Dominique Gonzalez-Foerster, Splendide Hotel
Transcription
Dominique Gonzalez-Foerster, Splendide Hotel
DOMINIQUE GONZALEZ-FOERSTER SPLENDIDE HOTEL MARCH 13 – AUGUST 31, 2014 MUSEO NACIONAL CENTRO DE ARTE REINA SOFÍA PALACIO DE CRISTAL, PARQUE DEL RETIRO, MADRID DOMINIQUE GONZALEZ-FOERSTER SPLENDIDE HOTEL Taking the date of construction of the Palacio de Cristal as point of departure, Dominique Gonzalez-Foerster creates a complex, intuitive web of literary, cultural, musical, and historical associations around books, objects, discoveries and their authors and readers, around the year 1887—the year is peopled with birthdays, publishing dates and moments of scientific discovery. In the center of the Palacio de Crystal a room closely echoing the formal language of the pavilion that surrounds it has been built. At first it might be mistaken for part of the original structure, yet the space is enclosed and without a visible entrance. Visitors can look in but not enter. Its floor is covered with wall-to-wall carpeting imprinted with the pattern of Persian carpets imported to Europe in the 19th century (and shown in pictures of the Palacio de Cristal from the time of its opening). Changing every few days, one of four different objects is placed on the carpet, evoking the trace of an absent inhabitant circa 1887: either a top hat, lace-up boots, a gramophone or an orchid plant. The room stands in for the Hotel Splendide of the work’s title, or as the artist described it in her notes “a stage or an aquarium, a literarium / it’s full of ghosts and guests.” Outside of this room, in the remaining space of the Palacio de Cristal, rocking chairs are placed in irregular intervals. Re-editions of classic Thonet period furniture, the chairs act as domestic objects and historical references at the same time. Each one has a specially bound purple book tied to it that contains three individual volumes, encouraging visitors to sit down and read. The list of books (see attached) includes, among others, literature, science fiction and philosophy in German, English, French and Spanish. An effort was made to have each volume in their original language and when possible complemented by its English and Spanish translation. The title, adapted from a line by Arthur Rimbaud, conflates a multitude of literary, cultural and historical references. The rich web of associations creates an atmosphere that acts as a link, or like a H.G. Wells time machine, to the 19th century, specifically to the year 1887, creating a fictional moment that appears to echo through time as representation of an imaginary place and time Installation view, Splendide Hotel Neon Sign above the entrance Palacio de Cristal, Parque del Retiro Museo Reina Sofía 2014 3 Installation view, Splendide Hotel View into the pavilion with carpet and everyday-changing object Palacio de Cristal, Parque del Retiro Museo Reina Sofía 2014 4 Installation view, Splendide Hotel Views into the pavilion with carpet and everyday-changing object Palacio de Cristal, Parque del Retiro Museo Reina Sofía 2014 5 Installation view, Splendide Hotel Views into the pavilion with carpet and everyday-changing object Palacio de Cristal, Parque del Retiro Museo Reina Sofía 2014 6 Installation view, Splendide Hotel View into the pavilion with carpet and everyday-changing object Palacio de Cristal, Parque del Retiro Museo Reina Sofía 2014 7 Installation view, Splendide Hotel Palacio de Cristal, Parque del Retiro Museo Reina Sofía 2014 8 Installation view with rocking chairs and purple bound books Splendide Hotel Palacio de Cristal, Parque del Retiro Museo Reina Sofía 2014 9 Opening Dominique Gonzalez-Foerster, Splendide Hotel Palacio de Cristal, Parque del Retiro Museo Reina Sofía 2014 10 BIBLIOGRAPHY To each rocking chair a bound book was tied that contained three volumes from the following list: 1. Beckett, Samuel, Murphy, Barcelona, Lumen, 2000 2. Beckett, Samuel, Murphy, London, Faber and Faber, 2009 3. Benjamin, Walter, Iluminaciones I, Madrid, Taurus, 1971 4. Benjamin, Walter, Tentativas sobre Brecht. Iluminaciones 3, Madrid, Taurus, 1987 5. Benjamin, Walter, Poesía y capitalismo. Iluminaciones II, Madrid, Taurus, 1991 6. Benjamin, Walter, Illuminationen. Ausgewählte Schriften 1, Frankfurt, Suhrkamp, 2001 7. Bolaño, Roberto, 2666, London, Picador, 2009 8. Bolaño, Roberto, 2666, Barcelona, Anagrama, 2010 9. Capote, Truman, Otras voces, otros ámbitos, Barcelona, Anagrama, 2006 10. Capote, Truman, Other voices, other rooms, England, Penguin, 2004 11. Chéjov, Antón, Ivanov. La gaviota. Tío Ványa, Madrid, Alianza, 2013 12. Collordi, Carlo, Le aventure di Pinocchio, Roma, Grandi Tascabili Economici Newton, 2012 13. Collodi, Carlo, Las aventuras de Pinocho, Great Britain, Plaza Editorial, 2013 14. Conrad, Joseph, La locura del Alayer, Madrid, Alianza, 2010 15. Conrad, Joseph, Almayer’s Folly: a Story of an Eastern River, London, Pearl Necklace, 2013 16. Darío, Rubén, Azul…, Madrid, Edaf, 2003 17. De Maupassant, Guy, Le horla et autres récrits fantastiques, Malesherbes, Pocket, 2013 18. Dostoieswski, Fedor, Memorias del subsuelo, Barcelona, Juventud, 2010 19. Dujardin, Edouard, Han cortado los laureles, Madrid, Alianza, 1973 20. Dujardin, Édouard, Les lauriers sont coupés, Paris, Flammarion, 2001 21. Gaddis, William, Agapé Agape, London, Penguin, 2003 22. Gaddis, William, Ágape se paga, Madrid, Sexto piso, 2008 23. Genet, Jean, Splendid’s suivi de Elle, Francia, Folio, 2010 24. Genet, Jean, Splendid’s, London, Faber Finds, 2009 25. Hudson, William Henry, A Crystal Age, Great Britain, 1807 (edición facsimilar) 26. Hudson, William Henry, La era de cristal, Barcelona, Minotauro, 2004 27. Huntington, Gladys, Madame Solario, Paris, Les Belles Lettres, 2013 28. Jouve, Jean-Pierre, Paulina 1880, Francia, Folio, 2011 29. Krzhizhanovsky, Sigizmund, The Letter Killers Club, New York, The New York Review of Books, 2012 30. Maeterlinck, Maurice, Poesía completa, Madrid, Fundación Carlos de Amberes, 2011 31. Matheson, Richard, Somewhere in Time, New York, Tor, 1998 32. Numa, Shozo, Yapoo, The Human Cattle. Vol 1, 2 y 3, Japón, 1999 33. Rimbaud, Arthur, Una temporada en el infierno e Iluminaciones, Madrid, Alianza, 2011 (edición bilingüe castellano-francés). 11 34. Rimbaud, Arthur, Una temporada en el infierno e Iluminaciones, Madrid, Alianza, 2014 (edición bilingüe castellano-francés). 35. Rizal José, Noli Me Tángere, Madrid, Sempere y Compañía, s/f (edición facsimilar) 36. Rizal, José, Noli Me Tangere, Great Britain, BiblioBazaar, s/f 37. Roth, Joseph, Hotel Savoy, Barcelona, Acantilado, 2004 38. Roth, Joseph, Hotel Savoy, Zürich, Diogenes, 2010 39. Roussel, Raymond, Como escribí algunos libros míos, Barcelona, Tusquets, 1973 40. Roussel, Raymond, Comment j’ai écrit certains des mes libres, Mesnil-sur-l’Estrée, Gallimard, 2010 41. Sebald, Winfried Georg, Austerlitz, Barcelona, Anagrama, 2013 42. Sebald, Winfried Georg, Austerlitz, Frankfurt, Fischer Taschenbuch Verlag, 2013 43. Sorrentino, Gilbert, Splendide - Hôtel, Illinois, Dalkey Archive Press, 2001 44. Stevenson, Robert Louis, The Strange Case of Dr Jekyll and Mr Hyde and Other Tales of Terror, London, Penguin, 2003 45. Stevenson, Robert Louis, El doctor Jekyll y Míster Hyde, Valencia, Narrativa, 2014 46. Strindberg, August, A Madman’s Manifesto, Alabama, The University of Alabama Press, 1971 47. Strindberg, August, Plaidoyer d’un Fou, Paris, Editions Sillage, 2013 48. Tchekhov, Anton, Ivanov, Great Britain, JiaHu Books, 2014 49. Vila-Matas, Enrique, Perder teorías, Barcelona, Seix Barral, 2010 50. Wells, H. G., The Time Machine, Leipzig, BookSurge Classics, 2002 51. Wells, H.G., La máquina del tiempo y otros relatos, Madrid, El Club Diógenes, 2007 52. Woolf, Virginia, Orlando: biografía, Madrid, Alianza, 2012 53. Woolf, Virginia, Orlando, London, Wordsworth Classics, 2013 12 PHOTOS BY © JOAQUÍN CORTÉS/ROMÁN LORES © MUSEO NACIONAL CENTRO DE ARTE REINA SOFÍA © JOSE CASTAÑAL ESTHER SCHIPPER GMBH SCHÖNEBERGER UFER 65 D –10785 BERLIN TEL: +49 (0)30 374433133 FAX: +49 (0)30 374433134 WWW.ESTHERSCHIPPER.COM OFFICE@ESTHERSCHIPPER.COM