trained "23 horses. IV \7e haveexaminedsome of the disciplinarypracticesa woman musr masrerin pursuit of a body of the right sizeand shapethat alsodisplaysthe proper srylesof feminine moriliry. But womant body is an ornamented.surfacetoo, and there is much discipline involved in rhis production as well. Here, especiallyin the application of make-up and the selectionof clothes,art and disciplineconverg€,though, as I shall argue,rhere is lessart involved than one might suppose. A woman's skin must be soft, supple, hairless,and smooth; idealll', it should betray no sign of wear, experience,age,or deep thought. Hair must be removed not only from the face but from large surfacesof the body aswell, from legsand thighs, an operarion accomplished by shaving, buffing with fine sandpaper,or foul-smelling depilatories.With the new highleg bathing suits and leotards,a substantialamounr of pubic hair must be removed roo.24 The removal of facial hair can be more specialized.Eyebrows are plucked our by the roots with a rlveezer.Hot wax is sometimespoured onto the mustacheand cheeksand rhen ripped away when it cools.The woman who wants a more permanent result may try electrolysis; F o u c a u l t ,F e m i n i n i t this involvesthe kil which has been inse The developm not only attention tc b of facial exercises, once a than da often alkaline balance"),r make-up removers, ancers,body lotions Provisionof the prol masks for drv areas; peeling masl<s;clear women may wish to just sloshedonto th, gendy in movemenrr ward directionsonly straightdown the nr The normalizin gain credibiliry fbr it, "ccllular cel line of tr older skin behavear counrerwill scle, collagen"in its anti-l therm" eye cream dr ParkAvenue clinic o pitals," offers nor on "total deep skin clear Really good sk steamers;faucet filre the bedroom;electrir blackheadremover.s. or pedicure. The ordinary ci sKrn-careand requir prepararions.Skin_c what to do if she har swimming in chlorir sun, harsh wearher,r stress.Like the schoo a timetable:Georget to the complexion at vestmentof time, th niques,and, again,tl The crown ,nd of the hair and rl lcure, and pedicure r ANDRA LEEBARTKY r; in a smile-elicitatioq vas93 percent,by men 't and the readiness on-her face for a good :touching is out of balody than women touch such libertiesare taken only constriction, but Here is field for the opch pulled in, shoulders marimum advlntage. , h e r m o v e m e n r sm u s t r L But too much display I overat all, but if thev rst or rump. From time roper way of getting in :women's movement:a r s ;s h em u s t t r y t o m r n plishrnent when or.reis ;e the opportuniry for a nents; they arise fiom r n o t i c c d ,m a l c si r r c o r r :t. around corners,into "fhc ! le dance f'loor. an ugly way; it is light s with the be.sttrainecl it masterin ptrrsuit of a {:feminine motiliry. But cipline involveclin this r p a n d t h e s e l e c t i o no f is lessart involved than ally, it should betray no I not only from the face )peration accomplished e s .W i r h t h e n e w h i g h nust be removed too.24 lucked out by the roots cheeksand then ripped ulr mly try electrolysis; f patriarchal power F o u c a u l t ,F e m i n i n i r y , a n d t h e M o d e r n i z a t i o n o f fiis involves the killing of a hair root by the passageof an electric current down a needle which has been inserted into its base.The procedure is painful and expensive. "beauty "good The developmentof what one experr" calls skin-carehabirs" requires not onlv attention to health, the avoidanceof strong facial expressions,and rh. per[o.m"nce of facialexercises,but the regular use of skin-care prepararions, many to be applied more "upsers often than once a day: cieansinglotions (ordinary soapand warer the skin'sacid and alkalinebalance"),wash-off cleansers(milder than cleansinglotions), astringenrs,roners, make-upremovers,night creams,nourishing creams,eye creams,moisturizers,skin bal_ ancers'bodv lotions, hand creams,lip pomades,sunran lotions, sunscreens,facial masks. Provisionof the proper facialmask is complex: therearesulfur masksfor pimples; hot or oil masksfor drv areas;also cold masksfor dry areas;tightening masks;conditioning masks; peelingmasks;cleansingmasks made oFherbs, cornmeal, or almonds; m,rd p".ks. Black "fade "even creams"to women mavwish to use skin tone." Skin-carepreparationsare never just sloshedonto the skin, but applied according to preciserules: eye cream is dabbed on gently.in movements toward, never away from, the nose; cleansingcream is applied in outward directions only, straight acrossthe forehead, the upper lip, and the chin, n.,r., ,rp br.,t straightdown the noseand up and our on the cheeks.25 The normalizingdiscourseoFmodern medicineis enlistedby the cosmeticsindu.stryto gaincredibiliryfor its claims.Dr. ChristiaanBarnardlendshis enormousprestigeto the Glycelline o["cellular treatmentactivators";thesecontain "glycosphingolipids"tliat can "make older skin behavcand look likc younger skin." The Clinique computer ar any Clinique counterwill selecta combination of preparations.iust right for you. Ultirna ll contains"pro"provides "demoralizing "biocollagen"in its anti-aging eyecream that hydrarion" to line.s." "biomechanical therm' evc cream dramaticallyimprovesthe propertiesof rhe skin."26The ParkAvenueclinic of Dr. Zizmor, "chicf of dermatologyar one of New York'sleading hospitals,"oflers not only medical treatmentssuch as dermabrasionand chemicalpeelirigbut "total deepskin cleaning"as well.27 Really good skin-care habits reqrrire the use of a variety of aids and devices:facial steamers; faucetfilters to collect impluritiesin the water; borax to sofrer-r it; a humidifier for the bedroom;electricmassagers; backbrushes;complexion brushes,looFahs;pumice srones; blackheadremovers.I will not detail the implements or techniquesinvolved in the manicure or pedicure. The ordinary circumst:rnces oFlife aswcll as a wide varieryoFactiviricscausea crisisin . skin-care:rnd recluirea stepping up of the regimen as well as an additional laying on of Skin-carediscipline requiresa specializedknowledge: a woman musr know PreParations. what to do if she h:r.sbeen skiing, taking medication, doingvigoious exercise, boating, or swimming in chlorin:rtedpools; if she has been exposedto pollution, heated.ooms, Jold, sun, harshweather,rhe pressurizedcabinson airplanes,,"r.,,, or sream rooms, fatigue,or stress.Like the schoolchild or prisoner, the woman ma.stering good skin-carehabits ir!.,t on a timetable:GeorgetteKlinger requiresthat a shorte, o. lo.,g.. period of attenrion be paid to the complexion at leastfour times a day.28Hair care,like iki., ."r., requiresa similar investmentoF time, the use of a wide variery of preparations, the rn"rr.ry of a set of techniquejl and, again, the acquisition of a specializedkno*ledge. crown_andpinnacleof good hair careand skin ..ie ir, of course,the arrangement , Ih.. ot" the hair and the applicationof cosmetics.Here the regimen of hair care,skin.^.., -"ntcure' and pedicure is recapitulatedin another mode. A woman musr learn the proper 100 S A N D R AL E E B A R T K Y manipulation of a largenumber of devices-the blow dryer, styling brush, curling iron, hot curlers,wire curlers, eyeliner,lipliner, lipstick brush, eyelashcurler, mascarabrush-and the cortect manner of application of a wide variery of products-foundarion, roner, coverins stick, mascara,eye shadow eye gloss,blusher,lipsrick, rouge, lip gloss,hair dye, hair rinsi "rclaxet" hair lightener,hair erc. In the ianguageof fashion magazinesand cosmeticads, making up is typically portrayed as an aestheticactivity in which a woman can expressher individualiry. In ..^ti,y, while cosmeticsryleschangeeverydecadeor so and while somevariation in make-up is permitted dependingon the-occasion,m:rking up rhe faceis, in fact, a highly srylizedactiviry that giveslitde rcin to selflexpression. Painting the {aceis not like painting , pi.,,r.., ar besr, it might be describedaspainting the .sarne picture over and over againwith minor variations. Litde latitude is pern.rittedin what is consideredappropriatemake-up for the office and for most social occa.sions; indeed, the woman who usescosmeticsin a genuinely novel :rnd imaginativeway is liable to be seennot as an artist but as an eccentric.Furthermore,sincea properly made-up facc is, if not a card of entrde,at leasta badgeof acceptabilitvin m6sr socialand professionalcontexts,the woman who choosesnor to wear cosmeticsat all faccs sanctionsof a sort which will ncver bc applied to someonewho choosesnor ro Daint a watercolor. Are we dealingin all this n.rerelywith sexualdffirence?Scarcely. The disciplinarypractices I.have describedare part of the processby which the ideal bo<jyof feminir,ity-.n1| h.,r.. t h e f e m i n i n e b o d y - s u b j e c r - i s c o n s r r u c t e d i;n d o i n g t h i s , t h e y p r o d u c ea , p r a c t i c e d a n d subjected"body, i.e., a body on which an inferior statushas been inscribed.Awoman's face must be made up, that is to say,made over, and so must her body: she is ren pounds overweight; her lips must be made more kissable;her complexion dewier; h.. .y.. rnore mys"art" terious.The olt make-up is the art of disguise,but this presupposesrhat a woman's face' unpainted,is defective.Soapand water,a shave,and routine artention to hygienemav be enough for him; for her they are not. The strategyof much beauty-relatedajvertising is to suggestto women that their bodiesare deficient,but evenwithout much more o. 1.., .*plicit teaching,the media imagesof perfect femalebeaurywhich bombard us daily leaveno doubt in the mind.sof most women that they fail to measureup. The technologiesof femininity are taken up and practiced by women againstrhe background of a pervasiuesense of bodily deficiency: this accounts for what is often their compulsive or even ritualistic cnaracter. The disciplinaryproject of femininity is a "set-up":it requiressuch radicaland extensive measuresof bodily transformation that virtually every woman who givesherself to it is destined in some degreeto fail. Thus, a measureof shame is added to a woman's sensethat the body she inhabits is deficient: she ought to take berter careof herself;she might after all havejoggedthat last mile. Many women arewithout the time or resourcesto rrrovidethemselveswith even the minimum of what such a regimen requires,e.g., a decentdier. Here is an additional source of shame for poor women who must bear *hat our society regardsas the more general shame of poverty. The burdens poor women bear in this regard-arenor merely psychological,since conformiry to the prevailing standardsof bodily acJeptabiliryis a known factor in economic mobiliry. F o u c a u l rF, e m i n i n i The larger dis, means race- or clas: women are in gene more privileged sisr localiry ethniciry o scribed.The rising 1 while the counter-st "upscale"health clu II Home-C1,m adv r e s utl. 2 9 In the regime and prey" for the r smooth.30In contet ol the conscior-rsness ment.'Womanlives "wor often told that one errgagedin a pr it off? But \vomcn w o m a n i s l i k e l i e rt r older woman has a " selfgo. Hereit mrity of the pcrformer ple, depends on hi dependencl'.While down in a number requisiteto ;rn artis virtually everywom which won.renare j balancesir.rthe soci: audiences. An aesth cular srrengthprod the physicalabuse< fitnessmovement h than was heretoforr media that seemro more muscular stre acrossrhe threshold Under the cur massive;they must takeson as she matr body by which a w< to assumeis tire boc stance,a body;- u, qu.irementrha. N inexperience,for an , N D R AL E E B A R T K Y rush, curling iron, hot as.rra brush-and the [, , toner, covering ;s, hair dye, hair rinse, rg up is typically porrdividuality.In reality, ,ion in make-up is perhighl), srylized activiry xting a picture;at best, with minor variations. p for the office and fbr r genuinely novel and :. Furthermore, sincea I acceptabiliwin most rr cosmeticsat all ficcs :hoosesnot to paint a e disciplinarypractices emininity-and hcnce "practicecl and rduce a 6ril.sd.A woman'sface , .j ten pounclsoverer; her eyesmorc mysPPosesthat a woman's may tention to l.rygierte .y-rclaredadvertising is t much fflore or lcssexnbarclus deily leaveno of femre techr.rolop;ies nd of a pervasivescnse l s i v eo r e v e n r i t u a l i s t i c such radical :rnd extenvho givesherselfto it is ro a woman'ssensethat rselflshe might aFterall )urce.sto provide them., a decentdiet. Here is rt our sociery regardsas r in this regard are not f bodilv acceptabiliryis Foucault, Femininirv, and rhe Mode rnization of patriarchal power t0r The larger disciplinesthat construct a "feminine" body out of a female one are by no rneansrace- or class-specific.There is little evidence thar women of color or workine-clars women are in generallesscommitted to the incarnation of an ideal femininiry thari their more privileged sisters.This is not to deny the many ways in which factors oi.".., .l"rr, localiry,ethnicitv, or personal taste can be expressedwithin rhe kinds of practicesI have described.The risingyoung corporareexecurivemav buy her cosmericsar Bergdorf-Goodman while rhe counter-serverat McDonaldt getshers at K-Mart; rhe one -ry lJin an expensive "upscale"h_ealth club, while the other may have ro make do with rhe $9.49 GFX Boiy-Flex II Home-Cym advertisedin the National Enquirer: Both are aiming at the same g..r.r"l r lQ result. ' In the regime of institutionalized heterosexualirywoman must make herself "object and prey" For the man: it is for him that these eyesare limpid pools, this .h."k b"bysmooth.30In contemporarypatriarchalculture,a panopticalmai. connoisseurresideswithin of most women: they stand perpetually before his gaze and,underhis judgthe consciousness ment. \roman livesher body as seenby another, by an anonymous patriarchal Other. W. "i. "women dressfor other women." There is some tr.rtir in thi.s:\X/ho but someoften told that one engagedin a project similar to my own can appreciarerhe panachewith which I bring it of? Bur women know for whom this game is played: They kno* that a pretty young woman is likelier to become a flight attendant than a plain one and that " *.ll-pr.r.r.'r.d olderwoman has:r better chanceoFholding on to her husband than one who has "ler herselfgo." Here it might be objectedthat performancefor anorher in no w:ry signalsthe ilfbrioriry of the performer to the one for whom the performanceis intendecl.The acror,for example, dependson his audicnce but is in no way inFeriorto it; he i.snot clemeanedby his dependency.While Femininiry i.ssurely something enacred,the analogy ro rhear€r br."k. d o w n i n a n u m b e r o F w a y s .F i r s t ,a s I a r g u e de a r l i c r ,t h e s e l F d e t e r m i n a r i o w n e rhinkof as requisiteto an artistic careeris lacking here: femininity as spectacleis something in which virtuallyeverywoman is recluiredto participate.Second,the precisenarure oFrhe"crireria by which women are judged, not only the inesc:rpabilityof judgment itsell, reflecrs g.o5 i-balances in the socialPowerof the sexesthat do not mark the ielationshipof artistslnd their audiences. An aesthcticof-Femininity,for example,that mandatesfragiliryand a lack of muscular-strengthproducesfbmalebodies that c"n ofler little ..rirt"rr.J to physicalabuse,and the physicalabu.seof women by men, as we know is widespread. Ir is true rhat the currenr fitnessmovement has permitted women to develop rno.. .r-r.,r.,rla.r strength and endurance than was heretoForeallowed; indeed, irnagesof *o-.n have begun ro appearin the mass mediathat seemto eroticizethis new rnusculariry.But a woman -.y by .,o -""rm develop more muscularstrer-rgththan her partner; the bride who would t..rd..ly carry her grooacrossthe thresholdis a figure of comedy,nor romance.3t Under the current "tyranny of slenderness" women are forbidden to becomelarge or massive;they must take up as little spaceas possible.The very conrour' " *o-"r,, 6ody takeson asshe matures-11-r. fuller breasts and rounded hips-have become distasteful.The body by which a woman feelsherselfjudged and which by rigorousdisciplineshe must rry to assumeis the body of early adolescence, slight and ""fbimJ, a body l"iki.,g flesh or s,rbstance'a body in whose very contours the image of immaruriry has been inscribed. The requirement that a woman maintain a smooth and hairlessskin carriesfurther the theme of tnexperience'for an infantilized face musr accompany her infantilized body, a face that never q!lrrrol r02 S A N D R AL E E B A R T K Y agesor furrows its brow in thought. The face of the ideally feminine woman musr never drsplay the marks of character,wisdom, and experiencethat we so admire in men. To succeedin the provision of a beautiful or sexy body gains a woman arrenrion and some admiration but little real respectand rarely any social power. A woman! effort to master feminine body discipline will lack importance just becauseshe does it; her activiry partakes of the general depreciation of everything female. In spite of unrelenting pr.rr,,* ,o "make the most of what they have," women are ridiculed and dismissedfor th! irivialiry of "trivial" their interest in such things as clothes and make-up. Further, the narrow identification of woman with sexuality and the body in a socierythat has for cenruriesdisplayedprofound suspicion toward both does little to raise her srarus.Even the -ort "dor.j female bodiescomplain routinely of their situation in ways that revealan implicit understanding that there is something demeaningin the kind of attention they receive.Marilyn Monroe, E'lizabethThylor' and Farrah Fawcett have all wanted passionatelyto become acrresses-artists "sex and not just objects." But it is perhaps in their more restrictedmotiliry and comporrmenr thar the inf'eriorization of women'sbodies is most evident: women'stypical body language,a language of relative tension and constriction, is understood ro be a languageof strbordinati,rnvJh.r, it is enactedby men in male statushierarchies.In groups of m.r,, those with higher status typically asstlmelooser and more relaxedposrures;the bosslounges .o-fo.Lbly b.hind the deskwhile the applicant sits tenseand rigid on rhe edgeof his seat.Higher-status individuals may touch their subordinatesmore than they themielvesg"t to,r.h.J; they initlate more eye contact and are smiled at by their inferiors more than they are observed to smile in return.32\X/'hatis announced in the comportmenr of superiorsis confidenceand ease,especiallyeaseof accessto the Other. Femaleconsrrainrin postureand movemenr is no doubt overdetermined:the fact that women tend to sir and stand with legs,feet, and kneescloseor touching may well be a coded declarationof sexualcircumspeciionin a society that still maintains a double standardor an effort, albeit unconscious,to guar4 the genital area'In the latter case,a woman's tight and constrictedposturemust be ,..., ^, th. expressionof her need to ward off real or symbolic sexualattack. Vhatever proporrions must be assignedin the final display to fear or deference,one thing is clear:Womant body languagespeakseloquently, though silently, of her subordinate ,,"r,r, in a hierarchy of gender. VI If what we have described is a genuine discipline-a "system of micro-power rhar is essentially non-egalitarian and asymmetrical"-who then are the disciplinarians?33 Who is the top sergeantin the disciplinary regime of femininiry? Hisrorically, ihe law has had some responsibiliqy for enforcement; in times gone by, for example, individuals who appearedin public in the clothes of the other sex could be arrested.Vhile cross-dressers are still liable to some harassment,the kind of discipline we are considering is not the businessof the police or the courts' Parents and teachers,of course, have extirsive influence, admonish'ing girls to be demure and ladylike, to "smile pretry" to sit with their legs together.The influl ence of the media is pervasive,too, consrructing as it does "., i-"gif ti'" f.-"1. body as spectacle,nor can we ignore the role played bv "beaury experrs" o"r by emble-"ti. putli. personagessuch as Jane Fonda and Lynn Redsrave. F o u c a u l t ,F c m i n i n i t Y , But none of these doesin fact wield the k straightforwa rd discipli the female body is ever one in particular. W'om admonishedto diet, sc softenedby referencet, saidthat I had a beauti "people"-friend Here, of body size. Foucaulttends to tion of specificir-rstitutr to overlook rhe extenr r tionally bound.35The : quenceswhich are cruc absenceof a formal inr carryout institutional c either entirely voluntarr t h e o n e h a n d .d i s c i p l i n and asymmetrical" sysr< d i s c i p l i n ei n t h i s s e n s e . w h e na r ri n d i v i d u a l c a n ,o f c o u r s e ,b e b o r h : ing offered by the army he and other members. pline has this dual char, end of a rifle, nor can lr lesswomen in an attem plinary practices of fem they must be understoo systemof sexualsuborc compliant companions soldiers. Now the transforrr t h e f o l l o w i n g :a r i t e o f p aestheric;a way of annor other women in the con i n d u l g e n c eJ.0 T h e s o c i a basediscipline,roo, and fi able disciplinarians an< to which the imperative whichall .on.ur makin innocent part of growinr \W4ryarent all worr t. . l,l. Uyfearof rera. r) black.Nor will it suftlcc \NDRA LEE BARTKY rr'omanmusr neverdisire ;. men. , a n a t t e n t i o na n d woman s efforr to masoes it; her activiry parr n r e l e n t i n gp r e s s u r et o ;sed for the trivialiry of , the narrow identificae n r u r i e sd i s p l a y e dp r o re most adored female mplicit undersranding e i v e .M a r i l y n M o n r o e , )ecomeactresses-artists rtment thar the inferianguage,a language of r f s u b o r d i n a t i o nw h e r r t h o s ew i r h h i g h e r s r a u n g e sc o m f o r t a b l y b e ' [ r i ss c l r . H i g h e r - s t a t u s s g e t t o u c h e d ;t h e y i n i Lnthey are observedto riors is confidenceand s t u r ea n d m o v c m e n t i s r ' with legs, Feet,and rr /mspection in a soonscious,to guard the lre must be seenas the W h a t e v e rp r o p o r t i o n s i s c l c a r :W o m a n \ b o d y L a t u si n a h i c r a r c h yo [ Foucault, Femininity, and the Modernizarion of patriarchal power r03 But none of these individuals-the skin-care consuhanr, the parent, the policemanin does fact wield the kind of authoriry that is rypically invested in thor. *ho -"n"g. -or. straightforwarddisciplinary institutions. The. disciplinary power that inscribesfemininity in the female body is ever)'whereand it is nowhe.re;,h. dir.ipli.,arian is everyone ,nd y., ,,o \women regarded as overweight, for example, reporr that tirey "r. ,.g,rl"rly one in particular' admonished to diet, sometimes by people they scarcelyk'o*. 'ih.r. intrusions are often softenedby referenceto^the natural prettinessjust waiting ro emerge: "people have always saidthat I had a beautiful faceand'if youd only lose*eilhr youd"b. re"lly beautiful., .34 "people"-friends and casualacquainrancesalike-act to enforce pr.*ili.rg Here, standards ofbodY size. Foucaulttend'sto.identifi' the imposition of disciplineupon the body with the operaof tion specificinstitutions, e.g.,theschool, the factory,rhe prison.'lo do this, howev.r, is to overlook the extent to which discipline can be instirutional ly unboundas well as institudonallybound'35The anonymiry of disciplinarypower and its wide dispersionhave consequenceswiich are crucial to a proper .r.rd...r".rJi.rg of the subordination of women. Thc absenceof a formal institutional structure and of authorities investedwith the power ro carryout institutional directivescreatesthe impressionthat the production of femininiry is eitherentirely voluntary or natural. The severalsensesof "discipline" are instructive here. on the one hand, discipline is something imposed on subject, of "r., "essenrially inegalitarian and asymmetrical"systemoFauthority.Schoolchildren,convicts,"nd d.afte.s ".. irbj..t to disciplinein rhis sen.se. Bur discipline can be voluntarily as well, as, for .*"-p1", :""q!, whenan individual seeksinitiation into the spirirual disciplineof ZenBuddhism. Dis.ipiin. can,ofcourse,bc both at once: the volunteermay seekthe physicaland occuparionaltr"ining offeredby the army without the armyt ceasingin any way ro be the instrument by which he and other membersof his classarekept in disciplinecl,,,bj..tio,-,. Feminine bodiiy discipline has this dual character:on the one hand, no one is marched oFf for electrolysisat rhe end of a rifle, nor can we fail to appreciatethe initiative and ingenuiry displayeclty.o.r.r,lesswomen in an attempt to master the riruals of beaury.N.,r.ith.l.rr, insofar as the disciplinary practice's of f-emininity produce a ".subjectedand practiced," an inferiorized body, theymust be understoodas aspectsof a far largerdisciplini, an oppressiveand inegalitarian systemof sexualsubordination' This system,,ims ^t tr'r..ri.rg*o-.n into the <iocileand comPliantcompanionsof men just as surely as the army aim'.sto rurn irs raw recruirsinto soldlefs. :ro-power that is esseninarians?33 \fho is the re law has had some reduals who appeared in ;-dressersare still liable the businessof the ponfluence,admonishing rgs together.The influe of the female body as by emblematic public Now the transformationof oneselfinto a properly fbminine body may be any or all of the following: a rite of passage into adulthood; ,n. "aoption and celebrationof a particular aesthetic;a way of announcing one'seconomic level anj social srarus;a way ro triumph over otherwomen in the comp.titio., for men jobs; or or an opporruniry for massivenarcissistic indulgence"l6The social construction of th. f.mi.ri.,. biiy is all th.se things, but it is at too' and.discipline of the inegalitarian sort. The absenceof Formallyidentil:I^dl::*tt,le' rlaDledlsclPlinarians and oFa public scheduleof sanctionsservesonly to disguise rh..*,.n, the imperativeto bs"feminine" servesrhe interestof domination. This is a lie in :",ylitl which all concur: making up is merely artful play; onek first pair of high-heeled shoesis an innocentpart of growing up and not,h. ^oi..n equivalentof foot-binding. all.women feminists?In modern iniustrial socieries,women are nor kept in r,^" *Yl-tlent rurc Dy tear of retaliatory male violence; rheir victimization is nor that of the South Afri."n black'Nor will it suffice to say that a falseconsciousness engenderedin women by patriarchal S A N D R AL E E B A R T K Y 104 ideology is at the basisof female subordination. This is not to deny the fact that women are often subject to grossmale violence or that women and men alike are ideologically mystified by the dominant genderarrangements.'il/hat I wish to suggestinsteadis that an adequateunderstanding of womens oppression will require an appreciation of the extent to which not only wornen'slives but also their very subjectivitiesare structured within an ensembleof systematically duplicitous practices.The feminine discipline of the body is a casein point: The practiceswhich construct this body have an overt aim and characterfar removed, indeed radically distinct, fiorn their covert function. In this regard,the systemof gender subordination, like the wage-bargainunder capitalism, illustratesin its own way the ancient tension between what is and what appears:The phenomenalforms in which it is manifestedare often quite different from the real relationswhich form its deeoerstructure. V]I 'fhe lack of fbrmal public sanctionsdoes not mean that a woman who is unable or unwilling to submit herselfto the appropriatebody clisciplinewill faceno sanctionsat all. On dre contrary, she facesa very severesanction indeed in a world dominated by rnen: the refus:rlof male patronage. For the heterosexualwoman, this rnay mean the loss of a badly needed intimacy; for both heterosexualwomen and lesbians,it may well mcan the refusalof a decent liveliliood. As noted earlier,women punish themselvestoo for the failure to conform. 1'he growing literaturc on womens body size is filled with wrcnching confessionsof shame fron.r the overweight: I felt clumsy and huge. I fclt that I would knock over furniture, bump into things, tip over chairs,not fit into VW's, especiallywhen people were trying to crowd into the back seat.I felt like I was taking over rhe whole room. . . . I felt disgusting and like a slob. In the summcr I felt hot and sweatyand I knew people saw my sweat as evidencethat I was too fat. I felt so terrible about the way I look that I cut offconnection with my body. I operate from the neck up. I do not look in mirrors. I do not wanr ro spend time buying clothes.I do not want to spcnd time with make-up becauseits painful for me to look at myself.37 I can no longer bear to look at myself. \Thenever I have to stand in front of a mirror to comb my hair I tie a large towel around my neck. Even at night I slip my nightgown on before I take offmy blouse and pants. But all this has only made it worse and worse. It's been so long since I've really looked at my bodv.38 The depth of thesewoment shame is a measureof the extent to which all women have internalized patriarchal standardsof bodily acceptabiliry.A fuller examination of what is "internalization" meant here by may shed light on a question posed earlier: 'Why isn't everv woman a feminist? "internalized" Something is when it gets incorporated into the structure of the self. By "structure of the self" I refer to those modes of perception and of self-perceprionthat allow Foucault,Femininitv a selfto distinguishit describedelsewhereI nessofherselfasa bo' of oneselfasa distincr ceivedbr-rtalso to wh "internal izati senseof is imP it whom upon is a certaincontradict disciplinemaY bring otherskilledindividu cost to acquire them havebeenbetteroffl a genuinely especially male body, threatens Beyondthis, it callsir ment of a senseof co Resistancefrom compliance;furrher, what they take to be tle perhaps,but tied r "ferninine"felt to be most casescrucia' only as male or fbma body rnay also be ess< Hence,any political into a feminine one r with desexualization, T'he categoriesr of personalidentities: count to some degrer revulsionfelt by man muscularwoman car The radicalfeminist senseof her own iden Of course,man reform in the struggl indeed, many orrho, womant femininity have rejected " nortraditional sexualdiv of feminine body dis hasarguedthat mode for individuals consti the realm of what is , we are invited t ie profound than hims F. iDRA LEE BARTKY Foucault, Femininity, and rhe Modernizarion of patriarchal power fact that women are leologicallymystified t an adequateunextent to which not n an ensembleof syss a casein point: The removed,indeed rad;endersubordination, :ient tension between f'estedare oFtenquite r is unable or unwillnctions at all. C)n the by men: the relusalof of a badlv neededin.he refirsalof a decent , conform. The growns o[shamefrom the ,'mp into things, 'ing to crowd ..Ifelrdisgustw peoplesaw my h my body. I opI r r o s P e n dt i m e rseit's painful fbr in front of a mirLtnight I slip my has only made it bodv.Js ch all women havein:aminationof wh:rt is rarlier:'J7hyisn'teverY rructureof the self.BY -perceptionthat allow :; i' '(: i : l, *l 105 a self to distinguish itself borh from other selvesand from things which are not selves.I have describedelsewherehow a generalizedmale witness comes ,o ],.'.r.,,rr. womant consciousnessof herselfasa bodily being'39This, then, is one meaningof "inrernalization."The sense of oneselfas a distinct and valuable individual is tied not only ,o the senseof how one is perceivedbut also to what one knows, especiallyto whar one knows how to do; this is a second "internalization."'Whatever senseof irs ultimate eflbct, discipline can provide the individual upon whom it is imposed with a senseof mastery as well as " r..,r.. senseof identiry. There is a certain contradiction.here:While its imposirion may promote a larger dis.mpowerment, discipline may bring with it a certain development of " p".ront powers. wo^en, then, like other skilled individuals, have.a stakein-the perpetuation of thei. st ittr, whateverir may have cosr ro acquirethem and quite apart from the quesrion whether, as a gender,they would havebeen better offhad they never had to acquire them in the first pl"..i H.rr.., f..r-ri.rir-, a genuinelyradicalfeminism that questionsthe patriarchalconstruction especially of the fcmale body, threatenswomen with a certain de-skilling,something people normally resist. Beyond thi's,it calls into question that aspectof p..ro.,"l identiry th"i l, ii.d to the jevelopment of a senseof competence. Resistancefrom this source may be joined by a reluctancero parr with the rewards of compliance;further, many women will resistthe abandonmenrof an aesrheric that defines what they take to be beautiful' But there is still another sourceof resistance, one more subtle perhaps,but tied once againto questionsof identiry and internalizarion.'lo 6avea body "fbminine"-a felt to be body sociallyconstructedthrough the appropriarepracrices-ir; most casescrucial to a woman'.ssenseoFherselfas female"rd,.irr." persons currently canbe only as male or female, to her senseof herselfas an exisringindividual. Tb por..r, such a body may also be es.sentialto her senseof herself as " .r.*,'r"llid.siring ancl derirable subject. Hence,any political project that aims to dismantle the machinery that rurns a fcmale body into a feminine one rnay well be apprehendedby a woman ", somerhing ,tr", ,i,.."r.r,, 1., with desexualization, if not outright annihilation. The categoriesof masctrliniry"nd femininity do more than assisrin the consrructiorr of personalidentities:they arecriticalelementsin our informal socialontology.This rnay account to some degreefor the otherwisepuzzling phenomenon of homophol,i" ".rd fo. th. revulsionfelt by many at the sight of female bolib.rild..s; neither the homosexual nor the muscularwoman can be assimilatedea.silyinto the categoriesrhar srrucrureeverydaylife. The radicalf'eministcriticlueof femininiry, then, may pose a rhreat not only to a womant senseof her own identity and desirabiliry but also ro the^verysrrucrureof her social universe. Of course,many women arefeminists,favoring " prog."of political and economic _-r In the strLrggleto gain eqLralirywith men.40But many "refo.in" or liberal feminists, ITtT rndeed' many orthodox Marxists, are commirred to rhe idea that the pre.servationof a femininiry is quite compatible with her srrugglefor liberation.al These thinkers Iot"T ttave re.;ected a normative fimininiry basedupon the notion of "separate spheres"and the traditional sexualdivision of labor *hil. ".."p,ing at the same rime convenrional standards of feminine body display. if my analysisis correct, such a feminism is incoherent. Foucault uasarguedthat modern bourgeoisdemocracy is deeply flawed in that it seekspolitical rights for individuals constituted "ri-,.,f.." by ",r"ri.ry of disciplinary micropowers rhar lie beyond the realm of what is ordinarily d.fi.r.d as the "political." "The man describedfor us whom we are invited ro free,".l:^r"y_r, "is already in himself the effect of a subjection much more profound than himself."42 if, ^r I have ".g.,.a, female subjectiviry is constitured in any S A N D R AL E E B A R T K Y 106 significant measurein and through the disciplinary practicesthat construct the feminine "man" "woman." is perhapseven truer of body, what Foucault sayshere of Marxists have .W'e maintained from the first the inadequacyof a purely liberal feminism: have reachedthe same conclusion through a different route, casting doubt at the same time on the adequary of traditional Marxist prescriptionsfor woment liberation as well. Liberals call for equal rights for women, traditional Marxists for the entry of women into production on an equal footing with men, the socializationof horrsework,and proletarianrevolution; neither calls of masculiniryand femininiry.a.s for the deconstructionof the categories Femininiry as a cer"sryle to tain of the flesh"will have be surpassedin the direction of somethingquite different, not masculinity,which is in many waysonly its mirror opposite,but a radicaland asyet unimagined transformationof the femalebody. VIII Foucaulthas argued that the transition from traditional to moc{ernsocietieshas been char"a acterizedby a profbund transformationin the excrciseoFpower,by what he calls reversal of the political axis of individuation."44In older authoritariansystcms,power was embodied in the personof the monarch and exercisedupon a largelyanonymousbody of subjects; violation of the lawwas seenas an insult to the royal individual. \y,/hilethe rnethodsemploved to enforce compliance in the past werc ofien quire brutal, involving gross:rssaults againstthe body, power in such a systemoperatedin a haphazardand cliscontinuousfashion; much in the socialtotaliry lay beyond its reach. By contrast, modern society has seenthe emergenceof increasinglyinvasiveapparatusesof power; these exercisea far more restrictive social and psychologicalcontrol than was "circulate heretoforepossible.In modern societies,efFectsof power through progressively finer channels,gaining accessto individualsthemselves, to their bodies,their gesturesand ail their daily actions."45Pou,ernow seeksto transform the minds of those individuals who might be terlpted to resistit, not mcrely to punish or imprison thcir bodies.This requires two things: a finer control of the bodys time and its movements-a control that cannot be achievedwithout ceaseless surveillanccand a better understandingof the specificperson,of' "case."The the genesisand natureof his power thesenew apparatuses seekto exercise require a new knowledge of the individual; modern psychologyand sociologyare born. 'Vhether the new modesof control have chargeof correction,production, education,or the provisionof welfare,they resembleone another; thelr exercisepower in a bureauclxli6m6ds-faceless, centralized,and pervasive.A reversalhas occurred: po\\'er has now become anonymous, while the project of corrtrolhas brought into being a new individualiry.In fact, Foucaultbelievesthat the operation of porverconstitutesthe very subjectiviryof the subject.Here, the image of the Panopticon returns:knowing that he may be observedfrom the tower at any time, the inmate takesover the job of policing himself.The gazewhich is inscribedin the very structure of the disciplinary institution is internalized by the inmate; modern technologiesof behavior are thus oriented toward the production of isolatedand self-policing subjects.a6 \7omen have their own experienceof the modernization of power, one which begins later but follows in many respectsthe courseoutlined by Foucault. In important \.\'ays,a woman's behavior is lessregulated now than it w.asin the past. She has more mobiiity and is lessconfined to domesticspace.She enjovswhat to previousg€nerationswould have been F o u c a u l t ,F e m i n i n i an unimaginable se creasingsecularizati ily and' in sPite o institutions was wie archalauthoriry in I tions if she disobev that her desirebe al her God's more sPe at and ecclesiastical were charged with failed to constrain. By contrast,rh a properly embodie mally empowered t, particular.This disr public sanctions,nc placeto place.For a "a machineryof pov techniqucsthror-rgh which is perpcruala Posture,gestures,xr ble parr.s. As modern ind triarchy, older fbrm consolidated.S/omr of acrivity to rhe l-ror mativefemininiry is tiesand obligarions presumedhererosex preoccuparionwith societyincreasingly might be venrured, spreadof this discipl \7hat was formerly , ot everywoman, be To subjectoner I have.argued, ir is p wtth the current nee advancedcapitalism ln the economyof er and againstrheir orv The woman wl hascakedor her mar looks frequenrly .o s Itors everythink j policing subjeci, a sr f"' \NDRA LEEBARTKY Foucault, Femininiry, and the Modernizarion of parriarchal power tonstruct the feminine 'o'- 'n." M.r*irt, h"u. -'hrve reachedthe , an unimaginabie sexualliberry. Divorce, accessro paid work ourside the home, and the increasingsecularizationof modern life have loosenedthe hold over her of rhe traditional family and, in spite of the current fundamentalist revival, of the church. power in these institutions was wielded by individuals known to her. Husbands and fathers enforced patriarchalauthoriry in the family. As in the ancien rigime, a womant body was subject ,o ,",-,.tions if she disobeved.Not Foucaultt royal individual but the Divine Individual decreed "unto that her desirebe always her husband,"while the personof the priest made known to her God's more specificintentions concerning her placeand duties. In the dayswhen civil authority were still conjoined, individuals formally i.,,r".t.i and ecclesiastical with power were chargedwith the correction of recalcitranrwomen whom the flmily had someho* failedto constrain. By contrast,the disciplinarypower that is increasinglychargedwith the production of a properly embodied Femininiryis dispersed".rd "nonymour, ,li.r. are no individuals formally empoweredto wield it; it is, as we have seen,invesredin everyoneand in no one in Particular'This disciplinary power is peculiarly modern; it does nor rely upon violent or public sanctions'nor does it seekto resrrainthe Freedomof the fbmalefroai t" move from placeto place.For all that' its invasionof the body is well-nigh total: the femalebody enters "a machineryof power that exploresit, breaksit down "nd ..""rr"ngesir."47 fhe disciplinary "docile techniquesthrough which the bodies"oFwomen are consr;lcred aim "r " ..grrl"tio. -a regulation of rhe bodyt sizeanci which is perpetual and exh:rr,rstive conrours, it, a"ppetite, gestures' and general comPortment in spaceand the appearanceof eachof its visiPosture' bleparts. As modern indusrial societieschangeand as women themselves oflcr resistance ro patriarchy,older forms of domination are erodecl.But new Form.sarise, spread,and become \Womenare no consolidated' longcr requiredto be cha.ste or modest,ro restricttheir sphere of activityto the home, or evenro realizetheir properly fiminine destiny in marernity.Normativefemininiry is coming more and more to bc centeredon *or,-r",-,'., body-not its dutiesand obligationsor evenits capaciq,to bear children, bur irs sexualiry,more precisely,irs -I'here presumedheterosexirality and its appearance. is, of coursc,,.rorhi.,gncw in *o-..r,, preoccupation with youth and beaury.What is new is the growing po*"ioF,h. irnagein a to:i:ty. increasinglyoriented toward the visual media. I-".g., of"norrrl.,iue feminiiiry it might be ventured,have rep_laced the religiouslyoriented t.I.r, .rf thc past. New too is the disciplineto allclassesof **"n and it,sdeploymentrhro,rghoutthe life cycle. if;t*_:"1't * * f o r m c | J yt l r es p e c i a l r yo F t h e , r r i s t o c r aorr c o u r r e s a n i s n o w t h . r o u r i n eo b l i g a r i o n : : . every 1: or woman, be she a grandmotheror a barelypubescent girl. * subiectoncselfrtothe new disciplinarypower is to be up-to-d"re, to be..with-it,,;as r,,-naveargued,it is presentedto us in ways that are regularly disguisecl.It i.sfully compatible with the current n...1 fb, woment wage labor, th. .ult of youth"and fitness,and the need of t o m a i n t a i nh i g h l e v e l so f c o n s u m p r i o n .F u r r h . r , i r r e p r e s e r r r s a saving l'rj : *trtc : : *ecoflolrly titalism of enforcement:sinceit is women themselves who practiceihis dlsciplineoi and a-gainsttheir own bodies, men ger off scot-free. woman who checksh.. .,i"k.-,rp half a dozen rimes a day to seeif her foundation ;.^. ^lh: ]'^ caxedor her mascararun, who worries that the wind or rain may spoil her hairdo, who lools frequently ro seeif her srockings have b"gg.d at the ank1e,or who, feeling far, monItorseverythins.he ears,has becom"e,just as irrr.ly as rhe inmare of panopticon, a selfpolicingsubjeci, a self committed to a relentlessself-surveillance. This self-surveillance is a r time on rhe adequacY Liberals call for equal )roduction on an equal evolutionn ; e i t h e rc a l l s " , . 4F J e m i n i n i r ya sa c e r somerhing quite d i lferl n d a sy e t bur a radicaa societieshas been char"a what he calls reversal rms, power was embodFmousbody of strbiects; While the methods eminvolving grossassaults rnd discontinuousfash- 107 a. t t' asingly invasiveaPPara- l:. :: rlogicalcontrol than was .- hrough progressivelY . , their gesturesand all ,f those individuals who t : eir bodies.This requires t'; -acontrol that cannot be t of the specificperson,of ,i,: csseekto exerciseI'cquire 'Whether the gy are born. t 1tion, or the provisionof li i,:, k: rucratic mode-faceless, n. . Fl cw become anonymous, !i; Yr: Lliry.In fact, Foucatrlt be- 'e-: of the subject.F{ere,the s,,. g.ed fiom the tower at anY sF,.. u' ' which is inscribed in the re inmate; modern tech5 s l f- P o l i c i n g i s o l a t e d. , 6 6 1 power, one which begins rlt. In important wavs'a , has more mobiliw and is erationswould have been -* {rorq11,v S A N D R AL E E B A F . T K Y F o u c a u l tF , enrinini form of obedience to patriarchy. It is also the reflection in woman's consciousnessof the fact that rDeis under surveillancein ways that he is not, that whatever elseshe may become, she is imporranrly a body designed to pleaseor to excite. There has been induced in many "a women, then, in Foucault'swords, state of consciousand permanent visibiliry that assuresrhe auromaric functioning of power."48Since the standardsof female bodily accePtabiliry are impossible fully to realize,requiring as they do a virtual transcendenceof nature, a woman may live much of her life with a pervasivefeeling of bodily deficiency. Hence, a tighter control of the body has gaineda new kind of hold over the mind. Foucault often writes as if power constitutesthe very individuals upon whom it operates: tion VII). In spite pearedin recent Ye lirtle concern for tt iry. Women in radi niniry and are stru communitiesis the male beauty and de lines and greyinght enhanceit. A popu dve,like Kim Cher cia Hutchinsont re This literature refle desperationto whi< forget that a mass-t a critical questionir mains of life. \We w readthe cultural me when the masrery o only women. 108 The individual is not to be conceived as a sort of elementary nucleus, a primitive arom, a multiple and inert material on which power comes to fastenor against which it happens to strike. . . . In fact, it is already one of the prime effects of power that certain bodies, certain gestures,certain discourses,certain desires, come to be identified and constitutedas individuals.4') Nevertheless,if individuals were wholly constituted by the power/knowledge regime Foucault descries,it would make no senseto speakof resistanceto discipline at all. Foucault seemssomerimeson the verge of depriving us of a vocabulary in which to concePtualizethe narureand meaning of thoseperiodic refusalsof control which, just as much as the imposition of control, mark the course of human history' . "libidinal body," i.e., the body PeterDews accusesFoucault of lacking a theory of the upon which discipline is imposed and whose bedrock impulse toward spontaneity and "libidinal" bodies, Do wome n's pleasuremight perhapsbecome the locus of resistance.50 selfand constant tedium, semistarvation, constriction, the pain, rebel against nor rhen, is rebellion do, but the they Certainly surveillanceto which they are currently condemned? put down every rime a woman picks up her eyebrow rweezersor embarks upon a new diet. The harshnessof a regimen alone does not guaranteeits rejection, for hardshipscan be endured if they ar€ thought to be necessaryor inevitable. "libidinal" "nature," body, may not be the origin of a revolt \)Zhile in the form of a "culrure," domination and the disciplineit requiresare neverimposedwithout some against cost. Historically, the forms and occasionsof resistanceare manifold. Sometimes,instances of resistanceappear to spring from the introduction of new and conflicting factors into the lives of the dominated. The juxtaposition of old and new and the resulting incoherenceor "contradiction" may make submission to the old ways seemincreasinglyunnecessary.In the present insrance,what may be a major factor in the relentlessand escalatingobjectification of women's bodies-namely, women's growing independence-produces in many women a senseof incoherencethat calls into question the meaning and necessiryof the current discipline. As women (albeit a small minority of women) begin to realizean unprecedentedpolitical, economic, and sexual self-determination, they fall ever more completely under the "libidinal body," that produces, dominating gazeof patriarchy. It is this paradox, not the here and there, pockets ofresistance' In the current political climate, there is no reasonto anticipate either widespreadresisranceto currenrly fashionablemodes of feminine embodiment or joyous experimenta"styles tion with new of the flesh"; moreover, such novelties would face profound opposition from material and psychological sourcesidentified earlier in this essay(seeSec- I NOTES l. Michel Foucault, 2 . I b i d . ,p . 2 8 . 3 . I b i d .p, . 1 4 7 . 4. Ibid.,p. 153.Fou vier1766...,ti 5. Ibid.,p. 153. 6. Ibid.,p. 150. 7. Ibid.,p. 200. 8 . I b i d .p, . 2 0 r . 9. Ibid.,p.228. 10.JudithButler,,,Er p. I I, presented t, alsoButlert recer York:Routledee, I l. MarciaMillm]'n, 12. SusanBordo,,An, icalForum,yol.X Power:TheBodya r:. USA roday, May: 14. Phrasetaken from zrss(Newyork: H earingdisorde. .r 15.M.J.Saffon, - ,. 16. SophiaLoren, Wo; NDRA LEE BARTKY consciousnessof the "1 she may become, rnduced in many rent visibility that asf'emalebodily acceptnscendenceofnature, g deficiency.Hence, a rind. pon whom it operates: cleus,a primitive fasten or against prime effectsof , certain desires, rowledge regime Fou:ipline at all. Foucault :h to conceptualize the rs much as the imposiil body," i.e., the body ward spontaneity and "libidinal" bodies, :n's and constant self, but the rebellion is rarks r-rpona new diet. , for hardships can be : the origin of a revolt imposedwithout some . Sometimes,instances ilicting factors into the :sulting incoherenceor gly unnecessary.In the calating objectification ucesin many women a ity of the current discian unprecedentedpo: completely under the body," that produces, e either widespreadrerr joyous exPerimentawould face profound :r in this essay(seeSec- tr ?. :. Foucault, Femininity, and the Modernization of parriarchal power 109 tion VII)' In spite of this, a number of oppositional discoursesand pracriceshave ap"pumping pearedin recenr rfarl, An increasingnumber of women are iron," a few wiih limle concern for the limits of body development imposed by .,r.re.rt canonsof femininiry. Vomen in radical lesbiancommunities have also rejectedhegemonic imagesof femininiry and are struggling to develop a new female aesrheric.Alrriking f."ti.. of such cornmunities is the extent to which they have overcome the oppressiveidentification of fernalebeauty and desirabiliry with youth. Here, the physical f."iur., of aging-"character,, linesand greying hair-not only do not diminish a woman'sattracti,renesr,ih.ymay even enhanceit' A popular literature of resistanceis growing, some of ir analyticaland ..efl.ctive, like Kim Cherni n's The Obsession, some oriented toward pracical ,.if-h.lp, like Marcia Hutchinson's recenr hansforming Body Image: Learning io Low the Bot/y you Haur.5r This literature reflects a mood akin in some ways ro rhar oih.. "nd earlier rirood of quiet desperationto which Betty Friedan gave voice in The Feminine Mlstique. Nor should -e forget that a mass-basedwomen's movemenr is in place in this .ounriy which has begun a critical questioning of the meaning of femininiry-if not yer in this, rhen in oth"riomainsof life.'Sf'ewomen cannot begin the re-vision of our own bodies until we learn to readthe cultural messageswe inscribe upon them daily and unril we come ro seethar even when the masteryof the disciplinesof femininiry prodr-rcea rriumphant result,we are still only women. NOTES l. MichelFoucaulr, Discipline andpunish(Newyork:vintageBooks,r979),p. 13g. 2. Ibid.,p. 28. 3 . I b i d .p, . 1 4 7 . 4' Ibid''p'l53.Foucaultiscitinganeighteenth-cenrurymilitarymanual,"()rclonance d. lerlanvier 1766. . . , titrc XI, article 2." 5. Ibid.,p. r53. 6. Ibid.,p. 150. 7. Ibid.,p.2a0. 8. Ibid.,p.201. 9. Ibid.,p.228. l0' JudithButler,"Embodied Identiryin De Beauvo ir'sTheSecond Sex," unpublished manuscripr, p' I I' presented to AmericanPhilosophical Association, PacificDivision, March22,19g5.See alsoButlert recent monograph GenderTiouble:leminism ancl the Subuersionof ldentity (New York:Routledge,I 990). I l' MarciaMillman, sucha prenTFace-Being Fat in America(Newyork: Norton, r 9g0) p. 46. l2' SusanBordo,'AnorexiaNervosa: Psy.hopathology asthe Crystallizationof Culture,"philosophicalForum'vol. xvII, No. 2, winrer r9g5-g6, pp.73*104. seealsoBordo,sFood,Fashionand Bodyand TheReproduction of Gender(forthcoming, v. of california press). ,^ tJ. *:*'!e urn toaay,May 30. I995. 14' Phrasetakenfrom the title of Kim Chernin's Tbe obsession: Reflections on the Tyrannyof Slenderzen(NewYork:Harperand Row, 1981),an examinarionfrom a freministperspective of woment eatingdisordersand of the currenr femalepreoccupation with body size. tf" n, Thet5-Minute-A-DayNatu)arFace (Newyork: Lif \farner tsooks,r981). l2 roPhra Y-{ 'v' Loren,Womenand Beauty(New york: William Morrow, l9g4), p. 57. 110 S A N D R AL E E B A R T K Y 17. Iris Young, "Throwing Like a Girl: A Phenomenologyo€Feminine Body Comportment, Moriliry and Spatialitv,"Human Studies,Vol. 3, (1980), pp. 137*15G. 18. Marianne Wex, Let's TizkeBach Our Space: "Female" and "Ma/e" Body Language as a Result of patriarchal Structures(Berlin: FrauenliteraturvelagHermine Fees,I 979). Wex claims thar Japanese women are still taught to position their feet so that the toes point inward, a traditional sign of (p. 23). submissiveness "female 19. In heels,the foot and leg are turned into ornamental objectsand the impractical shoe, which offers little protection againstdust, rain and snow, induceshelplessness and dependence. . . . The extra wiggle in the hips, exaggeratinga slight narural tendency, is seen as sexually flirtatious while the smaller stepsand tentative, insecuretread suggestdaintiness,modesry and refinement. Finally, the overall hobbling effect with its sadomascl.ristic tinge is suggestiveof the restrainingleg irons and ankle chainsendured by capriveanimals,prisoncrsand slaveswho were also festoonedwith dccorativesymbolsof their bondage."SusanBrownmlller, Feminini? (New York: Sirnon ar.rdSchuster,1984), p. 184. 20. Nanry Henley, Body Politics(Englewood CliFfs,N.J.: Prentice-Hall,1977),p. 176. 21 . I;<';ran account of thc sometimesdcvastatingeffcctson workers, like tlight amendanrs,whose conditior.rsof employment require the di.splayof a perpetualfriendliness,seeArlie Hochschild, 7'he Managed Hrart:'l-hc Commarcialization oJ'Human Iecling ([3erkclcy,Califl,: University o[ California Press,I 983). 22. Henlev, llody Politics,p. 108. 2 3 . I b i d . ,p . 1 4 9 . 24. Cllairolhasjust introduceda small elecrricshaver,the "Bikini," apparentlyintended for just such 25. Ceorsettc Klinger and lJarbaraRowes, GeorganeKlinger'sSkincare(New York: William Morrow, 1 9 7 8 ,p p . 1 0 2 , 1 0 5 , 1 5 i l , 1 8 8 ,a n d p a s s i m . 26. ChicagoMagazine,March I 986, pp. 43, 10, 18, and 62. 27. Essence, April 1986, p.25.1am indebted to Laurie Shragefor calling rhis to my attention and for proviclingmost of theseexanrples. 28. Klingca Skincare,p;>. 137-140. 2 9 . I n l i g h t o f t h i s ' o n e i s s u r p r i s e d t o s eaet w o - o u n c c j a r o f " s k i n R e g e n e r a t i o n F o r m u l a , " a " P r o tcolytic Enzyme Cream with Bromelain and Papain," selling for g23.95 in rhe tabloid Globe (April 8' 1986, p. 29) and an unidentified amount of Tova Borgninek "amazing new formula from Beverlv Hills" (otherwiseunnamed) going for $41 .75 in the National Enquirer (April 8, I 986,p. I 5). "lt is requiredof woman that in order to realizeher femininiry she must make herselfobject and 30. prey,which is to say that she must renounceher claims as sovereignsubject." SimoneDe Beauuoir The SecondSex(New York Bantam Books, I 9G8), p.642. 31' The film Pumping lron II portraysvery clearly the tension for female bodybuilders (a tension thar entersinto formal judging in the sport) beween musculardevelopmentand a properly feminine apPearance. )2. e? J+. Henley,BodyPolitics, p. 101, 153,and passim. Foucault,Disciplineand Punish,p. 222. Millnran, Sucha PrettyFace,p. 80. Thesesorts of remarksare madeso commonly to heary women that sociologist Millman takesthe most clichddastirle oFherstudyof the livesof the overwelgnt. 35. I am indebted to Nancy Fraserfor rhe formulation of rhis point. Foucault,Femininitr 36. SeeChaPter3. 37. Mrllman, Sucha I 38. Chernin, TheObs, 39. SeeChapter3. 40. For a claim that th, AinTIWoman:Bla, thoritativegeneral Natare(Totowa,N N 41. See,for example, enand Philosophy,, 1976,pp. 165-16( 42. Foucault,Disciplin 43. Someradicalfemir dg, TheLesbianBt 44. Foucault,Disciplin 45. Foucault, Colin Gc "Power and Subjec 46. Dews,op. cit., p. 7 47. Foucault,Disciplin 4 8 . I b i d .p, . 2 0 t . 49. Foucault,Pou,er/Kr an excellent disr a consistent setof'< 'Young Conservari, 50. Dews,op. cit.,p. 9 51. SeeMarciaHutchi mansburg, N.Y.:C theCrysrallization JDRA LEE BARTKY Comportment, Motile as a Resuh of Pa'ex claims that Japanese "d, a rraditional sign of d the impracticalshoe, ;snessand dependence. s seen as sexually flirtainess, modesry and rerge is suggestiveoF the :rs and slaveswho were niller, Fem in izi4r (New 7),p. 176. ight attendants, whose ;, seeArlie Hochschild, :y,Calif.:Universiryof y intcnded [or just such York: William Morrow, to my attention and for rtion Forrnula,"a "Pro- )5 in the abloid Globe "amez.ing new formula ronal Entluirer (April 8, make herselIobjectand lect." Simone De Beaurbuilders(a tensionthat rnd a properly feminine so commonly to heavy ;tudy of rhe lives of the Foucault, Femininity, and the Modernization of parriarchal power lll 36. SeeChapter3. 37. Millman, Sucha PrenyFace,pp.80 and 195. p. 53. 38. Chernin, TheObsession, Chapter See 3. 39. "mainsrream" 40. For a claimthat the projectof liberalor feminismis coverrlyracisr,seeBell Hooks, Ain't I woman:Blach.women and Feminism(Boston:south End press,r 9g 1),chap. 4. For an au_ rhoritativegeneralcritique of Iiberalfeminism,seeAiison Feministpoliticsand Human Jaggar, Nature(Totowa'N.J.:RowmanandAllanherd,l9g3), chaps.3 and7. for example, see, MihailoMarkovic,"'women's 41. [.iberation "nd Hu-rn Emancipation ,', in womenand Philosoph1, ed.carol c. Gould and Marx w. wartofsky (New york: G. p putnam,s sons, r 9 7 6 ,p p . 1 6 5 - 1 6 6 . 42. Foucauh,Disciplineand Punish,p.30. 43' SomeradicalFeminists havecalledfor just sucha deconstrucrion. Seeespecially Monique\Vittig' TheLesbianBody(Newyork: Avon Books,1976),and Btrrrer,GentJerTioubre. 44. Foucault,Disciplineand Punish,p. 44. colin Gordon, ed-,power/Knowredge 4 ) . Foucaulr, (Brigrrton,19g0),p. r 5l. euoted in peterDews, 'Powe r and.Subjectiviry in Foucaur r," New Lefi Reuiew, No. l 44, March-April r9g4,p. 17. op. crt..p. / /. 46. urJews, 47. Foucault,Disciplineand Punish,p. l3g. 48. I b i d . p, . 2 0 1 . 49. Foucault,I)ower/Knowledge, p. 98. In fact,Foucaultis nor entirclyc.nsisrenron this point. For an excellent discussion o€contending Foucaultinterpretations and for the clifficulryof deriving a consiste ..Michel nt setoFclaimsfrom Foucaultls work generaily, seeNancy F.raser, Foucault:A 'Young Conservarivc'?" Ethia,Vol. 9(?)Ocrober19g5,pp. 165_lg4. 50. Dews,op. cit.,p.92. 5 r.SeeMarcia Hutchin'son,Transforrning BodyImage-[,earning to Louethe Bodyyou Haue(-frumansburg'N'Y': CrossingPress,1985).SeealsoBordo,"Anorexia psychopathology Nervosa: as the Crystall iz.:rtion of Culture."