OPERATIC ANTHOLOGY

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OPERATIC ANTHOLOGY
i
SERIES FIVE
GOYESCAS. s. (1916)
E. Grannda
La Mala y el Rulsesor. The Msja and the
Nlghtbgale. Tenor. .................... .50
HERMES. 1. (1906)
Invoe~zlonea Venere. Invocation toVenus.
High. .............. .
............s ,. .60
B. Smetann
HUBICKA. g. (1876)
Bohemian Cmdle-Song. Vendnlka's CradleSong. Hlgh or Medium.. .............. 3
I
...
PAGtlADC1. (Cod'@
R. h n c a m l l o
- ) R o t a u s : 91 pub?
Baritone @nglirh lcxl
A. & St rolal, B d f o ~ e[Engl~llrhlcrl by
c~pprarmffl~.~.
Serenade: 0 Columbina. Tenor. ..........
9.
-.
..............
i
I
i
...
JEAN DE VIVELLE. f. (1880)
L. Dellbe#
Tant que le four dure. Memo-Soprano.. .. .50
THE JEW&LS OF THE MADONNA. I. (1911)
E. Wolf-Fsrrari
/
Aprlla, o bell..
Rafhele'sSerenade. Tenor,
Baritone.. ............................. .75
Bacio dI lama. Rafaele's Lme-Song .Tenor
Baritone.. ............................. .75
Benedicimi tu. Gennaco'a Prayer. Tenor.. .SO
KHOVANSWHINA. f. (18851
M. Moursorgky
Chant de Marthe. Martha's Song. Medium or Lon............................ .75
La Divination pari'eau. Divination by Water.
Low. ................
....
... .75
.
.
.
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.
.
MARIA DI ROHAN. i. (1843)
G. Donlzettl
Mma wave e can. Tenor. ................ .SO
DAS NACAIWGER IN G W A D A . g. (1839)
C Kreutzer
Ein &hUtz' bin lch. Tenor. .............. .SO
NATOMA. (1911)
V. Herbert
Beanre of the Hawk, my Baby. A n Indian
~ u l h b y . Soprano. ..................... .50
I Ust the trill in golden throat. SoprSno,
Me?m-Soprano. .............
..... .75
I n my dreama. Tenor. Baritone. .......... .SO
Serenade. When the Sunlight Dies. . Raritone., ................................. .54
OSTERIA. 1. (1840)
G. Lillo
Domani, o me fellce. Mezzo-Soprano or
h r l t o n e ............................... -50
O'ITONE. i. (1723)
G. FAria di Gimonda. Mezzo-Sopmno. ....... A0
PAGLIACCI. 1. (1892)
R. Leoncav*lla
Vesti h glubba. Artoso. Tenor In E minor, Tenor in D minor. ...................... .H
Quai fismma avea nel guardo! Ballatella. .
Soprano. ................................ .75
.
.
.
PREQOSA. g. L (1821)
C. M. v. Weber
Elnuam bin ich, &ht.nneine.
M~ZZO-SOprmno .................................. .30
PRINCE IGOR. f (1889)
A. Borodlne
Lentement baissa le four. Slowly the daylight departs. High. ................... -75
p$yc~Lf. (1857)
A. Thomas
0 tol, qu'on dit plus belle. Soprano. ..... .35
-AMISTO.
1. (1720)
G. F. Aandel
Arla dl Poliasena. Invocation. Soprano,
Me-Soprano
.........................
REGINELLA. I. (1871)
G. Brng
Belle del tuo arrrbo. Recltarivo nod Roman=. Baritone.. ....................
.SO
LA REINE DE SAM. (1862)
Ch. Gounod
She alone chacmeth my ~ d n e a s . Baritone,
am
Bmw. ................................... .40
1. (1831)
G. Meyer
R O B ~ ' LE
T DIABLE.
"Va,
VP,
va!" dit elle. Sopmno..
#by BLAS. I.
...........
(1869)
Ai miei rivnii cedere. Baritone. ...........
-60
SI J'~TAIs ROI. 1. (1852) ..................
A. Adam
J'ignore son nom. Low.
.35
SNI~OUROTCHKA. (18E2) N. Rlmaky-Kormkok
LlttIe Snowtl&a Arietta. High.. ......... -10
Song of the ShepherdLeU. High or Medium .50
SOSARME. 1. (1732)
G. F. Handel
Rendi'l aareno a1 cigllo. Sopmno, Alto.. .. .40
TOLOMEO. 1. (1728)
G. F. Aandel
Aria d'Eliaa. Soprano. .................... 50
TRISTAN AND ISOLDA. g. (1865)
R. Wagner
Inolda'a Love-Death. Soprano. ............ .7@
WILHELM VON ORAWN. g. (1846)
K. A. F. Ecker
Wenn Ich mit Mensehen und mit Engelazunpen redete. Soprano, Me--Soprano
.5
All numben are published with English, In addition t o t h e original text. 1. g. f. 8. atnnd for itallan, G e r m ,
French, or Spanish text. The numersh In brackets indicate the year when the opern was firat performed.
( P c l e r w s w b trr U. 8. A.1
SCHIRMER, Inc.
N E W YORK
.:
Pagliacci
Drama i n Two Acts
English v e ~ s i o n 6y
Ifenry Gru,fton C h u p m a n
Words and Music by
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Prlnted fnthe U.d. A.
..
1
Toni0 (uutting his head through the curtain)
(bowing fromthe footlights)
Largamente
(advancine)
Si
-
gno
La
T.
-
-
re! ...
dies
Si
and
-
ri!...
Gen - tle men!
gno
-
-
Scn
And
the
I
to fore
I
san
us
<I
-
YOU;
e j ~
he
I
-
vo - i
bids me
di nuo - v a n
once more ad
I
cot canto
met-te I'aumask be
cyms.s. - - h e
,
in par -tgei vuol ri
so part -ly to re
r
- re;
- ze,
- age,
au
&
-1
thorbring
-
pren - de - re vive for you-
-
-
le
the
veo
an
- chit,- tique
via - mi.
dress you!
II
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R
Un po'meno presto che nell' Introdn?cJ.= so)
T.
But not to
,>Le la - cri
The tears we
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non
a1
tJ
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lar
-
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r1
-
tell
you, as of
me
che noi ver
shall shed 'for vou
m
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ma - te
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vi!<<
-
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siam
here
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old,
son
are
-
fa1 - se!
false ones!
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4-
pin - ger - vi
draw you a
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Rssn. d
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bit
-
no
of
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squar-cio
life true
sol ohe
ar - tist
l'ar - ti - sta,Bjn
is
first
a
scri - ve - rcei
iUS:t8
de
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di
vi
na
to
,fen.
L g i ~ per
a
mas- ki - ma
'Tis his cou -.vie - tion, the
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,
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in - ve - ce
ra - ther to
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uom
man,
ve.
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ta.
ture!
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zi
bing
il
and
tern - po
sigh - ing
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beat
bat the
- va
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-
no!
him.
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So then,
you'll
see
love
show11-
-
ma - no gli.&seri,u
- ma -ings do love
each oth-
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tri - sti frut-ti.
dire - ful end-ing,
I
dre - te,
reach you,
-A;
be
you'll
-eq
Del do - lor
1
spa - si -mi,
wit - nesswoe's sharp a - go-ny!,
e
ri - s a
and
scorn-ful
.
. .
hu - man
Cor a n ~ l . --
Vl. & Cl.
s'a
bc-
as
ci laugh -
-
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.
-
. d m -te de lb - dio i
see,'too, of hat - red the
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Howl-ings of rage will
ur
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batu I
let
10838
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-ne d'i - stri - o -mer-y of ao\
our hearts
spea
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'ni,
-tors,
no ra - ther
. le
r
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poi -
- chi siam uo
d'os blood.
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st'or
selves.
fa
we
/Q/
-
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ni
di
e
and,
too.
mon a r e breath -
no
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do
in^
a1 pa the air
car -
che di
like you
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'
que
your
I1 con-cet - to vi dis- si ...
Now I've giv'n you the no-tion!
>
I
e
-.
di uoi spi - r i a - mo
of this world for- lorn and
- ri
Piu lento qyasi recitato
l'ae - re!
lone - ly!
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plot
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Come on!
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.
OPERATIC ANTHOLOGY
SERIES THREE
ORFEO. I. (1762)
C. W. v. Oluck
. ,:.
Che farb senzs Eurldice. Mezzo-Sopran?.
Alto .................................... -75
ORFEO. I. (1607)
C. Monleverde
Tu sewmorta.
Memo-Soprano or Baritone .30
G. Verdl
LES PRCHEURS DE PERLES. f. (1863) G. Bizet
D e mon amie, Reur endormb. Alto.. ...... .35
Je crois cntendre encore. Tenor..
.6(1
LA PERLE DU B R ~ S I L . f. (1851)
F. David
Charmant oiseau. Soprano, Mezzo-Soprano .5g
PHILEMON ET BAUCIS. 1. (1860) Ch. G o u n d
Au bruit des lourds marteaus. (Vulcan's
Song.) Baritone. Bass.. ................ .50
PIQUE-DAME. e. (1890)
P. Techalkonsky
s evening. Duet. Soprano and Alto. . . . .SO
1
EUCTE. f. (1878)
Ch. C o u d
fi Vesta portez vos oflrandea. Soprano. Alto .35
LE PROPHETE. f. I. (1849)
G. Meyerbecr
Ah! m a n dln. Arioso. Mezzo-Soprmo.. ... .50
LA REINE DE SABA. f. (1862)
Ch. Gounod
Inspirez-moi.
Soprano, Mezzo-Soprano.
Alto . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50
Soprano.
Plus grand dens son obecurite.
Mezzo-Soprano, ........................ .40
RIGOLETTO. i. e. (1851)
C. Verdi
Caro-nome che il mio cor. Soprano.. ...... 110
Ladonna & mobile. Tenor in B, Tenor in A, .
'
... .W
Baritone in G.. ..................
RINALDO. i. (1711)
12.F. HBndel
Lascla ch"io planga. Soprano. Alto.. ...... .30
ROBERT LE DIABLE. f. (1831)
G. Me erbeer
Robert. to1 que j'aime. f. I. Soprano. d o .SO
LE ROI DE LAHORE. f. 1. (1877)
Y. Masaenet
P r o m e w de mon avenlr. Baritone.. . : ..... .35
LE ROI L'A DIT. f . (1873)
'
L. ,Delibea
Dejh les hirondelles.
Duet.
Soprano
and Mezzo-Soorano. ................... .40
ROMEO ET
I. (1867)
Ch. Gounod
Ah! J e veux vlvre. f. I. Waltz Song. High Soprano, Soprano. Mezzo-Soprano.. ...... .SO
Que fain-tu, hlanche tourterelle.
f. i.
Soorano. Mezzo-Soorano.. .............. - .a
SAMSON ET DALILA.
(1877)
0. Saint-SaBns
Amour! viena alder. Soprano, Mezzo-Soprano.. ................................
Mon cocur s'ouvre 8. t a voix. Soprano.
Mezzo-Soprano, Alto.. ................... .TO
Printemoa
Soorano.
- oui
. commence.
----.
~Mezzo~
~
Soprano. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .35
SAPPHO. f. (1851)
Ch. Gounod
0 m a lyre lmmortelle. Lioprano
.?5
LA SEMIRAMIDE. I. (1748)
C. W. V. Cluck
Vieni che pol sereno. Soprano.. ........... .25
........:...
SEMIRAMIDE. i. (1823)
Be1 raggio luninghier. Soprano.
SIMON BOCCANEGRA. i. (1857)
Il lacerato spirlto. Bsas or Baritone..
...........
.50
......
.35
TANNHXUSER. 8. (184.5)
.........
~ i c Rtheure Halle. Soprano. .............. Y
Baritone,
0 d u mein holder Abendstern.
nass. Tenor.. ...........:............... :.k
LA TRAVIATA. 1. Q.953)
G. Verdi
Ah.
fora'e lui che l'anlma. Soprano.. ....... .a
~~~~.
Di Provenza il mar, il suol. Baritone..
.50
......
DER TROMPETER VON SXKKINGEN.
g. (1884)
V. Nessler
Es h a t nicht wllen sein. Tenor or Soprano,
MezzcrSoprano, Baritone. Baa8 . . . . . . . . . .40
IL TROVATORE. i. (18531
G. Verdi
Ah! che la morte ognora. Tenor in Ab,
Tenor T r a n l p d In F ................ .35
Si. la atanchezza m'opprlme. Duet. Alto
and Tenor.. ............................ -?
Stride la vampa! Mezzo-Soprano. ......... .35
I VESPRI SICILIAXI. 1. (1855)
G. Verdi
Merce. dilette amlche. Soprano, MezzoSoprano. ............................... .60
DIE WALKURE. g. e. (1870)
R. Wagner
Siegmunds Liebealied. Tenor i n B5. . . . . . . . ,40
XERXES. 1. e. (1738)
G. F. H%ndel
Ombra mai fu. Soprano in G, Mezzo-Soprano in E j . ............................ .35
DIE ZAUBERFL~TE. g. (1791)
W. A. M e r t
Ach. ~ c filhl's.
h
g. I. Soprano. . . . . -. ....... .S#
. I n diesen heillgen Hallen. g. i. Bass.. . . . . . .30
0 Isls und Oslris. g. i. Bass.. .............. .25
ZEMIRE UND AZOR. 8. (1819)
L. Spohr
Tenor. BaiiRose, wie blst d u m reizend.
tone.. .................................. 3 0
...
JULIEGE.
i.
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~
~
~
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ill numbernare published wlth En@iah.in addition t o the original text. 1. g. f. stand for Itallan. German, or
French text. The numerals in brackets indicate the year when the opera was .drat wrformed.
,, ,.r - --,:;
:,?
IM- ~DPIY
to U. S. A:$>. . i I . . .
SCHIRMER, Inc.
,.
.
t.
1'
N E W YOR