Exper~stry to `unsnarl congested traffic

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ztec
at
WEDNESDAY, SEPTEMBER 27, 198~
VOLUME 73 NUMBER 22
Exper~stry
SDSU prof,
is working
on solution
to 'unsnarl congested traffic
By Lisa Fuller
Dally Aztec staff writer
As part of the battle to solve the
worsening traffic problem in San
Diego, an SDSU professor is using
new research teclmiques' to understand bottlenecks.
According to civil engineering
Professor James Banks, Caltrans
assumed what seemed to be the obvious: Tie-ups are caused by the merging of on-ramp traffic into morning
nlsh-hour traffic.
"Previousrcsearch focused on
building new structures, such as
adding lanes at the merge point, yet
the traffic continued to bottle up.
Obviously that wasn't the solution,
so we had to fmd the re;lsons for the
start of the queue," Banks said.
Banks and civil enginet..-ring graduate student Karel Schaffer, who
Tbe Dally AztedLlJllan K~cn"
has since left the project, made daily
Professor cf civil engineering James Banks films tramc congestion on In order to study tbe causes and possible solutions of gridlock during
videotapes of the traffic dming the
Interstate 8 and College Aven~e froin behind the' Physical Plnnt building rusb hour3.,
peak driving hours between 6 a.m.
and 8 a.m. to examine the exact rlllllps, but said the study provided lanes and the nmp helped Banks assumptions by Caltrans, Banks , the computer program Banks created
moment the traffic Iltartlol,d to slow. , other answers.
, conduct accurate" scien~ific said. It assumed the lines Stat1ed· , to combine data from the videos and
"IdCatly,'I wOl1\d"want'lb stiuly a ' :research."" ;,;;';/.;' wJten, on-ramp traffic entered the the detectors will be useful, but is not
Th~e ob~,~\.~~~~(~ at
thb bh-ramp frulftujhege Avehue to ramp before lind airter the meier was
lJanks ,compared the computer freCway; When, the lines , actually used yet.
eastbound Interstate 8. Banks chose installed. It seemed that the metering data from the metering to the video- started above the ramp.
"We had somcone working the
t'lis site because it is a metered ramp, shifted the queue from the freeway tape to determine what started the
This showed that adding a lane program and examining the data, but
and Caltrans wanted to see if the to the ramp," he said.
line.
after the ramp wouldn't solve the, right now we don't have the staffing
nwtering improved traffic flow on
"U you want to solve a problem, ,"I don't expect instant application problem unless the lane extended to undertake the project," Day said.
the ramp.
you have to understand exactly what of th,e data. Initially, the information above the ramp where the line
The yearlong project, which
Metered ramps have stoplights the problem is. You shouldn't just may delay the necessity of designing started. Banks said knowledge of the began in June, may be extended to
that allow a designated number of look and assume you know What's new structures or stop what looks origin of traffic problems could save two years if the data continues to be
cars to enter traffic at a time.
going on," Banks sai~.
like a major problem," he said.
money.
'
useful. JUdt as everyone else, Banks
Banks found no defmite answer
The detectors on the ramps that
Examination of the data revealed
' Don Day, spokesman for the Cal- wants to see the traffic problem solon the _, effectiveness of metered record the flow of traffic across 'the on~ swprising fact that contradicted trans Traffic Systems Branch, said ved as soon as possible.
'
Bus runs later
Student gets needed
•
service
for her area
By Lars Nilsen
Dally Aztec staff wr5ter
Last fall Adele Stevens was in a
tight situation. Her night class at
SDSU was over at 9:40 p.m and the
last bus on ht.."t route left campus at 5
p.m.
Life is a little easier this semester.
With more thlUl 500 petition signatures and letters from churches and
community counciis, Stevens convinced the Metro Transit Development Board to provide bus service as
of Sept. 11 until 10 p.m.
Stevens, a graduate student of
English, had just moved to the Oak
Park community, which covers the
area near 54th Street BOUth of El
Cajon Boulevard, when she discovCled the lack of night bus service to
and from SDSU.
'
"I was really stuck there after my
night class Je! out," Stever.ll said. "I
knew I had to get busy and start
something."
Instead of just talking :bout it,
Stevens did something Wlcommon
- she a.cted.
Stevens began by talking with
members of the trans.t board, who
told her tbat in order to justify any
change in bus service the board must
have some evidence that there is a
need.
'
"Throughout the process I.leamed
that in a group there is power. When
you do it alone you ciin't,get anywhere," she said.
OAT does
$2 million
business
..
.•
'
To express the community need, '
Stevens started petition drives in
Oak Park and at tho SDSU Transit
Center at the end of Camparule
Drive.
,
"People were really eager to sign
the petitions," she said. "At.the campus bus stop I would pass them out to
everyone who was sitting and waiting for their bus. And when I was riding home I would pass them Qut on
the bus."
According to Toni Bates, transit
Opeflltions manager, the SDSU
transit center serves seven routes and
is a focal point (if mass transit in tbe
College Area.
Stevens also weIll to suell Cvil}munity grouP!! =:J churches ;md com,
mWlity councils and received letters
,
The D:fJy A:t::'/Rob:rl Cram
of endorsemenl
An SDSU student boards tbe bus wbithcovers loute lOS. Graduate stud~nt Adele Stevens, petitioned to have the bus ronte's time schedule
Please see BUS on page 6. clumged.
By John Shamlou
Dally Aztec staff writer
Th~ Open Air Theatre will gross
nearly $2 million during its 1989
season, said Don Chadwick, Associated Students director of
operations.
The figure includes proje<:ted
revenue from two remaining shows
- The Judds (Ocl 1), and the Jets
and New Kids on the Block (Oct. 7)
- who arc expected to sell out.
According to the OAT's annual
report, the average gross of the 2S
concerts this year will be $78,035.
Total ticket sales alone will be more
than $1.7 millon. The 1988 average
was $70,524.
•
Thf: report, compiled by OAT
management, attributed the
increased revenue to the addition of
seats and higher ticket prices for
some shows. Concession stands also
sold more, Last season, there was
almost $55,000 in concession
revenue; this year $82,4~3.
Please see OAT on page 4.
SEPTEMBER 27, 1989
2 - THE DAILY AZTEC
Film industry book to focus on Academy Award angle
By La Vern Mallory
Dally Aztec statT writer
Presenting a Wlique and illuminating look at all aspects of the film
industry, telecommunications and
film Professor Roy Madsen, will
soon release his new book, "Working Cinema: Learning From The
Masters," in October.
"There reaIly hasn't becn a book
done with Academy Award winners," Madsen said. "It's the first
book of its kind. Not only could this
book be of interest to the public, but
for students who arc pursuing this
field. I think it'll help them because
the book is dealing with the rea.l
world and big-budget motion film."
With an eye aimed at helping
others reach the top, Madsen combines his knowledge of the creative
production process with input from
Aca~~my Award-winning industry
protessionals to ereate an honest
depiction of fllmmaking today.
Because of his vast experience as
a writer, editor and director in the
film industry, Madsen was able to
conduct the in~epth interviews with
some of most notable cetebrites and
technicians, including Paul Newman, Jack Lemmon, Mark Rydell,
and Lucasfilm artists, in Hollywood.
With Madsen, N(lwman discusses
the art of acting aoni his role in such
films as "The Verdict" and "The
Sting." Jack Lemmon tells what has
made his comedy so sucessful in
movies like "The Apartment" and
"Some Like It Hot." Rydell explains
the director's role in blockbuster hits
such as "Midnight Cowboy" and
"On Golden Pond." Lucasfilm
artists reveal the secret of special
etTects for sueh triumphs as "Star
Wars" and "Who Framed Roger
Rabbit?"
Madsen's book includes every
phase of film production, which is
discussed by a master in the eraft.
Included .are screenwriting, adaplion, production design, cinematography, editing, soWld design and
animation.
As a result, RoBefson received
$20,902 from the National Ge0graphic Society and another $20,902
People
from the National Endowment for
the Humanities to continue excavating for :he next two years.
"I was really excited to receive the
fWlds because I didn't think we
wou!d get as much funding for the
project," Rollefson said.
Archaeological find
Anthropology Professor Gary
Rollefson and a crew of educators
and students from Japan, Europe"
Australia dlld Canada continue to
make news around the world with
their discoveries from archaeological excavations at An Ghazal,
Jordan~
In addition to fmding 50 statues
and 500,000 domesticated animal
bones dating back 8,500 years, Rollefson. and the others this summer
fOWld remains of several skeltons,
jewelry. including sheils, copper ore
and semiprecious stones, a game
board; and one of the oldest pots in
the Jordan.
Although Rollefson will use the
research funds for the next two years
on the excavation, he and a team of
rescarchers plan to use six of the 35
acre site to build a park that will
include an open-air museum beginning next year.
"Even though the work is rigorous
but meaningful, I do enjoy it," Rollefson said.
Hall advisers chosen
Recently, the Housing and Residential Life Office annoWlced the
professional Residence Life Staff
leam for 1989-90.
The three new Hall Advisers are
Wendy Chryst in Tar~tec Hall,
Krista Taylor in Maya Hall, and
Allan Blattner in Zapotec Hall.
Chryst; who completed her undergraduate work in psychology at the
University of Wisconsin, will begin
her graduate work in social work.
Taylor, who joined the staff after
completing her undergraduate work
in English at Eastern Illinois University, is pursuing graduate work in
speech communication: Blattner
will complete his degree in public
administration next spring.
Calvin Gavin, a sp~h communication graduate, was promoted to
hall adviser in Tenochca. Lori Ross,
,who will receive her graduate degree
next spring in educational technology, will continue at Villa Alvarado.
Sleven Jones, who is continuing
graduate work in industrial psychol-'
ogy, is back in Oimeca Hall. Dave
Perry has returned to Zura Hall
while he pursues graduate study in
business and Renato Almanzor,
who has completed a master's
degree in counseling, returns to Toltec Hall.
'
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The Daily Aztec Classifieds
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For registration forms or information contact, on your campus
-Pe,. line.Non-StUdent
pet'd":;'; two-line 1Tllnlrnurn. Call 594-4199 or 594-6977 fot' deto.lla.
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Student Health Advisory Board
Meeting: Today at Noon- Pres. Suite, Aztec Center
594-5281
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SEPTEMBER 1:1. 1989
THE DAILY AZTEC - 3
Sp-rained your ankle? You need RICE
Sports injury prevention much better than
By Grace Limbag
injuries, such as beyond the 48 to
72-hour marks, what you do is to try
to treat that with maybe a combinaEach year, many athletes suffer tion of both hot and cold - hot
from sports-related injuries. No mat- - before a::tivity, cold after activity,"
ter what sports _athletes participate Kamou said.
in, preventiori is the key to avoiding
Nutrition also plays an important
those injuries. .
role in prevention and both Barry
Athletes who determine realistic and Kamou agree that good nutrition
goals, choose appropriate activities, is crucial to an athlete's perstart out slowly, progress gradually formance.
and take the time for proper warmups and ('ool-downs can prevent
many sports injuries, according to a
May 1989 report in FDA Consumer,
a monthly magllZine published by
the Food and Drug Administration.
Becoming aware of the most common types of injuries is another step
towards prevention.
"The most common (injuries) are
"Athletes do not require any spemusculoskeletal injuries or repeated cial . vitamins or performanceinjuries," said Brian Barry, head ath.- enhancing concoctions," Barry said.
letic trainer for SDSU and president "What they need, just like regular
of the California Athletic Trainers humans, are the basic four food
Al>sociation. "We see knees, ankles, groups, proper sensible low-fat,
sprains, -strains and contusions."
high-carbohydrate diets with plenty
Sprains and strains are two diffe- of fluids."
rent types of injuries.
Kamou also suggested a common"Muscle sprains involve liga- sense diet.
ments attaching from bone to bone,
"They should have three square
such as (in the) ankle, around your m~als a day, with your daily recomknee, elbow and so forth;" San mended allowances," he said. "You
Diego Chargers head trainer Keoki have to have high fiber. Fiber, proKamou said. "Whereas, muscle tein and carbohydrates - those are
strains involve the muscle-to-tendon the three essentials that we look for."
junction. Muscles and tendons seem
Researchers question whether
to run through joints."
protein supplements stimulateFor treatment of injuries, experts muscle growth.
rec-ommend RICE - Rest, Ice,
According to a May 1989 report in
Compression and Elevation.the The Physicians and Sportsmedi"(They) seem to work for the first cine journal, "researchers seem to
24 to 48 hours," Kamou said. agree that most people, including
"That's the way you should treat all aL'1letes, are able to obtain all the
injuries that have happened immedi- protein they need through diet withately or what we call a fresh injury. out resorting to the use of
"Now once you get into chronic supplements."
Dally Aztec
~taff
writer
Health
High protein diets may cause or
aggravate a number of health problems, such as dehydration or urinary
calcium loss (which<:ould lead to the
degenerative bone disease
osteoporosis).
The recommended average daily
calorie consumption varies depending on the athlete and the sport.
"A female basketball player is different from a female golfer," Barry
said. "A female athlete may consume 2,000 to 4,000 calories, and a
male athlete may consume 4,000 to
-6,000 calories."
Good nutrition not only prevents
injuries but is essential for good
team play.
"With professional football, the
spon is so demanding on the body,
not only (becal'SC of) thll physical
pounding that these guys take but
also (because of) the mental stress
that's put upon them, not only by
themselves but by their coaches and
by their families," Kamousaid. "It
takes a toll on the body that is sometimes directly related to the nutritional value that these guys should
be a part of."
Expens agree that the key to the
prevention of sports injuries lies in
selecting a good trainer and following a good training program.
The Dally AzrccINancy Boesen
The trainer's role is critica: to a
SDSU student Lori Nlshlkubo tapes the ankle of freshman Mlchf'll~
team's success, Barry said.
"Since we are the ones responsi- Watl{ins, a forward on the women's basketball team, In the SDSU Sports
ble for the health care status of the Medicine Center.
athletes, we communicate and coor- be very relaxed - never forced or
Barry offers the following advice
dinate tlle healthcare status I)f each hurried. Always wann up to stretch. to participants in the more than 20
athlete between physicians, coaches _Don't stretch to warm up."
sports in SDSU's intramural spons
and- the parents."
Kamou said he believes the most program: "Condition, have flexibiliBarry also recommends regular important thing professional and ty, know the rules of the spon and
training programs.
recreational athletes must do is use don't try to do too much too soon.
"Extensive stretching and condi- common sense and listen to their Most imponantly, know your limitationing should not be a one-a-day bodies. That way, many injuries can tions. Do not attempt to do a sport
thing," he said. "Stretching should be prevented.
that you're not slrJlled to do."
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hZ @a _________________ • __ • • • • • • • • • • • • • • • •
•
4 - THE DAILY AZTEC
SEPTEMBER r1, 1989
OAT
Continued from page 1.
"We said to ourselves that we had
to do a better job with concessions,"
Chadwick said. "A lot of our equipment was really old. We expanded
all of our stands. If we don't get the
audience coming in to the show or
during. the 15-minute intennission,
we don't get enough sales."
'The increased capacity helped
raise average attendance from 3,518
last year to 3,906 this year. The
4,633-seat arona was 80 percent full
this year, compared with n percent
in last year's 4,177-seat
configuration.
Most of the new seats were added
by relabeling the benches in the rear
section of the theater. Chadwick said
that when the benches were first
built they were labeled haphazardly,
with distances separating them varying betwecn 20 and 24 inches. By
relabeling the benchCl< and fixing the
space bc!ween them at 18 inches,
nearly 300 extra seats were added.
Chadwick said A.S. hopes to
expand seating in the future, but that
the addition of the i2,OOO-seat Student Activities Center and its potential to handle bigger shows has
decreased the need for OAT expansion. Another' proposal, switching
the benches to seats, would actually
reduce the capacity of the venue and
drive up the ticket price for students,
Chadwick said.
Bill Silva, who used to promote
OAT shows before Avalon Attractions was awarded exclusive rights,
criticized the theater thi~ season for
high ticket prices.
Chadwick said the higher ticket
prices are because the OAT obtains
acts, such as Tom Pelty, who would
nonnally play larger. venues. The
acts charge higher perfonnance fees
and drive up the cost for everyone
involved. SDSU students still
nx:eive a discount and a chance at
better seats for most OAT shows.
Even with thc> higher prices, the
OAT has become ono of the top concert venues in San Diego. "We've
got great sight lines and sound.
We've defmitely become a more
prominent showplace in the past 10
years," Chadwick said.
One of the reasons tho theater continues to improve is the upgrading of
the facility. A new roof was installed
before the season-opening Duran
Duran show. Donated by Avalon
and the Irvine Meadows Amphitheater, the roof has allowed the OAT to
put on more tI"Cbnically advanced
shows.
Chadwick also cited the wide
range of acts playing the OAT as a
reason for its success.
"We've had a wide diversity of
acts playing over the seawn - jau
artists like David Sanborn amI Al
Jarreau, a heavy metal show (Great
White and Tos!a) and even Jerry
Garcia, who's in a category of his
own."
The nwnber of people who sit outside tho OAT on the Campus bb
Lawn and listen to concerts provides
concern for theater officials.
"We'd like those people to buy
tickets, and the promoter would
too," Chadwick said. "If you have
4,000 people inside the theater and
anotl:cr couple thousand outside, we
could have a security risk. It also
costs us a lot to clean up tlfter them.
But it's an open campus, and it's not
something we're overly concerned
with."
According to tho report, the July
25 Tom Petty show had the highest
ticket sales in OAT history. The theater had 12 sellouts during the
season.
The Dally Aztcr/Anthony Tarantino
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1l,_"f,tffil_1W V;'%W,;,\'WJdWl!lfi!jffiM!1W!W!!en
r-'tIA..
V:P- 1n 10 n=di'
THE DAILY AZTEC -
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Bill Armentrout
The Daily AzteCEditor in Odef
Production Supervisor
Advertising Manager
Jon Petersen
Margaret Sherwood
Matthew Dathe
Managing Editor
Anthony Mlllican
Assistant Production Supervisors
Sales Manager
Lisa Vercauteren
Debbie Zasio
Dennis Kuhn
Marx's lessons
COIning home
to COlDmunists
T1w DItiIy AllIe 10 publlMed Monday through Priday whlJl! """CDI Is In ......lon. Signed commentaries and cartOON rep.-at
0I\1y Ih••uthom and .J\1oU named. Unllaned editorials rep.-nil'" DItiIy AzIa edUorIal board. Direct correopondenc;e 10:
n.. o.JIy A#a:. San Diego Slaw Unlvenlty. Sa. Diego. CI\ 92182.
Death penalty
•
IS
a necessity
Richard Ramirez. "The Night Stalker" who was found guilty of 43 felony crimes
including 13 murders. was arrested on Aug. 31, 1985. More than four years after his
arrest Ramirez is proud of his Satanic worshi/? and, in secret, is proud of his murderous
rampage.
In many of his killings, occurring between March and August of 1985, Ramirez shot
the male of the household, often raping and sodomizing the woman in the same room. It
is not the usual claim ofirmocence whkh incites one to rage, but Ramirez's brazen wor:
ship of evil in the face of such damning evidence. Ramirez's manifestations of evil in his
killings, as exemplified by their gruesome nature and his proud, unrepentant altitude,
are specific examples which support the death penalty. However, murderers must not be
as explicitly evil as Ramirez to receive the death penalty.
For any premeditated murder, the death penalty should be enforced. A premeditated
murderer ma.1ces a bold statement: the pleasure of murdering another person is worth the
risk of being caught. The judicial system must take the god-role away from any individual selfish enough to commit a premeditated murder by enforcing laws which fit the
crime.
Someone defending the rights of a murdere~ - rights which should be rendered null
when he commits the murder - must see the pain of the victim's family. The pleasure
that the selfish, heartless murderer feels he has gained through the premeditated act of
brutality on another human being is disgusting when weighed against the loss of human
life and the amount of grief experienced by his loved ones. The family's suffering
makes premeditated murder a crime worthy of the death penalty.
In all murder cases, the defendant is ·protected by the judicial system, is considered
innocen.t until proven guilty and is also given a lengthy process of appeals to ensure that
justice is served. The possibility of an innocent man being executed is nonex.istent. For
the death penally to be enforced, r,lany stages of guilt must be proven and premeditation
must be proven. In cases of premeditation, the death penalty is just.
Letters
to the Editor
..
,*,~
Ellen missed real
issue in editorial
Editor:
I am writing in response to Ellen
.Mooney's cdltorlal, "Do some issues
detennine ono's ability to sleep?"
Although it appeared in her article
that she was attacking lon, I felt very
strongly that she missed the overriding issuo. That is, ·tho "abortion
iH~ue." is not a mal~/femal(l iflllll!' bllt
an issue of self-control, hwnan dignit)' and social responsibility.
Obviously, life is no, so kind as 10
benefit everyone the ex.u:t way they
would like to have it. It just so happens that life passes cut raw deals of
rape, incest, sexuftl exploillltion,
poverty and Wlcontrollable events.
These types of hwnan experiences
are part of life.
Granted, no one wants theBe
thingll to happen. However, to misreAd the CiU/oleJi of negative personal
choices ill totllUy irresponsible on the
part of those In our society who
appohU themselves u the authorities
on social change.
I am abw!utely appilled by 1M
display of these ~eckless leadelll who
5
ru_
have failed to place money ,time and
other valuable resources in pr()llloting sexuuJ abstinence as a fundamental cure to this lIocial question of
the right to choose. Maybe this solution is 100 simple for our prominent
social loaders.
Yell, but what about rape, incest
and unwanted pregnancy? Convict
the criminals, rehabilitate the fathers
and families, and support adoptions
in snch n wny that it becomes a posi ..
tive, responsible decision.
Well, what about the issue of
abortion? Abortions are a part oflife,
and obvioulily no amount of legislation will stop people from 'having
them. However, if we t:trive 1:0 do
what ts right from the beginning,
then undesirable choices would not
have to become an option.
The ideas of Karl Marx have been given
much scrutiny by the academia of the Western
world. His theories have bt'..ert taught in every
beginning political science class. And he has
not been given complete respect, because at
this time few scholars believe that Marx's
ideas have been realized.
Even Lenin, his disciple. could not wait for
the proletariat revolution to happen "in the
fullness of time," as Marx predicted it would.
He decided to take the revolution into the
hands of the Conullunist Party and trespassed
the rules of revolution stated by Marx in The
Communist Manifesto, which states that the
CommWlist Party was not a separate party
opposed to otherworldng-class parties, has no
interests separate and apart from those of the
proletariat as a whole and may not set up sectarian principles of their own by which to
shape and mold the pl'oletariat movemenL
LerJu did aU three of these :hings, even going
so far as writing l'oliticlll treatises stating that
the Communist Party should kacp itself pure
while it infiltrates its allles and then. when the
party had secured power by exploiting its allies, tbe allies were to be exterminated. And
that is exactly what he did.
But this American believes that Marx's predictions have been realized, but in an ironic
way.
Karl Marx, in The Communist Manifesto,
wrote, .. ... it becomes evident that the
bourgeoisie is unfit any longer to be the ruling
class in society, and to impose its conditions of
ex;istence upon sociely as an overriding law. It
is unfit to rule, because it is incompetent t~
assure an existence to the slave within his slavery, because it cannot help letting h!..'11 sink into
such a siate that it has to feed him, instead of
being fed by him. Sociely can no longer live
under this bourgeoisie; in other wOJ'ds, ils ~xis­
tence is no longer compatible with sociely."
Reread this quote, substituting the word
"Communist" in the place of the "bourgeoisie," and you will have the answer to the uprising in China, the politicai transfonnation in
Poland a~d the new thrust of the govenunent
under Gorbachev.
Beautiful, isn't it?
Communism was in~ended to bring about
the end of exploitation. Marx envisioned a society where people would be freed from the
bondage of owning private property. The reality of removing the ownership of private properly from the individual's life has come home
to the Communists. The people have nothing
Smoking dispute is
best left to air lines
to work for. The Communists camot fwd a
way to encourage laborers to produce more.
The laborers have 110 rcas<ln to work harder;
they r«·.lve the same unsatisfactory levels of
goods whether they produce little or much.
The Communists do not deserve to rule
bocause they carmot ensure the slave an existence within his slavery.
In The Communist Manifesto, Marx tells us
that "the executive of the modem State is but a
eonunittce for managing the common affairs
of the whole bourgeoisie."
Again, if one substitutes "Communist Party" in the place of "bourgeoisie," an explanation is possible f9l' the way the Communists
have been ha1"dling their population's cries for
refonn. Marx belieVed that the State would be
used by the ruling class to ensure its exploitation of the working class.
Marx was right again - abnost.
The state and its tnIlitary have been instrumental in stopping the dispossessed Conununist worker from rising up and causing refonn
within his government. The militarywas used
for years in an attempt to keep the Solidarity
movement from gaining control of the Polish
government, and it still lies in the hands of the
party, looming in the wings of Polish politics.
In China, the military crushed a demonstration
by the students, supported by the people - a
cry for democratic refonn and for refonns in
the exploil.ative economic conditions. In
Soviet Georgia, the military quelled a demopstra~~on for independence by using its
government-issue shovels to beat protesters to
death.
Marx envisioned the state-run military
being used by the exploitative bourgeoisie to
control the exploited masJes and kcep them
from achieving SOUle freedom from their situation. Well, he was right, if you put "Communist" in place of "bourgeoisie."
Marx believed th~t the proletariat revolution
would occur "in the fullness of lime," when all
of lh~ situations he envisioned came into alignment. It appears that this alignment has finally
occurred, but not in the capitalistic society as
he predicted. The fullness of time has come for
the Communist people to throw off the yoke of
exploitation, the savage enforcement of Com. mWlist ideology by the state-run military and
express their desire for greater political and
sociological freedom.
Marx's ideals may yet be realized! Well,
abnost.
today it's the other guy, the big bad
corporation, but once you've
accepted the principle that the govemment need not consider property
rights, tomorrow it may be yours that
arc in the public interest to violate.
Karl A. MlsseU
astronomy s(lphomore
Editor:
Your editoriul on a smoking ban
on all domestic flights (Sept. 19)
fails to address the most impmtant
issue: property rights. Airplanes do
not belong to the public or the governmenf. 'fhe), belong to the airlines.
Let them decide. Or let the free
market decide. We have the ability Editor:
I am a new slMeru at SDSU. I
to vote directly on the issue with our
dollars every time we fly. There is have noticed that llll!! carnpu:.; lacks
obviously a large segment of the certain fundamental things that only
population that wants smoke-free perpetuate the "1'Im first, why should
I care?" allitu(;~ of many Califortli~ts. Represeruing a large market
for "airlines, it is in the airlines' best nians. I am writing specifically
interest to respond to demand and , about lhe absence of recycling bins
;lTovide smoke-free nights. Tho5e on (not near!) campus for various
that do not will suffer a competitive items we grossly overuse: alumidisadvantage and will lose a share of num, glass, plas.tic and newspaper.
I hear MUOr! that the administrathe market. It boils down to this: If
the demand frum the passengers is tion feels it is an aesthetically disNevertheless, the staff of The Dai- there, it will be filled by the airlines; . wteful look to have recycling bins
ly Azter. and others should be e.Jlt!our- the goverruneru need not meddle. I on campus. The Daily AZlec on every
aged to pl~ the emphasis on living am an adult and do not give the gov- seat, wall and lawnoncampus is also
respOOsibly, rather than supporting ernment leave to bilby-sit me. I al.80 lUlphmsant. Why hasn't The Daily
social argwnents that promote dis- extend this right of freedom from . Allee risen to the challenge to place
aBfeenu.mt and foster one's own self- "Big Brother' to otbeN. We should recycling bins flexlto each newspapnot condone this blatant viola4ion of er distribution point?
interests.
We need em and boule bins next
~ right! of the airlines to do wi!h
Delmlli A. WIlsf>.n
their properly as they see fit. Sure, to the bookstore, the General store,
health educator
'Distastt!ful' bins
aid recycling effort
hnd near the administration building
and other strategic points on cam"
pus! It is not difficult to do these
things! San Luis Obispo, a supposed
"cow town" campus, is now a progressive recycler! The daily newspaper at Cal Poly has put bins for its paper at distribution points. The envirorunCPtal engincering department
sponsorll rccycling bins at mlUlY
locations throughout campus.
.
The administration at SDSU
should be ashamed of itself! Do they
rr.alize they are partly respoll:Jible
for landfill overuse and increased
trash on campus because they feel
rccycling bins aren't pleasing to the
eye?
People interested in envirorunental issues, including the very importanl issues of recycling, please
attend "Student Environmental
Action" conurullee meetir.gs every
Monday at 4 p.m. in Hepner Hall,
room 210.
Jim Mudge
anthropology graduate
Editor's Note: The SDSU admiflislration last month approved 'he
Recyclers Club proposal 10 place
recyclilfg igloos on campus.
6-
SEPTEMDE~·
THE DAILY AZTEC
Special Visa cards now available
SDSU is one of five universities
nationwide this year to offer Vis<i
cards emblazoned with the school's
name and logo, bookstore manlger
Phil Robbir.s said.
Maryland Bank is offering the
credit cards to students of all class
levc\s as part of a test program here
and at UCLA, Cal State Bakersfield, day at 2 p.m. in Aztec Center's Casa
Ohio State and the Rochester Insti- Real.
The reception will offer new and
tute of Teclmology . If successful, the
bank plans to go nationwide with its existing black faculty and staff the
opportunity to meet and greet each
card.
About 250 applications have been other as well as serve as a reacquainfilled out during the past two weeks, tance time for black faculty returnRobbins l;aid. Strategy for promot- ing from summer breaks.
ing the credit card is being discussed
For more information, call
by Aztec Shops officials in the hope 594-1196.
of getting a student response similar
to the one at CSU Bakersfield, where
Part-time job opening
10 percent of the students have the .
credit card, he said.
The Office of University RelaAztec Shops rcceives $7.50 from tions has an opening for a comMaryland Bank for each application mencement assistant.
It is a part-time student posHion
accepted and half of 1 percent of the
students' monthly bill, Robbins said. that offers the opportunities of lead.--The money will be used to offset ership and volunteer coordination.
expenses of marketing the card, he
The person will work with the
said.
University Relations staff in arranging and coordinating projccts Ulat
arc part of SDSU's graduation ceremonies
in May.
Welcome Reception
Work starts Oct. 2. CommenceThe SDSU Study Commission on ment assistant responsibilities
Black Affairs (SCOBA) will hold its include arranging necessary signs,
annual "Welcome Reception" Fri- ftrst aid,l!ecurity, parking and print-
Campus
Notes I
data
systems
ed materials for commencement.
For more information, call
594-6817,
Assertiveness training
Pcaple who feel like they're tired
ofroing pushed around will be interested in a workshop titled "Assertion: Finding Some Middle
Ground."
The .workshop will be held on
Thursday at 7 p.m. at 5337 Remington Road in the Tarastec Study
Lounge.
Computer seminars
Consulting Services will offer a
series of seminars on the IBM PC
computer for faculty and staff during
October in Adams Humanities,
room 1120.
A seminar covering the Advanced
MS-DOS 3.XX, for Disk Operating
System users who would like to
learn more advanced features on
IBM's DOS manual, will be held
OcL 9 from 1 p.m. to 3 p.m.
Other semimars discussing
WordPerfect-Using Graphics will be
held on Oct. 13from 1 p.m. to 3 p.m.,
and the hard-disk organizers
XTREE and Magellan will be the
topic on Oct, 26 from 9 a.m. to 11
a.m.
To register for the workshops, call
594-4278.
Bus
Continued from page 1.
According to Stevens, the
transit board took her documentation and began a survey to
decide if the change would be
cost-effective arid if ridership
would be large enough to support
the night schedule.
"We like to cr,couragc participation from the public," said
Heather KWIZ, the transit board's
marketing fI.nd public communication assistant. I'The public has
a different view and sometimes
comes up with ideas we can't. If
it's either a respo~ to a drastic
change in schedule or a need for
one, the public may sec it first."
Stevens, in fact, found the need
for more than change.
"As I got more involved in the
c;lmpaign, I realized the pressing
need for bus service in my neighborhood. I learned that Oak Park
had no bus service on Sundays as
well," she said.
Stevens then added Sunday
service to her list of priorities. To
initiate this request, Stevens
plans to attend a public hearing
scheduled for Oct. 12 at 9 a.m. at
the transit board building, she
said.
Stevens maintains that it is
important for the transit board to
21, 1989
know tha~ although she is patient,
she will continue to be vigilant
concerning the board's actions.
ThfJ public-transportation system is one of concern throughout .
California, where commuting is
done primarily by car.
According to Rep. Glenn
Anderson, D-Calif., the nation's
transit system must be upgraded
to handle the problems of iOday
and the next century.
"Those who say that we can't
afford the price of expanding and
repairing our transportation
infrastructure should remember
that we also can't ignore its continued deterioration," Anderson
said at a recent press conference
at the Amalgamated Transit
Union Convention in Anaheim.
AflCr experiencing the process
of forcing change by circulating
petitions and writing letters, Ste·
veils said she now believes that
improvements can occu~ because
of student activity.
"Students' actions do make a
difference," she said. "If they see
a nced in a community they must
take a stand. It's not a matter of
grumbling to one another - it
has to be done in an organized
fashion to reflect a community
need."
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IIE9JJE SlIJAP.
WEDNESDAY, SEPTEMBER '1.1, 1989
Arey, Claiborne fill the void
Two Aztec receivers lessen pain felt by Rowe's absence
By Mike Sullivan
Dally Aztec sportswriter
Mike McNiff
When Patrick Rowe went
down with a knee injury last
month, it wasn't good news for
the San Diego State football
team. But there has been a positive side to Rowe' s mi!!fortunethe play of rr..ceivers Robert Claiborne and Dennis /\rey.
Claiborne caught six passes for
137ynrdsinliiStweek's41-41 tib
with Cal State Fullerton, including two 43-yard receptions on
Aztec scoring drives. Arey
caught just one pass against the
Titans, but it went for 16 yards
and a TD. The week before,
against 20th-ranke<! UCLA, Arey
caught five balls for 88 yuds.
"Rubert and Dennis are getting
better and better every ballgame," SDSU head coach Al
Luginbili said. "They're great
kids with gt~t work ethics.
When you get that combination,
you have a good football player.
"Robert and Dennis showed
flashes of consistency in the
spring. We expected a lot out of
them. We didn't expect the injury
to Patrick."
Both' r~ivers figured to see
action in Luginbill's one-back
offense, but their roles inereaseci
when Rowe got hurt.
"No one said, 'Good, I get to
start,' " Arey said. "We were disappointed as a group. When a key
playe::r like that gets hurt, you
have to pick up the slack. I was
disappointed when he got hurt,
because he was unstoppable in
the spring."
Claiborne wasn't affected as
much because he lines up on the
opposite side of Rowe.
"Real disgrace." "Bizarre sideline
antics." "Shamciully disgusting."
Wait. The list goc.'! on.
"Absolutc~y ridiculous." "Idiotic
frothing and foaming at the mouth."
"Exercise in stupidity." "Exhibitions
into the absurd."
No, this is not an attack on
. Richard Simmons. These are just a
few snippets from a letter I received
Tuesday regarding the sideline antics of San Diego State football coach
Al Luginbill. Apparently this person
doesn't particularly care for
Luginbill.
Let's straighten a few things out,
though. This person did not have the
guts 10 identify himself and back his
claimS. Because of that I can't run
the letter, which was very well written, I might add. I can, however, tantalize the reader with bits of this
reader's wisdom.
False wisdom, that is.
For ID purposes, we shall refer to
said letter writer as "Barney." I
asswne Barney has never met Al
Luginbill. If he had, he probably
would not be saying such garbage.
Luginbill happens to be a very
intense person.
Let it l?e. said that Luginbill is by
no means a "nerd." What I find most
offensive about Barney's assertions
is the following: "The wild waving
of those skinny liltle arms is an
embarrassment to the players amI
fans alike."
Get a clue; Barney.
If you made such a remark in front
of an Aztec football player, chancel!
are you would not walk away functioning at full physical capacity.
YourmentaJ faculties would probably be diminished as well after they
stomped all over your pea-brained
Hille head.
Luginbill is a nUUl who commands
and receives respect. Barney thinks .
Luginbill was harsh in his condemAz1W.Jd'f Lancaster
nation 'of Darrin Wagner's recent
Robert Claiborne taught six passes for an SDSU
137 yards
end-zone dancialg and personal fouls
Satprday against Cal State Fullerton. He Is covered here by corner·
on Pio Sagapolutele and Morey
bnck Terry Tramble.
Paul. Barney says Paul "will be the
next victim of Luginbill justice,"
Excuse me, Barno, but iBn't the
head football coach supposed to be
in charse and set team policy? I do
believe so. I don't think Bear Bryant
would have liked any of his players
break dancing in the end zone.
The fact of·the matter is that
LuginbilJdemands discipline thlll'1J iilis gtyle. WIiSJ~'" Sagapulutele and Paul knew the rules, and
you can bet they won't forget them,
e::ithi:r.
.
I do ngre.e !hat Luginbill does tewj
to get carned away on the sidelines.
So what? It fucs up hilIleam, it ftreS
up the fans, and if you would loosen
up, it's kind offun to wat.cQ. At least
somebody at this school has a little
spiriL San Diego lack MurplJy Stadiwn would be a pretty wild placn if
we had 40,000 ravins At Luginbill
clonea hopping around.
.Barney, if you I1UnIc Luginbill
"conducts himself in a nwm« tbat
doqs IlOt in any way even vaguely
resemble t1!c IIpOrlSl!W1Ship and
clUI ~ espouaeJ," yeu've got
anorher thing comins. Your leuer
was ODC of tho bigClt ~
.
.
llAlIN:ru
puncIles I've over scm. ~Jinbi1l Qlrol)'D Kupal' and &be SDSU .omen'.
a threehu plmlyof clus. He won't I01eratc ganw trip In Texatl today
dtf'.ndlns IUtUonal duunplon Texas.
11agrant fou\.s by his players. If that The Altea play Southwest Ttxu Slate TburlClay Mel thea tIw Long.
hOlM'agaIn Friday.
:
iSII', sportsmlinship, what is?
"I was concerned he might
take some of my deep balls
away," Claiborne joked. "But
with the offense we have, you
know you're going to get five or
six balls a game. All you have to
do is catch them."
Claiborne, a 5-foot-1O senior
who was a local prep star at
Mount Miguel High, can flat-out
run. His best time in the 40-yard
dash is 4.38. Arey, a 5-fOot-l1
junior from Fountain Valley, is
not exactly a l11acier himself.
"They're both really quick
kids," Luginbill said. "They've
run past everybody we've
played."
Claiborne redshirtt:d last season after catching 26 passes for
374 yards and four touchdowns
in 1987. Arey redllhirted in '86,
played sparingly in '87 and
caught nine balls for 157 yards
last SC8fK)J).
"I'm pleased with how thing.II
have worked out for me," Arey
said. "I've learned watching guys
like Alfred (Jackson, now w:th
the Los Angelcs RaJ1l3) and Monty (Gilbreath, third on SDSU's
all-time receiving chart with 131
career receptions) the last four
years."
"Dennis· has stepped in and
done a great job," Claibornfl said.
"I think he's surprised a lot of
people who didn't know who he
was."
Arey had to overcome what
had been percei:ted M a lack of
toughness. Claiborne had also
been accused of being shy about
goini across the middle. When
Luginbill rcplaced Denny Stolz
as head coach, they both got a
fresh start.
Please see RECEIVERS on page 9.
~
The DaUy A7JeaJ.y Robc!rll
Dennis Arey caught only one pass Saturday against Cal State Fuller.
ton, but tbe reception from Dan McGwlre was good for a IS.yard
touchdown In the fourth quarter.
Spikers embarking on Texas trip
.,"nIt
By Dan Francisco
Dally
A~tec
sportswriter
After a disappointing 1-2 start in Big West play - including two losses to
lop-ranked Hawaii Friday and Monday - me San Diego Slalll women's volleyball team ventures off deep into the heart of Texas this week.
The Aztecs (9-7), ranked 19th in the NCAA, will clflllh with defending
NCAA champion Texas at two different sites: tonight in San Antonio and
Friday at the main campt;s in Austin. SDSU will also meet Sourhwesr Texas
Stale in San Marcos on Thursday.
The ninth-ranked Longhorns (7-4) will begin Southwestern Confer':nce
play next week following the SDSU matches. Since the volleyball program' (
inception in 1982, the Longhorns have never lost a conference game.
"It'll be a good opportunity for us to playa top-tO team," SDSU head
coach Rudy Suwara said. "We need to upset them in one of those games. Our
best chance wili be in San Antonio. It's more of a neutral site."
The Longhoots, coached by Mick Haley, trail in the overall series (4-7)
between the two teams. The sqUl.ds last met in 1988 in the Whlltaburger Invitational Tournament championahip match in Texu, where the Longhorns
triumphed over the Aztecl in five games to earn the crown,
Texu,havins lostfouueniorstartersfromlutyear'/ichampionshlp team,
relit:8 on All-American undidatea Dagmara Szyszczak Lid Quandalyn Hartell. Szyszczak, a juniCYi outside bitter, iud. the Longhorns with 117 kills,'
whilo Harrell, a junior rniddlc-blcx:ket, " recovtting from a .tress fracture of
her lower left leg and bas been used aparinSly..
1'bo Longhorns also '~ure Janinc Oremmel, lut year'. SWC Newcomer
of the Year, at outside hitter and sophomore MiPy KUJt at setter.
Jd the Aztecs prep~ to battle the Longhoms, expectations are high.
l'Ie'asc lei VOLLEY OD page 8.
'.\'1..,
3 - TIlE DAILY AZTEC
If
{.#.
SEPTDmER '1:1, .1989
Volley---Continued from page 7.
"Even though we did lose to
Hawaii both times, we played well,"
SDSU l'.enior middle blocker Amy
Erben said. "That gives us a little
confidence going into Texas,
because Hawaii is ranked number
one."
Suwara ~id consistency through~\ut the entire match is the key to an
Aztec victory.
"To beat them, the key for us is to
play well aU the time," Suwara said.
"We've only been playing well a
third of the time, and we're still waiting for that higher level of play."
Improving their hitting and passing are goals for the Aztt:Cs on the
road trip.
"Our outside hitting ~s to be
concentrated on, and we've had poor
passing," SUWlm said. "Against
Hawaii (Monday), our passing was
terrible. It's the mental part. of the
game, and w~ can't break down."
Meanwhile, SDSU will meet
Southwest Texas State Thursday.
The Aztecs swept the Bobcals (2-13)
earlier this season - at Fullerton in
the Titan Collegiate Preview - and
the Bobcats have since lost their two
top guns.
Sophomore outside hitter Stephanie Winn had reconstructive surgery
011 her left knee recently after injuring it last week against Houston, and
sophomore middle blocker Kim
Uptegraph sprained her ankle last
week against New Mexico State.
The Bobcats, led by Coach Karen
Chisum, will start four ~Qphomores,
a freshman and a senior, against the
'
Aztecs.
The Dally AztecINancy Boesen
Holly Hamm (9), pictured above In a game earlier this year, scored two goals Monday In SDSU's 10-0 rout of
laVerne. The Aztecs play today at Cal Poly Pomona.
i
Women heading to Pomona
after 10-0 win at LaVerne
•
By DeRon Simon
Dally Aztec sportswriter
'lhe San Diego State women's soccer leam travels to
Cal Poly Pomona today on the heels of a 10-0 triumph
Monday over LaVctne.
The Aztea (2-1) are poised to take on a top program
like Pomona, but !he game doesn't figure to be quite as
easy as Monday's thrashing.
"This game won't be easy," SDSU soccer coach
Chuck Clegg said. "Pomona gives out scholarships and is
a Division II university, so they have a strong talent pool.
This is probably the best team that we've played so far."
H SDSU plays as well as it did on Monday, it could be
a good game.
Besides scoring 10 goals, the Aztecs posted their sec-
and shutout of the year.
"Pomona is very sLoni1ar to USIU," Clegg said.
"They'll play with just as much int~ty and with more
talent, so the game should be a batlle."
H SDSU geas the same balanced production it dij
Monday at LaVerne and can get good play from a few
key playm, things should be exciting.
Scoring started early and t'onrinued through nearly the
complete contest Monday before the clock saved the
Leopards from any further damage. Holly Hamm and
Merris Welch both scored twice. lemiiferGee and A\mee
Gideon each added two llSsists. The rest of ihe scoring
was spread throughout the lineup.
"1be women have really impressed so far," SDSU
assistant coach Chris Keenan said. "They've played to a
much higher level than we expected. TodaywiIJ bearea1
test."
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SEPTEMBER rT. 1989
THE DAlLY AZTEC -
9
Recei'v~ers-------
Cootinuc:d from page 7.
"When we took over the program.
I didn't listen to what anybody told
me about any individual kid,"
Luginbill said. "'The knock on them
was they wouldn't catch the ball
over the middle. I never allowed that
to be a pr.A>lem with me. I let them
prove wlmt they could do and they
never showed that they couldn't
catch the: ball over the middle."
On more than one occasion last
season, Arey had drawn the ire of
,S t o l z . ,
"I had a habit of getting up slow
after I ~Oi: bit," Arey said. "During
one scrimmage I took a legitimate hit
that put me out. (Stolz) said. 'Hey,
he's been down -- ge~ him out of
here.' But I think I've broken that
mold. ..
Not only the coaching change has
been beneficial for Claiborn~ and
Arey - having a different quarterback, strong-armed Dan McGwire,
has also helped.
Scott Barrick and Brad Platt combined to throw just five TD passes
last year. McGwire has thrown four
already While learning the new
system.
"He's
poltential,"
Arey said. "He's still learning.
There's so much more be cando, it's
scary."
'
In '87 Claibcme was on the
receiving end of passes from NCAA
all-time passing yardage leader
Todd Santc~.:. Now he's got the
6-foot-8 McGwire's aerials to nut
under.
"He's taller and has a stronger
arm," Claiborne said of McGwire.
"Todd was more instinctive. Dan
immediately was a leader. Everybody rallies around him in the
huddle.",
Claiborne almost didn't attend
SDSU. When he came out of high
school, Cal State Fullerton was the
team that showed the most interest.
His high school quarterback, Tony
Dill, now a receiver with the Titans,
was going to attend CSF. Claiborne,
, just5-foot-7 androugbly 130pounds at the time, was turned down.
"I was pumped up on Fullerton. I
thought we'd (Tony and him) go
together," Claiborne said. "They
told me I was too small."
Claiborne went to Grossmont
College as a freshman and Southwestern College as a sophomore,
where he teamed up with Platt. C!ai~
borne was a fU'St-teamjunior-college
All-American, catching 62 passes
for 1,111 yards.
After that season, a stroke of tbe
pen kept Claiborne in town. It came
down to SDSU an~ lllinois, then
coached by passing expert Mike
White.
"I had my pen on the paper and
Ihen I held off," Claiborne said.
"They bugged me so hard after that
they turned me off. The factors that
kept me here were the business
. sch90l, the weather and my family."
The mini's losshasbeenSDSU's
,
The Dally A:l.icdJeIf Lan(aSter
Robert Claiborne redshlrted In 1988 after catching 26 passes for 374 gain. The only down point has been
yards and four touchdoWns In 1987. ClaIborne has seen extensive play- the Aztecs' lack of success.
"I think of what it might have been
Ing time now that Patrick Rowe has been redshlrted this year.
1heWrld13 Still.
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Dennis Aray has shaken a reputation for a iack of toughness under the
Denny Stolz regime to have a big start for SDSU In 1989.
like," Claiborne said. "But I'm hav- um. Arey was a redshirt during
ing a. good senior year md I'm hav- SDSU!s Holiday Bowl season in '
ing a lot of fun."
'86.
,J
Arey chose SDSU over Western
"I take a lot of pnde in that year,',"
Athletic Conference rivals Brigham Arey said. "I remember the ,excite- :
Young, Hawaii and Utah. He pre- ment of the BYU game."
pped at Fountain Valley lligh, the
Two players who have created
same school that produced Kansas excitement this season are two play':
Cily receiver Emile Harry and for- ers who got an opportunity and,
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SEPTEMBER 27, 1989
THE DAILY AZTEC
SUD
•
o
.
Belt to gain House seats if population rises
BOSTON - Americans are continuing to move to the SlUt Belt but the population of the ind~lSlrial
Midwest has startw growing again.
'Those are some results of the Census Bureau's annual update on state
population growth, "State Population and Household Estimates, With
Age, Sex and Components of
Change: 1981-1988."
The West and South continue to
grow compared to the Midwest and
Norihcast, the study shows. The
United States added about 19 million
,.~~le between 1980 and 198~, ~e
bureau estimates. Almost 17 nulhon
of the increase came in the South and
West.
Waile no region suffered a net
population loss, 2.2 million people
left th" Midwest. Most of them "'(ere
from the Great Lakes state.'i, where
faltering auto and steel industries
suffered plant shutdowns and huge
layoffs at· the. beginning of the
decade.
The Northe.ast suffered a net migration loss of more than 306,000
people, all from the Middle Atlantic
states of New Jersey, New York, arid
PeIUlSylvania. The two regions have
gained in population because more
. ~.J}eople were born there than
migrated or died.
Politicians and government officials at all levels will be poring over
the statistics careti.dly, because they
give an important preview of what
the 1990 census will show. Money
and political power - in the form of
federal aid and grants, as well as redrawn congresBional districts - will
be tied to the 1990 figures.
The statistics show political power, as expressed in the U.S. House of
Representatives, following the migration to the West and South. Since
there is a limited nwnber of House
seats, they must be reapportioned to
the stRtes with each census. 'Those
states growing the most will gain
seats at the expense of others;
Tom Hofeller, director of redistricting for the National Republican
Congressional Committee, says the
biggest winner will be California,
which will pick up six or seven seals.
Texas will gain two or three, and
Florida will get an additional three or
four. Arizona, Georgia, North Carolina and Virginia will probably
each add one seat, he says.
The biggest loser, Hofeller says,
will be New York, which will probably drop three congressional seats.
lllinois, Michigan, Ohio ~d Pennsylvania will all probably lose two,
and Iowa, Kansas, Massachusetts,
u.s.~
New~'
Montana and West Virginia will
likely lose out. Other possible losers
include Kentucky, New Jersey, and
Wisconsin.
Will this shift to the Sun Belt help
the Republican Party, which usually
carries those regions in presidential
elections, gain control of the House?
"First, you have to look at the
Electoral College," Hofeller says.
"The figures are positive for the
Renublicans based on states they
have previously carried."
But the assumption of Republican
advantage in presidential elections
doesn't cany over into congressional races, he says.
Hofeller says the main reason for
this is that "demographic trends can
be distorted through gerrymmdering," or the dilution of a PllIty's
strength by clever drawing of district
boundaries. Thus control of state
governorships and legislatures,
which will redraw congressional dis-
triCts after the 1990 census, can be
essential to a party's success at the
congressional level.
Given current Democratic advantages at the stale level, Hofeller says
the situation for the GOP is critical.
"In the top 10 states, we are looking
at a situation where the Republicans
will be at the table with a piece of the
action, or else won't be at the table at
aU. The Democrats will be at the
table, or maybe own it."
Howard Schlos!! of the Democratic Congressional Campaign Committee dismisses geuymandering as
the cause of Republican losses. "It's
a convenient excuse," he says. "But
range of Democratic victories comes
from all across the country. Republicans need to be more concerned
about ilie issues and quality of their
candidates."
Even so, Schloss agrees tha~ the
population shifts mean the 1990
state elections will be important for
both parties, While he does not foresee any major change in the current
balance ofi)Qwer at the state level, he
warns that "if Democrats take reapportionment for granted, it could
have very serious consequences for
the makeup. of the House as far as
Democrats are concerned."
Besides the political implications,
the swelling populaton in me ,West
and in Florida increases the pressure
on all already stressed environmerit.
Increasing population h"as led to bitter disputes over water'in se.veral
Western states, and many Western
cities· already face' severe levels of
air pollution.
.
The states with the largest population growth in raw nwnbcn were led
by California, which grew by 4.6
million people; and Texas and Florida, both of which gained 2.6 million.
In percen~age terms, Nevada, Alaska, Arizona, andFlo~ida all grew by
more than 26 percen~.
Four jurisdictions - the District
of Columbia, Iowa, Michigan, and
. West Virginia - lost population
between 1980 and 1988.
In addition; several states have
lost population since 1985: Wyoming (a 5.9 percent loss), North Dakota (2.7 percent), Montana (2.4 percent), Oklahoma (1.8 percent), Louisiana (1.7 pel1(ent), Idaho (0.2
percent) and Nebraska (0.2 percent).
In many cases, the downturn in the
energy and mining· industries has
played a role in the population
decline.
-Christian Science Monitor
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286-2280'
.
1·
SEPTEMBER 'l:7, 1989
THE DAR.V AZTEC -1~
Times have cllanged on
col~e
camp-uses
What's hot, -what's not around nation's universities
Clothes and toys.
A list for SAnta? Perhaps, but it's
the back-to-college list, too.
With clothes, comfort is the key.
With "toys" - wheels (from bikes
to BMWs), and electronic gadgetry
- the best you can afford seems to
be the preference.
"Here, anything goes," Tennessee
State University freshman Steven
Wilder said of the collegiat" wardrobe in Nashville. Taking a nonscientific poll at most college campuses around the country may reveal
he's right. These are some standards
for today's student:
• Backpacks. (So brand-new students with brand-new packs will
a'mid embarrassment, Dav.d Lipscomb University in Nashville gets
specific in their orientation manual:
"Backpacks are popular. and are
worn on one shoulcer.")
• T-shirts. Sizes XXL and larger
are particularly in vogue. They're
also the medium for various messages, but, unlike the 19608' political statements, most simply reem to
promote the university, restaurant or
bar favored by the wearer.
• Bike shorts. They're very tight,
very black, with an occasional neon
blue or yellow stripe.
• Khaki. Crisply laundered Duck
Heads are still around, but the bulk
of the khaki is in unironed, cuffed,
baggy shorts for men and women.
• Jeans. Somewhere rivers run
indigo with the dye that's been
washed out. What's left are garments of pale blue, very soft and tom
at the knees.
Dress, however is not generally a
measure of a student's materialism;
the personal items added the dormitory room are.
David Lipscomb University dean
of students Demus Loyd, who has
observed a lot of changes during 30
years there as a student, a teacher and
.0
u.s.~
News
an administrator, said, "Today we
even have students who rent trucks
to bring the things they move into the
dorms. And we sometimes have
parents who call to complain that the
rooms are too small."
That's no surprise since, on most
campuses, space is at a premium.
Donnitories were designed to accomod ate students, not electronics
stores, but for the fast-paced student,
life today has brought many items
from the laner to the "most wanted"
list:
• Personal computers. Time was
when a student gathered information
on index cards and rented a typewriter to put it together. Today's students are seen hard at work on portable computers in the university libraries ;md full systems with letterquality printers in dormitory rooms
(Vanderbilt University in Na'3hville
even has a campus computer store
which, according to "The Book,"
edited by VU students, offers "hard- .
ware, software and computer supplies at prices reflecting significant
educational discounts. ") For those
who don't have the space or the
money cr the frequent need for that
investment, most campuses have
some available for ~eneral use, and
time can be rented on others at commercial establishments around
campus.
• Television/VCR. The days are
gone, too, when one TV set in the
domutory lounge served the residents. At least one per student room
and apartments is de rigeur. For
higher education, you have to watch
the news and public television, don't
you?
• Stereo. This is sometimes a portable cassette player with a detachable speaker. It's often a system of
high-tech romponents. It's almost
always loud.
• Foodstuff. This is what students
must have to store and prepare highenergy snacks: a small refrigerator
and a microwave oven. Don't leave
home without them.
"A car is pretty important for offcampus activities, and you need a
backpack, calculator and friends," a
TSU student said.
Beyond that, a handful of pens
and pencils and a three-ring binder
will prepare you for almost
anything.
-Copyright, 1989, USA
TODAY/Apple College Information Network
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be a graduu atudGnL ~ or18lllllle. Whr on Mon.
.' & Wed. 8afn.12pm .. Sat. lQam.4pm(opIionaJ).
Cal Or. JOlIIlna Loull a 454-6141.
Two AcQounllng uabllwlla II4IoIdIId for Aa~
Studonlll _nlilg aIIlco. Shoutf be aa::ourtlng
or buaklou 1l1Ijor. SaJiuy deponda on uperlonca
Apply • tho AzIGc; CellI« oIIlce n AJ:tac Certer.
~
APPLY IN PERSON l!i:M4 OlD HWf 80
EL CAJON, ('-A. Il203l• .uu.455
(0108)
CNlllerl .. Ccoka· MatII Cal&nd«a Hotton
Plaza. InteMilwa bet--. 3-<1j)m. 223..4743
(96332)
CRUlSl£HlFS NOW HIRING lor aprlng. Clwil;1rn£I
and nul IUITIl18I br.... Many poallona.
Call 1~-7555 En 8·10040.
199m)
GET A GREAT PART-TlloIE JOB tK1-N.
The Pacific GlIlC.4l
have 3()..40 jolla. FOI
malure. ~ I*IPIo who wane \0 earn good
rmnev. Itlil/9 IIoxti;I hour.I. Md ealn \IllliJ.ibI,o
~ III m.wII.tIIilg and ~
cal 1\63-2000 lor IIIQ 1nfamalIon.
=.'.
'f
2 bdmv 2 bth. 5kytlghll II bath. mntI lor
W~. dip 1300 call 2S2-0330
(37164)
2 . . . . . nMdod \0
----_.
lhara 1 room n 2
bedroom condo in Cau de AYaIarlo. ~ each
+ 114 utWee. I rroiQ llOIJ1 SOSU. call
78Q.!5872 uk lor Ed or C/1,.tm.
Dell needI cuhletlde!l WOt"..-.
"'011. .. Wed. ';30.8~ and Sat. 1()'6 or
T .. Th 1()..4pm. &6ht. Cal ?116-34&&.
11<402)
Vall 0tW. 10 IanIpOl1 Iawla lor pUlllc
hedh r-a. pqea 1~
8.07i11t. C&toI 6IM-4fi07.
Earn 1160 elllta
WINk IIIOIklng PIT llIo.IbIe
houIa. Hoooa~ hM~1ng people cWj. I.tuat
h&-.lI eM 8Gd<y 695-l1li78
p8l
. (19268.1
3 bdnn pIuI Houw. 2 bth. 1 ml fnn SDSU
3 01 .. 1IlideIU. perfil 1 '11 INM $ 12OO'mo
1/pI. WIll .. dryr. pallo .. 2 cas
call 682-3001
gat.
(Q6813)
F.maIo Roomnat. WantedOwn room In .. bedroan ' -
(26455)
3 bdnn pilla Houw. 2 bth. 1 ml fnn SOSU
3 or 4 lIudart1, pro/er 1 yr lease S12OO'mo
"pI. WIll .. dryr. pallo .. 2 car garage
call 682-3001
(96813)
3bf .. ;ba hc.Jae Widen. dr. Ig ydlclGdt. £lV & ItJg.
Qulel & new SOSU •• hops .. buL $ 1000.286-81191.
(21346)
,",00 largo &tudlo. Walk 10 SDSU. Non·lITlOkor.
drlraet. pili home. 582-6901.
(24853)
Wane a Groot pI30e \0 8\'81 Own room 'Wlgrlllll
vlG'N n a hooao 101 5335. $50 depoall
Call AI now • 682·~.
-~
..
,. :
,•
~766.
'
'l"'T
i
•
"
•
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•
,,_
ACADEMIC lYP/NGIWORD PROCESSWG.IheI..
III$1m8a. paprHI. 811:. Sharon. 448-6828
(1671)
•• ATTENTION AZTEC ••
H. FOOTS.All F~..s ...
TOO 10QIbaI .talI fa INIdlIng
lor gin. who ant lnIereated
kl IlClIve!y being Inwlved
with lhek l'IlCIuklng program.
PkX up lIRlIica!lona kl !he
FOOlBAL OPERATIONS CENTER. RId 100.
(1IIIIm)
For S;;.\3
p"", BMd! C<Jn<!? 3 !Y.ir'..!.":!l 2 =~y
paiklng.fpI. PIlI
Ij)I,
'rpl.
(254-(3)
!lOOKS SI.f.O(da! RF.SIlMF.S ;>Rl-2999
~
(11953)
near bay. Agent 276-~18
(45439)
Ulision Bch Cando For ilfon WI ocaantlOtll
WIW beauIlfLAJy lurnlshed $ 117I'Jmo cal
Jane 4C1H1249 or JNn 485-731 II
(25435)
M""e In SpedaI; Roduoed rent. 1 bdnnll bth
unl..n. from S4fIO lum /tom 5490. Walk or
bb 10 IChacl RlghI 011 t.IonIazUITlI Rd. 115%
lIuden1a lrem SOSU. RoomaIes also needed
monlh-4lHnonlh 01 leaa.. 4l1li1 ~ Dr.
Cal ~1 Open Daily. N8IW ~ only
(4501)
REPOssessED VA .. HUD HOMES..,. . . .
110m ~ lrom 51 wtilOUI a d dledL.
You tepU. AlIo t.u ~ 1onIdowr... Call
1~682·7555 b1 H-14411 101 repo. lII)'OUr ar...
1Q99QQ)
(UQ99II)
Rcool_ WAnI*I \0 Ihar. 6 ben blah. 1300
+ WI. 1300 ~ w.IIIdry. mlao••
a.c.
In Mra MMa. PIMM aut !588-4n6.
CONGRATULATIONS \0 thole ltwItad \0
Join Golden Key NItlon&J Honor Soc:IetyI
Retrinder: Oeadlile II SepI. 301
IBM EXPERIENCED TYPISTo.TeRM PAPERS.
110m SOSU. NIce room In ~ qulil lIN In
I)ej Ceiro. 287·2285 «1\.,. 6pm and WOIilend•.
$234 mont!: + $234 dtipo4
I 112 oM \0 SDSU.
Phone 683-11354.
•
ANNOUN·CEMENTS '....,,-
(24907)
Room lor Rent S350. Faltlurnllh8d. 1 mill
'liM874)
~9)
Re&jlonGl>Ie patty.
SerioUII. S325t'mo. Dan 287-6132.
1 ml Inn SOSU $1600 272-002II
PAII-tJmo !loot cleaning. F.lIIt hours.
&8.o()'SII1.00 per hour. Need rDqlOf\sJbIo
party wth lIuck or VM1. 284-6766.
; .. ' HOUSING
. ','-"_.. - . ' . .
RoonmaIe waneed· male Of lemale. 2!Jr
t;lI. pallo & garillJ8. KOOIIngIon 30011110.
Seek 1 Glad/older lIudenl for u~. room
In nice 4b!12ba hou:e. 1 mI. frem Sl)SU.
ex kg 5 bdrnl' 2Allh. lam room. 2 frpl. yard
As Soon As Poullit.
wi.
NOWll
CAU.. Ga8-1102
IIONGIOVANNI'S RESTARAUNT IS tK1-N HIRING
(9999a).
.
~
They'll think you've been to a salon!
Part·TIme Managers. No 8ltp. needed. Earn up \0
S200WI lor <Hhr' d WJdt. Cal Gina 288-1842.
.
ATTENTKlN
.~ L.II.. nMfed lrrmld.
\0 aeI no-a. nul be 0U11j01ag
FTIPT avaIL Call John 2Z4-1217.
(GIIOQOO)
Freo caIaIog d III.tAIrrInaI . .I DI&nge
roor lie lor only '0.ll81 HJOO-4n2222.
#> "
7.501STARTING
Send check or money order to:
Salon Nails, P.O. Box 17746, Dept. WC, Tucson, AZ 85731
COD orders call 1-600-456-9442 ext. 101,24 hrs... day
ftTUrOl\NGtl MATH, PYSICS. ENGINEERING,
-ACOMPUTER PROGRoWt.l1NG. LIark 221-7178.
(00851
Please see CI..ASSIFIJ.o;OS on page 12.
Daily Aztec
Classifieds
RATES
!lTUDENTS:
one or two day. pet line f~ day
'7$1.45
three or more day. pet line pet d.y
~$1.30
NON STUDENTS~
one or two day. pet line
RoomUI wan\ed 10 ahlte 3 bedtoom houae
2 lumlahod ~ $325, 5350 .. UIW8I 314
iii. 110m SOSU
lot Cal
cal 682·1694
Gal.
(25434)
r: day
'7$2.60:
three ,OIl more day. pet line pet day
452.20
I
12 - TilE DAILY AZTEC
-- Continued from page 11.
Second
c'- Spom buy-aaJe."ade IJI8d IUrf·
beanie. wacl\All, bIc:yI:IN. bc...lgIet. Ilthklg.
8J(ClQI.
..
.. 'R;RSONALS·..
'.
..... ...:.
else. bah. uo'Ilng. boach~ lurfweat. 1Ik:. ~1·9117.
(5514)
S09U FREE EDIT MS, COlLINS 206-2863
(7307)
I·
ItA "
CANOl
" ItA
nWIllIn; '- Mit. IIId for u n bt he....
HNT: Ycu ani my 11m IIIIt 8slI
Now, can ycu ~ ycur No IIs?1 "vas
(24923)
(8G876)
-
ItA"
.1 LJI SIa G.lbrieIII
"ItA
GIl I8IIdy fct ~I Hope JW Ike 1C
bit IIJIPIked roW JW 1111 btl "VSS
(201871)
.....
ArA Plodgea Preaem
·lUCK·INS·
TId<ett at' Lab Lawn Ql26.11129
\/ISA OR ':'-W.E.~"'.ROI Even ! ba.'!!-.r~ or
bad CI8d.I We Glllllanl.. )'011 a card Of doa.Cle
••• WANTED •••
MOOELS FOR THE DAILY AZTEC FASHION
GUIDE. PICK UP APPUCATIONS AT
PSFA 35&. DEADLINE IS SEPTEMBER 2111
••
AlUl AlUl
PlEDGES
AlUl AlUl
FIte up on 910 SIS and
L1L SIS Rewalklgl
, (1540)
TYPING TYPING All KINOS FAST EXPERT NR
your money bad!. CalII-8(i5.682·7565 Exl. 101-1058,
(m99)
SEPTEMBER 27, 1989
KA CINDY KA
Wed n!, v.!11 lhoc:k )'OIIr uyee. wilen I
nlYlIiI I think you'l be lutprSedl
Gel peychedl " vas
(951121)
ItA " LS LESlIE " lA
a.lllrdlGd !of BSIlS ~I We lIN
deIInlr.!1' lhe h<ol pair 10 g« roac!y 10
gel cu 01 coo1rOI ~I "YBS
~__________________~(I~7)
~me
ICA
(OlfoO)
nght!le
a polootlal
rolaUomhlp PO box 1102
Cardiff CA 1!2007
(585)
.-.·ta
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Read It!
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KA"
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Get exdted 'or rsvu"ng- I
wall.
I " U IlIIa."YBS
can'
--------------------
ItA "
PAM RYBA
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DON'T B UP lIGHT. UU FlMl our 2NlTE
,,'$ U'THE MOST a IS READY 2 BOAST.
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EVERY rfl/EDNESDAY
e.,
ANGIE
ItA ICA KA
I'm .0 Ilccled )'OII're my iii I ••
Get ready 'Of ravoaIng.
"YBS
~,-"J('"
II"'!
ItAKAKA CHARLENE md SUZANNE ItAKAXA
Go; )(~le(f 4 Big Sla l'IoYeaIlngl
It
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Are
wu a non
It
hazing BOI'OfI1y?
EJIIlIId the unexpected and
. . get ready 10 ragel
KAJC.A."ta "Vour BIg SlalQlI
A
JC.UCAItA
(2~1)
ItA KA KA
KELLY S, 111 10 el8
KA ItA KA
Get peyched lor revoafing.
Your big lia "'8 youl
From Arnund
The World
For
Women & Men
2·n~o
" YBS
aduh male sooklng aUractlve.
liable. Iomale who.. tired 01 '\en1lOfruy'.
ono-~Ided relaUomh/pl: respond III Mr.
Respectable?? PO Box 329t La Mil8&, CA 112044
(I~)
(9a9999)
" ItA
JULIE B.
ItA"
GET EXCiTED FOR FlEVEAUNG
TONIGHTJ " KA PLEDGE
LOVE YBS
~ble.
(0127)
"FU1 STEVE SCHWARTZ xn •
ThIa Ia ycur oIIdaI 1!M1a 10 the lUl
daMe, Oct. 61111 Don' rriaa ths "qlpOrlInty"
to go wt1h ywr )(Q girl as a 1amcu
QOUPIe"I Get Exci10dll 9UL WEASEL
(24867)
"KA
KA.
(24873)
Immalure. Ins908l1vu SWM. 24. looka durrb,
good· looking SF 'or IlI9ilIIlngleu ret;;.Uonshlp.
Interasted? Call 698-4324.
EX Llr Sil Rachd S. II(
Ita the middle of tho week
know v.tIo , am -yet"
(A DC: IICIlve 10 a . . betl)
CLUE: /~ 1caIand. cars gel 1Iuc:k In 1m
YBS ... UI
(9999)
DC: II( MICHELLE M. DC: rK
WELL THE FIRST DAY OF MYSTO IS OVER
CAN YOU GUESS WHO I AM YET??
I BEr VntJ CAN'TII
I LOVE YOUII
" vas
Theta
.vas
(1538)
TUTOR: MATHMATICS. PHYSICS. STATISTICS.
ALL LEVELS 287·9070. LEAVE MESSAGE.
{0132)
FREE
CASSETtE
._n__. __
I"'LEI!
I for 8101!
Execative Board
applications now
available Qt HRLO.
Application dndline
UIIIftI DIVIIICI
lOW OPEl.
~ MUSIC fII.ADEB-
~: (formeJ1y DIsc & Dol)
~
5728 EI Cajon Blvd.
(6 bIocIa west of College)
is October 2nd.
265-CASH
265-2274
.,
Open 7 Days! .
....... MUSIC TRADER
:::.::::;::;;: (fonne,ly.Dioe" DoL)
- - . . ; 11128 EI Cejon Blvd.
- - (6 block. welt of Collese)
?Gil. CASH
. 265·2214
463·9245
&I
= == == ..
••
.•B
I
I
•
CALL 279·5955
D'Agnessa Ins. Agency.
by Joe Mlll1ln
Nn LimlL 'On approval
Hottest hital ThOUBllIlda of CDsI
C~se to SDSU!I
••••
I
I
I
I
Cn'
Imperial Motel, 6677
Montezuma
for qualified studentsI!
BOFFO
2 Il .. d liD'•• gell free
No depusit. Fully furnished.
Utilities paid. Kitchens.
. Phones wI free local cails.
Free cable TV wI HBO.
Laundry, air conditioning,
pool. Clean. Friendlyll
I
'.
.
For a day. week. or
longer terml
We have XLNT auto ins. rates
MISTER
Trade in:
6 <.... : ..... ,ell free CD,,(19.99 or I...)
" c.... ellco. gel t rrce CO'($9.99 '" up)
FLEXIBLE HOUSING
FULItTIME STUD.ENTS!!
.. 7841 Balboa Ave. Stet 215, SD 92111
COMPACT
DISCS!!
484-5557.,
488-1134·
Thota
Happy 20th Blrthdayl
Get oxcfted 'or revoaUngl
(99999)
ItA KA KA
LII Sis Laura Fancher K4 KA ItA
ItA RevoaRng Is nearll "YBS
124930)
(999999)
HEIDI BONN
KAY DeE ~ MICHELLE STEELE KA KAY DEE
GET EXCITED FOR REVEALING TONIGHTI
YBS LOVES YOUI DO U KNeW WHO I AM? 9YBS
3 hcdroom/2 fun balh.
New appliance.!!. Pool.
Free gym membership.
Basic cable TV included.
orr ulrcel parking. Mini
blinds. Fenced yard.
Uppernower bideonies.
Near SDSU & Grol!8monl
Ccntcr.$900/$450 depDsit.
3761 Mission Blvd.,
Mission B~acli
(~I)
NEED CASH? We HONESTlY pay the MOST 'or
CD ... T~ & V1deoe. MUSIC IRAOER
5728 EI Cajon Blvd. 265-CASH
(9999)
APARDIENTS 4 RENT
WI ~IANY XmAS!!
Major Credit
Cards Accepted
ItA SHElLY KA
you wi. lee _ make tho belt pair
Ihaa U a MEl Get exchedlll
AoomoIe wanted: Condo. 2 m ilTi1 SDSU washl
dry. pool. non-lmoker. S3OOImo 698-5159
(1536)
KA ItA KA HI:ATHER HENDRIX
ICA ItA KA
GET EXCITED FOR REVE,AlING
YOUR BtU SIS LOVES YOU.
(24910)
OVER 140 DIFFERENT SANDALS!
-Ar Pledge Noreen
I want 10 sueam
Cauw I'm 10 stoked
I want 10 cI1cke
You're IlY II lia
I'm lui 01 blllll
KISS KISS " ''DS
(24900)
THE FUNS JUST BGUN 4 MY NEW UL ONE.
LOOK 0l1TI , LOVE YOU - YBS ItA
(2.filI7)
(t53-4)
RotIIdontIal LHe otIlc:e. DeadM 'or
JWllcaliona " MondaY. Odober 2
KA
A NEED FOR A TYPIST? ReasonzbIe..apeedyIlan'>9pm-Kath"576-1277.
AAlIICaIIona 'or GREEK WEEK EXECUTIVES
,are now avallablll III the Houakog and
(24908)
D~n't Step On Itlt. .e.
KRISTllAVAlA
GET EXCITED FOR
REVEAlINGI
ItA
"UOS
IIA
c.z4W2)
KA ItA LITTlE SIS JEANNINE LONG ItA ItA
I THINK THAT YOU ME THE GREAT"'cSTlII"
GET SET 4 AN AWESOME SEMESTERI9·YBS11KA
(ISO)
AI1rllCl~ Alhlollc, W.,.lIt~)· MBA ~lnesaman
23, HIlke qually lemalo !of candlellghl dimln
MARY Am "KA
Ia Uno;t her, !of mealngR
YBS ... JW "*11
KA"
The
til SIS VAl
KA ItA
rm 10 exdled you're mlnel
Get tlXC:ied foI IOrUali
LCMI. YBS11
I!A ItA
••
Expires Sept. 29 • Value wI coupon
----------------~
'iii
Iii iii ... _
_
_
_
_
_
_
_
_
_
~Us liave the greatest impact
on fww 'you foof(J f
II
I
I
•
LET US PAMPER YOUR NAILS AT
~
M
I
~t:eam ~J a its
6219 UNIVERSITY AVE.
SAN DffiGO, CA. 92105
CJ
I-
I_ _
I
~
•
rv_
286·7352
*ACRYLIC FULL SET
$20
*MANICURE&PEDICURE $15
·FILLS
$12
______________
tJlaiue w/coupOrl. '4pIru 9/27/89.
~~
:
ALBANIAN SOFTSHOE • THE N'KED AND THE NUDE
.
FRENCH FILM WEEK. CONCERT, VINYL REVIEWS
INSIDE
SEPT. 27,
1989
~,
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2 - THE DAILY AZTEC
SEPTEMBER 27, 1989
FILM FEST - Patsy Hilbert's Onll More Dance Is one Ci' several films to be
shown In the Second Annual 51udonl Aim Festival, I,)f1 campus Friday.
Best of this year's SDSU
films to be shown Friday
FILM: "The Second Annual Student Film
fe~ival", put on by SDSU's Telucommunications & Film Dep~ Friday, Sept. 29. Two
separate showings: 7 and 9:30 p.m. In the
Little Theatre. HH 31. Free admlsslon.
By Kevin Bortfeld
stlglous awards program In the
United States. The short film was
also awarded runner-up for the
cable TV Arts 8: Entertainment
Network's short film festival, to be
shown next ~prii1g.
Stanza editor
"This school Is loaded wilh
taient. Thi~ s('./1ool Is jusl bursting
at the seams with energy and
talent. It's an absolutely tremendous time to 00 in this department.
If I was going to be in film school,
at this particular time, I would pick
this one right off the bat."
So says SDSU Filmmaker In
Residence, Professor Jack
Ofield about the quality of
cinematic talent brewing here In
SDSU's Telecommunications
and Film Department. YOlJ'lI have
a free chance to judge for yourself
in the "Second Annual Student
Film Festival" this Friday at the
on-campus Little Theatre.
Ofield Isn't the only person
gushing over SDSU product
these days. The featured film in
Friday's screenings, The Inspired
Chicken Motel, won SDSU filmmakers Mark Lawrence and
Peter Shushtari an award for Best
Production In this year's FOCUS
awards, the largest and most pre-
Jesus Wept, created by Terre
O'Brian, Matt Freeman a:1d Bradley Stewart Glenn, which wiii a:so
be shown Friday night, has also
won critical accolades: both the
local and national Princess
Grace Grant Awards.
"It's a professional quality film,·
Ofield said of Chicken Motel,
which Is based on a Ray Bradbury short story. ,"Jesus Wept
falls Into the same category. It
has a beautiful script; a very difficult, complex, emotional story
(based on W. Somerset Maugham's Rain). It could go on a network tomo'rrow without any apology, without anyone even knowIng that it was made by students:
Friday's event is sponsored by
the Telecommunications and
Film Department's Student
Advisory Council, which was
formed by TCF students last
November to improve communications within the department.
WHAT IT IS
For the most part" the
space In What It Is is dedicated to matters of leVity. We
joke and josh a lot. And
sometimes we even manage
to cajole the artistic conscience 'Jt the campus communi~.'. Often, we laugh as
heartily at ourselves as we do
at our Intended subject
matter.
This week, though, What It
Is takes a break form this
lightheartedness to mark the
passing at one of the most
important figures In popular
music of the last century.
This past Friday, at age
101, Irving Berlin died in his
sleep. And while you may not
be tamilar with Barlin - very
few in fact were, he was an
Intenseiy private man who
throughout his lifa shunned
publicity, and de,cllned
numerous offers to sell the
rights to his life story - you
are undoubtedly familiar with
the man's Gongs. A catalog of
~ongs that at the time of his
death numbered nearly
1,000.
Berlin penned the songs
"There's No Business Like
Show Business," "Easter
Parade," ·Oh, How I Hate to
Get Up in the Morning," ·Put-
IRVING BERLIN, 1888-1989
tin' on the Ritz," "White
Christmas" and the song
which later became the country's unofficial second national anthem, "God Bless
America: Berlin tapped Into
the core of the American spirit with his catchy melodies
and simple lyrics, and in
doing so earned an Indelible
spot in the history of American music In this cantury.
Born 1888 in Russia, he
was five when his family emigrated to the United States
and settled In among the
intense poverty of Manhattan's Lower East Side. When
he was eight his father died,
and Berlin was forced auf. of
school and Into the streets:
selling newspapers to support his family.
In 1907 he wrote the words
to his first song, "Marie of
Sunny Italy." Born Israel
Baline, he got the name Irving Berlin when the music
publishing company incorrectly put "I. Berlin" on the
cover of the song.
Berlin's life is all tha more
remarkable when you carlsider that he could not read
music. He had no classical
trainin(J. and wrote mainly in
the key at F sharp because,
as he was known to say, Is
was the easiest because the
black keya are right under the
fingers.
An Immigrant, Berlin wrote
one of America's most
beloved songs, "God Bless
America." A Jew, he wrote
what has become the quintessential Christmas song for
Christians, ·Whit,e
Christmas. "
Irving Ber/in Is dead. And
that's What It Is.
' - J.J.C.
Plea•• see FILMS on page ~2.
. ,'.-t ,:",,'- .',
•
c>:~
o. . . .
~
The UUIVERSrrV OF SAN DIEGO , offers an intensive ABA Approved post-graduate 14·week
LAWYER'S ASSISTANT PROGRAM. This program
will enable you to put your education to work as a
skilled member of the legal team.
'
A representative will be on campus
Thursday. October 5.1989
11 :00 am' - 2:00 pm
Career Services Room 4
For more information
contact your career center at:
(619) 594-4376
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La'.Yyer'sAsslatant PrQ9rarn
Room 318. Serra Hall
San Diego, CA 9211 0
(619) 260-4579'
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SEPTEMBER Z7, 1989
THE DAllV AZTEC -
3
Photo-artisVteacher Peter Reiss
is concerned with the subtleties
of human expression. In his
Compassionate Collaboraijons,
now at the Photo West/Brad
Lemery Gallery downtown,
Reiss' subjects of human
expression are students of his
who happened to be developmentally disabled. The photo on
the right was. shot with a large
pinhole camera, the others with
a Diana camera.
Real People
Photographer Peter Reiss finds
art in humane 'Collaborations'
PHOTOGRAPHIC ART: Compasslonals
Collaborations, portraits by Peter Reiss. At
Photo WesVBrad Lemery Gallery, 744 G St.,
Suite 205, downtown (239·2006). VJewlng
hours are 11 a.m. to 5 p.m. Wedne5day
through Saturday through Oct. 10.
BY' Nell Kendricks
Stanza staff writer'
Not many photographic artists
are willing to go against the grain
of what's popular In the art world.
Today·the fabricated image Is In
vogue. Artists such as the Starn
Twins are busy .appropriatlng
Icons of art history while Cindy
Sherman's harsh self-portraits
are pseudo-film stills filtered
through an '80s sensibility.
But artist Peter Reiss has
decided to take a different road
wi iii his back·te-baslcs approach
to this medium that has recentiy
reached Its 150th birthday.
Reiss wants to use the simplest of materials without resorting
to artifice, stripping the medium
down to Its essential Ingredients.
alld avoiding the use of darkroom
tricks or optical effects. In his
Compassionate Collaboration,
now on display at downtown's
Photo WestlBrad Lemsl)' Gallery, he has doclded to photograph an unlikely subject: his own
students who happened to be'
developmentally disabled.
Reiss was a teacher at the Art
Center for Exceptional Children's
Foundation in Los Angeles
between 1982 and' 1986. Currently, he's a member of the fulltime faculty at Otis Parsons
School of Art and Design, also in
L.A., where he continues to
instruct students in fine art
photography.
NI had sot up a program teaching them art photography through
a grant from the California Art
. Council,· Reiss said over the
phone from his LA. home Friday.
"Three days a week I went In and I
taught 1hem how to work with a
35mm camera and process their
own filin and milke their own
enlargements. And then somewhere along the line I figured out
that I wanted to make a series of
pictures portraying them in an
elegant manner."
Taking on a form of portraiture,
Reiss had to figure out a way to
mC',ve away from the banality of
simply reproducing. the human
face on a photographic negative:
In many'ways, it was the concept
behlnCf each image which stlmu-·
1ated his interest, the hidden' story
locked behind the individual
faces. His chosen subjects
always maintain a certain level of
hones~y j never idealized like the
picture-perfect models Immaculately airbrushed on the pages of
a fashion layout.
NI didn't want the pictures to be
about ever,/ pimple or scar on
their faces," Reiss commented. NI
wanted the pictures to be more
about what I could derive from
them by makino a camera, with
the simplest possible tools.
NI made a box and put a hole in
the front and I used 11 x 14 sheet
film. And It basically was a pinhole camera just as many of us
built In fifth grade. It let the light in
and they had to sit stili for four
minutes and that's why In a lot of
the pictures there's a large
aegree of shake Involved. It's not
because tho camera's being shaken In my hand. It's because my
subject Is not able to stay still fOi I
four minutes. Their heart beats
and sometimes they move a lot.
Since thoy were my stUdents anyway, I was building up relationships with all of them.In that Incredible stretch of four
mlnutts, Reiss initiates hit> Ncompassionate collaboration- with his
students. The trust ho has built
with his subjects gives them an
at;llve role In the eventual outcome of tho final print.
,
NI talk about them as collaborative portraits because I came up
with the camera and chose the
actual image I was going to use,"
Reiss said. "They chose the way
they would be portrayed. I set up
ihe perimeters of the camera and
the film and the day I was going to
shoot the picture. And then they
chose the ciothes they would
wear. Some of them wore their
Sunday clothes while others
wore their clothes so that they
would be aeon as artists. In terms
of those Ideas I thought of it as a
collaborative effort:
Reiss' pictures aren't about
theories or aesthetics. They're
about people, pure and simple.
His prints don't overwhelm you
with their presence. Reiss Is mom
concerned with the subtleties of a
human expression the viewer
might otherwise overlook. It's
seen In the Incidental way the
hands of a subjoct such as
Michael Norton are folded on his
lap or In the distorted closeup of
Richard Flores staring Into tho
lens.
Through the use of both the
pinhole and Diana cameras,
Reiss takes the simple Idea of
portraiture a step further by tapping Into the lives of people who
have lived on the fringe of society.
He wants to give them a more
positive self-image and, In turn,
Invite the viewer to be a part of the
Intimate moment between the
artist and his willing subject.
"One of the things that was so
great about the experience,·
Reiss sald, "was that they had
never had anyone take this kind .
of Interest In them, and make a
picture that was so large. I think If
I didn't take those pictures, they
wouldn't get taken. And the world
at large wouldn't have a chance
to find out as much.·
This Intrinsic connection gives
us some understanding to tho
root of Reiss' kinship with his subJects. The overall feeling Is ono of
empathy and compassion. Reiss
doesn't patronize his subjects by
feeling sorry for them. It's not surprising that h9 treal~ them as
equals since Reiss has himself
"lived through a personal hell and
coma out on the other side."
In 1976·, Reiss suffered a
stroke that left his right side practically useless. The trauma of this
event and his rocovery opened a
whole new way of seeing things
for him.
·1 see all of my photography
that I do as an extel'lSlon of that
Incident in my life,· he said. "It
made me appreciate those peo·
pie who aren't on the fast track.
Befere Jhad it, I ww. on my way to
a career in film. But ,hat was cut
short by the stroke happening. I
was 22 when it happened. In my
case, I was profoundly changed
by that thing happening to me. All
of my work since then has been
with different groups of people
who are on the edge. I've worked
with people in prisons and I've
just finished a group of pictures
on mothers who are trying to kick
heroin with methadone.·
His Imagos are a mixture of
harsh and gentle contrasts.
There Is a visible animosity in
some of the faces whllo In others
there are giggles. And· between
the smiles and the sometimes
Indifferent expressions there is
always Reiss' dedication to maintaining the delicate balance of the
col!aboralive process.
"I think all those different
groups of people are wrongly
diagnosed in somo way by the
media,· he said. "It doesn't repre·
sent them In the proper context
for people to be disposed to finding out more. If people can us~
my photography as a vehicle for
foaming more about things they
have misconceptions about or
don't know anything about at all,
then j feel like I have done what I
set out to do.-
4-
~"
SEPTEMBER 1.7, 1989
THE DAilY AZTEC
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La Jolla Museum premieres a brand new wave of French films
FILM: French Film Week, at the La Jolla
Museum of Contemporary Art, 700 Prospect
St., La Jolla (454-3541). Scheduled films:
Tonight, Bernard Cohn's Natalia, 7:30 p.m.,
and Andre TlXhines Les Innocents, 9:20
p,m.: Saturday, Yves Boissers Radio Cor·
beau (MaJ<.ing Waves), 7:30 p,m., and Char.
lotte Silvera's Prisonnieres, 9:15 p.m.: next
Wednesday, Mehdi Charefs Camomil/e,
7:30 p.m., and Georges Lautner's La Maison
Assassinee (The Murdered House).
By Carole Schaal
Stanza ::ontrlbutor
The La Jolla Museum of Contemporary Art, with the help of
Cultural Services of the French
Embassy, is presenting the West
Coast premiere of 1988-89 works
from the new crop of French
directors and artists bred by the
expansiveness of the legendary
French New Wave: Jean luc
Godard, Francois Truffaut,
lelouch and others.
Interested in exploring tne
complexity of the human condition, Godard, Truffaut et. al.
created the French New Wave in
the late '50s to establish a break
- through unusual tachniques
and vibrant, socio-political
themes - from the Frencl1 theatrical in-studio techniques and the
Hollywood larger-than-life ideal.
But while the directors featured in this week's series (Ber·
nard Cohn, Andre Technine and
four others) may have beel"!
weaned on thorn, they aren't
imitations of French cinema's
New Wave past.
"Techine and those directors
(whose works will be at the
LJMCA) grew up watching the
New Wa':e directors who are still
working today; Greg Kahn, film
curator of the LJMCA and TCF
professor at SDSU, said. "But
they are not identified with any
specific movement. They are
making personal films."
Cohn's Natalia will start the
French Film Weel, tonight,
coupled with an appearance after
the film, as well as a talk at SDSU
today. In addition to a journalistic
career, Cohn has worked as an
assistant director to Truffaut,
FRENCH GUY - Patrick Bluel stars
In Georges Lautner's La Malson
A..sasslnee (The Murdered HouseA
part of LJMOC's French Film Week.
Robert Bresson, Luis Bunuel,
Nagisa Oshim::t and Woody
Allen, among others. Although
faithful to the New Wave range of
topics, and to his Jewish French
roots, Cohn stands out for his
deliberate absence of creative
camera presence. The '40s
storyline of Natalia revolves'
around a young starlet searching
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for her i~entity in a world shaken details the dramatic relationship
'by competitIon, anti-semitism Qf six women jailed in a convent
and war. Limited by a small Fascinated by the dilemma of
budget, Cohn solemnly focuses women in traditional and "Iiber·
his eye on the wealth of the chc,r- ated" roles, Silvera studies this in
acters, played by Phitlipine her second film, judged "daring"
Leroy-Beaulieu and Pierre Arditi. by many French criticS.
Andre Techine'sLes Innocents
will also be screened this even·
Yves Boil>Set is an established
ing. The 1988 film continues film director who made his debut
Techine's ongoing theme as assistant to Jean Pierre Melvil(Rendezvous, Scene of the le and Claude Sautet who belong
Crime), of the fight for love to a more traditionnal line of
against all circumstances. In Les action moviemakers. Boisset's
Innocents, which stars Sandrine Radio Corbeau (Making Waves),
Bonnaire (Under the Sun of also to be shown Saturday, is
Satan), he pits love against .the about noise and fury: an anonymtimely issue of racism. France, ous radio operator propels disgenerally known as a "'terre cord or. a town by gossip.
d'accueil" - a land opened to
The series ends Wednesday
waves of immigrants - has with films from Medhi Charef and
integration problems es~ecially Georges Lautner.
with the Algerians, who had been
colonized by France until 1962.
These movies are all subtitled,
Techine's love story has a mes- and will be shown only once at the
sage of anti-racism that more and LJMCA, so take advantage now
more French movies seem to be to, as Kahn says, "feel what it is to
carrying.
be in Cannas," Most of these films
Saturday brings us Charlotte aren't likely to come back to San
Silvera's Prisonnieres, which Diego.
SEPTEMBER '0, 1989
THE DAILY AZTEC -
5
Albanian Softshoe steps on own feet with its bizarre antics
THEATER RE'tlEW: Albanian Sof!shoe, by
Mac Wellman. The San Diego Repertory
Theatre, Lyceum Space, 79 Horton Plaza,
downtOwn (235-8025). Direclt:ld by Douglas
Jacobs and Michael S. Roth. With Darla
Cash, Alex Colon, Jan Leslie Harding, Tony
Simotes.
By Tamara Tuttle
Stanza staff writer
Mac Wellman's Albanian
Softshce is supposedly a comady. An avant garde adventure
comedy, no less, set on the ice
moons of Saturn. Chock-full of
poetry, nonsensical dialogue, a
zig-zagging inter-dimensional
storyline, and a banging, bashing
cacophony of ~ound effects, the
work is <t fantastical attempt at·
modern satirical theater.
While the play has succeeded
in classifying itself as different tres nouveau, even - it has not
succeeded in perhaps the most
important aspect of comic theater: entertainment. It is so bizarre
that it spurs very little laughter, a
great deal of confusion, and a
decent dose of guilt. Yes, guilt.
Guilt for not being able to understand the damn thing, guilt for not
understanliing how, after shelling
out 22 bucks, you feel as though
you dropped it on the sidewalk
rather than bought something
with it And BIG guilt for disliking
something that was obviously of
immense difficulty to memorize.
Wellman's work, a hubbub of
meaningless words strung
together in the name of modernizing American theater, is probably
riot meant to be understood.
Taken at that level, it is more an
overgrewn piece of performance
art. Minds SQ numb after about 20
minutes of this. (Therefore, an
hour and a half Is more than too
much for tha average individual).
This is not to say that there is
no plot to the story. No, indeed. It
opens in a living room, where Nell
Fo)! (Darla Cash) and Susan Wolf
(Jan Leslie Harding) are discussing various suburban crises. After
Susan and her husband Harry
(Tony Simotes) change Identities
a few times to cover up some.
crimes, Harry is killed by the Man
of Shala (Alex Colon).
Which brings us to the ice
moons of Saturn, where Susan
and Nail have inexplicably transformed into the new characters of
Wolfert and Fox Person. Wolfert
and Fox Person are then
Instructod by someone (thing?) to
j. find and return a cheese which
was stolen from a Satumlan hero
by the name of Pancake (Damon
Bryant).
The audience leaves. bewildered and grumbling. Bewilderment and disorientation can be
positive, if that discomfortcrea,tes
any form of enlightenment or new
frame of thought. Albanian SoltshOB lacks ih~ catalyzing afi'o.:;t,
however, regardless of its naomodernist label.
Wellman seams more interested in achieving this ·on-thecutting-edge of American theater" status, than in creating an
entertaining play. It does not
need to be explained; it does not
need to have the traditional happy ending; it does not need a rea·
listic storyline to be enjoyable. To
be good. it does need to ke~p the
audience's attention. And to be
really good. it needs to make their
. Give a hoot.
Don't pollute.
Forest Service,
U.S.D.A. ,.
brains work a little. Instead, the
play ralies on bF.ling eccentric to
keep the audience attentive. And
it fails.
Softshoo begins well. Fascinating for a brief period, it then
wallows in its own nuttiness. It
slows, shifts scenes, shifts characters for no apparent reason,
and falters. The bizarre begins to
irritate in its repetition. Like anything, too much is more than
enough. As words are cut off,
brains shut off, and soma members of the audience nod off, only
to be jerked awake by Wolfert's
duck call1kazoo.
.Admittedly, Wellman's alien
arrangement of our language can
be, at times, engaging - even
enlightening - and strikes a subconscious chord which rings true
somewhere deap in the mind.
Wingfoot (Bruce McKenzie) is an
example: He speaks nonsentences, non-words which
sound right, and somehow feel
understood. W!ngfoot's immense
monologue is impressive in both
quantity and quality, as is the
three-way shouting match and
SOUl-upheaval between Susan,
Nell and Harrj. But this aspect of
writer Wellman's talent shines
rarely and the remainder of the WACKY H!JINX - Clockwise from top. Alex Colon, Jan Leslie HardIng, Darla
play drags to its inevitably innocu- Cash and Tcny Slmoles slar In Mac Wellman's new comedy. Albanian Softshot, at the San Diego Repertory Theatre.
ous conclusion.
OFFICE WITH A VIEW
The Peace Corps is an exhilarating two year experience that will last a lifetime.
Working at a professional level that ordinarily might
take years of apprenticeship back home, volunteers find
the career growth they're looking for and enjoy a unique
experience in the developing world,
International firms and government agencies value
the skills and knowledge mastered during Peace Corps
service.
ON CAMPUS TODAY 11 TOMORROW
INFO BOOT H: September 27 - 28
Campus Lab Lawn - 9 am - 4 pm
FILM & DISCUSSION SEMINARS: MEET RETURNED PEACE CORPS VOLUNTEERS
TOMOrmOW, September 28 - Aztec Center Rooms K & N - 3 - 5 pm
OVERSEAS OPPORTUNITIES IN EDUCATION - A SPECIAL SEMINAR
TODAY, September 27 - Aztec Center Rooms K & N - 5 - 7 pm
INTERVIEWS: Tuesday & Wednesday, October 10 & 11 - Career Center
APPLICATION MUST BE COMPLETED PRIOR TO INTERVIEW
SENIORS - APPLY' NOWI .
For applications or more information visit your Career Center or contact Peace
Corps collect at (213) 209-7444 ext. 116.
.
Peace Corps .
The Toughest Job You'll Ever Love.
6 - THE DAILV AZTEC
SEPTEMBER 'J.7, 1989
Art gets down to the bare essentials
in Brushworks' N'ked and the Nude
ART REVIEW: The N'ked and The Nude, at
the Brushworks Gallery, 425 Market St.,
downtown (232-7329). Viewing hours are
Tuesday tI1rough Saturday, 11 am. to 5 p.m.
By Kelly Francis
Stanza staff writer
From childhoods of giggling
goggling at National Geographies to a matured sexual and
aesthetic appreciation, in one
way or other nakedness grabs
the attention of all of us, like it or
;~nd
not.
But the nude body is more than
apPealing subject matter. It is an
important art form, enduring radical transformations from its start
way back in 500 B.C. as an anatomical study of the human form.
One thing that hasn't changed,
though, is the essence of the
nuds - the bared human condition, free of social, economic or
political clothing.
Along these lines, Brushworks
Gallery's second annual nuda
show, The N'ked and The Nude,
brings together the work of 17
San Diego artists in the areas of
painting, drawing, sculpture and
photography. Various approaches decorate the show: Some use
a classical approach, concentrating on the formal perfection oftha
body, while others abstract or
simplify it. The mos~ successful
communicate erotic energy without being overtly explicit.
Please .88 NUDES on page 12_
The DIlly Az1ec/Ant~ Tarantino
HEY THERE, SKi FURRY FELLA - Cheryl O'Neill's "AHer Paris II Is part ot
Tho H'ked and the Nude exhibit at downtown's Brushworks Gallery.
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THE DAILY AZTEC - 7
SEPTEMBER Xl, 1989
safe to say that what Devo has
been talking about all along
needs to be listened to, now more
than ever.
"That massage was what gol
us started,U Mothersbaugh said
of the evolution, If you will, of Ihelr
De·evolutlon philosophy. "It has
always been our battle cry - 'Deevolution: We've always, In
some way or anolher, talked
about (it) on all our albums. /I's
our view of the wor1d."
"If anything, Devo kind ot
preaches a Buckminster Fuller
view ot Ihe world, where, y'know,
w;; are all responsible for our
actions," he continued. "And
(how) we have to have an over·
view about how we all fit into the
fabric of the planet."
The fabric into which the Devo
of 1989 fit is significantly different
Ihan the one they did just five
years agt). After a string of gold
records on the Warner Brothers
label, the band all but disappeared from the pop music arena
after their 1984 Shovt LP. It
wasn't until 1988 that the band
resurfaced with the record Total
Devo on the much smaller indie
label, Enigma.
"We never really disbanded we needed a break," Mothersbaugh said of ihe four·yeargap In
Devo's career. ·We did some·
thing like seven albums, 22 vid·
eos and six world tours all In
about a perrod of about five and a
half years. If you keep doing
album after album you kind of dry
up a little bit. You've just got to go
out !U1d get some new experi·
ences to feed from.
"Everybody kind o! went out
and did independent study," he
added. "But we still alw~ys met at
Devo Studios. And ·we actually
were writing 60ngs during that·
whole period. It Oust) wasn't as
Intense a schedule as it had been
for the seven or eight years prevl-
Conllnued from page 1.
For proof of tnis difference you
need look no further Ihan the justreleased LP, Now It Can Be Told.
Recorded live when the band was
on tour lale last year, the album
offers up acoustic versions of
Devo classics, eschewing Ihe
techno-pop trappings that later
became anvils around Devo's
collective necks.
"To tell you the truth, we did get
connected with hi·tech,"
Mothersbaugh admitted. "But It
. could have easily gone a number
of different ways. We Jon't wor·
ship technology. U's not like we
need to play whatever the next
new gadget is that comes out. It
just happened that the music we
were writing at the time required
the kind of sounds that we
couldn't get anywhere else. We
were in AJ<ron, and it was an
induatrlal city. There was no such
Ihing as industrial music, so we
decided to make it."
Jus! as closely associatsd wilh
Davo as their technology Is the
band's Ideology of "De·
evolution," (the notion Ihat, rather
than progressing forward in our
development as human beings,
we are instead cannibalizing the
past) but this Is something they
haven'tgiven up. It would even be
~
.........
p;;;;;;;;;"~'
ous to that."
Okay. but after the time off,
what was illike to come back to a
record deal on Enigma and not
Warner?
"Different," Mothersbaugh
said. "U's a world of difference
from being on Warner Brothers,
but It's got its pros and cons.
(Enigma) Is a smaller labe' and
they don't have the money to pul
Into a project iik~ Warner did.
With Warner we satuf3ted a bigger market. If you wanted to do a
video, you did a video. On Enig·
ma the money Isn't there, but
there's people there that seem to
have a certain kind of dedication
to the music. At least yuu can talk
to people there:
Devo is back, ancfthat's for
6ure. But th9re are still those who
question the band's abi/ily to cre·
ate anything relevant for tho f::.ist·
app;,cachlng '90s. Can the band
not rely on their jeweled past? Do
they still have their chops? Do
they have anything to say?
Well, they have lots to say.
"It seems like there's a race
between Information and rnlsln·
formation," Mothersbaugh said.
"There's nobody that you know
that doesn't know somethIng.
Nobody 16 so totally stupid that
they don't know anything. Every·
..'....."=
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iii
II
II
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"/t's an age right now of safe
sax, safe Ideas, safe money,"
Casale adds. "People want the
next thing, but nobody's willing !o
go get it because they're too
chlclton to be tho first one over
tha line."
After Casale puts the receiver
down and goes back to rehears·
lng, the sound coming out of the
earpiece Isn't the dlid tone. It Is
Instead the sound of resolve In his
voice, ringing In the Interim
silence.
Welcome to the '90s, rock
fans.-
Campus Plaza
Colle!le 8& EI Cajon Blvd.
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• • • • • • • • • g • • ~.&
Yes, but can this still be done
within the confines of a pop song?
"I'm old enough that I watched
the Beatle$ on The Ed Sullivan
Show, and to me that was like the
closest I ever came to being born
again, I suppose," Mothersbaugh
said In regard to the veracity of
the pop song. "Just because, all
of a sudden it put a purpose in my
life. And (then) Jthink, 'Music now
Is not the same: Bu! when you
talk to kids, you realize ior them
It's like they experience music the
same way I did when I was younger. I think music stili does have
an Influence on people.
."That's the reru:.on. If you ask
Off in the p~actice room, Ihe
rest of Davo has long since tired!
of running through versions of
songs without their Singer.
Mothersbaugh feels he's made
his points about Devo pretty
clear, and besides, he wants to
sing. The phone gets handed to
Gerald Casale, the other half of
what could be considered the
core of Devo's songrwriling team,
and .he has apparently been lis·
tenlng In on bits of the Irtterview.
B. Being Served With R~liah at Niko'a?
c. Scamming at Love Library?
with coupon ..
1"'"
"(The LP) Is almost 'Devo
relurns to our roots' in the sense
Ihat it's heavier on guitar and
drums,· Molhersbaugh said.
"There are slill synthesizers and
sequencers and electronic
sour,ds, but there's more electric
guilar'. than there's been (for a
long lime) on our records."
A. Working out at Peterson Gym?
~ '.~'
,·SJ_3~•.a,Q.~.!~1~.E~~-~
.-
"And I think what Devo would
jusl want to do is encourage people to really Ihin!..; through their
problems and to really think about
what's going on in their lives. To
realize Ihat they can make a difference in a way."
WHERE'S THE BEEF?
II
II
me why Dovo Is still interested In
playing, that has a lot to do with
it. •
As for Davo's ability to translate their pop gestalt from what's
gone to what's about to come,
thai may have to wail until next
February, when Ihe as-yetuntitled LP they are currenlly
working on Is rel(>ased. However,
Mothersbaugh does have I>ome
words for the naysayers.
TODAY'S QUIZ
FULL SETS:
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body knows Ihat the ozon6 ;5 diSappearing. They know that
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They know Ihat the waler they
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air they brealhe is poisoning
Ihem. But Ihey are not sure whal
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8 - THE DAILY AZTEC
SEPTEMBER 27. 1989
Side Story. Album after album,
the band tried desperately to
crack the mainstream led by the
quirky songwritlng team of Glenn
Tilbrook and Chris Dittord.
:hey finally got their hit single
- '87's poppy, boppy "Hourglass· - and now the band finds
itself in the unenvbble task of
consolidating its n!Jw success.
Sq'Jeeze
Frank
A&M Records
One of the coolest bands
around as the 'SOs began,
Squeeze declined artistically
after the release of 1981's East
Frank concentrates on the
band's strengths - lyrical anecdotes of average-working-classfolk-who-drink-too-much-andfight·with each-other-while-stillremalning-ecstatically-in-Iove,
and catchy melodies - while
finally adding the R&8-lnfluenced
sound they tJave been threatening to add since Sweets From A
Stranger.
What makes the album better
than any Squeeze album sinco
East Side Story Is the ensemble
playing. A spontaneous quality to
Frank keeps up the good spirits
despite a few aimless tunes. The
best songs have a swinging,
swaying rhythm reminiscent of
New Crleans second-line
rhythms. In fact, the album's best
song, "Dr. Jazz: written by pianist Jools Holland, is a tribute to
New Orleans pianists such as
Allan Toussaint and Professor
longhair. Its nonsensa "Iko
Iko·-ish lyrics and its loping,
polyrhythmic rumba beat sounds
fresh and unpretentious - a way
Squeeze hasn't sounded for
ages.
-
David Moye
Food For Feet
Food For Feet
Dr. Dream Records
Oh Jesus F. Christ, like we
need an 0ln90 Bologo spin-off
band ... as if the existence of that
mothershlp-of-a- geek-band
wasn't painful enough to e,:ldure
without a mini-rocKet of 08 consciousness blasting of! to further
BRAS AND
torture us via this eponymous.
debut EP.
OK, so FFF have been around
since '83, so bassist John Avila
joined 80lngo only {lIter 08
drummer' Johnny "Vatos· Hernandez joined FFF and invited
Avila to. audition, so guitarist Mike
Tovar has nothing to do with that,
supremely irritating, quintessential SoCal"Rock 0' the 80s· dance
band ... so what?
Well, FFF aren't anywhere
near as offensive as 08,-but their
tepid attempts at reggae and
bouncy tunes with shallow lyrics
do grate on the same nerves in
the same way. Fine as a soundtrack for a kegger at Alpha Krappa Omega, maybe, but otherwise, there's far better food for
your feet out there.
David R. Stamp one
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Professional Studies and Fi,,,e Arts Duildi,"II,
SEPTEMBER Xl. 1989
THE DAilY AZTEC - 9
Red Hots, BuHholes dump afunky, frightening load across border
CONCERT REVIEW: Red Hot Chili Peppem, Butthole Surfers, Mary's Danish,
Iguana's, Sept 23.
ay
Kevin Bortfeld
Stanza editor
Nineteen years to the week
since the death of Jimi Hendrix,
brandishing a bold tattoo of the guitar hero's head on the left shoulder
of his chiseled frame, the highflying bassist Flea and his fellow
Red Hot Chili Peppers blistered
through yet another of their wellknown, machine-gun funkfests
Saturday night at Iguana's in
Tijuana.
Headlining a killer triple-bill of
ahernative mu~ic laves - along
with another L.A. hot item, Mary's
Danish, and Texas' notorious
Butthole Surfers _. the Red Hot
Chili Peppers topped off an eventlui evening in characteristically, if
predictably, hard-driving Red Hot
fashion.
let by the high-steppin', marching band tunic-clad lead singer
Anthony Kiedis, the Peppers
whipped out their best stuff. going
way back to their first album's "Get
Up and Jump," and way up to the
Hill&1 Slovak-inspired single,
"Knock Me Down" (aided by a couple of newly added, but scarcely
used, female backup singers.)
Throughout, semi-newcomers
drummer Chad Smith and gu~arist
John Frusciante truly proved to
have the chops necessary to be a
Red Hot.
.
Tho Dally AztecJRob Gram
UN SURFEADOR DEL CULO, UN PIMIENTO CALENTADO AL ROJO- At left, Gibby Haynes, lead Singer and gUitarist for the Butthole Surfers, with the offending
Instrument (check concert review). At right, Flea. Hendrix devotee ·and bassist of the Red Hot Chill Peppers.
The Red Hots are- no doubt the
best at what they do, but if Saturday
night proved anything. against
them, ~'s that what they do is Ii'l'hed. There's only so far theirrepetitive punk-funk antics can take you.
But, if you have to be stuck in something; Itniight as well be an asskicking Chili Pepper groove.
However, h was neither the reliable Red Hots, nor the peppy
Mary's Danish, nor even their
respective reverflnt Hendrix covers
("Castles in th; Sand" and "Crosstown Traffic" by the Red Hots,
"Foxy lady" by Mary's Danish) that
stole the show. h was, for better or
worse, the second-billed 9utthole
Surfers who served to be the most
memorable.
On stage for only about an hoor,
the Buttholes squeezed out a roaring, freaky sludge in nearly unbearable but always compelling loads,
turning the sold-out Iguana's into a
perfectly harrowing, psycho-delic
lavatory - all to the delight of many
and the disapproval of even more.
Augmented as usual by dual
movie screens (showing anything
from nuclear bomb-testing to
bloody sex-chango operation footage) and lead singer Gibby Hayn.es' trippy tape-loop toybox, the
Surfers grinded through some of
their almost-bluesy newer material
from thalr forthcoming EP, Widower Maher, before laying dQwn such
Butthole favorites as "Graveyard"
and "To Parter."
Of CDUrS&, thIs was unduubtudly
a sub-par Butthole Surfers performance; equipment mess-ups and
sound problems saw to that. They
waf0 aven absoni from Sunday's
planned repeat gig, reportedly due
to a post-set swHle between the
Iband and security stemming from
some on-stage conflict. During the
show, a guitar-swinging Gibby
accidentally cracked a stagehand's
head open, and when the guitarist
Paul leary, unaware of the accident, had his monitor abruptly
turned off, he furthered the chaos
by dousing the monitor board operator with curse. and beer.
. Sui uvun on a bad night, no band
on earth can dish up a dose of performance rock 60 base, yet 60
above a/l r!)alma of musical experience as we know It, as the Butthola
SurfefS can.
'~,...zooo
",,--.. ...
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SEPTEMBER 27, 1989
10 - THE DAILY AZTEC
Listings compilod by the Stanza staff;
may not rellect any last-minute
changes.
10:40, 12:55, 3:15, 5:40, 8:10, 10:30;
The Abyss, 10:00, 12:55, 3:50, 6:50,
10:10.
DOWNTOWN
Guild, 3827 51h Ave., Hillcrest
(295-2000). sex, lies and videotape,
7:30,9:45; weekend maline~ a112:45,
3:00 and 5:15.
Park, 3812 Park Blvd., Hillcrest
(294-9264). Romero, 7:00, 9:20;
weekend matinees at 2:20, 4:40.
UA Horton Plaza, 475 Horton Plaza
Center (234-9602).
ParellihoJod, 10:15, 1:05, 4:00, 7:00,
10:00; The Abyss, 10:00, 12:55,3:50,
6:55, 10:10; Lethal Weapon 2, 10:05,
12:35, 3:05, 5:35, 8:05, 10:35; Blsck
Rain, 10:35, 1:25, 4:15, 7:15, 10:15;
Sea 01 Love, 10:00, 12:20,2:45,5:15,
7:50, 10:30; When Harry Met Sally,
10:40, 12:55, 3:15, 5:40, 8:10, 10:30;
The Package, 11 :10,1 :40,4:10,6:50,
9:30.
Slarting Friday:
Johnny Handsome, 11 :25, 1:35, 3:50,
6:00,8:15, 10:30; Sea 01 Loye, 10:00,
12:20,2:45,5:15, 7:40, 10:10; Pprenthood, 10:30, 1:20,4:10, 7:05, 10:00;
Black Rain, 10:30, 1:25, 4:15, 7:15,
10:15; In Country, 10:45, 1:25, 4:05,
7:00, 9:45; When Harry Met Sally,
BEACHES
Monn Sports Arena 6, 3350 Sports
Arena Blv". (223-5333).
Klckboxer, 12:30, 2:30, 4:45, 7:15,
9:45; Cookie, 7:15, 9:30; The Adventures 01 Milo and Otis, 12:30, 2:30,
4:30; Batman, 12:45,4:15,7:00, 10:00;
Lethal Weapon 2, 1:00, 4:30, 7:30,
10:00; Black Rain, 12:45, 1:15, 4:15,
4:45, 7:00, 7:30, 9:45, 10:15.
Starling Friday:
Block Rain, 12:15, 1:15, 4:15, 4:45,
7:00, 7:30, 9:45, 10:15; In Country,
1:00, 4:30, 7:15, 10:00: Klckboxer,
7:15, 9:30; The Adventures 01 Milo
and Otis, 12:30, 2:30, 4:30; Batman,
12:45,4:15,7:00,9:45; Lethal Weapon
2, 1:00, 4:45, 7:30, 10:00.
UA Glasshoune 6, Glasshouse
Square, PI. Loma (223-2546).
Sea of Love, 12:15, 2:45, 5:15, 8:00,
10:30; Parenthood, 11:45,2:00,4:30,
7:45, 10:15; Uncle Buck, 12:15,2:30,
4:45,7:15,9:45; The Package, 12:00,
2:30, 5:00, 7:30, 10:00; The Abyss,
12:45, 4:00, 7:00, 10:00; Honey, I
ShlUnk the Kids, 12:30, 3:00, 5:30;
Relentless, 8:00, 10:15.
Starting Friday:
Johnny HJlndsome, 12:00,2:30,5:30,
8:00, 10:30; Sea of Love, 12:15,2:45,
5:15, 8:00, 10:30; River 01 Death,
12:00,2:30,5:00,7:30,10:00; Parenthood, 11 :45, 2:00, 4:30, 7:45, 10:15;
Unclo Buck, 12:15, 2:30, 4:45, 7:15,
9:45; The Abyss, 12:45, 4:00, 7:00,
10:00.
The Cove, 7730 Girard Ave., La Jolla
(459-5404). Whon Harry Met Sally,
7:00, 9:00; weekend matinees al 2:30
and 4:30.
Ce(lter West (297-3931). When Harry
Met &lIy, 2:15, 4:45, 7:30, 10:00'
\
'
weekend show at noon.
Star1ing Friday:
When #lorry Met &lIy, 12:30, 2:45,
5:15, 7:30, 9:45.
COLLEGE A~EA
College 4, 6303 EI Cajon Blvd.
(286-1455)
Uncle Buck, 2:00, 4:00, 6:00, 8:00,
MISSION VALLEY
10:00, weekend matinees at noon;
Mann CInema 21, 1440 Hotel Circle
Lockup, 9:50, with See No Evil, Hesr
North (291-2121).
Casualties 01 War, 6:00, 7:15, 9:30. No Evil, 7:50, midnight Fri., and Sal.;
Fashion Valley 4, 110 Fashion Valley Hcney,IShrvnktheKlds, 12:15,2:15,
4:15,6:15,8:15, 10:10, ~eekend maliRd. (291-4404).
Parenthood, 2:00, 4:40, 7:15, 10:00; nees at 12:15; Indiana !ones III, 5:15,
weekend matinees al 11 :00; Uncle 9:40, weekend matinees at 12:45, with
Buck, 2:40, 5:15, 7:30,9:45; weekend Star Trek V, 3: 10, 7:35; Cheetah, 2:00,
matinees at noon; Sea 01 Love, 2:20, 3:45, 5:30, weekend matinees at noon.
5:00,7:45, 10:20; weekend matinees at Star1ing Frioay:
11:15; The Adventures 01 Milo and UnclCf Buck, 2.00, 4:00, 6:00, 8:00,
Otis, 1:30, 3:20; weekend matinees at . 10:00, weekend matinees at
11:00; Lethal Weapon 2, 5:30, 8:00, noon;Dead r'oets Society, 12:00,
2:15,4:30,7:00,9:30; Honey, IShrunk
10:30.
theKfds, 12:55,4:35,8:15, midinite Fri.
Starting Friday:
In Country, 2:00, 5:30, 8:00, 10:30; and Sal., with Turner and Hooch, 2:45,
weekend matinees at 11 :30; Parent- 6:25, 10:10; Indiana Jones 3, 5:15,
h"!Jd, 4:40,7:15,10:00; weekend mati- 9:40, weekend matinees at 12:45, with
nees at 1:45; Uncle Buck, 2:40, 5:15, Star Trek V, 3:10, 7:35.
7:30,9:45; weekend matinees at noon; Century Twin, 54th and Ei Cajon
Sea of Love, 2:20, 5:00, 7:45, 10:15; (582-7690).
A NIghtmare on Elm Street V. 2:20,
weekend matinees at 11 :15; Thn
Adventures of Milo lind Otis, 3:00;
6'00, 9:45, with Lockup, 12:20, 4:00,
7:45; young Einstein, 1:15, 5:15, 9:15,
weekend matinees at 11 :45.
Monn Vallev Circle, Mission Valley
with Karate Kid 3, 3:00, 7:00.
Ken, 4061 Adams Ave. (283-5909).
Seduction: The ClUel Woman, 5:20,
7:30, 9:40; The Rocky Horror Picture
Show, midnight Friday and Saturday.
The Grove, 3450 College Ave.
(229-0561 ).
The Package,.12:3O, 2:45, 5:00, 7:30,
10:00;
The Adventures of Milo and Otis,
1:15,3:15,5:15; Klckboxer, 1:00, 5:15,
9:30, with Mlllenlum, 3:00, 7:15;
RelenUess, 12:30, 2:45, 4:45, 7:15,
9:45; The Abyas, 12:30, 3:45, 7:00,
10:00; Pafllnthood, 2:00, 4:45, 7:30,
10:15; Tum.r and Hooch, 7:30, 9:45;
When Harry lIet &lIy, 12:45, 3:00,
5:15,7:45,10:15; Batman, 1:15,4:15,
7:15, 10:00; Lethal Weapon 2, 1:45,
4:30, 7:15, 10:00.
Slarting Friday:
In Country, 1:30,4:15, 7:009:45; The
Package, 7:15, 9:45; , The Adventure. of Milo and Otis, 1:15, 3:15,
5:15; C/lsualtles of Wer, 1:15, 5:30,
9:45, with Klckboxer, 3:30, 7:45; The
Abyss, 12:30, 3:45, 7:00, 10:00;
Parenthood, 2:00, 4;45, 5:00, 7:30,
10:00; sex, I/es, and Videotape, 12:30,
2:45, 5:00, 7:30, 10:00; When Harry
Met Sally, 12:45, 3:00, 5:15, 7:45,
10:15; Batman, 1:15,4:15, 7:15,10:00;
Lethal Weapon 2,1 :45, 4:30, 7:15,
10:00.
.
Please see USTINGS on page 11,
GoCden1~y
NationaL
HOJ1Or Society
ai
MEMBERSHIP DEADLINE
IS SEPT. 30
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THE DAILY AZTEC -11
SEPTEMBER 2:1. 1989
mire. The Hahn Cosmopolitan Theabe,
444 ~oufth Ave., downtown
(234-9583). Through Oct. 22; Wednes·
day through Saturday at8 p.m. Matinee
Sundays at 2 p.m.
Pre·Paradlse Sorry Now, by Rainer
Werner Fassbinder. The Sledgeham·
mer TheatlO, 420 First Ave. (between
Island and the railroad tracks), down·
town (555·0!;30). Sept. 29·30 at 10:30
p.m.
What the Butler Saw, by Joe Orton.
The Bowery Theatre, at the Kingston
Playhouse, 1057 First Avenue, down·
town (232·4088). Through October 29;
Thursday through Saturday at 8 p.m.
Sunday at 7 p.m. Matinee Sunday et 2
p.m.
Conllnued from page 10.
LA MESA
Grossman' Cinema, 5500 Grossmont
Center Dr. (465-7100). Black Rain.
12:30, 3:05, 6:40: 8:20, 10:50.
Groasmon' Mall Theatroa, Grossmont
Shopping Cenler (465-3040).
Sea of Love, 12:35, 3:00, 5:30, 8:00,
10:25; Parenthood, 12:40,3:15,5:45,
8:20, 10:45; sex, lies, and videotape,
12:30, 2:50, 5:10, 7:30, 10:00.
Starting Friday:
Sea of Love, 12:30, 2:35, 4:50, 7:30,
9:45; In Country, 12:30, 2:55, 5:15,
7:45, 10:10; Parenthood, 12:40,3:05,
5:30, 8:00, 10:30.
. .~.' ·"MU'SrC<>~':.'
The Albanian Sohshoe, by Mac Well-
•
"
man. San Diego Repertory Theatre,
Lyceum Spar.e, Horton Plaza, downwwn (235-8025). Through Oct. 28;
Tuesday through Saturday at 8 p.m.,
Sundays at 7 p.m. Matinoos Saturday
and Sunday at 2 p.m.
Breaking Logs, by Tom Dulak. The Old
~Icbe TIleatre, Cassius Carter Centre
Stage, Simon Ediso.1 Centre for the
Performing Arts, Balboa Park
(23S-2255). Through Oct. 22; Tuesday
through Sunday at 8 p.m.. Matinees
Saturday and Sunday at 2 p.m.
Edmond, by David Mamet Marquis
Gallery Theater, 3717 India Street,
downtown (295-5654). Friday and
Saturday at 8 p.m., through Oct. 14.
Lady of the Camoll/as, by Alexandre
Dumas lils. Don Powell Theatre, SDSU
campus (594-6884). Performances will
be Sept. 29-30, and Oct. 3-7 at 8 p.m.
Ueslluffl for M68SUffJ, Shakespeare.
The Old Globe Theater, Balboa Park
(239-2255). Through Oct. 8; Tuesday
, through Sunday at
p.m. Matinees
Saturday and Sunday at 2 p.m.
The Melody Slttters, by Anne Com-
• • '-,
I
,'.,
'.
i"
. '
,
-
~
,
•
WlIdnesday. Sopt. 27:
Kenny G, 6:30 p.m. and 9 p.m., Hum·
phrt 's, 2241 Shelter Island Drive,
Shelter Island (278-TIXS or 224·9438)
Through Friday, Sept. 29. Ths Bonsdaddys, Belly Up Tavern, 143 S. Coo·
ros Ave., Solana Beach (481·9022).
C.J. Patenglll, the Bacchanal,
Clairemont Mesa Boulevard, Clairem·
ont (560-8022). Sri Chlnmoy, Golden
Hall, 202 CSt, downtown (282·4116) ..
Thur6da~·. Sept. 28:
Devo, Iguana's, Pueblo Amigo Shop·
ping Center, Tijuana (23O-TJTJ or
278-TIXS). FZ 13, L"ma Uars, Marta
G. and Th" Restraints, the Spirit, 1130
Buenos Ave., Bay Park (276·~93).
aoa
John MaYBII and the Bluesbreakflrs,
Belly Up Tavern. Stu Hamm,
Bacchanal.
Friday, Sep,t. 29:
De vo, Iguana's. Little Milton,
Bacchanal.
Saturday, Sept. 30:
Testament, Iguana'S.
Sunday, Oct. 1:
a
Ths Dooble Brother. and Hsnry Lee
Summor, Starlight Bowl, Balboa Park
(278·TIXS). The Judds and Restless
Hoart, Opon Air Theatre, SDSU
(278-TIXS).
Monday, Oct. 2
The Nitty Gritty Dirt Band, the Bac·
chanal. Kreator, Iguana's.
Brushworks Gallery, 425 Market St.,
downtown (232·7329). The N'ked and
the Nude, second annual nude show
induding the work of 17 local artists.
Through Nov. 18; Viewing hours are
Tuesday through Saturday, 11 a.m. to 5
p.m.
Installatlon Gallery, 930 E St., down·
town. No Stomach, a collection of &rtists
on display through the end of Septem·
ber; Tuesday through Saturday, noon to
6 p.m ..
La Jolla Musoum of Contemporary
Art, 700 Prospect SI.. La Jolla
(454·3541). Richard Long, the British
CQnceptual artist, displays one or more
floor pieces, wall drawings and
dttcumentation of long's walking excur·
sions into the local environment. Also,
Awards in the Visual Arts 8, focusing on
the work of 10 artists whose work has
not been widely exhibited. Both shows
remain on view through Oct. IS, with
viewing hours of Tuesday through Sun·
day, 10 a.m. to 5 p.m., exceptWednes·
day, when it is open until 9 p.m .. Admis·
sion is free to the public on Wednesday
from 5 p.m. to 9 p.m.
Museum of Art,
,(232~7931).
Ught. The exhibit runs through Oct. 29.
Viewing hours are Tuesday through
Sunday, 10 a.m. to 4:30 p.m.
NOW'IN MEXICO
DOORS OPEN AT
9,00 PM
SHOW STARTS AT
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Men will be
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(619) 470-6400
(706) 684-0267
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Balboa Park·
noo
Friday OCT. 20 SYBIL PerforJnillg Live!!
" Don't Mak4~ Me Over." Also at Ticketmaster.
Your Campus Radio Station
Joaquin Sorolfa: Painter of
98.9 Be 96.1 Cable FM
SEPTEMBER Z'l, 1989
12 - THE DAILY AZTEC
Nudes
Continued from page 8.
Some of the work achieves this
through beautifully executed
modesty. This is true of Jean
Swiggett's flawlessl)1 propor·
tioned fig·laafed nudes. The
renowned muralist Swiggett uses
colored pencils to create his sta·
tuesque figures, following the
classical Greek discipline of not
imitating the human form but
idealizing it Into something god·
like. But Ifs not all reverence SwiggeH's drawings alsO have a
modem, humorous sensibility.
While Marla Chaudavis also
depicts the human form as a vision of beauty, she does so under
the guise of realism; realism so
convincing, . the pieces almost
look like photographs. In the con· comic twist. The entire piece is
tinuous flow of Chaudavis: alive with movement, as the fig·
"Emerging F!gure· series, the ures change from outlines to solid
nude is encased In dark, murky forms and from pink to blue.
shadows, brought out by the deli· , O'Neill's interpretation symbol·
cate reflection of soft, sensuous iles the history of the nude and its
light.
, m o v e away from classical
A hllndful of the artists take a limitations.
less serious approach to the
Not to be overlooked, The
nude, using animated represen· N'ked and The Nude is the sculptations. One such artist is Cheryl ture, specifically the sculpture of
O'NeUl, Her c:olorful, witty pOlint· Jay Wickersham, His ·Pan Pan;
Ings, "After Paris I and II," play on standing four feet high, repreManet's masterpiece, "Olympia; sents the mythological half mule,
which was considered scandal· half man. It is a handsome piece,
ously Indecent during its time. with squared off, represc.ed fea.
Prior to Its creation, the nude had tures and a rough textural sur.
only been shown in mythological face. Much like classical soulpand religiOUS themes, and "Olym· ture, the figure'S appendages
pia'" served as inspiration to the have been left unfinished butthls
realists and ImpreSSionists to is where any recognizab'e Influcome, marking a whole in new ences 00 the artist ends. MPan
direction in art.
Pan- has an ageless presence
In -After Paris; O'Neill has bor- about him - Ifs almo.5t Him the
rowed characters from the classic artist lifted him straight off the
~~~~~~~a ~oo~~~;~=~~
r.r.r;t
f.iiitjJ a choice
e
Films
Continued from page 2.
·We're trying to unite the
department, teachers and
staff: festival chairman lesli../)
Silvey said, ·and the film festi·
vans going to help do that. We
really like the department, and
we'd like to Improve it even
more so we can compete with
USC and UCLA, to help make
it beHer and more prestigious
than it already Is,"
Whether SDSU film can
ever reach the big-money
level of USC or UCLA is one
thing, but within their own
means, the film students here
are, as Ofield says, "bursting
at the seams with energy and
talent.
-, walked down the hall-
describing a typical day
around the TCF building, "and
two people were sitting on the
floor reading a sCript and work·
ing with a director on :some·
thing, outside the door there
was someone trui:king along
backwards shooting a scene.
In the edaing rooms there was
someone at every bench editing. There was a class in video
going on in the studio with all
three camera's shooting ....
Along with The Inspired
Chicken Motel and Jesus
Wep~ Friday's "Second Annu·
al Film Festival" will screen
Patsy Hilbert's One More
Dance, Dave Tanaka and
Brian Kahn's My Dinner With
Andrea, Devin PolUch and
Michael Badami's Final and
Who Care's, and Flying Discs:
____~:w=Q:':'"=O:f:ie:l:d=c:o:n:tl:n:u:e:d:,=~:~=o:r:~:i:d:~:n:;=====;
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