28 th November - International Film Festival of India

PAGE 01_Layout 1 11/27/2011 11:01 PM Page 1
23rd Nov - 3rd Dec 2011
DAY 6 | 28th Nov, 2011
For soccer-loving nations, soccer is their very life
T
he frenzy around football
was evident in Goa,
which is itself one of the
few states in the country which
would prefer soccer to cricket,
when filmmakers who have
brought their films for the special package on Soccer participated in the Open Forum here.
While the Brazilian delegates
claimed they believed in fair
play, the Argentinean was clear
that they believe more in victory
than in fair play. They all agreed
that the Germans believed in
classic style of football.
Film historian Jan Tilman
Schwab from Germany spoke
about the massive research he
has done in the form of a book
which runs into more than one
thousand pages and chronicles
football films made in every
continent on earth. He said his
book talks of the history of football in cinema.
Oscar Maron Filho whose
Brazilian film ‘Mario Filho, The
Creator of Crowds’ said that he
Luis Henrique Severialo Ribeiro Baez, Oscar Maran Filho and Juan
Pablo Roubio
felt that the main character in
any football film is the fan who
comes to see the match and
cheers his favorite team. Football is a ‘universal language and
motherland of all jokes’, he
said, adding that football also
tells a lot about people and how
a game can affect their lives. He
said that football for the Germans is like a simple dance, a
tango for the Argentineans and
a samba for the Brazilians.It is a
common subject of discussion
among people and helps build a
national identity for his country
which has a mixture of people
of several races including the
Blacks and the Red Indians. The
game unites them all.
Luis HS Rebeiro Baez who
is a well-known producer from
Brazil, said that the Brazilians
played football like they
danced, loved, or played music.
He said the film was about all
the greats of football. He
claimed that every film made in
the last fifty years has had
scenes of football in it.
Argentinean
filmmaker
Juan P Rombio said his film
was about winning, not about
fair play. One can change
one’s woman, but not one’s
soccer club, he added amidst
laughter.
Faizal Khan who has curated
the films was also present at the
Open Forum, which unfortunately had to be cut short when
Oscar Maron Filho collapsed
suddenly. Unfortunately, he
later succumbed to his heart attack and passed away.
-- B.B. Nagpal
Indian Market has Opened up to Global Movies: Phillip Noyce
“I
t is a really a great
honor for India that
world renowned and
internationally acclaimed Australian director Phillip Noyce
agreed to come to India” said
Shankar Mohan, Director-IFFI
at a press conference held here
yesterday. Apart from his retrospective, Phillip Noyce had earlier also held his Master Class
“From Concept to film the
Phillip Noyce Way”.
Phillip Noyce stated that the
Indian market has opened up to
global movies and the acceptability of international projects
has flourished here. He stated
that cinema has progressed by
leaps and bounds across the
world and it was really heartening to see its growing reach
in a country as diverse as
India.
Noyce said “Sound is the
Phil Noyce and IFFI Director Shanker Mohan
most important aesthetic in my
films because sound has much
more effect than the images.
Each film has its own aesthetic
based on its screen play. Cinematography is very important to
me. I was influenced by film-
makers from Hollywood and
made my first film Better to
reign in Hell” which was only
15 min. duration, in 1968, when
I was only 18 years old”.
The master film director who
is best known for his much ac-
claimed movies like ‘Clear and
Present Danger’, ‘The Bone
Collector’, ‘Newsfront’ and others talked about his life, his motivation to create cinematic
masterpieces and what he intends to present to the audience
in the future
Noyce said that while watching his own films along with the
Indian audience, he felt like he
was seeing them through new
eyes. “Discussions after the
films are very stimulating and I
have never seen such a passionate audience in other International Film Festivals”.
Noyce said “I already have
two projects in my hand and do
not have any story for making a
film in India. I would rather
like to make a film on cricket
between India, Australia and
Pakistan”.
Brazilian Film
Director Oscar
Maron Filho dies
of heart attack
B
razilian film director Oscar
Maron
F i l h o
died of heart attack while sharing
his
experiences with
the film fraternity, critics and
filmgoers at the
Open Forum at
IFFI-2011 yesterday. Immediately the
Open Forum was stopped and Fillio
was rushed to The Goa Medical College and Hospital .The doctors tried
their level best to revive him but could
not succeed.
Born in Rio de Janeiro, Brazil in
1955, Oscar Maron Filho was the director at Atlántida Cinematografica as
well as director and screenwriter at
Canal 100 Newsreel ( Movies & TV)
where he had made short length films
like Bye Bye Romano, Pele, O Papa da
Bala and Pele o gol mil.
Director of IFFI Shanker Mohan
said that it is a great loss to the world
of cinema. While paying homage to the
departed soul of Oscar Maron Filho in
the press room, Director IFFI Shanker
Mohan told that in respect of the departed soul all the festive activities
have been stopped for the day, but the
screening of the films will continue.
Shanker Mohan and Chief Secretary,
Govt. of Goa joined the media fraternity and a two- minute silence was observed in respect for Oscar Maron
Filho. At 8 PM one minute silence was
also observed in all the theaters.
Sanjay Srivastava, Chief Secretary,
Govt. of Goa also paid homage to the
departed soul. While addressing the
media, Srivastava said that Oscar
Maron Filho was one of best directors
in the world. Manish Desai, Director
PIB also paid homage to the departed
soul and spoke about Oscar Maron
Filho.
-- Satinder Mohan
-- Jagjit Singh Bindra
Indian narratives enthrall foreign filmmakers
I
ndian narratives are set to illuminate the silver screen when
films made by foreign filmmakers will unspool in cinema halls.
Argentinean director Pablo Cesor,
whose Argentine-Benin co-production Orillas delves into the subject
of the people of African descent in
Buenos Aires."Argentinians have
for long been in denial about the
African presence. I wanted to tackle
this subject."
Next on the agenda is a film on
Rabindranath Tagore and his Latin
American connections. Cesor says
he became interested in the subject
after an interaction with the Indian
Ambassador to Argentina, which
Tagore toured extensively in 1924.
Few know that Tagore was in-
vited by the government of Peru to
attend the 'Centennial Celebrations'
of its independence, but health
complications prevented him from
extensively touring the host country
or Mexico.
Cesar says the central character
of the film will be an academic who
visits Shantiniketan. "My film will
spotlight the influence of Tagore's
ideas on education on Latin America. It may be noted that Costa Rica
applied much of Tagore's thinking
to its educational system”.
Independent film-maker Philip
Cox's third feature-documentary
"The Bengali Detective" was acquired by Fox Searchlight at Sundance earlier this year.
Romanian director Alexandru
Aditya Assarat, Alexandru Maftei, Sano Shinju and Pablo Cesor
Maftei whose debut feature Hello
How Are You” is bittersweet romantic comedy is now at work on his
next film which will be based on the
novella "Domnişoara Christina
("Miss Christina) by Mircea Eliade,a
renowned writer, historian of religion,philosopher and professor with
a fluent command of five languages
and a reading knowledge of three
others (Hebrew, Persian, and Sanskrit). “Hollywood usually makes
shallow entertainers but movies can
make people laugh and feel good
and think,"he said as a matter of fact.
The Nazareth born,Torontobased Israeli Arab Razi Shawadeh,
lead actor of Sameh Zoabi's award
winning Man Without a Cell Phone
said the film was a realistic account
of life in Israel/Palestine.
Japanese film-maker Shinju
Sano talked about The First Rains
in Spring which he co-directed and
wrote the film with Erlan Nurmuhambetov, who was second director for Tulpan which won the
Golden Peacock award at the 39th
IFFI. The theme of reincarnation in
The First Rains of Spring will resonate with Indian audiences.
-- Ronita Torcato
PAGE 2_Layout 1 11/27/2011 11:02 PM Page 1
2
November 28 2011
TODAY’S SCREENINg SChEDULE
INOX SCREEN I
INOX SCREEN II
INOX SCREEN III
08.30 A.M.
10.00 AM
09.00 AM
Red sKY
THe
mUsALmAn
Homage –Raoul Ruiz
Dir. Layia Yiourgou
Greece/2011/105 min./Col.
(CW)
11.00 A.M.
gAKKU
Dir. Gaziz Nasyrov
Kazakhstan/2011/67 min./Col.
(CW)
02.00 P.M.
TOKYO KOen
Dir. Shinji Aoyama
Japan/2011/119 min./Col.
(CW)
TARYAnCHe
BAIT
(IP-F)
Dir. Kiran Yadnyopavit
Marathi/101 min./Col.
sHAgIRd
(IP-F)
Dir. Tigmanshu Dhulia
Hindi/143min./Col.
3.30 PM
CHAPPA
KURIsHU
THe IsLAnd
(IP-F)
Dir. Sameer Thahir
Malayalam/135 min./Col.
07.00 P.M
ReTURn TO
BURmA
Dir. Midi Z
Myanmar/Taiwan/2011/
84 min./Col.
(CW)
10.00 P.M.
A PESTERING JOURNEY
(IP-NF)
Dir. K.R. Manoj
Malayalam/English/Tulu/ Punjabi/ Hindi/66 min./Col.
YOU dOn’T
BeLOng (IP-nF)
Dir. Spandan Banerjee
Bengali/English/75 min./Col.
& B/W
Dir. Gus Van Sant
USA/2011/91 min./Col.(FK)
2.30 PM
CLeAR And
PResenT
dAngeR
Dir. Phillip Noyce
Germany/USA/1994/
141 min./Col.
(PN Retro)
05.00 PM
Dir. John Mathew Mathan
Hindi/1999/174 min.
sARFAROsH*
09.15 AM
09.30 AM
09.30 AM
THROUGH THE YOUNG
EYES
PALAWAn FATe
UnCLe VAnYA
(dYAdYA
VAnYA)
Dir. Andrei MikhalkovKonchalovsky
Russia/1970/99 min./Col.
(RC)
11.45 AM
THe FIFTH
eLemenT
(Le CInQUIeme
eLemenT)
Dir. Luc Besson
France/1997/126 min./Col.
(LB Retro)
2.45 PM
sHe mOnKeYs
(APFLICKORNA)
Dir. Lisa Aschan
Sweden/2011/84 min./Col./
35mm (ED)
Homage Tareque Masud
THe HUnTeR
Dir. Tareque Masud
Bangladesh/2002/98
min./Col.
(MAJKI)
Dir. Milcho Manchevski
Macedonia/France/
Bulgaria/2010/
123 min./Col.
(CW)
: Documentaries with a Difference
DWD
TD
: Third Dimension
RC
: Russian Classics
LB Retro : Luc Besson Retrospective
PN Retro: Philip Noyce Retrospective
OBITUARY
The Government of Goa deeply condoles the sad demise of Shri.
Oscar Maron Filho, who left for his heavenly abode.
Shri. Filho was a renowned Filmmaker and Journalist born in Rio
de Janeiro, Brazil in1955. He leaves behind fond memories and films
for which he would always be remembered by film lovers.
Digamber Kamat
Chief Minister
Government of Goa
The Entertainment Society of Goa deeply condoles the sad demise of
Mr. Oscar Maron Filho, the renowned film maker, whose films have
been appreciated the world over.
Mr. Filho was a wonderful human being and a great communicator.
He leaves behind a deep imprint on the minds of film lovers all over
the globe, through his craft.
His presence at the International Film Festival of India, Goa will remain memorable for us.
maNOJ SriVaStaVa
Chief Executive Officer,
Entertainment Society of Goa
(THAT FELLOW)
Dir. Buddhadeb Dasgupta
India/2011/82 min./Col.
Dir. Bakur Bakuradze
Russia/2011/124 min./Col.
(CW)
07.45 PM
LeOn:
THe
PROFessIOnAL
Dir. Luc Besson
France/1994/109 min./Col.
(LB Retro)
(BUSONG)
Dir. Auraeus Solito
Philippines/2011/
95 min./Col.
(IC)
12.00 noon
12.00 AM
CLASSICS FROM TAGORE
HOUse OF
TAgORe
(JORASANKHO
THAKURBARI)
Dir. Buddhadeb Dasgupta
English/2002/38 min.
mIA And THe
mIgOO
Dir. Jacques-Remy Girerd
France/Italy/2008/
91 min./Col.
(SOS)
sTReeR PATRA
Dir. Purnendu Pattrea
Bengali/1972/98 min.
03.00 PM
MASTER CLASS
03.00 PM
sTOCKHOLm
eAsT
The Digital Shift
Dir. Simon Kaijser Da Silva
Sweden/2011/93 min./ Col.
(CW)
05.30 PM
05.30 PM
STUDENT FILMS
HA BHARAT
mAZA
V K PRAKAsH
Dir. T. Suresh Kumar Tamil/12 min.
05.15 PM
THe CLAY BIRd
WOH
KARUKKU
07.30 PM
mOTHeRs
Dir. Michael Bennett
New Zealand/2010/
92 min./Col.
(CW)
KALA ACADEMY
Dir. Loy Arcenas
Phillipines/2011/100 min./Col.
(FK)
10.30 P.M.
8.30 PM
mATARIKI
Cinema of the World
Euro Discoveries
Festival Kaleidoscope
International Competition
Sketches on Screen
11.30 AM
nInO
6.00 PM
HOMAGE – JAGJIT SINGH
:
:
:
:
:
Dir. Raoul Ruiz
France/Italy/Romania/Spain/
2005/106 min./Col.
ResTLess
12.30 PM
04.30 P.M.
Dir. Kamen Kalev
Bulgaria/2011/108 min./Col.
(CW)
CW
ED
FK
IC
SOS
(IP-NF)
Dir. Ishani K. Dutta
English/11 min./Col.
THe LOsT
dOmAIn
(Le dOmAIne
PeRdU)
INOX SCREEN IV
MAQUINEZ
PALACE I
mUgAARI
Dir. Suvi Kumar B Tamil/12 min.
ACHUPIZAI
Dir. Kannan M Tamil/12 min.
PATTI - nAA
Dir. Sunil Sunkhthankar,
Sumitra Bhave
India/2011/100
min./Marathi/Col.
(IPR)
Dir. Bakkiyaraj
amil/12 min.
08.30 PM
50/50
08.00 PM
Dir. Jonathan Levine
USA/2011/100 min./Col.
(CW)
RETROSPECTIVE –
K BALACHANDER
mARO
CHARITRA
Dir. K Balachander
Tamil/1978/158 min./Col.
SOP : Spotlight on Poland
ACA : A Cut Above
MA &F-AW: Music Arts and Films - The American
Way
IPR : Indian Premier
IP F : Indian Panorama (Feature)
IP-NF : Indian Panorama (Non Feature)
*: without English subtitles
TOdAY’s engAgemenT
Press conference
11.00 AM : Press conference by Franciso manso (Director),
Vitor Norte (Actor), Jose
mazeda (Producer), and
Henri Seroka (Composer)
Team members of the film
‘Consul of Bordeaux’
12 Noon : Press conference by Preeti
Jhangiani, Producer of the
Film- Sahi Dhandhe Galat
Bande
2.00 PM : Press
Conference
by
mithun Chandra Choudhary - Director- WriterProducer of the film ‘Compulsory Hell-Mate’
3.00 PM : Press conference by Vincent Corda, Father ralin
D’ Souza and ramesh tekwani. - “Is Goa Ready to be
a Film City”
3.45 PM : Press conference on Students’ Film Section,
oPen forUM
Venue
Time
Topic
: inox Courtyard
: 12:45 pm
: Release of Book “Three
Women Directors” by
Shankar mohan, Director
IFFI (written by Pradeep
Biswas)
Time:
Topic
Speakers
: 1:00 pm
: asian Cinema today”
: ami Drozd- israel aditya
Assarat– Thailand Karmade
Dea
–
Bangladesh
V.K.Prakash- India
Moderator : U.radhakrishnan
Time
Topic
: 2:00pm
: “Cinema And Specially
Abled Children”
Speakers : Kusum Tiwari, Neena
Wagh, Dilip Bapat, Swati
Bhat
Moderator : U.Radhakrishnan
All are welcome
PAGE 3_Layout 1 11/27/2011 11:05 PM Page 1
3
November 28 2011
HOMAGE TO GHAZAL KING jAGjIT sINGH
L
ittle did I realize when I attended his 70th birthday
bash at Mayfair Hotel on 8th
February this year that it would be
the last birthday of Jagjit Singh that
I was destined to attend, because
Indian Musical heritage has lost its
priceless gem that sheltered in the
hearts of millions with his unparalleled, soulful and extraordinary
melodies.
What was very unique about
Jagjit, the musical maverick who
was awarded India's third highest
civilian honor, the Padma Bhushan,
in 2003, was the fact that he was
one of the very honest and forthright persons who never minced
with his words, and was very vocal
about today’s new Bollywood
music scene.
His soulful renditions and alltime great melodies 'Honthon se
chhoo lo tum', 'Tumko dekha to yeh
khayal', 'Baat niklegi to', 'Jab
saamne tum', Hazaron khwaishe
aisi, 'Chaak jigar ke', 'Kal chadhanvi
ki raat thi', 'Kiska Chehera', 'Hoshwalo ko khabar', 'jaane vo kaun sa
desh', 'jahaan tum chale gaye and
'Shaam se aankh me name si hai' are
ghazals that enthralled millions and
are hummed by one and all.
Jagjit Singh who has sung in
Punjabi, Hindi, Urdu, Bengali, Gujarati, Sindhi and Nepali languages,
made ghazals accessible to the
common man and brought a new
meaning to the genre. His ghazals
did not require the listener to understand the nuances of ghazal singing,
as his mellifluous voice carried
“I should confess that
compulsion of the casting
also made me broaden my
horizons as a filmmaker”
-- Tigmanshu Dhulia
Shagird seems to be marked
departure from your earlier
style of filmmaking!
I did not want to make
similar kind of film again and
again and set out to make a
TODAY AT INOX II
AT 12.30 P.M.
linear film like Shagird,
which is out and out entertainment oriented commercial. I deliberately wanted to
make a film which is different
from my earlier films, both in
terms of content as well as the
star cast. I should confess that
compulsion of the casting
also made me broaden my
horizons as a filmmaker.That
it has been selected to be a
part of Indian Panorama in
IFFI this year is like an icing
in the cake for me, as a filmmaker, since the film did not
run at the box office
Why do you make only hero
oriented films, whether it is
Haasil, Charas or Shagird?
Though I may have made
only hero oriented films, then
heroines in my film have their
own independent thinking
minds , like Rimmi in Shagird and are not there just to
sing songs or cry, though their
roles may be small. I am now
toying with the idea of making an out and out heroine
oriented film called Begum
Sumro, based on the life and
times of the legendary lady
who was like Umrao Jaan but
full of ambitions, who ruled
Sargana near Meerut way
back in 1850 during the
British period. Sumro had a
lot of men in her life and
knew how to manipulate and
betray men in her life. I’d
love to cast Vidya Balan in
the title role of my film.
Why did you cast a filmmaker like Anurag Kashyap
in a negative role in Shagird?
If I had cast actors like
Mukesh Tiwari or for that
matter Yashpal Sharma, who
were actually my juniors in
The National School of
Drama, where I too had studied acting, in the role that
Anurag Kashyap has done in
my film, it would not have
been novel at all, because you
have seen these actors essaying similar kind of roles In
umpteen number of films. I
felt Anurag Kashyap was the
best bet for me to interpret the
character in a different light.
Is it true that you have acted
in The Gangs of Wasseypur
directed
by
Anurag
Kashyap?
It is true that Anurag convinced me to play the main
villain in his film The Gangs
of Wasseypur in which my
character has a huge graph
from the age of 45 to the age
of 70 and plays a very vital
role in the unfolding of the
film.
Is Pan Singh Tomar your
next release?
I should be able to come
up with my next film Pan
Singh Tomar by August this
year. It is with UTV and has
gone though a lot of International film festivals and
earned an overwhelming response everywhere. It is
based on a real life person
called Pan Singh Tomar who
was a subedar in the army, besides being an athlete and a
contemporary of Milka Singh
too, who was shot dead by the
police.
- Jyothi Venkatesh
mained well grounded even at the
height of his success. .
I can never forget the fact that
Jagjit had quietly handed over a
princely sum of fifteen thousand
rupees around fifteen years ago to
fellow scribe Shaheen Raj whose
TODAY AT INOX II
AT 8.30 P.M.
magic and directly touched the
chords of people’s hearts. Jagjit re-
right foot had to be amputated due
to gangrene, when I had requested
him whether it would be possible
for him to help the guy, though he
did not know him personally at all.
When Shaheen volunteered to collect the money from him, Jagjit
asked him to send me instead to
collect the money and when I
landed at his place in the evening,
he told me that he would hand over
the money only if I had dinner with
him, because we used to bump into
each other only at concerts or parties for release of music albums.
Though he refused to let me sign a
voucher when I took the money
from him to give to the hospital, he
was overwhelmed when I made it
a point to ask the doctor to give me
the receipt in his favor and handed
over the same to him.
His loss may be national and universal, but for me it is a personal
blow and is irreparable and irreplaceable. IFFI this year pays homage to the late Jagjitji by showcasing
the film Sarfarosh directed by John
Mathew Mathan in which Jagjitji
had faced the camera, on November
28, at Inox II at 8.30 pm.
-- Jyothi Venkatesh
My film boasts of a simple linear structure
-- Kiran Yadnyopavit
How would you describe
Taaryanche Bait?
It is a mainstream cinema.
It is about the dreams and aspirations of a common man.
A guy from the city also
dreams of multiplexes and
night life. Earlier a farmer’s
son used to dream differently
from say an engineer’s son
but now because of globalization we have common aspirations. Everyone feels that
reaching the stars would get
them rid of their problems.
All of us knowingly or unknowingly chase a mirage.
Understanding between the
texts was important for me
and not just the technical aspects, because Taaryanche
Bait boasts of a simple linear
structure and was short in a
span of 28 days
Is Taaryanche Bait based
on your own story?
I would not take the credit
for the story. Saurabh Bhave
initiated the subject and
Neeraj Pandey and I worked
on the story. I should thank
Ekta Kapoor for having
joined hands with Neeraj
Pandey and made the film as
a joint venture under the banner of both Balaji and Friday
Filmworks, though most of
the production houses in
Marathi go in only for comedy because in Marathi comedy alone sells and only 1 out
TODAY
AT INOX II
AT 10.00 A.M.
A still from Taryaanche Bait
of 100 is an experimental
mainstream film like say
Taaryanche Bait is. I had earlier also written Sukhant
which was on mercy killing.
What message have you set
out to drive through your
film?
I do not believe that you
should come up with a subtle message in every film
that you set out to make.
What is the USP of your
film?
Besides the fact that I
have cast actors who are
well known for their versatility like Sachin Khedekar,
Ashwini Giri etc, no actor in
my film has put on makeup.
Also no one has worn any
torn clothes or taveez. I
wanted every actor in my
film to be a part and parcel
of their character
Was making the film a
cake-walk for you?
The biggest problem was
that I was struggling with
myself, because there is
pressure when you have
backers like Ekta Kapoor
and Neeraj Pandey. I was
not technically equipped
100%, because I did not
have the experience to push
Presentation of unit ‘Laptop’ Tanu Rai, Churni Ganguli, Rahul Bose, Gautam Kundu and Kaushik Ganguly
the unit.
Since you are an actor on
your own right, didn?t it
strike you that you should
play Sachin’s role?
I know my limitations as
an actor and felt that only
Sachin could have done justice to the role that he has
played in Taaryanche Bait.
What next?
I am ready with a good
story of mien right now and
considering a few offers
which have come from big
production houses but not
yet taken a call.
-- J.V.
PAGE 4_Layout 1 11/27/2011 9:48 PM Page 1
4
November 28 2011
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baVjus”kuy fQYe QsfLVoy esa
“kkfey gqbZ gSaA gkykafd xksok ls
mudk iqjkuk fj”rk gSA og crkrh
gSa fd mudh eka yxHkx nl lky
rd xksok esa jgh gSaA 47 o’khZ;k
Qjkg ds firk dkejku LVaV
fQYeesdj FksA mudh eka guh
bZjkuh vkSj Msth bZjkuh dh cgu
gSaA Mk;jsDVj lkftn [kku muds
HkkbZ gSaA Qjgku v[rj vkSj tks;k
v[rj muds dft+u gSaA
80 ls T;knk fQYeksa esa
dksfj;ksxzkQh dj pqdha Qjkg
ekbdsy tSDlu ds Mkal ls izsfjr
gksdj bl {ks= esa vkbZaA og eqacbZ
ds lsaV tsfo;lZ esa lksf”k;ksykWth
i<+ jgh Fkha tc tSDlu dh vka/kh
vkbZ vkSj og mlesa cg xbZaA
i<+kbZ NksM+ dj ,d u`R;eaMyh
cuk yh vkSj fQj ihNs eqM+ dj
ugha ns[kkA 1992 esa ,d fQYe
vkbZ Fkh ^tks thrk ogh fldanj*A
mlesa ljkst [kku dksfj;ksxzkQj
FkhaA fdlh dkj.k ls og fQYe ls
vyx gqbZa rks ;g dke Qjkg dks
fey x;k vkSj mlds ckn og
vkxs gh c<+rh pyh xbZaA
Qjkg us rhu fQYes&
a ^eSa gwa uk*]
^vkse “kkafr vkse* vkSj ^rhl ekj
[kka* funsZf”kr Hkh dhaA ^eSa gwa uk*
ds ,fMVj f”kjh’k dqansj ls mUgsa
I;kj gqvk vkSj nksuksa us 2004 esa
“kknh dhA 2008 esa Qjkg ,d gh
lkFk rhu cPpksa dh eka cuha&,d
csVk t+kj rFkk nks csfV;ka fnok
vkSj vU;kA
Qjkg vius rhuksa cPpksa ds
lkFk xksok vkbZ gSaA xksok mUgsa
^”khyk dh tokuh---* % dSVjhuk
b
csgn ilan gSA
vkidks xksok esa D;k [kkfl;r
yxrh gS\
xksok ds yksx “kkfn;ksa esa ftl
rjg ukprs gSa mlls irk pyrk
gS fd og cgqr vPNs Mkalj gSaA
eSua s igyh ckj xksok dh ,d “kknh
esa gh Mkal fd;k FkkA
Mk;jsD”ku vkSj dksfj;ksxzkQh esa
ls vki [kqn dks dgka T;knk
vfHkO;Dr dj ikrh gSa\
Mk;jsD”ku esa] D;ksafd xkus rks
dqN fnuksa esa “kwV gks tkrs gSa
ysfdu fQYe o’kksZa esa curh gS vkSj
mlesa dkQh dqN dgus dk ekSdk
gksrk gSA
^eqUuh cnuke gqbZ---* % eykbdk vjksM+k [kku
,d fQYeesdj ds :i esa
vkidks fdu eqf”dyksa dk lkeuk
djuk iM+rk gS\
“kwfVax ds nkSjku ijs”kkfu;ka gh
ijs”kkfu;ka gSaA eqacbZ esa vxj dgha
“kwV djuk gks rks 11 txg ls
eatwjh ysuh iM+rh gSA flQZ ,d
foaMks ls fQYeesdj dks “kwfVax dh
eatwjh feys] ,slh O;oLFkk gksuh
pkfg,A blls vius ns”k dks
vkfFkZd ?kkVk gks jgk gS D;ksafd
bUgha ijs”kkfu;ksa ds dkj.k fons”kh
fQYeesdj Hkkjr esa “kwV djus ls
drjkrs gSaA
vktdy vki D;k dj jgh
gSa\
bu fnuksa eSa viuh ubZ fQYe
^gSIih U;w bZ;j* dh fLØIV fy[k
jgh gwaA tuojh rd bldh dkLV
r; gks tk,xhA oSls ^”khjh
Qjgkn* fQYe esa ,fDVax Hkh djus
tk jgh gwAa ,fDVax ds uke ls eq>s
vHkh ls ilhus vk jgs gSaA
ftanxh esa fdlh ckr dk
vQlksl\
gka] fnyhi dqekj ds fy,
dksfj;ksxzkQh ugha dj ikbZA ^vkse
“kkafr vkse* esa ,d xkus esa 30
dykdkjksa ds lkFk mUgsa Hkh j[kuk
pkgrh FkhA “kkg#[k muds ?kj
Ng ckj x, ysfdu mUgsa rS;kj
ugha dj ldsA
jksekafpr djrha iSuksjek dh fQYesa
42
bafM;u iSukjek
osa b¶+Qh ds bafM;u iSuksjek
lSD”ku esa bl ckj izpqj ek=k esa
¼Qhpj Js.kh esa 24 vkSj
xSj&Qhpj esa 21½ fQYesa gSa vkSj yxHkx ;s
lHkh fQYesa lpeqp bl [kaM ds ewy mís”;
^Hkkjrh; flusek ds vkbuk* dks lgh lkfcr
djrh utj vkrh gSaA 27 uoacj dks fn[kkbZ
xbZ fQYeksa esa lcls igys 10 feuV dh ejkBh
ukWu&Qhpj fQYe ^daiyljh gSy&esV* us
iz”kalk ikbZ tks vly esa ml rkfyckuh lksp
ij okj djrh gS tgka dksbZ nwljk ;g r;
djrk gS fd lekt D;k igusxk vkSj D;k lkspsxkA ;g ,d ,sls xkao dh dgkuh gS tgka
ljiap ds gqDe ls gj dksbZ pkSchlksa ?kaVs gSyesV
igurk gSA bl fQYe ds ;qok funsZ”kd
feFkqupanz pkS/kjh dgrs gSa fd vki pkgsa rks bls
ns[k dj gal ldrs gSa ysfdu esjk edln
vkidks galkuk ugha cfYd lkspus ij etcwj
djuk gSA jkts”k fiYybZ funsZf”kr ey;kye
fQYe ^VªSfQd* csgrjhu d`fr gSA ,d pkSjkgs
ij vyx&vyx jkLrksa ls vkdj pan ?kfM+;ksa ^VªSfQd*
ds fy, #dus vkSj fQj vius&vius jkLrs ij
py nsus okys pan fdjnkjksa dh lyhds ls xqFa kh gqbZ ;g dgkuh pkSadkrh gS] cspSu djrh gS]
vka[ksa ue djrh gS vkSj lUu Hkh dj nsrh gSA
vPNh [kcj ;g gS fd jkts”k vc bl fQYe
dks fgUnh esa Hkh cuk jgs gSaA vnkdkjk jsorh
dh rfey xSj&Qhpj fQYe ^jsM fcfYMax Ogs;j
n lu lSV~l* 17 feuV esa bl lans”k dks
c[kwch ijkslrh gS fd ifr&iRuh ds vkilh
>xMs+ muds cPpksa ds eu ij fdl dnj xyr
vlj Mkyrs gSaA izoh.k Mckl dh fgUnh fQYe
^lgh /ka/ks xyr cans* ns”k Hkj esa Hkwfe vf/kxzg.k
ds ljdkjh joS;s dks lq/kkjus dhs ckr djrh
gSA dkSf”kd xkaxqyh dh jkgqy cksl] vuU;k
pVthZ vfHkuhr ckaXyk fQYe ^ySiVkWi* Hkh [kklh
ilan dh xbZA ysfdu chrs fnu dk lcls cM+k
vkd’kZ.k jgh loZJ’s B fons”kh Hkk’kk ds vkWLdj
iqjLdkj ds fy, Hksth xbZ lyhe vgen
funsZf”kr ey;kye fQYe ^vknfears ekdu vcw*
tks gt ij tkus dh reUuk j[kus okys cw<s+
vcw ¼lyhe vgen½ vkSj mldh iRuh ¼tjhuk
ogkc½ dh csgn ekfeZd dgkuh gSA vuq’kk
uandqekj dh baxfy”k ukWu&Qhpj fQYe ^n
ckWfDlax ysMht* eqfLye lekt esa csfM+;ka rksMu+ s
dks vkrqj yM+fd;ksa dh ckr djrh utj vkbZA
&nhid nqvk
fQYe ds fy, vkykspuk
t:jh % “kadj eksgu
¶+Qh ds funs”kd “kadj eksgu us dgk gS fd leh{kk
vkSj vkykspuk ls fQYe fo/kk vkxs c<+rh gS vkSj
mlesa lq/kkj vkrk gSA blfy, flusek cukus okyksa ds
lkFk gh flusek dh vkykspuk djus okyksa dh Hkh cgqr
t:jr gSA mUgksaus ;g ckr izrki flag dh iqLrd
^flusek dk tknqbZ lQ+j* dk yksdki.kZ djrs gq, dghA
^vksiu Qksje* esa bl fdrkc ds foekspu ds ekSds ij
Hkkjrh; iSuksjek esa fn[kkbZ tk jgh ejkBh fQYe ^ckcw
cSaM cktk* ds funsZ”kd jkts”k fiatkuh Hkh ekStwn FksA
fgUnh ds vykok {ks=h; vkSj fo”o flusek dh Dykfld
d`fr;ksa vkSj fnXxt gfLr;ksa ij bl iqLrd esa foLrkj
ls fy[kk x;k gSA fgUnh ds cktkj esa flusek ij vPNh
fdrkcksa ds vdky dks de djus dh dksf”k”k ds rgr
xkft;kckn ds vuqHko izdk”ku ls vkbZ yxHkx <kbZ
lkS iUus dh bl fdrkc dk ewY; ek= 160 #i, j[kk
x;k gSA ;g fdrkc flusek dks ^i<+us* esa fnypLih
j[kus okyksa ds fy, rks ,d ^VSDLV&cqd* ljh[kh gSA
&nhid
b¶+Qh ds ckn feQ+ dh rS;kjh
fQ
Yeksa ds “kkSdhuksa ds fy, izlUurk dh [kcj
;g gS fd b¶+Qh ds [kRe gksus ds Bhd nks
eghus ckn fQYe~l fMfotu
eqacbZ baVjus”kuy fQYe
QsfLVoy ¼feQ+½ vk;ksftr
djus tk jgk gSA fQYe~l
fMfotu ds egkfuns”kd Jh
cafde us crk;k fd ^feQ+* 3
ls 9 Qjojh] 2012 rd 7
fnuksa ds fy, vk;ksftr fd;k
tk,xkA blesa MkWD;wesaVjh]
“kkWVZ vkSj ,fues”ku fQYesa
fn[kkbZ tk,axhA gksest] jsVªksLisfDVªo vkSj vksiu Qksje
rFkk lsfeukj vkfn Hkh gksaxsA
Jh cafde us dgk fd Js’B fQYeksa ds fy, 63-50
yk[k ds iqjLdkj Hkh j[ks x, gSaA cSLV LVwMSaV fQYe
ds fy, 25 gtkj vkSj ,d yk[k ds iqjLdkj j[ks x,
gSaA 5 yk[k #i, dk oh- “kkarkjke ykbQ Vkbe
vphoeSaV vokMZ Hkh fn;k tk,xkA Jh cafde us dgk
fd fQYe laLd`fr foLrkj nsus ds fy, ^feQ+* 1998 ls
iz;Ru”khy gSA bl QsfLVoy dk MsfyxsV jftLVªs”ku
QkWeZ b¶+Qh ds nkSjku vkbZukWDl ifjlj esa fQYe~l
fMfotu ds ekdsZfVax LVkWy ij miyC/k gSA bls
www.filmsdivision.org ls Hkh gkfly fd;k tk
ldrk gSA
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ckcw cSaM cktk
jkBh fQYe ^ckcw cSM
a cktk* jkts”k fiatkuh dh ,d
cgqpfpZr iqjLd`r fQYe
gSA Jh fiatkuh us laoknnkrk
lEesyu esa crk;k fd mUgksua s
fQYe fuekZ.k dh Vªsfuax ugha
yh gSA ,d tquwu ds rgr
fQYe cukbZ gSA bl fQYe
dh i`’BHkwfe egkjk’Vª dk ,d
xkao gSA ;gka ekrad tkfr
dh vkSjrsa ?kjksa vkSj QSDVjh
esa dke djrh gSAa iq#’k cSM
a ctk dj jksth&jksVh dekrs
gSaA dgkuh ds dsanz esa ,d cPpk gS tks i<+uk pkgrk
gSA fQYe dh ukf;dk ehrkyh us dgk fd og vPNh
fLØIV okyh fdlh Hkh Hkk’kk dh fQYe esa dke djus
ds fy, mRlqd gSaA fQYe ds vnkdkj fefyan us fQYe
esa cSaM ctkus ds fy, 3 eghus rd cSaM ctkus dk
fj;kt fd;k rc tkdj og dSejs ds lkeus vk,A
&lksuy e[khtkuh ^vktkn*
Edited by: Jyothi Venkatesh on behalf of IFFI Secretariat, Ministry of Information & Broadcasting, New Delhi
Hindi Editor: Suresh Sharma, Co-ordinator: Tanu Rai, Deputy Director and Jagjit Singh Bindra
Asst. Editor: Satinder Mohan, Photographer : S Kumar, Printed at: Herald Publication Pvt. Ltd. Verna, Goa