HSPVA Black History Production 2014
Transcription
HSPVA Black History Production 2014
paper US FREE AUSTRALIA $ 10.50 DENMARK DKK 75.00 CANADA $ 9.50 FRANCE € 8.50 U.K. £ 10.50 HOLLAND € 8.50 ITALY€ 9.00 JAPAN ¥ 1740 NEW ZEALAND NZ$ 11.50 SPAIN € 8.50 SWEDEN SEK 75.00 SWITZERLAND CHF 16.00 UAE AED 45.00 VOL 5 ISSUE 6 *TheHighSchoolforthePerformingandVisualArtsNewspaper Dreamgirls HSPVA Black History Production 2014 Introduction by Graeme Campbell; Reflections by Saqqara Campbell Black History has been observed at HSPVA since the 1970’s, dating back to HSPVA’s original campus. Unlike the giant, musical Black History productions produced recently, HSPVA’s first Black History shows were informative collections of poetry, spoken word, and song about African-American heritage. In the past, with the help of a playwright, original plays were written and modern, popular songs were placed in. Although our traditions have changed, HSPVA still puts on a great Black History show every year.* outgoing and loud as I may be, I have the most debilitating nerves when it comes to performing. When it was announced that the Black History Production was going to be Dreamgirls, I knew I wanted to play the role that Beyonce (the queen, #Yonce) played in the movie, no matter what. However, the fact that I would be singing in front of hundreds of people had yet to sink in. I can honestly say that without each and every one of my cast mates, I would not have been able to overcome my badly-timed sickness or my nerves. I speak for the cast when I say that Dream Saqqara Campbell, a real-life girls helped us figure out who we are and, and theatrical Dreamgirl, shares her ex- more importantly, who we want to be. perience as Deena Jones in HSPVA’s I fear that some people have truly Dreamgirls: forgotten the importance of Black History. The production provides an oppor I am a senior vocalist at HSPVA tunity for people from every ethnicity to and, until now, I have successfully avoid- participate in a show that represents the ed performing in front of large crowds by rich culture of not only African Ameriany means necessary. Now that may cans but of all Americans. Dreamgirls, sound odd since this is the High Raisin, Purlie, Smokey Joe’s Café -- all School for the Performing share the theme of people trying to acand Visual Arts, but as complish a goal and fulfill a dream. And each year that is what we set out to do. Rachel McPherson said something during Dreamgirls’ closing circle Sunday afternoon that really stuck with me. She said that the reason she has worked on Black History all four years here is to honor someone very close to her. The time and commitment that everyone involved in this process has dedicated to the show has shown the professionalism and profundity of each individual at HSPVA. In my constant state of full-fledged senioritis, I have to say that Black History relieved me of my symptoms and made me, once again, truly value HSPVA and how lucky I am to be here. *Black History’s history provided by PVA’s own walking encyclopedia, Ms. Bonner Photo by Samuel Herrera Where Is Everybody? HSPVA Needs More Support From Its Students By Fernando Grimaldo After recently attending the Harp and Handbells concert in the Recital Hall, I looked around to see the size of the audience. This being my first time, I wanted to get a feel for the room: whether it would be loud or really quiet. Although the audience was sizeable, only 2/3 of the Recital Hall was full (Kelli Restivo and I being the only students in the audience). Wondering about why this audience was not more full sparked a plethora of thoughts concerning other concerts and performances at our school. During spotlights for the All-School Musical and Black History Production, the student body packs into the Denney even if we exceed the maximum occupancy. The student body is enough to fill the Denney, so why aren’t our performance audiences always full? This is not to suggest that everyone should go to each performance; however, I find the lack of students at performances alarming. When I sit down for a mariachi or piano concert, I find myself amazed every time at the passion that the students bring to the performance. The next day I try to start conversations with friends regarding these concerts but, almost all of them either did not know, did not attempt to go, or forgot. Don’t get me wrong; I don’t go to all the shows, and I understand that people have other obligations. But if students don’t go and support other art areas, then why should anyone else? We don’t have sports. We don’t have P.E. We don’t have an official mascot. These things (or lack thereof) have characterized our school ever since its conception. Alumni from HSPVA remember their experiences here through stories of school spirit, community, family, and love. Will we be able to say the same? Since my time here at HSPVA, I have seen the declining HSPVA spirit. The things that once defined us are quietly fading. Our spirit is no longer that of a hardworking, passionate, and grateful student. Not only has this affected our work ethic but also our attitudes toward other students and our presence at their performances. I consider myself lucky to be here. When searching for colleges, I get nervous. What school will I attend? Will I like the people? Will I be able to make new friends? What if I don’t like the people? What if I don’t like the theatre department? What if I am not able to perform my art in college? These questions worry me because at PVA, I am able to come to school every day, not worry about people judging me, and be able to act or sing or, on occasion, dance for half the day. I will be sad to leave. Something that I would like to impart on the school before I leave is a renewed sense of school spirit. I know I am not alone in this pursuit. Happening Chairs Jonathan Maislin and Chandler Dean have strived to get better acts for the Happening by providing variety. At the Back-toBack-to-School Happening, it seemed like no matter what happened, nothing could excite the audience. As a performer, I felt discouraged to perform. Now to stop the rant. In the end I can’t be a shining star of school spirit, nor am I the person to be that star. But I will try my hardest to support other art areas. I will try even harder to attend their shows. I will try hard to smile in the hallways. At first this was an article about the lack of student attendance at school performances, but it has quickly evolved in meaning. I now challenge each and every one of you to go to a show outside of your department before school is over. Let’s see what our school has to offer. Like, Seriously? Teens Need to Stop the Uptalk By Olivia Cardenas For the past few years, an alarming trend has been emerging in teenage girls and their role models. Everywhere you look in the media, you will see young, successful women acting and speaking in a way that makes them sound less intelligent than they actually are. Kim Kardashian, for example, says every sentence as if it is a question, completely disregarding whether what she is saying is actually a comment, exclamation, or sentence fragment. So, there may actually be a distinct reason behind why Kim Kardashian speaks the way she does??? A high-pitched tone at the end of a statement to make it sound as if a question is being asked is called uptalk??? If you’ve spent any time in front of a television or talking to females you know this vocal trend is on the rise??? Uptalk has become prevalent among females today. Young women are bombarded via music and television by “successful” females who speak with uptalk. It is human nature to be influenced by the people we hear and see around us. However, many individuals do not understand the implications of this rising vocal trend or even recognize uptalk when it appears in daily conversation. Uptalk is a subconscious choice for most. Pop culture has taught young girls that coming across as ditzy and unsure of themselves is appealing. Confident and self-assured women are often mistakenly perceived as overbearing and confrontational in both the media and in daily life. Thus, women use uptalk to mirror society’s expectations of an appealing female. The College of William and Mary conducted a study entitled “Gender in Jeopardy” that monitored the use of uptalk among women and men throughout the course of a Jeopardy game. As men won, their use of uptalk decreased. As women continued to get more and more questions correct, their use of uptalk increased. Men know that it is socially acceptable for them to come across as confident and powerful. Most women have a vague understanding that the opposite is true for them. Our society is less comfortable with female power and success. As a result, women use uptalk to mask their confidence and Love Thy Selfie Selfies. We love them; we hate them; we mock them; we praise them. What is it about them that merits such a mixed response? As much as people and the media try to trivialize selfies as vain and tacky, they persist. Everywhere I turn (electronically, at least) there are hi-definition, up-close and personal pictures of people at their finest. Some are amusing -- hysterical even -- but the ones that I think about are the selfies that show someone you see everyday in the hallway in all his possible glory. So one day, I figured: “I’m not terrible looking, so why not explore all the hullabaloo?”. I whipped out my phone and turned on the camera, flipping it to the ‘selfie mode’. It took only three seconds to determine that I was completely unsatisfied. I could see every flaw on my face, and superficial things that didn’t seem to matter in the grand scheme of things were inevitably showcased in the photo that was supposed to be effortless. I fidgeted and fussed as I tried to figure out what to do with my mouth and eyebrows. I tried to find the perfect angle, the perfect lighting, and the best possible conditions to present myself. Yet, I was looking for all the same things that hid what I didn’t want the world to notice: acne scars, dark eyes, and scrunchy smiley-face. Ultimately, I was defeated. For a while I never shared any of the selfies I took; I figured that they didn’t do me justice. It took me a while to warm up to the idea that everything about my face was exposed. Eventually, I became more and more comfortable and was no longer embarrassed or ashamed at my very private (and feeble) attempts to do something the rest of the population partakes in daily. As silly as I felt when I extended my arm and made faces to a camera, it helped me realize something: selfies are under-appreciated and may prove to be of more value than just an excuse to harbor an arsenal of compliments. Although selfies reinforce vanity in our society to a certain degree, they also allowed me to get used to myself. Our faces are on display everyday, yet when immortalized by a photo, our faces are much more daunting. There are so many more dimensions than just the look of your face, but when that’s all an image portrays, it is hard to not want the photo to be the best possible representation of you. Eventually, I got over my irrational fear and disapproval of selfies (although borderline obnoxious selfies do exist kids; don’t forget that). What I’m trying to get at is that selfies force you to take a good look at yourself and make you reevaluate how you are perceived. What’s more is that selfies are an opportunity for you to see yourself the way others see you. At the end of the day, everyone loves selfies because of the people in them, who look the way they do everyday and are totally okay knowing that that’s what the rest of the world sees. #selfieswag intelligence. A rise in uptalk does not just mean everyone is forced to endure an annoying speech pattern and a few more seasons of The Kardashians. It reveals that society is not as receptive of female success. If you’re confident about something you are saying, it shouldn’t be asked as a question. It is time for people to accept female power, but this is only possible if women speak intelligently and confidently. By Renée Piper A Tale of Two States The Differences Between California and Texas By Kyle Legacion Hello PVA! If you’ve seen me around school, then I’m sure you are aware of my new kid status. What you might not know is that I am actually a new Texan as well. I was born and raised in the golden state of California, so moving to Houston, Texas was a bit of a culture shock. But after my five month mark, I thought I’d compile a list of the differences I’ve noticed between eternally sunny Cali and good ol’ Texas. California: Dialect: ` Texas: Dialect: Coming from the San Francisco Bay Area, words such as ‘hella’ and ‘sus’ were common in my vocabulary. And while hella sees some use here in Houston, hecka is nowhere to be heard. A once oft used word, hecka can no longer be uttered by me without receiving odd looks and mocking words from others. And that’s, as my people would say, hecka sus. Back in California before the big move, all my friends would joke, and I would laugh along with them. But the rumors were true. Y’all can’t seem to stop using y’all in y’all’s conversations because it seems that y’all really like the word y’all but I can’t seem to understand why y’all like to use the word y’all so much. I, however, still stand by my pledge to never say that word seriously. Climate: Climate: I come from Northern California, the land of earthquakes and temperate weather. I’m used to walking outside and feeling a light breeze as I bask in the glorious 72 degree sunlight, pretty much year round. Here in Houston, however, there’s humidity and thunder and lightning and blazing heat and flooding and sadness. And as seen in these past few winter months, icy enough weather to warrant school shutting down. (#neverforget) State Pride: State Pride: The most state pride you’ll see out of a Californian is usually the clichéd “Cali Girl insert-sun-emoji” in a girl’s Instagram bio. And while we love our Golden Gate Bridge and grizzly bear embroidered flag, we don’t come close to the rootin’ tootin’ Texans. Fast Food Joints: Arguably the hardest thing about leaving California for me was giving up my beloved In-N-Out. And while there are a few here in Texas, the only way for me to get a delicious double double with some animal style fries and a milkshake is to make the three hour drive to Austin. I’m not sure if you guys know, but Texas is one of the only states with a state pledge. I learned that the hard way, unfortunately, after I stood awkwardly silent on the first day of school while everyone else recited it from heart. Additionally, the Texas flag is everywhere; if I had a dollar for every time I saw something related to that flag, I would have a lot of dollars. Fast Food Joints: The absence of In-N-Out, however, has been decently filled with Whataburger. When I first visited Houston, the orange and white striped W seemed foreign to me. I soon learned to love that W, however, and all the honey butter chicken biscuits that would come from it. And there you have it – just a few of the many differences I’ve noticed between my world and yours. And while the occasional bout of homesickness may strike me, the quirky perks and people I’ve grown to love and my time here in Houston make me forget all about that. And who knows, with the rodeo coming to town soon, I could be made into a real Texan yet. Time After Time Repetitive Radio and Its Repercussions By Natalia Kian Houston’s radio stations are experiencing a problem. According to a recent observational study done by myself, they have forgotten how to be radio stations. Maybe their broadcast signals are still transmitting waves across the city, but that’s about all they’re doing. I don’t know about you, but when I’m sitting in the car on the way home from school trying to unwind after a long red day of Stickney and Ballard and just life in general, I like to turn on the radio. And when I turn on the radio, I do so in hopes of hearing a wide variety of songs that are engaging enough to distract me from the homework I am invariably headed home to do. This I cannot do if the first song I hear is the same one I heard when I last turned on the radio. And when I turned on the radio the time before that. And the time before that. So despite the immense selection of tracks made available by today’s technological advancements in music, radio stations of all different denominations are beginning to take on a special type of redundancy that can only be classified in the category of “Everyday Things That are Annoying Enough That They Shouldn’t Be But Are Nevertheless Everyday.” And for this reason I ask “Why?” Why, when The Neighbourhood has fourteen other songs to their up-and-coming name, are we repeating “Sweater Weather” enough to make me wish it wasn’t cold anymore, so fewer people would have an excuse to request it? Why is Lorde beginning to make me want to usurp her throne? Why do I want to “Let Her Go” less every time that song plays? And why, when stations realize how repetitive they’re being, are some of them actually choosing to replay songs that were over-played four years ago in hopes that, perhaps, we had blanked out the memory of them? “Since U Been Gone”? Let it stay gone, 96.5. I’m actually asking you guys. Sorry if you read this article expecting answers. One can only hope that Houston’s radio stations figure it out before I call timber on those towers. Rocket-ing Toward Success By John Koozin I understand that most PVA students could not care less about sports. More of us are interested in the adorable yet sophisticated Puppy Bowl than the Super Bowl. However, if you wanna change that (or even if you don’t), you should check out the Rockets this season. The Rockets have dominated so far in the tough Western Conference. One of our killin’ players, James Harden, has some insane skills on the court and around his face (his beard is the meaning of attraction). We also have the dreamy and talented Chandler Eyes to the Skies Parsons (ask Sherah Shipman about him..or any girl (or guy) really..) and the former Los Angeles Laker, Dwight Howard. Now take it from a guy who used to not dig sports very much. I have truly enjoyed watching the Rockets play, and I am now inspired to pursue my lifelong goal of joining the NBA! Ha. Just kidding. But really, I am now interested in working out more and enjoying local and national sports. So, check out the schedule and watch a game! You won’t regret it, and most importantly you will gain a whole new perspective. Fear the Beard! 10 High Rise Developments Around Houston By Graeme Campbell Over the past couple years, the crashing sounds of buildings being demolished have been common to any observant Houstonian. Each day, another list of buildings to be demolished is released on Swamplot.com, a Houston real estate blog. Many of these lots are being cleared to build new high-rise structures. In fact there have not been so many high-rise and mid-rise structures under construction in Houston since the oil booming 1980s. The housing market is white hot in Houston with prices and sales volume surpassing pre-Great Recession levels. The housing inventory is at an all-time low and sellers are often closing deals above the asking price for their properties. These strong home sales, both in town and in the many suburbs in Greater Houston, paired with a massive number of new “luxury” apartment units have created an equally great need for new office space in the region. The concern of many who lived through Houston’s 1980s boom is that the bubble will surely burst as it did back then. However, economists insist that at least for the next several years the growth will continue at full force. The Houston Metropolitan area is projected to grow from 6.1 million people today to up to 10 million people by 2035. How our city, with few regulations and even fewer zoning laws, will handle the infrastructure demands and transportation challenges presented by so many more people will determine whether Houston truly becomes one of the next great international cities. With that in mind, here are 10 projects in the works around town. Keep your eyes to the skies. 1. SkyHouse Houston/ SkyHouse River Oaks An Atlanta-based developer is in the final stages of building SkyHouse Houston, a 24-story concrete and glass apartment tower on Metro’s Red Line in downtown. As soon as that project completes, an almost identical 25-story sibling called SkyHouse River Oaks will be built next to the Target on San Felipe near the Galleria. 2. Chelsea Montrose A Dallas developer is planning this 20-story apartment tower on Chelsea Boulevard behind the Chelsea Market shopping center on Montrose at US 59 that many PVA students will recognize as home to Main Street Theatre. 3. Chevron’s Third Tower One of Houston’s oil giants, Chevron, has tentative plans to build a 50-story tower adjacent to the two formerly-Enron towers that already occupy downtown. If built, this tower would bring thousands of jobs to town and provide a radical change to our iconic skyline. 4. Marriot Marquis Hotel This 30-story hotel is planned for what is now a surface parking lot across from Discovery Green and the George R. Brown Convention Center. It will have more than 1000 guest rooms with a grand ballroom, shops, and bars at street level. The hotel’s biggest selling point is the lazy river in the shape of Texas. The tower should be finished in time for Houston’s Super Bowl LI in 2017. 5. Weslayan and West Alabama PM Realty group is developing this 35-story residential tower currently under construction between Greenway Plaza and Highland Village. This will become one of the tallest residential buildings in the city. 6. Ashby Highrise This project on Ashby and Bissonnet will likely be a 23-story residential tower right in the center of the wealthy Southampton/Boulevard Oaks neighborhood. Neighbors have created “Stop Ashby Highrise” bumper stickers and yard signs and have spent years in court fighting the development, even winning monetary damages for the homeowners directly bordering the project. It remains to be seen, however, whether the tower will be built. 7. 3400 Montrose The building on the corner of Montrose and Hawthorne across from our beloved- Disco Kroger that once housed Scott Gertner’s Sky Bar will be demolished and replaced with this 30-story apartment tower developed by Hanover. 8. Helix Tower This 42 story tower is in the development stage and would be located on what is now an empty lot at Jackson and Hermann Drive across from Hermann Park. It would neighbor the 35-story Parklane that was built in 1983 during Houston’s last real estate boom. 9. Apache Corporation Headquarters This 34-story office tower in BLVD Place north of the Galleria is being called “Project Alpha”. 10. 609 Main On what’s currently a surface parking lot downtown on Main and Texas, Hines is considering a 41-story office tower similar to this concept rendering they released last year. This list does not even come close to covering all the projects being developed across the city. In fact, just south of The Woodlands, ExxonMobil is building a new corporate campus with 20 high-rise buildings that will house 10,000 employees each workday. In addition, the campus will be joined by an entirely new town called Springwoods Village in the forest along the to-be-built extension of the Grand Parkway 99 from 290 to I-45. Highway to Health By Katia Krupa Skimming down the New Year’s resolution page in the last issue of our wonderful paper*, I noticed the many aspirations of our student body to change their lifestyles of sugary goodness and lethargy to measured calories and exercise. Why is it that by the third week of the semester, so many have already broken their resolutions for instant hunger gratification? It’s simple: we are PVA. Between our mythical sports team and ironically online PE course, it is no wonder students (with the exception of dancers and the more active theatre kids) are feeling sluggish from microwavable, dehydrated noodles and from movement limited to walking through hallways and lifting art materials. Some may not have the motivation to get up and go outside, but others do seek out ways to get active outside of school. But who has the time and money for that? While jogging alone on the streets last year, wishing someone would have my back on the empty pavements of Houston, I pondered PVA’s dilemma. What could I do to motivate our school? Let’s talk about the mere exposure effect. When a person comes in close proximity to another, there is an increased chance that the two strangers will become friends. So I applied this to the situation. By exposing PVA to a novel idea and new club, which I have dubbed Energize Club, PVA students now have the choice to be healthy. Here’s the motivation: 1) Exercise is the #1 underused antidepressant. Our angsty, teen-filled school’s overall mood could be elevated by the release of endorphins associated with a mere 30 minutes of movement. I always feel happier and less melodramatic after a run. The club runs most Saturday mornings at Memorial Park. 2) Body image. Everything in moderation is good, as my dad always says. It’s not vain if you want to be the best you you can be. So the club exchanges recipes, tips, and sometimes snacks every other club meeting on Fridays in Mrs. Worley’s room. 3) It’s just really fun. So far we have done a color run, potlucks, a Zumba class that raised $340 for the Philippines, and we’re already planning more fun events. Stay tuned if you want to join. 4) You finally get to say that you accomplished a New Year’s resolution. ‘Nuff said. Though the club began with a slow start, membership trickled in, and people have said that their greatest motivation for joining was to get healthy with friends. Misery loves company. Really, misery needs company. And at least this misery leads to less pimples and a lot more energy to get things done. When I graduate, the club may or may not live on. I hope that by the mere exposure effect, I have at least introduced the possibility of PVA students expanding their talents beyond the arts. There are even whispers of the new school having a recreational area or track (not that I’ll be there to enjoy it…). The year is young. The minds are fresh. And if you have the urge to move or eat healthier, the Energize Club will be here for you in room 132. Foreign Exchange The Importance of Listening to Foreign Music By Andrea Popova The United States has the biggest music industry in the world. Songs produced on American soil are played in countries across the globe. When my parents were growing up in Bulgaria, they kept up with all the American hits (e.g. “Stairway to Heaven” by Led Zeppelin and “Back in the Saddle” by Aerosmith). American music captivated them despite the language barrier. On the other hand, most American teens during the Zeppelin years probably had no idea that Bulgaria made music. We Americans have some incredible songs produced on our own soil, but I think that this can make it easy for us to disregard the rest of the global music industry. Did you know that Japan has the second largest music industry? But can you name three Japanese songs? We value our country for its diversity and opportunities, and yet we often ignore the many cultures of our nation’s immigrants. Right now, there are songs being produced in Berlin, Dubai, Sofia, Rome, and Moscow. It’s important that we seek out and value these different expressions of the same art form. Sometimes being unable to understand lyrics to a song helps us hear the melody and rhythm more acutely. Recently, I downloaded the app Songza for the purpose of listening to new forms of music. There are hundreds of stations to choose from, but there are a few that I have been gravitating towards: the foreign music stations. French hip hop is my new jam. It’s expressive and passionate, and the language is so heavy and beautiful. So, I challenge you to listen to a new foreign song every day. I’ll leave a list below of some favorites, but hopefully you can soon find your own. And then the next time you meet a cute French guy or girl on a bus ride to Strasbourg, you can bond over your love of the band Hocus Pocus and fall madly in love. Or something like that. 1. Georges Brassens - “Les Copains d’Abord” 2. Carlos “Potato” Valdez - “Ya Yo E” 3. Hocus Pocus - “Comment on Faisait Avant?” 4. Polina Gagarin - “Performance is Over” 5. Sakura Kiss - “Chieko Kawabe” 6. El Chaval de La Bachata- “Lo Que Me Pidas” 7. Machito & His Afro-Cuban Orchestra - “Dale Jamon” 8. Olafur Arnalds - “Brotsjor” 9. Ragheb Alama - “Yighib” Ethan Can, Too! Distraction Subtraction How Netflix Is Ruining Your GPA By Sam Linda You get home after a long rehearsal, take a quick nap, check Facebook, and then make a choice that could alter the rest of your night and very likely, the next day. Should I do the piles of homework that are due tomorrow? Or should I relax and watch JUST ONE episode of my favorite murder mystery series on Netflix? While you know that doing your homework now will benefit you in the long run, that Netflix show is too tempting to resist. Cringing, you open your computer, click on the link to Netflix, and press the dreaded play button on the show that will bring you 50 minutes of shelter from your homework. And of course, after watching that heart-pounding episode, there is no way you can stop there; the season finale is only one episode away! By the time you finish, it’s 11pm and you haven’t started your homework. What now? After checking Facebook again you finally start your homework, work on it for an hour or two, decide you’re tired and go to sleep with an alarm set for 4:30 to finish the rest of your work. While this approach works for some people, I am one of those who has to get their homework done the night before and go to bed at a reasonable hour for me to be able to function the next day. But, like any good teenager, I suffer from the fact that I always seem to find a distraction from doing my homework. After doing some research, I found numerous methods for cutting out distractions, but one in particular actually seemed to be effective. The first step is to limit outside distractions: shut the door, ignore texts, and maybe even turn your phone on airplane mode if you want to go crazy. Now once this is done, you’ll probably still find a way to distract yourself, which is understandable. Not to worry; there is still hope. These distractions can usually be separated into several forms: Pending Tasks: “I have to remember to get a Valentines Day gift for myself on the way home.” Creative Sidetracks: “Wow, Napoleon was so short! I wonder if there are other short successful people out there… I’ll look it up!” Flights of Escape: “This work is so boring. I’d love to be watching Netflix right now.” Emotional Issues: i.e. an argument with your parents or sibling. Once you diagnose the distraction, record the thought: Pending Tasks: The activity you need to remember. Creative Sidetracks: That idea you may want to pursue later. Flights of Escape: The reward for finishing now: your motivation. Emotional Issues: The next step needed in dealing with the matter at hand. You can assign these tasks to a later date once written down. That way, you won’t have to worry about them for the time being. So, while Netflix is entertaining, and may seem more worthwhile than your homework, it will not, unfortunately, get you into college. Information provided by: http://www.keyorganization.com/interrupting-yourself.php What I Miss Most About PVA By Palmer Mills (Dance Class of 2013) and JayTee Barbour (Vocal Class of 2013) It’s easy to get caught up in the creative angst of an arts school. It’s almost too easy to pick apart every little quirk from the rats that dance along to music in the practice rooms to the jokes of our online “physical education”. By senior year you’ve become so jaded and antsy you sometimes forget that as much as HSPVA may feel (and look) like a prison for those final months, there really is a certain kind of magic that lives there. And so, as we’ve matured in this first semester of college life here in New Orleans (just kidding, we’re still disasters), we have discovered there’s a lot to miss about PVA. -Skipping class to wander the halls with jazz kids -Not being able to focus during tests because of the theater kids screaming -The halls that doubled as practice rooms -Mr. Sanders’ perfectly amusing comments (we love you Sandman) -Eating in the parking lot -The battle royal that was getting to the front of the school store line -Constantly being surrounded by passionate, talented people -Everyone knowing your business all the time (JK be so glad this changes in college) -Getting to wander around an art gallery to pass time -Playing hide and seek with Mr. Trout, even when he didn’t realize it -Having Mrs. Stovey as the on-call therapist of PVA -Getting to dance around the halls with no one judging you -Starting off your day with getting to laugh at the awkward humor of the morning announcements -The ubiquitous refusal of the senior class to say the pledge (whatchu got U.S. government?) -Awkwardly seeing your teachers at Dirk’s after school -Ms. Bonner’s overzealous explanation of the tritone, and the face that accompanied it But on a side note college rocks, and we’re really glad we graduated. In Defense of Sophomores By Jeremy Maislin I am here today to discuss a stereotype that is 100 percent false: “Sophomore year is by far the easiest year”. Now, you may be thinking “I bet some dumb and lazy sophomore wrote this article”, but that couldn’t be further from the truth… sort of. First of all, every class has changed since last year; this is a fact. You cannot debate this. One time I received a 99 because I sneezed when I was supposed to be paying attention during a lesson outside. Scary stuff folks. On top of that, I have to deal with a foreign language. How am I supposed to remember that “El Preterito es Single Past Action” when the song we sing at the beginning and end of every class only repeats that fact four times? Now of course all of this would seem pathetic if I was surrounded by foreign exchange students that have mastered multiple languages in a way that I can’t accomplish with even one, but clearly that is not the case. I also have three hours of an art area. Every day. Regular schools have PE and regular people classes… but I have an art area. Every day. For three hours. My art area also involves such rigorous curriculum as jogging around the school not once… BUT TWICE before Dance Class. And having to count between the numbers one and 34… I still haven’t mastered the art of that task. It’s that hard folks. And I have a study lab. Study lab is so treacherous that I have not had time to beat my high score on Doodle Jump. I plead the fifth. It is just so hard to time manage at H S P VA … especially if you are a “struggling” sophomore. Okay… maybe you were right. Sophomore year is easy... unless you take Bingham. paperviews* *in case you care what we think The Lego Movie By John Guttman Gone with the Wind, Casablanca, The Lego Movie — all of the aforementioned cinema classics share many obvious similarities. Iconic acting, ingenious production, and flawless direction guide each and bring the audience into the world of the movie. However, where The Lego Movie differs from the others is in its message. I know simply from the title (because I’ve never seen it) that Gone with the Wind is the heartbreaking story of a boy losing a balloon to the strong, unforeseen current of the wind and his search for a new one. I also know, without having seen it, that Casablanca is the touching story of a Spanish immigrant’s visit to our nation’s capital and the subsequent amazement and personal pride he experiences upon seeing the White House. Nothing to see there. But The Lego Movie is rooted in and offers so much more. People of all ages, ethnicities, colors, and creeds can gain so much from it. Without revealing any spoilers and saying something like “The Legos aren’t actually alive, nor were they when you played with them”, I’ll attempt to briefly summarize the movie in the hope that you will immediately go see it for yourself after reading this. The Lego Movie follows the life of Emmet Brickowski, a boring, plain, unoriginal, down-on-his-luck construction worker who finds out amidst the trials and tribulations of his pointless life that he has a special purpose. Eventually, this plot angle is pursued, and Emmet goes on the journey of a lifetime. Joining him on his adventure is an ensemble cast of Lego pieces including B-ill-d Ferrell, Morter Freeman, and Liam Piece-n. If you’re thinking something along the lines of “I’m a mature adult; there’s no way I’m paying to see a childish, animated movie”, just know that the actors/Legos are hilarious, and the movie is directed by the same people who did 21 Jump Street. Now Paperview Ratings (Oscar Edition) Seth Macfarlane nowhere to be found Frozen wins Best Animated Picture! down to the message. The Lego Movie is so deep, in Best Sound Mixing so many rewinner gives 10 minute spects, that acceptance speech people will have different interpreJackass: Bad Grandpa tations of it. If you’re a fan wins Best Makeup Design of building and creating Jackass: Bad Grandpa things, then wins Best Motion Picture your attraction to the movie is obvious; however, snobby, “sophisticated” moviegoers will find that The Lego Movie materializes, through the literal materialization of Lego pieces, the inner motivation to rise above societal norms and restrictions, pursue one’s dreams, and maximize the potential of one’s character. Don’t worry; the message comes across as less cliché because of the talking Legos. But enough of that. I’m not suggesting that The Lego Movie is the greatest movie of all time. I’m not even suggesting that it’s the best adaptation of Legos to entertainment (The Lego Star Wars video game series was great). But at the very least, it’s an entertaining movie that I actually enjoyed more than American Hustle. Sure, you can argue that the movie is simply a creative marketing plea to buy more Legos. Although you would certainly be correct, I say that if the message of the movie has taught me anything, it’s that creative ambition is essential to the human/ Lego spirit. If that means I want to build more Legos now, then Lego! (pronounced “let’s go”) The Lights From the Chemical Plant By Charles Anderson Robert Ellis, a Houstonian-turned-Nashvillian guitarist, has been around for quite a while. However, he has been on the rise over the past several years. From performing modest live shows at Fitzgerald’s open-mic Wednesdays to being the opening act on bills for artists such as Paul Simon, Ellis is in a position that rests right outside of the limelight. Enter The Lights From The Chemical Plant. With one self released EP and an LP already under his belt, Robert’s newest work avoids the sophomore slump by taking a surprising turn away from the stripped down, folk-laden escapades of his last album, Photographs. The scope here is much grander, as the title suggests. The arrangement sounds more like a rock band than a country group, giving Ellis much more dynamic potential. He opens with “TV Song,” a fun, uptempo track with a straightforward beat and melody with some lines that will be sure to draw a smile; then, it launches into the title track, a sprawling, thunderous, and melancholic journey through the abandoned countryside, lamenting the impermanence of the things we hold dear. “I thought they’d always be there, until one day they were gone,” he says. “Bottle of Wine” slows it down to a ballad that is backed by a clanky piano, a hammy saxophone solo, and some very touching lyrics. The whole thing comes off as a little too corny and gimmicky to be truly effective, though. While there is still a lot of Ellis’s guitar work here, the finger picking that characterized his last album has faded into the background. The focus is now on big ideas and effectual songwriting rather than the intricacies of individual performance. However, he showcases his virtuosity on tracks such as “Pride” and “Houston,” which both blatantly reveal influence from jazz and progressive rock- a welcome, out-of-left-field surprise that shows how well versed Ellis is in comparison to many of his contemporaries. Towards the middle of the album is a Paul Simon cover of “Still Crazy After All These Years,” which captures the essence of Simon’s original performance while also doing it justice with a crazy guitar solo. The album closer, “Tour Song,” is more akin to Ellis’s earlier works with its quirky lyrics and focus on finger picking. The lyrics painfully hit home for anyone familiar with tearing away from family to develop and tour as a musician. “Tour Song” ends the album on a nostalgic note, acting as a good bookend to Ellis’s career thus far. As I listened to the songs, I realized that it would be very difficult to define the overall feel of the album (I do not like pigeonholing musicians into their genres anyway). It is not quite country, but it isn’t quite anything else either. Ellis borrows from so many sources for this release that it becomes admirable that he is able to keep his core identity relatively intact. The works here are all very solid, and in turn, slow burning. You are not likely to wear out any of the songs before the others. You might even get some tunes stuck in your head. However, this album is one that I can always remove myself from when I step away from it, likely due to the lyrics, which come off pretty hackneyed after a while. Still, it is a unique album with fantastic clarity and production, and a well realized vision. He has divorced his more folksy roots, but have no fear; he is on a journey that may lead him somewhere music has never been before. 2014 Oscar Predictions By Jacob Seferian The Oscars remain one of the few major industry awards that are still considered prestigious (I’m sorry, but it’s true). While you might have your own qualms with who was selected as a nominee, I think we can all agree that everyone nominated for an Academy Award possesses a singular talent. Now, before I give you my opinions (because that is what these predictions are: opinions, and therefore they are neither right nor wrong, but rather a reflection of my personal preferences), I ask that you not berate me during passing period because my views on what is good art are not akin to yours. ART IS SUBJECTIVE. Let’s adhere to the bumper sticker that we so proudly display on our motor vehicles: tolerance. THE FORMAT OF THESE PREDICTIONS: Prediction: Who I believe will win the coveted, anatomically ambiguous, golden human. Opinion: Who I, personally (in my not-so humble opinion), believe is the most deserving of the award. Reasoning: The justification for my opinion. BEST PICTURE: Prediction: 12 Years a Slave Opinion: Her Reasoning: While I think 12 Years a Slave worked on several levels (especially visually, the whipping scene forces us to take a stark look at the brutality of slavery without hiding behind artsy direction and clever angles), as a whole the film left myself and the three others I was with unsatisfied. On the other hand, Her was the kind of movie that even after the credits rolled, I had to just sit in the dark and think. Now that’s cinema! BEST ACTOR IN A LEADING ROLE: Prediction: Matthew McConaughey for Dallas Buyers Club Opinion: Matthew McConaughey for Dallas Buyers Club Reasoning: I am probably one of the few film geeks in the world who doesn’t give actors performance points for transforming their bodies for a role. I feel as though that is merely conducive to the preparation process. McConaughey’s loss of a reported 50 lbs. for his role as an AIDS-stricken cowboy is not why I hope he wins the Oscar; it is for his subtle, funny, and ultimately heartbreaking performance. It’s the kind of performance that leaves us wondering why Matt hasn’t been doing work of this caliber all along. BEST ACTRESS IN A LEADING ROLE: Prediction: Cate Blanchett for Blue Jasmine Opinion: Amy Adams for American Hustle Reasoning: Let me begin by saying that Cate Blanchett is one of my favorite actresses of all time. She was, as usual, brilliant in Blue Jasmine. However, she and every other Best Actress nominee have already won an Oscar. Amy Adams, despite being nominated four others times, has not. Despite having some of the stiffest competition imaginable (Judi Dench and The Streep – I mean, COME ON!), she held her own against these other acting giants, and dare I say it: out-acted them. Her performance as a dissatisfied girl-next-door turned con artist requires her to juggle two personalities at once, and Adams is more than up to the task. She turns in a performance of remarkable layers and depth… and she looks plain hot doing so. (Can we talk about those low cut dresses? I’m may not be into girls, but even I felt something!) BEST ACTOR IN A SUPPORTING ROLE: Prediction: Jared Leto for Dallas Buyers Club Opinion: Jared Leto for Dallas Buyers Club Reasoning: Jared Leto also boasts impressive weight loss (30 lbs.) for his role as Rayon in Dallas Buyers Club. His role as a sassy transgender woman with AIDS could have easily been stereotyped by a lesser actor succumbing to a caricature. But Leto clearly loves and respects this character too much to let that happen. The result is one of the most powerful performances this year (of any year, really). When Rayon leaves the screen, a part of you leaves with him. BEST ACTRESS IN A SUPPORTING ROLE: Prediction: Lupita Nyong’o for 12 Years a Slave Opinion: Lupita Nyong’o for 12 Years a Slave Reasoning: Now, I love J-Law just as much as you do, but Lupita Nyong’o’s heart wrenching performance as Patsy in 12 Years a Slave is on an entirely different level, and is everything good acting should be and more. Nyong’o had perhaps the most challenging role of the year. Luckily for us, she was up to the challenge. She delivers the kind of fearless performance that will go down in history, and will be marveled at and dissected by generations of actors (including myself) to come. BEST DIRECTOR: Prediction: Alfonso Cuarón for Gravity Opinion: Alfonso Cuarón for Gravity Reasoning: I know this is terrible, but in spite of seeing so many movies this year, I didn’t see Gravity. That being said, I am (perhaps unjustly) selecting Alfonso Cuarón as my pick for Best Director out of sheer respect for what he managed to do with his film. Nothing like Gravity has ever been done before, and for that, I believe he deserves the Academy Award… even if Libby Jasper deemed the movie, “Only okay.” BEST ORIGINAL SCREENPLAY: Prediction: Spike Jonze for Her Opinion: Spike Jonze for Her Reasoning: If this category is awarding originality, Her takes the cake. The film (which Spike Jonze also directed) takes place in the near future, and tells the story of a man who falls in love with an artificial-intelligence system (think Siri, except less repetitive and with Scarlett Johansson’s voice). A premise that is uncomfortably prevalent in these technology-crazed times. Jonze’s script is not only extremely funny, but remarkably tender as well. I found myself tearing up more than once during this movie due to Jonze’s (sometimes painfully) honest words. With the help of skilled actors (especially Johansson, whose voice is so emotive that her presence is palpable in the theater), these words raise vital questions about human connection and love. Her is the most thought-provoking, brave, and beautiful film of the year. SNUBS (who should’ve been nominated): Inside Llewyn Davis (BEST PICTURE) The Hobbit: Desolation of Smaug (BEST PICTURE) – Just kidding. I wish. The Spectacular Now (BEST ADAPTED SCREENPLAY) Spike Jonze (BEST DIRECTOR for Her) Oscar Isaac (BEST ACTOR for Inside Llewyn Davis) Joaquin Phoenix (BEST ACTOR for Her) Emma Thompson (BEST ACTRESS for Saving Mr. Banks) Brie Larson (BEST ACTRESS for Short Term 12) Scarlett Johansson (BEST SUPPORTING ACTRESS for Her) An Analysis of the 2014 Best Picture Nominees As gathered by Jacob Seferian AMERICAN HUSTLE: “Very disgusting, I don’t like this one.” “See, disgusting talk!” (referring to swearing) “I don’t want to see it, it’s too much disgusting stuff in there.” DALLAS BUYERS CLUB: “Oh, cowboy!” “AIDS, that’s the reason he losing lots of pounds right?” Would you see it? “Nah.” CAPTAIN PHILLIPS: “Captain Phil, oh yeah, I love this guy. He is a very good actor.” “I like this movie because I like this actor. Always the action is very well.” 12 YEARS A SLAVE: “This is a good movie, but it’s very sad. I’m very upset.” “The white people abused by the power they had. Look they do for money, everything involving money.” HER: “Ew, having a relationship with the computer and doing all kinds of stuff. It’s disgusting.” “Too many people are acting like this because they’re very lonesome.” WOLF OF WALL STREET: “Oh, I LOVE this guy!” “It’s like Venezuela… Hugo Chavez.” “This guy lose a lot of pounds in this movie.” GRAVITY: “Oh my goodness, oh my gosh, ahhh!” “Oh my gosh, Sandra Bullock in there!” “You believe this? There’s Clooney, too. I love Clooney.” PHILOMENA: “Philomena is Spanish. It’s a more disgusting name than you will ever know.” “This movie makes me very upset.” NEBRASKA: “This movie is good but it’s too much old people together.” FINAL VERDICT “I would give the best movie to the Philomena.” “The best actor was the guy who has AIDS.” “Oh, I love John Clooney, too, in Gravity.” Irrelevant History Pleurocoelus, the Texas State Dinosaur Named Texas State Dinosaur in 1997 By 7th Grade Adam Elkhadem (c. 2009 C.E.) Texas, unlike other states, doesn’t have a state fossil. We have something better! The Plearocoelus! In this paper you will learn about this massive and awesome beast and give reason to my belief that the Plearocoelus is the best state symbol. So read on fellow Texan, and you’ll soon understand just how cool the Plearocoelus really is. The Plearocoelus was a large Sauropod, the most famous being the Brontosaurus, a dinosaur that lived during the late Jurassic period and early Cretaceous period nearly 110 million years ago. It resided on the lower coastal plains, bordering a shallow sea that once existed. For a long time Plearocoelus was considered the largest of the dinosaurs, but as time wore on, bigger dinosaurs were discovered. Like Texas, it was huge, weighing up to 45 tons. Nobody really knows where or who discovered the first Plearocoelus bones, but many have been found in Dinosaur Valley State Park, near Glen Rose, Texas I think the Plearocoelus, out of all state symbols, best represents Texas be- cause in almost every way it is like Texas. It is huge, and like Texas, was once the biggest of its kind until newer, bigger dinosaurs (or states) came into view. It also is hard to beat, much like Texas and Texans alike. Even the T-Rex was inferior to this majestic beast -- in size, lifespan, the whole ball of wax. Like the T-Rex, even some of the toughest people can’t move a strong Texan. And the Plearocoelus is a Texan -- the biggest Texan there is -- and almost the biggest dinosaur! As you can see, this almost unknown relative of the Brachiosaurus (Plearocoelus is just one of the many Sauropods) is really more interesti n g than people think. If you are one of the many people who do not think that it is interesting and probably do not have an interest in Sauropods at all, reading this paper will teach you more about them than most people know. Plus, even if you are not interested, you must always remember that any knowledge is good, from dates in history to science and physics. Learning is something that everyone should enjoy, and you just learned about the Plearocoelus, the Texas state dinosaur! So go tell your friends, family, and anybody else, and remember, knowledge is the key to happiness. Goodbye, and keep learning! Are Outcasts Where Culture Begins? By Mikayla Smolensky I don’t like Lorde. I didn’t when only .03% of the population knew who she was, and I ESPECIALLY don’t now with her tickets at the average price of $60 per person. With “We don’t care, we are driving Cadillacs in our dreams…” shoved down my throat everytime I sit next to some semiwannabe-hipster or “white girl” (I am not using that term definitively, I am referring to the culture). But I do feel REALLY bad for her. No, I don’t feel bad for her because she won some tendentious award (that, in my opinion, is only coarsening our prideful independent culture) like a Grammy. I feel bad for her because she is like “us”- an outcast. She wore dirty black converse and used to have a total of three friends (I don’t know about you, but it already feels like I’m describing myself). She was “misunderstood”, shut down because she wanted to do something unreachable (to at least her community). She was that girl who was bullied by the “popular” girls because she liked tattoos and piercings. She is one of the girls that despises “white girl culture”. And the ironic part -- the part that makes me feel bad for her -- is that those kids who made fun of and ostracized her are her fanbase. You’re probably wondering what I mean by “white girl culture”. It can be described many ways, but I define it as: middle to upper class white girls (into their late twenties) who are constantly spoiled, drink a lot of starbucks, wear designer stuff, and are overly obsessed with their superficial appearances, material possessions, and Instagram. Don’t forget that they listen to whatever is on the radio -- no matter the lyrics --, most likely don’t indulge in any type of independent culture, and take only what is in front of them (THE MAINSTREAM). So yeah, the “white girl culture” that Lorde has tried so hard to avoid has become her fanbase. Lorde wanted someone to admire her witty lyrics, but instead she gets screaming girls who don’t do anything beyond the superficial. Same thing with Lady Gaga and Amy Winehouse -- all outcasts turned into stars. Just now the girls that laughed at them love and admire them? I think this really says something about our culture. It is a sequence of events -a never-ending cycle. We all came to HSPVA to be in the bubble of acceptance and avoid being the outcast. At normal high schools, kids get bullied, can’t put up with the superficial, and find solace in their art. They’re the outcasts. And outcasts are creating the culture, art, music, movies, and becoming famous. Once that fame happens, most other outcasts “move on” and the “white girl culture” is left indulging and obsessing in those outcasts. Just, as they listen to the outcast’s song, they still make fun of the outcasts at school. The mainstream thrives off the outcast, but the mainstream created the outcast. If that isn’t irony, then I don’t know what is. Top 10 Austinisms of All Time Collected By John Guttman Over the course of my high school career, I have had the unique pleasure and displeasure to know Austin Thomas. Famous for his monotonous and oftentimes inaudible voice, Austin has never been short on witticisms and astute observations about life, being, and time. Below are the ten greatest Austinisms of all time (though, of course, hundreds more exist and are likely spawning from Austin’s imagination). 10. “Ornithology- the study of zoos.” 9. “I never learned my seasons.” 8. “There’s only like one person left from the Civil War.” 7. “Is Istanbul like a city in Lord of the Rings?” 6. “I’m kind of discouraged from seeing Django because of that movie with the lizard.” 5. “I liked Zero Dark Thirty, but didn’t we actually hang Osama Bin Laden?” 4. “Is Lincoln true?” I said “Duh,” he replied with, “So he really fought vampires?” 3. “When I was in first grade, I didn’t understand how my name worked. A-U- Austin?...” 2. “I went to Souper Salad once as a kid, and my parents made me eat broccoli. I just stored it in my mouth then threw it up once I got outside. I hate broccoli.” 1. “Wait. When is 9/11?” All You Need to Know To Survive the DPS By Elizabeth Sandoval 18 and Older You are still required to sit through an approved Texas Driver’s Education course; however, there is no time constraint before you can take the test. You can take the written exam at your driving school or at the DPS office. ** START HERE Are you a citizen or legal resident (DACA student) of the United States? In Texas and most states within the US, only these individuals can apply for a driver’s license. How Old Are You? 15 - 18 Seek an approved Driver’s Education course. You must complete at least 32 hours of classroom instruction. After that, you must take a written exam at either your course or at the Texas Department of Public Safety (DPS). ** Taking the Written Test - The applicant needs a score of 70 or better to pass the written test. If you attend a driving school, you will probably take it there. If you dont take the test at your school/course, then you need to take it at the DPS office. It is multiple choice and taken on a computer. If you take the written test at the DPS, you will take the vision test the same day. Taking the Vision Test - This test is after the written test. Be prepared to look through a small screen to test your vision. It is not like the traditional elementary school vision test; however, it is nothing to worry about. The DPS just needs to make sure you can see correctly. So you Passed the Written and Vision Tests - Now you receive a learner’s permit. You must drive with a passenger who has a valid Texas DL and is at least 21. Age 18 - You get a learner’s permit and are now eligible to apply for a full license when you feel ready. Age 16 - You get a learner’s permit and are now eligible to apply for a provisional license that expires when you turn 18. 18 and Older - Don’t worry about the requirements for the teens younger than 18. You can take the driving test when you feel ready. After you have the full license, you do not have special restrictions unless indicated on the back of your license. Restrictions are marked as letters. Sporks By: Fernando Grimaldo Age 15 - You get a learner’s permit and are now eligible to apply for a hardship license (MRDL) Younger than 18 - The requirements before you receive a provisional driver’s license are as follows: 1. Carry a valid learner’s permit or a MRDL for a minimum of 6 months before obtaining the provisional license. You must log at least 20 driving hours with 10 of those at night. 2. After obtaining the provisional license, you cannot: a. Drive with more than 1 passenger under the age of 21 who isn’t a family member. b. Drive between 12 and 5 AM unless necessary for work, school, or a medical emergency. c. Drive with a cell phone or any mobile device. This rule can only be broken in the case of an emegency. WHERE DID THE SPORKS GO?!?!? !?!?!?! Horoscopes By Jacob Seferian Aries: Didn’t get FPSF tickets in time? No worries. You might find one on a metro bus. Taurus: Don’t get back together with your ex; eat a second honeybun instead. Gemini: You will find a surprise in your locker this month. Cancer: Form a band called Smells Like Teen Grammar Scholars and Ms. Ballard will give you an ‘A’ on your research paper. Leo: The lunar patterns indicate that this is the month you’ll overcome your greatest fear. Virgo: You’ll trade bodies with your mom sometime this month, Freaky Friday style. Libra: Sorry. You are temporarily color blind this month. Don’t ask how or why; the stars answer to no man. Scorpio: Lauryn Hill is coming to FPSF. You’ve been blessed enough this month. Sagittarius: The answer you seek is in the Fitzgerald’s bathroom, second stall from the door. Capricorn: Stay away from foam fingers. There’s a little Miley in you this month. Aquarius: Don’t whistle this month or else Liam Neeson will look for you… he will find you… and he will kill you. Pisces: The “I woke up like dis” joke will never get old. Beyoncé puns are always in. You’re flawless. What Fashion Style Are You? By Katinka Barragan 1. What is your favorite store? A. Free People B. Zara C. Forever 21 D. GAP E. Whole Earth Provisions F. Retropolis 2. If you could pick your favorite artist (or someone similar), who would it be? A. Sufjan Stevens B. Francoise Hardy C. Lana del Rey D. Michael Bublé E. Zac Brown Band F. Austra 3. What kind of colors do you tend to wear? A. Bright colors B. Dark colors C. Pastel D. Solid Neutrals E. Light colors F. Depends on your mood 4. You’re running late; what do you throw on? A. Patterned pants B. Leather jacket C. A comfy sweater D. Jeans E. Basketball shorts F. Doc. Martens 5. What is your dream vacation spot? A. Barcelona B. Paris C. Los Angeles D. San Francisco E. Aspen F. New York 6. What do you do for fun on the weekends? A. Take pictures B. Hang out at coffee shops C. Shopping D. Relax at home E. Play sports with friends F. Go to concerts 7. What’s your favorite TV show? A. That 70’s Show B. America’s Next Top Model C. Gossip Girl D. Grey’s Anatomy E. Man vs. Wild F. Twin Peaks Mostly A’s: Bohemian You like expressing your free spirited and comfortable attitude with the way you dress and tend to wear bright colors that make you happy and in turn make everyone else happy. You probably have an individualistic and creative lifestyle and often daydream about being somewhere else. Mostly B’s: Chic You’ve tried to wear bright colors before but you tend to change back into something dark five minutes before you have to be somewhere. You like black but that doesn’t mean you’re Goth; you just like that it reflects your sophisticated personality and dark soul. Mostly E’s: Outdoorsy Mostly C’s: Preppy You like looking put together and classy. You’re locker is probably the envy of your friends because of how clean and organized it is. You’ve probably owned a blazer or a pair of Sperry Topsiders at one point in your life. You have a kind personality along with a sweet smile, but be careful and don’t let the prepsters from Gossip Girl influence your lovable attitude. paper Staff Mostly D’s: Casual You like dressing well, but you tend to wear comfortable and simple clothing. Don’t be stuck wearing the same five outfits in a row like you do every week. If style isn’t your thing, then keep doing what you do, but if you DO care, I dare you to try something different. It’s the second semester after all; change can be fun. You’re the person at PVA some people don’t understand. What are sports? Do people actually do this for fun? Being outdoorsy takes a lot of forms. You can be a tree hugger, a skater, a hiker, or a soccer player. These people tend to ignore fashion and stay with what’s comfortable. Although you’re misunderstood, you are probably one of the healthier people at school and have a fun and exciting personality. Mostly F’s: Artisic You’re the creative funky type who’s dyed their hair at one point or wishes to do so in the future. You know all the cool hotspots and like going to stores people haven’t heard of, but if you were to choose a store, it would either be Urban Outfitters or American Apparel. Absentee Editor-in-Chief: Chandler Dean Managing Editors: Zoie Brown, Graeme Campbell, Ian Estes, and John Guttman Artistic Directors: Zoie Brown and Ian Estes Senior Contributers: Charles Anderson, Katinka Barragan, Kevon Bradford, Adam Elkhadem, Fernando Grimaldo, John Koozin, Katia Krupa, Renée Piper, Andrea Popova, Elizabeth Sandoval, Jacob Seferian Contributing Writers: Olivia Cardenas, Natalia Kian, Kyle Legacion, Sam Linda, Jeremy Maislin, Mikayla Smolensky Alumni Contributors: JayTee Barbour, Palmer Mills Faculty Contributor: Maria Stovey The “Thinker”: Austin Thomas For an online archive and other paper*-related skylarking, visit hspvapaper.com!
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